0:00

This podcast is A3D audio

0:02

production. So watch out as sounds

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may seem to come from beside you or behind

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you. For the best listening experience, please

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use headphones.

0:13

There are a few things as captivating as

0:15

unraveling a family mystery. Especially

0:17

one with as many twists as June's journey.

0:19

And you know we love a good twist. In

0:22

June's journey, you play as June Parker

0:24

and investigate beautifully detailed scenes

0:26

set in the decadent twenties to solve

0:28

her sister's murder. Whether this is

0:30

your first case or your seasoned Sherlock,

0:33

June Journey will keep you hooked with new chapters

0:35

added every week. With more than a thousand

0:37

scenes full of hidden clues, there's always

0:39

something new to discover. I've also

0:41

really enjoyed chatting and playing with other players

0:43

in the detective club. It makes me feel like

0:46

we're team on the case, and you can even play

0:48

against them if you're feeling particularly competitive.

0:51

And beyond the mystery aspect, June's journey

0:53

is just beautifully designed, and you can build

0:55

your very own island estate with expansive gardens

0:57

and beautiful buildings. I'm currently saving

1:00

up for a water feature in the front yard. Pick

1:02

up where you left off to uncover new secrets

1:04

or start your investigation today. And

1:07

download June's dirty available

1:09

on Android and iOS mobile devices

1:11

as well as on PC through Facebook

1:13

games.

1:19

Okay. I'm having pretty bad day.

1:21

It was supposed to be a glorious day.

1:24

I

1:24

mean, I've left my hometown.

1:27

That may not sound like a big deal, but

1:29

I've never set foot outside of this place

1:31

ever.

1:33

No one that lives in Corbat ever

1:35

leaves.

1:36

This was supposed to be the day I finally

1:38

took control of my own life, But

1:41

ever since I left, nothing makes

1:43

sense. Now

1:45

I'm in a stolen car. On the run

1:47

to the desert, being chased by an enormous

1:50

crow, but I'm not turning back.

1:53

I don't care what's out there. I'm leaving

1:55

corbat. Check

1:59

out leaving Corbat, a multi

2:01

season audio drama adventure. By

2:03

the creator of the deca tapes. Find

2:07

leaving Corbat wherever you listen to podcasts,

2:09

or go to leaving Corbat dot

2:11

com. To go on a bizarre road

2:13

trip.

2:25

Hey, Club Club. This is Marco Palmieri

2:28

producer of realms orphan black the

2:30

next chapter, and I just want to say a

2:32

huge fan of the orphan black TV series,

2:34

it's been an absolute joy to

2:36

continue the Sestra Saga in audio

2:38

drama form. And I wanna thank you

2:40

all so much for supporting our podcast.

2:43

We'll be back with the next episode on December

2:45

thirtieth, but in the meantime, we wanted to

2:47

share with you this special bonus episode.

2:49

We're always excited to hear from you. So

2:52

if you haven't already, please connect

2:54

with us on Twitter at realmmedia or

2:56

reach out through our website realm

2:58

dot f l. And if you want a

3:00

bonus bonus, stick around after

3:02

this episode for a sneak peek of another

3:04

show we you like. But for

3:06

now, just sit back and let

3:08

your clone club hard explode as

3:10

you listen to Tatiana Maslani,

3:13

Jordan Guevara's, Evelyn Broshoe

3:15

and Christian Brew all together

3:17

again in this very special

3:20

reunion panel.

3:26

Hey, everyone who has joined us. I'm Don

3:29

Ross, who's taking a competitor at large, a

3:31

better team of weekly. And, of course, I'm

3:33

sure you all me from my my

3:35

huge breakout, massive role

3:37

as as dentin, and started to

3:39

do a orphan time. Why

3:42

can you miss it? Thanks so

3:44

much for joining for joining me and my castmates

3:47

for this special reunion panel.

3:50

In celebration of season two of orphan

3:52

black, the next chapter from Realm.

3:54

Before we get going, I I do wanna quickly note

3:56

that this channel is also raising awareness for the

3:58

encampment support network in Toronto.

4:01

Rome has made a donation and encourages

4:03

you learn more about their work,

4:05

pick up. And find out how much how

4:07

you can support them by visiting incampments

4:10

support network dot

4:12

com. So you and all your

4:14

freaky leakies should go check that out.

4:16

Alright. Two years after

4:18

orphan black's television finale, Realm

4:20

released orphan black, the next

4:22

chapter the official audio

4:24

continuation of the series

4:27

in season one, Tatiana Maslani,

4:29

who knows something about playing a lot of

4:31

different roles. Not only did all the

4:33

cloned voices, but also the voices

4:35

for Donnie, Delfin, and

4:37

Felix. That was awesome. But

4:40

you know what's even more awesome, bringing

4:42

back the other original cast

4:44

members. So for season two, the other actors

4:46

have returned. To bring their characters

4:48

to life once again, and we're so pumped

4:50

to have them here with us today, joining

4:52

us for virtual awesomeness,

4:55

Christian Brun, Evelyn Broshoe, Jordan

4:57

Gaffarious, and Tatiana Maslani. Yeah.

5:00

And Mary. Come

5:02

on.

5:03

Rachel Austin. It's both virtual.

5:06

Awesome. This is all we have to

5:08

do. Three

5:08

years has been virtual, awesome. I've

5:10

had a lot of virtual So,

5:12

like, that brings up a good question, Evelyn. Like,

5:14

when's the last time

5:16

the four of you were all together?

5:18

Either remotely in a Zoom or an person,

5:21

like, when's the last time you all were

5:23

in one

5:23

space? I think the the concept of

5:25

time has been really, like,

5:28

stretched you know, because of what happened in

5:30

the past two years that I

5:32

think it was in sort of during

5:34

the

5:34

pandemic, we did a read through, a

5:36

fundraiser read through, but I can't remember

5:39

when. I think

5:41

It

5:41

was in the summer summer of the

5:43

pandemic, like May

5:44

or June. May or June? May I think tomorrow?

5:47

I I marked it all by how like, the

5:49

level of anxiety was at a ten

5:51

through, like, March and April. And I think I think

5:53

I'd been knocked down

5:54

to, like, a seven or an eight by the time we did

5:56

that read through I'm gonna say this up.

6:02

Well, hopefully, it's been ratcheted down now.

6:05

Yeah. No. No. No. I'm I'm back in my boss.

6:07

I'm I'm no longer

6:08

dissociated. It's funny. But

6:12

before we get into the orphan black of it all, I

6:14

I just wanna give folks a a

6:16

chance to sort of quickly update us on on other

6:18

projects and things that you've been working on since

6:20

it's showing off the air. We all know

6:22

Tatiana's got that whole shield thing

6:24

going on. So, look, if she starts to

6:26

turn, like, a little green at some point on the zoom,

6:28

that's not jealousy. She's just a very

6:30

method. That's all what's going on

6:32

there. But I wanna hear from everyone else

6:34

just about sort of, you know, your professional

6:36

life path or or from black.

6:39

Evelyn, I know in addition to your acting,

6:41

your your music has really

6:43

taken off. You can check out all your stuff

6:45

on Spotify. It's awesome. And you don't

6:47

you have, like, a gig tomorrow night or something?

6:49

I do. I have a gig tomorrow

6:51

night and a gig on Saturday. And

6:54

three children. Those

6:57

are called roadies. Those are roadies.

6:59

Yeah. Right. Right. Exactly. No.

7:01

It's not that kind of tour. There's no there's

7:03

no roadies. We we carry our our own stuff,

7:05

but been really I

7:07

think when you start something that's brand

7:10

new, those butterflies that

7:12

we all, you know, love and and seek

7:14

you know, even when it's in acting, you

7:16

try to find them because it means that you're

7:18

excited and that you're learning and that you're scared and

7:20

that it's meaningful. And think

7:22

for me that whole, you know, new music

7:24

aspect of my life has been a place where

7:26

these butterflies have been renewed and they can

7:29

now, like, fly into

7:31

the rest of the parts of my life. So it's

7:33

been very joyful, very very

7:35

fun too. There's something about music that's a

7:37

bit more loose than

7:39

theater that I think I might bring

7:41

back into the rest of my work

7:43

also. There's a, like, moment.

7:45

It's all about you know, the moment.

7:47

And I I know it's always all about the moment, but

7:49

it's a good teacher about just, you know,

7:52

every show is different than how you how you

7:54

make it, magic. Go in its own thing and

7:56

how do you carry that into the rest? So, yeah, it's

7:58

been really interesting and and and lovely

8:00

and exciting and back in the

8:02

road. Hey, guys.

8:03

And, you know, Christian, we're joining this orphan

8:06

black community here, but I believe

8:08

you have another orphan black community sorts because you're

8:10

gonna be appearing on Grand Manson's snow

8:11

pure, sir. That's right. Season

8:14

three. What can you say about that? I

8:16

just pop in here and there

8:19

just to lighten things up a

8:21

little bit. Yeah. Really fun

8:23

character. Yeah.

8:25

It was just really fun to work with Graham again and

8:28

Aubrey. They were they were both working

8:30

at show runners, co show runners on

8:32

Snowpiercer and was out in

8:34

BC in Vancouver, where I

8:36

was last winter, and I

8:38

just had a blast seeing them again,

8:40

and and being on set with them

8:42

again. And very different

8:44

show, crazy beast of a

8:46

train, but really dark

8:48

moody and and funny stuff.

8:50

Awesome. And and and Jordan, I know you're

8:53

gonna be starring in what I think

8:55

is Canadian Amazon's first

8:57

original scripted

8:59

series. Right? I don't

9:01

know how that happened. Yeah. I

9:04

just I just got back to Los

9:06

Angeles. In the middle of October, I was in North

9:08

Bay through the summer, shooting

9:10

this kind of It it

9:12

was sold to everyone who's like this gentle

9:14

kind of summer comedy. It

9:17

was such a behemoth because I guess

9:19

nobody really one really knew, like, how

9:21

much was involved when you're shooting on

9:23

water? It's a lot,

9:26

pontoon boats. And you

9:28

know, it was but I I have the

9:30

time of my life. Like, it was a dream

9:32

experience. I had to work

9:34

with miss Julia Styles. Who

9:36

I fell in love with, like, immediately. She's

9:38

so cool, and I had to hold

9:40

back all of my nineties

9:43

fanboy weirdness. I just

9:46

had an amazing time. Like, I don't I can't I

9:48

can't say enough about it. I fell in love with everybody.

9:50

I'm so excited for everyone to see the show. I

9:52

see nothing I hope it's I

9:54

I think it's great. I hope it's great.

9:56

I don't know. I'm

9:58

just talking. I don't want someone

10:00

else. Yes. Seasick?

10:03

Did I what? Were you seasick?

10:06

I didn't get seasick once,

10:08

and I'm proud of myself, because

10:10

I should have been the person that got

10:12

seesick. Like, that that is all the still

10:14

late tournament. It's not the ocean. It's like a

10:16

sea You don't know what it is, like,

10:19

on the

10:19

lake. Christian. It it went on that lake.

10:21

I knew that, you know, with

10:23

your same producer.

10:28

It went

10:29

on. Isn't that a bit of an orphan

10:31

black or new as well? Isn't Natalie Lisinko

10:34

playing Natalie

10:36

Lisinko plays the most she's gonna

10:39

I I She's so funny. I

10:41

can't wait for everybody to see her in this part because

10:43

she's she absolutely kills

10:45

it. And you're absolutely

10:47

right. Total or from Black Green. There were so many

10:49

people that worked on the show that we've

10:51

found, like, crew members as

10:53

well, came up from Toronto to work on

10:55

it. I just I'm I'm so

10:57

excited for everybody.

10:59

Well, I I hope you kept her away from

11:01

scarves and garbage disposals. Do you have a

11:03

lot of your scarves? No.

11:06

So, look, I wanna I wanna take you all back, if

11:08

I may, to where where it all sort

11:10

of began. Season one, that's a

11:12

run-in the time machine, running the Dolorian,

11:14

Doc Brown's Dolorian, Or is that for

11:17

for twenty thirteen? I

11:19

I remember moderating the Comic Con

11:21

panel out in San Diego right after season one

11:23

in there. And then tatt and Jordan,

11:25

you guys were there. And it it

11:27

was AAA mad house. It was crazy

11:29

because it was booked in a just a way

11:31

too small room because when it was booked,

11:33

the show hadn't taken off yet. Right? Well, in

11:35

advance, by the time the panel happened, it

11:37

was bananas. So people were

11:39

camped out, waiting to get in and, you

11:41

know, I've moderated a lot of panels in

11:43

Hall h with eight thousand people plus and

11:45

but I've never felt anything like energy in

11:47

that much smaller room

11:50

back in twenty thirteen, right, as the show was

11:52

kicking into serious gear. And I I'm

11:54

curious from from to hear

11:56

from you guys, what was your first indication

11:58

that there was a very intense and

12:01

committed fan base and

12:03

that this was more than just a show to a

12:05

woman guys make the show and you're kind of in a bubble when

12:07

you do it. And then, you know, some

12:09

reviews come out and people like it and this and

12:11

that. But this this this set of

12:13

connection to fans that I've very

12:15

rarely

12:15

seen. Touch out of what what was sort of the

12:18

first time you sort of were made

12:20

aware of

12:20

that? I feel like it

12:23

was it was a

12:25

collision of a lot of moments

12:27

that first comic

12:29

con like, stepping out at Nerd

12:32

HQ and feeling that energy

12:34

of, like, a crowd of people

12:36

who knew the show. And

12:38

then And and I think I've spoken about

12:40

this before, and I'm just remembering it now, but,

12:42

like, people dressed up in very

12:44

esoteric versions of the characters.

12:46

That only would make sense if you were like dedicated

12:49

to the show. And

12:51

then just like I think

12:53

just incrementally as we

12:55

went on hearing from more

12:57

people, hearing like

12:59

the ways the characters impacted

13:01

them. I I have

13:03

a book right now that someone

13:05

wrote about like it's like I think

13:07

a dissertation on

13:09

orphan black and sexuality and

13:12

gender in it and all of this. And so

13:14

I think it's like I'm I'm

13:16

still I'm still, you

13:18

know, contending with the amount

13:21

with, you know, like, the the impact

13:23

that it had, and it's like it's amazing. It

13:25

was it's still, you know,

13:27

shocking. It's still nuts. But

13:29

I get it, like, I I you know, I

13:31

know there's things that

13:34

I watch, then I'm like, oh, thank

13:36

god. There's this. Because,

13:38

like, there's my sense of humor, there's, like, the

13:40

way my brain works, or there's person

13:43

I've never seen before on screen that I'm

13:45

like, oh, cool. Like,

13:47

that's possible. You know, it's it's

13:49

I think that's, like, the most powerful thing that

13:52

TV could can

13:52

do. What a storytelling can

13:54

do? What

13:54

about for the rest of you? Any of you have at

13:57

those moments? I remember

14:00

the first time I I got recognized

14:02

for the show, I was at I was at a

14:04

winery, I was on a wine tour,

14:06

when I was buying some wine and I was it

14:08

was, like, the the summer after

14:12

the first season aired. And so at

14:14

the end of first season, Donnie was a

14:16

bad guy turned out to be, you

14:18

know, Allison's monitor.

14:20

So and that

14:22

quickly falls

14:23

apart. But in season two, but it was between

14:25

seasons and I was checking out. I was buying a couple

14:27

bottles of wine and the lady at the cash

14:29

register

14:30

was like, familiar.

14:33

I know you've been

14:35

somewhere. Oh,

14:37

you bastard and she got, like,

14:39

most. Than, like, what you realized

14:42

who I was. And I was, like, I it's just

14:44

characters. It's just terrible. But

14:46

but I I was very shocked and surprised

14:48

And it was in front of my

14:49

friends, so it was extra embarrassing. But

14:52

The reason she

14:52

wasn't recognizing you from

14:55

TV.

15:04

Jordan, I feel like any sort of in person

15:06

interaction with you would involve them, like,

15:08

freaking out over you not being British.

15:11

Yes. It's quite it's become quite the

15:13

parlor trick. And it

15:15

it's really I I still

15:18

I think the weirdest part was when

15:20

I I did, like, a fan event in the

15:22

UK and and that's always you know,

15:24

Accenture always a point of contention that the idea

15:26

that anyone from the UK like, bought

15:28

into me being British was both

15:30

a tremendous relief because

15:34

accents are scary and also

15:36

just, like, total compliment and, like, some

15:38

of the most fun fan interactions I've had

15:40

because we ended up talking about regional

15:42

dialects for ten minutes. But

15:44

similarly to Todd, I think it was the nerd

15:46

h panel that we did at at Comic Con

15:48

that first year because

15:50

you do make a show in a vacuum.

15:53

And I think everybody was

15:55

then maybe this is maybe

15:57

I'm assuming too much, but I think everyone sort

15:59

of assumed this kind of a little

16:02

show We didn't have a lot of money.

16:04

We didn't really know how the broadcast was

16:06

gonna work, whether or

16:08

not people would see it at all.

16:11

Would just be a miracle. I think everybody sort

16:13

of assumed, yeah, we'll maybe get a couple of

16:15

seasons, and we're gonna have a lot of fun.

16:17

But it was I

16:19

think no expectations

16:21

met with such an incredible reaction

16:23

from all of the audience members

16:25

that just the

16:27

roomy for such a loop. III

16:30

feel like we I kinda

16:32

feel like we also got very emotional with

16:34

the nerve cute like, we were all about to burst

16:36

into tears because it was just

16:38

so unexpected. We didn't

16:40

expect anything from

16:42

anyone So to get

16:45

all of that energy coming at you

16:47

was was just

16:49

shocking. Mhmm. Let

16:51

let let's fast forward five

16:54

years now. And what

16:56

was it like then having to say

16:58

goodbye to the character?

16:59

The first time. I know you're all actors. I know

17:01

you're used to moving on from roles. You

17:03

know, but these are people you played for an extended period

17:05

of

17:05

time. And this was a project that was really

17:07

big for your career. That one will start

17:10

with you. What what was it like when you

17:12

had

17:12

to, at that point, say goodbye

17:15

to Delphi?

17:16

It's strange. I don't feel like I said goodbye

17:18

yet because I feel like it lives

17:20

on. In a way, I feel like people

17:22

carry those characters. I feel like

17:27

because it's on platforms

17:29

that people can access. They go back to

17:31

it. I think new fans are joining

17:34

into club And

17:35

with, you know, these

17:37

the project that we're doing now, you

17:39

know, it's still alive, and I feel like

17:41

we're getting still so much feedback and

17:43

and so much positive energy still from it that

17:46

and it and I think it gives a lot of

17:48

positive energy to people

17:48

still. So yeah.

17:52

I

17:52

haven't said goodbye, I think.

17:55

Yes. Was it

17:56

emotional front of you? Yeah. When you

17:58

were, you know, After

18:01

season five, tell me about that.

18:04

We have

18:04

a day. Oh, shit. There you go. Go for it.

18:06

Go for it. I was just the night like,

18:08

the very last night of

18:09

shooting, everybody had kind of agreed

18:12

and and hung out and stayed

18:14

late. I actually left

18:16

I

18:19

think I was like, I have to catch a flight or I

18:22

have to do something. I I'm like four in

18:24

the morning when they wrapped and we

18:25

were all getting on flight that morning

18:27

at, like, eight to go.

18:29

Like, you stayed. Other people

18:32

stayed. III just couldn't

18:34

I couldn't do the and I didn't I didn't

18:36

know that at the time, but I was like, no. No. I

18:38

can't I I don't wanna be here. I don't wanna

18:40

be I don't wanna be here for the last

18:42

moment. I'm not good at that. I don't wanna say goodbye

18:44

and not interested in that. So I took off early and pretended

18:46

that wasn't happening.

18:48

But I did I did go. I just didn't

18:51

wanna be there for, like, the

18:53

moment. I don't know why. I think

18:55

it it just was really

18:57

sad to say goodbye to something that meant so

18:59

much

18:59

to us. Have you ever been on a

19:01

bad road trip? No good

19:04

songs, not

19:06

enough snacks?

19:08

And one of the people in the back seat just decided

19:10

he's a crypto day trader.

19:13

I'm sure you can relate. Right?

19:16

Well,

19:16

let me tell you it can get

19:18

a lot worse. I'm

19:19

on the most bizarre, the

19:22

most dangerous, disassociating,

19:25

violent

19:26

fever dream of a road

19:27

trip since Mad Max decided he needed to

19:30

get more fuel. Don't

19:33

believe me? Look for the new

19:35

audio drama podcast leaving

19:37

Corbat, and follow me on my

19:39

bizarre journey as I try to leave

19:41

my hometown for the first time in my

19:43

life. Listen to leaving

19:45

Corva wherever you listen to podcasts

19:48

or go to leaving orvat dot

19:50

com. I dare you.

20:01

Because the fan base is so passionate and, you

20:04

know, John Fawcett, one of your

20:06

series creators would sometimes float the

20:08

idea of a movie. Did you all kinda always

20:10

kinda feel I mean, everyone just sorta said a

20:12

little bit like like did you sort of feel,

20:14

Christian, and maybe this isn't really the

20:16

end. Like, probably at some point

20:18

in some fashion, in some

20:19

medium, I might be dancing in

20:22

my underwear. Yeah.

20:24

I when I, you know, hung up those

20:26

tiny blueberries for the last time, I thought,

20:28

don't go far. We might need to

20:30

get I mean,

20:32

it would be so much fun. I

20:34

would love a a real on

20:37

set reunion with with all of

20:39

you guys and especially you

20:40

Dalton, of course, Evelyn,

20:42

you're right.

20:44

I mean, the show does live on

20:47

in its own

20:49

world and and I do

20:51

feel like Yeah.

20:53

I mean, I never expected to be part

20:56

of a podcast

20:58

or be lending my voice

21:00

and it just felt

21:02

so natural

21:04

to slip right back into it. And

21:06

it felt awkward but comfortable at

21:08

the same time and it was

21:09

like, yeah, this these characters have lived

21:12

on and people still care

21:14

and it's they're still being written

21:16

about it's only natural

21:18

that it exists. I don't

21:21

know. It isn't dead to

21:23

me either. I love that the world is

21:25

continuing. The world of orphan black is continuing

21:27

through through this

21:29

podcast

21:29

experience, through this listening experience.

21:31

So

21:31

Is that

21:32

like look, I'll be all attached then to the the movie

21:34

that is is this our attachment to

21:36

this movie? Yeah.

21:37

Yeah. Yeah. Okay. So I'll

21:38

have to do it. I'm sorry.

21:41

So let let's get into that. And by the way, I wanna

21:43

let people on on the on the Zoom

21:45

know that we are gonna have a chance for

21:47

you guys to some questions too later once they're sick of me, my

21:50

in my voice, which that point may have passed

21:52

already. But let's get

21:54

it. So so, Tat, you recorded everything

21:56

for season one of of the

21:58

next chapter. So how did this come about of

22:00

bringing in all these other jokers back into the mix

22:02

we're seeking

22:02

to? Well, these goofballs are

22:05

really talented and I

22:07

knew, like, I was,

22:08

like, when when they approached me with

22:10

season two, I was,

22:13

like,

22:13

I the the first person I

22:15

thought it was Jordan because of on being

22:17

on set with Jordan is like being on set

22:20

with myriad characters. Even though he

22:22

stays in character, as

22:24

feelings all the time, he

22:26

will easily and swiftly

22:28

dip into, like, this other

22:30

dialect or or, like, this character

22:33

like, he's an incredible mimic. And I was

22:35

like, it would be so cool to hear

22:37

his versions of the cons. I don't know

22:39

why that initially, but then it

22:41

was just like, you

22:43

know, because the

22:45

fans are like such they're

22:47

so rabid still. They still love, you

22:49

know, and they they fell in love

22:51

with not not just comes, but all the

22:53

characters on the show. That's what was so great

22:56

about the shows that every character had

22:58

such, like, a full life and,

23:00

like, physicality and everything. Like,

23:02

everybody was so unique. So it

23:04

just felt like a no brainer to bring

23:07

back. People who the

23:09

fans would lose their minds to

23:11

hear and who obviously like have

23:13

such a huge place in in the

23:15

heart of the show

23:15

like, the the reason it was

23:18

successful. So

23:18

it just

23:19

feels a lot more, like, you know, the

23:21

patchwork thing that is orphaned black

23:23

where it's, like, It's about that

23:26

community and it's about the

23:27

group. Howard Bauchner: Yeah, and

23:29

and she's right when she talks about Jordan staying

23:31

with the dialect during filming all day. I

23:33

I was on set and went to

23:36

interview him, and he had to explain, like, that he was

23:38

and I was kinda looking at the epic job. Hearing

23:41

a few feelings but but I get

23:43

it. Like, I get it. Yeah. You know, it's

23:45

hard to sort of turn it on and off. Like, just

23:47

like -- Yeah. -- Dalton, for the record, I

23:49

didn't know Jordan wasn't pretty sure

23:51

till even late

23:54

into the first

23:54

season. Really? Having

23:57

worked with him and everything.

23:59

I'm loving right

24:00

now. Because that's how good his

24:02

British accent was, and he would keep it on set.

24:04

And it wasn't until I caught him one

24:06

day. You had already clocked

24:08

out. You caught me. No. No. No. No. You've been

24:10

already clocked out for the day. So you dropped

24:12

the dialect when you -- Yeah. -- that.

24:15

And and and I saw

24:17

you later in the parking lot as I was gonna shoot a

24:19

scene. I was like, hey, we'll see you later,

24:21

Jordan. You're like, you just

24:24

sounded like you, like and I was like, whoa.

24:26

Whoa. Whoa. What is going on?

24:28

I had no idea. It must have been like

24:31

seven or eight of season

24:31

one. So That makes

24:33

me really happy. And I'm, like, slightly

24:36

embarrassed for myself. But I

24:38

it Jacob was just so in case

24:40

he I

24:44

don't remember when when

24:47

Tethr was someone else in Kucima and I

24:49

had only met Kasema. And for me,

24:51

Kasema on, you know, on top, you know, they

24:53

were this this entity that

24:55

I had been working with. And

24:57

then I It was a racial or a crime. And

24:59

I was like, I

25:02

just felt differently

25:02

as, you know, how you do when you were with

25:05

someone else. It was

25:05

literally one offs. And I I cut it and you know how to

25:08

be. I was like, I had this school before,

25:10

and I don't know how to

25:11

interact. It was really my boing. That's

25:13

how good they are. Well,

25:14

the best was one morning. We were doing a rehearsal for a scene.

25:17

Evelyn, I feel like he was

25:19

there. And And

25:24

so as that dog,

25:27

Pat was in

25:29

full casino gear, But

25:31

you you were running lines, I think, for

25:33

another or rehearsing something for another

25:35

episode or another scene, and you

25:37

were Alison, but dressed as cassima,

25:39

and it was just the weirdest -- Yeah.

25:41

-- it was just the weirdest

25:44

thing. Like, a it was just a mind

25:47

blender. It was very think

25:49

is great.

25:51

Yeah. So you're seeing

25:53

with Alison while Tat is

25:55

dressed as Elena is, like, it's

25:57

really trippy. So

26:01

what was it like for you guys?

26:03

Evelyn, what was it like coming back to the

26:05

care after some time off and sort

26:06

of, you know, putting those

26:09

shoes

26:09

back

26:09

on. It's strange because Delphine's

26:12

accent does not mind either, and I hadn't

26:14

done it in a long time. And I I was like, where is

26:15

it? You know, and it took literally a

26:18

half second. And I was like, oh, there she

26:19

is. Like, this

26:22

Yeah. It just it's it's it

26:24

doesn't go far. It's like it's like

26:26

biking. You just, like, whoa, and

26:28

it's back. So it

26:30

felt good. It felt like

26:32

like it was like when you traveled to a place

26:34

you've been before and you're like, ah, this

26:36

cafe and like, oh, this

26:38

You sort of love it the same way you loved it at

26:40

first. It's

26:41

like it's like dating an ex.

26:47

Do you know anything about that?

26:49

Yeah. So what what was it what what was

26:51

it like Jordan in playing coming back to play

26:54

this character, but also in this

26:56

medium? And recording your lines

26:58

and playing the character by yourself

27:00

essentially. And I guess in a sense it's like

27:03

doing extended ADR work. Like,

27:05

but but What was it like in terms

27:07

of of that do it that way? Well,

27:09

similarly, like, there's always that half a second where

27:11

it's like, oh, god. Do I remember how

27:13

to do the guy. But I I

27:15

bring a little bit of chapstick.

27:17

And as soon as I, like, unscrew the

27:19

top and I put the chat sick

27:21

on for some reason. I that's my little

27:23

that's my little access point. Mhmm. And

27:25

I chat sick was on, and

27:27

I fell right into it. It was

27:29

it was actually quite easy because I

27:31

think there's Felix is

27:34

inherently theatrical. And

27:36

I think when you don't

27:38

have a visual, you you really

27:40

do have to use your voice, which is

27:42

just something that I think the character

27:45

lends itself to. So

27:47

the the wasn't a problem. I I do wish

27:49

that, like, I've had an opportunity to

27:52

react to other people that

27:54

it's a challenge. It's

27:56

a challenge. It was a it was a challenge because you don't know I

27:59

don't know what anybody else is gonna do. I'm I'm kinda

28:01

just like flying by the sea of my pants. But

28:03

there's something fun about that too and

28:05

kinda of what it was like on set when

28:07

we were doing the motion control

28:10

scenes. Todd

28:13

did many more of them than any of

28:15

us did very few that I had opportunity to do. It

28:17

was very similar in that you

28:19

don't necessarily depending on how we

28:21

shot it, you don't necessarily know

28:23

what that character is gonna do

28:25

on that side of the

28:26

frame. You just kind of have to hope

28:28

that things work and cut

28:31

together properly.

28:32

So very

28:32

fitting for or for black.

28:35

Christian, what

28:36

what kind of underwear did you have on for

28:38

your recording session? And were you rocking some blue

28:40

thunder for the occasion? I

28:43

I think the blue thunder is this what

28:45

we're calling you under right now? Blue thunder? That's what I'll

28:47

get under. Hey, Mark. Is

28:50

in storage in Los

28:52

Angeles somewhere right now. So

28:54

I have to just choose the tightest pair I

28:56

had and just twist

28:58

them in the back tie a knot, make him extra

29:00

tight, and then do some push ups again

29:02

to Donnie's character. No.

29:04

It just it just

29:07

naturally came out. I mean, so much of Donnie

29:09

is just me being, you

29:11

know, an idiot. And

29:13

so it it was easy to access for me.

29:15

I didn't have to worry about a

29:17

dialect like these other

29:19

Bozzo's had to. So I just I

29:21

just got to show

29:23

up and and you

29:25

know, fallen over this character again or just

29:28

re reopen that love. Tada,

29:31

I know when you when you would get into

29:33

a different character on the show, you know, you'd have the hair, you'd have the

29:35

makeup, you'd have the wardrobe that all helped you

29:37

sort of inhabit that character doing so

29:39

many. I mean, So how is it adjusting to doing

29:41

these voices without those things, you know,

29:44

helping you all along in terms

29:46

of differentiating?

29:47

I think similar to Jordan, it's

29:49

like the characters do

29:51

really live in a

29:54

vocally specific place. So

29:57

Yeah. It just

29:59

it just requires AAI

30:02

mean, the whole show has always required, like,

30:04

an extension of an

30:06

extension of

30:07

disbelief. He

30:11

is a longer disbelief.

30:12

Yeah. I

30:14

yeah. Like I said, spending of disbelief.

30:16

Like, the whole show, the whole, you

30:18

know, conceit of it, has always been,

30:20

like, a little bit, like,

30:22

playtime as a kid. You know what I

30:24

mean? Like, really,

30:25

like, putting

30:26

on a

30:26

new costume and, like, walking around

30:28

like a pirate.

30:31

There was no

30:31

pirate clone. But there

30:34

there Yeah.

30:37

Yeah. Yeah.

30:38

That's the movie. just one pirate.

30:40

But I think

30:43

yeah. Just because we're

30:45

already, like, playing in that of

30:47

imagination with the with the show. And

30:49

then I think the audio

30:51

or the the podcast format

30:53

lens itself, like any audiobooks I've done, you just go

30:55

into the space of, like

30:57

like, playtime in your brain.

31:00

So I think it just it it's that. But but I

31:02

really did struggle with certain

31:05

voices. Like finding

31:07

people again, I was I was like, whoa, this

31:09

is really it's surprising to me wasn't

31:12

accessible to me, Kasima. Like,

31:15

not remote. Like, I I was like,

31:17

this is becoming crystal. This

31:20

coming me. Like, I don't know who she it

31:22

was weird the ones that probably

31:24

required more of a physical thing.

31:26

Mhmm. Mhmm. What what

31:28

do you do when that happens? Do you go back and, like,

31:30

watch old clips of your son's

31:32

dilemma? Yeah.

31:33

Yeah. Or, yeah, like, that

31:36

or or do stuff physically

31:38

to try to find but, yeah,

31:40

it was a lot of, like, watching old folks and be

31:42

like, oh, yeah. This is the We

31:44

did. I have a question --

31:47

No. -- I have a question for you, Tap. What was

31:49

it like doing our voices

31:51

in season

31:52

one? Like, what did did you hear that? In

31:54

pause. Yeah. Like I think I was like, yeah.

31:56

This would be easy or whatever. I was like, I

31:58

know these guys, and then I was like, whoa. Like,

32:00

it's so

32:01

hot. It's so hard. This is why

32:04

I enlisted. This is

32:05

why I can't do it. I

32:07

can't do it.

32:08

But it was fun. It was fun to

32:11

hear, like, you know, the things you not

32:13

they you take for granted, but you like, this is my scene

32:15

partner, and this is their rhythms and

32:17

all of that, but, like, to then

32:20

emulate it. As the clones

32:21

did, often other clones, you know, but

32:24

it it's it was super fun.

32:26

So were you going

32:27

back and watching old slips of of that

32:29

down as well? Were you watching all? Oh, yeah. I had, like,

32:31

this,

32:31

and I'd be, like, just stay in

32:34

line right after I heard somebody.

32:37

Yeah. So so then what is

32:39

the process like of creating

32:41

AAA new clone that's

32:43

audio only? Like, you know, like VIVI, because I I know

32:45

you worked really hard on

32:47

the show with the team on creating the look for

32:49

each character with hair and

32:51

wardrobe like say with Tony, I know that

32:53

was part of the process

32:55

for you of finding the clones, all that. So did

32:57

you still kinda like do that in your head for

32:59

these sort of audio

33:00

clones? Yeah. And

33:01

I think it just it just didn't look

33:03

as visual to me, but there were definitely people I

33:05

was like, oh, I feel like it's that maybe

33:08

that person. So I have that person in my

33:10

head and then I try to, like, speak

33:12

from through that person. But

33:14

it really came down to

33:17

rhythm and tension,

33:20

verbal tension or, you

33:22

know, whatever musicality, those

33:24

things. Those

33:24

were, like, those were my wigs and

33:27

eyeliners to play with. Immucicality

33:29

has always been huge for you. Hasn't it? Like,

33:31

all the great characters. Interesting. Yeah.

33:34

I I wanna hear from the newbies. In terms of

33:36

finding out You're not coming to

33:38

character, but finding out now what your

33:40

character was up to now. And if that

33:42

sort of surprised you or delighted you or

33:44

maybe at first confused

33:46

you.

33:46

Evelyn, we'll we'll start with you. What it was like, what

33:48

was like finding out what Delphine was up to now?

33:50

I like that

33:51

there was a continuity. I like

33:53

that there love story is so strong.

33:56

I think people

33:58

sometimes you need drama, but I think

34:00

sometimes you can't go

34:02

to a place where the drama would hurt too

34:04

much, and I'm really glad that

34:06

that couple remains solid. That

34:09

was my first reaction to

34:11

their trajectory

34:13

in this season. I

34:16

kind of understood also their dilemma

34:18

when it comes to revealing how

34:20

they made this pregnancy possible.

34:24

I understand that sometimes a lot of people struggle between, you know, this world

34:27

of sharing. You're supposed to share to help everybody,

34:29

but there's a, like, a

34:31

also notion of privacy was,

34:33

like, how much do I share if I wanna, like,

34:36

keep things for myself and have this day

34:38

being precious and personal.

34:40

And I feel like that

34:42

can resonate in different ways

34:44

for a lot of

34:44

people. So I really enjoyed that arc.

34:46

Howard Bauchner: And before we get to

34:48

the other guys, Delphine is pregnant this season.

34:50

Yeah. That's a and Yeah. He's gonna face some challenges with that. But,

34:53

like, as a new mom yourself,

34:55

what was an

34:58

I mean, we live the pregnancy thing again.

35:00

So the last time we did this,

35:02

we talked about it

35:04

earlier on in conversation, I

35:07

think me and Pat went on first, and I

35:09

didn't know, like, it was already

35:12

happening. Like, I thought it

35:13

was, like, a free chat.

35:15

And I was like, I'm

35:17

pregnant. I was

35:18

like, we're all in. And I

35:20

was like, oh, yeah. They

35:23

managed somehow to but I was playing it with

35:25

the and I don't even think twins like that. But yeah.

35:28

I think I think the Monty

35:31

it's it's like a big physical revolution.

35:33

Like, apart from purity, you don't have

35:35

those kinds of physical

35:38

revolutions that often in

35:40

a lifetime, depending on, you know, your choices and everything. But, like,

35:42

if you go through the normal trajectory,

35:44

you've been the same for a while and you're like,

35:46

whoa, this

35:48

new body thing and then this new life thing. And so

35:50

I can relate to what Delphine

35:52

was going through as

35:53

well. Yeah.

35:56

Jordan, what

35:56

was it like for you finding out what

35:58

Felix was up to now a little bit

36:00

later? Well, some of it was surprising.

36:04

Like, he made some very traditional choices that surprised me,

36:06

like, you know, or or mildly

36:08

conservative choices that surprised me.

36:10

But I think that's also kind of

36:14

fun to the extent that, you know, as you get

36:16

into your thirties, as I

36:18

am now, as you

36:20

get into your

36:21

thirties, you can you do find

36:23

yourself yourself how you're becoming more like,

36:26

how I like my dinner at a certain

36:30

time, and I'm also getting up earlier in the morning,

36:32

and I just never thought that was gonna

36:33

happen. So there there was

36:35

a kind of like, oh, yeah.

36:37

Of course, this is this could

36:39

be who Felix became. This, like, rebel browser from, you

36:41

know of course,

36:44

he would sort of

36:46

settle down at a

36:48

point. And it's nice that it's with

36:50

Colin. And I also just

36:52

thought it was I've

36:54

fun fun for me anyways

36:56

that, like, he still finds a way to

36:58

get involved in the drama in some

37:00

way,

37:00

shape, or form. And I think

37:03

all the stuff with Blythe Black Winston.

37:05

Right?

37:05

Yep. Yeah. The that's

37:08

it's just fun. It's like it

37:12

was a fun way to get him to this strange compound. And,

37:14

yeah, it was just nice to

37:16

see him still involved in the action in spite of

37:18

his other otherwise very traditional life

37:22

choices.

37:22

And during another

37:23

big theme of the podcast this

37:25

season is being forcibly outed and

37:27

sort of the horrific sort

37:29

of consequences that Oh,

37:31

sure. That's obviously something a lot of people have had to

37:34

go out go through in in different circumstances

37:36

in terms of having that agency taken

37:38

away from

37:38

you. What do you make it away and sort of addressed

37:40

here in the podcast? It's really smart. I think

37:43

that it's a very clever allegory

37:45

for especially because so much of our

37:47

our life exists on

37:49

on social media now through technology where

37:51

people can say things thoughtlessly and

37:54

and not think about the consequences, whether

37:56

it's outing another person or someone outing

37:58

themselves. But I just thought the

38:00

category was really

38:01

clever. And I

38:04

I just I feel like

38:07

Through storytelling, I think

38:08

this is kind of the magic of

38:11

storytelling and something working Black has always

38:13

done really well

38:14

is speeding us the lesson but

38:16

in a spoonful of sugar or or to

38:18

the extent of, like, wrapping the lesson in

38:20

in the

38:21

allegory, in the metaphor, so

38:24

that we're not actually like hitting someone over head with

38:26

a very literal take on

38:31

a moral story, but

38:34

we're we're giving them something else to

38:36

digest that then they can ruminate on and be

38:38

like, oh yeah, that's just like this thing. That's

38:40

just like being outed as x,

38:42

y, and z. I just think

38:44

that the series has always done that in a really

38:46

clever way.

38:47

Here,

38:49

here. Christian, what what about finding

38:52

out what Donnie's been up to in in season two?

38:54

What was that like for you and you were reading those

38:56

lines and seeing what he

38:58

was up to. Blones app home. Which just cracked?

39:01

Oh, great. Oh, it's

39:04

so funny that Allison and Donnie are on a

39:07

have their own reality TV show.

39:09

Mhmm. And at

39:10

first, I was like, are you

39:12

crazy. This is insane. But at the same time, I think one

39:15

thing that's so much fun about Allison

39:17

and Donnie is that you

39:20

take these

39:21

ordinary people and you thrust them into

39:24

extraordinary situations. And that's

39:26

fun for people

39:27

to watch because a lot of people watching

39:29

the show might relate

39:31

to Alison and Donnie. So they can sort of live

39:34

vicariously through this wild

39:36

life that they're going

39:37

through. Everything on

39:40

the show got so crazy between them, and it was

39:42

just fun to watch

39:44

those

39:44

characters handle whatever was thrown at them.

39:47

Either by the writers or by life or by the world of war

39:49

from black. So the fact that they've got a reality

39:52

TV show now totally

39:54

makes sense.

39:56

It's fun and so ridiculous and all the

39:58

drama that comes with that. And and reality TV

40:00

is very much a part of everybody's lives

40:02

these days. So

40:04

getting to see these characters connect

40:06

through that, I just think it was

40:08

such a blast. And and, again, orphan

40:11

black is is a world that's quite dark in

40:13

many ways, but filled with so much life and love

40:16

and to have, like, these

40:18

moments of of brevity

40:20

and and and lightness are

40:22

important to help us get through some of the tougher

40:24

things in the series. So it's nice

40:26

to see Allison and

40:28

Donnie's love still strong

40:30

but struggling in in moments and

40:32

seeing what, you know, this long term

40:34

relationship between these two characters

40:37

how it ebbs and

40:37

flows. And, you know, I

40:40

think the writers did a bang up job of

40:42

really carrying on

40:44

our

40:44

storyline. And and

40:44

how's how's Donnie I mean, Donnie's got himself a a fan club.

40:47

He's got his own hashtag. He's got flown

40:49

super pants. Is this gonna

40:50

chase? Is this gonna go to his head? What are

40:53

we gonna see from him as a reaction to this. It's gonna

40:55

go to my head.

40:59

Yeah. I mean, there are complications that that,

41:01

you know, come with with the fame for Donnie

41:04

for sure, but at its at his

41:06

heart, not his

41:07

core. He's still just

41:09

Good Donnie.

41:11

So it's hard to shake that,

41:14

which is good, but certainly, you

41:16

know, a bunch of things pop up during the

41:18

season that that

41:20

challenge the relationship he has with

41:22

Allison and and, of

41:24

course, he tries to salvage

41:26

things as much as

41:26

possible. I mean, he's still a lovable

41:29

lug at at his core? I feel like

41:31

the the hashtag thing must have

41:33

come from must have been inspired

41:35

by your, like, fan account

41:38

that's dedicated to your

41:40

butt. I feel

41:42

like that

41:44

I was, like, waiting for that to be

41:46

refreshed friends.

41:47

I I

41:50

have had my butt out in a bunch

41:52

of projects. What's

41:55

that? Is this account still active? Like, where can I I

41:58

don't know? I haven't talked to you in a while. I

42:00

think it was, like, a whole lot of room

42:02

or something like that. You gotta get more

42:04

content. You gotta get more content. Yeah.

42:06

I'm not creating enough butt content

42:08

people. So I gotta

42:10

get on

42:11

that. Yeah. It did

42:13

very well. Oh

42:15

my god.

42:19

On that note, So let's have Jordan Jordan

42:22

mentioned Black Winston. She is AAA new

42:24

clone on the scene.

42:26

What can you what can you say

42:28

about her? They're

42:30

asking me. I was laughing at Yeah. I'm asking you. I

42:33

I so blacklisted

42:36

is sort

42:38

of, like, one of these

42:40

really great self help guru types

42:44

who has is

42:46

a clone and has taken on the

42:48

sort of, like, she's

42:51

she's bringing clones

42:54

together. But not in the way necessarily that the Sestras have

42:56

done. But in this other way and is

42:58

kind of at odds with the Sestras isn't

43:00

in line with what they believe.

43:03

She veers a little more

43:05

I don't know what I can say

43:07

about her without spoiling

43:10

things, but she's a she's a bit more rigid in her

43:12

views of how things should

43:14

be. And but

43:17

an extremely, like, charismatic, warm,

43:22

enticing person. So it's

43:24

super fun to I would love that was a really fun

43:26

character in

43:27

like, oh, that would be such a fun

43:28

one to

43:29

to to do physically. It

43:32

would be a pretty cool transformation,

43:34

I think. Never know. It's it's interesting because I was when

43:36

I remember talking to John Fawcett

43:38

right when the TV show

43:40

wrapped up, and we were talking about Helena's

43:44

journals. And he said to me then this is a few years ago, and then this is a

43:46

quote, he said, I always love the idea

43:48

that maybe Helena actually gets a book deal

43:50

out of this. I really to

43:52

see her with two babies out on book

43:54

tours. Mhmm. And, Chad, I guess, that's kinda

43:56

could come to fruition. Right? Yeah. It's

44:00

again, like, very in line with, like, Alison and

44:02

Donnie being these massively private people

44:04

who, like, deny what's happening

44:07

to the going, like, full

44:09

force into reality TV and, like,

44:11

putting everything out there.

44:14

Helena, like, by all

44:16

accounts, would not be the one who

44:18

would, like, you know, take the story down. She seemed to be

44:20

sort of one who was gonna

44:22

forget, like, who cut those parts of

44:24

herself off.

44:26

So for her to, like, go

44:28

into that memoir and and and basically,

44:32

like, tell the

44:34

secrets of the sisters, the accessories

44:36

in so many

44:37

ways. Yeah. It's

44:40

super interesting.

44:42

Listen,

44:42

I got more that I can ask you,

44:44

but I also wanna give other people if they

44:46

have any questions, a chance to

44:50

to to weigh in here. So I'm start thinking now.

44:52

I've got one more thing for these guys, and then

44:54

we'll try and get some of your questions in

44:56

now. If you wanna ask a

45:00

question, virtually raise your hand. There's a little hand icon

45:02

at the bottom and you can sort

45:04

of click on that and then we will

45:07

get your questions. Okay. What in what was it? Chris, did

45:09

you raise your hand? Chris, you got a question?

45:11

What

45:11

is it? I was just testing

45:12

it out. I don't have a question. I'm sorry. Raise your

45:14

hand.

45:15

What do you

45:15

do? I did check it out.

45:17

It says raise hand at the

45:19

bottoms. So you can raise your

45:22

George just raised his hand and did

45:24

I don't

45:25

love this. There's nothing at the

45:26

bottom for me. Christian's raising the roof. This

45:28

is I raised the roof. I raised the hands.

45:31

This is gendered.

45:33

Sure. That's the way it works. You know,

45:36

it's a good picture razor. Alright.

45:38

Well, Tatiana tries to figure out

45:40

the technology. And while people come

45:42

up with their questions, one last thing

45:44

I wanna hear from each of

45:46

you. Now that you've had some time to reflect on

45:48

the

45:49

show, been a few years. I I just wanna hear what is maybe your

45:52

favorite scene you got to film from your time on the

45:54

show or a scene that you just think back up that

45:56

was really impactful.

45:58

Really, she she felt like you

46:00

really got to challenge yourself in a terrific ways

46:02

in acting, or was this a super blast

46:05

to film And

46:06

Christian, you look the least distressed by

46:08

trying to figure out the answer to

46:09

that. So I'm gonna start with you and give Jordan Neville in

46:11

a second to think about

46:13

it. I mean,

46:15

definitely when I talk to people on the

46:18

street or people that I know who've watched the

46:20

show, they always

46:22

go back to the scene with tab nine or underwear on bed on the

46:24

bed

46:25

dancing. It's such a

46:28

ridiculous scene.

46:30

It's like so ridiculous and so much fun. And

46:32

so it took us no time

46:34

to shoot.

46:34

It was just like a dumb fun

46:36

thing that we got to do.

46:39

And I think I've said it before on

46:41

a

46:41

panel, but

46:42

I never realized it

46:44

was a dream of mine to,

46:46

like, roll around in a bed full of money,

46:48

but it kinda is everybody's dream to get

46:50

to do that. So that's, like, it wasn't

46:53

real money, but it's the closest you can

46:55

get. It felt pretty good. That that was a lot

46:57

of fun. I did find glitter throughout

47:00

my house

47:02

weeks afterwards.

47:04

In my trailer weeks out. I mean, it you can't get rid

47:07

of all that glitter. But there were so many

47:09

scenes that I got to do that were, like,

47:11

dream scenes. Like, the the kind

47:14

of things like shooting doctor leaky, which was just took me my surprise when

47:16

I read it in bed before going to sleep one

47:18

night. As soon as I got, like, I was about

47:20

to go to bed and I got the email

47:24

And I was like, oh, I wanna see what I'm doing in this episode and just

47:26

fell down the rabbit hole of that reading that

47:28

episode in bed and then couldn't sleep all night

47:30

because I was so excited that

47:32

this story line took this wild turn. There are

47:34

so many scenes like that in the show.

47:36

They they let us do such crazy

47:40

stuff that there

47:42

are so many to that I could

47:44

reference, but really the fancy dance around

47:46

my

47:46

headway. Yeah. That's that's the

47:48

one. Jordan, what about you?

47:50

Well, it wasn't necessarily a particular scene, but just that first

47:53

the first couple of episodes of

47:55

the first season went Adam

47:58

and I had just met each other, and everybody was just meeting each other

48:00

for the first time. We were establishing so

48:02

much in the

48:03

show, and there was there was one particular

48:05

there was a particular

48:07

scene where III

48:09

can't completely remember what what

48:11

is happening, but I think Sarah

48:13

comes into

48:15

Felix's loft And I just remembered John positioning

48:18

cameras kind of off

48:18

in the corner and following us around the scene

48:21

was, like, four minutes long. Like, it you just

48:23

there was never you don't ever

48:25

shoot something that long on film. Do you remember this

48:27

time? It was like the longest scene of all

48:29

time and we changed positions eight hundred

48:32

times and it was so

48:34

kinetic and there was

48:36

just something so fun about it

48:38

because we were so

48:40

nervous. Like, the the adrenaline and nerves of wondering if we were

48:42

gonna do it right or if it was gonna be awful

48:44

or if they're gonna fire us, there was

48:46

something so exciting about that,

48:48

that that's the thing that I

48:50

remember most

48:50

clearly. That's the thing that when I think

48:52

of the show and I think of the exciting things

48:54

we did, I remember

48:56

that first week, the first couple of weeks,

48:58

just feeling all the

49:00

right kinds of nervous, or

49:02

like the very first scene in Bobby's

49:06

bar. Like, I I still remember that. I still remember who was there

49:08

and what it felt like

49:10

and the way that I delivered

49:12

a bunch lines, which are

49:14

probably really bad now. But

49:16

I I that's

49:18

the stuff that I

49:19

remember. With with

49:22

great funness, It's funny because I'm thinking now about all these scenes of

49:24

Felix painting in the loft, and I'm

49:26

thinking, where's Jordan's butt

49:28

account?

49:29

Like, he has guys, it's out

49:32

there. I want you to

49:33

know -- It's out there. -- you just

49:36

gotta know

49:37

where to find it. It's

49:39

not an Instagram. There

49:42

it is. We can't beat

49:46

that. So

49:47

Oh, boy.

49:48

Sorry for

49:49

making it sexy folks.

49:52

You just can't

49:53

help it. Evelyn,

49:55

what about for you? It's a specific scene or moment or anything that you

49:57

really look back on? It was a

49:59

scene that

49:59

felt almost like time travel

50:01

because it was I think

50:03

the last season, we were shooting with

50:06

Helen Shaver, and we were going back

50:08

to casino and Delfin,

50:10

geeking out on two different computers.

50:12

And then spinning

50:14

around literally with, like, a steady

50:16

cam and making each other really

50:18

important promise is that we're gonna

50:20

be replicated in the episode that we're we were

50:22

actually filming. So it was kind of a time travel

50:24

scene, and I remember this camera spinning

50:28

around us and Tatiana being in my arms and us spinning

50:30

to a hall of javer being such a

50:32

great director and there was something in that

50:34

moment that was

50:36

really powerful I

50:38

felt like the characters came through us and

50:40

and just didn't really

50:42

what they had to do and

50:45

the camera too was part of that dance, and it was

50:47

just a very memorable moment of

50:50

of of of acting,

50:52

of of of of of doing what we do,

50:54

of storytelling. And I've everyone being in

50:56

tune. That's a special moment for

50:57

me. Yeah. And also what they

50:59

said to each

51:02

other is super beautiful

51:04

and

51:05

meaningful. Yeah. I I love

51:07

that example because that's the thing about orphan

51:09

black is the performances, and we always

51:11

talk about them because you guys are incredible. But

51:13

when that marries with the technical aspects that John

51:15

and his team were bringing and obviously we

51:17

know about all the

51:20

difficulties and I can only imagine the amount of hours that Ted, I know put some

51:22

of those finale scenes where there's, like, six clothes

51:24

running around. But when it all comes together

51:28

like that, it's super special.

51:30

Tanya, what about for you? I know, obviously,

51:32

there's so many things you could pick

51:34

from here.

51:36

Yeah. I mean, I like, Helena in

51:39

the precinct pretending to be

51:41

Beth was, like, oh,

51:44

maybe this is what this character is, you know, the first time I sort

51:46

of was like, oh, yeah. She's

51:50

fucking weird. Just

51:52

like everything Jordan was saying about that

51:55

first episode because I think those

51:57

scenes were also like allowed

52:00

to be a lot more just like character development. Like,

52:02

we were just getting to know the characters.

52:04

So they were a

52:06

little more me andri

52:08

and a little less like plot you know,

52:10

the show's so so plotty, so it was always

52:12

fun to do similarly to that

52:15

spinning one. Like, that's plot scene, but it but

52:17

the way Helen attacked it was just

52:20

with only, like, character

52:22

growth and, like, all of that

52:24

And then yeah. Anything anything in Alison

52:27

and Donnie's house in the

52:29

craft room always felt

52:31

especially

52:31

in, like,

52:34

the weight of the show, which is I

52:36

think it was

52:37

just a little,

52:38

like, little time to

52:39

beat boop. Like, a little I don't know,

52:42

a little you know,

52:44

lightness. But, like, I

52:46

don't know, very leaky, got like,

52:48

I can't even I can't even and then

52:50

looking at that. And, of

52:51

course, like, you

52:54

know, all those those

52:56

clumps, like, the first

52:57

Technodale scene we did, I think it was like

53:00

Katya and

53:02

Sarah. Which just was, like, well, how are we gonna do

53:03

this? Yeah. Yeah.

53:05

And we could be here all day going through all these

53:08

incredible seats. But I wanna get people a

53:10

chance to ask

53:12

some questions to I'll do my best to bring you guys in right

53:14

now, and Heather's gonna help me do that. Let's

53:16

let's start with a question for the cast or

53:18

from

53:19

black. From Jamie Ruby who is on the

53:22

line. How's it going,

53:24

Jamie? Hi, guys. Thanks. Great to talk

53:26

to you. Big fan of

53:28

the show. Just wanted to

53:30

ask, I know as

53:31

actors, a lot of times, you

53:33

either have

53:33

to, you know, make up backstory or you're

53:36

given things that maybe aren't

53:38

in script. Because, you know, you have to know more per se than the

53:40

viewers. Is there anything that you either made

53:42

up or found out about the character that

53:44

maybe

53:45

people actually don't know that maybe it was just something that you, you know, your

53:48

head thought about?

53:52

Good question.

53:54

I feel like there I feel like I

53:56

might have and and now I'm

53:58

I'm not sure if this is entirely true, but it's

54:00

coming to me right now, but I feel like

54:04

the thought was that Kasema coming

54:06

out to her parents was like

54:08

a very easy thing for her,

54:10

was like a very supported

54:13

like, she was immediately supported

54:16

that her growing up

54:17

was, like, never just didn't

54:19

have there was no stigma

54:21

around her coming out.

54:23

Yeah. For me,

54:25

it's not like

54:28

an actual thing. It's actually

54:30

a mystery. For me. That hasn't been resolved. what she

54:32

doing with leaky in that hotel

54:33

room? Oh, you know,

54:37

that dressed up I

54:41

don't know. Like, there's there's something in

54:44

Delphi's past that I can imagine

54:46

in France. But that whole in between around her and leaky were okay,

54:48

you're gonna dress up and pretend to

54:50

be a student and, okay, love.

54:52

And, like, there's this whole bubble between

54:55

them I'm not sure. I don't know how what she

54:58

what were her

54:59

intentions. I can't believe she actually loved

55:02

them. That's that's something I haven't

55:03

been

55:05

able to do. Yet.

55:07

Yeah. I there would

55:08

be a pirate clone that

55:10

made me do it. That's okay. Our

55:15

I can't think of

55:18

a single thing that I, like, how this is a

55:20

little private,

55:22

like, oh, this this I think this happened to him or I

55:24

think that, you know, he does

55:26

this thing. I think that's

55:28

kind of the great thing about

55:31

feed. So much of who he was was just

55:33

completely accessible. I I don't think I had a

55:35

single I keep trying to think of something and I

55:37

was

55:37

like, oh, god. I should say something to

55:40

sound like I know how to answer this question. I

55:42

don't think there was

55:44

anything. Completely

55:46

fair. For me,

55:48

I not

55:51

to

55:51

make underwear. You know,

55:53

just go split.

55:56

I always wore, like, tight

55:59

briefs as Donnie. So

56:01

when they when they

56:04

did two underwear fittings for that scene,

56:06

they it was all, like,

56:08

briefs. And I was, like, that's

56:12

would wear. That's what I have been wearing

56:14

because underwear does shape

56:16

how you feel and how you move and how you walk

56:18

in a certain way. And so

56:20

I literally always wore briefs. I had I

56:22

bought I don't wear them in okay. Little fun

56:25

fact. I don't wear boots for real

56:27

life, but I bought a

56:30

bunch of briefs to wear as Donny on

56:32

the show. Like, every season would be like

56:34

time to dust these off. Here we go. Let's

56:36

put them in the trailer. Get

56:40

them ready. Like, that's an honest to god thing that I did.

56:42

That's kind of embarrassing. But it kind of

56:44

informed who that guy I'm

56:46

not a suburban dad. I'm not

56:48

a dad I I'm a

56:50

city person. You know, like, it Donnie

56:52

is not mean in

56:54

in many

56:55

ways. And so just, like,

56:58

small things like that just kinda help I

57:00

find. Amazing. Jamie,

57:02

thanks so much for the for the question, everyone.

57:04

Just You have a question, hit the little raise hand hand icon at the bottom, and

57:06

we'll try and get in here in the next few minutes

57:08

as we can. Let's let's go

57:12

to Tony. Who is on the line.

57:14

Hopefully, not the maybe it's the clone, Tony. I'm not sure. No. It's

57:16

I'm

57:17

definitely not a clone.

57:21

I I gotta say before I asked the question that

57:23

I'm Cuban and Vivaldi is

57:26

makes me hungry talking about

57:28

all that great Cuban foods. To

57:32

me, what really stands

57:34

out about this is the themes about

57:36

human rights and what it means

57:39

to be human. And we'll speak about that aspect of

57:41

the show. And it in audio

57:44

because you don't have the visual, I think

57:46

you concentrate on that a little more than

57:48

you would

57:49

if it was on television. Yeah. I

57:51

mean, I think visually,

57:54

in the in the series,

57:56

we definitely tackled the idea

57:59

of, like, economy and and your ownership over your body

58:01

and your choices and

58:04

reproductive rights and things like that. And

58:06

then this the

58:08

audiobook definitely lets us go

58:10

into territory of, yeah,

58:12

who has rights and how

58:14

quickly those can be taken

58:16

from you and what it is be human,

58:19

to be treated as

58:21

fully human. And I feel like

58:23

we've always sort of

58:25

played with those themes in

58:28

stronger or softer ways.

58:30

But yeah, and I think

58:32

doing it right now has felt so

58:36

rife and so, like,

58:38

prescient, you know, which is, like,

58:40

I think, what the best sci fi

58:43

can

58:43

do. I don't know guys have anything. Yeah.

58:45

Well, I feel like

58:46

we've also always played with like the per

58:48

how perception of something affects

58:51

how we see it to the extent

58:54

that we

58:57

once they

59:00

humanize, but we emphasize the complexity of a

59:02

person's personhood outside of

59:04

these things that they could otherwise be reduced

59:06

to. Their gender, their sexuality,

59:10

There's there's

59:11

sex. And, you know, obviously, that

59:14

strikes a personal chord for me because there's I

59:16

think I'm I'm a queer

59:18

person and I find them often always

59:20

standing at this intersection of both wanting to be recognized and

59:23

having my queerness respected,

59:28

celebrated, whatever, while also

59:30

simultaneously, I don't wanna be reduced

59:32

by it. And, you know, I don't only wanna be seen as that one thing. And it's

59:34

just it's kind of a weird irrational

59:40

intersection and I think the show whether people

59:42

realize that they're not tackled that really well with

59:44

some of these characters in the sense that we

59:47

we are always I'm

59:49

so Can everyone hear that?

59:52

We would always sort

59:54

of look at these

59:58

characters from just

1:00:00

from a very complex

1:00:03

perspective where we were aware

1:00:05

of it, we were aware of consumers' queerness

1:00:07

and Felix's queerness and everybody's

1:00:10

gender and femininity and

1:00:12

all these things that they could otherwise

1:00:14

be reduced by, and we celebrated also

1:00:16

exploring all these other facets of who they

1:00:19

are. And again, you

1:00:21

know, that's a personal thing and as a queer person. That

1:00:24

just means a lot to me. So I can imagine it

1:00:26

also meant a lot to

1:00:28

other

1:00:28

people. I mean, their mind

1:00:30

norms is, you know, this season,

1:00:32

if you think about PC Mendelphine

1:00:34

inoculating Crohn's for their own

1:00:36

good. But then Crohn's being like, I wish I'd known and then you're, you know, a feminist

1:00:38

character and you're like, oh, wait a minute.

1:00:40

Am I doing

1:00:41

something to women without telling them

1:00:43

that, you know, there's like there's

1:00:46

these gray zones that aren't

1:00:47

like, you know, good characters can do

1:00:49

things thinking it's good, but is

1:00:51

is it really you know, all good or

1:00:53

should the truth have been, you know, told

1:00:56

as you should to, you know, a human, a

1:00:58

fellow human. So I think it it it raises

1:01:00

a lot

1:01:02

of interesting grows longs, which I think we need because right now everything's

1:01:04

very polarized and that just, you know,

1:01:06

talking about intentions and how

1:01:08

things can get lost even though your intentions

1:01:10

are

1:01:11

good or

1:01:12

There you go. I think the show has always

1:01:15

been about acceptance, accepting people for

1:01:17

who they are, who they

1:01:19

want to be, and allowing

1:01:22

people to be who they are.

1:01:24

And learning one thing

1:01:26

I love about Allison relationship is

1:01:28

these are people who you see them over the

1:01:30

course of five seasons and and two

1:01:32

seasons of of the next chapter.

1:01:35

You see them grow and

1:01:38

change and learn and

1:01:40

accept and and these

1:01:42

are characters, you know, suburban

1:01:44

a suburban couple that that are quite religious that wouldn't

1:01:47

normally be open, I'm generalizing,

1:01:49

but wouldn't necessarily be

1:01:51

opening open to accepting

1:01:54

people and learning about them. And

1:01:56

here they are through these extraordinary

1:01:59

circumstances, you know, getting to meet

1:02:01

and accept and love and enter

1:02:03

into their family, people who are

1:02:06

outside of the world that they know. So I love

1:02:08

watching characters grow like that

1:02:10

and learn And it shows people that you can learn about other types

1:02:12

of people and accept them and have them as part

1:02:14

of your family. And and

1:02:16

it's actually a wonderful thing that makes your

1:02:18

your

1:02:19

life that much richer. Howard

1:02:21

Bauchner: Alright, let's get one thank you, Tony,

1:02:23

for the question. Great question. Let's get one

1:02:25

last one in here before these folks

1:02:27

got a skidaddle Let's go

1:02:29

to a Michelle who is on

1:02:32

here with the question. How's it

1:02:34

going, Michelle?

1:02:34

Hello. Thank

1:02:35

you. This is Prunhika. I'm

1:02:38

not Prunhika. My question is gonna be, hopefully, easy,

1:02:40

quick. Tell me

1:02:42

about Seahawk. No. My

1:02:44

my my question is, This

1:02:48

show this show has allowed has allowed you to do

1:02:51

so much. Has there been

1:02:54

anything that you guys

1:02:56

had to fight for for your

1:02:58

character and pick two, and is there anything that the show

1:03:00

absolutely wouldn't let your characters do?

1:03:03

For whatever reasons. That

1:03:05

that's a great question, Michelle. Listen, I'm

1:03:08

sure this happens all the times on shows where you got

1:03:10

a script and maybe there's something that doesn't

1:03:12

feel right to you. This happens on shows with the

1:03:14

best relationships between show runners

1:03:16

and actors all the time in a collaborative

1:03:18

process. I think it's a great question who

1:03:20

wants to start that one off. It

1:03:22

was one thing.

1:03:23

It was a

1:03:24

character called Ferdinand, and in

1:03:27

my head, they'll feel like in

1:03:29

a French brain, you don't

1:03:31

think Ferdinand. Meeting failed him on. Right? And I did the

1:03:33

whole, you know, episode, like, failed him, failed

1:03:35

him, failed him on. They were like, no. You have

1:03:37

to say, forty nine. And I was like,

1:03:39

realize that it's a French name, and

1:03:41

I have to say it with my in English, with my

1:03:43

French accent, but sounding English, but with the French

1:03:46

accent. They were like, yes. For

1:03:48

the audience, that's, like, the audience can understand that Sandy

1:03:50

Mill is freaking out and, like, they wouldn't so

1:03:52

I had to do voice over, but reluctantly,

1:03:54

I did the whole

1:03:57

I didn't feel, like, reluctant voice over thingy for,

1:03:59

like, an hour. So, like, you know, it

1:04:01

was, like, no. It was okay. It was it was

1:04:03

a new character, maybe it was better everybody said it

1:04:05

the same way I got it, but I

1:04:08

felt there was something about Delphi's

1:04:10

Frenchness that I wanted to somehow

1:04:12

protect and, like, there wasn't many spaces for me to speak her

1:04:14

actual, you know, tongue

1:04:16

placement and and that was a little, you

1:04:18

know, haven't for me to be

1:04:20

like, ah, There she

1:04:22

is. It wouldn't let me do

1:04:23

it. This this show was really

1:04:26

-- Yes. -- to the writers.

1:04:28

It was a real writers show, and and I

1:04:30

loved when not all

1:04:32

shows will have a writer on

1:04:34

set with you, the writer of the episode, like a lot

1:04:36

of times, they're back in LA or

1:04:38

they're somewhere else it was always so nice

1:04:40

to have the writer of that episode there while you're filming and

1:04:42

have them accessible. And

1:04:46

I think I think over the

1:04:48

five seasons, we all got to know the

1:04:50

writers and and really enjoyed having them on

1:04:52

set because I would go up to them and approach them and

1:04:54

say, you know, can I change to this? I think Donnie would say

1:04:56

it a little bit more like that. And and

1:04:58

not very often, but they were always open

1:05:00

to it because it

1:05:02

really was a good collaborative set

1:05:05

like that. And, you know, as seasons went on, they they got to know

1:05:07

us. They wrote for us better and, like, it

1:05:09

was just a a really happy marriage

1:05:11

between the two. And they let

1:05:13

us improv, like, Tatmai or improv

1:05:16

Dorks, and we added so

1:05:18

much, you know, fun

1:05:20

doorky bits and buttons on everything, and they

1:05:22

always allowed us to do that. We'd always

1:05:24

give them the script, and then we would

1:05:26

like have some fun with it as well and

1:05:28

see what what we

1:05:30

could drum up, and they were always

1:05:32

very collaborative about that, which was nice. And

1:05:34

they're not always like that on other

1:05:36

sets.

1:05:36

Mhmm. I defied for pair

1:05:39

of

1:05:39

boots. I defied for a pair of high yield

1:05:42

boots. In the it was

1:05:44

the art the art

1:05:46

show in the fifth

1:05:47

season, Felix's art show. And I

1:05:49

had tried on these boots and I like,

1:05:51

I just never felt

1:05:54

so

1:05:54

tall and so glamorous. And it was perfect for

1:05:56

him. And it was perfect for his, like, you

1:05:58

know, coming out. But for some

1:06:00

reason, and I don't I

1:06:03

don't remember why

1:06:06

I'm gonna spare everyone and say, I think it

1:06:08

was like a technical thing. Like, I think it may be I

1:06:10

don't know. I got the boots in the end. I

1:06:12

I fought for them than I won. I got the boots, but it

1:06:15

was a fight. And I'm glad they

1:06:17

finally caved because they did look

1:06:18

great. I feel like we got a shot of them somewhere

1:06:22

in there. Did

1:06:22

we is that mine? I think

1:06:23

that was it. Sorry.

1:06:26

You got the goose

1:06:29

back. That's what's

1:06:30

happening. No. The irony was, though, that the boots, like,

1:06:33

were so painful. They were

1:06:35

so painful to wear. So

1:06:37

because they were I you know, they were high

1:06:39

heels and, like, I don't I don't often

1:06:42

wear high

1:06:44

heels. I was not a way I didn't know. I didn't I didn't know you I

1:06:46

didn't know. They were really painful.

1:06:48

So I got my comeuppance.

1:06:52

Forward? Yes. Chris.

1:06:56

Chad, you have anything before we run

1:06:58

it? The whole the whole series

1:07:01

for me was It was an exciting

1:07:03

practice in learning to collaborate with people and

1:07:06

have, like, a voice. You

1:07:08

know, so many of the clones are going

1:07:10

through that thing too of,

1:07:12

like, owning themselves and,

1:07:14

like, learning about themselves and being able

1:07:16

to stake, you know, their story

1:07:18

And I feel like that's what I learned through

1:07:21

playing those clones and

1:07:24

collaborating with the producers and with the

1:07:26

directors and

1:07:28

the writers was, like, how can we continue to, like, make

1:07:30

these characters more specific? So there's there's

1:07:32

myriad things that happened that where

1:07:35

we had conversations that

1:07:37

took a turn and then suddenly something different

1:07:40

would happen. But, yeah, I I

1:07:42

couldn't name them

1:07:43

all. Michelle, thanks.

1:07:44

That was a great question and

1:07:46

a great question to to take out here because

1:07:49

I think we are pretty much out

1:07:51

of time. Tatiana, Evelyn, Jordan, Christian,

1:07:53

it is always a blast to hang out

1:07:55

with you

1:07:56

guys. Thanks so

1:07:58

much for taking the time to do this. This is

1:08:00

awesome. A a quick reminder to everyone,

1:08:02

don't forget to visit the encampment

1:08:04

support network. You can't support network. You can't network

1:08:06

dot com to learn more about

1:08:08

the account support network in Toronto.

1:08:12

support the work. You can also listen to all

1:08:14

of orphan black mixed chapter season one

1:08:16

and the first episode of

1:08:18

season two is out now new

1:08:20

episodes of season

1:08:22

two are available Fridays on realm dot f m and wherever you get your podcast and make sure you're following realm

1:08:24

at realm media on Twitter

1:08:26

and at realm media underscore on

1:08:31

Instagram so you don't miss orphan black next chapter content.

1:08:34

I am Dalton Ross. Guys,

1:08:36

this

1:08:37

is a blast again. It was so much

1:08:39

fun. Let's finish it by all ultimately waiting to

1:08:41

buy. Okay.

1:08:42

Goodbye. I love you

1:08:46

guys. Thank you. Marco again. Since

1:08:48

it's the season of giving, we've got

1:08:51

another gift for you. Here's

1:08:53

the trailer for a Rome show you might enjoy called

1:08:56

Elixir, which is available to binge right

1:08:58

now while you're waiting for the next

1:09:00

episode

1:09:01

of orphaned Black The chapter. Listen

1:09:03

to elixir wherever

1:09:06

you get your podcasts.

1:09:10

You don't

1:09:11

understand. You don't see

1:09:13

what's really going on

1:09:16

here. Then explain it

1:09:18

to

1:09:19

me, Lou. I can't. I

1:09:21

I need a clearer

1:09:24

head. Tomorrow

1:09:27

We'll talk. Today had

1:09:29

dawned and her sister was

1:09:31

gone. Lou didn't keep

1:09:33

secrets from Elsie. Something is

1:09:36

very, very wrong. And

1:09:38

Elsie's only clue was

1:09:40

this bar. The

1:09:43

jaded rose, floor culture and botanical

1:09:45

specialists. A hush bar, home of luck's biggest threat, according

1:09:48

to her

1:09:51

parents, anyway, elixir.

1:09:54

Vera Reeves ran the oldest and

1:09:56

most famous hush bar in

1:09:58

lock.

1:09:58

She'd inherited the business plus all

1:10:01

its inherent risks. When the city council

1:10:03

banned the sale of elixirs and

1:10:06

imprisoned

1:10:06

her father. Poison. Is that

1:10:08

what you think of my

1:10:11

life's work? Don't tell me elixirs are harmless. I've

1:10:13

seen the dangers firsthand.

1:10:16

There's a lot of

1:10:18

gray area between harmless and poison. Tell

1:10:22

me to leave.

1:10:24

Elsie couldn't think. She

1:10:27

couldn't breathe. This close, chest to chest,

1:10:29

Elsie could feel the wild rum

1:10:31

of Vera's

1:10:31

heart. Her

1:10:34

own and a

1:10:35

third. Elsie was

1:10:38

tempting. Yes. She was

1:10:41

also

1:10:42

a mistake. Realm presents,

1:10:44

Elixir, starring Eva Mac,

1:10:46

Kuehle, and Maran Miller.

1:10:49

If you like a quickie

1:10:51

here, please follow and share this podcast with

1:10:53

your friends. Realm is your portal

1:10:55

to another world.

1:10:59

Listen away. Hi. I'm Tatiana

1:11:02

Maslani. I'm the Emmy

1:11:04

Award winning actor of the

1:11:06

hit TV show, orphan black. I'm

1:11:10

also the star and executive producer

1:11:12

of Power Trip, my brand new show on

1:11:14

Realm. And I'm Amy. I'm not in

1:11:16

the show, but I am here to

1:11:18

tell you about it. Power Trip is dark comedy for fans

1:11:20

of Freeback and Russian Doll.

1:11:23

Tatiana Maslani plays Jane, a

1:11:25

woman who receives a black market

1:11:27

kidney transplant for her chronic

1:11:29

illness and ends up with the mysterious ability to make people do as she commands.

1:11:31

Suddenly feeling in control for

1:11:34

the first time in her

1:11:36

life. Jane learns

1:11:38

how tempting it can be to exert

1:11:40

her powers at any cost. Featuring performances from Grammy

1:11:42

winner Lisa Loeb and actor Brendan Hines. Power

1:11:46

trip follows Jane and her loved ones, including

1:11:48

a new group of friends with powers,

1:11:50

as they navigate the messiness of

1:11:53

life and love in New York City.

1:11:55

Learn more about power trip at realm dot f m,

1:11:57

and be sure to listen and subscribe wherever

1:11:59

you get your podcasts.

1:12:04

Welcome to stories from among the

1:12:06

stars. The science fiction anthology series,

1:12:09

home to

1:12:12

bold characters, daring adventures, and smart compelling science

1:12:14

fiction. Our next season is about to

1:12:16

launch. And if you've enjoyed what

1:12:18

you've heard of this show so

1:12:20

far, you won't

1:12:22

want to miss it. introduces verse with,

1:12:24

to sleep in

1:12:27

a sea of stars. When

1:12:30

Kira discovers an alien artifact

1:12:32

during a routine survey mission

1:12:35

on an uncolonized planet, she

1:12:37

is launched into a galaxy spanning

1:12:39

odyssey of discovery transformation. First contact isn't

1:12:42

at all what she imagined.

1:12:47

And events push her to the very limits of what

1:12:49

it means to be human.

1:12:51

Now, she might be

1:12:54

humanity's greatest and final hope.

1:12:56

We'll release

1:12:57

new episodes every Tuesday and Friday beginning February seventh,

1:12:59

and it will only be

1:13:01

available for a

1:13:04

limited time. Be sure to listen or

1:13:06

download by April twenty eighth, so you can hear the whole thrilling story. And

1:13:08

if you like

1:13:11

what you hear, you can find, to sleep

1:13:14

in a sea of stars, and its sequel, fractal noise, wherever audiobooks

1:13:17

or books

1:13:20

are sold. Stay tuned for the first

1:13:22

chapters on February seventh. We hope you love it.