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CIPN - 7 November 2017 - Eastern Harmonies and Western Spaces

CIPN - 7 November 2017 - Eastern Harmonies and Western Spaces

Released Monday, 13th November 2017
Good episode? Give it some love!
CIPN - 7 November 2017 - Eastern Harmonies and Western Spaces

CIPN - 7 November 2017 - Eastern Harmonies and Western Spaces

CIPN - 7 November 2017 - Eastern Harmonies and Western Spaces

CIPN - 7 November 2017 - Eastern Harmonies and Western Spaces

Monday, 13th November 2017
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The Odissi Ensemble in WorkshopThe Odissi Ensemble, an Indian classical dance troupe, to lead a practical workshop on the devotional, divine and human aspects of their dance practices. The ensemble work across dance, music and spoken word and their creations stem from a strong philosophical or humanitarian concept. Watch one of their latest performances at the Southbank Centre: https://www.youtube.com/watch?v=Qa5-DZAddI0CRASSH is not responsible for external websitesOdissi is a classical dance born in the temples of eastern India and found represented in carvings on the walls of caves and temples. The classical stage art we see today was formed by pioneering gurus of the mid-20th century who worked to revive the form as India gained its independence. The style is marked by its sculpturesque positions and the use of the torso to give a flowing, sensuous nature. Grounded positions lend an earthy quality to the dance, whilst detailed use of gesture and expression add emotional subtlety.
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Performance Network

The Cambridge Interdisciplinary Performance Network brings together people from a wide variety of disciplines in Cambridge and beyond who are engaging with performance as a concept, from music and literary studies to anthropology, architecture and medicine. It asks how these varied interests might relate, intersect and interact.Interest in performance reflects a movement away from thinking in terms of immutable objects and singular subjects. It focuses attention on collective contexts. It also models a different way to mean: so performances, theatricality, theatre, and the arts in practice are relevant, too. But the group’s main focus is on the potential of the idea of performance as an umbrella approach to culture: a 'kind of thinking in its own right' (Cull/Minors 2012).What does it mean to frame, stage, display or enact? In what sense might all forms of self-consciously public statements – art, politics, academic discourse – be seen as performance?How is our post-print digital era, with its forces of equivalence and convergence, prompting reconsideration of traditional categories and boundaries – ie of the disciplinary itself?How do we understand objects (fixed, a record) when they cannot exist separate from their experience on the part of somebody or other (time-bound, embodied)?How do we understand the subject when it depends on imagined and actual collectivities to position itself?Each session will be organized around two short but very different presentations, followed by a discussion. We hope that these discursive encounters might suggest some of the potential benefits of greater dialogue between disciplines, and between the academy and creative practice more generally.

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