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1:10
Music.
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There, it's your host Mara Glatzel and you are listening to the Needy Podcast. Here at Needy,
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1:40
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1:58
about today's episode, dance on over to theneedypodcast.com. Now, onto today's show.
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Music.
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Hello everyone and welcome back to the Needy Podcast. I am here today with Devon Loftus.
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Devon is an author and writer finding inspiration in the human experience.
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She believes that emotions are important messengers, a universal language of humanity
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that connects us to ourselves and others.
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Outside of writing, Devon makes pottery and spends time with her son, her husband, and their pup,
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preferably outdoors and preferably somewhere wild.
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Welcome, Devon. I'm so glad that you're here. Thank you, thank you. I am very excited to be here.
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Tell us a little bit about what you do you do and most importantly, why you do what you do? Hmm.
2:59
Oh gosh. Well, I am the founder of Moon Cycle Bakery. So Moon Cycle Bakery was a business I started a few years ago and we look at the menstrual
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cycle and we look at certain hormones that fluctuate and then we look at micronutrients
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that are lost because of those fluctuations.
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And then from there, we created a cookbook that came up with all these wonderful recipes
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on how to nourish yourself using these whole foods like sweet potatoes and cacao
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and things that we can usually find in our supermarket.
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So I do that, I love that. That's where I am lots of days.
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And then I'm also a writer beyond that. I'm a copywriter by day
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and I love to write poetry and just finished writing my second book which is about to come out in
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gosh, a couple of weeks and that is a self-guided journal all about processing and meeting our emotions.
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And why do I do it? I often ask myself that, especially when it comes to those two things,
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kind of seeing the ties between the cycle and the second book and just me in general. I think that.
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I really, I have been put on this earth to break down stigmas and make space for things and
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and parts of ourselves that we often deny or reject either because they're big and hard
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or because of societal pressures or ways that we think we have to be.
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So yeah, that's why I do it.
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Amazing. Well, I just love, when you came into my orbit, I was already a really big fan of Moon Cycle Bakery
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at distance and I followed you there on all of the things.
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And then I think, I don't know, I saw your email address come through for something completely different.
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And I was so excited to get to know you and have read your book, which is fantastic.
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And we'll say here for the record, I did say it before we started recording,
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that I think that Dwell is such a phenomenal accompaniment to Needy, that they're like sister books.
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Because the number one issue that I find when I'm talking to people about their needs
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is that what we need is so highly informed by how we feel.
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And if we don't know how we feel, then we don't know what we need, right?
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And we, and feel, and it's very daunting, I think.
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People are overwhelmed by feelings because they think, well, I'm supposed to feel it in my body.
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What does that mean? I'm supposed to know what it means, what does that mean?
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And then I always have a good crew of folks who know what they should, quote unquote,
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should feel in every situation,
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but aren't quite as connected with how they actually feel.
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Hmm. So I'm curious for you how you came.
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To write a guided journal about feelings. Yeah, well that last bit about how you should feel
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versus how you actually feel I think is honestly what brought me to write well. So really since I was,
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a kid, my therapist just told me this week your nervous system feels everything and I thought yes, yes it does. It has
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since I was a child and that was always challenging, especially coming from
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you know certain people in my life who never
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could understand that, didn't have the tools themselves to really understand or accept their own feelings.
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To your point, know what they needed to do because of those feelings.
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So I often was told what I should feel. I often was put in a box and told this
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is who you are, this is how you should be
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and that's it, that's who you're going to be.
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And I carried that with me for a very long time until I went to college where, you know, for the first time I was
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really like, this isn't who I am but this is who I'm being told I should be or how I should feel. And that discord was such a, it was so,
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it was such a bind, it was breaking me from the inside out that
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I fell into a really deep depression, started having suicidal ideations,
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and eventually, honestly, to survive, I needed to talk to someone.
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I started going to therapy and it was there that all of this kind of surfaced and I realized
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I didn't have to be or feel the way that everyone thought I should or I didn't have to make
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people comfortable with how I felt.
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I really just had to be honest with myself about who I was, how I felt, and what I needed.
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And from there, I started.
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Coming back to myself. And it was about um gosh that was I was 17 it was probably
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10 years later um I had a myriad of things happen and I just found myself sitting in my parents house.
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And I was so uncomfortable and I just started writing and discomfort just came out it was very yeah it was just it was not at all
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planned that I would be speaking from the voice of discomfort but just happened that way. And then from there I realized that um when I did that I had more
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compassion because I was able to see a part of myself kind of outside of myself like I would a
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person and I was able to yeah heal a little bit more. Yeah I have to say that in reading through
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the emotions in the book. I'm a really visual person and I'm, because of reasons that are
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diet culture related, not as connected to my body as I wish I was or I'm learning to
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be. And so, the whole thing of like feeling, like where do you feel it in your body? What
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the kind of sensation that has been historically very tricky for me to tap into, almost like it sometimes there,
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but not often. And reading through your different personifications of all of these different emotions
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was so powerful for me because it, I could, that it just tracked for me.
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In a way that I could hold on to. And, you know, in my work, I talk a lot about
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how the work happens in the inner landscape and I create this whole metaphor for it.
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And that is how, clearly how my brain works the more that I now understand it.
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And I felt, even before I had read the book, when I heard you talking about the book,
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had already lit up this new way of thinking about how to interact with emotions as they arose.
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And so I'm curious for you about, I don't know, what your hopes are for how it's received, like how, who do you think it's for? And yeah, because I just was reading it with this idea that there's this huge subset of people who really just don't, we have this very narrow, and I'm a therapist, we have this very narrow scope of telling people how to understand their feelings, and it's much too narrow. much too narrow.
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And I think your work widens it in such a delicious and affirming way. I love that.
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I would totally agree. I think, I feel like I am still learning.
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Like, honestly, I was saying to my husband the other day, I was like, I just wanna go and join some like study group
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and just research the shit out of emotions.
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Because I think they are so. Yeah, it's like the ocean. I'm like, there's so much we have yet to uncover. And with the,
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different styles of therapy, even that I've been in, I start to see them differently.
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So I did a lot of talk therapy growing up, a lot of cognitive behavioral therapy and looking at
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the stories behind things. And now I'm in somatic therapy, and that's so body-oriented. And
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And I think maybe this work kind of meets somewhere in the middle, where for me, I am so sense driven.
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When I feel like I'm connected, when I feel like I'm here and present, it's because I'm
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focusing on my senses.
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And so that's really what... That is within a lot of my writing, but that's really what drove these pieces as well.
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And then that world bit you talk about of creating kind of the worlds that they live
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in, that felt really important because I have a huge tendency to over identify.
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So if I could see that these emotions live in certain places and I visit them, I don't
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feel like I'm stuck there.
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It's a place that I can come and go to, which is what ultimately my emotions want and I
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want anyway and what I need but it's yeah it's done in this way where um I do think it's unique.
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Like I haven't really seen it done where we can kind of see them as like parts of community right
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like as people that make up our world versus good bad or me or not me so yeah definitely not as
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narrow a little bit more nuanced I would say in that sense. Who is this book for who wants to
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reach, gosh, I think everyone. I really feel like...
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I mean, I think initially I thought like the big feelers, the people that really.
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Feel a lot, don't have a ton of tools to not even like process them, but meet them,
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like aren't even sure how to name their emotions quite yet, which I think is a lot of people.
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So I think that I think it could benefit everyone, but I definitely think it is for people that are
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maybe used to feeling a lot and want a different way of interacting and
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communicating with themselves. Mm-hmm yeah I could see this for people who are
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not big feelers. Yeah. And need a doorway in. Yeah absolutely I actually think
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there are certain people that come to mind when I was writing it that I thought this would be really good like this would be a really good tool for
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them, I think, because it's distance enough that they, it might not feel as intimidating.
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So yeah, I mean, that would be, I would love that. I would love if someone who's like, I just, this is so new to me, felt like this was a
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tool they could pick up and start to have that conversation.
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So I'm keenly aware that I started talking about feelings and now we're talking about
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emotions and now I'm curious for you, what, how you define the difference between the two?
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Oh, that's a great question. I think that I define, so the way that I look at it is,
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an emotion is joy or discomfort or contentment, right? Like they have these names and then
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the feeling is, is their characteristics. The way that they literally feel in my body,
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the thoughts that come with them and that's kind of the feelings that ebb and flow.
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The feelings that we feel in our body, those will come and then they'll go. But the emotions,
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will always be a part of us. They'll always be inside of us. So that's why I think we're
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remeeting our emotions over and over. I was just saying to my therapist that I could probably go
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and rewrite this whole book and all of these emotions would look different at this point,
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because I wrote it two years ago, two and a half years ago.
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Because those emotions are always evolving and sometimes the feelings that come with them do as well,
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but I usually still can tell i'm anxious because the feeling is tightness in my chest the feeling is,
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racing thoughts, you know, the feeling is the story that,
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i'm not going to Like i'm not going to be liked if I do this. It's it's those characteristics can evolve but they for me
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are usually my signposts that the emotion is present.
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Do you have a favorite emotion from the book? I do, I have a few.
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I love sorrow, actually. I think I've, I don't know if you've read Bittersweet by Susan Cain, but it's so good.
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And it's all about, honestly, like it's making a case for melancholy
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and longing and how they help make us whole.
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And she's, I mean, she's an amazing writer and she talks about certain anecdotal personal stories but she also looks at
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like music and religion and art and.
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I, she says in there that there are just some people who like have a thing for bittersweet emotions and I definitely think I'm one of them.
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And so I really love Sorrow, I just think she's a really beautiful loving emotion for me hard and painful but I my life is richer having known her because on the flip side
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I also have known deep wells of joy and I think they work hand in hand so I really love her.
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I also love awe because I just think awe is one of the best emotions and to me he's like a very
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casual, humble person that I can find in looking at the Grand Canyon, but I could also just
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see it when I look at my kid. So he's everywhere, basically, and I really loved writing him as well.
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I really like the emotions that you describe. I can't even, I was just looking around to
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to see if my copy is of course in the house, that I could recall which one I loved
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and highlighted oh so much. But like the kind of like slinkier, sort of like mean but sexy.
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Yeah. Like cute characters in there. I felt like I could really identify with what it was like to share space
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with those characters that were sort of seductive and kind.
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Yes, I love those as well.
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One of them is Temptation. I really like, yeah, I really loved her and Sensuality.
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Even vulnerability has a like an air of.
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Seduction. That's a great word. Yeah, those were so fun to write. I mean,
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yeah, so fun to write. And I was actually thinking of you because I remember when we
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were talking about doing the audio book recording, like when you're reading through certain pieces or
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certain parts of the book, and you're with like, you know, three men, and you're talking about
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these things. And I was like, yeah, those are some of the pieces where I'm like,
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like, oh yeah, it's getting spicy in here.
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But yeah, I love them. They're great too. Yeah, it was amazing.
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I'm curious, I should pull back the screen on the audio book recording gig,
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which is wild in and of itself. And I had in those moments, this real visceral sense of.
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Like the places in my body where the patriarchy is just baked in so deeply.
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Where I was felt like caught between what I was reading and standing behind what I was reading and also, you know, jumping out of my body trying to perceive myself as I was being perceived by the men that I was in the studio with and reading these things that were really vulnerable and true.
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And also was I not making too much out of it?
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It was just there were a few moments while I was reading it that were that I got really scrambled,
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Totally totally. I very much feel that I I mean you explained it so well that like being in and out of your body at the same time and,
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And that stepping out to be see how you're being perceived. I feel like that is.
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What That's like the collective trauma.
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Like that's exactly what it does. That's what it, what it has us do.
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Because the minute that I felt like the minute I stepped out, I wasn't in my,
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I wasn't like with myself anymore. I wasn't in my power anymore.
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And, um, yeah, it was a trip. It was, it was definitely, it was a mind trip.
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I like came home to my husband and was like, that was so, that was wildly uncomfortable and I'm just like judging the shit out of myself right now but I
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knew it was to your point it's just like it's because you're staring it in the
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face. Yeah well and you're creating this thing which is I mean in truth an
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incredibly intimate act which is reading your work and when somebody's listening
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to it they're not just reading your book they're also listening to you read it
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out loud. And I find now on the other side, I can't wait to get your audiobook first and foremost.
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But on the other side of it, when people tell me how much they like the audiobook,
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That is my favorite compliment. Yeah, why is that? I have my own reasons, but I'd love to hear yours.
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I don't know. It feels like they... It feels like we had a private fireside chat.
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Except we didn't. Do you know what I mean? That is the energy that I came to that with.
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And so it just feels like anybody who listens to the audiobook for Needy is going to,
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to, I don't know, be in on it with me in a different way than just writing it, because it's fun.
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There's, you know, the way you use your voice, the intonation, the, yeah, it was,
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it gave it kind of a whole other life that I wasn't anticipating.
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Yeah, absolutely. I mean, I feel like it's such an intimate thing to do.
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Like, I even think about it, like, why do kids love being, I mean,
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at least my baby loves being read to at night.
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That's a new thing, but he like loves, he will start falling asleep
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and he will start to settle down when he hears us reading
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or even more than that, we sing at night to him and that's how he falls asleep.
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I think there's just so much power in our voice and when we're using it in a very true and authentic way.
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So like what's more true and authentic than reading the vulnerable and real raw words you wrote?
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Honestly, even like basically in a room alone, there's just something even so intimate about
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that where you're not even with anyone. Like it's like your pure essence coming through.
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And so it's like you're when you're people listen to your audio book, they feel like
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you're talking to them because you are really are.
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Mm hmm. Yeah. Well and especially when what you're talking about is something that feels taboo or feels vulnerable,
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or you don't often hear people talking about in a neutral or positive way and yeah there's a piece
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to it that's almost... It's like we're conspiring together Yeah, I was gonna say it feels like,
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Back in the day when you would like have to go and secretly meet someone,
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At night somewhere to talk about this,
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Yeah Uh, so I am curious. I mean when people are listening to this podcast episode
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We will be in and around while coming out which is very exciting for everybody because they can get their copy in
23:44
with a quickness Um, but i'm curious for you about how,
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you're, baking Caring for yourself into this process of launching your book having just oh so recently,
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Uh been through that myself What does it does that look like for you?
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Especially having done this one time before it feels really hard. Honestly some days. Um.
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So the first time around, I I don't know if it was because it wasn't as vulnerable. I mean, the cookbook I loved with
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my whole heart and of course, was every bit as invested, but it was less me bearing pieces of
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myself. And I also had a co-author, so it was really nice to have someone to go through the
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movements with. This time around, it feels a ton more vulnerable. I also feel like I have
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way less capacity because I'm working full-time, I have three-year-olds, and so,
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tending to myself has looked a lot different. And honestly, a ton of it is letting go,
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which I'm terrible at. But it's been a lot of letting go of the things I can't control,
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letting go of these really not even real expectations or this immense amount of
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pressure I put on myself and then riding that wave and then
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doing the death grip again and then letting go. I mean it's just it's a constant up and down, back and forth of.
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Of surrendering and yeah trying to control.
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But the tending part I would say is I've just been talking about it so So like I'll bring light to it and that and really bringing light to my needs.
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So being very clear on what I need in the moment, in the next few days, in that next week,
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saying it out loud so that I can enlist help, but also so that that need doesn't kind of get put on the back burner as it might.
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And. Yeah, just trying to give myself as much grace as possible. Do you have any difficulty prioritizing yourself? Like taking up that space and asking?
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I'm not sure how to exactly ask this question. I found that I would weave in and out of feeling
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like I deserve this space I was taking up. We'll put it that way. Does that come up for you?
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Especially when it comes to, I don't know, I mean, I think I was keenly aware during the time that
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I'm doing this is the biggest thing that I have ever done in my career. It is huge personally.
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And also there's this machine of family that I am typically taking care of so much of and.
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Going back and forth between, yeah, this is what this makes sense, you know, career wise,
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taking up this space is what it like attracts. But personally, that felt hard to hold on to.
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Oh yeah, you hit the nail on the head. That's probably what I struggle with most is,
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I have been flow from, I feel this is really good, like I want to take up this space,
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I've worked really hard to take up this space, you know, like what I'm saying matters and
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and will hopefully help people and feeling really good there.
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And then the next second being like, oh my God, how can I take up this much space?
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Like my husband and my son, this, or honestly just being like,
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um, I just want to disappear.
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Like I just want to like go and I'm like, why don't I live on a farm and just like have chickens and paint by day?
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And like, why, why am I like going after this bigger thing? Do I,
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that really, like am I really capable of doing that? Yeah, it's definitely a back and forth and
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of trying to figure out. I don't know. I mean for me, I really do try to figure out like, am I being selfish and taking up this?
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And that's a hard one to answer. Personally, I feel like some days I'm like, no, hell no. And other days I'm like, maybe. Yeah.
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It's really challenging and something that I often say to myself is, uh, if I could do it any other way, I probably would.
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But that relates to my writing, that relates to my work, that relates to a lot of things
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that require, you know, for some reason I put myself in direct, in the direct line of
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increasing visibility.
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And also that is the most single most uncomfortable thing for me is that visibility.
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Tension between wanting it and being totally overwhelmed by it and wanting it again.
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Yeah. I felt like I really got in touch with my inner child and my inner child.
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Liked attention and got really tired and needed a nap like that.
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Totally. Yeah. I have been thinking about that a lot of like my inner child was the exact same
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way. Like she was big and loud and she loved it. But then would hate if I went somewhere and,
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like I remember going to like a rollerblading park like party or something and there was just
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someone there that was infatuated with me and I remember like hysterically crying, could not take
29:38
it. I just wasn't in the space to receive it then. So yeah, I feel like I constantly question Is it a matter of.
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Resting along the way like is it a matter of like I'm so wildly uncomfortable and tired of being in the spotlight right now
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But I need to be in the spotlight So do I need to give myself what I need so I can be here like tend to myself over I can here.
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And or is it like I'm in the spotlight and I Take up space and I show up and then when I'm not this like I go and I take a hiatus
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like I'm always wondering about that process between,
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resting verse like taking larger amounts of time off. Do you know what I mean? Mm-hmm. I don't know what that is. I don't
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know what that answer is yet. I think for me it varies day by day. Some days I can like go for a
30:27
walk or go get ice cream or whatever and feel like okay I'm good today. Like I did the little
30:33
bits along the way that I needed to and then other times I'm like I need a fucking week off. I need
30:38
to go like hideaway somewhere and that's just what that's gonna be. Well and I wonder, visual
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image that I'm getting for you right now is that when big things happen, it's like inside of us
30:57
where all of these emotions dwell all of the time. It's sort of like a raucous dinner party
31:04
where everybody is present and talking over each other, that kind of like, it's chaotic.
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Yeah, it is. I think that's also why in the book, like the steps of, the steps I go through,
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are for that exact reason, like the naming the emotion or the greeting it, the sitting with it,
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the conversing with it and then the saying goodbye because.
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If I am feeling overwhelmed or I'm feeling like I'm at that dinner party and everyone's yelling over each other, I love that.
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I don't even know who's there really, right? Like I'm so flustered and I'm not really present that I have to sit down and name them all to really understand what's going on and then what I need to do about it.
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Um, so I think, I think that's why naming your emotions is so important.
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Um, but so often I, I have people in my life where, you know, I'll ask, well,
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how are you feeling? And their response is, well, I think, you know, or like, or they'll just
32:11
replay what it is that happened.
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So I think that naming an emotion, um, Brene Brown says it in the Atlas of the
32:20
heart, something to the effect of like, it doesn't give the emotion more power.
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It gives you more power. But it's, yeah, it's hard sometimes to know what the emotion is.
32:32
And also because I think emotions can be so nuanced. Well, something that I get a lot of in my work is when I ask people how they feel,
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They tell me that they feel tired.
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And rest becomes this kind of catch-all to me and I need something that I don't have.
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And as you were just talking, I was thinking about how I think certainly this has been the case for me, but I can see this with clients too, that tired becomes a catch-all.
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Becomes the catch-all. And that sometimes we have...
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These sort of buckets that are, you know, if you think about the feeling wheel,
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the things that are the closest to the center. But, you know, tired is just such a compelling
33:29
one for me because it's like, I'm spiritually tired, I'm physically tired, I'm mentally tired.
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These have such completely different flavors for me.
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And having an offering set up in such a way that people are encouraged to dig a little bit deeper,
33:52
and get to know what their own particular flavors are, I think is so powerful.
33:57
Yeah, yeah, yeah, that's such a good point. It's funny, that's actually.
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That is so, so, so true.
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I mean, I can hear myself saying it and it's something that my husband growing up, like,
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it's something I've been with my husband.
34:14
I've known him since we were 18. And I remember even when we were younger, him talking and I could tell something was
34:21
off and I'd be like, what's wrong? Or, you know, how are you feeling?
34:23
And he would say, I'm just tired. And I, and you just kind of know to your point, like, there's so much underneath that.
34:30
But if you don't have, I also think to your point of like, it's one thing to not be able
34:37
to name it, but if you also can't sit in it and be like, okay, well, this emotion makes me feel heavy.
34:44
I feel like I often equate tiredness with heaviness. Or this emotion, like some emotions leave me feeling breathless, like I can't catch
34:56
my breath. And sometimes that makes me feel tired. There's all these, you're right, there's all these little flavors.
35:03
I love that word. And I think that's why the second step after naming it and sitting with it is so important
35:09
because yeah, you really start to understand.
35:13
What it feels like in your body and then from there, what stories, for me, it's like what
35:20
stories make me feel this way too. Yeah, what way of looking at this makes me feel this way? So walk us through the process. Yeah.
35:33
Yeah, so there are, so every emotion is put into five different worlds, like everyone
35:41
has their own little world. The five worlds or categories are prickly emotions, full-bodied
35:48
emotions, groovy emotions, spacious emotions, and transcendent emotions. And within at the
35:56
end of each of those categories, there are journal prompts that then take you through
36:00
four steps that we've just been talking about a little bit. So greeting an emotion or naming
36:05
it, sitting with an emotion, conversing with it, and saying goodbye. I say saying goodbye
36:10
with gratitude because that's my process. But you don't, you know, gratitude is not always accessible
36:15
and you don't need it, I don't think, to regulate. So the first one being meeting an emotion or
36:23
greeting it. We talked a little bit about that, but basically naming it to your point,
36:27
starting to understand how it feels in your body.
36:30
And then from there you sit with an emotion this is where we get a little more curious about those stories or those
36:38
hurt story patterns um some of our triggers or our beliefs that kind of certain emotions I find I have certain
36:47
beliefs that just trigger certain emotions and they can go on loop.
36:50
So for things like that getting aware of yeah what those stories are and where
36:54
they might stem from although that's not always possible to figure out. The third one would be conversing and that one is my favorite because it's the
37:02
creative writing part where you personify your own emotions. So this is where, yeah.
37:09
The prompts are all things like if this emotion that's present was a person,
37:14
you know, what would they look like? What would their disposition be? Where are you meeting them
37:19
in the world? What's around you keying into those senses? What do you smell or taste or
37:24
feel and ultimately what are they there to tell you what do they need.
37:29
And then the last step being saying goodbye with gratitude and so the last step is giving
37:35
thanks to the emotion for showing up but giving thanks to yourself for,
37:41
sitting with it and for talking with it and for giving it the acknowledgement
37:44
that it and you need.
37:48
So those yeah those are the four steps. I find myself most curious about the saying farewell portion.
38:01
Because I remember when I was streaming it, thinking like, okay, okay, okay, okay, I'm with you, okay.
38:10
And now I have to, there seems to be quite a bit of emotional regulation involved with.
38:19
Intentionally saying goodbye and especially with a more full-bodied or triggering emotion to be with and,
38:30
I'm curious about how you came to that.
38:34
What was that learning like for you? What does that look like for you in practice?
38:39
Yeah, so this is the regulating part is 100% what I'm still learning
38:46
It has always been, I didn't really have it modeled for me growing up so it has been something that I've always been curious about
38:55
and my practice is still changing. But when I say goodbye what I really mean is not over identifying or coming back
39:06
into yourself, coming back into your body. So for example those full-bodied
39:11
emotions yeah they are their full body they take up your whole
39:15
body so it's hard to just snap out of it, right? Which is not anything that I think, I don't think
39:20
we can logically talk our way out of feeling something. I don't think we should. So it's more
39:25
of a matter of if you've named it and you've sat with it, like you're full of it basically at this
39:32
point and then you've talked with it, you know what you need or maybe you don't, but you at least
39:37
know that it's there and it's trying to speak up and you can't fully hear it quite yet, but you
39:42
also just you can't hold it anymore either because it's starting to turn
39:48
into rumination, it's starting to to become too overwhelming, it's it might
39:53
even be like you have to literally go and pick up your child from school but
39:58
whatever the reason, you have to shelve it. And for me, it's moron.
40:04
It's more of getting out of that that space of being with it so conversing with it and hearing
40:10
what it has to say and what you think and more so coming back to your body so things like dancing,
40:16
just moving um going for a walk uh this is honestly where i think it comes back to being
40:22
really clear on what you need so what do i need right now for this emotion to simmer a bit to be
40:29
at bay like for me to just come back to me and find that stillness inside
40:34
because for whatever reason I can't sit with it anymore.
40:38
I think that looks different for everyone. For me it honestly looks different on a day-to-day basis but my go-to's are
40:45
music so like I definitely music and dancing for me helps me kind of move through whatever needs to move through so it's not as
40:53
overwhelming and journaling as well so just even just brain dumps, like getting everything out of my head so that I can say goodbye and come back to
41:02
it later if I need or want to. And then, yeah, deep breaths, like being with playing, like being
41:10
with my son. But yeah, anything that just makes me feel like I'm reconnected to my body and not
41:17
necessarily dwelling in my head. Yeah. Yeah, because I think for some of us,
41:24
especially, you know, those of us who didn't receive a ton of modeling around this kind of.
41:33
You know, I think so often about when I'm talking to my children, where, you know,
41:40
especially I have a six-year-old, and especially she will say, I can't stop. I can't stop.
41:48
And I had to teach myself how to stop in order to teach her.
41:56
Yes. Because I remember these conversations where I was like,
41:59
you have to stop. And she was like, well, I can't, I don't know how, how do I? And my.
42:06
Well, that's an excellent question. I mean, you know, it is something that I understand,
42:10
of course, intellectually, but I can, you know, know in my body that feeling of it is,
42:16
it's impossible to do any of those things. And so thank you. I love that all of the examples
42:22
you gave us and also the invitation to not over identify with our emotions, because I think,
42:29
that is a trap many of us fall into. The idea that there is there is a me that is
42:34
separate from the me who is in that. Yeah. Yeah. Space is huge in and of itself and
42:43
to have that modeling is very generous. Thank you. Of course. That's yeah. That's
42:50
that's definitely something I've struggled with since I was a kid. So yeah.
42:56
Yeah, I think you're right. A lot of people feel that way. And yeah, I love that.
43:04
I love that. I can't stop. That's a very real way of putting it.
43:09
And my son's the same way.
43:11
My son's just, I mean, kids anyway, right? But my son is very much like me, where
43:17
he's just very big feeling. And I've actually started to teach him some of these,
43:23
some breath work that I've learned at therapy.
43:26
Because there's movement involved and it's pretty amazing to see how quickly
43:34
it can work. Mm-hmm. Yeah, it really is.
43:42
Yeah, it's just, I mean, I think the kind of celestial joke of parenthood is how much
43:50
of your own reparenting you are doing in the process. I wouldn't bold me that.
43:56
Yeah, me neither. Yeah, that was a surprise. Yeah, it's amazing to re-meet yourself at every stage and to learn, to have that yearning
44:12
for I want to give this to my kid and I can't because I don't know. I don't know. I, you
44:22
know, it's just not embodied for me yet. And practicing it on your own. Yeah, that's a whole other podcast.
44:28
I was just about to literally take those words out of my mouth.
44:33
Devon, well, it has been just wonderful having you here. I am so excited for your book. I
44:39
and wait for it to be out. Is there any last words you wanna leave us with? Any last things you want us to know?
44:47
I think that the one thing I always think of when it comes to this kind of work
44:52
that I've had to get to myself, honestly, is so much of what I feel like you talk a lot about too,
45:00
Mara, is like, just come with grace.
45:06
Don't judge how you do it. The thing I'm learning too with all of this is just.
45:13
Trust yourself enough to eat up everything that brings you back to yourself. So no matter how that looks or if it's
45:20
different from day to day or moment to moment, if it works for you, and I'm a big believer in
45:26
all of this, nothing's prescriptive. So if it works for you, then let it work for
45:32
you. For me, and how amazing it is that you can know and trust yourself enough,
45:39
to lean into that, so that there's no right or wrong way of doing any of this.
45:47
I love that, thank you so much. So tell us, Devon, where you like to hang out.
45:53
Where can we find you? Where can we hang out with you?
45:57
I was gonna say, you could find me in the woods. No, I don't like to be online, so don't find me there. Yeah, exactly.
46:03
I like to hang out on Instagram, but I really like hanging out on Substack actually.
46:11
I'm just starting to write again there, but it's cozy. I like it there.
46:16
So yeah, you can find me under Devin Loftus or my newsletter is called Letters from Home on Substack.
46:26
And on Instagram, it is at underscore Devin Loftus.
46:33
Amazing. Well, I will put this both and all in the show notes and thank you. Thanks for
46:38
being here. Thank you for having me. Music.
46:59
Listening to the NeNe Podcast with Maren Glatzel. If you want my support in learning
47:03
how to nourish your needs, dance on over to thenenepodcast.com
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47:10
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47:40
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47:46
Music.
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