Episode Transcript
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0:00
So but two years
0:00
ago, you're on and we talked
0:03
about your book that actually
0:03
just released. But and we're
0:08
going to talk about that for
0:08
sure. But one of the other thing
0:11
we're going to talk about is you
0:11
won an Emmy for a special about
0:15
Alcatraz and the name escapes me
0:15
is that hidden island?
0:19
Hidden
0:19
Alcatraz
0:21
Lonely Island
0:21
hidden Alcatraz, and in 1969
0:25
Native Americans, which of
0:25
course, back then, the papers,
0:28
called them Indians, occupied
0:28
Alcatraz and I find that story
0:32
fascinating. So I'm going to ask
0:32
you a little bit about that,
0:34
too. But I want to go back to
0:34
your book, because two years
0:38
ago, when you were on this
0:38
podcast, you were talking about
0:41
The Accidental Prophet. And when
0:41
you were on you said you were
0:45
going to have a book coming up
0:45
at the end of that year, that
0:48
was two years ago. And you said
0:48
you're calling it Inherit the
0:52
Lightning, but you weren't quite
0:52
sure whether you're going to
0:57
keep that name or not. So it's
0:57
been a little more than two
1:00
years, but the book is book has
1:00
finally arrived. And we're going
1:04
to have a drumroll and you're
1:04
going to say what name you
1:07
finally chose for the novel.
1:14
Inherit the Lightning.
1:15
So you went with
1:15
Inherit the Lightning? I did. Is
1:18
there a particular reason why you did so
1:20
I just thought it
1:20
worked perfectly for the story.
1:22
It's the story is about an
1:22
inheritance. And the Lightning
1:25
has a double meaning because the
1:25
name of a location in the book
1:29
is called the lightning. It was
1:29
called that by the I have the
1:33
Tuscarora Indians name at
1:33
lightning mountain and you find
1:36
out why. In the book, what why
1:36
they chose that name because
1:40
nobody's really sure. But so it
1:40
has a double meaning it's the
1:44
lightning of a spirit, a certain
1:44
spirit, a confidence and then
1:48
the lightning the hill.
1:50
Okay, well, but it's going to tell us a little bit more about that and my
1:52
fascination of this Native
1:56
American occupation of Alcatraz
1:56
coming up right after this.
2:01
It's time to pit on
2:01
your sleuthing cap, feel
2:04
nailbiting dread and face heart
2:04
racing fear. This is Queer
2:08
Writers of Crime, where you'll
2:08
get book recommendations and
2:12
hear interviews with LGBTQ
2:12
authors of mystery, suspense and
2:17
thriller novels. Here's your
2:17
host, Brad Shreve,
2:22
the person I've been speaking with this bud Gundy. He is an executive
2:24
producer and on air host of
2:28
KQED, which is the PBS and NPR
2:28
stations in Northern California.
2:34
He is also a lambda Award
2:34
nominee, and is the recipient of
2:38
two Emmys. Congratulations on
2:38
those.
2:41
Thank you.
2:41
Yeah, and let me
2:41
change that. I hate it when
2:43
people say congratulations,
2:43
because you did not win a prize.
2:47
You earned them. So great job.
2:50
Thank you very much. I appreciate that.
2:52
I always try very
2:52
hard not to say congratulations.
2:54
Okay. So we're definitely going
2:54
to talk about the book. But the
2:59
reason I want to bring up this
2:59
Alcatraz, the thing is I love
3:02
San Francisco, used to live
3:02
about 80 miles from there. And I
3:06
was there every day because my
3:06
partner at the time worked in
3:09
the city. And I picked him up to
3:09
and from BART, and we spent a
3:13
lifetime in the city. I fell in
3:13
love with it. But I didn't fall
3:15
in love with was Fisherman's
3:15
Wharf. It's to put it lightly
3:21
touristy. Yes. Very touristy,
3:24
very artificial.
3:26
Yes, yes. And, you
3:26
know, it's like I tell people,
3:29
the Grand Canyon forgot to
3:29
Arizona, you gotta go to the
3:31
Grand Canyon, just to say you've
3:31
been there. Same thing with San
3:34
Francisco. If you go there, go
3:34
to Fisherman's Wharf, just to
3:37
say you've been there, but I
3:37
wouldn't suggest staying that
3:40
long. But one good thing about
3:40
Fisherman's Wharf is that is
3:45
where you catch the boats to go
3:45
to Alcatraz. And I wasn't that
3:51
interested in going to see
3:51
Alcatraz. I mean, granted, it
3:55
was a famous high security
3:55
prison. But I thought I was
3:59
gonna see trinkets and, you
3:59
know, little, it was gonna be a
4:03
tourist trap. And I was actually
4:03
pleasantly surprised that that
4:08
was not the case. I found it
4:08
fascinating. But I want to go a
4:12
little more into that since you
4:12
did the documentary about it.
4:17
But one thing I was really
4:17
interested in at first, I was
4:20
kind of offended. And that was
4:20
all the graffiti and the
4:24
scorched buildings. And then I
4:24
learned with the story behind
4:28
what those were, and I'm glad
4:28
they were there. It was because
4:33
Native Americans took over and
4:33
occupied Alcatraz starting in
4:38
1969. And I think very few
4:38
people in this country ever knew
4:43
this happened. Tell us about it
4:43
what you know about it. I know
4:47
that's not what your show is
4:47
about. But I'd like to hear what
4:49
you do know about it?
4:50
Well, I mean, of
4:50
course, the Indian occupation
4:54
was a major part of the doc
4:54
because that's a major part of
4:58
Alcatraz history, but it's It's
4:58
it has to do with a protest by
5:03
Richard Oakes. I think that was
5:03
the name of the leader. And they
5:07
were protesting the breaking of
5:07
the treaties with the various
5:11
tribes, not just on Alcatraz but
5:11
around the country. And there
5:14
was, I believe correctly, there
5:14
was no oh, boy, they there.
5:22
There was something in the
5:22
treaty with the Native Americans
5:26
that said that if it wasn't
5:26
being used, that they could have
5:31
it. And Alcatraz was just an
5:31
abandoned prison, but a very
5:34
high profile abandoned prison in
5:34
the center of San Francisco Bay.
5:39
And so they, a group of Native
5:39
Americans went out there and
5:43
they, they held the land, they
5:43
stayed on the island for a
5:46
couple of years. It didn't end
5:46
well. Unfortunately. I know
5:51
Richard Oakes, I believe one of
5:51
his daughters actually died
5:55
because they were living in the
5:55
ruins of the buildings where the
5:59
families of the prison guards
5:59
had lived when it was a federal
6:02
prison. And they were pretty
6:02
rundown if you went to Alcatraz,
6:07
right? You see how those
6:07
buildings are just dissolving
6:10
into the air. And that's kind of
6:10
it was a little better back
6:14
then, of course, but it was
6:14
still a abandoned property,
6:17
basically. And it was pretty
6:17
dangerous. But it really
6:20
galvanized Native Americans, it
6:20
really captured the attention of
6:23
the American public. I believe
6:23
that Richard Nixon even he was
6:29
very sympathetic to the Native
6:29
Americans to he was president at
6:32
the time, but and then it like I
6:32
said, it didn't end well. But it
6:36
did make its point. And that's
6:36
what you saw there with all the
6:39
graffiti, and that graffiti, by
6:39
the way, is very, very well
6:44
protected. They don't want that
6:44
graffiti. They want to maintain
6:48
that because it is such an
6:48
important part of the islands.
6:50
So
6:52
and now that you
6:52
reminded me I do remember
6:54
reading the treaty, as far as I
6:54
can understand treaties can go.
7:00
And to me, it was pretty clear
7:00
as day right that it should have
7:03
been handed over. Exactly. There
7:03
was no questions asked. And for
7:07
those that don't know, it's now
7:07
national parkland, and that's
7:11
what I presume it will remain
7:11
and what interests to do about
7:14
the island that made you want to
7:14
do the documentary?
7:17
Well, I mean, to be
7:17
quite honest, I was working at
7:20
KQED. And we wanted to do a
7:20
documentary about it. And I was
7:24
asked if I wanted to do it. And
7:24
I said, Yeah, of course I do.
7:26
And it was a really amazing
7:26
experience, we got to go into
7:31
all the areas where the public
7:31
can't go, because it's just
7:34
basically too dangerous. But we
7:34
were, it's a ranger guided tour.
7:39
So the Rangers take you around
7:39
the island in the doc are the
7:42
ones who are remaining there.
7:42
And this was some 20 years ago.
7:46
A lot of them have retired. But
7:46
it's it was it was a very
7:51
revealing because that location,
7:51
even if it's beautiful weather
7:55
in San Francisco, you're out in
7:55
the middle of the bay. It's not
7:57
that far. You course you can see
7:57
right to it. But that wind
8:01
coming it's like straight from
8:01
the Golden Gate and the wind is
8:04
flying through. And those
8:04
seagulls and the flies, it's
8:08
really, it's really a pretty,
8:08
pretty brutal environment. And I
8:14
know that the prisoners said
8:14
that they could hear there was a
8:18
I believe it's still there, like
8:18
a sort of a fancy Yacht Club.
8:22
And they could hear on New
8:22
Year's Eve, the people at the
8:25
fancy Yacht Club having a party
8:25
and they were sitting in their
8:28
cells on this freezing cold
8:28
island with the goals of the
8:32
flies. And so yeah, it's a
8:32
really fascinating place. It's
8:35
very spooky in a lot of ways,
8:35
but definitely, as you
8:38
mentioned, it definitely worth going to see.
8:41
I think it was in
8:41
fact, I'm almost certain it was
8:43
Jack London, who said and I'm
8:43
paraphrasing, the coldest day
8:48
I've ever felt was a summer day
8:48
in San Francisco.
8:51
It was the coldest
8:51
winter I ever had was a summer
8:56
in San Francisco.
8:57
Okay. Well, I had I was close.
9:00
And I and I think
9:00
there's some question about
9:02
whether he actually said that.
9:04
Well, yeah, you know, like, all the things are attributed to Mark Twain, right.
9:05
But still a pretty good quote,
9:10
because it's damn true. It is.
9:10
And I'll tell you what
9:13
fascinated me about going to the
9:13
prison. For those of you out
9:18
there who haven't been to prison
9:18
and I hope that most of you
9:22
television makes things look
9:22
bigger because they got to get
9:26
the cameras in there. But when
9:26
you go in that prison, those
9:30
cells are tiny, tiny, tiny,
9:30
tiny, tiny and the whole space
9:34
itself that they live in is was
9:34
very small. It was a it was a
9:38
rather dreary place to live.
9:40
Absolutely it was and
9:40
they will all I don't know what
9:44
the new guards are like there I
9:44
knew all the old guards there
9:47
are the you know the Rangers
9:47
rather and they they hate that
9:51
movie. Birdman of Alcatraz
9:51
because they say it is so false.
9:56
That guy was a sociopath. He was
9:56
a horrible human being And the
10:00
movie made him out to be this
10:00
very charming, lovely person.
10:03
But anyway.
10:07
Nobody wants to see
10:07
a psychopath taking care of
10:09
birds. Exactly right. Actually,
10:09
that might not be a bad movie,
10:14
it just be a totally different
10:14
story, it would be yes. Some
10:19
somebody should rewrite it.
10:21
Yeah. Tell them tell
10:21
the true story anyway.
10:27
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11:08
Alright, so let's
11:08
get right back to what we're
11:11
talking about, which is inherit
11:11
the lightning, which as I said,
11:15
the book has been out. This show
11:15
airs on May 10, which is the day
11:19
it becomes available on Amazon.
11:19
So it is available, you can go
11:25
to the publisher and buy it, you
11:25
can go to Amazon, publish it and
11:28
buy it. I just think Bud wants
11:28
you to buy this book. I highly
11:34
recommend it as well. Why when
11:34
you said it was going to take
11:39
and I'm not one to question
11:39
because I told my readers a book
11:43
was coming out two years ago,
11:43
and they're still hounding me
11:45
about it. But you said in 2020,
11:45
it was going to be out by the
11:49
end of the year. What took so
11:49
long?
11:52
Well, it was a huge,
11:52
unwieldy story. And I tried, I
11:58
had to figure out a number of
11:58
different elements. And I was
12:02
trying various ways of
12:02
presenting those, like the
12:05
inheritance issue. I was trying
12:05
to follow legal advice that I
12:09
got from lawyers about how you
12:09
would structure it and, and it
12:12
was like, very complex. And so I
12:12
decided eventually that that
12:17
wasn't working. So I took that
12:17
out. And I replaced it with I
12:20
think a more interesting plot
12:20
twist that reveals the the
12:25
character of Cooper, Cooper
12:25
tiller, who's the great
12:27
grandfather, and just in a
12:27
number of other ways I could go
12:31
on and on and on about how big
12:31
this story was, and how it took
12:36
a lot of time to carefully shave
12:36
and edit and shape the story. So
12:41
and I just didn't want to like,
12:41
put it out there before I had
12:44
any confidence in it. You know,
12:47
what I think a lot
12:47
of times when you start doing
12:49
research, you find either it's
12:49
going to take you down a very
12:53
long road to fully understand
12:53
it. Or it could just be boring,
12:58
you know, to to make people
12:58
understand the story, you're
13:01
gonna have to somehow make this
13:01
really boring legal crap.
13:07
Interesting,
13:08
right? Or at least
13:08
not so that you have to spend so
13:10
much time on it to explain it to
13:10
the reader. Right? He's so you
13:15
just have to simplify it. And
13:15
that's, that's what took me a
13:17
while to get to, for some of it.
13:17
So, yeah.
13:21
Do you ever read
13:21
James Michener Oh,
13:24
my God, I haven't read
13:24
Michener in years.
13:26
Now. I love James
13:26
Michener. But for those that
13:29
aren't from our, almost every
13:29
one of his books begins with the
13:34
formation of the Earth, right?
13:34
Because whatever. One books
13:39
takes takes place in Colorado
13:39
and how its held the settling of
13:42
the West. Another one, my
13:42
favorite is take place, settling
13:46
Chesapeake Bay and other Alaska,
13:46
and so on and so on. So we
13:49
started with the formation of
13:49
the earth, and then how that
13:53
particular area formed. And then
13:53
he gets into the native people
13:58
that live there, which all
13:58
that's conjecture. And I used
14:01
to, I used to try and read his
14:01
novels read, and I'm like, How
14:04
can anybody read this? And then
14:04
I learned, skip all that and go
14:09
right to where the story begins.
14:09
And his stories are great. So if
14:13
you ever want if you tried to
14:13
read a Michener or novel and you
14:15
couldn't do it, skip ahead to
14:15
where the story really begins.
14:19
And you may find it's a pretty fascinating story.
14:21
Yeah, I remember one
14:21
of his books. He started with
14:23
the were the dinosaurs who were
14:23
living at that particular
14:27
location. But But yeah, it was
14:27
yeah, you're right. He did that
14:31
a lot.
14:31
And actually think
14:31
the dinosaurs was Centennial,
14:34
which is the one that Colorado
14:34
yes, they actually made a made
14:39
for TV movie of that book, which
14:39
wasn't bad. It was pretty good.
14:45
Unlike Hawaii, which was a very
14:45
good book, but they turned it
14:51
into a musical and I may my god
14:51
I don't really have been fine
14:56
musical but other than the name
14:56
My end the fact that it was
15:01
based on his book, there's no
15:01
connection whatsoever to
15:06
Yeah, I remember when
15:06
Hawaii was on TV. Yeah,
15:10
there was a tiki
15:10
tiki movie. Anyway, there was a
15:13
song that drove me insane. Now
15:13
when
15:16
I think you're
15:16
getting South Pacific mixed up
15:18
with Hawaii, am I Yes, because
15:18
Hawaii had a very I remember the
15:23
ending of that. It was very
15:23
grim. It was all the, the, you
15:27
know, the native people, you
15:27
know, the indigenous
15:31
inhabitants, I guess, would want
15:31
to say, but yeah, it was it was
15:35
pretty sad ending. It wasn't a
15:35
happy musical. I think you're
15:37
confusing. Because that you're
15:37
thinking happy, happy, happy,
15:41
happy talk. That's Yes, that's
15:41
South Pacific. Okay. Don't put
15:47
don't don't put me singing on the air.
15:53
And as you were
15:53
talking, I pulled it up. South,
15:56
or South Pacific was based on a
15:56
Rodgers and Hammerstein Broadway
16:01
play. So yes, yes. Excuse me
16:01
that I will say who I was not
16:05
all that hot either. So yeah,
16:05
yeah, excuse me for confusing
16:10
the two. And thank you for
16:10
setting me straight. Now. I want
16:15
to go back and watch why and see
16:15
if it's as bad as I recall.
16:18
I mean, interested to
16:18
go back and watch Centennial
16:21
now, because I don't I'm not
16:21
sure if I even watched it when
16:24
it came out. But I remember
16:24
trying to read that book. But
16:26
yeah, I tried was the key word
16:26
there.
16:29
Yeah, it's pretty
16:29
good. It's pretty good. Okay. I
16:33
would say the miniseries is
16:33
good. But like I said, Don't
16:37
compare the movie with TV.
16:37
They're different mediums. Yeah,
16:40
just enjoy each on their own.
16:40
Yeah, this whole I've always
16:44
said I don't play the book is
16:44
better than the movie game
16:47
because it can't compare. You
16:47
can't take a 1000 page book and
16:54
make it into a two hour movie
16:54
and have it be the same.
16:56
Exactly. different mediums.
16:56
Yeah. Now when we talked about
17:01
the story before Coop, who was
17:01
the great grandpa was a great
17:06
grandfather, great, great grandfather,
17:08
great grandfather,
17:09
a great
17:09
grandfather, he had the
17:11
inheritance in the story spans
17:11
about 140 years. And when we
17:16
first talked,Coop was going to
17:16
be a very small, almost a
17:21
throwaway character, just to say
17:21
he has an inheritance. And that
17:25
was about it. That changed. And
17:25
he became a much bigger part of
17:31
the story. How did that come
17:31
about?
17:33
Well, so I Coop was
17:33
just actually never going to be
17:37
part of the story at all. He was
17:37
just going to be an old man in
17:41
a, you know, on the photos on
17:41
the the mantel and but the house
17:47
that the house had cube
17:47
commissioned back in 1920. He I
17:53
described it and a friend of
17:53
mine read that description and
17:55
said, I just need to know more
17:55
about this house. And so I tried
17:59
a variety of ways to talk about
17:59
the house and tell the story of
18:03
the house. And all of them were
18:03
horrible and contrived. And my
18:07
friend sent me that story. I
18:07
think it was by gosh, Virginia
18:13
Woolf may be about about the
18:13
ghosts wandering through the
18:16
house. But then she Virginia
18:16
Woolf had already done it right.
18:19
So I couldn't do it. And I tried
18:19
it from a number of different
18:22
ways. And I finally thought I
18:22
just need to know more about
18:26
Cooper who had this house built.
18:26
And I started writing his story.
18:31
I always thought, okay, he was
18:31
he owned a coal mine. And that's
18:33
where the fortune came from it
18:33
this sort of hidden fortune that
18:37
the Modern Family, they they
18:37
kind of wondered where it went
18:40
like was it all spent. Anyway,
18:40
Cooper had the house built. And
18:47
I had I realized I had to know
18:47
his story in order to talk about
18:50
the house. And the more I
18:50
started putting together the
18:54
story of Cooper tiller, the more
18:54
interesting he became. And then
18:58
the more I started studying that
18:58
period, he was born in 1880. I'd
19:02
always expected him to be the
19:02
owner of a coal mine, but I
19:06
decided that he was going to be
19:06
born really poor. And so how
19:10
does a poor farm boy end up
19:10
owning a coal mine? And how does
19:13
he know how to make it coal
19:13
mine? Profitable it which is a
19:18
very complicated story, but
19:18
again, very fascinating to me
19:24
anyway. And so when I started
19:24
doing, putting his character
19:30
sketch together, he just became
19:30
so interesting. And I knew he
19:34
had to be a major part of the
19:34
book. Was he ruthless?
19:37
Initially, I planned him to be
19:37
just sort of Yeah, like this
19:40
gruff, stereotypical, very
19:40
wealthy businessman from the
19:45
turn of the 20th century. But
19:45
that was just boring. You know,
19:50
it was just such a stereotype.
19:50
And I wanted him to be a lot, a
19:55
lot more interesting as a
19:55
character. And then, as I did
19:58
that, I saw ways I could make
19:58
him more interesting and more
20:01
interesting and more
20:01
interesting. And so no, I don't
20:04
think he's ruthless. I think
20:04
he's a very good person. He has
20:07
his flaws for sure. But he's not
20:07
ruthless.
20:11
And I'll tell you
20:11
it the ruthlessness is a
20:14
stereotype. It's actually for
20:14
good reason. I, I really love to
20:17
study US history from basically
20:17
1800 to 1900. Because it's
20:24
amazing. I mean, we think there
20:24
have been amazing changes since
20:26
the 1900s. Today, and, and there
20:26
were, but that was a really
20:31
interesting time period for the
20:31
country just because it was such
20:34
a new new country and was really
20:34
on the precipice of collapsing a
20:39
lot. And when they I found
20:39
interesting are people like farm
20:44
boys who became
20:44
multimillionaires one way or
20:48
another? And they were all
20:48
pretty not nice people. Yeah,
20:54
the Vanderbilts were not the
20:54
sweetest people. And there's the
20:58
railroad barons, I could go on
20:58
and on, right, I'm sure there
21:01
was some some great folks. Even
21:01
Andrew Carnegie, who was nice
21:03
enough to build a library in
21:03
every town across the country.
21:06
wasn't such a nice guy. I guess
21:06
later, he decided to give some
21:10
people some books, but you Yeah.
21:10
So yeah, I agree with you. It
21:16
probably wasn't a good idea,
21:16
because there's a stereotype.
21:18
But as I say, many types, many
21:18
times stereotypes do exist for a
21:23
reason at times.
21:24
Exactly. Yeah, I'm
21:24
aware of that, too. But I coupe
21:27
was just, I was too fond of him
21:27
to make him just that kind of a
21:30
character. So
21:32
well, let's go
21:32
beyond the blurb. And aside from
21:36
what you were going to read, in
21:36
online about the story, give us
21:41
as be as much beyond that as you
21:41
can, obviously without telling
21:47
us the whole damn thing,
21:48
right. So you know,
21:48
it's it's about Darcy Darcy is
21:54
the great grandson in the modern
21:54
day, and Darcy's grandmother has
21:59
just died. And her death, it
21:59
turns out, released the, the
22:06
state the inheritance. And so
22:06
Darcy and his sisters, discover
22:10
that they are about to inherit
22:10
this immense fortune that Cooper
22:14
Tiller left if he structured his
22:14
will, in such a way, as I said,
22:18
and there's a reason for that,
22:18
too. And so, but there's
22:21
somebody else in New York City
22:21
saying no, actually, I own this
22:24
estate. And so who is this
22:24
person? How do they relate to
22:29
the family like what they've
22:29
been waiting for this money
22:32
their whole lives, they just
22:32
kind of assumed it was gone.
22:35
Like maybe it wasn't as much
22:35
money as they expected, and it
22:38
didn't spent, but they coop sets
22:38
out, or Darcy rather sets out to
22:45
find this man. And he it leads
22:45
him to he doesn't follow the
22:51
clues necessarily to find out
22:51
about his great grandfather's
22:54
life. But it leads him to people
22:54
who can tell him about his great
22:58
grandfather, and he doesn't make
22:58
some discoveries of his own. But
23:02
Darcy never knew anything about
23:02
Cooper, you know, he just was
23:05
the old man and pictures. And
23:05
he's amazed by the story that he
23:10
learns about his great
23:10
grandfather and the reality of
23:12
his life. And that because Darcy
23:12
and Cooper are very similar,
23:17
although neither, you know,
23:17
Cooper died, you know, a good
23:21
2030 years before Darcy was
23:21
born. And Darcy is not aware of
23:26
his similarities to his great
23:26
grandfather, but I had a lot of
23:29
fun writing them separately, and
23:29
then tying them together in
23:34
these really interesting ways.
23:34
So for example, one thing Darcy
23:39
has a very instant connection
23:39
with animals. Well, he doesn't
23:43
know that. But he he inherited
23:43
that from coop. So you know,
23:48
it's just like fun things like
23:48
that. But also more important
23:50
there. They're both very
23:50
confident of their ability to
23:54
conquer skills. But they both
23:54
have very little faith in their
24:00
emotional inert life. And they
24:00
have a very hard time with
24:05
relationships and love. So Well,
24:08
part of the story
24:08
with Darcy learning things about
24:12
coop as the story goes along.
24:12
The story is nonlinear. Correct?
24:16
Yeah. Which sometimes is
24:16
difficult for me, but when it's
24:20
done well, that's the way you do
24:20
I really enjoy it. And best I
24:24
can do think of movies as to
24:24
movies. I like Pulp Fiction is
24:28
one of my all time favorite. And
24:28
then there's one I think I'm one
24:31
of the few people that like it,
24:31
it's a book called go or a movie
24:34
called Go which really kind of
24:34
was a rip off of of Pulp
24:38
Fiction, but I still like it.
24:38
And they are nonlinear. I liked
24:43
the way they did it. But was did
24:43
you plan on being there that way
24:50
or did again just as coop
24:50
developed, happen?
24:54
It just happened but
24:54
it you know when you say that in
24:58
linear it's true that we go back
24:58
and forth in Time. For the end,
25:02
there's a little bit of time
25:02
shifting within this the the two
25:05
parallel stories itself
25:05
themselves, but, but I think you
25:11
can follow the progression of
25:11
each of the characters fairly
25:14
easily. So, but I didn't want to
25:14
do this again, Brad, I'm
25:18
constantly doing this with my
25:18
characters, older characters,
25:22
younger characters parallel
25:22
stories. And I don't, I never
25:26
set out to do that, in fact, but
25:26
I'm aware now that this is my
25:31
preferred style of writing. And
25:31
I intentionally set out to not
25:36
write this story this way. But I
25:36
could not just leave coop, I had
25:40
to, I had to write about it. So.
25:42
And that's really
25:42
interesting, because the last
25:44
time that you were on this show,
25:44
we talked about the fact that
25:48
you enjoy writing
25:48
intergenerational stories. Yeah.
25:51
And while this is a case where
25:51
Darcy and Koop didn't know each
25:56
other, it was still very much an
25:56
intergenerational story. And are
26:00
you thinking that it sounds
26:00
almost like you just said,
26:03
you're kind of saying that's the
26:03
path you're going to take? Well,
26:07
maybe not all the time. But
26:08
yeah, I mean, I enjoy
26:08
doing it, because I love weaving
26:12
these generations together. And
26:12
I think we, you know, these,
26:16
these things that happen in the
26:16
past have an influence on us
26:19
that we're not even aware of
26:19
most of the time. And I find it
26:22
really, I, you know, I've
26:22
discovered some things in my own
26:25
life about my own grandmother.
26:25
And the way my dad acted, my dad
26:29
was had a very big terror of his
26:29
children being in water. And
26:34
then I found out my dad died,
26:34
probably by 2008. And I found
26:40
out just a couple of years ago
26:40
that my grandmother, his mother,
26:43
her older brother, had drowned
26:43
in like, 1907 or something. And
26:50
so I think, Oh, my God, like,
26:50
that's where my dad got the
26:53
terror of water. He got it from
26:53
his mom whose brother drowned.
26:57
So you know, it's just like, I
26:57
love exploring those kinds of
27:00
connections. So, but I'm really
27:00
going to try and not do it for
27:05
this next one. In fact, I really
27:05
don't see how I could actually.
27:11
You're gonna have to have your husband hold your hands when you start to go that
27:12
route? Yes. So are you kind of
27:20
big on ancestry?
27:21
Well, I mean, I
27:21
wouldn't say that I'm big on it.
27:24
No, I'm just fascinated by the
27:24
past. And I'm fascinated by the
27:27
way the past influences us.
27:27
Yeah. I don't know what you
27:30
mean, specifically by ancestry.
27:30
So I mean, like, do I study my
27:36
own? Yeah. Oh, I would say no, I
27:36
know, that people my family
27:41
have. And there are some
27:41
interesting question marks
27:45
there. We don't we're not really
27:45
sure who my grandfather was. on
27:48
my mom's side. But, and there's
27:48
some reasons for that. But in
27:52
the story, my mom told me all
27:52
her life until she was like in
27:55
her 90s, and finally revealed
27:55
the truth was not the truth. And
28:00
so but I haven't studied that.
28:00
No,
28:02
well, it is amazing. Some of the things that come up. My husband, Maurice is
28:04
very interested in ancestral
28:10
history. And his is very
28:10
different, difficult, because
28:13
he, his family's Creole. So you
28:13
had that era where the French
28:18
elite in New Orleans may have
28:18
had a black wife per se, but she
28:25
was not allowed to be part of
28:25
society. And then once he
28:28
married, she just kind of tossed
28:28
aside there. That all history is
28:32
kind of hard. And plus, it was a
28:32
very poor area, so that history
28:37
is kind of hard to, to dig up.
28:37
But in the process, he's he's
28:40
dug up a lot of my history and
28:40
like, he'll put one of my
28:43
ancestors in there and then just
28:43
explode Boom. Oh, there's this
28:48
tie in with all these other
28:48
ancestors that he's absolutely
28:51
fascinated by for my family's
28:51
past. I'm like, Oh, okay. But
28:58
there are interesting things
28:58
like I, you know, I found out my
29:00
grandmother was not my
29:00
grandmother, and my aunt and
29:02
uncle. Were not my aunt and
29:02
uncle. Yeah. Life is very.
29:07
Right. And so that has gotten me
29:07
a little more interested than I
29:10
would have been. But
29:13
yeah, yes. That
29:13
discovery about my grandfather
29:15
was pretty amazing. Because my
29:15
mom had always told us that he
29:20
died right before she was born.
29:20
But it turns out, and then
29:25
nobody's quite sure who he was
29:25
and when he died or anything,
29:29
so.
29:30
Yeah. Well, you're
29:30
more you can tell us about
29:33
Darcy.
29:34
Yeah, well, Darcy is
29:34
a an interesting character. He's
29:39
one of these guys who moved to
29:39
San Francisco when he's a young
29:44
and because he's very interested
29:44
in the idea of living in a city
29:47
with a lot of gay man, because
29:47
it's a place for him to go party
29:51
and meet guys and have a lot of
29:51
sex. But guys like that can burn
29:55
out. I mean, I'm not saying that
29:55
they don't have a good life, you
29:59
know, for the Part of years and
29:59
maybe some of them make it into
30:02
something more substantial later
30:02
in life, but they can, they can
30:07
wake up one day. I've seen this
30:07
happen several times here in San
30:10
Francisco where a guy wakes up
30:10
and it's like, oh, shit, you
30:14
know, he's a lot closer to 40
30:14
than he used to 20. He's a lot
30:17
closer to 50. Even then he is.
30:17
And all he's been doing this
30:21
whole time is partying, he's got
30:21
no money. He's, you know, he's
30:25
got a dead end job. And he
30:25
panics and then he gets out of
30:29
town. And I've seen that happen
30:29
several times to some of my
30:32
friends. And so I think he has
30:32
that kind of an interesting
30:38
background. I had a lot in there
30:38
about his family and his
30:42
relationship with his sisters.
30:42
But I took a lot of that out
30:45
because I don't know how Jane
30:45
Austen wrote Pride and Prejudice
30:50
with five sisters and made it
30:50
work. I just, I just don't be
30:55
it's it's so hard to juggle
30:55
those characters. And people
30:58
were very confused by them. So I
30:58
ended up taking a lot of that
31:01
out and shortening that story
31:01
substantially. So but he's a
31:05
he's an interesting guy, too.
31:05
But, but he his his
31:09
accomplishments are good for
31:09
him. You know, he and he does
31:14
manage to support himself for a
31:14
while anyway. But they're
31:17
nothing at all as expansive as
31:17
what coop experience, but coop
31:22
got lucky because of where he
31:22
ended up. So
31:25
I don't know why
31:25
you keep reminding me of old
31:27
movies. But you are. I don't
31:27
know if you remember. Lifeguard
31:33
I think it was 1976 had Sam
31:33
Elliot in it.
31:37
Oh, God, I don't
31:37
think I ever saw that movie. But
31:40
yes, I remember it like, Oh, my
31:40
God is having such a huge crush
31:44
on San Elliot.
31:47
As I recall, it
31:47
wasn't a very good movie. But
31:50
the reason why he made me think
31:50
about it is Sam Elliott wakes up
31:55
one day and realizes he's kind
31:55
of this middle aged guy who's
31:59
still a lifeguard. And you know,
31:59
you can't be a lifeguard when
32:03
you're 70. So what are you gonna
32:03
do with your life? And what
32:07
you're talking about, like some
32:07
of the, I don't want to say
32:10
circuit, guys, but some of the
32:10
guys that are partiers and have
32:14
a great time. Large number of
32:14
them do that for a few years,
32:18
and they go out, you know, get
32:18
their fun out and go on with
32:21
their life. But the ones that
32:21
stay that way. Like you said,
32:23
it's like one day they realize
32:23
like, No, I'm driving an ice
32:27
cream truck. Right? Yeah. Yeah.
32:27
It's sad to see that happen.
32:33
Yeah. Well, yeah. And
32:33
it was sad that Sam Elliott said
32:36
that thing about the power of
32:36
the dog, I really was
32:39
disappointed. I was like, Are
32:39
you? Did you hear about that? He
32:42
was complaining about that
32:42
movie? No, he said it was like
32:45
to gay or something like that.
32:45
And it was like, Sam Elliot,
32:49
come on, like all of these gay
32:49
boys, who were your you know,
32:52
who were madly in love with you
32:52
in the 70s. He did apologize for
32:56
it later, but I was still disappointed in
32:58
him. I think actors
32:58
have gotten much smarter. Ryan
33:04
Reynolds, who? I have no doubt
33:04
he's straight. But I could be
33:08
wrong. He knows how to play that
33:08
up. And he plays it a big time.
33:13
Yeah. And I don't think in the
33:13
70s they were as likely to do
33:16
that. Well,
33:17
no, they weren't. But
33:17
he didn't say this in the 70s.
33:19
He said this, like last, you
33:19
know, in the last few months. So
33:24
it was like, Yeah, I mean, he
33:24
probably wouldn't have really
33:27
been aware of it in the 70s. But
33:27
he should be aware of it by now
33:30
for God's sake. So
33:32
he was maybe older mentality.
33:34
Maybe maybe because
33:34
he was super hot.
33:37
Oh, yes, he was.
33:37
And I'm going to totally throw
33:41
us off the rails here because I
33:41
have to tell my Ryan Reynolds
33:45
story. Okay. My husband Maurice,
33:45
and I were driving through Santa
33:48
Monica, and we stopped at a stop
33:48
sign. And going across the
33:53
crosswalk was Ryan Reynolds. And
33:53
of course, we flipped out and I
33:59
haven't lived in LA this long.
33:59
It's very rare that a celebrity
34:04
I'll even bat an eye. Oh, Ryan
34:04
has a different story. I've been
34:07
wanting to get into his pants
34:07
for years. So to be quite
34:11
honest, but he had this little
34:11
fluffy dog he was walking and we
34:15
looked at each other and we're
34:15
like, oh my God, he's gay.
34:21
Sadly, it was a few months later
34:21
that I saw him in Alanis
34:25
Morrisette back when they were
34:25
together, playing with a dog and
34:28
it was a Alanis Morrisette's dog
34:28
for a few months. I got to
34:32
believe that not that every
34:32
street man that has a fluffy not
34:36
that every man that has a fluffy
34:36
dog is gay or in my mind went to
34:39
exactly where I want it to go.
34:39
So for those few months, my
34:43
fantasy was was thoroughly
34:43
enjoyed.
34:47
I have to look Ryan
34:47
Reynolds up I don't know who he
34:49
is to be quite well, I know the
34:49
name but I just yeah, I'm not
34:54
really up on celebrity culture
34:54
to be quite honest. I mean, I
34:57
don't mean that in any kind of
34:57
snobby way. I just I am busy.
35:01
I will only tell
35:01
tell you this there are a lot of
35:07
incredibly attractive men in
35:07
this world. Ryan is not only
35:12
attractive. He is hysterically
35:12
funny and damn charming.
35:16
Okay, three to three together. I don't
35:16
know how they could not love
35:19
him. Okay Yeah. Yeah, if he was an
35:22
asshole. It'd be a whole
35:25
different. I'd say there's a hot
35:25
looking asshole. But he's the
35:29
total package in my opinion.
35:29
Okay, great. So Darcy has had I
35:36
don't know about love interest
35:36
that he has. He longs for Jake
35:42
tester. Right. Right. Who is
35:42
Jake and tell us tell us about
35:46
that little entanglement there?
35:47
Well, Jake is his
35:47
grandmother's gardener who keeps
35:51
this gigantic lancha grandmother
35:51
grows up and lives her whole
35:55
life. It turns out in the house
35:55
that coop built, but Jake is the
36:01
gardener Darcy has the hots for
36:01
him the first time they saw each
36:04
other. Darcy thought, oh my god,
36:04
we had this connection. But then
36:08
like Jake was suddenly gone. And
36:08
Darcy was just visiting. So he
36:12
went back to San Francisco. But
36:12
so he's kind of been standoffish
36:17
with Jake for a while. He's
36:17
still the gardener. And he's
36:19
still taking care of his
36:19
grandmother's lawn, even though
36:21
she's just died. So that he he
36:21
decides because he's having this
36:27
moment of like, I'm gonna go out
36:27
and find who is trying to take
36:30
away our inheritance. And he's
36:30
just feeling this moment of
36:33
determination. And he makes a
36:33
pass at Jake, and then Jake
36:36
accepts it. So that's that's who
36:36
the J character is. But there's
36:39
some complications there. And it
36:39
is through coop coop story that
36:46
Darcy eventually learns to maybe
36:46
open up with a Jake and and
36:52
maybe try to make something of
36:52
so. So it has a hopeful
36:57
ending. Please tell
36:57
me that Kook doesn't come back
36:59
from the dead and tries to get in the way.
37:01
He does not know.
37:04
We're not talking to parents. And I have no problem a paranormal this right?
37:06
Yep. It just doesn't sound
37:09
paranormal. Yeah, I kind of knew
37:09
the answer to that one before.
37:14
You did one interesting thing.
37:14
And it's not a huge part of the
37:18
story. But there has been major,
37:18
major debate in writers groups,
37:24
and even in readers group. And
37:24
that concerns COVID. Writers are
37:31
telling me I think most writers
37:31
are telling me they're gonna
37:34
ignore it, at least for now.
37:34
Because they don't think people
37:36
want to hear it. Maybe down the
37:36
road, they will. And they're
37:39
either skipping the years over
37:39
COVID, or they're just writing
37:42
like it doesn't exist. Readers
37:42
are kind of conflicted as well.
37:46
They think, well, it's part of
37:46
history should be there. And I
37:49
had actually a one time one now
37:49
I've had two separate readers
37:54
say, we don't want to see COVID
37:54
In your book. In fact, one I
37:58
don't know where she got the
37:58
idea. She said, I'm sorry,
38:00
Brett, I love your books, I will
38:00
not be able to read the next
38:03
one. Because you said COVID is
38:03
going to be in there. And I'm
38:05
like, I don't know when the hell
38:05
I ever said that. But no, I
38:09
don't, I probably won't be. But
38:09
you made the choice to put it in
38:12
there. Why? Well,
38:14
because of the
38:14
timing. So his grandmother was
38:19
Grandma Millie who just died was
38:19
getting pretty old. So I really
38:25
couldn't push it too much into
38:25
the future. And it was also a
38:30
good plot element because it's
38:30
Darcy's parents died of COVID,
38:34
the first summer of COVID. And
38:34
it just kind of worked out. And
38:38
but that's the extent of COVID.
38:38
Will also Darcy loses his job in
38:43
San Francisco because of COVID.
38:43
And he has to move back. But he
38:46
was going to move back anyway to
38:46
help his grandma. But so it's an
38:51
element in there. I can
38:51
understand people being sick of
38:54
it at this point. But there's
38:54
there's gonna be a lot of
38:57
stories about these these paths.
38:57
Coming out, it may take a few
39:02
years before somebody writes the
39:02
right one. But yeah,
39:06
somebody suggested
39:06
to me I can't remember who was
39:09
he wasn't writer. He said, I
39:09
think a good idea for you.
39:13
Actually, it was a different
39:13
podcast that I was on. But it
39:16
had nothing to do with writing.
39:16
It was personal stuff. And he
39:19
said, I think you should write a
39:19
story about COVID Now, while
39:25
it's fresh in your head, but
39:25
don't release it for 10 years.
39:28
Oh, interesting that that. I
39:28
said that's a good idea. Yeah.
39:32
Cuz then, you know, 10 years, we
39:32
might be used ready to read it.
39:35
And now it's fresh in my head.
39:35
But I don't know. I don't know
39:37
if I'm in the mood to write about it.
39:39
Yeah, I think we're
39:39
all just ready to move on.
39:41
Right? Yeah. Like really ready
39:41
to move on?
39:47
Yes. Yeah,
39:47
absolutely. Now, the last time
39:50
you were on, we talked about you
39:50
working in production for PBS.
39:57
And I asked you about writing
39:57
and you use that there wasn't
40:00
really a transition from writing
40:00
to television because you kind
40:06
of always knew you wanted to be
40:06
a writer. Knowing that you
40:10
wanted to be a writer, why did
40:10
you choose to major in political
40:14
science in college? Which seems
40:14
like it would be more of what
40:18
would have drawn you to television?
40:20
Well, so I, when I
40:20
was God, I was 20 years old. I
40:26
was very persistent about
40:28
five years ago.
40:31
Add a few decades to
40:31
that. But I was very persistent.
40:36
I, I interviewed for this job at
40:36
the local NBC affiliate in
40:40
Cleveland, Wk yc. And at the
40:40
time, it was the Oh, no. So it
40:45
was owned directly by NBC. But I
40:45
spent every week I called and
40:51
asked for an update on if they
40:51
were going to have a position
40:55
for me. And after a year, they
40:55
finally hired me, and I was
40:59
already I was a sophomore, at
40:59
least in college. And at that
41:06
point, like the, the college was
41:06
not a career path for me
41:11
anymore, because I was worried I
41:11
was on my career path at work.
41:14
So I thought, I'll just study
41:14
anything I'm interested in. So
41:18
that's why it took me an extra
41:18
year to finish because I changed
41:21
majors a number of times, and I
41:21
ended up I was very, very
41:24
interested in in politics back
41:24
then. And super interested in
41:28
Middle Eastern politics. And so
41:28
that's what I studied. And it
41:33
was just because I had the
41:33
luxury of studying something I
41:37
was interested in.
41:38
So you've ended up
41:38
in public television and Public
41:41
Radio. Do you think that you
41:41
enjoy that more than you would
41:46
in commercial?
41:48
Oh, no question, w
41:49
hy, and why is that?
41:50
No question about it.
41:50
Because the in commercial
41:53
television it was, I was working
41:53
in news, right. So it's not like
41:57
I was right working for
41:57
entertainment. I was working for
42:00
NBC News. And I don't know if I
42:00
should say, the network. But but
42:07
but the the commitment there was
42:07
to the ratings, it was just all
42:11
about ratings. And they serving
42:11
the audience with information
42:16
with interesting shows, with
42:16
things that to engage them
42:20
intellectually treating them
42:20
with respect. Those things
42:24
didn't exist, at least what what
42:24
I saw they weren't there. And
42:29
when I went to PBS, and NPR,
42:29
this was a several years after I
42:33
left NBC, I had sort of a foray
42:33
back into television. When I
42:38
moved to San Francisco, I did
42:38
some I was a print reporter.
42:41
Thank God, I didn't I got out of
42:41
that. I'd be homeless by now.
42:44
But and then I was doing
42:44
marketing and but you know, I
42:49
just as soon as I walked into
42:49
those doors at KQED, it was all
42:54
about like, what, what is
42:54
interesting and informative for
42:59
our audience, it was all about
42:59
serving the audience. I mean,
43:02
that all the time. But most of
43:02
the time, that was what was
43:06
driving us, it still is. And
43:06
that I love that environment. I
43:11
really hated the way in
43:11
commercial TV the audience was,
43:16
people were contemptuous of the
43:16
audience. I saw. Why are you so
43:20
contemptuous of these people?
43:20
Like why do you call them these
43:24
names? They're, you know,
43:24
they're our audience for God's
43:27
sake. And that that atmosphere
43:27
does not exist at PBS and NPR,
43:31
at least doesn't that I've seen?
43:33
Well, I don't know
43:33
what time period it was that you
43:36
got involved in public
43:36
television. But I remember back
43:42
when networks had a news
43:42
division, and an entertainment
43:48
division, right. And I can't
43:48
remember what never, I'm gonna
43:53
say NBC, but I don't know for a
43:53
fact I probably shouldn't even
43:55
mention their name. I remember
43:55
one of the networks was the
43:58
first to announce as a cost
43:58
saving measure, measure. We're
44:03
going to combine the two
44:03
divisions together. And that is
44:07
really when I think we saw
44:07
things spiral downward. There's,
44:13
there's no such thing as
44:13
unbiased news. Because just
44:17
deciding what shows are
44:17
newsworthy or what stories are
44:21
newsworthy, there's a biased in
44:21
there, but you certainly can do
44:24
the best you can. Right. And I
44:24
think back then they used to and
44:27
that's not true anymore. No, it
44:27
isn't. Not in any kind of shape
44:31
or form. So it is sad to have
44:31
seen that happen in especially
44:35
nowadays. I mean, nobody's
44:35
learning anything if you if
44:39
you're liberal, liberal, you
44:39
watch Rachel Maddow, and that's
44:42
who all you watch and if you're
44:42
conservative and even crazy
44:46
conservative watch Tucker
44:46
Carlson then that's your only
44:49
listening to what you want to
44:49
hear. And I don't think that's
44:54
healthy.
44:55
No, there's a lot
44:55
that's not healthy going on
44:57
right now. I mean, I just said
44:57
If you're just a little bit
45:01
there, I think that people if
45:01
you're conservative, you only
45:05
listen to conservative news. I
45:05
don't. I think that people were
45:09
conditioned to listen to what
45:09
they want to hear. I don't think
45:13
that it's gravitated towards
45:13
anything. I think they were
45:16
conditioned for what they
45:16
wanted. And I don't know, I'm
45:20
not explaining this. Well, I
45:20
haven't thought it through very
45:22
carefully. But I think that it
45:22
doesn't mean because you watch
45:26
Tucker Carlson that you're like,
45:26
down the line it Republican and
45:29
you all support Republicans, and
45:29
you support Trump. And it
45:33
doesn't mean that like, there's
45:33
still a lot. It's even like Q
45:37
anon and all these crazy
45:37
conspiracy theories that are
45:40
going on today. I think we make
45:40
a mistake when we write those
45:43
people off, because a lot of
45:43
those people aren't even
45:47
particularly political. It seems
45:47
kind of crazy. But that's the
45:50
truth. They're just not. And not
45:50
I'm not saying that the leaders
45:55
aren't. But I'm saying that the
45:55
people who are involved and then
45:58
wrapped up in these things,
45:58
they're not as political maybe
46:01
as we think they are. I think
46:01
they just, it's just kind of a
46:05
group dynamics, tribal, tribal
46:05
politics, you know, and I think
46:11
that they are still very
46:11
reachable. I'm not that I have
46:14
the insight and knowledge to
46:14
reach them. But they are, and I
46:19
think we should be trying to. So
46:22
in actually Dharma
46:22
Kelleher and I talked about that
46:24
last week that regardless of
46:24
what kind of let's see, the
46:29
leaders have particular parties
46:29
are people, the general public
46:34
or just connecting with people
46:34
that feel the way they do,
46:37
right. And it's, it's not
46:37
particularly news that they just
46:41
like comfort, there's that
46:41
comfort level of, you know,
46:44
your, regardless of what side of
46:44
the aisle you're on, I'm not
46:47
gonna go there. But we're more
46:47
comfortable with people that
46:50
think like us. And I think
46:50
people tend on both sides,
46:52
they'll tend to be thinking a
46:52
lot more radical, for lack of
46:57
better word. I hate to use that
46:57
word, but extremely. Yeah,
47:01
extremist. And I think that's
47:01
what it comes down to. I don't
47:04
think that's huge. There. I'm
47:04
not big on conspiracy theories,
47:07
because people talk and but
47:07
let's say there's some wider
47:12
winds going on overall, it's
47:12
just people taking advantage of
47:15
what they're seeing. And they're
47:15
telling people what they want to
47:18
hear. Yeah, so yeah, that could
47:18
be that's a whole different
47:22
story.
47:22
It is a whole
47:22
different topic, but it's an
47:24
interesting one, but it's a
47:24
whole different topic.
47:29
So you were with
47:29
public television, back in 1994,
47:35
when Tales of the City came out,
47:37
I think it was just
47:37
after Tales of the City. I think
47:40
tales came out in 93.
47:42
Okay, yeah. When
47:42
did you start? 94? Okay, so you
47:46
definitely felt the impact? Yes.
47:46
Because they were in serious
47:51
trouble after that happen? Well,
47:51
yeah. the Senate was ready to
47:54
yank out every penny.
47:56
Yeah. Well, you know,
47:56
the thing is for KQED, that the
48:01
money that people pay for taxes
48:01
that come to KQED is, in fact
48:06
that come to CPP or NPR is tiny,
48:06
it's very small and KQED had
48:12
never gets more than like, 10%
48:12
of our money from those sources.
48:17
So it was like, it wasn't as
48:17
scary for us. But there were a
48:22
lot of little stations that it
48:22
was a big threat to them to have
48:25
federal funding poll, but
48:25
thankfully, it wasn't. But there
48:28
was a lot of controversy that
48:28
with Marlon Riggs, the Tongues
48:32
Untied, that documentary about
48:32
African American gay men. That
48:36
got a lot of criticism. It was a
48:36
beautiful Doc, you know, and
48:40
Tales of the City really wasn't
48:40
that risque. As far as I was
48:43
concerned. It was great, but I
48:43
think it may have been the first
48:47
like romantic same sex like real
48:47
same sex kiss on TV that came
48:53
out of tales but it wasn't like
48:53
you know, graphic sex or
48:57
anything like that, but
48:59
okay, but it was
48:59
more than a kiss. We saw men
49:01
naked in bath houses. We saw
49:01
people openly doing drugs and
49:05
not done in a negative way. They
49:05
just did drugs and right now I'm
49:10
gonna disagree with you. I think
49:10
it was a I think was a big step.
49:14
Well, I don't I don't
49:14
remember naked men and bath
49:16
houses and Tales of the City. I
49:16
mean, not the original one. It
49:21
may have been Brad, I'm not
49:21
saying that you're wrong. I just
49:23
I don't remember that. I
49:23
remember that kiss. And I
49:26
remember because this is people
49:26
were still making appointment
49:30
TV. You were what everyone was
49:30
watching the same episode at the
49:33
same time. I remember getting
49:33
calls from straight friends
49:36
saying oh my god, there was a
49:36
gay kiss I TV so but I don't
49:41
remember all the rest of that
49:41
but but you could be right I
49:45
don't remember. We
49:46
watched it not too
49:46
long ago and I'm almost certain
49:50
there was some nudity because
49:50
the guy that played rocketeer
49:53
that does he both my husband and
49:53
I had crushes on him long ago
49:56
and I kept waiting for him to be
49:56
naked. It never happened very
50:02
But I think we're anticipating
50:02
that because there was other
50:04
nudity shown in the story, but
50:04
anyway, okay, it still was it
50:08
was still was way beyond its
50:08
years. Yes, it was. And what I
50:13
found interesting with that is
50:13
you and I've discussed this
50:16
before, that I remember growing
50:16
up PBS was opera symphonies. And
50:25
the whole reason that I recall,
50:25
saying there was public support
50:31
for public media was to protect
50:31
these classics that were going
50:40
away. And you'd be hard pressed
50:40
to find an opera on PBS these
50:46
days. It's changed dramatically,
50:46
we have Tales of the City and,
50:54
and I actually Saturday Night
50:54
Live did a really funny skit
50:59
years ago. And it was a it was
50:59
probably one of the biggest
51:02
routines I remember them doing.
51:02
I have not been able to find it
51:05
anywhere online. They had
51:05
flashing neon lights, they had
51:08
people singing and dancing. And
51:08
it was supposedly a PBS.
51:13
Commercial about we're not
51:13
stuffy anymore. And what made it
51:20
brilliant was the next week the
51:20
president of PBS came on and
51:24
assured the public, they are
51:24
stuffy and always will be
51:29
stuffy. Which made it even more
51:29
funny. Yeah. Do you ever see
51:36
going back to what I recall is
51:36
perfectly what I hear on as far
51:42
as NPR, public radio is almost
51:42
entirely news.
51:46
Yeah, yeah, for sure.
51:46
I mean, KQED is an all new
51:50
station. And do I see it going
51:50
back to like, are we talking
51:54
about NPR, PBS here?
51:56
Really? Kind of
51:56
both? But let's go with NPR.
51:59
Well, NPR is started
51:59
as a new service that stations
52:04
like KQED with just sort of feed
52:04
out to their public using this,
52:09
you know, the local signals.
52:09
But, you know, we do a lot of
52:13
local news and information
52:13
programming, I KQED. Public
52:17
Radio, I can't see that ever
52:17
changing. It used to be that
52:21
KQED ran on the radio, like a
52:21
lot of bluegrass and a lot of
52:26
you know, like you said up or a
52:26
different classical music. But I
52:30
can't see us going back to that
52:30
we've become too important as a
52:34
new source, just because some
52:34
we've lost so many reliable news
52:39
sources in the last 20 years.
52:39
And people turn rely on KQED in
52:44
Northern California, because
52:44
because there's no other real
52:49
source of that kind of intense
52:49
focus on local news and
52:53
information. So I don't think
52:53
for KQED there's no going back.
52:58
I will tell you
52:58
this in the podcasting world,
53:00
all the different groups and
53:00
that sort of thing when you talk
53:04
about podcasting, and you talk
53:04
about the cream of the crop, NPR
53:11
is always up there. Good. It's
53:11
always the kind of the crop. Now
53:14
I will argue that whether or not
53:14
they're actually podcasts,
53:17
because they are shows that
53:17
ended up being podcasting, like,
53:21
but there's still you can't deny
53:21
that beautifully done.
53:25
Well, I understand
53:25
what you mean about just turning
53:27
shows into his streaming audio
53:27
file, and that makes it a
53:31
podcast. I understand what
53:31
you're saying there. But we also
53:34
KQED produces a number of very
53:34
interesting podcasts that never
53:39
air so so we do have a podcast
53:39
inventory that is not just taken
53:45
from our on air shows, but a lot
53:45
our Yes, yes,
53:48
I agree with you.
53:48
There are I will say wait, wait,
53:51
don't tell me I love it every
53:51
week here. But then they put it
53:55
on his podcast and it is not a
53:55
podcast, but that's a whole
53:57
different. I'm glad they do
53:57
because I rarely can listen to
54:00
it when when it's on anyway. But
54:00
right. That's, that's a whole
54:03
different story. So the name of
54:03
the book is inherit the
54:06
lightning. Yes. And here it is
54:06
out now. By it.
54:11
Yeah, gave him at
54:11
bold strokes books. You can go
54:14
there if you don't want to go to
54:14
the you know, feed the gigantic
54:17
octopus, but it is available
54:17
every other place. So as of
54:22
today,
54:23
we know the big guy
54:23
as him but go to Bold Stroke
54:27
books.
54:28
Yeah, they would they
54:28
would love to have you online.
54:31
And if you know, like there's a
54:31
lot of a lot of writers at bold
54:35
strokes who are very
54:35
interesting, mostly LGBT, and
54:41
you know, you can find a lot of
54:41
interesting stuff there. So,
54:45
and I it is not an
54:45
exaggeration that we would not
54:49
see a lot of these outstanding
54:49
Authors, if it wasn't for some
54:53
of these small town presses.
54:54
3x true. Worth the
54:54
hell out of them. Yeah,
54:58
absolutely. Yeah,
54:59
well Thank you, but
54:59
it was great to have you on
55:01
again. I appreciate it.
55:03
Thank you, Brad. It
55:03
was a lot of fun to see you
55:05
again. And yeah, good luck with
55:05
everything. Oh, and
55:08
congratulations on being named
55:08
by BuzzFeed as one of the top
55:14
you have to you're gonna have to say that.
55:16
Well, it was one of
55:16
the top queer podcast as you go
55:23
about your queer day. I don't
55:23
know if I have that. Correct,
55:27
but it's pretty close.
55:28
But it's like one of
55:28
the top. It's like the top 20
55:31
podcasts. So it's like we're
55:31
really high up there.
55:34
Yes, yes. I do want
55:34
to do a shout out to my friends
55:37
over at the Big Gay fiction
55:37
podcast. They made the list. But
55:40
yes, they did. Good for you
55:40
guys, but I don't really care.
55:45
No, Jeff, and well have been
55:45
great to me from day one when I
55:48
started, but it was quite an
55:48
honor to be included on the list
55:52
with them. Yes, yeah, absolutely. So thank
55:52
you for mentioning that.
55:55
Yeah, you bet. So
55:55
yeah, thanks. Thanks for having
55:58
me again. Brad.
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