Bio: Adrienne Crossman is an artist, curator and educator, currently pursuing her MFA at the University of Windsor. In her art practice Adrienne explores queerness, cultural memory, childhood objects, internet marginalia and digital aesthetic in physical spaces. Her curatorial and educational practices are oriented toward community building and accessibility in the digital arts.

Recording Notes: This interview was recorded at the kitchen table in my home. In her earlier work Adrienne used glitch and datamoshing techniques as part of her video making. I have experimented with a glitch / data-mosh aesthetic in producing this episodes sound design.

Adrienne wanted to share a note about this recording: in referencing Daniele Dennis, she suggested the artist had used sand or sugar in her performance. In fact, the performance made use of rice, which, Adrienne indicate, is significant to the performance.

Links:Artist:Artist's Website: http://www.adriennecrossman.com/Instagram: https://www.instagram.com/fakechildhood/100% Real: https://www.youtube.com/watch?v=TOteOKVOklc

References:Xpace: http://www.xpace.info/Canadian Lesbian and gay Archives: http://clga.ca/Rebecca Finn: http://www.rebeccafin.com/Jennifer Chan (the recursive): http://jennifer-chan.com/HM paying students in sweatshop clothing: https://mcfcrandall.blog/2015/08/13/art-and-fashion-on-dundas/Felix Kalmenson: https://www.felixkalmenson.com/Younger Than Beyonce: https://www.felixkalmenson.com/8eleven: http://8eleven.org/Y Plus Contemporary: http://ypluscontemporary.com/Mercer Union: http://www.mercerunion.org/Daniele Dennis: http://www.danieledennis.com/Jon Rafman: http://jonrafman.com/Brad Troemel: http://main.bradtroemel.com/