Episode Transcript
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0:00
Hm, who
0:06
y'all ready, lets
0:08
go? Well, so missus.
0:10
Michael called this world started doing venice
0:12
each now he reached in the world. He'll make you left ticket,
0:14
stomach cars, superfly, nice guys, praiding
0:16
to trust kid, he
0:18
ain't ready for the star starts winner and oh
0:20
g three times.
0:21
This ain't gonna be get up.
0:22
Whether you want y'all house, you want your brother out to dinner,
0:24
on your job and your brother turned.
0:26
I mean, that's all. Michael
0:28
Trucks said.
0:29
Everybody to call Michael taus
0:31
that everybody like a call, Yes, Michael
0:33
Taustay, everybody you know what Shin called
0:37
Michael fuck said, Everybody called
0:40
Michael talks. Everybody
0:42
Michael took say that my cloudy everybody, everybody
0:44
you call?
0:50
Hey, family, Hey, everybody, welcome to the
0:52
show today. Michael talks to everybody.
0:55
Ooh wee, I gotta special one today,
0:57
y'all. We have a legend oh man,
1:00
and more legendary than you can imagine. This guy
1:02
is so great, a great vocalist. Someone
1:04
described him and they hit it absolutely perfect.
1:07
One of the richest most uplifting
1:09
voices in R and B. Ladies and gentlemen,
1:12
Mister Jeffrey Osborne is in our studio
1:15
right now. It's
1:21
right. Thank you, Jeffrey. You know joining me
1:23
today is one of the greatest comedians out there, any clean
1:25
comedian. I was telling mister Osborne
1:28
that this guy won't cuss no matter what
1:30
happened. You can hit him in the head with two back four Josiah
1:33
Jones ain't gonna say no curse words. He also is
1:35
a minister, you know. And I've seen you,
1:37
minister the time you did online.
1:39
That boy is deep and he's
1:41
funny. You know. My favorite land is
1:44
his mother was white and his father
1:46
was absent. I just thought that's hilarious. But
1:50
weren't need to talk to you, Jeffrey
1:52
Osborne. This is my time to
1:54
find out who you are. And
1:56
you know, I want to go back before we
1:58
even start. I want to go back to your daddy. I
2:00
want to go back to I
2:03
want to go back to Legs Osborn.
2:05
He played trumpet right they he did, great
2:07
trumpet player and he.
2:08
Played with like lying On Hampton, count
2:10
Basie, Duke Ellington. So
2:12
so it's in your system, isn't it? Singing
2:15
music isn't your blood.
2:17
Yeah, I'm the youngest of twelve too, so
2:19
all my brothers and sisters played
2:22
an instrumental saying, so, you
2:24
know when I came up in the house was just full
2:26
of music. You know, it was music all around
2:28
me.
2:29
With twelve kids. How do you have time to do
2:31
anything else?
2:32
I don't know how, I
2:34
don't know. Maybe that's why they called him legs.
2:36
He was just.
2:38
Here, wasn't it?
2:39
Or he was moving around on the legs?
2:43
And now did you grow up under him? Did
2:45
you grow up and watch all these great people he
2:47
played music with? Were you around that influence
2:49
at all?
2:50
I wasn't.
2:51
He died when I was thirteen years
2:53
old, so I didn't really get a chance to
2:55
see his greatness.
2:57
You know, I was the guy that was at home
2:59
when he came in from playing all the
3:01
gigs around town.
3:03
Woeaw.
3:04
He would come in after having a few drinks and
3:07
throw everything on the ground and tell me to pick
3:09
up, pick up, pick up the money. You pick up the money,
3:11
man, and we'll split it. And then he would sit
3:13
there and play, and I would sit outside his door
3:15
and listen to him play.
3:16
It was just amazing.
3:18
It's beautiful. Do you do you keep tapes? Did you keep
3:21
tapes of your dad?
3:21
Have tapes back then. I mean, come on, man, I'm
3:23
seventy five.
3:26
And that's another thing I want to talk about.
3:29
Whow a seventy five years
3:31
young? I was telling people the other
3:33
day, you know, you and I did the or you and
3:35
Stephanie Mills actually did the concert, and
3:37
I was just on there with y'all. But
3:40
your performance is that of a forty year
3:42
old and thirty five. You dumped off that stage,
3:44
you walked through that audience, you had the more
3:47
energy than anybody there, and each
3:49
one of your songs you're still delivering them
3:51
with that same beautiful,
3:54
deep, lovely sound. It's not like
3:56
crackice. Come. I'm watching lot of the old people.
3:58
I'm I'm sorry, I'm not. I watch a lot of these
4:02
artists who are becoming seasoned,
4:04
like our sail. I'm sixty six myself, but I don't
4:06
feel a day over fifty nine. They
4:09
still going on stages and stuffing on.
4:11
Here.
4:11
People cracking the music. The boys
4:13
is cracking it off. They faking you
4:16
see some people start singing low at certain points
4:18
because they can't hit that note. But you
4:20
hit that stage, hit every note
4:23
just like you've been doing it the whole time. What's the secret
4:25
to that well.
4:26
I mean the most important thing is health, you
4:28
know, And I think a lot of us
4:30
take that for granted, especially
4:32
the life that we lead, because I'll tell you,
4:34
the road is a beast.
4:37
And when you're doing these shows and you're doing back
4:39
to back nights or three four nights
4:41
in the row, and if you ain't taking care
4:43
of yourself, it'll come back and get
4:46
you. And I think that's where a lot
4:48
of the older guys kind
4:50
of slacked up a bit, you
4:52
know. I I've been vegan
4:55
for the last ten years.
4:57
I don't teach you.
4:58
I just started eating fish
5:00
in the last six months because the
5:02
little training guy I have told me that, you
5:04
know, you getting old, man, you need some fatty acids,
5:06
so you better eat a little fit. So
5:09
but I was strictly digging and uh,
5:12
And I've always taken care of myself. I always
5:14
think the most important thing is vocal hygiene.
5:17
I take care of my instrument like
5:19
it's you know, it's just like anybody would
5:21
take care of their horn. You know, you gotta take
5:24
care of it. You gotta clean it, you gotta lubricate
5:26
it, you gotta do all those things. And
5:28
so I take care of that.
5:30
I call it vocal hygiene where I steam
5:32
every day.
5:33
I so it's like a hooker, a hooker
5:35
and a coochie. You have to clean that
5:37
thing. You have steam it and make sure everything's
5:39
freshus. All right, If
5:45
that thing ain't clean, it ain't good for nobody. You
5:47
know what I'm saying. Talk
5:50
about your health? Yeah,
5:53
oh my god. Now
5:55
are you self taught? Because I know you are a drummer
5:58
as well as the lead singing LTD
6:00
and I adore LTD. I
6:02
love LTD. So you
6:04
are a drummer in there too. So how did
6:06
you start?
6:07
Uh?
6:08
I am self taught, by the way, I'm self
6:11
taught with every I'm living
6:13
in Providence. I'm from Providence, and
6:16
uh I had a brother.
6:18
I know they had the black people in Province Land.
6:21
Okay, a
6:24
whole lot, a whole lot of my fam
6:27
really your family alone,
6:29
that's one city right there.
6:30
The youngest twelve. You
6:33
know, all my brothers and sisters at fourth.
6:34
But you were the very youngest.
6:36
I'm the youngest at twelve. Yeah, dude,
6:38
we.
6:38
Have so many parallels. I'm the youngest
6:40
in my family. It was five brothers. I'm
6:42
the youngest. Uh my father
6:44
died when I was twelve. Your father died at
6:47
thirteen. And both of us have beautiful
6:49
ball heads.
6:50
You know what I mean.
6:51
People are ball in their head looked like hell,
6:53
it looks like a damn roller coaster that lump
6:56
some ship. And your head is perfect.
6:58
You know, it's rough.
7:00
When you get to the ball saying and realize yo, he
7:02
it looked like furniture, you'd be like, nah, I
7:04
ain't gonna do it. Oh my goodness.
7:07
So so you did. You did musical instructs
7:09
before you start singing. I played
7:11
drums. O. My father
7:14
left his trumpet for me.
7:16
That's the one thing I got was his trumpet. So
7:18
I started playing trumpet. That didn't last
7:21
long. I was like, okay, I don't like
7:23
that. I'mmateur on my lips. Oh
7:25
yeah, And it was swell right there in the middle.
7:28
So I played a little bit and kind
7:30
of put that down. And then my brother
7:33
left the set of drums in my basement and I just
7:35
sat down and for some reason I could play.
7:37
I had no lessons at all. I sat down
7:39
and I.
7:39
Was able to just fell natural.
7:41
Yeah.
7:42
So I started playing around town when
7:44
I was like fourteen, fifteen
7:46
years old in my little local bands,
7:49
and that's how well,
7:51
that's what I met the OJ's first.
7:54
I met the OJ's coming through Providence, Rhode
7:56
Island, when I was fifteen years
7:58
old, and I used to play that nightclub
8:00
and I sold my mom, I want to go see the old j's.
8:02
It was a school night. She's like, all right, no, go ahead
8:05
and be back. You know, I go see him.
8:07
And the night that they are performing,
8:09
I'm watching. Their drummer was
8:12
actually on Heroin.
8:15
He was on He was falling asleep
8:17
after every song, so.
8:18
He would play a song.
8:19
Then he would nod out, and then he would
8:21
play another song. Even now, and I'm fifteen
8:23
and I'm sitting there and saying, what what is
8:26
that?
8:26
Right? So I talked
8:28
to the club owner.
8:29
He let me meet them after the show and I
8:31
said, look, man, you guys guys need a
8:33
drummer. They said, yeah, we need
8:35
one right now. I said, well, they
8:38
said, no, you're too you'll I said,
8:40
well, I know all the guys.
8:41
I'll bring a few guys up audition if
8:44
you let me audition. They said okay.
8:45
So brought a few guys up, all
8:48
the guys in town, and I
8:50
ended up getting the job. So My
8:52
bird job was when I was fifteen playing
8:55
with you know, an established group was
8:57
the Old Jays, and then I met
8:59
that WOW and I met
9:01
LTD under the same circumstances I met
9:03
them. I met them when I was about twenty
9:06
years old. They would come through town and
9:08
everybody said, look, there's ten black musicians
9:10
playing in this club down the street.
9:13
You gotta go see him. I said, I ain't seen ten black
9:15
musicians, and.
9:16
Problem is ever so all together,
9:19
Yeah.
9:19
I went to see them.
9:21
The night I went to see them,
9:23
their drummer got taken to jail for smoking
9:26
marijuana outside the club. That
9:28
was nineteen seventy. I was nineteen,
9:30
so you know that was a major offense. So
9:33
they locked him up in The club owner said, can
9:35
you help us out? Can you play drums with this group?
9:37
Like, I don't know what they're doing, but they're doing
9:39
Top forty. I knew all Top forty because
9:41
I used to work part time in record store. So
9:44
I went in and played the knight, sang a couple of songs,
9:46
and they asked me to join the group. So I
9:49
owe my career to drugs. I got, you know
9:51
what I'm saying.
9:55
And harra haro I
9:58
helped my career's herod. Oh
10:00
my god, So did you really play
10:02
like they want you to be able to play? When you first
10:04
started? Did you get on them drums?
10:06
Did you do your thing?
10:07
You winging it?
10:08
Yeah?
10:09
Because I had a local group and we had all the
10:11
best jobs of time. I played and sang at the
10:13
same time, and so when
10:15
I joined LTD, I did the same thing. I was
10:17
playing and singing most of the time,
10:19
and then we recorded. We had this
10:21
one song in nineteen seventy five
10:25
call Love Ballot.
10:26
Come, and that's one of my favorite
10:28
songs. Man, I love that song so much.
10:31
And you know, there's four hunt players in
10:33
LTD.
10:34
So record company came to me and said,
10:36
look, you got to get up from behind the drums
10:39
because the ladies are going crazy over this song.
10:41
They can't even see you singing it. You got
10:43
to get out front. And I'm like, i don't
10:45
even know what to do with myself out front. I'm so used
10:47
to this doing this with my hands
10:49
and singing. So they got me a
10:52
teacher. So I got a guy
10:54
who was the theater director at
10:56
La City College, and he came
10:58
in and he worked with me and he
11:01
taught me how to, you know, work
11:04
the stage. And the one thing
11:06
he taught me that I never forget. He said, the most
11:08
important thing is to reach
11:10
the last person in the last seat.
11:13
He said, you get that last person
11:15
in the last seat, you got the whole
11:17
audience. So he just taught me
11:19
how to, you know, how to bring in an
11:21
audience, how to work with the audience, and it was
11:23
invaluable.
11:25
Wow, wow, I
11:29
want to see. I was trying to pull that up real quick.
11:31
I love ballad? Why
11:35
did they name it love ballad?
11:36
Like? I see all the words in it.
11:38
I'm younger.
11:40
I was like, my mother loves this song,
11:42
and I'm like, it's the love ballad.
11:44
I'm like, well, what's the name of the song?
11:46
Right, it's a bat.
11:48
I have no idea why.
11:50
If I had written it, I
11:52
wouldn't have called it love ballad. But it
11:54
was written by this guy, Skip Scarborough,
11:57
who was an incredible song right.
11:58
Skip Scarboro wrote a bunch of hits something
12:01
from Winning By he wrote,
12:03
you know, he
12:06
was just a great writer.
12:08
And I don't know he just came up with I
12:10
guess when he was writing it, he was gonna write this
12:12
love ballad, and that's what he ended up
12:15
calling it you cute it.
12:21
Years old.
12:27
Or a lot of people got something on this one. A
12:30
whole lot of buff us born to this one. Yes,
12:33
sir, y'all don't
12:35
know about love ballad. You know about this is one of
12:37
the America's greatest classics.
12:39
Black or white, that's all Love
12:41
ballad. The Ghoult people went in on that amazing.
12:45
Yeah, that was it was fortunate to
12:47
be able to get a hold of that. That song. It
12:50
was turned down by earth winning fire.
12:53
Oh my god, how beautiful.
12:56
Maurice said he didn't wasn't
12:58
feeling he wasn't feeling it.
13:00
Gave it, They gave it to us, and uh
13:04
interesting.
13:04
So that was one of them songs that
13:06
uh.
13:07
I fought with the producers the night I sang
13:09
it, didn't want to sing, was ready to go home.
13:12
They taught me in the stinging at like four o'clock
13:15
in the morning, I'm singing a song.
13:17
You know, it's four in the morning. So I
13:19
got sang it one time and left and
13:21
said I'm done with it. Came back
13:24
the next day they said, oh, this is done. You want
13:26
doesn't do this.
13:27
I'm what
13:31
you want to take Jake.
13:32
You didn't one time I did it one time.
13:35
I didn't want to do it.
13:36
Then I didn't want it because I've been waiting
13:38
in the studio since eight o'clock. They
13:40
showed up in one in the morning, and
13:43
so we had the big argument, and they were like.
13:44
Well, you still got time, man, you can go something like I don't
13:47
want to sing right now.
13:48
So I did it, did it one take, and
13:51
when I came back and listened to it, I said, yeah, I'm not gonna
13:53
mess with that either.
13:55
What the biggest
13:58
ever? Hey, we'll take a quick break. Now,
14:00
you gonna go talk to a man about a horse. Hey, y'all,
14:02
this is your boy, Michael Kaya And
14:04
I'm here with the world famous, the awesome, the
14:07
crewer himself, Jeffrey Osbourne,
14:09
and my team.
14:10
Will be right black in a pair of seconds.
14:23
And we're black, I mean we're black.
14:25
And I am with Jeffrey
14:27
Osbourne, who is so amazing, and I had
14:29
the pleasure of actually being on
14:31
a stage with him, and we performed
14:34
a couple of weeks ago, and I'm just going
14:36
away, how excellent, how strong
14:39
your performance is at seventy five
14:41
years young. Don't you want to go lay
14:43
down? How do people feel when they sit. I'm
14:46
sixty six. Oh, and
14:48
we have a young lady who would as well
14:50
today, Austraya Black is a brilliant
14:52
comedian and she's like one of
14:54
my side kicks, and she's my partner
14:57
on the morning show. Hey, Astraya, you
14:59
on me?
15:00
Hey listen, I gotta listen,
15:02
miss Iborn. What
15:04
the fuck are you doing drinking from the family youth
15:07
because you look swell you look,
15:10
and I just want to tell you. I
15:12
know for a sex that
15:14
my mama was doing well. She ain't have no business
15:17
off of your music.
15:20
I know for a fact she was. But
15:22
it's so beautiful.
15:24
I think just in general
15:26
for music is missing
15:28
just love period.
15:30
You just the pure love. Is no
15:32
one who just could pours
15:35
out love anymore, you know what I'm saying.
15:37
So I'm just honored to,
15:39
you know, be on here and just
15:42
to see you like this is really a
15:44
blessing love.
15:46
Well, hey, pleasure, it is so nice
15:48
to meet you. I feel like out of place.
15:50
I'm like the only singer here.
15:53
I got comedians all around me here.
15:55
No, no, no, I
15:59
know they both say
16:01
they sing. I don't want
16:03
to.
16:03
Talent shows in the third ride and everything.
16:05
Now I
16:08
sing praizy worship at church. Right now, I'm
16:10
a praisy worship leader. You better
16:13
be bringing it. If you singing in church, you
16:15
better be bringing it.
16:16
Some of the best vocalists we have on this show
16:19
started at church. They
16:21
sang at church. Now. So, at
16:23
seventy five years young, what
16:26
was the greatest and the most exciting
16:28
performance that you've ever done? Something that just
16:30
rocked you. You just had to go over the corner, sit
16:32
down and catch yourself recover from
16:34
it. It was so amazing. What was that?
16:37
It's that's hard to choose.
16:39
I mean, there's been so many and I just did
16:41
one at seventy five in Detroit,
16:44
and I could have sworn I must be Michael
16:46
Jacquelin or somebody. I mean,
16:48
what's going on? They stood up the whole concert.
16:50
They sang every word to every
16:52
song. It was amazing. There's
16:55
been so many moments like that, it's
16:57
hard to pick one. I think Nolan
17:00
might be one of my favorite places to play because
17:03
people and all that is love music. They
17:05
love everybody, you know.
17:07
All of love party. That's it.
17:09
They They're gonna eat.
17:11
It, drink it, make love to it, dance
17:13
with it. They're doing all that shit right out
17:15
in the street.
17:16
I have a question, mister Osborne. So
17:19
with the way that music is now, do
17:21
you have a new favorite artist? Like
17:23
I know sometimes you know, people like I
17:25
don't listen to nobody for real, or I
17:27
listen to contemporary music.
17:29
Do you have someone that you listen
17:31
to that you like this kind of fairly
17:34
new or something like that.
17:36
You know what it's it's it's kind
17:39
of hard for me to listen today to a
17:41
lot of the today's
17:43
music.
17:43
It's it's so different, you know.
17:45
I appreciate some of the people
17:47
out and I am completely
17:50
blown away with the success of some
17:52
of the younger people.
17:53
It's amazing how well they have done.
17:55
I wish that my
17:58
generation had done what
18:00
they're doing, which is they collaborate
18:02
with everybody. I mean, you look
18:04
up and they're all on each other's albums,
18:07
and I love that
18:09
that, you know, I love that about the
18:11
young artist. I
18:13
think today's music, like
18:15
we were saying earlier, it doesn't have the character
18:19
or for me, the melodic depth
18:21
that music had back then.
18:23
But the following is amazing.
18:26
I mean, these kids are selling just oh
18:29
gods are records and I mean, I
18:32
saw I have to say that I
18:34
respect what they're doing quite
18:36
a bit, but I you know, like you were saying,
18:38
I don't get that that love
18:40
feeling anymore.
18:41
A lot of it is.
18:42
That's what I was going to ask you. Are there any more
18:44
crooners?
18:45
There's not a lot, especially male vocalists. I
18:47
don't see a lot.
18:48
Everybody wants to rap now, you know, and
18:51
most and most of the melodies are basically
18:53
almost like a rap melody.
18:55
It's all kind of monochrone.
18:56
There's no versus and then
18:58
a bridge and then a chorus, and
19:00
you know, it's all sitting on the same little
19:03
eight bath phrase and right
19:05
right, it's.
19:06
Not challenging to sum it up.
19:08
That's why it's a lot of eighties babies, you
19:10
know what I'm saying that at my eighties and nineties
19:13
babies sang where
19:15
it was easy to take women's panties off,
19:17
Versus now they're just like, bitch, take
19:19
your pannies off.
19:20
Like it's a.
19:21
Little they say,
19:23
you know me and saying to you real pretty
19:26
Where it was like it was an ease or you know,
19:28
like you know, let's just do it, but you
19:30
know, now it's everything is a lot rougher.
19:33
Basically it is, and
19:35
I think we've lost respectful women
19:37
in today's music. I mean, I just
19:39
hate to hear people on them bitches and
19:41
holes and this and that and what the thing is they buying
19:44
it? I don't get it.
19:45
Yes, mister
19:48
Osborne, to your point, to
19:50
your point on the wings of love, that
19:52
ain't nobody going on the wings of love?
19:54
No more, no wings of
19:56
love. Nobody. Ain't nobody holding
19:58
on?
19:59
Come on, somebody,
20:01
Ain't nobody. Ain't nobody talking about I'll
20:04
make believe. Ain't nobody doing that?
20:06
It's in their face.
20:08
Like you some songs you would
20:10
be like, hold the wings up, love.
20:13
Now it's like I'm gonna beat it up until your back
20:15
hurt.
20:19
Daddy.
20:19
Didn't beat it up, daddy.
20:22
The women saying period, beat
20:24
it up, period, period.
20:27
I missed the songs where you
20:29
said my one and
20:32
only love, Come on, somebody, yes,
20:35
shut up so that they
20:38
love. Now, mister Osbourne, they just
20:40
screwing. They not making love.
20:42
You're right, And he could enunciate
20:45
his words.
20:46
He enunciate his words
20:48
like you can hear him and a nunci ain't
20:50
his words.
20:51
You don't know half the ship people talking
20:54
about them?
20:55
Now?
20:56
Are you saying to beat was nice.
20:58
That be was nice. Australa
21:00
and Josiah, this is before you your
21:02
kids time. But there was a day
21:05
when people actually held each other and
21:07
danced slowly. Come on, y'all,
21:10
don't remember that? Do you? You remember that?
21:12
Josiah? Now you better not
21:14
touch the mofuck on the dance floor. I wish the fuck
21:16
you would. You better not touch your hand off
21:18
me. But it was all about the blue light
21:20
and the basement. Man, we throw on some L T
21:23
D. We granding. I
21:25
know you too young to remember grand Austraya remember
21:28
grinding.
21:29
Griding is because I remember Pokino
21:32
night and Pochino Knights used to get
21:34
rough in the family at the houses
21:36
and I was a little gird at the
21:39
Yeah, I used to see that at the top of the stars
21:41
while everybody was in the basement. Of course
21:43
I didn't got popped a couple of times. My
21:48
little grown ass was watching y'all.
21:52
So so so, Jeffrey,
21:54
what is the worst experience musical
21:56
experience, the thing that didn't work out? Which
21:59
one of those? Do you remember anything that turned
22:01
into a disaster? I thought it was would be great, but
22:03
it didn't work out.
22:05
We've had a bunch of those during the course
22:07
of my career.
22:09
I think one of the biggest disappointments was
22:11
we finally got our chance to
22:13
audition.
22:14
For A and M Records Ltd.
22:16
We've been struggling in La get a chance
22:18
and were going and we auditioned and
22:20
they were like, well, we're not hearing
22:22
it. You know, the music is too militant,
22:25
and we were.
22:25
Militant back then.
22:27
Oh wow, our music
22:29
was all about y'all white
22:32
folks doing.
22:33
This and black folks.
22:35
They were like, so we kind of messed
22:37
up that audition and it kind of hurt us.
22:39
But what they did was they said, well, we love you.
22:41
Guys musically, would you consider
22:44
being a band for Mary
22:46
Clayton. Mary Clayton at the time was
22:49
very big, you know, and she had done some work with the Rolling
22:51
Stone. So we started performing
22:53
with Mary Clayton, and we did the
22:55
Monterey Folk Fest with her
22:58
and a band fell out, so
23:01
they asked us to fill in twenty minutes, and
23:04
we did twenty minutes and left the crowd
23:06
standing and the record company looked at.
23:08
Us and said, oh wow.
23:10
So they called us back in and
23:12
the funny thing is our first record deal.
23:15
It was one of my favorite artists, Jerry
23:17
Butler had.
23:18
A production love Jerry Butler.
23:20
Jerry Butler had a production deal at A and M
23:22
Records, and we signed through his production
23:25
deal for our first album, and
23:27
after that we signed directly to the label. But
23:30
yeah, I mean, so you know those moments
23:32
you work hard, you get there, you get that big audition,
23:35
and it don't happen. That was That was a
23:37
tough moment for us.
23:38
So at seventy five, are you still dreaming?
23:41
Do you still have dreams of accomplishing more
23:43
different things? Or have you mellowed
23:45
out and just gonna.
23:46
Do I'm living a dream. It's
23:48
all about the dream, you know.
23:50
It started with a dream when I was twelve
23:52
years old on the street corners
23:54
out there.
23:55
I thought I was one of the Temptations. I was doing
23:57
my steps right right, you
23:59
know.
24:00
And then ten years later I'm
24:02
on stage opening for the Temptations and
24:04
I got to meet them.
24:06
Why dreaming
24:08
is important?
24:09
Yeah about that dream? So yeah, I never
24:11
stopped.
24:12
We live or die by them dreams,
24:15
we see, because you can only live the
24:18
story that you write. So so
24:20
yeah, family, you
24:22
have a wife, your five kids, four kids,
24:25
four kids, four kids for what's
24:27
them, Sherry? Yeah, please
24:30
give her our best, tell her hello, it's
24:33
just love down here. Are you in l
24:35
A Novemberfore?
24:37
I'm not in l A. I'm going
24:39
most of November.
24:40
I like that. I like being going because that means
24:42
I'm coming back with the money now. I can't put
24:44
in Chase Bank because they just closed all my
24:47
counsel with out a reason. But I
24:50
love coming back with the money now.
24:53
I got I gotta go after them, man, because they
24:55
tripping. You know, they racist and ship you
24:57
know they They ain't even tell me a reason. They just
24:59
say, you know, we don't understand
25:01
your activity. You ain't
25:03
both know my activity. I better take my money,
25:06
put it in when I won't take it out when I want. But
25:08
of course, being black, they assume
25:10
niggas are selling drugs. I ain't slaying
25:13
nothing but jokes. So I don't know what the hell
25:15
they talking about. But I think
25:17
I think I smell a lawsuit. Yeah
25:19
it's tasty.
25:20
Okay, that's interesting
25:23
right there.
25:24
If you wanted your public out there to know anything
25:26
that you haven't had a chance to say yet, can you
25:28
say it now? What was one thing you want people
25:30
to know about you? Jeffrey Osbourne. Man,
25:32
the legend. I don't know.
25:34
That's a hard question. The things
25:36
that I haven't accomplished that I still would like
25:38
to accomplish, you know.
25:39
And I tell you what, tell me one, tell me one.
25:42
Well, I've never done anything as far as TV
25:44
is concerned, no motion picture
25:46
work other than I've had songs on
25:49
TV. I've had theme songs, and I've had
25:51
songs in the movie. But I've never
25:53
done any acting. And I think that's one thing
25:55
I would like to do. You like to travel
25:57
actor, I think I would know
26:00
the right thing comes along. I think I would.
26:02
Yeah, the part of I'm doing tomorrow
26:05
you would have been perfect for them. So glad you didn't
26:07
know about it. And uh,
26:09
it's it's
26:12
a fimm I'm
26:14
a little older than sixty and
26:16
I'm the guy who comes and check out everything.
26:19
You know.
26:19
I do the inspection, the counting
26:21
inspection for this building, right, But come to
26:23
find out, the guy who lives
26:26
there also slept with my wife
26:28
and I recognized his face, like, wait a minute,
26:31
you the hindred just the musician. He said,
26:33
yeah, man, I remember you.
26:35
And so at first they had passed
26:37
the inspection, but then
26:40
when I realized that this dude has done the who
26:42
see with macuity? Things changed.
26:44
I can't tell y'all no more than that. But the show is
26:47
called Man, Man Your Business, that's
26:49
the name of the series. Man Your Business are Bounce.
26:52
But I you should try to
26:54
act?
26:54
You should?
26:55
You should get out there and do something.
26:57
Yeah, I like to Have you ever done a monologue?
27:00
No? Not really, you know?
27:02
And I started at one time to, you
27:04
know, try to get into some voiceovers, and
27:06
I never did that because I figured I do
27:09
some voiceover work.
27:10
But why don't you learn a monologue?
27:12
If you if you learn a monologue, like a
27:14
five minute monologue, and if you go
27:16
online you could put up put
27:18
in monologue for black men like
27:21
five hundred to jump up and find one
27:23
you like? You feel good, feel like you could say it and
27:26
learn it. If you learn a four or five minute monologue,
27:29
Man, you could come on a morning show. How
27:31
cold would it be to see you
27:34
doing a monologue? Brother? People
27:36
would go crazy for that.
27:38
I agree. I think that.
27:39
I think listen. I think he almost
27:41
soap opera worthy. I think you like
27:44
Young and the restless he does,
27:47
I mean not heat of a night.
27:48
What's the other one? The Light, the Sun,
27:50
the.
27:50
Guy in Like,
27:52
I really think that you should try to go do
27:55
one of those the soap opera. I really do, oh
27:57
yeah, because they're doing a lot of so a lot of people doing
28:00
so soap operas. But soap operas tough, but
28:02
you know, I mean as a first job.
28:04
Because soap opera it's new material
28:07
every day, and so
28:09
for five days, every single day, you got
28:11
a new script for every day because it's a story that keeps
28:13
unfolding every day. That's tricky to
28:15
me because I don't memorize that quick
28:17
like all the rest of this day today, A memorizing
28:20
line for tomorrow, you know. Yeah,
28:23
yeah, so I want that to happen. Please
28:25
consider getting your monologue together.
28:28
Then we can get you on the Michael coy In Morning Show.
28:30
Do your monologue. I bring on Miguel
28:32
New Year's He'll be the monologue judge
28:34
and we'll just have fun. Man, do
28:38
it, man, don't be scared, don't board
28:42
and give us some of that love ballad that love
28:49
you see a little bit, let me hear just a little bit. You do three
28:51
lines. Hey,
29:03
I'm grabbing myself over here.
29:05
Stop.
29:06
I love you, Jeffrey, Thank you, so
29:09
much. Man, We appreciate you. Tell people how
29:11
they can find you so they can find out what you're doing all over
29:13
the place.
29:13
Jeffrey Iging dot com. Pretty simple.
29:15
I got my website up and then everything
29:17
is on there, and my all my dates
29:20
are on there, so my merchants on everything's
29:22
on there.
29:22
Yeah.
29:23
I love you, sir, and I appreciate you. Thank
29:25
you so much for coming to that give it up. Thank
29:28
You's beautiful. It was a beautiful pleasure
29:31
for us. Thank you, Yes, yes,
29:33
thank you. And no one's gonna see this, they're gonna
29:35
hear this, but here we go. Thank you
29:37
so much. And Straya Black,
29:40
who is so funny, Thank you for dropping in and
29:42
talking with us. And tell people they can
29:44
find you Astraya.
29:45
Well, they can find me Monday do Friday on
29:47
the best TV show on the Internet,
29:49
Michael Call You Morning show. Social
29:53
media platforms is Istraia Black. You
29:55
can find me over here on our radio with
29:58
Michael talks to.
29:58
Everybody what And
30:04
finally Josiah tell people they can find
30:06
you. Hey, you guys can find me at
30:08
Josiah B. Jones dot
30:10
com, Josiah B. Jones dot com
30:13
on Instagram, Facebook, Twitter, Snapchat.
30:15
Everything is at Comedian Josiah.
30:18
It's all one word at Comedian Josiah.
30:21
And I'm telling you, man, listen, I'll make
30:23
you laugh at loud. If not, you laugh
30:25
on the inside. Ay, I love
30:27
it. Thank y'all all, thank you. I'm your boy.
30:29
Michael Kaya wore famous, world renown, often talked about,
30:32
and you can always find me on my morning show
30:34
five days a week on YouTube. The Michael Kaya
30:36
Morning Show's only done seven hundred and nine, so I
30:39
understand you haven't heard about it. Also, I'm
30:41
right here at iHeart three
30:43
new shows every week and this
30:46
is like the most beautiful artist I've had an opportunity
30:48
to interview. Mister Jeffrey.
30:50
I was one.
30:51
It made my whole week, my whole
30:53
month. I appreciate you. Thank you
30:55
for saying yes, King. I appreciate and giving
30:57
mis Sherry a hug from me and my
30:59
lovely wife. Okay,
31:01
hey y'all, we gotta get out of here. This has
31:04
been great. As Michael talks
31:06
to everybody, we out, remember keep God
31:08
first life of the garden. If you dig it and guess
31:10
what He needs you have
31:12
fun today and just remember we're
31:15
here to have fun. If you ain't gonna have fun. Why
31:17
the hell are you still here? Get out of here?
31:20
Yiada, okay, catch you on the rebound.
31:22
See everybody. It's a beautiful day. And
31:25
by woo,
31:30
I had a good time today. I hope y'all did too.
31:32
Man, Thank y'all for checking us out here. Michael
31:35
talks to everybody. Hey, you can
31:38
follow me, man, I'm easy to follow. I'm on Instagram
31:40
just under at Michael Kaya. I'm on TikTok
31:43
that's Michael Kaye one three five. I have a very
31:45
sexy web page called the Real Michael
31:47
Kaye dot com. You know, you go over there. You can find out
31:50
by my merchandise and what I'm doing and with all
31:52
my shows. Our airthing is right there.
31:54
Or if you really love me, you can go to my cashapp.
31:57
That's dollar sign Michael Kaya's
31:59
money. Pay with y'all, but I accept green sem
32:01
foods and Canadian money. I'll take your bus
32:03
transfer if you got some time left
32:05
on it. And my morning show, oh my, Michael
32:08
kya morning show that's seven eight
32:10
in Pacific time, yo, five days
32:12
a week. This has been a ray Lock
32:15
Group production.
32:16
I see y'all later.
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