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Episode 113 – Thief’s ‘Bleed, Memory’: What Was Your Original Face Before You Were Born?

Episode 113 – Thief’s ‘Bleed, Memory’: What Was Your Original Face Before You Were Born?

Released Monday, 20th May 2024
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Episode 113 – Thief’s ‘Bleed, Memory’: What Was Your Original Face Before You Were Born?

Episode 113 – Thief’s ‘Bleed, Memory’: What Was Your Original Face Before You Were Born?

Episode 113 – Thief’s ‘Bleed, Memory’: What Was Your Original Face Before You Were Born?

Episode 113 – Thief’s ‘Bleed, Memory’: What Was Your Original Face Before You Were Born?

Monday, 20th May 2024
Good episode? Give it some love!
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For our 113th episode, we dispense with the usual exhalations of the past in favor of the thrills of the tense present-future. Thief, the Los Angeles-based brainchild of visionary producer, Dylan Neal, has released one of 2024’s most extraordinary albums, Bleed, Memory, a harrowing journey through the late stages of the human mind and spirit. Without giving away all of the album’s treasures, this episode can be considered an act of seduction, a persuasion. We dare even the heartiest will to resist the siren strains of Bleed, Memory

Note I:

Some insight into Dylan Neal’s note to Jeff, mentioned in the early part of the episode (and the question that we borrowed for this episode’s title): https://en.wikipedia.org/wiki/Original_face

Note II:

Please consider donating if you listen to Radical Research often: https://www.paypal.me/rrpodcastWe also have a webstore where you can find shirts, CDs, and books, many of them recently restocked:

http://radicalresearch.org/shop/

Music cited in order of appearance:

all songs from Thief, Bleed, Memory (2024)

“Apparitions”

“Cinderland”

“Paramnesia”

“Prankquean”

“Dead Coyote Dreams”

“Dulcinea”

“Behemouth”

“Pissing” “To Whom It May Concern”

Radical Research is a conversation about the inner- and outer-reaches of rock and metal music. This podcast is conceived and conducted by Jeff Wagner and Hunter Ginn. Though we consume music in a variety of ways, we give particular privilege to the immersive, full-album listening experience. Likewise, we believe that tangible music formats help provide the richest, most rewarding immersions and that music, artwork, and song titles cooperate to produce a singular effect on the listener. Great music is worth more than we ever pay for it.

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