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0:01
Today on the R2RB podcast
0:03
I have Paul Callan , singer , songwriter
0:05
from County Luce , Ireland , and did
0:07
I pronounce that correctly ? It's
0:10
Lous Lous , as in so
0:12
.
0:12
That's .
0:13
Lous . All right , Thank you
0:15
and welcome Paul . I appreciate
0:17
you being here and joining me . How are you ?
0:20
I'm great . Thank you very much . County Lous
0:22
has the honour of being the smallest
0:24
county in Ireland .
0:26
Does it ? Oh my gosh . So I
0:28
always have to say , whenever I'm speaking to somebody
0:31
from Ireland my grandmother was from Belfast
0:33
.
0:34
OK , but an hour away .
0:35
Oh , that's not far . Oh , wow , ok , all
0:38
right , but you live out on
0:40
the outskirts of the city . You're
0:42
away from the hustle and the bustle .
0:45
Well , I'm also an hour away
0:47
from Dublin , ok , but
0:49
we're very fortunate . We have a , we own
0:51
a woodland and I kind of hang out
0:54
there .
0:55
That sounds like a good place to hang out .
0:57
Yes .
1:00
All right . So I like to ask two questions to
1:02
get us warmed up . If you could collaborate
1:04
with any singer songwriter , who would it be
1:07
and why ?
1:09
You know , I was thinking about this and
1:11
I think of MF Doom have you
1:13
heard of MF Doom . No , he's
1:16
a rapper , but I suppose
1:18
he's . They say
1:21
he's your favourite rapper's favourite
1:23
rapper , but he's just
1:25
a very unique artist . Unfortunately
1:28
he died , I think last year
1:30
, but
1:32
I would , I would feel some
1:34
kind of kinship with him because of his method , his
1:36
production method , you know . Oh , OK .
1:39
Very good , Very good . Worth checking out
1:41
. I will absolutely . And
1:43
if you could have one superpower , which one
1:45
would it be ?
1:47
I would love to have the superpower that would
1:49
only surround me with good people
1:51
and positivity . That
1:54
would be a great superpower to have .
1:56
That would be a fantastic superpower to have
1:58
. I might share that one . So
2:02
share with us about your musical
2:04
journey . What inspired you to pursue a
2:06
career as an independent artist
2:08
, and was music always with
2:10
you , part of you , from early
2:13
being , at an early age ?
2:17
Yeah , my mother . When I was younger she
2:21
made me , force
2:23
me . She wanted to go to learn traditional
2:25
Irish music and
2:28
that I wouldn't be a fan of traditional Irish
2:30
music . But I unknowingly
2:33
learned all the fundamentals that
2:36
really stood to me later in life when
2:38
I really wanted to play music
2:41
and write music . I
2:43
also played in a brass band as
2:45
a kid .
2:46
Oh , wow .
2:49
So that kind of also helped , because everything
2:52
on my recordings I do on my own . So
2:56
all these things I learned as a kid . As I said
2:58
, I didn't really feel like I was
3:00
learning anything , but I really did , you know
3:02
, and it stood to me . But
3:05
the big influence , I
3:07
must say , was Johnny Maher , the
3:09
guitarist from the Smiths , and
3:13
everything about him . The
3:15
sound , the sound was , even though it was a very
3:17
familiar sound to his 60s
3:19
music , but he
3:22
just had a swagger , you know , it was amazing
3:24
and I wanted to do that . So
3:28
at the end of the meeting , johnny Maher
3:30
, completely by accident , oh , wow . I
3:33
lived and worked as a bicycle courier
3:36
in London in the late 1980s
3:39
, and then
3:42
I was having my lunch on
3:44
a park bench and he was beside
3:46
me only Johnny Maher .
3:47
No way .
3:49
It was very cool , a bit of half an hour of
3:52
just chatting .
3:53
It was very nice , oh
3:56
my gosh Of all places
3:58
, eating lunch on a park bench
4:00
.
4:01
Well , it was called Soho Square
4:03
and a lot of record companies were
4:05
based in Soho Square , so
4:07
you wouldn't know who you'd see there .
4:09
Yeah , I like
4:11
that one , oh my gosh . So
4:13
describe your music , because I
4:16
know it's been described as alternative
4:18
rock and I think it's more .
4:21
Well , you know
4:23
, it's not that I would find it hard to
4:25
pinpoint it I
4:28
don't really operate within any
4:31
. I try not to operate within
4:33
any particular genre . It's
4:35
indie music or independent
4:37
music . But the
4:39
only real constant in my songs would be
4:41
me , and I
4:44
think that's the best way to be . Really
4:46
, you know , it's like the big
4:49
single songwriter or
4:51
musicians or bands I love in my life
4:53
. There's only one of them so
4:56
, and they would be hard to classify
4:59
some of them too , you know . So
5:02
I suppose it's rock and roll in the broader
5:04
sense , but I apply
5:06
myself , and because it's
5:08
just me , I like to
5:10
switch heads and try
5:12
to do as best a job in every
5:14
role as I can . So
5:17
that's the best , the
5:19
best combination I can give you , yeah
5:21
, yeah , no , and being an independent
5:23
artist .
5:26
What is that for you , being an independent artist
5:28
, being able to be completely
5:30
your true self ?
5:33
Yeah , well , I was involved in a lot of bands and
5:35
over the years and
5:38
there's always struggles in
5:40
bands and for whatever
5:42
reason , for power or ego or
5:46
just being bored with each other . I
5:49
suppose , being independent , I
5:51
can make any decisions I like . There
5:54
is a record company I'm kind of involved
5:57
with . It's an independent label from
5:59
London , but
6:01
they just accept
6:04
my music and tell
6:07
me the like . That's about that . You
6:09
know , it's an added , some added
6:11
poodles to be associated with them . But
6:14
, yeah , I
6:16
do what I like . Basically it's beautiful my
6:19
son I'm an 11-year-old boy
6:21
and he hears it in
6:23
the process and
6:25
he sometimes offers up some
6:28
nuggets . But yeah
6:31
, it's just about doing it myself , you
6:33
know .
6:34
Is there a downside to being an independent artist
6:36
for you ?
6:39
I mean not really to be
6:41
honest . There's
6:45
nothing I really want , there's nothing I think
6:47
I'm really missing , except the private
6:49
jet . Everything's
6:54
good as it is .
6:55
And the private label that you mentioned . Do they help
6:58
you distribute your music ?
7:01
No , the kind of , I suppose , would
7:04
help put the word out . They
7:07
call it a garden ward , they're
7:10
based in London and
7:12
they would also send my
7:14
music out to radio sessions and for
7:17
review and things like that , you know .
7:22
And you write your own songs , and
7:24
where do you draw your inspiration from ? And
7:28
have you written songs from the
7:30
very beginning ?
7:33
Yes , when I was a kid I
7:36
was playing a tin whistle , you know like a penny whistle
7:38
. I learned how to play that and
7:41
I would learn traditional Irish
7:43
music and then I started trying
7:46
to learn songs I really liked and
7:48
picking out melodies . And melodies
7:51
really were a trap for me . So
7:54
from an early age I was kind of thinking
7:56
about melody and what
7:58
it meant for me . But then
8:01
the Beach Boys , who are the
8:03
pinnacle and , I suppose , the
8:05
template for everything I
8:07
love , like any other bands
8:10
or musicians . I like
8:12
them because there's shades of the Beach Boys there
8:14
, you know . So everything
8:17
starts with a melody for me and
8:19
sometimes it comes
8:21
and sometimes it doesn't . So
8:23
I'm lucky that I can operate
8:25
on whimsy , you
8:28
know when I feel that I do it . So
8:31
there's no real explanation for me
8:33
where it comes from and
8:35
I could watch lyrical and say
8:37
the birds and the
8:40
trees and all that . But it's not that it
8:42
just happens , it's just talks , really
8:44
, you know .
8:46
Yeah , it's amazing because that's one of
8:48
the questions I like to ask what the writing
8:50
process is , or what you draw from
8:52
, and I always , I always , and everybody's
8:55
different . Everybody has a different process
8:57
and of course , that's where all this great music comes
8:59
from , because it is so different . Can
9:02
you share a memorable moment or experience
9:04
that has shaped your musical career thus
9:06
far ?
9:08
Well , you know , I was thinking about that one too . Unfortunately
9:11
it's a negative one . I
9:15
was a good
9:17
foil back . I was immersed in
9:19
music and I was actually playing with the band
9:21
. But
9:23
there was record company interest and
9:26
we were bolstered
9:28
by the responses we were getting . But
9:33
my music was stolen . I
9:36
won't go into it beyond that . It
9:38
was a fairly major thing and it was
9:40
certainly a major thing to happen in my life . There was
9:42
some success brought to the people
9:44
who stole my music After
9:49
a while . Of course these were my friends
9:51
that were there . It was very upsetting
9:53
but it
9:56
made me think that there must be something worth
9:58
stealing . So
10:00
I kind of rely on that
10:02
a bit , you know , as
10:05
a positive experience in the end .
10:07
Yeah , it took a negative and turned it into a positive
10:10
.
10:10
It took a long while . It wasn't an easy thing
10:12
no , not at all
10:15
, but it was a horrible experience
10:17
, oh yeah , but
10:19
yeah , anyway , it happened
10:21
and here we are .
10:22
And here you are . And here you are , Absolutely
10:24
so actually I was going to ask you about
10:27
you know , your Irish heritage and the influence
10:29
on your music , but that's just been
10:31
a part of it from the beginning .
10:33
Well , everybody in Ireland has a story or a song
10:36
and there
10:38
are a lot of bands and a lot of musicians here
10:40
on the world stage . Ireland's
10:43
a pretty heavy hitter . So
10:45
the traditional if
10:47
your question is regarding the
10:49
traditional music , I suppose
10:51
, like I learned as a kid
10:53
but I most certainly wouldn't be
10:55
a fan of it , I've tried
10:57
it later in life , I've tried to find
11:00
something in it , but it doesn't do
11:02
it for me . But being
11:04
Irish definitely does
11:06
something in us that
11:08
has to get out .
11:10
It is , oh my gosh , and just real quick , because I
11:12
mentioned before we started the interview , my grandmother being
11:15
from Ireland as well .
11:16
Yeah .
11:17
I think everybody from Ireland . Either they sing or they
11:19
play an instrument , or and
11:21
she could do both . She had a beautiful voice and
11:23
she played the harmonica .
11:25
Yeah , yeah , you know the most
11:28
Irish people I've met . I lived in Cleveland
11:30
for a couple of years in Ohio
11:32
. Oh wow , I met an awful
11:34
lot of Irish people in Ohio
11:36
.
11:38
That's great . Oh my gosh . Yeah
11:40
, we're a great group . So
11:43
during I love this one during
11:45
the COVID-19 lockdown , you made a commitment
11:47
to release one song a month . So
11:49
why did you challenge yourself to do that and
11:52
how did it all work out ?
11:55
Initially I was . I was really
11:58
trying to knuckle down . I stopped for
12:01
playing music for a long time and
12:05
in probably a year or two
12:07
before lockdown , I was trying to get
12:10
my mojo back or , you know , get into
12:13
it . But a friend suggested I
12:15
was considering maybe working on an album , but
12:18
that could take 10 years , you know , yeah
12:21
. So a friend suggested why don't you commit
12:23
to one song
12:26
a month as an exercise ? So
12:28
I committed to it and I had to do it then
12:31
because I committed to
12:33
myself and I
12:35
did it once every month . It
12:37
became my first solo album
12:39
. So it
12:41
was tough and really
12:44
cool and amazing and I
12:46
couldn't have been more immersed . So
12:48
I also learned how to use
12:50
my equipment properly , you know
12:52
. So it was good for that .
12:55
Yeah , sometimes , when you're put in that type of position
12:57
, so much more comes out of it because
12:59
, just like you just said , you had to learn your own
13:02
equipment even better .
13:05
Yeah , Well , it was also averaging
13:08
about three songs for every
13:10
once to get one song . It
13:12
was quite a lot of work and I'm
13:14
very fortunate for me that the inspiration
13:17
when it happens it tends to come easy
13:19
. But the 99%
13:22
perspiration , especially like
13:24
I bought some equipment just
13:27
before lockdown and then lockdown happened
13:29
, it was great . I didn't excuse to sit at
13:31
it .
13:32
Right .
13:33
An excellent project . Definitely
13:35
I would recommend it because not
13:37
only the writing
13:40
and music , but recording it , producing
13:42
it in every way , artwork
13:44
do , finding radio stations
13:47
to play it , and it was incredible
13:50
. Yeah , total flex .
13:52
Absolutely . I think some of the best music
13:55
has come out came out during that time as
13:57
well , because I think , exactly for what you
13:59
had said , everybody was so totally
14:01
immersed into it .
14:02
Yeah .
14:03
So focused on it that
14:05
, yeah , it's a lot of great music came from
14:07
there . Who
14:09
does the artwork for your albums
14:11
? I do everything myself .
14:13
Do you ? Yeah , yeah . Again , it
14:15
was all just
14:17
just
14:20
go into it and experiment and see can I
14:22
do it . And a big thing
14:24
for me as being on
14:26
my own is
14:29
having to have remind
14:32
myself that I can do it . You know you're
14:34
sticking your neck out quite a lot as
14:36
a solo artist .
14:38
Absolutely .
14:39
And so I just applied the same rule with
14:42
everything else do it and just ignore
14:44
what I might think people think . It's
14:47
been positive . It's been a great exercise too
14:49
, and I really enjoy it , yeah .
14:51
Yeah , no , I find your artwork
14:54
very intriguing and putting
14:56
the artwork with the songs
14:58
that are in that album . Now
15:01
does each album have what
15:04
I would say would have its own message ? Is
15:07
it all kind of interlocking
15:09
with each song , with each other ?
15:13
No , not necessarily . You mean like a concept
15:15
. Yeah Well
15:18
, the FUNZY , the first
15:20
album , my first solo album . I
15:22
suppose the concept behind that was to
15:24
deliver it in a year , so
15:29
everything was connected in some way . And
15:31
then the running order on the
15:33
album was , as they come out
15:36
, like January through to December , and
15:38
then , to spice it up , I had another couple
15:40
of songs to put in as well .
15:42
Yeah , that's it . Yeah , the long playlist .
15:44
The second one . The last one , I
15:46
suppose , was the first
15:48
time I ever approached an
15:50
actual project to sit and write
15:53
however many songs to whittle it down
15:55
to . There was 14 on that
15:57
album , yeah , so that
15:59
was the first time I ever . I suppose the concept there
16:02
was to see could I do it and
16:04
not drive myself crazy ? But I was lucky
16:06
all your time ? And then I sent some early
16:09
versions to the record company and
16:13
they got on board . So there
16:15
was another kind of impetus to keep
16:17
going . So
16:19
no concept except
16:22
completion . That's
16:24
the concept .
16:26
So , from that very first album that you
16:28
put together to your last album
16:30
, which is Over my Wishes , yes
16:32
. So over how many years , from
16:34
your first album to now ?
16:37
They were all done from . The
16:40
first album was released six
16:44
months before the second one .
16:46
Oh well , okay , yeah , yeah .
16:48
Once I stopped and
16:51
it was in direct relation to
16:53
my music having been stolen my
16:56
reaction to it was to stop , because
17:00
I felt that
17:03
once I had put myself out there and
17:05
I had raised my head , so to speak , and
17:08
the result was there was people waiting in
17:10
the long grass to steal
17:13
from me Friends
17:15
, as I said . So I stopped , and I stopped
17:17
for quite a while . So
17:20
once I took
17:22
the chocks out from under the wheels , I
17:25
kept it going and still going to .
17:26
Good , good , good . I'm very
17:29
happy with that , absolutely . Do
17:31
you have a favorite album or song amongst
17:34
all that you've done ?
17:36
I think it's a common thread would be the
17:39
most recent . Some in
17:42
the initial stages would be my favorite , but
17:45
it can get pretty intense
17:48
when you're . It's
17:50
a lot of repetition when you're producing , you know Right
17:52
, and the
17:54
short answer is the most recent thing I'm
17:57
dealing with is my favorite .
17:59
Oh , nice , cool . So what advice
18:02
would you give another independent
18:04
artist just starting out ? What
18:07
would you advise them to do , not to do
18:09
what would be at the top of your list ?
18:12
Well , you know , for me the beauty is
18:14
in the doing and
18:16
realizing that really
18:19
let me flow and let me love
18:22
it and let me enjoy it . So to anybody
18:24
in the same position is really
18:26
look hard at your motive . If
18:29
you want to be famous , I
18:33
think there's a possibility you're
18:35
wasting your time . But if you want to
18:37
make , if you want to do , if
18:39
you want to create , well then
18:42
do it .
18:44
Absolutely , absolutely . So this
18:46
is the other question I've been asking lately . Ai
18:50
artificial intelligence with chat bot
18:53
and chat GPT . Do
18:57
you have any thoughts ? Do you have any feelings on it ? Have
19:00
you used it ?
19:02
I'm in the middle of nowhere here and
19:04
it suits , so
19:07
I don't think that's
19:10
anything I would even consider
19:12
dabbling with . It
19:14
sometimes feels like recording on a
19:16
computer is cheating enough because
19:19
of the infinite tracks . Like
19:22
I can create orchestral
19:25
pieces here on my own . That
19:27
feels like cheating . I
19:29
don't need an orchestra Like 50
19:32
years ago you would have needed an orchestra so
19:34
I'm cheating enough without
19:36
doing that . I
19:39
don't understand it anyway , to be honest , yeah
19:43
, I've been doing my little research
19:45
.
19:45
I've used it here and there in different things
19:47
, but if you don't really
19:50
take the time to understand
19:52
it , it can create a big
19:54
problem .
19:55
Yeah , there's a narrow fear about it , really isn't
19:57
there yeah , absolutely . Yeah .
20:01
And last year I remember saying to my
20:03
partner , I said to him we were talking about
20:05
something and I said AI is next . Because
20:07
no , it's not . I said yeah , it is here
20:10
we are , You're already yeah . Yeah
20:12
, so you do
20:14
all your do your own recordings
20:17
, you do your own editing , producing
20:19
, mastering , and then you
20:21
also do all your own marketing
20:23
.
20:25
Everything . Yes , you know I don't have a
20:27
very big budget . If I had a budget
20:29
, there's elements of it . Other
20:32
people would most certainly be better than I am
20:34
at it , but
20:36
at the minute I am doing it all on my own
20:38
.
20:39
So which platform do you find
20:41
works the best for you ?
20:44
Radio stations . Yeah
20:47
, like
20:50
I'm very lucky , because of people like yourself
20:52
, deborah , my music's been
20:54
played all over the world . I
20:57
don't know how to , how I would promote
21:00
myself on Spotify . I
21:02
make videos also . Some people
21:04
watch them , but there's
21:07
not millions of people rushing to see them
21:09
, but it's just an experience . My
21:11
son helps me on some of them and film
21:13
them or we discuss ideas
21:16
. But yeah , as
21:18
I said , it's in the doing . It
21:21
was nice to get a
21:23
bit of an acknowledgement . As
21:26
I said , the Gardeux Nord , the record company
21:28
, got involved . But
21:31
yeah , I suppose the short
21:33
answer to that is I don't know , radio
21:35
stations mostly .
21:37
Yeah , it's so nice that we can still
21:39
turn to something that's been around forever
21:42
and that really has been
21:44
a pinnacle for the
21:46
music industry all around . And
21:49
now , of course , we take it from one level FM
21:51
, AM and now online and
21:53
around the world in less than 30
21:56
seconds and actually
21:58
. So how I connected with
22:00
you was through Paul Dillon , P-Mad
22:02
, I believe .
22:03
Yeah .
22:05
You and I would never had connected had
22:07
I not been . You know I've interviewed
22:09
Paul and he does the best
22:12
of Irish Indie now for R2RB . We
22:14
play it after on Sunday . So
22:16
yeah , this worldwide web
22:18
has . I don't know if we ever thought I
22:21
know I never thought when it originally
22:23
came about this internet that we would be
22:25
at this point where the whole world
22:28
is opened up to everyone and
22:30
anybody that can get connected .
22:32
Yeah , incredible . I think there was
22:34
the first few months when I
22:37
put an EP out . That
22:40
was the first thing I offered
22:42
up to the internet world and
22:45
it was incredible . In the first few months of that
22:47
I had done more than I had done
22:49
all the years prior
22:52
when I was involved in music
22:54
. The internet wasn't really
22:56
a thing , but
22:58
just it's incredible what you can do .
23:00
Absolutely . And just even for myself
23:03
too , just with the R2RB and everything
23:05
, I wouldn't be doing this
23:07
if it wasn't for the internet .
23:09
Here you are in the woods in Ireland Right Having
23:11
a chat .
23:12
Yeah , it's incredible , exactly
23:14
so . What's the best way for people
23:16
to get in contact with you or find
23:18
your music ? What's the best platform
23:21
for you ?
23:22
My music is on Bandcamp , so it's Paul Callum
23:25
at Bandcamp . It's
23:27
very easy , but tune
23:29
into cool radio stations like
23:31
yours , deborah , you'll hear my music . And
23:34
on Facebook and Instagram
23:36
it's just Paul Callum . If
23:40
you're interested , try that .
23:42
Yeah , absolutely . And
23:44
so what are you working on ? What do you
23:46
got coming down the pipeline ?
23:48
Well , I almost finished recording
23:50
album three . I'm
23:53
hoping to have it
23:55
ready at some
23:58
point late spring and
24:00
I'm speaking to a very cool
24:02
friend of my wife who's an amazing graphic
24:05
designer and I'm
24:07
trying to see will she do the artwork
24:09
for it ? She's absolutely amazing
24:12
. So that would be cool and
24:14
not to think about that because I'm
24:16
not a graphic designer . So you
24:19
have to think like 10 times harder
24:21
, you know , but that's
24:23
what's happening at the minute and making , making
24:26
more music and recovering
24:28
in time for
24:30
February , I suppose . So
24:34
this year I got both my hands
24:36
done . There were a long time coming
24:39
, and so it's nice that
24:41
I'm this side of that .
24:43
Good , good , good . We need more music
24:45
from you . Thank you very much . You're welcome
24:47
, paul . Thank you so much for
24:49
being with me on the R2RB
24:52
podcast series . Is there anything
24:54
else you'd like to tell the listeners that I haven't
24:56
touched on ?
24:58
Well , nothing more than what Paul
25:01
Dylan said For you American
25:03
listeners . There's a lot
25:05
of fantastic music coming out of Ireland
25:07
, a lot of fantastic independent
25:09
music . There's worlds
25:12
within worlds everywhere , but
25:14
Ireland has an awful lot going
25:16
on . So have a nose
25:18
around and see if you can find something .
25:21
Absolutely . I second that , Paul
25:23
. Thank you so much .
25:26
Thank you very much , Deborah .
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