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#51 - Ronan Bennett: Creating Top Boy, Working with Michael Mann, Following Obsession, Stamina, and Why Screenwriting is like Playing Tennis with Novak Djokovic

#51 - Ronan Bennett: Creating Top Boy, Working with Michael Mann, Following Obsession, Stamina, and Why Screenwriting is like Playing Tennis with Novak Djokovic

Released Monday, 29th April 2024
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#51 - Ronan Bennett: Creating Top Boy, Working with Michael Mann, Following Obsession, Stamina, and Why Screenwriting is like Playing Tennis with Novak Djokovic

#51 - Ronan Bennett: Creating Top Boy, Working with Michael Mann, Following Obsession, Stamina, and Why Screenwriting is like Playing Tennis with Novak Djokovic

#51 - Ronan Bennett: Creating Top Boy, Working with Michael Mann, Following Obsession, Stamina, and Why Screenwriting is like Playing Tennis with Novak Djokovic

#51 - Ronan Bennett: Creating Top Boy, Working with Michael Mann, Following Obsession, Stamina, and Why Screenwriting is like Playing Tennis with Novak Djokovic

Monday, 29th April 2024
Good episode? Give it some love!
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Today’s guest began his career writing novels informed by his experiences growing up in the troubles of 1970s Northern Ireland such as The Second Prison which was shortlisted for the 1991 Irish Times prize.

Soon after, he began writing for television and film, again bringing signature realism to his work in later projects including Michael Mann’s gangster pic Public Enemies, Gunpowder starring Kit Harrington and most notably his creation of cultural phenomenon, Top Boy, for which he was also nominated for a BAFTA.

My guest is Ronan Bennett.

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