Episode Transcript
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0:00
I didn't like the Red
0:00
Hot Chili Peppers.
0:02
Really? Why?
0:03
Well, when I was
0:03
interviewing them before the
0:06
interview, we warned them you
0:06
know this is live. So try to
0:11
keep your swearing to a minimum.
0:20
Welcome to the
0:20
mostly money podcast with your
0:24
host, Preet Banerjee. This is mostly money and I'm
0:29
your host Preet Banerjee. And on
0:32
the show today I'll be speaking
0:32
with Canadian royalty. Erica
0:37
Ehm, was one of the first
0:37
muchmusic VJs, who spent 10
0:41
years captivating and
0:41
influencing young Canadians,
0:45
young Canadians then who today
0:45
are my age. And every time I
0:51
mentioned that, Hey, I know
0:51
Erica M. Without a single
0:54
exception, every single one of
0:54
them physically grabs my arm,
0:58
and tells me how they were madly
0:58
in love with her. 15 years ago,
1:03
she founded Yummy Mummy club
1:03
which connects brands with
1:06
Canadian moms. In 2012, she
1:06
became a pioneer yet again, in
1:11
branded content and social
1:11
engagement with the launch of m
1:14
and Co. More recently, she
1:14
launched a new podcast called
1:18
reinvention of the vj, which
1:18
includes interviews with much
1:22
music DJs, like George
1:22
Stroumboulopoulos, Rick the
1:25
temp, Amanda Walsh, and many
1:25
more. And I came to know her
1:29
from crossing paths on the
1:29
professional speaking world. And
1:33
I'm so delighted to have Eric on
1:33
the show today, and our theme
1:36
will be re invention because
1:36
she's absolutely an authority on
1:40
it. And because it's something
1:40
so many people are grappling
1:43
with right now, both personally
1:43
and professionally. So you're
1:47
the perfect guest at the perfect
1:47
time. Erica, welcome to the
1:50
show.
1:51
And you're the
1:51
perfect host. So this is gonna
1:53
be the perfect show.
1:54
You can't say something like that, because I do not have the background to
1:56
justify that praise. But I'll
1:59
take it. I'll take it.
2:00
I'm sure you will.
2:02
Now I want to I want to talk about your new podcast, obviously reinvention
2:04
of the VJ because as I said,
2:07
reinvention is such a strong
2:07
theme and people's lives right
2:11
now. But before we do that,
2:11
let's talk a little bit about
2:14
how the VJ was invented in the
2:14
first place. How did you get
2:19
that gig but as because it
2:19
wasn't like something where,
2:21
hey, we're looking for people
2:21
with experience as VJs for
2:25
music, television that didn't
2:25
exist you you define that genre.
2:29
So how did that happen? in the
2:29
first place?
2:32
Well, like most
2:32
things, it takes a lot of effort
2:35
behind the scenes, everyone
2:35
thinks, Oh, you know, I think a
2:39
lot of people think I slept with
2:39
my boss, or one of the bosses,
2:43
honestly, oh, there's, there's a
2:43
full conspiracy theory about
2:47
that. But the real story is when
2:47
I was 16 years old, I had
2:52
already decided I was going to
2:52
work in the music business, and
2:56
managed to get on the radio at
2:56
ShowMe FM to be interviewed when
3:00
I was 16. Or no, I think I was
3:00
17 at that point. And so I I
3:04
spotted who the program director
3:04
was at ShowMe FM. And when I
3:10
went to see the cars concert at
3:10
the Montreal forum, decked out
3:13
in the latest and greatest New
3:13
Wave outfit, I marched up to him
3:19
Hi, Rob rate, can I have a job
3:19
at shome. And he looked at me
3:23
and he said, this is actually
3:23
time for me to be watching a
3:26
band. But if you would like to
3:26
call my assistant, we can talk
3:30
about it. So I frickin showed up
3:30
at ShowMe FM when I was 17 years
3:34
old, and asked him for a full
3:34
time job at show with them. And
3:38
guess what he said?
3:40
Of course, he would say yes to you. How could you say no to you?
3:42
He said no. Oh. He
3:42
said, Listen, you're still in
3:47
school. You can't work here full
3:47
time. But if you'd like, you can
3:53
be my music librarian. What that
3:53
means is you can have access to
3:57
the radio station at any time.
3:57
Your job would be to organize
4:02
all the albums that weren't even
4:02
CDs at the time, and keep all
4:05
the records organized. And you
4:05
get to be here and you get to
4:09
experience what it is to work at
4:09
a radio station. Of course, I
4:13
said yes. And all the kids at CJ
4:13
app where I was at school. Is it
4:18
like how did you get the job?
4:18
Because it was big news, right?
4:20
It was it's the biggest rock
4:20
radio station. And guess what I
4:24
told them? I asked seriously,
4:24
that's my theme. And you're
4:29
gonna see this reinvention theme
4:29
and I asked as sort of a
4:33
partnership in approach to life
4:33
really. So when I was already
4:39
working at the at the radio
4:39
station, I started working in
4:43
clubs, DJing and punk bars. I
4:43
was working at ama and Sam the
4:48
record man, I was managing
4:48
bands. I was immersed in the
4:53
music business. And then I got a
4:53
job. Sorry, I didn't get a job.
4:56
Then I went to University of
4:56
Ottawa and I did my degree in
5:00
communications and right before
5:00
I ended my time at university, I
5:06
called up city TV and begged for
5:06
a job at the new music. Moses
5:11
nightmare happened to be coming
5:11
to town for a CRTC hearing
5:15
coming from Toronto to Ottawa.
5:15
And he agreed to meet me. And I
5:19
talked his ear off about my
5:19
passion. I took him to my
5:23
apartment, he saw my all my
5:23
albums, and I was like, I really
5:27
wouldn't shut up. And he agreed
5:27
to give me a job answering the
5:32
phones for the new music. So
5:32
that's how I got my my first
5:37
sort of entree into city TV. And
5:37
then while I was working at City
5:42
TV, answering the phones and
5:42
being the entertainment
5:44
coordinator and working my way
5:44
up, I was JD and Jeannie
5:49
Becker's assistant, I also
5:49
worked part time at the local
5:53
cable company. I had called them
5:53
up and asked, I said, Hi, my
5:57
name is Erica, can I have a job?
5:57
hosting a show? an entertainment
6:02
show? And the guy on the phone?
6:02
His name is Willie john. He
6:06
said, Sure. Honestly, not a word
6:06
of a lie. So I went down to the
6:10
local community programming
6:10
channel, McLean Hunter, and I
6:13
started hosting a show there. I
6:13
did that for two years, you
6:16
know, for free, have
6:16
volunteered. And then I made a
6:18
demo tape. And then I got the
6:18
job.
6:22
So okay, so there's something I have to ask you about here with the stature
6:23
of Moses Znaimer? How did you
6:26
convince him to come?
6:28
Well, first of all, I didn't know about the stature of Moses Znaimer to be honest.
6:30
Listen, I was how old was I? I
6:34
was 19 years old. And he his
6:34
wife was friends with my mom. So
6:40
I just knew him as this, you
6:40
know, Moses, his husband, like I
6:45
didn't understand he was Moses
6:45
nightmare, right? So that
6:49
ignorance was very useful. But
6:49
at the same time, I think even
6:53
still, today, I am absolutely
6:53
fearless. When I want something,
7:00
I know that I can't let fear get
7:00
in my way. And also, I remember
7:05
that everybody is a person. He's
7:05
a guy, he's like a person with
7:10
one would assume a heart and an
7:10
interest in, you know, young
7:15
talent. He runs a TV station,
7:15
you know, one would assume that
7:19
he'd be interested in finding
7:19
new people who could fit with
7:23
his vision. So I think in life,
7:23
you have to be fearless. Because
7:28
nobody is going to walk up to
7:28
you and offer you anything
7:31
except this particular podcast
7:31
that you asked me to do. But any
7:36
other opportunity, I had to call
7:36
and ask about,
7:40
That takes quite
7:40
a bit of courage to do something
7:43
like that. But that, you know,
7:43
let's talk about the transition
7:46
from Alright, so now you're
7:46
answering the phones? How do you
7:50
go to being on air? Because that
7:50
in itself is also transition,
7:53
you expect that, you know,
7:53
someone with experience in front
7:58
of the camera would would get
7:58
that opportunity? So how did you
8:02
then take that next sort of
8:02
fearless leap to say, I should
8:06
be the one who's in front of a
8:06
camera? Because especially at
8:10
the time when there wasn't a lot
8:10
of channels, there weren't a lot
8:14
of big TV stars. That would take
8:14
a lot of gumption to say, Oh,
8:17
yeah, that should definitely be me.
8:19
It had to be me. List
8:19
n, I was, I was the music cura
8:23
or in Montreal, because I was
8:23
he DJ, in the punk and new w
8:27
ve bars. That's all I wanted
8:27
I never and still don't care ab
8:31
ut fame. I want to be an influe
8:31
ce on your passions, on your vis
8:40
on in life, and not just in mu
8:40
ic and culture. But I am over
8:45
ly loud about being kind and r
8:45
le modeling behavior that I th
8:49
nk is important to make the wo
8:49
ld better. So I, I take that
8:52
on myself. Why? Or how I made t
8:52
at transition was an interest
8:57
ng one. Because a I was alre
8:57
dy hosting a show on cable. I
9:02
ad actually hosted a show
9:02
in Montreal when I was DJi
9:05
g. Someone said to me, do you w
9:05
nt to host a show that we're do
9:07
ng it was called music video. T
9:07
at was probably in 1979. It's st
9:11
ll you can search it, i
9:11
's somewhere on YouTube. And I j
9:15
st was like, Oh my god, I l
9:15
ve Siouxsie and the Banshees
9:18
so much, you really have to
9:18
uy that album. I mean, I
9:21
as already doing it. But what
9:21
as interesting about city TV
9:26
nd much music was that they of
9:26
en hired internally. And we'll t
9:30
lk about that later, when we do
9:30
he conversation about
9:34
my reinvention of the vj Show.
9:34
'm discovering so many interest
9:38
ng things about other people
9:38
ho were doing have done simi
9:43
ar jobs to me at muchmusic.
9:43
nd there is a theme where there
9:47
is a prediction predisposition f
9:47
om Moses and his team to h
9:53
re people who were already part
9:53
of sort of our Ico who underst
10:00
od What much music was about,
10:00
nd we're passionate about music
10:05
nd culture, but didn't h
10:05
ve experience as a broadcaster.
10:09
nd Moses, his incredible insi
10:09
ht was that you can te
10:15
ch broadcasting, but you ca
10:15
't teach passion. So if you look
10:21
at the people who were on, not j
10:21
st much music, but on city TV
10:25
as well, the environmentalist,
10:25
or example, were not broadcaste
10:30
s. They were environmen
10:30
al warriors, who were given
10:36
he access to microphone and cam
10:36
ra and learned to tell stories
10:41
in front of people. Because, as
10:41
ou know, you're not a broadcas
10:45
er by trade. You're right, like
10:45
ou your experience is differe
10:50
t. But you've taught yoursel
10:50
I mean, it doesn't take that m
10:53
ch to be a great storyteller. It
10:53
is hard to be a great listen
10:58
r, which you are. But people
10:58
re drawn to people who
11:03
re authentically passionate
11:03
nd knowledgeable about somethi
11:08
g. And Moses knew firsthand tha
11:08
I lived the life I walked
11:13
he talk. And there weren't whe
11:13
I went on the air, I was 23. Th
11:17
re were not probably any girls
11:17
or women in the country who had
11:22
he background already that I h
11:22
d, at that age, I went for it
11:27
I was focus
11:29
And when you
11:29
when you first went on air as a
11:31
much music vj. Did you know
11:31
right then in there that this
11:37
format is going to explode. This
11:37
is going to partly define an
11:41
entire generation. Did you ever
11:41
come to that realization? Was
11:46
there a moment in time where you
11:46
said, Wow, I'm a really big
11:48
deal.
11:49
I had no idea. The
11:49
weird thing was much music was
11:52
this shitty office with dirty
11:52
desks scattered and old cameras,
11:58
like the gear was shitty, and we
11:58
really didn't have a lot of
12:02
money. So internally, we were
12:02
not treated. That would be the
12:07
honor people were not really
12:07
treated that much differently
12:10
than the rest of the crew.
12:10
Everybody had a function within
12:13
the Office at my job was to be
12:13
in front of the camera and tell
12:17
the story. But I was really not
12:17
much more important than the
12:21
person doing audio because if
12:21
the person who did audio didn't
12:24
do their job, well, no one could
12:24
hear me. Like we were a really
12:27
tight group. And we were not
12:27
allowed to have any errors or
12:32
sense of self importance about
12:32
us. In fact, I was warned
12:35
repeatedly, stupidly, I think
12:35
that I was easily replaced that
12:40
that was probably the worst
12:40
management style. And I said to
12:44
myself, actually, when I worked
12:44
there, I was like, why are they
12:47
doing this to me when I am so
12:47
passionately proud of working
12:52
for this corporation and and
12:52
basically working for them? 24
12:55
seven? Why would they tell me
12:55
that. And in fact, it it
12:59
encouraged me to pull back more
12:59
and more, and start planting my
13:05
own entrepreneurial seeds while
13:05
working there. And I always said
13:09
to myself, you know, if I ever
13:09
ran my own business, I will
13:13
treat my employees or the
13:13
contractors or whoever they are
13:17
100% differently. I will tell
13:17
them all the time, how valued
13:22
they are, how irreplaceable they
13:22
are, because you can never
13:25
replace one person because one
13:25
person is completely different
13:28
than somebody else. One person
13:28
has unique skill sets, right? So
13:32
you can never actually replace
13:32
them. And that's why people work
13:36
for me. When I started my my
13:36
agency and my company years ago.
13:41
Some of the people still work
13:41
for me. They simply want to go
13:44
back to you. So it sounds like
13:44
your life Sokolow. I'm so sorry.
13:48
But
13:48
Are you kidding?
13:48
Are you kidding? I know, all my
13:51
friends and listeners are gonna
13:51
say, Listen, this should be a
13:54
two hour podcast. I'd love to
13:54
hear Erica's voice. I think for
13:58
a lot of people, it brings them
13:58
back, you know, to to that time
14:01
in our lives. And we were so
14:01
formed by things around us. I
14:05
remember watching much music,
14:05
everyone watched that after
14:07
school, coming home, it was just
14:07
a huge part of everyone's lives.
14:12
But I want to talk about this,
14:12
this paradox. So you know, on
14:14
one hand, you talked about how
14:14
the culture was really important
14:19
and what Moses's stamp was on,
14:19
you find the passion, you can
14:23
teach them, you know, the
14:23
technical aspects of the job,
14:26
but you need people first. And
14:26
then this management, you know,
14:30
style of saying to people you
14:30
can be you can be replaced, that
14:34
really seemed to go against it.
14:34
So what triggered you to start
14:40
thinking about leaving? Do you
14:40
think that that messaging made
14:44
you say, Well, I need to start
14:44
thinking about the next step
14:47
because they're basically
14:47
telling me that I'm replaceable.
14:51
This presents a bit of a risk,
14:51
you know, from an employee's
14:54
perspective, that is not a great
14:54
thing to hear. And so you said
14:58
you started to plant these He's
14:58
about what was going to happen
15:01
next. How did you plant those
15:01
seeds which initiated the next
15:07
reinvention of Erica?
15:09
Well, I dabbled in
15:09
entrepreneurism when I started a
15:14
hat company. I don't know if you
15:14
know this, but I used to wear
15:18
hats all the time at much and it
15:18
was really hard to find good
15:21
hats. Because I was a
15:21
trendsetter. So when you're
15:24
trendsetter, it's hard to find
15:24
the things that you're looking
15:27
for. Right? So I did a few
15:27
seasons of by, you know,
15:33
designing, finding young
15:33
designers designing the hats
15:36
getting them. It was so cool,
15:36
getting them made manufactured
15:41
in Canada, in Toronto, we found
15:41
hat manufacturers, and then
15:45
getting them shipped to my
15:45
basement, and then shipping them
15:49
out to people and selling them
15:49
like it was a fascinating
15:52
experience. And I had some
15:52
really great hats to wear for a
15:55
long time. So that was one of
15:55
the things I also started to do
15:58
a lot of voiceovers. So I was
15:58
starting to understand the world
16:02
of advertising. Then I started a
16:02
record label. Well, the problem
16:07
was, I actually quit this is it.
16:07
Can I tell you a good story?
16:10
Of course you can.
16:11
Okay, so in about
16:11
1989, I'd been on air for four
16:16
years, and I found out that I
16:16
was making significantly less
16:19
money than the men. So on one
16:19
hand, it made sense in terms of
16:25
seniority because I hadn't been
16:25
a broadcaster for as long as
16:29
then I was younger than
16:29
everybody at the time. However,
16:33
I was getting more fan mail than
16:33
a lot of the people or at least
16:37
as much and I was becoming
16:37
synonymous with the nation's
16:42
music station. And I worked
16:42
really hard. So I went into my
16:47
boss's office, and I was you
16:47
know, I had all the statistics
16:51
about how I was getting more
16:51
male than people etc. And I
16:54
offered a job. So I asked him
16:54
for a raise. And my boss said to
16:59
me, I heard you're really
16:59
difficult to work with. Yeah,
17:04
you could see you're rolling
17:04
your eyes because I was like,
17:07
What the fuck did you say to me?
17:07
I, my head, you know, that emoji
17:13
of exploding heads? That was me.
17:13
Right? And I said to him, in a
17:18
very professional way, fuck off.
17:18
And I left. Oh, sorry. I said,
17:25
fuck off. I quit. And I stormed
17:25
out. Like that was that I am
17:31
working my ass off proudly,
17:31
without a moment of complaint
17:36
for your company. And for me,
17:36
because I love my job. And
17:39
that's the that's the way you
17:39
reply to me. So I quit. I turned
17:44
off my phone. And I called up my
17:44
friend Tim thorny first before I
17:49
turned off my phone, crying Tim,
17:49
I quit my job. He goes, What me?
17:53
What are you doing? I said, I
17:53
told him what happened? And he
17:56
said Good for you. He said, Can
17:56
you write a song songwriter, and
18:00
he was a jingle producer. And I
18:00
said, I don't know, as I wiped
18:03
my tears. He said come over and
18:03
we'll try and write a song.
18:06
Well, we ended up actually being
18:06
able to craft quite a good song.
18:09
He's an amazing songwriter. And
18:09
we ended up becoming songwriting
18:13
partners for 10 years. And we
18:13
started a record label and we
18:18
won Juno Awards and Country
18:18
Music Awards, and so can awards.
18:22
Anyway, fast forward to four
18:22
days later, returned my phone
18:25
back on. And my boss called the
18:25
other boss is like Erica, come
18:29
on, come back. They're freaking
18:29
out. Right? Because everyone's
18:32
asking Where's Erica? And I
18:32
said, I'm not coming until you
18:36
give me the raise that I asked
18:36
for he goes, we'll give you the
18:38
raise come back. So I started a
18:38
new career as a songwriter and
18:46
got the raise that I deserved.
18:49
So you were able
18:49
to start this new sort of
18:53
revenue stream this new passion
18:53
and you also went back to being
18:57
on air at muchmusic with the
18:57
rays that that you had initially
19:02
asked for. So that was certainly
19:02
like pulling teeth negotiating
19:06
the hard way. And again, a lot
19:06
of people may not have the the
19:09
same level of
19:13
tenacity,
19:14
Yeah, tenac
19:14
ty to negotiate for themselves.
19:18
So So when it comes to your advi
19:18
e for people when they ar
19:22
in a situation where they fee
19:22
, you know, I should be makin
19:27
more What do you have
19:27
ike a prescription as to how to
19:30
ackle that conversation with
19:30
ith a
19:33
I actually went to a
19:33
therapist to understand
19:37
behavior. So the next time that
19:37
I was in a situation like that,
19:43
because I didn't like my
19:43
reaction, I don't think that
19:45
fuck off is actually a useful
19:45
way of dealing with it, but it
19:49
was how a 27 year old responded
19:49
pure emotion. You need to be in
19:56
control of your emotions and you
19:56
need to learn How to not be
20:01
defensive. So when someone comes
20:01
at you with something like that,
20:06
I'd say that's an interesting
20:06
perspective. Can you tell me
20:09
where you got that information
20:09
from? You have to be calm. And
20:13
you have to be able to respond,
20:13
even though you think that
20:17
person is the biggest jerk. And
20:17
you let them talk. And you might
20:22
even say, you know, what, if you
20:22
can provide me some of that
20:26
documentation, I'm going to go
20:26
away and look at it, and I'll
20:30
come back to you.
20:31
Because it sounds like bullshit what he said, like, that sounds like
20:32
that sounds like something that
20:35
he would never say to a man.
20:37
Thank you. But I also
20:37
think in life, you need to
20:45
control your emotions,
20:45
especially women, and not that
20:49
women are more emotional, but
20:49
they're judged right? on how
20:53
they respond with or without
20:53
their emotions. So I've learned
20:56
to be a man. My I run my
20:56
business, like I'm a man,
21:01
someone brought me a mug
21:01
recently. And it says on it,
21:04
don't fuck with me. So if
21:04
someone comes at me with
21:09
something that is irrational, or
21:09
something that irks me, I will
21:15
respond in a non defensive way.
21:15
I will say, I hear what you're
21:19
saying, I need to think about
21:19
that. And I'll get back to you.
21:22
Now, interestingly enough, CBT
21:22
therapy, explained to me that we
21:28
experienced strong emotions for
21:28
about 20 to 40 seconds, and then
21:33
it goes away. So when you're in
21:33
a position where you're feeling
21:37
triggered, especially at work,
21:37
but also in life, you just need
21:42
to walk away, be calm, walk
21:42
away. And I will guarantee you
21:47
that you'll have a clear head in
21:47
a few minutes. And it's at that
21:51
point, you're going to respond.
21:51
So if you get an email that is
21:54
triggering you, you know, what
21:54
the fuck are they taught, what
21:57
the fuck, just go calm down. I'm
21:57
not gonna say anything, I'm not
22:03
responding. And then take the
22:03
time, and respond in a non
22:08
confrontational way. Always. If
22:08
you're confrontational, it just
22:12
goes up, and up and up. And
22:12
suddenly you're in a war, you
22:17
need to find a way to defuse and
22:17
win. So not give in, defuse, and
22:27
find a way to win and negotiate
22:27
in a non defensive, open way, I
22:33
hear what you're saying.
22:35
It's such great
22:35
advice. I know, thinking of the
22:38
times where I've let my emotions
22:38
in the heat of a moment, get the
22:43
better of my responses. And
22:43
anytime I've seen that with
22:45
people around me, you've
22:45
basically boxed yourself into a
22:50
corner, there are very few moves
22:50
you can make once you've passed
22:54
once you've crossed the Rubicon,
22:54
right. But if you can pause and
22:57
come back later, you can be a
22:57
lot more strategic. It's like,
23:00
you know, it's like anything
23:00
hindsight is 2020. But you don't
23:05
have to make a decision in the
23:05
moment. And if you take the time
23:08
to defuse, and then come back
23:08
when you've had time to think
23:11
about it, it is so much more
23:11
effective. For people.
23:16
We're obsessed with
23:16
returning emails, or when the
23:19
phone rings answering it. Don't
23:19
answer the phone. You're in
23:25
control. We are in control of
23:25
our own lives. Your boss is not
23:31
in control of you, your co
23:31
workers are not in control of
23:34
you. You control it. Be smart,
23:34
as to how you speak to people.
23:43
And how you communicate. Be
23:43
smart. use technology wisely use
23:48
social media wisely. It is it's
23:48
in your it's in your hands to
23:53
control.
23:55
As you
23:55
mentioned, there was this
23:57
period, I think was 94 is when
23:57
you left much music and you
24:43
really were a renaissance woman.
24:43
You You wrote songs plays, you
24:49
wrote books, children's books.
24:49
As you mentioned, you won a
24:53
bunch of awards, Canadian
24:53
Country Music Awards. So Kansas
24:57
junos. You were in Robocop? Yes,
24:57
it was. So you acted for a while
25:03
and you were in Robocop the TV
25:03
series? Not not the movie, but
25:07
that was pretty was that shot in
25:07
Toronto, or did you have to go?
25:10
I did
25:10
it while I was working. I think it was working at much at the same time or is
25:12
right around the same time.
25:15
Yeah. Right. And
25:15
so there's a bunch of different
25:18
things that you're you had your
25:18
hands in. But then I want to
25:22
talk about your next sort of
25:22
reinvention into being a sort
25:26
of, you know, full fledged
25:26
entrepreneur and sort of putting
25:31
everything together and also
25:31
defining I think next period of
25:35
your life and that is Yummy
25:35
Mummy. club.ca. So that was I
25:39
think 15 years ago now 2006.
25:39
Yep. So when when did you have
25:46
the idea to start this business
25:46
and why?
25:51
Well, the difference
25:51
between what I was doing in
25:53
those earlier years after much
25:53
was I was a contractor. I was an
25:58
independent contractor that was
25:58
sort of for hire. Some of it was
26:01
entrepreneurial, some of it, I
26:01
was being hired, but I really
26:05
wasn't in control of my destiny.
26:05
Then I had kids and my world
26:09
exploded, and I had a really
26:09
hard time adjusting to
26:13
motherhood, because I'm typing.
26:13
I like to make things happen and
26:16
kids don't listen. You know, you
26:16
say, buddy, go to bed. And
26:22
they're like, no, buddy, I got
26:22
to do work. They're like, no. So
26:29
it was it was really hard for me
26:29
to adjust. And, but I knew that
26:33
what turns me on, is listening
26:33
to my passion. And my family had
26:39
become my passion, trying to
26:39
understand parenting, because I
26:42
had no fucking clue what I was
26:42
doing. I didn't have a lot of
26:44
friends who had kids, most of my
26:44
friends were working women. And
26:49
they hadn't gone down that road.
26:49
Even though when I had my kids,
26:52
I was old. I was 39 when I had
26:52
my son. So I was like, out of my
26:57
depth. So I started working at I
26:57
looked for jobs. First of all,
27:02
no one wanted to hire me because
27:02
I was fat and old. 100% telling
27:06
you, my career was over. So
27:06
that's number one. I was dead.
27:10
No one wanted to hear from me,
27:10
no one wanted to talk to me. So
27:14
I looked on, like the media job
27:14
search. And I found the job of
27:20
reporter or writer for what's up
27:20
kids magazine. And they hired
27:26
me. So my job was to write
27:26
stories about issues relating to
27:30
parenting. And I loved it.
27:30
Because I was basically learning
27:35
about what I was most interested
27:35
in, much like music. And the
27:38
reason why I left much music was
27:38
because I got tired of it. I was
27:42
now really immersed in this
27:42
world. And I wanted to find ways
27:49
to tell more stories. But nobody
27:49
was talking about the reality of
27:53
being a mother today. Which is,
27:53
it's shitty, it's hard.
27:58
Everybody says, Oh, I'm doing
27:58
great. Like, well, why am I
28:01
struggling? Why is this so hard?
28:01
I started, I came up with this
28:06
idea for a TV show called Yummy
28:06
Mummy. And I was at an event.
28:12
And a woman came up to me and
28:12
gave me her business card. It
28:16
was all scrunched up with
28:16
someone else's name written on
28:19
it. And she said, call me. And I
28:19
was like, Yeah, you're 12.
28:22
Anyway, I did call her because
28:22
you always go after every
28:25
opportunity. And sure enough,
28:25
she was sourcing ideas for a
28:30
production company. And I
28:30
pitched them the idea of Yummy
28:34
Mummy which would, you know,
28:34
celebrate and commiserate the
28:37
roller coaster of modern
28:37
motherhood, and they bought it.
28:40
So I suddenly had a TV series.
28:40
It was broadcast on life network
28:45
and syndicated on Discovery
28:45
health around the world. I wrote
28:49
the show, I hosted it, I co
28:49
produced it. And the show was
28:53
cool, because it was kind of
28:53
shot against a green screen. So
28:55
it was like peewee Herman's
28:55
Playhouse combined with a, like
28:59
a lifestyle show. And you can
28:59
still buy episodes for 99 cents
29:03
on amazon prime. How crazy is
29:03
that? So that was 2003 to 2005.
29:08
And when the show ended, I
29:08
wasn't down I was like, Oh my
29:12
god, I am building community
29:12
here. And so I started this
29:16
little tiny website called yummy
29:16
mommy club.ca, which was sort of
29:20
supposed to be a continuation of
29:20
the TV show. But there was no
29:25
business model for this. So I
29:25
was doing it really, because I
29:28
needed friends. I was trying to
29:28
find a community of like minded
29:31
women. So I built about 300 pages, and
29:33
it started to pick up momentum.
29:37
Remember, there were there were
29:37
barely mommy blogs at the time.
29:40
This was a head of mommy blogs.
29:40
And PR people started to come to
29:44
me and saying, you know, hey, if
29:44
you write about us, we'll give
29:46
you a mop. Right? And I'd like
29:46
fuck off. And so I came up with
29:52
this one line, which is what's
29:52
your budget? They're like, What?
29:57
What's your budget? I'm working
29:57
here. If you'd like me to
30:01
connect to your product with
30:01
moms, what's your budget, and
30:04
that was when the light went
30:04
off. And I was like, I can work
30:09
with brands to tell their
30:09
stories in meaningful ways. And
30:13
connect them to my audience,
30:13
started hiring people, it
30:16
started to grow. And we became
30:16
the leaders in branded content.
30:23
Back in 2007 was when my first
30:23
big project with Fuji films
30:28
launched where we sent out a we
30:28
had created a integrated
30:32
contest. We were on Twitter, we
30:32
started spreading the
30:37
information on Twitter. We had a
30:37
newsletters. out, we had a whole
30:41
bunch of articles about how to
30:41
take photographs of your family
30:46
brought to you by Fuji. That was
30:46
through Apex PR, I'll never
30:50
forget it, because when your
30:50
first project is sold it, you
30:54
know, you build it, and then
30:54
they will come. And I was able
30:57
to use a case study to show
30:57
other brands, that mom's loved
31:02
what we were doing, and that
31:02
they were, they were passing it
31:06
on, and it became semi viral,
31:06
etc. And so my business was was
31:10
born. And then we we launched M
31:10
and CO, which is an agency
31:14
because people thought that we
31:14
were just a website. But no, we
31:17
are, in fact, an agency that
31:17
connects brands with moms. And
31:22
then I had 500 families, each
31:22
who had mom blogs or Twitter
31:27
accounts, and they started to
31:27
extend and amplify our programs.
31:32
And they were way before there
31:32
was such a thing as influencers.
31:36
So I I basically started the
31:36
first influencer agency back in
31:41
2008.
31:42
Wow. Yeah, I
31:42
mean, it's it's strange, you
31:46
know, 2008 doesn't sound like it
31:46
was such a long time ago. But
31:50
in, in the in the space of time
31:50
that influencer marketing has
31:55
grown, it seems like that's only
31:55
been around for like five years.
31:59
But you again, we're
31:59
trailblazing You know, this,
32:03
this whole industry. So I want
32:03
to talk a little bit about some
32:08
of the work that mn co has done
32:08
because I was intrigued by a
32:11
report that you put out called
32:11
the current COVID state of mom.
32:16
And, you know, for for any of
32:16
the brands who are out there
32:19
listening, you know, this, this
32:19
survey, breaks down what
32:23
Canadian moms are doing, how
32:23
they're handling the pandemic.
32:27
And I think it makes sense to
32:27
continue our theme of
32:29
reinvention, this time, we're
32:29
focused on the brand
32:31
perspective, this should not be
32:31
news to them. But things have
32:34
changed. consumer preferences
32:34
have changed dramatically in the
32:37
last year. Things like just look
32:37
at Fitness peloton bikes Who
32:42
would have thought a $3,000
32:42
stationary bike that you have to
32:45
pay a monthly subscription for
32:45
what would blow up the lobby, my
32:50
condo is basically an Amazon
32:50
warehouse, everyone has shifted
32:55
to so much more online
32:55
consumption. So, you know,
33:01
brands that thrive are the ones
33:01
that can figure out the shifts,
33:04
and you have done research to
33:04
see what what is the state of
33:09
mind for for moms? And how
33:09
should brands be thinking about
33:14
what they're doing in light of
33:14
this new information? So what if
33:17
you could talk to us a little
33:17
bit about the survey and sort of
33:21
the big findings that you were
33:21
surprised by?
33:25
Well, I would have to
33:25
say that I wasn't that surprised
33:28
because my agency is run by moms
33:28
for moms. Right? So we're all
33:33
living it what it did, it just
33:33
confirmed that I'm not alone,
33:37
that what I'm going through
33:37
other moms all over the country
33:41
are going through 700 moms
33:41
replied, and the results really
33:46
spoke loudly. 85% of or sorry,
33:46
78% of moms said that they're
33:53
worried about their families,
33:53
mental and physical health. 42%
33:58
of moms say they're not having
33:58
sex at all. I think it's seven,
34:02
I don't have the numbers written
34:02
for him. But something like 73%
34:05
of moms say that they have very
34:05
little me time alone time. So
34:12
I imagine that
34:12
was not I mean, they probably
34:14
have very little Meantime, pre
34:14
pandemic, but I imagine that the
34:17
stress and the additional time
34:17
management required to
34:20
coordinate, you know, school
34:20
closures, daycare closures, meal
34:26
prep, all that stuff has been
34:26
added to the plate with the
34:32
extra challenge of time
34:32
management, but extra burden as
34:36
well, because we see that that
34:36
women and moms take on more of
34:40
the burden with what's happened
34:40
with the pandemic. In fact,
34:43
there was just the December jobs
34:43
report out of the US 140,000
34:47
jobs lost. And it was the
34:47
National Women's Law Center that
34:52
said all of them belong to
34:52
women.
34:54
Yeah. Well, it's
34:54
interesting that only 30% of
34:57
women said that they're worried
34:57
about paying their bills, or
35:00
that it's their top concern. I
35:00
think that number is going to
35:04
rise in the coming weeks and
35:04
months, as more and more
35:08
businesses continue to stay
35:08
closed. And also women are
35:12
giving up their jobs now to stay
35:12
home because their kids are not
35:17
going to school, right? Someone
35:17
has to be home. So it's a really
35:22
challenging time for women. The
35:22
consumption of junk food and
35:28
wine is up 70% amongst women, so
35:28
which means their weight is
35:34
going to be going up, which is
35:34
not a surprise the pandemic
35:38
weight that I'm as you I can see
35:38
you're looking at me now I'm, I
35:42
look jolly. Now.
35:45
You look beautiful.
35:46
Thank you. I am, you
35:46
know also dealing with all the
35:50
ramifications of being locked
35:50
down with my family, women are
35:53
saying that the stress of
35:53
preparing meals every day is
35:58
rising. I think it's 60% of moms
35:58
say that they're more stressed
36:01
at mealtime that they're more
36:01
challenged to find what they're
36:06
going to prepare for their
36:06
families like these are huge
36:11
daily stresses that moms are
36:11
contending with. They're also
36:16
eating out significantly less.
36:16
So in terms of CPG companies.
36:20
Hello, moms need you right now.
36:20
Right. And they need recipes.
36:25
They need ways to prepare meals
36:25
that are exciting, fast and
36:30
inexpensive. So those are the
36:30
kinds of things that and also
36:35
junk food. They're looking for
36:35
junk food, and if you're in the
36:39
wine or alcohol business, moms
36:39
are looking for some fun. And I
36:43
think that fun is, you know,
36:43
okay, let me let me just sort of
36:48
go back a little bit. One of the
36:48
reasons why we prepared this
36:51
survey is that a lot of brands
36:51
are afraid to market right now.
36:55
Because they don't want to
36:55
misstep. They don't want to, you
36:58
know, say something that will
36:58
land the wrong way. Because moms
37:03
are really in a good state of
37:03
mind right now. So that
37:07
hopefully, this survey, in fact,
37:07
people can get it, they can,
37:10
they can just email me or go to
37:10
M and CO and e h m co.com. And
37:17
they can just go there, and
37:17
we'll send you the full report.
37:20
Because I think it's really
37:20
important, you know, on behalf
37:24
of all women, that I don't want
37:24
brands to alienate their
37:29
audience, or their consumers by
37:29
really not understanding the
37:33
stress and anxiety that they're
37:33
dealing with. And also not
37:37
understanding the opportunities
37:37
that are there for them to
37:41
market to moms, they may not
37:41
understand that women are
37:44
looking for new ways of
37:44
preparing meals, or we asked
37:48
them if you could, if a genie
37:48
could offer you and one wish,
37:54
what would it be? And the
37:54
majority of people said house
37:57
cleaner, meal prep, and a tutor
37:57
for their kids. So Boom, boom,
38:03
boom. If you're working in those
38:03
industries, there are
38:06
opportunities, how to clean your
38:06
house more easily, you know, all
38:11
the meal companies. Hello, moms
38:11
are looking for help right now.
38:17
And if you are in the world of
38:17
tutoring, or helping to educate
38:21
kids in any way with any product
38:21
or service strike now.
38:26
Yeah, it sounds like if you're looking for a campaign, and you want
38:28
intelligence on what that
38:31
campaign should be focused on,
38:31
visit to Erica's company's
38:34
website. So a lot of people may
38:34
not know the spelling of your
38:38
last name, right? It's just kind
38:38
of like share, you know, it's
38:41
just people know the name is
38:41
Eric M. It's not m it's eh M.
38:46
And so the website for the company, if they want to get that report is
38:50
ehmco.com
38:53
I want to talk
38:53
about a few other things. And I
38:56
know that, you know, a lot of my
38:56
friends will have questions
39:00
about some of the highlights at
39:00
muchmusic. There is one thing I
39:06
want to ask you about. So I know
39:06
a lot of people talk about that
39:10
that famous Kurt Cobain
39:10
interview. And it was conducted,
39:15
I think it was nine months
39:15
before his death. You You wrote
39:18
a blog post that talked about
39:18
kind of like the behind the
39:21
scenes, which I thought was such
39:21
an interesting read. And I
39:25
recommend people go there and
39:25
they can find that information
39:28
on your personal blog, I think.
39:28
Yeah. And you mentioned that at
39:32
the time you wrote the blog
39:32
piece at the video of that
39:35
interview had gone viral with 5
39:35
million views. Do you know how
39:37
many people have have viewed that now? Because it's significantly higher than that?
39:39
How many? It's about to hit 10
39:42
million views. Wow. Yeah. And
39:42
which
39:48
I had no idea. At
39:48
that time. That would be the
39:52
interview that defined my career.
39:54
Right. Right.
39:54
Well, I think what was so
39:58
different about that interview
39:58
is how disarming you were?
40:02
Because you're your first
40:02
question, the biggest rock star
40:07
in the world. First question is
40:07
about books. And immediately you
40:11
see that that interview is going
40:11
to take a different path than
40:15
what was in his mind, I think.
40:18
So I do a book
40:18
showing much where talk to do
40:22
what a bookshelf, talk to
40:22
different people about favorite
40:25
books that you've read and how
40:25
has inspired you or what you
40:28
learn from it or something like
40:28
that. So do you have a book that
40:33
that comes back to you amongst one?
40:35
Yeah, well, I've
40:35
read perfume by Patrick Siskin
40:40
About 10 times in my life, and I
40:40
can't stop reading it, it's like
40:45
something that's just stationary
40:45
in my pocket all the time. It
40:47
just doesn't leave me. And every
40:47
time I'm bored, like I'm on a
40:50
airplane or something, I read it
40:50
over and over again. Because I'm
40:53
a hypochondriac, and it just
40:53
affects me makes me want to cut
40:56
my nose off.
40:57
What's the book about,
40:58
it's about this perfume
40:58
apprentice in in France, at the
41:04
turn of the century, and he, he
41:04
is disgusted, basically, with
41:09
all humans, and he just can't
41:09
get away from humans. So he goes
41:11
on this track, this walk of
41:11
death, where he just, he goes
41:15
into the rural areas where
41:15
there's, you know, woods all
41:18
over the place in the small
41:18
villages. And he only travels by
41:21
night. And he, he just every
41:21
time he smells human, like a
41:26
fire from afar off way, and
41:26
he'll just get really disgusted
41:30
and hide, and he just tries to
41:30
stay away from people can relate
41:34
to
41:36
ever use what you
41:36
read in any of your songs.
41:39
As a matter of
41:39
fact, I use that very story in
41:41
scentless apprentice.
41:43
Yeah. And it was
41:43
a compelling interview to watch
41:46
if people haven't seen it. And
41:46
I've seen it, you know, back in
41:49
the day, and I saw when you
41:49
posted your blog post, and I'm
41:52
probably gonna watch it again,
41:52
because it's so engaging. And I
41:56
imagine was for him as well. And
41:56
you, you talked about, you know,
42:00
your thoughts during the interviews, like, Oh, you know, I thought it was gonna be this
42:02
big ego, and he's a sweetheart.
42:06
So what was your most memorable
42:06
in a bad way? interview that you
42:10
had with an artist or band?
42:14
I talked a lot about
42:14
this. I really didn't like my
42:19
interview with or not, I didn't
42:19
like my interview. I didn't like
42:23
the Red Hot Chili Peppers.
42:23
Really? Why? Well, when I was
42:27
interviewing them, before the
42:27
interview, we warn them, you
42:30
know, this is live. So try to
42:30
keep your swearing to a minimum,
42:35
you know, it's rock and roll and
42:35
everything. But we have a
42:38
license from the CRTC. And
42:38
you're not really supposed to
42:41
swear. And I remember, this was
42:41
30 odd years ago. So a lot has
42:46
changed in the world of
42:46
broadcast. And for those who are
42:48
younger than me, you may not
42:48
know that you weren't allowed to
42:52
swear on television ever. Right?
42:52
It was not okay. You could use
42:57
lose your license. So when I was
42:57
interviewing them, they started
43:03
to swear in the middle of it.
43:03
And when we went to break,
43:08
because it was a long interview,
43:08
when we went to break, I said to
43:10
them, guys, we can lose our
43:10
license, or something to that
43:14
effect. Please don't swear.
43:14
Sorry. They were so nice. Sorry.
43:19
Sorry. We won't do that again.
43:19
Like we get it. We get it. We go
43:24
back on. And they went right
43:24
back into. Yeah, I'm a rock
43:30
star, right. And so I was like,
43:30
Fuck you. I didn't say that. But
43:35
in my mind, I was like, Fuck
43:35
you. This interview is over. And
43:39
you could see they're like,
43:39
what? No. And the reason why I
43:44
always cite this as one of my
43:44
least favorite, because other
43:47
people have been less
43:47
forthcoming and they've been
43:49
boring or whatever. But they
43:49
were fake. Who is the real
43:55
person? They were, I saw two
43:55
different people. I saw a group
44:00
of people who were in front of a
44:00
camera. And then I saw a group
44:03
of people who were very
44:03
different when the camera wasn't
44:07
on, I don't know, which was the
44:07
real one. But I didn't like the
44:11
fact that they were absolutely
44:11
inauthentic and they were full
44:15
of shit. And I can't abide
44:15
people who are full of shit.
44:23
That's a that's
44:23
that's an awful story to hear. I
44:27
can only imagine what it would
44:27
been like in the moment because
44:30
I have limited experience with
44:30
you know, broadcasting live. ie,
44:36
was asked to do some fill in
44:36
radio hosting on Newstalk 1010
44:42
for Jim Richards so I'll do like
44:42
a week here or there when he's
44:45
on vacation. And it's a nerve
44:45
wracking thing. And you know, I
44:50
benefit from the there's a seven
44:50
second delay or whatever the the
44:54
delay is, and a producer is in
44:54
control of that. But when you
44:58
have someone who you know,
44:58
you've dedicated a block of time
45:02
live in a schedule, and they've
45:02
decided to completely be
45:07
disrespectful. And then you've
45:07
got to run out that clock,
45:11
right? There's only so much tap
45:11
dancing you can do that is
45:15
awful. Like just I sympathize
45:15
with that like that just makes
45:18
my toes curl.
45:20
I think first of all,
45:20
people who are watching are
45:26
rooting for the host Yeah, to be
45:26
in control and to own it. People
45:32
I think are very uncomfortable
45:32
when the host feels powerless.
45:36
That's probably why you know
45:36
when we were watching the
45:39
debates, With the presidents,
45:39
the future presidents, and
45:43
everybody was mortified at how
45:43
Trump overrode the moderators.
45:49
And everyone was yelling at the
45:49
moderate moderators, you need to
45:52
do more. That's our job, as the
45:52
host is to literally control the
45:58
conversation. Now, that doesn't
45:58
mean control it in the sense of
46:03
overtake it, or be overbearing.
46:03
For example, when I interviewed
46:06
Duran Duran, it was complete
46:06
chaos. But I, me and the lead
46:14
singer, Simon, the bomb, we
46:14
would have these sort of, he
46:17
would look at me while he was
46:17
spraying me with water or about
46:21
to throw cake at me or
46:21
something, to make sure that I
46:23
was okay. And I looked at him,
46:23
and I sort of nodded and smiled.
46:28
And so it was not out of
46:28
control. I was fine.
46:31
Yeah, I trust.
46:32
That's right. And I
46:32
knew this is good TV. Yeah,
46:35
yeah. Which is different than it
46:35
being out of control, and that
46:39
the guest is doing, what the
46:39
host doesn't want, or what the
46:45
station doesn't want. And so I'm
46:45
very comfortable in any
46:49
circumstances to say, that's it.
46:49
You're I think being a parent,
46:53
it probably helps now, you're
46:53
done. Stop.
46:59
Alright, well,
46:59
we'll leave it there. But as you
47:02
know, every guest on this
47:02
podcast gets the last minute or
47:07
two, to provide a commercial or
47:07
anything that they want to
47:10
promote. Now, the challenge with
47:10
you is you've got a lot of
47:13
things, a lot of irons in the
47:13
fire, but the floor is yours.
47:17
Who do you want to send your
47:17
message to your commercial to?
47:20
And where do you want to direct them?
47:22
Well, I think it's less of a commercial and a reminder about the reinvention
47:24
of the vj podcast that I
47:29
launched. Recently, during the
47:29
lockdown, I was able to contact
47:34
a whole bunch of people who used
47:34
to work at muchmusic. And do a
47:40
really personal reconnection
47:40
with each of them. Now, some of
47:45
them I'd never met before. But a
47:45
lot of the people I sort of grew
47:49
up with. So to go back to that
47:49
time to discover how they landed
47:54
their jobs that much what their
47:54
feelings were and memories were
47:59
that may have been different or
47:59
the same as me, which validated
48:03
a lot of my insecurities and
48:03
issues that I had from back in
48:08
the day like oh, you to be do
48:08
and then to follow their lives
48:15
after to see if much was
48:15
actually helpful or a hindrance
48:20
in moving forward in their
48:20
careers to date. Because all of
48:23
us I mean, have, it's almost 20
48:23
to 30 years for most people have
48:28
had interesting lives after the
48:28
fact. So finding that the
48:32
reaction has been pretty
48:32
amazing, a lot of emotion from
48:36
people listening, because it
48:36
triggers a lot of the stuff from
48:39
their childhoods or their teen
48:39
years. And you really get to
48:43
learn people learn what makes
48:43
people tick. And also, there was
48:48
a secondary, which to me was
48:48
almost more important piece of
48:52
reinvention where we all get to
48:52
learn what it takes to reinvent,
48:56
because as you said at the top
48:56
of our conversation, many of us
49:00
are going through really tough
49:00
times right now and being forced
49:03
to reinvent in a variety of
49:03
ways. And hopefully this show
49:08
will give you some little
49:08
insights. how other people have
49:12
managed to pivot their careers.
49:15
Yeah, no, I
49:15
think it is worthwhile
49:17
listening. And again, the title
49:17
is perfect reinvention of the vj
49:21
because this this genre, you
49:21
guys were the trailblazers, and
49:25
then that format completely
49:25
changed, right? It used to be
49:31
you know, music videos on music,
49:31
television stations. Now it's
49:35
not right, you you it is
49:35
transformed how we consume that
49:40
music, different mediums and
49:40
what have you. But everyone has
49:45
had to face who's been a guest
49:45
on that podcast, a reinvention
49:48
of themselves. Some of it was
49:48
forced, some of it was, you
49:52
know, more endogenously decided
49:52
to reinvent themselves, even
49:55
though they didn't necessarily
49:55
need to, but the lessons there
49:58
are applicable to a wide variety
49:58
of people, not just people in,
50:03
you know, Music Entertainment.
50:05
Well, what's
50:05
interesting is if you consider
50:07
why a lot of people eventually
50:07
left is there was a shift in
50:13
technology, right? Because as
50:13
much music evolved, so did
50:20
YouTube, and the value that much
50:20
music brought diminished as
50:26
people became intrigued by this
50:26
new platform where they had
50:30
videos on demand. But I think
50:30
what happened is they got those
50:34
videos on demand, but realized
50:34
that what much music really
50:38
brought was the curation Have
50:38
those videos. And so I think
50:42
people are struggling right now
50:42
to find where do I get my ghost
50:47
stories? Where do I get the
50:47
background? That's I think,
50:50
where a lot of people are
50:50
missing those days of much
50:53
music. It's the personality and
50:53
the insights and the knowledge
50:59
from the hosts that makes that
50:59
make those videos even better.
51:04
It's so it's
51:04
such a good point. You know, one
51:06
of the things that I've noticed
51:06
when I'm consuming news is you
51:10
can get news on demand, anytime,
51:10
Twitter, Facebook, whatever. So
51:15
for the nightly broadcast, I
51:15
don't find the value as much as
51:20
what happened. But where I find
51:20
the real value is, tell me why
51:24
this is important when they do
51:24
the panels that talk about, you
51:27
know, politics or whatever. And
51:27
they tell you Okay, so this
51:30
happened. But here's the
51:30
backstory, you don't know. And
51:32
this is why it's so relevant. So
51:32
that analysis, the curation, in
51:36
this case of news to help
51:36
distill What does this mean to
51:39
you why is important, is changed
51:39
the way I consume news based on
51:44
before, which was, you know,
51:44
again, you didn't have these
51:47
competing sources of news. So
51:47
you kind of come in knowing the
51:52
headlines, but now you want to
51:52
know, well, tell me about what
51:55
happens beneath those headlines.
51:57
What what's
51:57
interesting, though, is that
52:00
curation now, is also slanted.
52:00
Yeah, more so than before? Yes,
52:07
those large companies each seem
52:07
to have an agenda or point of
52:13
view. So we are now having to
52:13
understand this panel is on
52:18
which network which already has
52:18
sort of stated their affinity to
52:23
a certain point of view. And I
52:23
think back in the day, it was
52:28
far more non partisan. Right.
52:31
Yeah, that's a
52:31
great point, because there are
52:33
panels where it's not balanced.
52:33
The value in having, you know, a
52:41
balanced presentation of ideas
52:41
is important. This could be a
52:45
whole other podcast. But well,
52:45
like I said, well, we'll leave
52:49
it there. I want to thank you so
52:49
much for taking time out of your
52:52
busy schedule. To to join me on
52:52
the podcast. It's been a real
52:56
pleasure.
52:58
Thank you so much for
52:58
having me. I could talk forever
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