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Bud Gundy On His Newest Release, The History Of Alcatraz, And Working In Public Broadcasting

Bud Gundy On His Newest Release, The History Of Alcatraz, And Working In Public Broadcasting

Released Tuesday, 10th May 2022
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Bud Gundy On His Newest Release, The History Of Alcatraz, And Working In Public Broadcasting

Bud Gundy On His Newest Release, The History Of Alcatraz, And Working In Public Broadcasting

Bud Gundy On His Newest Release, The History Of Alcatraz, And Working In Public Broadcasting

Bud Gundy On His Newest Release, The History Of Alcatraz, And Working In Public Broadcasting

Tuesday, 10th May 2022
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0:00

So but two years

0:00

ago, you're on and we talked

0:03

about your book that actually

0:03

just released. But and we're

0:08

going to talk about that for

0:08

sure. But one of the other thing

0:11

we're going to talk about is you

0:11

won an Emmy for a special about

0:15

Alcatraz and the name escapes me

0:15

is that hidden island?

0:19

Hidden

0:19

Alcatraz

0:21

Lonely Island

0:21

hidden Alcatraz, and in 1969

0:25

Native Americans, which of

0:25

course, back then, the papers,

0:28

called them Indians, occupied

0:28

Alcatraz and I find that story

0:32

fascinating. So I'm going to ask

0:32

you a little bit about that,

0:34

too. But I want to go back to

0:34

your book, because two years

0:38

ago, when you were on this

0:38

podcast, you were talking about

0:41

The Accidental Prophet. And when

0:41

you were on you said you were

0:45

going to have a book coming up

0:45

at the end of that year, that

0:48

was two years ago. And you said

0:48

you're calling it Inherit the

0:52

Lightning, but you weren't quite

0:52

sure whether you're going to

0:57

keep that name or not. So it's

0:57

been a little more than two

1:00

years, but the book is book has

1:00

finally arrived. And we're going

1:04

to have a drumroll and you're

1:04

going to say what name you

1:07

finally chose for the novel.

1:14

Inherit the Lightning.

1:15

So you went with

1:15

Inherit the Lightning? I did. Is

1:18

there a particular reason why you did so

1:20

I just thought it

1:20

worked perfectly for the story.

1:22

It's the story is about an

1:22

inheritance. And the Lightning

1:25

has a double meaning because the

1:25

name of a location in the book

1:29

is called the lightning. It was

1:29

called that by the I have the

1:33

Tuscarora Indians name at

1:33

lightning mountain and you find

1:36

out why. In the book, what why

1:36

they chose that name because

1:40

nobody's really sure. But so it

1:40

has a double meaning it's the

1:44

lightning of a spirit, a certain

1:44

spirit, a confidence and then

1:48

the lightning the hill.

1:50

Okay, well, but it's going to tell us a little bit more about that and my

1:52

fascination of this Native

1:56

American occupation of Alcatraz

1:56

coming up right after this.

2:01

It's time to pit on

2:01

your sleuthing cap, feel

2:04

nailbiting dread and face heart

2:04

racing fear. This is Queer

2:08

Writers of Crime, where you'll

2:08

get book recommendations and

2:12

hear interviews with LGBTQ

2:12

authors of mystery, suspense and

2:17

thriller novels. Here's your

2:17

host, Brad Shreve,

2:22

the person I've been speaking with this bud Gundy. He is an executive

2:24

producer and on air host of

2:28

KQED, which is the PBS and NPR

2:28

stations in Northern California.

2:34

He is also a lambda Award

2:34

nominee, and is the recipient of

2:38

two Emmys. Congratulations on

2:38

those.

2:41

Thank you.

2:41

Yeah, and let me

2:41

change that. I hate it when

2:43

people say congratulations,

2:43

because you did not win a prize.

2:47

You earned them. So great job.

2:50

Thank you very much. I appreciate that.

2:52

I always try very

2:52

hard not to say congratulations.

2:54

Okay. So we're definitely going

2:54

to talk about the book. But the

2:59

reason I want to bring up this

2:59

Alcatraz, the thing is I love

3:02

San Francisco, used to live

3:02

about 80 miles from there. And I

3:06

was there every day because my

3:06

partner at the time worked in

3:09

the city. And I picked him up to

3:09

and from BART, and we spent a

3:13

lifetime in the city. I fell in

3:13

love with it. But I didn't fall

3:15

in love with was Fisherman's

3:15

Wharf. It's to put it lightly

3:21

touristy. Yes. Very touristy,

3:24

very artificial.

3:26

Yes, yes. And, you

3:26

know, it's like I tell people,

3:29

the Grand Canyon forgot to

3:29

Arizona, you gotta go to the

3:31

Grand Canyon, just to say you've

3:31

been there. Same thing with San

3:34

Francisco. If you go there, go

3:34

to Fisherman's Wharf, just to

3:37

say you've been there, but I

3:37

wouldn't suggest staying that

3:40

long. But one good thing about

3:40

Fisherman's Wharf is that is

3:45

where you catch the boats to go

3:45

to Alcatraz. And I wasn't that

3:51

interested in going to see

3:51

Alcatraz. I mean, granted, it

3:55

was a famous high security

3:55

prison. But I thought I was

3:59

gonna see trinkets and, you

3:59

know, little, it was gonna be a

4:03

tourist trap. And I was actually

4:03

pleasantly surprised that that

4:08

was not the case. I found it

4:08

fascinating. But I want to go a

4:12

little more into that since you

4:12

did the documentary about it.

4:17

But one thing I was really

4:17

interested in at first, I was

4:20

kind of offended. And that was

4:20

all the graffiti and the

4:24

scorched buildings. And then I

4:24

learned with the story behind

4:28

what those were, and I'm glad

4:28

they were there. It was because

4:33

Native Americans took over and

4:33

occupied Alcatraz starting in

4:38

1969. And I think very few

4:38

people in this country ever knew

4:43

this happened. Tell us about it

4:43

what you know about it. I know

4:47

that's not what your show is

4:47

about. But I'd like to hear what

4:49

you do know about it?

4:50

Well, I mean, of

4:50

course, the Indian occupation

4:54

was a major part of the doc

4:54

because that's a major part of

4:58

Alcatraz history, but it's It's

4:58

it has to do with a protest by

5:03

Richard Oakes. I think that was

5:03

the name of the leader. And they

5:07

were protesting the breaking of

5:07

the treaties with the various

5:11

tribes, not just on Alcatraz but

5:11

around the country. And there

5:14

was, I believe correctly, there

5:14

was no oh, boy, they there.

5:22

There was something in the

5:22

treaty with the Native Americans

5:26

that said that if it wasn't

5:26

being used, that they could have

5:31

it. And Alcatraz was just an

5:31

abandoned prison, but a very

5:34

high profile abandoned prison in

5:34

the center of San Francisco Bay.

5:39

And so they, a group of Native

5:39

Americans went out there and

5:43

they, they held the land, they

5:43

stayed on the island for a

5:46

couple of years. It didn't end

5:46

well. Unfortunately. I know

5:51

Richard Oakes, I believe one of

5:51

his daughters actually died

5:55

because they were living in the

5:55

ruins of the buildings where the

5:59

families of the prison guards

5:59

had lived when it was a federal

6:02

prison. And they were pretty

6:02

rundown if you went to Alcatraz,

6:07

right? You see how those

6:07

buildings are just dissolving

6:10

into the air. And that's kind of

6:10

it was a little better back

6:14

then, of course, but it was

6:14

still a abandoned property,

6:17

basically. And it was pretty

6:17

dangerous. But it really

6:20

galvanized Native Americans, it

6:20

really captured the attention of

6:23

the American public. I believe

6:23

that Richard Nixon even he was

6:29

very sympathetic to the Native

6:29

Americans to he was president at

6:32

the time, but and then it like I

6:32

said, it didn't end well. But it

6:36

did make its point. And that's

6:36

what you saw there with all the

6:39

graffiti, and that graffiti, by

6:39

the way, is very, very well

6:44

protected. They don't want that

6:44

graffiti. They want to maintain

6:48

that because it is such an

6:48

important part of the islands.

6:50

So

6:52

and now that you

6:52

reminded me I do remember

6:54

reading the treaty, as far as I

6:54

can understand treaties can go.

7:00

And to me, it was pretty clear

7:00

as day right that it should have

7:03

been handed over. Exactly. There

7:03

was no questions asked. And for

7:07

those that don't know, it's now

7:07

national parkland, and that's

7:11

what I presume it will remain

7:11

and what interests to do about

7:14

the island that made you want to

7:14

do the documentary?

7:17

Well, I mean, to be

7:17

quite honest, I was working at

7:20

KQED. And we wanted to do a

7:20

documentary about it. And I was

7:24

asked if I wanted to do it. And

7:24

I said, Yeah, of course I do.

7:26

And it was a really amazing

7:26

experience, we got to go into

7:31

all the areas where the public

7:31

can't go, because it's just

7:34

basically too dangerous. But we

7:34

were, it's a ranger guided tour.

7:39

So the Rangers take you around

7:39

the island in the doc are the

7:42

ones who are remaining there.

7:42

And this was some 20 years ago.

7:46

A lot of them have retired. But

7:46

it's it was it was a very

7:51

revealing because that location,

7:51

even if it's beautiful weather

7:55

in San Francisco, you're out in

7:55

the middle of the bay. It's not

7:57

that far. You course you can see

7:57

right to it. But that wind

8:01

coming it's like straight from

8:01

the Golden Gate and the wind is

8:04

flying through. And those

8:04

seagulls and the flies, it's

8:08

really, it's really a pretty,

8:08

pretty brutal environment. And I

8:14

know that the prisoners said

8:14

that they could hear there was a

8:18

I believe it's still there, like

8:18

a sort of a fancy Yacht Club.

8:22

And they could hear on New

8:22

Year's Eve, the people at the

8:25

fancy Yacht Club having a party

8:25

and they were sitting in their

8:28

cells on this freezing cold

8:28

island with the goals of the

8:32

flies. And so yeah, it's a

8:32

really fascinating place. It's

8:35

very spooky in a lot of ways,

8:35

but definitely, as you

8:38

mentioned, it definitely worth going to see.

8:41

I think it was in

8:41

fact, I'm almost certain it was

8:43

Jack London, who said and I'm

8:43

paraphrasing, the coldest day

8:48

I've ever felt was a summer day

8:48

in San Francisco.

8:51

It was the coldest

8:51

winter I ever had was a summer

8:56

in San Francisco.

8:57

Okay. Well, I had I was close.

9:00

And I and I think

9:00

there's some question about

9:02

whether he actually said that.

9:04

Well, yeah, you know, like, all the things are attributed to Mark Twain, right.

9:05

But still a pretty good quote,

9:10

because it's damn true. It is.

9:10

And I'll tell you what

9:13

fascinated me about going to the

9:13

prison. For those of you out

9:18

there who haven't been to prison

9:18

and I hope that most of you

9:22

television makes things look

9:22

bigger because they got to get

9:26

the cameras in there. But when

9:26

you go in that prison, those

9:30

cells are tiny, tiny, tiny,

9:30

tiny, tiny and the whole space

9:34

itself that they live in is was

9:34

very small. It was a it was a

9:38

rather dreary place to live.

9:40

Absolutely it was and

9:40

they will all I don't know what

9:44

the new guards are like there I

9:44

knew all the old guards there

9:47

are the you know the Rangers

9:47

rather and they they hate that

9:51

movie. Birdman of Alcatraz

9:51

because they say it is so false.

9:56

That guy was a sociopath. He was

9:56

a horrible human being And the

10:00

movie made him out to be this

10:00

very charming, lovely person.

10:03

But anyway.

10:07

Nobody wants to see

10:07

a psychopath taking care of

10:09

birds. Exactly right. Actually,

10:09

that might not be a bad movie,

10:14

it just be a totally different

10:14

story, it would be yes. Some

10:19

somebody should rewrite it.

10:21

Yeah. Tell them tell

10:21

the true story anyway.

10:27

You can get more

10:27

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10:30

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10:35

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10:39

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10:43

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10:46

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11:08

Alright, so let's

11:08

get right back to what we're

11:11

talking about, which is inherit

11:11

the lightning, which as I said,

11:15

the book has been out. This show

11:15

airs on May 10, which is the day

11:19

it becomes available on Amazon.

11:19

So it is available, you can go

11:25

to the publisher and buy it, you

11:25

can go to Amazon, publish it and

11:28

buy it. I just think Bud wants

11:28

you to buy this book. I highly

11:34

recommend it as well. Why when

11:34

you said it was going to take

11:39

and I'm not one to question

11:39

because I told my readers a book

11:43

was coming out two years ago,

11:43

and they're still hounding me

11:45

about it. But you said in 2020,

11:45

it was going to be out by the

11:49

end of the year. What took so

11:49

long?

11:52

Well, it was a huge,

11:52

unwieldy story. And I tried, I

11:58

had to figure out a number of

11:58

different elements. And I was

12:02

trying various ways of

12:02

presenting those, like the

12:05

inheritance issue. I was trying

12:05

to follow legal advice that I

12:09

got from lawyers about how you

12:09

would structure it and, and it

12:12

was like, very complex. And so I

12:12

decided eventually that that

12:17

wasn't working. So I took that

12:17

out. And I replaced it with I

12:20

think a more interesting plot

12:20

twist that reveals the the

12:25

character of Cooper, Cooper

12:25

tiller, who's the great

12:27

grandfather, and just in a

12:27

number of other ways I could go

12:31

on and on and on about how big

12:31

this story was, and how it took

12:36

a lot of time to carefully shave

12:36

and edit and shape the story. So

12:41

and I just didn't want to like,

12:41

put it out there before I had

12:44

any confidence in it. You know,

12:47

what I think a lot

12:47

of times when you start doing

12:49

research, you find either it's

12:49

going to take you down a very

12:53

long road to fully understand

12:53

it. Or it could just be boring,

12:58

you know, to to make people

12:58

understand the story, you're

13:01

gonna have to somehow make this

13:01

really boring legal crap.

13:07

Interesting,

13:08

right? Or at least

13:08

not so that you have to spend so

13:10

much time on it to explain it to

13:10

the reader. Right? He's so you

13:15

just have to simplify it. And

13:15

that's, that's what took me a

13:17

while to get to, for some of it.

13:17

So, yeah.

13:21

Do you ever read

13:21

James Michener Oh,

13:24

my God, I haven't read

13:24

Michener in years.

13:26

Now. I love James

13:26

Michener. But for those that

13:29

aren't from our, almost every

13:29

one of his books begins with the

13:34

formation of the Earth, right?

13:34

Because whatever. One books

13:39

takes takes place in Colorado

13:39

and how its held the settling of

13:42

the West. Another one, my

13:42

favorite is take place, settling

13:46

Chesapeake Bay and other Alaska,

13:46

and so on and so on. So we

13:49

started with the formation of

13:49

the earth, and then how that

13:53

particular area formed. And then

13:53

he gets into the native people

13:58

that live there, which all

13:58

that's conjecture. And I used

14:01

to, I used to try and read his

14:01

novels read, and I'm like, How

14:04

can anybody read this? And then

14:04

I learned, skip all that and go

14:09

right to where the story begins.

14:09

And his stories are great. So if

14:13

you ever want if you tried to

14:13

read a Michener or novel and you

14:15

couldn't do it, skip ahead to

14:15

where the story really begins.

14:19

And you may find it's a pretty fascinating story.

14:21

Yeah, I remember one

14:21

of his books. He started with

14:23

the were the dinosaurs who were

14:23

living at that particular

14:27

location. But But yeah, it was

14:27

yeah, you're right. He did that

14:31

a lot.

14:31

And actually think

14:31

the dinosaurs was Centennial,

14:34

which is the one that Colorado

14:34

yes, they actually made a made

14:39

for TV movie of that book, which

14:39

wasn't bad. It was pretty good.

14:45

Unlike Hawaii, which was a very

14:45

good book, but they turned it

14:51

into a musical and I may my god

14:51

I don't really have been fine

14:56

musical but other than the name

14:56

My end the fact that it was

15:01

based on his book, there's no

15:01

connection whatsoever to

15:06

Yeah, I remember when

15:06

Hawaii was on TV. Yeah,

15:10

there was a tiki

15:10

tiki movie. Anyway, there was a

15:13

song that drove me insane. Now

15:13

when

15:16

I think you're

15:16

getting South Pacific mixed up

15:18

with Hawaii, am I Yes, because

15:18

Hawaii had a very I remember the

15:23

ending of that. It was very

15:23

grim. It was all the, the, you

15:27

know, the native people, you

15:27

know, the indigenous

15:31

inhabitants, I guess, would want

15:31

to say, but yeah, it was it was

15:35

pretty sad ending. It wasn't a

15:35

happy musical. I think you're

15:37

confusing. Because that you're

15:37

thinking happy, happy, happy,

15:41

happy talk. That's Yes, that's

15:41

South Pacific. Okay. Don't put

15:47

don't don't put me singing on the air.

15:53

And as you were

15:53

talking, I pulled it up. South,

15:56

or South Pacific was based on a

15:56

Rodgers and Hammerstein Broadway

16:01

play. So yes, yes. Excuse me

16:01

that I will say who I was not

16:05

all that hot either. So yeah,

16:05

yeah, excuse me for confusing

16:10

the two. And thank you for

16:10

setting me straight. Now. I want

16:15

to go back and watch why and see

16:15

if it's as bad as I recall.

16:18

I mean, interested to

16:18

go back and watch Centennial

16:21

now, because I don't I'm not

16:21

sure if I even watched it when

16:24

it came out. But I remember

16:24

trying to read that book. But

16:26

yeah, I tried was the key word

16:26

there.

16:29

Yeah, it's pretty

16:29

good. It's pretty good. Okay. I

16:33

would say the miniseries is

16:33

good. But like I said, Don't

16:37

compare the movie with TV.

16:37

They're different mediums. Yeah,

16:40

just enjoy each on their own.

16:40

Yeah, this whole I've always

16:44

said I don't play the book is

16:44

better than the movie game

16:47

because it can't compare. You

16:47

can't take a 1000 page book and

16:54

make it into a two hour movie

16:54

and have it be the same.

16:56

Exactly. different mediums.

16:56

Yeah. Now when we talked about

17:01

the story before Coop, who was

17:01

the great grandpa was a great

17:06

grandfather, great, great grandfather,

17:08

great grandfather,

17:09

a great

17:09

grandfather, he had the

17:11

inheritance in the story spans

17:11

about 140 years. And when we

17:16

first talked,Coop was going to

17:16

be a very small, almost a

17:21

throwaway character, just to say

17:21

he has an inheritance. And that

17:25

was about it. That changed. And

17:25

he became a much bigger part of

17:31

the story. How did that come

17:31

about?

17:33

Well, so I Coop was

17:33

just actually never going to be

17:37

part of the story at all. He was

17:37

just going to be an old man in

17:41

a, you know, on the photos on

17:41

the the mantel and but the house

17:47

that the house had cube

17:47

commissioned back in 1920. He I

17:53

described it and a friend of

17:53

mine read that description and

17:55

said, I just need to know more

17:55

about this house. And so I tried

17:59

a variety of ways to talk about

17:59

the house and tell the story of

18:03

the house. And all of them were

18:03

horrible and contrived. And my

18:07

friend sent me that story. I

18:07

think it was by gosh, Virginia

18:13

Woolf may be about about the

18:13

ghosts wandering through the

18:16

house. But then she Virginia

18:16

Woolf had already done it right.

18:19

So I couldn't do it. And I tried

18:19

it from a number of different

18:22

ways. And I finally thought I

18:22

just need to know more about

18:26

Cooper who had this house built.

18:26

And I started writing his story.

18:31

I always thought, okay, he was

18:31

he owned a coal mine. And that's

18:33

where the fortune came from it

18:33

this sort of hidden fortune that

18:37

the Modern Family, they they

18:37

kind of wondered where it went

18:40

like was it all spent. Anyway,

18:40

Cooper had the house built. And

18:47

I had I realized I had to know

18:47

his story in order to talk about

18:50

the house. And the more I

18:50

started putting together the

18:54

story of Cooper tiller, the more

18:54

interesting he became. And then

18:58

the more I started studying that

18:58

period, he was born in 1880. I'd

19:02

always expected him to be the

19:02

owner of a coal mine, but I

19:06

decided that he was going to be

19:06

born really poor. And so how

19:10

does a poor farm boy end up

19:10

owning a coal mine? And how does

19:13

he know how to make it coal

19:13

mine? Profitable it which is a

19:18

very complicated story, but

19:18

again, very fascinating to me

19:24

anyway. And so when I started

19:24

doing, putting his character

19:30

sketch together, he just became

19:30

so interesting. And I knew he

19:34

had to be a major part of the

19:34

book. Was he ruthless?

19:37

Initially, I planned him to be

19:37

just sort of Yeah, like this

19:40

gruff, stereotypical, very

19:40

wealthy businessman from the

19:45

turn of the 20th century. But

19:45

that was just boring. You know,

19:50

it was just such a stereotype.

19:50

And I wanted him to be a lot, a

19:55

lot more interesting as a

19:55

character. And then, as I did

19:58

that, I saw ways I could make

19:58

him more interesting and more

20:01

interesting and more

20:01

interesting. And so no, I don't

20:04

think he's ruthless. I think

20:04

he's a very good person. He has

20:07

his flaws for sure. But he's not

20:07

ruthless.

20:11

And I'll tell you

20:11

it the ruthlessness is a

20:14

stereotype. It's actually for

20:14

good reason. I, I really love to

20:17

study US history from basically

20:17

1800 to 1900. Because it's

20:24

amazing. I mean, we think there

20:24

have been amazing changes since

20:26

the 1900s. Today, and, and there

20:26

were, but that was a really

20:31

interesting time period for the

20:31

country just because it was such

20:34

a new new country and was really

20:34

on the precipice of collapsing a

20:39

lot. And when they I found

20:39

interesting are people like farm

20:44

boys who became

20:44

multimillionaires one way or

20:48

another? And they were all

20:48

pretty not nice people. Yeah,

20:54

the Vanderbilts were not the

20:54

sweetest people. And there's the

20:58

railroad barons, I could go on

20:58

and on, right, I'm sure there

21:01

was some some great folks. Even

21:01

Andrew Carnegie, who was nice

21:03

enough to build a library in

21:03

every town across the country.

21:06

wasn't such a nice guy. I guess

21:06

later, he decided to give some

21:10

people some books, but you Yeah.

21:10

So yeah, I agree with you. It

21:16

probably wasn't a good idea,

21:16

because there's a stereotype.

21:18

But as I say, many types, many

21:18

times stereotypes do exist for a

21:23

reason at times.

21:24

Exactly. Yeah, I'm

21:24

aware of that, too. But I coupe

21:27

was just, I was too fond of him

21:27

to make him just that kind of a

21:30

character. So

21:32

well, let's go

21:32

beyond the blurb. And aside from

21:36

what you were going to read, in

21:36

online about the story, give us

21:41

as be as much beyond that as you

21:41

can, obviously without telling

21:47

us the whole damn thing,

21:48

right. So you know,

21:48

it's it's about Darcy Darcy is

21:54

the great grandson in the modern

21:54

day, and Darcy's grandmother has

21:59

just died. And her death, it

21:59

turns out, released the, the

22:06

state the inheritance. And so

22:06

Darcy and his sisters, discover

22:10

that they are about to inherit

22:10

this immense fortune that Cooper

22:14

Tiller left if he structured his

22:14

will, in such a way, as I said,

22:18

and there's a reason for that,

22:18

too. And so, but there's

22:21

somebody else in New York City

22:21

saying no, actually, I own this

22:24

estate. And so who is this

22:24

person? How do they relate to

22:29

the family like what they've

22:29

been waiting for this money

22:32

their whole lives, they just

22:32

kind of assumed it was gone.

22:35

Like maybe it wasn't as much

22:35

money as they expected, and it

22:38

didn't spent, but they coop sets

22:38

out, or Darcy rather sets out to

22:45

find this man. And he it leads

22:45

him to he doesn't follow the

22:51

clues necessarily to find out

22:51

about his great grandfather's

22:54

life. But it leads him to people

22:54

who can tell him about his great

22:58

grandfather, and he doesn't make

22:58

some discoveries of his own. But

23:02

Darcy never knew anything about

23:02

Cooper, you know, he just was

23:05

the old man and pictures. And

23:05

he's amazed by the story that he

23:10

learns about his great

23:10

grandfather and the reality of

23:12

his life. And that because Darcy

23:12

and Cooper are very similar,

23:17

although neither, you know,

23:17

Cooper died, you know, a good

23:21

2030 years before Darcy was

23:21

born. And Darcy is not aware of

23:26

his similarities to his great

23:26

grandfather, but I had a lot of

23:29

fun writing them separately, and

23:29

then tying them together in

23:34

these really interesting ways.

23:34

So for example, one thing Darcy

23:39

has a very instant connection

23:39

with animals. Well, he doesn't

23:43

know that. But he he inherited

23:43

that from coop. So you know,

23:48

it's just like fun things like

23:48

that. But also more important

23:50

there. They're both very

23:50

confident of their ability to

23:54

conquer skills. But they both

23:54

have very little faith in their

24:00

emotional inert life. And they

24:00

have a very hard time with

24:05

relationships and love. So Well,

24:08

part of the story

24:08

with Darcy learning things about

24:12

coop as the story goes along.

24:12

The story is nonlinear. Correct?

24:16

Yeah. Which sometimes is

24:16

difficult for me, but when it's

24:20

done well, that's the way you do

24:20

I really enjoy it. And best I

24:24

can do think of movies as to

24:24

movies. I like Pulp Fiction is

24:28

one of my all time favorite. And

24:28

then there's one I think I'm one

24:31

of the few people that like it,

24:31

it's a book called go or a movie

24:34

called Go which really kind of

24:34

was a rip off of of Pulp

24:38

Fiction, but I still like it.

24:38

And they are nonlinear. I liked

24:43

the way they did it. But was did

24:43

you plan on being there that way

24:50

or did again just as coop

24:50

developed, happen?

24:54

It just happened but

24:54

it you know when you say that in

24:58

linear it's true that we go back

24:58

and forth in Time. For the end,

25:02

there's a little bit of time

25:02

shifting within this the the two

25:05

parallel stories itself

25:05

themselves, but, but I think you

25:11

can follow the progression of

25:11

each of the characters fairly

25:14

easily. So, but I didn't want to

25:14

do this again, Brad, I'm

25:18

constantly doing this with my

25:18

characters, older characters,

25:22

younger characters parallel

25:22

stories. And I don't, I never

25:26

set out to do that, in fact, but

25:26

I'm aware now that this is my

25:31

preferred style of writing. And

25:31

I intentionally set out to not

25:36

write this story this way. But I

25:36

could not just leave coop, I had

25:40

to, I had to write about it. So.

25:42

And that's really

25:42

interesting, because the last

25:44

time that you were on this show,

25:44

we talked about the fact that

25:48

you enjoy writing

25:48

intergenerational stories. Yeah.

25:51

And while this is a case where

25:51

Darcy and Koop didn't know each

25:56

other, it was still very much an

25:56

intergenerational story. And are

26:00

you thinking that it sounds

26:00

almost like you just said,

26:03

you're kind of saying that's the

26:03

path you're going to take? Well,

26:07

maybe not all the time. But

26:08

yeah, I mean, I enjoy

26:08

doing it, because I love weaving

26:12

these generations together. And

26:12

I think we, you know, these,

26:16

these things that happen in the

26:16

past have an influence on us

26:19

that we're not even aware of

26:19

most of the time. And I find it

26:22

really, I, you know, I've

26:22

discovered some things in my own

26:25

life about my own grandmother.

26:25

And the way my dad acted, my dad

26:29

was had a very big terror of his

26:29

children being in water. And

26:34

then I found out my dad died,

26:34

probably by 2008. And I found

26:40

out just a couple of years ago

26:40

that my grandmother, his mother,

26:43

her older brother, had drowned

26:43

in like, 1907 or something. And

26:50

so I think, Oh, my God, like,

26:50

that's where my dad got the

26:53

terror of water. He got it from

26:53

his mom whose brother drowned.

26:57

So you know, it's just like, I

26:57

love exploring those kinds of

27:00

connections. So, but I'm really

27:00

going to try and not do it for

27:05

this next one. In fact, I really

27:05

don't see how I could actually.

27:11

You're gonna have to have your husband hold your hands when you start to go that

27:12

route? Yes. So are you kind of

27:20

big on ancestry?

27:21

Well, I mean, I

27:21

wouldn't say that I'm big on it.

27:24

No, I'm just fascinated by the

27:24

past. And I'm fascinated by the

27:27

way the past influences us.

27:27

Yeah. I don't know what you

27:30

mean, specifically by ancestry.

27:30

So I mean, like, do I study my

27:36

own? Yeah. Oh, I would say no, I

27:36

know, that people my family

27:41

have. And there are some

27:41

interesting question marks

27:45

there. We don't we're not really

27:45

sure who my grandfather was. on

27:48

my mom's side. But, and there's

27:48

some reasons for that. But in

27:52

the story, my mom told me all

27:52

her life until she was like in

27:55

her 90s, and finally revealed

27:55

the truth was not the truth. And

28:00

so but I haven't studied that.

28:00

No,

28:02

well, it is amazing. Some of the things that come up. My husband, Maurice is

28:04

very interested in ancestral

28:10

history. And his is very

28:10

different, difficult, because

28:13

he, his family's Creole. So you

28:13

had that era where the French

28:18

elite in New Orleans may have

28:18

had a black wife per se, but she

28:25

was not allowed to be part of

28:25

society. And then once he

28:28

married, she just kind of tossed

28:28

aside there. That all history is

28:32

kind of hard. And plus, it was a

28:32

very poor area, so that history

28:37

is kind of hard to, to dig up.

28:37

But in the process, he's he's

28:40

dug up a lot of my history and

28:40

like, he'll put one of my

28:43

ancestors in there and then just

28:43

explode Boom. Oh, there's this

28:48

tie in with all these other

28:48

ancestors that he's absolutely

28:51

fascinated by for my family's

28:51

past. I'm like, Oh, okay. But

28:58

there are interesting things

28:58

like I, you know, I found out my

29:00

grandmother was not my

29:00

grandmother, and my aunt and

29:02

uncle. Were not my aunt and

29:02

uncle. Yeah. Life is very.

29:07

Right. And so that has gotten me

29:07

a little more interested than I

29:10

would have been. But

29:13

yeah, yes. That

29:13

discovery about my grandfather

29:15

was pretty amazing. Because my

29:15

mom had always told us that he

29:20

died right before she was born.

29:20

But it turns out, and then

29:25

nobody's quite sure who he was

29:25

and when he died or anything,

29:29

so.

29:30

Yeah. Well, you're

29:30

more you can tell us about

29:33

Darcy.

29:34

Yeah, well, Darcy is

29:34

a an interesting character. He's

29:39

one of these guys who moved to

29:39

San Francisco when he's a young

29:44

and because he's very interested

29:44

in the idea of living in a city

29:47

with a lot of gay man, because

29:47

it's a place for him to go party

29:51

and meet guys and have a lot of

29:51

sex. But guys like that can burn

29:55

out. I mean, I'm not saying that

29:55

they don't have a good life, you

29:59

know, for the Part of years and

29:59

maybe some of them make it into

30:02

something more substantial later

30:02

in life, but they can, they can

30:07

wake up one day. I've seen this

30:07

happen several times here in San

30:10

Francisco where a guy wakes up

30:10

and it's like, oh, shit, you

30:14

know, he's a lot closer to 40

30:14

than he used to 20. He's a lot

30:17

closer to 50. Even then he is.

30:17

And all he's been doing this

30:21

whole time is partying, he's got

30:21

no money. He's, you know, he's

30:25

got a dead end job. And he

30:25

panics and then he gets out of

30:29

town. And I've seen that happen

30:29

several times to some of my

30:32

friends. And so I think he has

30:32

that kind of an interesting

30:38

background. I had a lot in there

30:38

about his family and his

30:42

relationship with his sisters.

30:42

But I took a lot of that out

30:45

because I don't know how Jane

30:45

Austen wrote Pride and Prejudice

30:50

with five sisters and made it

30:50

work. I just, I just don't be

30:55

it's it's so hard to juggle

30:55

those characters. And people

30:58

were very confused by them. So I

30:58

ended up taking a lot of that

31:01

out and shortening that story

31:01

substantially. So but he's a

31:05

he's an interesting guy, too.

31:05

But, but he his his

31:09

accomplishments are good for

31:09

him. You know, he and he does

31:14

manage to support himself for a

31:14

while anyway. But they're

31:17

nothing at all as expansive as

31:17

what coop experience, but coop

31:22

got lucky because of where he

31:22

ended up. So

31:25

I don't know why

31:25

you keep reminding me of old

31:27

movies. But you are. I don't

31:27

know if you remember. Lifeguard

31:33

I think it was 1976 had Sam

31:33

Elliot in it.

31:37

Oh, God, I don't

31:37

think I ever saw that movie. But

31:40

yes, I remember it like, Oh, my

31:40

God is having such a huge crush

31:44

on San Elliot.

31:47

As I recall, it

31:47

wasn't a very good movie. But

31:50

the reason why he made me think

31:50

about it is Sam Elliott wakes up

31:55

one day and realizes he's kind

31:55

of this middle aged guy who's

31:59

still a lifeguard. And you know,

31:59

you can't be a lifeguard when

32:03

you're 70. So what are you gonna

32:03

do with your life? And what

32:07

you're talking about, like some

32:07

of the, I don't want to say

32:10

circuit, guys, but some of the

32:10

guys that are partiers and have

32:14

a great time. Large number of

32:14

them do that for a few years,

32:18

and they go out, you know, get

32:18

their fun out and go on with

32:21

their life. But the ones that

32:21

stay that way. Like you said,

32:23

it's like one day they realize

32:23

like, No, I'm driving an ice

32:27

cream truck. Right? Yeah. Yeah.

32:27

It's sad to see that happen.

32:33

Yeah. Well, yeah. And

32:33

it was sad that Sam Elliott said

32:36

that thing about the power of

32:36

the dog, I really was

32:39

disappointed. I was like, Are

32:39

you? Did you hear about that? He

32:42

was complaining about that

32:42

movie? No, he said it was like

32:45

to gay or something like that.

32:45

And it was like, Sam Elliot,

32:49

come on, like all of these gay

32:49

boys, who were your you know,

32:52

who were madly in love with you

32:52

in the 70s. He did apologize for

32:56

it later, but I was still disappointed in

32:58

him. I think actors

32:58

have gotten much smarter. Ryan

33:04

Reynolds, who? I have no doubt

33:04

he's straight. But I could be

33:08

wrong. He knows how to play that

33:08

up. And he plays it a big time.

33:13

Yeah. And I don't think in the

33:13

70s they were as likely to do

33:16

that. Well,

33:17

no, they weren't. But

33:17

he didn't say this in the 70s.

33:19

He said this, like last, you

33:19

know, in the last few months. So

33:24

it was like, Yeah, I mean, he

33:24

probably wouldn't have really

33:27

been aware of it in the 70s. But

33:27

he should be aware of it by now

33:30

for God's sake. So

33:32

he was maybe older mentality.

33:34

Maybe maybe because

33:34

he was super hot.

33:37

Oh, yes, he was.

33:37

And I'm going to totally throw

33:41

us off the rails here because I

33:41

have to tell my Ryan Reynolds

33:45

story. Okay. My husband Maurice,

33:45

and I were driving through Santa

33:48

Monica, and we stopped at a stop

33:48

sign. And going across the

33:53

crosswalk was Ryan Reynolds. And

33:53

of course, we flipped out and I

33:59

haven't lived in LA this long.

33:59

It's very rare that a celebrity

34:04

I'll even bat an eye. Oh, Ryan

34:04

has a different story. I've been

34:07

wanting to get into his pants

34:07

for years. So to be quite

34:11

honest, but he had this little

34:11

fluffy dog he was walking and we

34:15

looked at each other and we're

34:15

like, oh my God, he's gay.

34:21

Sadly, it was a few months later

34:21

that I saw him in Alanis

34:25

Morrisette back when they were

34:25

together, playing with a dog and

34:28

it was a Alanis Morrisette's dog

34:28

for a few months. I got to

34:32

believe that not that every

34:32

street man that has a fluffy not

34:36

that every man that has a fluffy

34:36

dog is gay or in my mind went to

34:39

exactly where I want it to go.

34:39

So for those few months, my

34:43

fantasy was was thoroughly

34:43

enjoyed.

34:47

I have to look Ryan

34:47

Reynolds up I don't know who he

34:49

is to be quite well, I know the

34:49

name but I just yeah, I'm not

34:54

really up on celebrity culture

34:54

to be quite honest. I mean, I

34:57

don't mean that in any kind of

34:57

snobby way. I just I am busy.

35:01

I will only tell

35:01

tell you this there are a lot of

35:07

incredibly attractive men in

35:07

this world. Ryan is not only

35:12

attractive. He is hysterically

35:12

funny and damn charming.

35:16

Okay, three to three together. I don't

35:16

know how they could not love

35:19

him. Okay Yeah. Yeah, if he was an

35:22

asshole. It'd be a whole

35:25

different. I'd say there's a hot

35:25

looking asshole. But he's the

35:29

total package in my opinion.

35:29

Okay, great. So Darcy has had I

35:36

don't know about love interest

35:36

that he has. He longs for Jake

35:42

tester. Right. Right. Who is

35:42

Jake and tell us tell us about

35:46

that little entanglement there?

35:47

Well, Jake is his

35:47

grandmother's gardener who keeps

35:51

this gigantic lancha grandmother

35:51

grows up and lives her whole

35:55

life. It turns out in the house

35:55

that coop built, but Jake is the

36:01

gardener Darcy has the hots for

36:01

him the first time they saw each

36:04

other. Darcy thought, oh my god,

36:04

we had this connection. But then

36:08

like Jake was suddenly gone. And

36:08

Darcy was just visiting. So he

36:12

went back to San Francisco. But

36:12

so he's kind of been standoffish

36:17

with Jake for a while. He's

36:17

still the gardener. And he's

36:19

still taking care of his

36:19

grandmother's lawn, even though

36:21

she's just died. So that he he

36:21

decides because he's having this

36:27

moment of like, I'm gonna go out

36:27

and find who is trying to take

36:30

away our inheritance. And he's

36:30

just feeling this moment of

36:33

determination. And he makes a

36:33

pass at Jake, and then Jake

36:36

accepts it. So that's that's who

36:36

the J character is. But there's

36:39

some complications there. And it

36:39

is through coop coop story that

36:46

Darcy eventually learns to maybe

36:46

open up with a Jake and and

36:52

maybe try to make something of

36:52

so. So it has a hopeful

36:57

ending. Please tell

36:57

me that Kook doesn't come back

36:59

from the dead and tries to get in the way.

37:01

He does not know.

37:04

We're not talking to parents. And I have no problem a paranormal this right?

37:06

Yep. It just doesn't sound

37:09

paranormal. Yeah, I kind of knew

37:09

the answer to that one before.

37:14

You did one interesting thing.

37:14

And it's not a huge part of the

37:18

story. But there has been major,

37:18

major debate in writers groups,

37:24

and even in readers group. And

37:24

that concerns COVID. Writers are

37:31

telling me I think most writers

37:31

are telling me they're gonna

37:34

ignore it, at least for now.

37:34

Because they don't think people

37:36

want to hear it. Maybe down the

37:36

road, they will. And they're

37:39

either skipping the years over

37:39

COVID, or they're just writing

37:42

like it doesn't exist. Readers

37:42

are kind of conflicted as well.

37:46

They think, well, it's part of

37:46

history should be there. And I

37:49

had actually a one time one now

37:49

I've had two separate readers

37:54

say, we don't want to see COVID

37:54

In your book. In fact, one I

37:58

don't know where she got the

37:58

idea. She said, I'm sorry,

38:00

Brett, I love your books, I will

38:00

not be able to read the next

38:03

one. Because you said COVID is

38:03

going to be in there. And I'm

38:05

like, I don't know when the hell

38:05

I ever said that. But no, I

38:09

don't, I probably won't be. But

38:09

you made the choice to put it in

38:12

there. Why? Well,

38:14

because of the

38:14

timing. So his grandmother was

38:19

Grandma Millie who just died was

38:19

getting pretty old. So I really

38:25

couldn't push it too much into

38:25

the future. And it was also a

38:30

good plot element because it's

38:30

Darcy's parents died of COVID,

38:34

the first summer of COVID. And

38:34

it just kind of worked out. And

38:38

but that's the extent of COVID.

38:38

Will also Darcy loses his job in

38:43

San Francisco because of COVID.

38:43

And he has to move back. But he

38:46

was going to move back anyway to

38:46

help his grandma. But so it's an

38:51

element in there. I can

38:51

understand people being sick of

38:54

it at this point. But there's

38:54

there's gonna be a lot of

38:57

stories about these these paths.

38:57

Coming out, it may take a few

39:02

years before somebody writes the

39:02

right one. But yeah,

39:06

somebody suggested

39:06

to me I can't remember who was

39:09

he wasn't writer. He said, I

39:09

think a good idea for you.

39:13

Actually, it was a different

39:13

podcast that I was on. But it

39:16

had nothing to do with writing.

39:16

It was personal stuff. And he

39:19

said, I think you should write a

39:19

story about COVID Now, while

39:25

it's fresh in your head, but

39:25

don't release it for 10 years.

39:28

Oh, interesting that that. I

39:28

said that's a good idea. Yeah.

39:32

Cuz then, you know, 10 years, we

39:32

might be used ready to read it.

39:35

And now it's fresh in my head.

39:35

But I don't know. I don't know

39:37

if I'm in the mood to write about it.

39:39

Yeah, I think we're

39:39

all just ready to move on.

39:41

Right? Yeah. Like really ready

39:41

to move on?

39:47

Yes. Yeah,

39:47

absolutely. Now, the last time

39:50

you were on, we talked about you

39:50

working in production for PBS.

39:57

And I asked you about writing

39:57

and you use that there wasn't

40:00

really a transition from writing

40:00

to television because you kind

40:06

of always knew you wanted to be

40:06

a writer. Knowing that you

40:10

wanted to be a writer, why did

40:10

you choose to major in political

40:14

science in college? Which seems

40:14

like it would be more of what

40:18

would have drawn you to television?

40:20

Well, so I, when I

40:20

was God, I was 20 years old. I

40:26

was very persistent about

40:28

five years ago.

40:31

Add a few decades to

40:31

that. But I was very persistent.

40:36

I, I interviewed for this job at

40:36

the local NBC affiliate in

40:40

Cleveland, Wk yc. And at the

40:40

time, it was the Oh, no. So it

40:45

was owned directly by NBC. But I

40:45

spent every week I called and

40:51

asked for an update on if they

40:51

were going to have a position

40:55

for me. And after a year, they

40:55

finally hired me, and I was

40:59

already I was a sophomore, at

40:59

least in college. And at that

41:06

point, like the, the college was

41:06

not a career path for me

41:11

anymore, because I was worried I

41:11

was on my career path at work.

41:14

So I thought, I'll just study

41:14

anything I'm interested in. So

41:18

that's why it took me an extra

41:18

year to finish because I changed

41:21

majors a number of times, and I

41:21

ended up I was very, very

41:24

interested in in politics back

41:24

then. And super interested in

41:28

Middle Eastern politics. And so

41:28

that's what I studied. And it

41:33

was just because I had the

41:33

luxury of studying something I

41:37

was interested in.

41:38

So you've ended up

41:38

in public television and Public

41:41

Radio. Do you think that you

41:41

enjoy that more than you would

41:46

in commercial?

41:48

Oh, no question, w

41:49

hy, and why is that?

41:50

No question about it.

41:50

Because the in commercial

41:53

television it was, I was working

41:53

in news, right. So it's not like

41:57

I was right working for

41:57

entertainment. I was working for

42:00

NBC News. And I don't know if I

42:00

should say, the network. But but

42:07

but the the commitment there was

42:07

to the ratings, it was just all

42:11

about ratings. And they serving

42:11

the audience with information

42:16

with interesting shows, with

42:16

things that to engage them

42:20

intellectually treating them

42:20

with respect. Those things

42:24

didn't exist, at least what what

42:24

I saw they weren't there. And

42:29

when I went to PBS, and NPR,

42:29

this was a several years after I

42:33

left NBC, I had sort of a foray

42:33

back into television. When I

42:38

moved to San Francisco, I did

42:38

some I was a print reporter.

42:41

Thank God, I didn't I got out of

42:41

that. I'd be homeless by now.

42:44

But and then I was doing

42:44

marketing and but you know, I

42:49

just as soon as I walked into

42:49

those doors at KQED, it was all

42:54

about like, what, what is

42:54

interesting and informative for

42:59

our audience, it was all about

42:59

serving the audience. I mean,

43:02

that all the time. But most of

43:02

the time, that was what was

43:06

driving us, it still is. And

43:06

that I love that environment. I

43:11

really hated the way in

43:11

commercial TV the audience was,

43:16

people were contemptuous of the

43:16

audience. I saw. Why are you so

43:20

contemptuous of these people?

43:20

Like why do you call them these

43:24

names? They're, you know,

43:24

they're our audience for God's

43:27

sake. And that that atmosphere

43:27

does not exist at PBS and NPR,

43:31

at least doesn't that I've seen?

43:33

Well, I don't know

43:33

what time period it was that you

43:36

got involved in public

43:36

television. But I remember back

43:42

when networks had a news

43:42

division, and an entertainment

43:48

division, right. And I can't

43:48

remember what never, I'm gonna

43:53

say NBC, but I don't know for a

43:53

fact I probably shouldn't even

43:55

mention their name. I remember

43:55

one of the networks was the

43:58

first to announce as a cost

43:58

saving measure, measure. We're

44:03

going to combine the two

44:03

divisions together. And that is

44:07

really when I think we saw

44:07

things spiral downward. There's,

44:13

there's no such thing as

44:13

unbiased news. Because just

44:17

deciding what shows are

44:17

newsworthy or what stories are

44:21

newsworthy, there's a biased in

44:21

there, but you certainly can do

44:24

the best you can. Right. And I

44:24

think back then they used to and

44:27

that's not true anymore. No, it

44:27

isn't. Not in any kind of shape

44:31

or form. So it is sad to have

44:31

seen that happen in especially

44:35

nowadays. I mean, nobody's

44:35

learning anything if you if

44:39

you're liberal, liberal, you

44:39

watch Rachel Maddow, and that's

44:42

who all you watch and if you're

44:42

conservative and even crazy

44:46

conservative watch Tucker

44:46

Carlson then that's your only

44:49

listening to what you want to

44:49

hear. And I don't think that's

44:54

healthy.

44:55

No, there's a lot

44:55

that's not healthy going on

44:57

right now. I mean, I just said

44:57

If you're just a little bit

45:01

there, I think that people if

45:01

you're conservative, you only

45:05

listen to conservative news. I

45:05

don't. I think that people were

45:09

conditioned to listen to what

45:09

they want to hear. I don't think

45:13

that it's gravitated towards

45:13

anything. I think they were

45:16

conditioned for what they

45:16

wanted. And I don't know, I'm

45:20

not explaining this. Well, I

45:20

haven't thought it through very

45:22

carefully. But I think that it

45:22

doesn't mean because you watch

45:26

Tucker Carlson that you're like,

45:26

down the line it Republican and

45:29

you all support Republicans, and

45:29

you support Trump. And it

45:33

doesn't mean that like, there's

45:33

still a lot. It's even like Q

45:37

anon and all these crazy

45:37

conspiracy theories that are

45:40

going on today. I think we make

45:40

a mistake when we write those

45:43

people off, because a lot of

45:43

those people aren't even

45:47

particularly political. It seems

45:47

kind of crazy. But that's the

45:50

truth. They're just not. And not

45:50

I'm not saying that the leaders

45:55

aren't. But I'm saying that the

45:55

people who are involved and then

45:58

wrapped up in these things,

45:58

they're not as political maybe

46:01

as we think they are. I think

46:01

they just, it's just kind of a

46:05

group dynamics, tribal, tribal

46:05

politics, you know, and I think

46:11

that they are still very

46:11

reachable. I'm not that I have

46:14

the insight and knowledge to

46:14

reach them. But they are, and I

46:19

think we should be trying to. So

46:22

in actually Dharma

46:22

Kelleher and I talked about that

46:24

last week that regardless of

46:24

what kind of let's see, the

46:29

leaders have particular parties

46:29

are people, the general public

46:34

or just connecting with people

46:34

that feel the way they do,

46:37

right. And it's, it's not

46:37

particularly news that they just

46:41

like comfort, there's that

46:41

comfort level of, you know,

46:44

your, regardless of what side of

46:44

the aisle you're on, I'm not

46:47

gonna go there. But we're more

46:47

comfortable with people that

46:50

think like us. And I think

46:50

people tend on both sides,

46:52

they'll tend to be thinking a

46:52

lot more radical, for lack of

46:57

better word. I hate to use that

46:57

word, but extremely. Yeah,

47:01

extremist. And I think that's

47:01

what it comes down to. I don't

47:04

think that's huge. There. I'm

47:04

not big on conspiracy theories,

47:07

because people talk and but

47:07

let's say there's some wider

47:12

winds going on overall, it's

47:12

just people taking advantage of

47:15

what they're seeing. And they're

47:15

telling people what they want to

47:18

hear. Yeah, so yeah, that could

47:18

be that's a whole different

47:22

story.

47:22

It is a whole

47:22

different topic, but it's an

47:24

interesting one, but it's a

47:24

whole different topic.

47:29

So you were with

47:29

public television, back in 1994,

47:35

when Tales of the City came out,

47:37

I think it was just

47:37

after Tales of the City. I think

47:40

tales came out in 93.

47:42

Okay, yeah. When

47:42

did you start? 94? Okay, so you

47:46

definitely felt the impact? Yes.

47:46

Because they were in serious

47:51

trouble after that happen? Well,

47:51

yeah. the Senate was ready to

47:54

yank out every penny.

47:56

Yeah. Well, you know,

47:56

the thing is for KQED, that the

48:01

money that people pay for taxes

48:01

that come to KQED is, in fact

48:06

that come to CPP or NPR is tiny,

48:06

it's very small and KQED had

48:12

never gets more than like, 10%

48:12

of our money from those sources.

48:17

So it was like, it wasn't as

48:17

scary for us. But there were a

48:22

lot of little stations that it

48:22

was a big threat to them to have

48:25

federal funding poll, but

48:25

thankfully, it wasn't. But there

48:28

was a lot of controversy that

48:28

with Marlon Riggs, the Tongues

48:32

Untied, that documentary about

48:32

African American gay men. That

48:36

got a lot of criticism. It was a

48:36

beautiful Doc, you know, and

48:40

Tales of the City really wasn't

48:40

that risque. As far as I was

48:43

concerned. It was great, but I

48:43

think it may have been the first

48:47

like romantic same sex like real

48:47

same sex kiss on TV that came

48:53

out of tales but it wasn't like

48:53

you know, graphic sex or

48:57

anything like that, but

48:59

okay, but it was

48:59

more than a kiss. We saw men

49:01

naked in bath houses. We saw

49:01

people openly doing drugs and

49:05

not done in a negative way. They

49:05

just did drugs and right now I'm

49:10

gonna disagree with you. I think

49:10

it was a I think was a big step.

49:14

Well, I don't I don't

49:14

remember naked men and bath

49:16

houses and Tales of the City. I

49:16

mean, not the original one. It

49:21

may have been Brad, I'm not

49:21

saying that you're wrong. I just

49:23

I don't remember that. I

49:23

remember that kiss. And I

49:26

remember because this is people

49:26

were still making appointment

49:30

TV. You were what everyone was

49:30

watching the same episode at the

49:33

same time. I remember getting

49:33

calls from straight friends

49:36

saying oh my god, there was a

49:36

gay kiss I TV so but I don't

49:41

remember all the rest of that

49:41

but but you could be right I

49:45

don't remember. We

49:46

watched it not too

49:46

long ago and I'm almost certain

49:50

there was some nudity because

49:50

the guy that played rocketeer

49:53

that does he both my husband and

49:53

I had crushes on him long ago

49:56

and I kept waiting for him to be

49:56

naked. It never happened very

50:02

But I think we're anticipating

50:02

that because there was other

50:04

nudity shown in the story, but

50:04

anyway, okay, it still was it

50:08

was still was way beyond its

50:08

years. Yes, it was. And what I

50:13

found interesting with that is

50:13

you and I've discussed this

50:16

before, that I remember growing

50:16

up PBS was opera symphonies. And

50:25

the whole reason that I recall,

50:25

saying there was public support

50:31

for public media was to protect

50:31

these classics that were going

50:40

away. And you'd be hard pressed

50:40

to find an opera on PBS these

50:46

days. It's changed dramatically,

50:46

we have Tales of the City and,

50:54

and I actually Saturday Night

50:54

Live did a really funny skit

50:59

years ago. And it was a it was

50:59

probably one of the biggest

51:02

routines I remember them doing.

51:02

I have not been able to find it

51:05

anywhere online. They had

51:05

flashing neon lights, they had

51:08

people singing and dancing. And

51:08

it was supposedly a PBS.

51:13

Commercial about we're not

51:13

stuffy anymore. And what made it

51:20

brilliant was the next week the

51:20

president of PBS came on and

51:24

assured the public, they are

51:24

stuffy and always will be

51:29

stuffy. Which made it even more

51:29

funny. Yeah. Do you ever see

51:36

going back to what I recall is

51:36

perfectly what I hear on as far

51:42

as NPR, public radio is almost

51:42

entirely news.

51:46

Yeah, yeah, for sure.

51:46

I mean, KQED is an all new

51:50

station. And do I see it going

51:50

back to like, are we talking

51:54

about NPR, PBS here?

51:56

Really? Kind of

51:56

both? But let's go with NPR.

51:59

Well, NPR is started

51:59

as a new service that stations

52:04

like KQED with just sort of feed

52:04

out to their public using this,

52:09

you know, the local signals.

52:09

But, you know, we do a lot of

52:13

local news and information

52:13

programming, I KQED. Public

52:17

Radio, I can't see that ever

52:17

changing. It used to be that

52:21

KQED ran on the radio, like a

52:21

lot of bluegrass and a lot of

52:26

you know, like you said up or a

52:26

different classical music. But I

52:30

can't see us going back to that

52:30

we've become too important as a

52:34

new source, just because some

52:34

we've lost so many reliable news

52:39

sources in the last 20 years.

52:39

And people turn rely on KQED in

52:44

Northern California, because

52:44

because there's no other real

52:49

source of that kind of intense

52:49

focus on local news and

52:53

information. So I don't think

52:53

for KQED there's no going back.

52:58

I will tell you

52:58

this in the podcasting world,

53:00

all the different groups and

53:00

that sort of thing when you talk

53:04

about podcasting, and you talk

53:04

about the cream of the crop, NPR

53:11

is always up there. Good. It's

53:11

always the kind of the crop. Now

53:14

I will argue that whether or not

53:14

they're actually podcasts,

53:17

because they are shows that

53:17

ended up being podcasting, like,

53:21

but there's still you can't deny

53:21

that beautifully done.

53:25

Well, I understand

53:25

what you mean about just turning

53:27

shows into his streaming audio

53:27

file, and that makes it a

53:31

podcast. I understand what

53:31

you're saying there. But we also

53:34

KQED produces a number of very

53:34

interesting podcasts that never

53:39

air so so we do have a podcast

53:39

inventory that is not just taken

53:45

from our on air shows, but a lot

53:45

our Yes, yes,

53:48

I agree with you.

53:48

There are I will say wait, wait,

53:51

don't tell me I love it every

53:51

week here. But then they put it

53:55

on his podcast and it is not a

53:55

podcast, but that's a whole

53:57

different. I'm glad they do

53:57

because I rarely can listen to

54:00

it when when it's on anyway. But

54:00

right. That's, that's a whole

54:03

different story. So the name of

54:03

the book is inherit the

54:06

lightning. Yes. And here it is

54:06

out now. By it.

54:11

Yeah, gave him at

54:11

bold strokes books. You can go

54:14

there if you don't want to go to

54:14

the you know, feed the gigantic

54:17

octopus, but it is available

54:17

every other place. So as of

54:22

today,

54:23

we know the big guy

54:23

as him but go to Bold Stroke

54:27

books.

54:28

Yeah, they would they

54:28

would love to have you online.

54:31

And if you know, like there's a

54:31

lot of a lot of writers at bold

54:35

strokes who are very

54:35

interesting, mostly LGBT, and

54:41

you know, you can find a lot of

54:41

interesting stuff there. So,

54:45

and I it is not an

54:45

exaggeration that we would not

54:49

see a lot of these outstanding

54:49

Authors, if it wasn't for some

54:53

of these small town presses.

54:54

3x true. Worth the

54:54

hell out of them. Yeah,

54:58

absolutely. Yeah,

54:59

well Thank you, but

54:59

it was great to have you on

55:01

again. I appreciate it.

55:03

Thank you, Brad. It

55:03

was a lot of fun to see you

55:05

again. And yeah, good luck with

55:05

everything. Oh, and

55:08

congratulations on being named

55:08

by BuzzFeed as one of the top

55:14

you have to you're gonna have to say that.

55:16

Well, it was one of

55:16

the top queer podcast as you go

55:23

about your queer day. I don't

55:23

know if I have that. Correct,

55:27

but it's pretty close.

55:28

But it's like one of

55:28

the top. It's like the top 20

55:31

podcasts. So it's like we're

55:31

really high up there.

55:34

Yes, yes. I do want

55:34

to do a shout out to my friends

55:37

over at the Big Gay fiction

55:37

podcast. They made the list. But

55:40

yes, they did. Good for you

55:40

guys, but I don't really care.

55:45

No, Jeff, and well have been

55:45

great to me from day one when I

55:48

started, but it was quite an

55:48

honor to be included on the list

55:52

with them. Yes, yeah, absolutely. So thank

55:52

you for mentioning that.

55:55

Yeah, you bet. So

55:55

yeah, thanks. Thanks for having

55:58

me again. Brad.

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