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Once Upon a TimelineEpisodes
Episodes of Once Upon a Timeline
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Of course, there are pros and cons to both but it’s important to analyse every single one. We need to take a close look at how useful they are to us at every stage of our career. On this week’s show I go deep into the upsides and downsides so y
In this week’s show I’ll be going deep into the art of piloting, our ability to immediately change direction after negative feedback about our work. We’ll talk through what exactly pivoting is, how it works, the psychology behind it and how we
Every cut we make, every shot we make longer, every piece of body language we include or exclude has massive repercussions. We’re shaping the experience of the audience with hundreds of these decisions every day. In this episode I break down al
We want to build a huge creative filing cabinet in our minds that we can apply to any set of raw footage that comes into our cutting room. I’ll be breaking down the key concepts, techniques and mindsets that we can use when researching and memo
On this weeks show Paddy talks through the definitive checklist of every single thing we need to consider when cutting, as well as every single thing directors and producers expect from us.Scored as always by our wonderful friends over at Unive
We all know that the way we work with directors is essential to our career success but how does that actually work? What are the specific character traits that we need to develop? And what are the creative skills that directors are looking for
On this week's show we are very lucky to have the hugely talented documentary director Suemay Oram as our guest. Suemay has directed films for everyone from the BBC to Netflix to HBO. In this two part interview she gives us some hugely valuable
So, what is it and why is it useful? Well, this skill is about identifying, planning and deliberately constructing the subtle visual elements that reinforce the overall arc of the story. Quite simply, we sprinkle elements across the timeline at
People change when they know there is a camera pointed at them and this causes all kinds of issues for us editors, especially in non scripted editing. One of the fundamental laws of our art form is the create believable performances on screen o
There's a whole bunch of barriers standing in our way in terms of designing and navigating this path successfully. But on this week's show we're going to focus more on the creative residue that needs to be discarded when moving from one to the
The pressure was immense, the hours were punishing and the shooting ratio was enormous. They had air craft carriers, F-18’s fighter jets, insane arial sequences, Covid lockdown, Tom Cruise was starring, Jerry Bruckheimer producing, Joe Kosinski
Eddie has taken time away from his Mission Impossible 7 timeline to come back on the podcast and talk through all of the trials, tribulations and triumphs of his latest collaboration with Tom Cruise.Come and join us on this week’s episode of On
There are a huge array of psychological, behavioural, action and dialogue based considerations we need to go through in order to get the best elements onto the timeline.In this week's episode of Once Upon a timeline Paddy breaks down all of th
There is a psychological and subconscious grading system with which the mind views new images and what it thinks is most important within a new shot. Much of it is the result of our evolution over thousands of years and understanding this order
It's not good enough to just focus on the craft, there are numerous psychological traits we must be aware of as well. On this week's show I'm going to be talking about a major one; the art of creating value in the mind of the client.If you'd l
How are many scenes structured? What are the can and can't do's in visual logic? When and how can we break the rules? These are just some of the editing questions we'll be discussing on this week's show.We also have a fantastic free Creative
We're kicking off our first podcast episode of the new year with a discussion around Full Disclosure and all its perils. Crafting the information and story content is one thing but knowing when and where to disclose that content to our audienc
Within just a few short years Carly's grit, determination and relentless pursuit of her dream to edit high-end drama has paid off as you can now see her work on the latest season of the BBC/HBO drama Industry.We love inspiring stories on Once U
And today's guest on Once Upon a Timeline has one of those great stories. The hugely talented Carly Brown has worked on a unique range of genres as she rose up the editing ladder. From short promos to quick turnaround sport's shows to document
But without an in depth look at why they happen and all of the many ways we can actually benefit from them, we'll never look at them as anything but an inconvenience.This week's show is an encyclopaedic study of this enormous part of our art fo
In this week's episode of Once Upon a Timeline I discuss the power balance in the edit suite and all of the psychological aspects at play. What do directors want? How do they think? What do they need from us outside of our creativity?Most imp
As visual storytellers we need to concern ourselves with many different types of arcs that are never really talked about in the editing world. And so to kick off Season 3 of Once Upon a Timeline we’re going to demystify, breakdown and explain e
The emphasis on kit and keeping up with all of the latest equipment really does negate the one true aspect of filmmaking which we should all be focusing on more than anything else. It's also the thing our audiences love to see.Tune in to this w
They save us, they help us and they make sense in a world full of chaos. Like a thousand editors before me, I've spent large parts of my career using these words to construct the essential journalistic structure and logic of so many scenes.Wha
On this week's show I'm going to break down and talk through all of the advantages to this perishable skill and show that there are many art forms that can teach us how to embrace complexity.This is not something to be intimidated by and run f
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