With The Seventh Victim dying at the box-office, The Ghost Ship pulled from distribution, and Curse of the Cat People ruffling the feathers of RKO executives, Val Lewton's top-line production became his first definitive non-horror project: a period literary adaptation called Mademoiselle Fifi. Dad and I discuss Lewton's heavily compromised, and perhaps over-extended, stab at a poetic wartime film.
All original music courtesy of Niel Jakoby
https://nieljacoby.bandcamp.com/
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