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Sara Ahmed extols the feminist killjoy and iterates on her sweeping oeuvre

Sara Ahmed extols the feminist killjoy and iterates on her sweeping oeuvre

Released Friday, 10th November 2023
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Sara Ahmed extols the feminist killjoy and iterates on her sweeping oeuvre

Sara Ahmed extols the feminist killjoy and iterates on her sweeping oeuvre

Sara Ahmed extols the feminist killjoy and iterates on her sweeping oeuvre

Sara Ahmed extols the feminist killjoy and iterates on her sweeping oeuvre

Friday, 10th November 2023
Good episode? Give it some love!
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I sort of feel like this guest needs no introduction, but that may be because, for me, she’s such a powerful influence on thinking around affect, obviously, but also feminist politics, anticolonial resistance, the consequences of representation and misrepresentation. For people that don’t know who she is, Sara Ahmed is the author of many widely read texts, from Queer Phenomenology, to Living a Feminist Life and The Cultural Politics of Emotion, to What’s the Use? On the Uses of Use, to now, most recently, The Feminist Killjoy Handbook: The Radical Potential of Getting in the Way.

The new book is an interesting experiment in an author thinking back through her work and theorizing the particular structuring principles that guided it, the core values, concepts and characteristic expressions that give it form.

There is a fair bit of conversation in this interview about terms, specifically the term “kill,” for example, in “killjoy”--the extremity of the word and the kind of work that does. I also ask Ahmed about the inclusion of personal reflection in The Feminist Killjoy Handbook and we talk about the false distinction that gets made between the practice of “theory” and the lived experience of the theorist.

I appreciated how open Sara was about her foundational sense of the value of killjoy solidarity, even as it is becoming frighteningly clear that this solidarity is required for all the wrong reasons: because rights are being rolled back, because oppression is intensifying and the vindictive forces of sexism and racism are differently emboldened today.

There is even a discussion, here, of this seemingly novel, but actually quite old, concept of “cancel culture.” Ahmed explains why she is a “Roxane Gay superfan,” where she thinks the attacks on wokeness are coming from, and how they can be countered.

I was most heartened maybe by her expression of killjoy solidarity with the movements for trans lives and for alleviation of the climate crisis. These are seemingly very different struggles, but in both instances there is a normative power to business as usual that is making life very dangerous for people at the margins.

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