Michael Billington reflects on almost 50 years and some 10,000 reviews as he steps down as the Guardian's chief theatre critic. Michael is introduced by Rufus Norris, Director of the National Theatre. A number of guests including actors Penelop
Katy Rudd (The Almighty, Royal Exchange; Associate Artist, Elliott & Harper Productions) and Joel Horwood (I Want My Hat Back, National Theatre; The Little Mermaid, Bristol Old Vic) discuss their new production of Neil Gaiman's The Ocean at the
Writer Inua Ellams and Director Nadia Fall discuss their new production of Three Sisters. Chaired by Louisa Uchum Egbunike, Lecturer in English at City, University of London, Curator of the Legacies of Biafra touring exhibition and Co-Convenor
The Ocean at the End of the Lane is the bestselling magical novel from the brilliant imagination of Neil Gaiman. Join Gaiman as he chats to Lenny Henry about writing this modern myth, where his inspiration came from, and what it's like to have
Join legendary theatre-maker Peter Brook (‘our greatest living director’, Independent) as he speaks to Mark Lawson to discuss his new book Playing by Ear: Reflections on Music and Sound, which explores the role of music in the theatre and revis
David Hare and Jonathan Kent (the partnership behind Young Chekhov) speak about the processes of making their new production. Hosted by Georgina Godwin
Actor Roger Allam (Les Miserables, The Thick of It) reflects on the challenges and rewards of playing John Rutherford in the new production of Rutherford and Son.
Writer David Hare reflects on his new play I’m Not Running, chaired by Helen Lewis. David Hare is a playwright and film-maker. Hare first worked at the National Theatre in 1971. Seventeen of his plays have since been presented there including
Join the director and writer as they reflect on their production of Hadestown. Rachel Chavkin is a director, dramaturg and sometime writer, and the founding Artistic Director of the TEAM (teamplays.org). Anaïs Mitchell is an American singer-s
Join renowned playwrights Alecky Blythe (London Road, Little Revolution), Howard Brenton (Pravda, Never So Good), Natasha Gordon (Nine Night), and Conor McPherson (The Weir, Girl from the North Country) and publisher Nick Hern, to explore how p
Jacques Lecoq was one of the major figures of Western theatre in the second half of the 20th century, known especially for his teaching of movement, play, improvisation, masks, language, comedy, and tragedy. This event explores this legacy with
An event to celebrate the publication of Dramatic Exchanges: The Lives and Letters of the National Theatre selected and edited by Daniel Rosenthal. With contributions from the author and readings from actors with the NT company including Tim Mc
Dying and death is something we will all experience in our lifetime: the loss of a loved one, fear of dying or perhaps trying to extend our lives. Malika Booker, Rachel Clarke and Tony Walter explore different perspectives on dying.Malika Boo
Patrick Marber talks about his new production, Exit the King, with Rachel Cooke. Patrick Marber’s plays for the National Theatre include Dealer’s Choice, Closer, The Red Lion, Three Days in the Country, The Beaux’ Stratagem, and Hedda Gabler.
The director and writer reflect on their production of An Octoroon.Ned Bennett directed Pomona at the Orange Tree Theatre, National Theatre and Royal Exchange; The Crocodile at the Manchester International Festival and Yen at the Royal Court
To mark the 50th anniversary of the end of stage censorship in Britain, theatre historians and NT actors explore the NT plays which would have been banned by the Lord Chamberlain's Office if state control of plays had not been abolished by the
Join the director as he reflects on his production of Translations, chaired by Tanya Seghatchian. Ian Rickson was artistic director of the Royal Court Theatre from 1998 to 2007. Recent West End work includes Jerusalem, Betrayal, Mojo, The Goat,