Episode Transcript
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0:02
This is the Head Gun podcast. While.
0:06
Enjoying craig believe the joy of
0:08
discovery is crucial to enjoying any
0:10
well told tail. They will not
0:12
shy away from spoiling specific story
0:14
beats when necessary. Plus. These
0:16
are books you should have read by now. Everybody.
0:40
Was going to overdo it. The Podcast about
0:42
the books you've been meaning to read: A
0:44
My name is Craig, My name is Andrew.
0:48
I. Appreciate the. Several
0:50
loopy right now so I appreciate that you we did
0:52
like the clap though he do to sync up our
0:55
audio track and then he just went right into out
0:57
why way it the you to give me a chance
0:59
to like fall off. For
1:02
the hell off the fence again into now
1:04
being rate of hot yeah I gotta keep
1:06
young here. Were. Locked in. I'm
1:08
not over there. I'm over here.
1:11
near here are not over there.
1:14
I'm over here, that's that's funny. I'm
1:16
ready to talk about books on this
1:18
your podcast with you my friend Andrew
1:21
each week. One. Of us reads
1:23
a book and tells the other person about
1:25
it. So. That you the listener can
1:27
learn about a book or to learn about
1:29
our opinions about a book You fred. Are
1:32
both. Why? Long time here. Tell
1:34
us some time. But Andrew, Why are
1:36
you hear What book did you read
1:39
this I I read this week the
1:41
book their their by Tommy Orange all
1:43
their thereby Tommy Orange Yeah. I'm
1:47
excited to hear about it. I've heard about
1:49
your Foot and it sounds kind of neat.
1:51
We did and there's a Sikh. There's a
1:53
sequel coming out. Yes, it came out. I
1:56
see your our came out veg rare February.
1:58
Really came out in February. Wandering
2:00
Stars. Nice. You're.
2:03
Either I think it came out I was available
2:05
to order from one of the publisher. Well, just
2:07
Because is ready or now my be a preorder
2:09
my dude. Well. Uneasy, you're going.
2:11
It was actually did Wake of Beauty did
2:13
not refer to in the present. And yeah,
2:15
it does appear to be available Wandering Sars
2:17
a novel of it is in case you're
2:19
wondering whether of if it was a novel
2:21
or not. They always say that. I know
2:24
they always do. but this is a novel.
2:26
Also there there is I when Italy so
2:28
I read. But here's here's the actually the
2:30
funny thing about that is a starts with
2:32
a few essays. Oh and so I read
2:34
through a few the essays. I was like
2:36
this, but this is a novel though, right?
2:38
And so I did look at the cover
2:40
to see. If it said they're they're a novel
2:42
on it. and this time it didn't And so
2:44
the one time I work. With
2:48
until I read what are the ones
2:50
have expected sector make sure it wasn't
2:52
there for me and so I guess
2:54
I can't make fun of it anymore
2:57
but are very funny. A few years
2:59
ago we did. A feet drop
3:01
with the So story bound and had a
3:03
a short story from Tommy Orange on and
3:05
so he's. Been. On my radar
3:07
since then and I'm glad that we're able to
3:10
finally talk about him is in our friend of
3:12
us, friend of a friend of the chef. Or
3:14
hes yeah, he doesn't know the atoms had. Of.
3:19
But. This is his debut novel
3:21
published and twenty eighteen. He is
3:23
a and authors member of the
3:26
Cheyenne and Arapahoe. Tribes.
3:29
Native author. Born
3:32
Nineteen eighty Two. He.
3:34
Got his M F A from
3:36
the Institute of American Indian Arts
3:39
in New Mexico. I couldn't find
3:41
what community college he studied at,
3:43
but in multiple interviews he said
3:45
he I studied sound at at
3:48
a community college. Cooling.
3:50
I don't know the way I get
3:52
help our these like audio equipment or
3:55
like our or like I think like
3:57
a little bit of music, audio engineering
3:59
and like. Audio. Installation
4:01
art kind of the caf because
4:03
of you say that you. Studied.
4:06
Sounded the it does care Sound like the
4:08
i just sit around and listen to serve
4:11
Remember. When. We were. When
4:13
we when we were going to college. And
4:16
they yes our colleges you know really
4:18
likes to talk about how you can
4:20
make your a major Sometimes. And.
4:22
There was that. the story of that one
4:24
guy who is is major with coffee. Has
4:27
about that guy named real if
4:29
he's real and what this to
4:32
see, listen and what? like data
4:34
entry or and like pr job
4:37
he ended up getting with his
4:39
coffee degree as well. Bring the
4:41
liberal arts every industry Andrew is
4:44
true even coffee. Towards.
4:46
Is born and raised in Oakland,
4:48
California. Is a
4:50
Twenty Fourteen Mcdowell Fellow Twenty Sixteen
4:52
Writing By Writers Fellow Your the
4:55
teaches at the Institute of American
4:57
Indian Arts. Or. This book
4:59
one a lot of awards. Ah,
5:01
whole bunch of i'm. An
5:04
American Book Award The Doll Enterprise from there.
5:06
So Books Critics Circle, The Center for Fiction
5:08
first now a prize The Fl Wolf Book
5:10
or Fiction Resort list for the Carnegie Mellon
5:12
Finalists for the. Fuel. It surprises
5:15
number one on the San Francisco
5:17
Chronicle best though with into the
5:19
top ten. Book. Is a New
5:21
York Times bestseller list. Everybody was pumped about
5:23
this book and every review was like yo
5:25
that title god tell you about it. Law.
5:30
Does. It does it all. I don't know what
5:32
the titles about, is it all exclusively about the
5:34
I'm. Eager to denied quiet Gertrude Stein
5:36
quote I had up the i have a Little Bit.
5:38
There's a bit in the book where. He.
5:41
Talks are a character talks about. Reckon I'll
5:43
talk about now and I yeah yeah. And.
5:47
Or if I guess both, it's a good should
5:49
sign. Cool but also radio head. Yes
5:51
bit of also radio had song
5:53
and yeah I'm the best like
5:55
that. The most comprehensive profile I
5:57
found of Orange was in the.
6:00
Times by Alexander Alter Am
6:02
it is called Tommy Orange
6:04
is their. There. Is a
6:07
new kind of American Epic? Talk about
6:09
him growing up. In
6:12
the Oakland area his father was
6:14
Native American church leader. He had
6:16
a white man who was a
6:18
hippie who then converted to even
6:21
jog christianity cause some tension in
6:23
their households and still see left
6:25
that sect of her life. And
6:29
the story goes on to put him
6:31
into contact with other contemporary Native authors
6:34
who are like challenging stereotypes. They're challenging
6:36
for him. They're counting established expectations of
6:38
what native authors write about. I think
6:41
church the big thing that I saw
6:43
about this book and what Oranges Talking
6:45
About is that he. Is.
6:48
That he lived in an urban. You.
6:50
Know culture growing up like I
6:53
think he. He talks in an
6:55
interview with. Book. Whereby think
6:57
we're maybe that was the. Entertainment
6:59
Weekly. Article. I read that
7:02
was about like. Yeah. In the fifties
7:04
and sixties a bunch of Nato folks
7:06
like moved into cities and like that
7:08
is does not a part of. What?
7:11
A lot of popular
7:14
culture. Pop. Culture depictions
7:16
of Nato folks are. Yeah,
7:18
there's others. they were all
7:20
their a lotta yeah ruminations
7:22
about that in the in
7:24
this book and about how
7:26
stereotypically. It's. All about you know,
7:29
getting taxes, land, and then you. I think
7:31
even if you're talking about. How
7:33
and is a similar are. Fired
7:36
depicted in popular culture. I think
7:38
you see a lot of stuff
7:40
that's like on a reservation or
7:42
like our yard and out in
7:45
the like. For. More moral
7:47
again later after a night
7:49
or two hundred and eighty
7:51
talking talking about how. You
7:54
know that delay The Blade is is everywhere
7:56
and they're like cities up on some of
7:58
it and it's. That that's part
8:00
of the experience, down to. This.
8:03
Book he says came the idea came to
8:05
him and twenty ten he did not. You
8:08
know they said is not going to school
8:10
for writing. He was doing odd jobs, worked
8:12
out used bookstore. And and kind
8:14
of fell in love with reading and
8:16
writing in his twenties. And.
8:18
Then. I. Had an
8:20
idea for this book and twenty ten
8:23
he had been doing like a it
8:25
got a grant to do like
8:27
a Story corps community narrative project and
8:29
was on a Powwow committee and had
8:32
this idea to like bring together
8:34
urban natives to talk about their experience
8:36
and in one or reheat the off
8:38
handedly makes it sound like he
8:40
never actually finished hits hits Got Sick
8:43
and there's certainly a lot of this
8:45
novel instead which you know they
8:47
also be kind of vaguely reflected in
8:49
something. That a couple of characters in
8:52
this book to assert. Okay, great. Okay,
8:54
so he caught a had that idea
8:56
than it took him in a sixty
8:58
years to really get rolling on it
9:00
on. The. The American
9:02
Indian Art. Institute's
9:04
like. Graduate.
9:07
Writing program wasn't spun up until Twenty
9:09
Thirteen, so that's when he. He gets
9:11
into their after that. And
9:13
it's been this incubator for for all
9:15
sorts of new native voices. And.
9:19
Then yeah, this book comes out and
9:21
it's like a sensation. Everybody is very
9:23
excited about it. The. Reviews are
9:26
pretty glowing. I think I
9:28
found maybe one or two
9:30
that have. At most
9:32
like a knock against it or kind
9:34
of can point out. If.
9:36
It doesn't work for you. Here's
9:39
baby Why? But nobody is everybody.
9:42
People. Pro. Now what am
9:45
I saying? Little like to see work and
9:47
they're generally excited about. A critical consensus about
9:49
this book is that it's good I guess
9:51
is what you're trying to get from Joy
9:53
of the Like. Account for everything the every
9:55
individual person I just got and wrapped up
9:57
in which way I wanted to construct a
9:59
system. I
10:03
am curious to hear like that these
10:05
views that the critical things that you
10:07
did here. I'm curious to talk about
10:09
them because I don't have my it's
10:11
like I did like this book barrier
10:13
was a moment. In. The middle
10:15
where it became clear that it was
10:17
gonna end in like a mass shooting
10:19
was like well that sucks Oh boy all
10:21
good to know. Ah okay yeah other
10:23
I mean it is. It is a
10:25
very interesting book as a lot of interesting
10:28
prospectus in it sir of them. Yeah.
10:30
Well that's what I That's where I
10:33
come down. Have meter the critical consensus,
10:35
please? Or
10:38
it well lit cigarette break and then
10:40
you can join. The.
10:42
Nobody Somebody everybody. List
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of Critics: hated. Square
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13:05
Really want to start? Andrew
13:07
Square Question. At the is
13:09
that there's a prologue in this book that
13:11
a lot of people. In.
13:13
The critical community. The critics community.
13:16
Talk about the critics Community again.
13:18
Yeah to my community. Rick
13:21
I'm is that it came up a
13:23
lot the that the tubing the code
13:26
came up in almost every viewer and
13:28
where the title which I'm sure will
13:30
talk about and whatever this opening. Is
13:33
so how does the book opens
13:35
the will Emea at as I
13:37
mentioned before when I saw him
13:39
off a novel saying the prologue
13:41
does have some things that that
13:43
feel more essayist then. Then.
13:46
Six in all I me the internet. you. Have.
13:49
A letter A voice to them that
13:51
is. That makes them not strictly like.
13:53
Here's here's an educational essay about your
13:56
in what you need to note. Understand
13:58
this books. But
14:00
it does. But before introducing any
14:02
characters any anything it just sets
14:04
up as can add what some
14:06
of the themes are going to
14:08
be in a few. Just like
14:10
short. Paragraphs okay
14:12
under under a few different sub
14:14
headings i'm one of them is
14:16
about you know why people taking
14:19
land from people lived here before
14:21
we got here sir So you
14:23
know that that saying in yeah
14:25
is it like. Talking
14:27
about individual people as it kind
14:30
of a zoomed out encyclopedia voice.
14:33
It's. Ah, don't
14:35
dwell on, I'm just curious. Area.
14:37
It begins with an essay called Indian Head. There
14:39
is an Indian head. The head of an Indian.
14:41
The drawing of the head of a headdress, long
14:43
haired Indian depicted drawn by an unknown artist. Nineteen
14:46
Thirty Nine broadcast until the late Nineteen seventies to
14:48
American Tv is everywhere after all the shows ran
14:50
out. Called the idiot had test pattern. If he
14:52
left the see the on, you'd hear a tone
14:54
at Four Hundred Forty hurts. The tone used to
14:56
tune instruments and he'd see that Indian surrounded by
14:58
circles that look like sites through rifle scopes. Those
15:00
what looked like a bull's eye in the middle
15:02
of the screen with numbers like coordinates. The Indians
15:04
head was just above the bulls. I like all
15:06
you need. To do was not up an agreement to
15:09
set the sights on the targets. This was just a
15:11
tests. And then from there it
15:13
says and sixteen twenty one colonists advice as
15:15
she for the a whopper know I go
15:17
to a feast after recently and deal. Two
15:21
hundred Indians drop dead that night from
15:24
an unknown poison and a couple other
15:26
anecdotes like that's okay. okay, So
15:29
kind of a like a modern
15:32
yes. Here is
15:34
like a depiction. That.
15:37
Is itself strange, if
15:39
not. Problematic. Whatever
15:41
you want to think about it, and then let's get
15:43
into the violent history. Going. As
15:45
bad as far back as we can, so I
15:47
kind of spanning. That
15:50
you know. Centuries,
15:52
Of what has gone on here, I'm you
15:54
know a little that it's it's mostly sorry
15:56
about initial. Interactions. Between.
16:00
The people in need of people and. Saying.
16:02
Hey, I've the white building not we're
16:04
not on the level in in dealing
16:06
with these people and majoras this is.
16:09
What we are dealing with and having
16:11
in having been. Like.
16:14
Forcibly assimilated into this into this
16:16
culture and what we're kind of
16:18
the having to fight back against
16:20
says we'd try to find why
16:22
our identity is because there is.
16:24
There's a lot of. Searching
16:27
for identity. In this book, there's a lot
16:29
of thinking about identity, but there's also a
16:31
lot of. Like what
16:33
is it Would it mean to be native? Am I
16:35
even native? Do I present that way? Do I feel
16:38
that way? Yet. I do. Do.
16:40
I feel like I'm faking If I mean I
16:42
get big group of of people in are all
16:44
together doing something. Does it feel like we're all
16:47
this dressing up and and playing pretend like
16:49
they're There's a lot of ruminating on that and
16:51
now lot of like declared and statements about sure
16:53
who is, who is right and who isn't Because
16:55
I think the point is that. The
16:58
experience, especially like the modern native experience,
17:00
encompasses all this all of these things
17:02
and the end of a in and
17:04
having those thoughts as part of. Being
17:07
part of that, by culturing community
17:09
and having those thoughts you get.
17:12
You cannot escape. The. Fact.
17:14
Is. You're in this position that you are having
17:17
your thoughts. In a world where this history happened
17:19
right like that seems to be the point
17:21
of including this He said he told by
17:23
the was a New York Times. He said
17:25
of native writers, there's a certain feeling that you
17:27
have to set the record straight before you
17:29
even begin. It's been told wrong and not
17:31
told so often. And
17:33
then isn't it had Entertainment Weekly.
17:36
Interview with David Canfield. He
17:38
said. I.
17:40
Love I love prologue that love that they
17:42
can contextualize all of their optional You could
17:45
do skip the who wanted but he says
17:47
I think of native people. We have a
17:49
history of learning bad history and not only
17:51
not hearing our stories but hearing it told
17:54
wrong. It's covered up or down right lie
17:56
about what will happen, what went down in
17:58
American history to largest. The collective American
18:00
consciousness still buys into somewhat of a
18:03
heroic past, so he wants to express
18:05
it from a native perspective. So. Yeah.
18:08
I'd that. It's.
18:10
Interesting that he made a choice to do that.
18:13
Not. In a narrative
18:15
fiction way. But.
18:18
Was just like Noms gonna write an essay
18:20
instead. Yeah, yeah, this New Jersey is it
18:22
is. That's not the thing you want your
18:24
book to be entirely about, but you do
18:26
on the context to be there. It's yeah,
18:28
it's a smart way to to handle and
18:30
the yeah, not not just not just people
18:32
who. Want to? To.
18:35
Make out American history of be
18:37
like this heroic is. Manifest.
18:40
Destiny sort of god given the
18:42
thing, but. Also.
18:44
A group of people who additionally will get
18:46
super mad at you if you try to
18:48
contextualize any of this. you know her. Young.
18:51
And. Movie Learn about. History
18:54
without. All the statues are out all the
18:56
time. This is how I mainly learn about
18:58
history. If there's somebody this summer you did
19:00
some important in his last as you them
19:02
I just don't know. I just don't know
19:04
what what their deal is which is unfortunate
19:06
because there's so many sets use of risk.
19:09
Of and you have a bump in the
19:11
them I now and that's all you're gonna
19:13
get. This is me going to those wax
19:15
museum and his trial. A: Who's this guy?
19:17
Arrow? Would
19:21
fly know. I. Don't think I've ever.
19:23
I. Think I'm a big on a one wax museum. Who?
19:28
creepy yeah idol? it's I agree. It's
19:30
it's it's where the Uncanny Valley was
19:32
invented. Is a hypothetical wax serious of
19:35
us? So what is the transition V
19:37
When the Ss that you the book
19:39
proper so I'm not know regular yeah
19:42
I did want to talk about the
19:44
the the essayed saying that oh sir.
19:46
Third set up more directly was her.
19:49
Oh. I didn't have as a team of.
19:51
the book is as he talks about a
19:53
couple times about or there's one essays is
19:55
this is called Urbana D. There's another one
19:58
called Hard Fast that's talks about. City's
20:01
getting us to cities was supposed to be
20:03
the final necessary step in our assimilation absorption
20:05
eraser, the completion of a five hundred year
20:07
old genocidal campaign. But the City made us
20:09
new and we made it hours. We didn't
20:11
get lost amid the sprawl, tall buildings, a
20:13
stream of anonymous masses, the ceaseless in of
20:15
traffic we found one another, started up Indian
20:17
centers, brought out our families and powwows are
20:20
dancers are songs are beadwork. We bought and
20:22
rented homes, slept on the streets under freeways.
20:24
We went to school, join the armed forces
20:26
populated Indian bars in The Fruit Veil in
20:28
Oakland and The Mission in San Francisco. We.
20:30
Lived in Bucks Car Villages in Richmond. We
20:32
need art, we may babies and we made
20:34
way for people to go back and forth
20:36
between reservation and cities. will not move to
20:39
cities to die. The sidewalk and streets the
20:41
concrete absorbed are heaviness. The glass, metal, rubber
20:43
and wires, the speed the hurdling masses the
20:45
city took us and we were not urban
20:47
Indians then this was part of the Indian
20:49
Relocation act, was part of the Indian Termination
20:51
policy which was and is exactly what it
20:53
sounds like. Make them look and act like
20:55
us, become us and so disappear. But it
20:57
wasn't just like that, I'm.
21:01
In. Seattle. Again
21:03
like the probably the most that the thing
21:05
about this book that I found the most
21:07
interesting that I had like encountered the lease
21:10
is this. Depiction
21:12
of. Native life that
21:14
is not Gag again like not
21:16
centered on a reservation, just center
21:18
on finding community in a place
21:21
where you're more mixed in with
21:23
a bunch of different like young
21:25
people yup and cultures and experiences
21:27
with not what we're but we
21:29
talked about cities when we talked
21:31
about the Toni Morrison book that
21:33
you did oh you low yeah
21:36
yeah yeah. recently I just by
21:38
time or South Korea. What
21:41
can I was? I was in what that when I read some of
21:43
the quotes. From Orange about. Native.
21:45
Folks moving to cities in
21:47
the mid twentieth century, which
21:49
is you know, thirty forty
21:51
years after. The. Great migration
21:54
of folks in a black folks leaving
21:56
the south. he I imagine there's it
21:58
is a different scale. And it's
22:00
different cities I'm sure. But
22:04
yeah but you're right. it a draw a comparison
22:06
I thought talking about the same I think a
22:08
sector I was. Even
22:11
though they're do it you know you. You
22:13
move all these people into one place and
22:16
sometimes it actually makes it a little bit
22:18
easier to find a yes community just because
22:20
of seared density network you know that would
22:22
Jazz was the I was struck by that
22:25
and Jazz as well it was. There are
22:27
there were characters who were giving voice to
22:29
the sense of like jazz I was yours
22:31
how much as the music or Jazz third
22:33
book by to anymore So I was talking
22:36
about the transformer named Jazz. Okay I'm. Who.
22:38
Who did move into the city's at
22:41
one point? he? he lives on cybercrime
22:43
first of to New York City and.
22:48
Go ahead and those are your tie
22:50
rods as by Tony Morse L. Just
22:53
that there are multiple characters are Jazz,
22:55
the transformer included who talked about moving
22:57
to New York City and the the
22:59
fact that there were there were houses
23:01
to rent. There was a. You.
23:03
Could have a street that
23:05
was all. folks that you
23:07
could connect with, you know,
23:09
like you weren't spread out,
23:11
you weren't in a in
23:13
in neatly hostile territory and.
23:16
Yeah. That. That. Seems
23:18
like a ceiling comparison
23:20
couldn't Good Reference: Better
23:23
reference than Jazz The Transformer Me.
23:26
A The book. It's selig that this
23:29
this prologue as a part does not
23:31
last very long scans and table setting
23:33
and then that the main books is
23:35
split up into. Three. There, there's
23:38
also an interlude that has a little bit more
23:40
as they suffer prying a Talk about that part.
23:43
But the the like main
23:45
narrative is split up into
23:47
like for loosely add. Associated
23:50
Parts Part One, two, three, four
23:52
apart one called remain. Part two
23:55
is called reclaimed. Part three is
23:57
called Returned and part for is
23:59
called Powwow. So
24:01
if each a little chapter within
24:03
within each part is talking about
24:05
a different character, you're gonna meet
24:08
a lot of different characters. Usually,
24:10
I mean, more often than not
24:12
a new chapters can introduce a
24:14
new character or it's going to
24:16
be somebody you've met or heard
24:18
about before in one of the
24:20
other chapters. But it's somebody who's
24:22
like perspective you have not inhabited
24:24
yet. Yeah, done. one or two.
24:27
References to this being like a little sort
24:29
of an epic in like the scale of
24:31
how many people were in there, but I
24:33
know it's not a big. Book.
24:36
Like how hard it what?
24:38
How's your experience of the
24:40
character roster? Like. Eventually, Yeah
24:42
of eventually you start. You
24:46
you need part to especially you
24:48
start seeing okay I am. Yeah.
24:51
I am Not. I. Have not
24:53
revisited any of the characters from
24:55
part one yet, but I am
24:58
getting perspectives of people who appeared
25:00
in in some of the stories
25:02
and again, okay and so it
25:04
in in part one I'm like
25:06
okay, is this gonna be like
25:08
that? There is a a the
25:10
second character if me. This guy
25:12
named Dean. Is ah I
25:14
think that's a d any is higher
25:16
pounds forget. But
25:19
he is. He
25:21
is quote not recognizably native. He's ambiguously
25:23
nonwhite over the years he been assumed
25:25
Mexican, plenty. Been asked if you're Chinese,
25:28
Korean, Japanese, Salvadoran once. but mostly the
25:30
question came like this: what are you
25:32
As a you He is a a
25:34
young ish man who is. Trying
25:37
to get a grant money. So
25:40
he can do canvas film project
25:42
where he's basically his pitches basically
25:44
just i'm gonna find as many.
25:46
Native. People from around Oakland as I can
25:49
on I'm just gonna point a camera them
25:51
and like as years to tell me a
25:53
story. Yeah and it's that This is the
25:55
the things on your get abs is reflecting
25:57
Tommy Oranges experience a little bit where. He's
26:00
saying in i'm I'm gonna let the
26:02
the content dictate what the end product
26:04
ends up being and then and then
26:06
a bright after that constantly telling himself
26:08
that than I'd That does not mean
26:10
I'm just making it up as I
26:12
did. I'd probably. Have
26:15
a yeah, Just kind of trusting that.
26:18
In in trying to to do this thing
26:20
of of cultural worth that eventually once you
26:23
add it all up it will become clear
26:25
one what the through line is and will
26:27
become a compelling thing. And
26:31
so it's kind of sets you up
26:33
this to wonder. Okay is this
26:35
is this book basically going to be.
26:38
This project or is a going to
26:40
like a mirror this process in some
26:42
way that kind of a kind of
26:44
does okay to set you up to.
26:47
Be. Ready for with the rest of the
26:49
book is doing buy ads for a what
26:51
does it all just to say For a
26:53
while I was not sure whether I've just
26:55
can be meeting new characters constantly all the
26:57
time or if we are working toward one
26:59
like big event. At the end it does
27:01
become clear that you are working poor wonder.
27:03
What it doesn't sound like is that he
27:05
and I think there is. There are other
27:08
books that do this instead which is like.
27:10
He could have written just his experience
27:12
or he he had. It sounds like
27:14
he made a deliberate choice to not
27:17
just like riff on. His
27:19
lived experience through certainly it
27:21
seems like. Fragments of
27:23
it or in here at least. yeah yeah yeah
27:25
yeah but I from from interviews and from what
27:27
you're describing it sounds. Like. He approached
27:30
this with a goal of. Representing
27:33
a lot of different perspective than.
27:36
Were other authors you know and a business
27:38
does not be either way would choose to
27:40
be like well let me tell my story
27:43
and hope that. The specificity of
27:45
it resonates with other people. And
27:47
he has instead gives us as I guess one
27:49
of than one of the. Somebody.
27:52
What did somebody say? An interview? They
27:54
said. Or
27:57
this was from Npr. The risk with this kind
27:59
of. Chorus line plot structure
28:01
is that it can feel
28:03
mechanical on. The. Not
28:05
the novel sometimes does one. It stalls
28:07
in the company of the weaker characters.
28:10
So. It's like. By being
28:12
so. Cast: Of characters
28:15
driven if not all the characters hit.
28:18
Yeah, it's it's. Most
28:21
of the characters do. Thankfully.
28:24
I think the characters who are. The
28:26
weakest are the ones who set
28:28
up like the Big Tragic. Surfing.
28:32
At the thing at the end, like that,
28:34
they are the least distinctly drawn to me.
28:36
There's a lot of stuff about them, kind
28:38
of in the middle chapters that I. Lost
28:41
track of it look as help
28:43
that a lot of the other
28:45
characters our our. Like
28:48
related. In some way like it's
28:50
kind of a loose family give your if
28:52
you tell you about okay what did those
28:54
those the titles of the parts me in
28:57
the oh sure yeah it is sort of
28:59
a family that's been scattered apart by like
29:01
choice and circumstance. Coming
29:04
back together to. Be
29:07
reunited in a bit it by an
29:10
event that both like tragic but also
29:12
with the possibility of of something like
29:14
that and hopeful commitment that com um
29:16
yes that that's interesting. I'm. So.
29:19
Sorry about the league and I don't
29:21
think. Every character has
29:23
like a super distinct. Voice
29:26
all that all. Oh yes, I
29:29
think that. Tommy.
29:31
Oranges voice in the way that he writes
29:33
is is interesting serve a I was I
29:35
want to know more about that Yeah so
29:37
did to talk about the the title the
29:40
book. For. A sec and listen, I
29:42
don't. I don't I'm
29:44
not trying to attack you personally by
29:46
reading this passage the of x a
29:48
white man that Dean runs into and
29:50
gets their to apply for his great.
29:54
A. There's
29:57
a guy standing outside the door to the room he was
29:59
told to go to. Dean hate who he thinks
30:01
the guy is, who he has to be. He's
30:03
the kind of ball that requires a daily save.
30:05
He wants to look like he's in control of
30:07
his hair, like being bold as his personal choice.
30:10
but the faintest hint of hair appears on the
30:12
sides and not a trace of the crown. Is
30:14
got a sizable but neat light brown beard, which
30:16
is clearly compensation for the lack of hair up
30:18
there. plus a trend now white hipsters everywhere trying
30:20
to come off as confidence, all the while hiding
30:23
their entire faces. Guy: big bushy beard and thick
30:25
black rimmed glasses. Dean wonders whether you have to
30:27
be a person of color to get the grant.
30:29
The guys. Probably working with kids on a
30:31
garbage art prospects dimple that this phone in
30:34
an attempt to avoid converse. It's. Listen.
30:36
I've never met Tommy Orange. I don't
30:38
know how he knows this of our
30:41
me a. I. Only
30:43
thing I would quibble with his. I
30:45
don't actually think. That
30:48
any any. Actual.
30:50
Hipster would quite would
30:52
ever. Consider me a hipster
30:54
I think I'm to square to be a
30:57
hips I think you're to yeah you're to
30:59
like norm core of has who earnest yam.
31:03
But. Yeah, I mean I don't I
31:05
save my daily. I know it's a
31:07
nice I sex act like you're. You're
31:11
You're look works very well for
31:13
you and Hybrid hey that I'm
31:15
very happy that he sounded because
31:17
I have not bother to interrogate.
31:20
My look enlightens Twenty years and
31:22
you're looking good. Solid brand though.
31:24
Fossey A. Like,
31:26
what's nice is that your look matches the
31:28
mental image I have a view of my
31:30
head as a good one. Yeah, That.
31:33
I just got an unfair that Tommy Orange knows
31:35
be so well unfair that he looked at a
31:37
picture of your as like how can I was
31:39
out of. It
31:44
like working with a clear that on
31:46
okay when he says garbage art project
31:48
as he me and garbage in a
31:50
pejorative way or it's like we're making
31:52
art from garbage which I would do
31:54
garbage art hyphenated which I take to
31:56
me and my young art from garbage.
31:59
Perhaps. Would like under privileged kids
32:01
or something and live hijacked. I.
32:05
Like this, I'm glad about the
32:07
another. I feel honored and feel
32:09
you know and represented. Assess Assess
32:12
as a. Albertsons
32:14
the timing of others. this guy.
32:18
And the book doesn't. I mean it's not. it's
32:20
not all like take downs is extremely specific will
32:22
hit because. He
32:25
talks about doing deem. Further
32:27
talking about about that his
32:29
interaction with this guy who.
32:32
Asks him if he's read about Gertrude Stein
32:34
because he sang about Uni. talk about being
32:37
from Oakland and talking about how yeah there's
32:39
no authenticity left in this in this neighborhood
32:41
or what is your yeah and this is
32:43
the guy's name is Robert there is no
32:45
there there he says and a kind of
32:47
whisper with this goofy open mouth mild he
32:50
wants to punch the wants to tell him
32:52
he looks up the crew in it's original
32:54
context in her everybody's autobiography and found the
32:56
she was talking about how the place where
32:58
she grown up in Oakland had seen so
33:01
much that summers development. Happen. There that the
33:03
their of her childhood the there there was gone
33:05
and there was no there there anymore. He wants
33:07
to tell him it's what happened to native people
33:09
Who wants to explain that they're not the same
33:11
that Dean, his native born and raised in Oakland
33:13
from Oakland. Rob probably didn't look any further into
33:15
the quote because he got what he wanted from
33:17
it. He probably use the quoted dinner party the
33:19
meet other people like him feel good about taking
33:21
over neighborhoods they wouldn't have had the guts to
33:24
drive through ten years ago. The
33:26
quoted important to deemed as their their he
33:28
hadn't read Your kids died beyond the quote
33:30
of her native people In this country all
33:32
over the Americas, it's been developed over buried
33:34
ancestral land, glass and concrete and wire and
33:36
steel under turnbull covered memory there is no
33:38
they're they're. So.
33:41
Young to say that there's another part where it's
33:43
like, yeah there. There's also the name, really assess.
33:47
Assess buzzwords interacting with where I think
33:49
that the name mostly is comics of
33:51
just sits. I mean that's great. That
33:53
and again that gets to the thing
33:55
we're saying earlier with the essays where
33:58
it's dislike. There. Is. Irrefutable.
34:01
Irreconcilable, irreversible,
34:05
Just. World change that happens
34:07
to native people. And.
34:11
What? What else can you do
34:13
but is Michael? Recognize
34:15
it and then build a life
34:17
Anyway, because you're here. You're.
34:20
here here. The
34:23
other big. Semantic.
34:25
Thing that I think is is
34:27
underpinning. A. Lot of the
34:29
of characters in this book is
34:31
like out alcohol and specifically like
34:33
using it to. Check.
34:35
Out a little bit. Okay, There's a
34:38
character who says it's not the alcohol. there's
34:40
not some special relationship between Indians, and alcohol
34:42
is just what's cheap, available, legal, what we
34:44
have to go to when it seems like
34:46
we have nothing else left. I'm.
34:50
Yeah. You there? There are a lot
34:52
of people in this book are struggling
34:55
with like substance. Issues
34:57
or who have in the past.
35:01
There are. People. Yen
35:04
and and yeah, like like I mentioned earlier,
35:06
also just like the identity issues and how
35:08
those things are kind of like. Other
35:11
granted up in each and yeah, I'm
35:14
so he the most most so you're
35:16
mean a lot different characters in part
35:18
to it becomes clear that. I
35:20
you're going to circle the same few
35:23
characters over and over again if if
35:25
you know is if not always from
35:27
the same perspective is also doing some
35:29
different or is changing for like first
35:31
the third person. Add some times
35:33
in different chapters about the same characters like
35:36
do about it was a character okay yeah
35:38
just to doing a little bit of a.
35:41
Flourishing yes sir, and in a way
35:43
that maybe is contributing to that criticism
35:46
of of the book as being mechanical
35:48
sometimes just like. Yeah.
35:50
But I get to switch Edna I have like
35:52
a thorough a day worked for me like I
35:54
I enjoy yeah but I can see. How
35:57
somebody ring the said would feel like maybe is a
35:59
little gimmick years. Something you know? anyone? Sure. I'm
36:01
sure it from his perspective is like it's
36:03
energizing, like I'm not going to come back
36:05
to the same. Like
36:07
P O V with exactly the way
36:09
it was last time. You found it
36:12
like an interesting impulse. Yeah,
36:14
yeah, I'm so it's You
36:16
start to make links as
36:18
the chapters go on and
36:20
realize like oh, this this
36:22
character who. Had
36:24
a baby and gave it up. Like
36:27
that that baby is this character.
36:29
And. Then see
36:32
all of that. the
36:34
the guy whose baby it is also
36:36
have like another kid with somebody else
36:38
and like these two like half siblings
36:41
are going to meet each other eventually
36:43
and like dude and nobody really. Is
36:47
intentionally like nobody in his
36:49
family's intentionally moving all back.
36:52
Together to all meet in the same place of the
36:54
same time. But it
36:56
is can what is happening in the
36:58
like. The book is building toward this
37:01
a powwow in Oakland. Palm.
37:04
Where. But everybody's gonna go and then
37:06
also some like bad guys are gonna go
37:08
there and try to steal the prize money.
37:11
From. The power to pay off like drugs, debt.
37:14
Okay and which is that I think just
37:16
the weakest The and in general I think
37:18
that the the. Lead. Them
37:20
than. A double
37:22
violent than revealing over started stealing the
37:24
money supply and all like the it's.
37:27
Near the display like three print guns and
37:29
sneak them in and it's all like it's
37:31
all fine, but it was that. Definitely the
37:33
the. Itself
37:36
like. A little
37:38
bit an effort to introduce
37:40
conflict into what kind of
37:42
started as. Less. Point the camera
37:44
a bunch people on and tell some stories. Yes,
37:48
Yeah, that's true and is it can is the tone
37:50
of it. Is
37:53
it the tone of that particular plotline?
37:55
Is it like. Really? Serious.
37:58
Is it does it have the. Coen.
38:01
Brothers whimsey to we're in the half
38:04
a dozen ignited the it's a scan
38:06
it generally feals dark and once it's
38:08
clear the that's where it's heading it
38:10
just all feels very years waiting for
38:12
it to whether yeah I pay off
38:14
I jog what it was, what bad
38:16
things can happen and does end up
38:18
being the case where like a bunch
38:20
of characters who you. Have.
38:22
Met and up dying or getting jobs
38:24
sir I'm and like that The bit
38:27
of hope that that comes out the
38:29
end of the the book is like.
38:32
These the a lot of these people who
38:34
are in this big extended messy. Family.
38:40
Like. Some there are a couple
38:42
of sisters who haven't spoken in
38:45
and lots and lots of years
38:47
the one sister's kids are being.
38:50
And is complicated. The one hundred
38:52
grand kids are being raised by
38:54
the other sister. And
38:57
the Tuesday? Like the two sisters don't know
38:59
that they're both gonna be at this powwows.
39:02
Together independently, but then. One
39:05
of the grandkids gets shot in this.
39:08
Scrum: And they
39:10
all end up like back together at the hospital.
39:12
And there's like this this moment of. Of.
39:15
Hope where it's strongly imply that everybody's
39:17
be gonna be okay and everybody's me
39:19
another there's gonna be on after this.
39:21
For this this family in the like
39:24
a wake of the stretch experience I
39:26
do kind of wonder what like how
39:28
the book would have gone down as
39:30
it just focused on. Like.
39:32
The family conflict and like the family
39:34
reunification of and set of also making
39:36
it like a. Is
39:39
my. Experience in
39:42
the Bad: Intro fit
39:44
six writing seminar guys
39:46
you're in college. partly.
39:49
Because I wrote one of these stories and partly because
39:51
I read wanna have a bunch of them is like.
39:54
I. Always. At get immediately skeptical
39:57
when I get to the part of a book that's
39:59
like and then. with a guy and yeah
40:01
note I you've talked to other before
40:03
I know this is really stuck with
40:05
you because it does suck was its
40:08
reminding me of. When
40:10
I read tomorrow and tomorrow and
40:12
tomorrow. Because. That book
40:15
also has like an office
40:17
shooter. Sequence. In
40:19
it. And. It. It. Is
40:22
both feals of a peace with
40:24
what the novel is about and
40:26
also feels like a real big
40:29
escalation relative to a lot of
40:31
the character work that's going on
40:33
in it and I I don't
40:35
know that there's any way to
40:37
square that circle because like. Force
40:40
some books. that's gonna. Land.
40:43
Fine, and some books that might take you out.
40:45
And I don't know there's any way to predict
40:47
because it could just be like how you're feeling
40:49
on the day. But
40:53
you're also hearing you're also getting it
40:55
in the like. And
40:57
I can see what this is doing
40:59
for the book structurally. Is.
41:03
A distracting you from the character
41:05
stuff not working. know it's too because
41:07
it is so up it right up
41:09
until the moment of the shooting
41:11
things happening it's mostly being doled out
41:14
you and little like bits and pieces
41:16
of foreshadowing like that the books
41:18
days. And what works
41:20
the best about as it does stay
41:22
focused on it's characters her pretty much
41:24
the entire length until you get like
41:26
right to the end and then and
41:29
the shooting supply can takes over surfaces.
41:31
The way the way different characters are
41:33
are like relating to their culture and
41:35
the way like so have some of
41:37
the some of the characters you'd. Stick.
41:39
With me there is. Edwin
41:42
who is a. Ah,
41:44
Like a recent college graduate who.
41:47
I. You know, graduating from college
41:49
is kind of the the peak of
41:52
his life And any hint like move
41:54
back in with his mom and he's
41:56
like mildly internet addicted in a way
41:58
that. Is.
42:01
Kind of. I'm a little less it's
42:03
it manages to depict what it's like.
42:05
see, just be like. Glued
42:07
to your computer like driven. Driven.
42:11
To distraction by like. Oh.
42:14
Assault popped in my head. I'm gonna look, I'm
42:16
gonna look up something about it and then I'm
42:18
gonna fall down on wikipedia whole for like three
42:20
hours as it's very like true to have your
42:22
life era he'd take. A
42:27
while also dealing with like the.
42:30
The ways in which this this guy
42:32
doesn't does not feel native than and
42:35
also like he's he's gained a lot
42:37
of weight while he's been living at
42:39
home and this the way that he's
42:41
like relating to his body now an
42:44
endless like how complicated that was. I
42:46
thought it was interesting the handled there
42:48
a Jackie read Feather who is the
42:51
one of the two sisters I mentioned
42:53
to see had one baby the she
42:55
gave up said another baby who. Had
42:59
died later partly because
43:01
of of drugs and
43:03
alcohol abuse issues. On
43:05
and and see Jackie
43:07
herself. I'm. Is.
43:09
An alcoholic who is on
43:11
and off like recovering. Oh
43:13
god, but she has. Partly
43:16
because of the pain of losing her
43:18
daughter probably cause she doesn't like trusted
43:20
self as like given up. These three
43:22
had three grand kids who are living
43:25
with her sister. I'm. So
43:27
I I saw that her. A.
43:31
heard struggle with. Plex.
43:33
Trying not to drink and my coming up on
43:35
the edge of it and then walking back from
43:37
it and and the way that see. That
43:41
the the way that she interacted with that and
43:43
and the way that see. Like.
43:46
He did. It just felt like a
43:48
very lives in perspective I guess. Yeah
43:50
sure. Thera that was really compelling and
43:52
and that old that will say with
43:54
me I'm one of the one of
43:56
the grand kids who is living with
43:58
the the sister like experiences. His grandmother
44:00
as this they'll call who's as that
44:02
the characters actually their gray and their
44:04
grandmothers because they they live with her.
44:07
That's that's how it is. They did
44:09
not like a secret thing where they
44:11
don't know that their mom died in
44:13
the bearer. real grandmother is gone as
44:15
just like this is how this family
44:17
is constructed. Ah,
44:20
but see Opal the grandmother. Doesn't
44:23
really want to like teach them a
44:25
lot about their culture and not because
44:28
she doesn't want them to. Know
44:30
about it, but because she believes for whatever reason
44:32
that they need to come to it on their
44:34
own, like when they're ready. Arm.
44:37
And so you've got the oldest
44:39
of these of these three grand
44:41
kids, whose name is. Ah,
44:46
Orville. Read Sather okay a he
44:48
has been like watching like you tube
44:50
videos of like of like powwows and
44:53
dancing and he's found like this had
44:55
dress in his grandmother's closet and he.
44:58
Gets up any and he puts it on
45:00
and he like dances in front of the
45:02
mirror just like trying to. Third, Research
45:05
and like teach himself stuff about this part
45:07
of his life that he feels really disconnected
45:09
from but he also really wants to be
45:11
part of this power like ads thought that
45:13
that that his. It's.
45:16
Is that not a. In the
45:18
the media the I've. Seen.
45:21
That as depicted nave characters I haven't
45:23
There's a lot of different like archetypes
45:25
in this that I had not. Sure,
45:27
I'm with. and sort of, yeah, there, there are a lot
45:30
of them. They're gonna. That. I
45:32
will be thinking about for a while, I
45:34
think I think that is the upside of
45:36
a novel that structured like this one is
45:38
that you. You. Know. You.
45:41
Get a wide range of characters to
45:43
choose from to connect with in a
45:45
way and like you're on the through,
45:47
like reading the book and then picking
45:49
who you're gonna connect with. But it
45:51
is the sense that like. By.
45:54
The sheer law of. Moderate sized
45:57
numbers like they're gonna have you
45:59
that hit you The quote from
46:01
the New York Times review by
46:04
com toibin. Said no
46:06
one in the novel is fully sure how to
46:08
look or act, how to live or be and
46:10
that that is what you get. The.
46:13
Care of you just described reminded me of
46:15
that. Yeah, it's really. I think you know
46:17
it's true to being a person, but then
46:19
also. Or and slays
46:21
on this this extra layer of.
46:24
In. Other than need of experience and
46:26
land and specifically like this this. Urban.
46:30
Date of experience that he is interested
46:32
in exploring. Did you speak any more
46:34
to that in terms of like how
46:36
it's. Depicted. Or
46:38
or what issues or discuss. I
46:40
think this is the so much
46:43
of it is that all of
46:45
these characters live in or are
46:47
from Oakland. Make. His you're
46:49
like us It's sort of I. I'm not
46:51
gonna say that the city is character in
46:53
the book because I don't hand. You're allowed
46:56
to say I want to say because I
46:58
don't think that's quite. What the
47:00
what? the deal is Both a
47:02
pleasure to V City is an
47:04
important commonality. the all the characters
47:06
have or they're not pages that
47:08
are like and then the buildings
47:10
of Oakland all side as everyone
47:12
woke up and dreamed about whether
47:14
or not they would have a
47:17
baseball team next year. you know
47:19
like know nobody nowhere. Okay though
47:21
there are a couple people who
47:23
think really fondly of like a
47:25
couple of. They get their is
47:27
like a world series stress and like the
47:29
seventies or something we arms around thing as
47:31
the home to do a lot of money
47:33
of all the infamous book I mean i
47:35
really miss the really meant mine by on
47:37
think they talk about Billy bean. Or
47:40
anything they do but the the another had the
47:42
Oakland Athletics to come up a couple of times.
47:45
You just goods are building a sense of
47:47
place. I think that that's the Degas. The
47:49
biggest thing about. The
47:51
Dead. As. Aside
47:53
from. Just. Like you're all these
47:56
people who. Share
47:58
this city in common. But
48:03
otherwise like aren't really in each other's
48:05
lives initially like they're yeah yeah, sort
48:07
of pull together around this power. They
48:09
and the power is like a new.
48:12
Is. The thing is happening for the first time.
48:14
Cool. I was wondering about an hour. Okay kids,
48:16
yeah, so you got a couple characters who are
48:18
working on making it happen. It's like a. As.
48:22
Orange talked about in the. Will.
48:25
Lick Prologue as say that I that I wrote
48:28
it's you know it is is people from this
48:30
community coming together to like sound a seeing so
48:32
that. Their. Community has a place
48:34
to get together and do. Serve.
48:36
Do what they want whenever they want to
48:38
do. Whether just like couldn't go traditional stuff
48:41
or just like. All. Existing in
48:43
a in a place together? Yeah, yeah,
48:45
it's part of the like. You know
48:47
you're You're rebuilding this this community. It.
48:50
In. This intentional way. As inducing
48:52
you said the book. Ends
48:55
feeling hopeful rather than.
48:58
Pessimistic. Given that did, There's
49:00
people with guns and it's violent. and
49:02
yeah, it's It's mostly about. It's
49:04
mostly about the characters that we've met
49:06
like maybe this the people in this
49:09
family are gonna all all me and
49:11
get together and and realize that they're
49:13
all kind of related to each other
49:15
and them and something new will be
49:17
built from this this bad thing. Okay,
49:19
I'm that's this, really that doesn't I?
49:22
I am curious what is explored in
49:24
the in the sequel block. I assume
49:26
it's at least some of the stuff
49:28
because I think that the book cover
49:30
of the sequel. Looks like his
49:32
colleague bullet holes in his. I've gotta imagine
49:34
that. Okay, so the sequel,
49:37
Wandering Stars according to Penguin
49:39
Random House A.com delivers a
49:41
masterful faultless. The Quote delivers
49:43
a masterful follow up to
49:45
is already classic first novel.
49:47
Extending his constellation of narratives
49:49
into the past and future,
49:51
Terry Orange traces the legacies
49:54
of the Sand Creek Massacre
49:56
of Eighteen Sixty Four and
49:58
the Carlyle Indian in. History
50:00
of school through three generations of
50:02
a family in a story that
50:04
is by turned shattering in wondrous.
50:06
I think that is that Carlisle
50:08
School might be. In.
50:11
P A I think
50:13
tomorrow I'll pm Pennsylvania.
50:16
Out I've I've heard about that. Schools
50:18
like a number of different vectors in
50:21
terms of like. They.
50:23
Had sports programs but it's also part
50:25
of the legacy of with I think
50:27
that's probably wherever like podcast. My first
50:29
heard about the school because I certainly
50:31
wasn't part about it in school like
50:33
I probably should have been. I'm. Into.
50:36
It's part of the legacy of you know, Schools.
50:38
That were set up to. A.
50:41
Strip Native people from their
50:43
own societies of course, But.
50:49
Because you know than does becomes a part
50:51
of. Native. History. I'm
50:53
so yeah. I would.
50:55
I wonder. They.
50:58
Does not sound like this book aside
51:01
from what he did in the earlier
51:03
essays is like actively engaging with other
51:05
time periods other than whatever the you
51:08
know characters my be carrying random their
51:10
heads re know another actually dovetails with
51:12
something from there. There's a little Q
51:14
and a at the end of the
51:17
end of the books utter where he
51:19
talks a little bit about this and
51:21
specifically sagging about. The.
51:24
It You know those. Sometimes.
51:26
You read these books that have these
51:28
que an A's as like is this
51:30
author like interviewing themselves or sir her
51:33
gal of their a couple? are you
51:35
so cool Tommy losers' leader A couple
51:37
of questions were Tommy Oranges like and
51:39
I don't care they had. Do you
51:41
have a favorite character from the book
51:43
Tommy Orange Know. Look
51:46
at that feel Any real world. I
51:48
only got a publisher like we need
51:51
to interview this guy. He's so smart
51:53
and he is like I don't care
51:55
who. Doesn't. Babies Eleven Answer than why? Included
51:57
in the to Do with you and it.
52:00
What I mean I guess I guess
52:02
we're talking about it. Are we? I
52:04
love it? So, but Ah, assent to
52:06
they're all his favorite. Your cultural references.
52:09
The this is the unnamed interviewer. The
52:11
may or may not be Tommy Orange.
52:13
Cultural references span across time, geography, in
52:15
class, from what might be considered a
52:17
lead us to pop culture and everything
52:20
in between. Ah, was this a conscientious
52:22
choice? Or if so, why. Tommy
52:25
Or and says I wanted to write characters
52:27
who are is contemporary as possible. So much
52:29
of what is written about Native Americans as
52:31
an historical or stereotypical terms. So I very
52:33
much wanted to write modern native characters who
52:36
transcend and transgress what has been written by
52:38
natives. a non natives who feels represent native
52:40
people as living now as relevant. So.
52:43
That and and this is and this.
52:45
he's big, he's bring this up, he
52:47
mentions at least two or three times.
52:49
you know, the old add with the.
52:52
Other than native Americans who is crying
52:54
about yeah garbage alongside the highway he
52:56
brings up like a number of times
52:58
as like agree We've got like the
53:01
test pattern guy and the the litter
53:03
crying guy and that's kind of. Were
53:06
a lot of native representation in pop
53:08
culture as stuck for a long. If
53:10
it's it's I, just those two and
53:12
then it's westerns, right? He gets his.
53:15
Yeah. You got to have one character
53:17
who's like yeah that Johnny Depp movie
53:19
oh my god is bad but something
53:22
about watching him fail makes me happy
53:24
with was basically what the characters are.
53:26
Still can't believe he got to make
53:29
that Lone Ranger movie still large parts
53:31
of his career. I wish I didn't
53:33
exist Back Hippel I I can you
53:36
believe that movie exists. Yeah,
53:38
everyone agreed on how bad it wasn't so many ways,
53:41
but as excited to see it there, something about seeing
53:43
Jai that sale so badly that gives me strength. Again,
53:47
feels like a maybe Tommy Orange peeking
53:49
through one of the after sisters the
53:51
villains. It's as if is that later
53:53
L A Z V The Contemporary Nuts
53:55
and the lack of like yeah for
53:57
sure interacting with like a. A
54:00
more historical time period is very much
54:02
very much intentional. I think a lot
54:04
of why the book feels fresh in
54:06
a way that it that it does
54:08
well edited. It's not that aims near
54:10
people aren't in danger of being like
54:12
overrepresented in media but to the extent
54:14
that we have representation it does not
54:16
explore the specific space as much as
54:18
I don't think it's know you're exactly
54:20
right and it explains to me why
54:23
he like fire walled off the history.
54:25
Perspective. In a non fiction
54:27
voice at the front of a book like
54:29
that don't make that choice wake clear to
54:32
me fan and also didn't follow up where
54:34
was was more interested and yeah but the
54:36
history and he he said it again in
54:38
the queue and a with himself or whoever
54:40
you. See a
54:42
guess I'm he says you know I'd I
54:45
didn't plan put this book as a as
54:47
like a series or I didn't like right
54:49
it with me and mind assist I'd started
54:51
like an idea for a follow up occurred
54:53
to me and I was just. The just
54:56
was easy to write Nick: Yeah, I start
54:58
working on it and here we are. Yeah,
55:00
was it. He's also someone who sounds like
55:02
he came to. Eat. He
55:04
says he even came to does Being a
55:07
fan of literature like leader in his life,
55:09
relatives and other authors that he knows, I'm
55:11
not surprised that he does kind of like.
55:14
Stumbled. Into well I mean this is
55:16
where I'm is where my head that like let
55:18
me stay here and and follow this. Connection.
55:22
I. Was reading about the. Tests.
55:26
That. The tv tests art
55:28
little bit I went to
55:30
was it was this. Museum.
55:33
Website I went to. Some
55:36
like Broadcast Museum website in
55:38
Rhode Island. V.
55:42
Oh God The Museum of Broadcast Technology
55:44
and they this this this artist who
55:47
we don't know anything about their the
55:49
name is does com Brooks. In
55:52
this article. Claims. That everything
55:54
about that test images like meant to.
55:58
Has like a very specific technical function. yeah
56:01
I'd I'd read that about that has pattern
56:03
to where you're like. You. Know you've
56:05
got the the. Way
56:07
that the lines are arranged in the
56:09
fact of their horizontal and vertical to
56:11
horizontal vertical lines and that yeah and
56:14
like the number zero in the white
56:16
feathers are like men to do contrast
56:18
and ask all sorts of interesting stuff
56:20
but their genitals is It doesn't make
56:22
it not like on. It
56:24
couldn't see things very typical the takes like
56:27
it doesn't make it not a we're decision
56:29
but it is interesting to read about the
56:31
wise of. Like
56:33
why the images is. If
56:37
not why they chose like a why
56:39
they didn't stereotype as native person at
56:41
just why like it needed to exists
56:43
as an image in the first place
56:45
because it all goes way in the
56:47
sixties one some what he's doing color
56:50
programming and doing round the clock programming
56:52
anyway it was a thing where like
56:54
at the end of the day tv
56:56
networks be like see you tomorrow we
56:58
just went off just went away and
57:00
they would engineers would throw up you
57:03
know this image of and the various
57:05
reasons of it. To. Make sure
57:07
that. What? They were broadcasting
57:09
or you know on your television like
57:11
looks the way was supposed to look.
57:13
So technology was so new. So.
57:15
Like yeah the fact that it the fact
57:18
that there was a need for an image
57:20
is interesting. The fact that it was this
57:22
image of particular is. Interesting.
57:24
With a capital I think is interesting
57:26
is into with a question what else?
57:28
So yeah well. it sounds like you
57:30
enjoyed the book like I'm it it.
57:32
I know, like I'm probably doing the
57:34
the plot. A little bit of a
57:37
disservice, but I don't think that the
57:39
plot is what. It's.
57:42
For. The
57:45
It's It's first and foremost about.
57:47
Characters and they'll little bit about
57:49
structure. Ah, I'm you
57:52
know, but no, the reviews were like. This
57:54
is a gripping yarn. This is a yeah
57:56
for real or yeah no, it's a real
57:58
page turner know and it is a. Turbo
58:00
only insofar as like most of
58:02
these characters interesting new and are
58:04
hear more from them yeah yeah
58:06
or about them yet some bf.
58:09
Group. Or things are telling
58:11
me about. they're they're saying. I don't know
58:13
how to say the name of the book.
58:16
Did the mean? I guess if you're. If.
58:18
The phrases there is no there there than
58:21
the way resource to say it is. They're
58:23
They're not. They're. They're not. They're
58:25
They're like in a consoling way. Yeah,
58:28
Ok there there. There. There.
58:31
Was. Covering
58:33
up of out. By the end of the episode he
58:35
has why we got he hears here. For.
58:39
This An email Email Overdue. Pottage Email
58:42
That com will be glad to read
58:44
it. Find. Us. On. Line
58:46
at overdue Pods are online. That
58:48
is as yeah social media. That's
58:50
where most people are online. were
58:52
mostly on Instagram and Blue Sky.
58:54
Find us there at Overdue Pod.
58:57
Ah Our theme song is composed
58:59
by Nick Loran. Just gonna say
59:01
that Andrew of folks are know
59:03
more about the show. Where do
59:05
they go? Over to Bug as.com
59:07
their internet website. We have our
59:09
schedule kitten to the end of
59:11
March already aren't we? Yeah we
59:13
are. Else while how time go
59:15
Ah. We also have a link
59:17
up there to our p three on
59:20
project that's Petri on.com/overdue Pod it's you
59:22
can support the so financially put our
59:24
kids in school. Get
59:28
bonus absurd early. get access to
59:30
our discord community. I'm.
59:32
The mother. Fun stuff, you to sit on
59:35
some both episodes early. It'll to hear
59:37
hour long read episodes on Emily Wilson's
59:39
translation of Homers The Iliad we just
59:41
posted. i think we'd the we just
59:43
post on. The. The
59:45
oath we recorded the other day. The yeah
59:47
and so so what? Okay, what's happening on
59:50
the Mean feed? So by the time this
59:52
episode is up, Our February
59:54
bonus episode will finally be on Mean
59:56
Feat If you want to join us
59:58
for those streams guy. The Patron guardian
1:00:00
guy peed on such a pot at
1:00:02
the end of this month. There will
1:00:05
also be our some some of the
1:00:07
Elite I don't remember which episodes. maybe
1:00:09
it's absurd. three and four of our
1:00:11
ill his rotted a website says upset
1:00:13
three and four perfect so you can
1:00:15
hear those but if you wanted to
1:00:17
listen them in order because you're reading
1:00:19
on with as you should go to
1:00:21
Patron or comes over pot. Ah that's
1:00:23
homework next week. By. Club.
1:00:27
Who I can not supposed to talk about.
1:00:29
I can't wait to. Can't wait to be
1:00:31
to middle aged white guys with opinions about
1:00:33
fight club list. Can't wait for that to
1:00:36
to manifest. That has been like twenty five
1:00:38
years since I movie came out. is time
1:00:40
to talk about it. No one talked about
1:00:42
melons. none. None of people are talking about
1:00:45
this movie. What? We're talking about the book
1:00:47
or the book. You know awesome
1:00:49
movie I am a real as to do
1:00:51
with a chinese ending of the all we
1:00:53
we will talk about it actually yeah well.
1:00:56
Even though we're not the person. They're.
1:01:00
Going to kick us our club
1:01:03
or that's the you what? It's
1:01:05
worth it to said bring using
1:01:07
scenario this Fresh and fun funky,
1:01:09
fresh commentary on the book Fight
1:01:11
Club. Higher.
1:01:13
By thank you for listening to our pockets for
1:01:16
another week! Look. At you Good
1:01:18
Job. You're. The real hero
1:01:20
I'm a still in till we say
1:01:22
in actually please try to be happy.
1:01:54
That was a hit on podcast.
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