0:00

M Welcome

0:06

to Induction Vault, a production of I

0:09

Heart Radio and the Rock and Roll Hall of Fame

0:15

m members

0:30

of the band Fallout Boy. We're lucky enough to honor

0:32

their punk rock heroes Green Day, and

0:35

their excitement is as tangible as Billy Joe

0:37

Armstrong's famous guitar wielding leap, Mike

0:39

Dirt's unmistakable basslines, or

0:41

Trade Cool's enigmatic drum fields. Patrick

0:45

Stump and beat Wins commend the trio for their ability

0:47

to both defy and define labels, refusing

0:50

to box in a genre as paradoxical

0:52

as punk rock. In their acceptance

0:54

speech, Green Day thank their own music heroes,

0:57

a list that's filled with fellow Rock Hall inductors,

1:00

and even thank Ford Motor Company for their

1:02

Econo Line band, a vehicle that was

1:05

essential to the band's early success. The

1:07

gritty, rebellious spirit of punk rock

1:09

is alive and well with Green Day.

1:17

So let me ask everybody a question, Uh

1:20

what is punk rock now?

1:22

That should seem like a simple enough question to answer,

1:24

but kids and critics argue with the

1:26

fervor and furious devotion

1:28

of opposing religious sex, or political parties

1:30

or star wars fans. So I

1:33

guarantee that someone somewhere will be very

1:35

piste off when I say this, And man, what's

1:37

more punk rock than pissing people off when I

1:39

say that. One of my all time favorite punk bands

1:42

is Green Day.

1:47

So I remember the first time I heard

1:49

Green Day, um in a little

1:52

background, I was I was a little bit of music snot when

1:54

I was a kid. My dad was a Chicago folk singer.

1:56

Would be very psyched to see all the other

1:58

bands over here today, um and

2:00

uh. And he played a lot of fusion jazz around the house.

2:02

So you can imagine I was pretty out

2:04

of step with my friends who were enthralled with the grunge

2:06

era and the advent of gangster rap. So

2:09

one day some friends got me to sneak out of class

2:11

and we were gonna pretend to be bad kids, you know, And

2:14

mostly we just went in the hallway and listen to this cassette

2:16

tape that one of them had. It was Dookie

2:18

Now, the thing that Stukey

2:22

excellent album. So the thing that struck

2:24

me right off the bat was how musical it was. It

2:26

was all the things that you'd expect in punk rock. It was

2:28

angry, it was loud, it was fast, but there

2:30

were these subtle overtones

2:33

of an awareness of music theory

2:35

and music history that were wise beyond its

2:37

years. Now. The other kids had guns

2:39

and roses in Nirvana, and I fell

2:41

in love with those things later, but none

2:43

of that was for me. This, this one,

2:45

I was like, this is mine. After

2:49

that, I was all in. I tried

2:51

to dress like them. I tried to play my dad's acoustic

2:53

real low like Billy Joe did, and it did not look

2:55

cool, not work on me. I

2:58

followed every interview, I watched every TV performance,

3:01

and the more immersed in their world I got,

3:03

the more I could tell that this band was one of the greats.

3:06

Great bands have to feed on the strength of the collective.

3:09

You have to think yourself, wow, how did they get all these

3:11

guys in one band together? Now?

3:13

The thing that you know kills me. Sometimes you

3:15

have a band that you really like and you think they should maybe

3:17

be in the Hall of Fame, But then uh, maybe

3:20

not. Everyone's pulling their way. Maybe maybe you

3:22

see one guy you're like, yeah, you know, he's he's cool,

3:24

but I don't know, maybe he just drove a van

3:26

or something. But with Green

3:28

Day, every like every

3:30

sound that came out of these three guys

3:33

was as important to the

3:35

entire thing. I mean it was that you couldn't

3:37

remove one guy. Billy Joe's signature snarl

3:40

and sarcastic lyrics, that eternal,

3:42

youthful voice, those bright, open chord structures,

3:45

the way a silhouette of him playing guitar

3:47

would be as recognizable a posture to any

3:49

punk rock kid as Michael Jordan's midair dunk

3:51

would be to a sports fan. Mike

3:57

Dern. Mike Durran's aggressively

3:59

asked yes, Mike turns

4:01

aggressively, tinny tone and

4:04

those melodic base basselines put

4:06

him in my mind and you're ready to pistomore

4:08

people up up there with the likes

4:10

of James Jamison and and Jacob the

4:12

Stories is one of the most identifiable bass players

4:15

in the history of bass playing, which

4:17

when you turn on the radios can go who's playing? That's

4:20

epic Tray

4:23

cool. You have a drummer. Your

4:28

drummer is named Trey fucking Cool.

4:32

That is the coolest thing ever. And there's

4:34

not a drummer under the age of thirty you can attest

4:36

the this Yes, who didn't spend their time

4:39

entire summer trying to learn the rat to

4:41

play that rapid fire fill and then at the beginning

4:43

of basket Case, just like Trey and guess

4:45

what, no one can. He's the only one

4:47

that does it right with the passion, and he makes

4:49

it look easy. It's incredible. Now

4:53

no one else can really do anything

4:55

the way Green Day does. I have this vivid

4:57

memory of Billy

4:59

Joe did this interview on MTV somewhere

5:01

around the awesome departure album nim Rod,

5:04

where he said something along the lines of I

5:06

don't want to make be making punk rock for the rest

5:08

of my life. Sorry, man, you

5:11

still are. When

5:14

you followed up your massive major label debut

5:16

with a single about meth and Phantom Maine

5:18

and another one that had two movements, that was

5:20

pretty punk rock when conventional

5:23

wisdom demanded another fast, loud

5:25

punk song, and instead you put down a stripped down

5:27

ballad as a single, which became the go

5:29

to prom song for a decade. That

5:32

was pretty punk rock. When

5:36

you put out a three companion albums in

5:38

a year of and an era of

5:41

digital singles, that was pretty punk rock. When

5:46

you put out an acoustic folk album at the time

5:48

when radio was ruled by obviously Green

5:50

Day inspired pop punk that

5:52

was pretty punk rock when

5:55

in an era of basically no socially

5:57

conscious discourse and pop music, you

6:00

put out a skatingly political rock opera

6:03

and somehow managed to make that your career redefining

6:05

Grammy winning smash hit second act

6:08

that was insanely fucking

6:10

punk rock. Not

6:14

to mention your alleged involvement in the John

6:16

rebending side projects like The Network and

6:18

Foxboro Hot Tubs. We

6:23

all know it's you. Everything

6:26

you guys do is punk rock in the sense that you've never

6:28

gone for the easy route, the obvious

6:31

route, the safe route. You've never

6:33

repeated yourselves, and you've never done anything

6:35

to please the suits. Suits aren't

6:37

really pleased by change. But when a great band

6:39

plays through a set of their hits, there should be a lot

6:41

of change, like Queen the

6:44

Who or The Clash the

6:46

Best. But the best bands both defy

6:48

and define the labels that get saddled with the

6:51

best bands are legend on record and on stage.

6:54

Now, I have to say, to get an off script for a second,

6:57

the impact that that Green Day has had on

6:59

popcult Sure, when we walk through an airport, about

7:02

eight percent at the time when someone takes a picture with us,

7:04

you you hear him walk off and they're like, holy sho it,

7:06

I just got a picture with green Day.

7:13

That's totally true. Now,

7:15

follow Boy has never had the honor of plane with Green

7:18

Day, and honestly, a part of us kind of likes

7:20

it that way, because Green Day is

7:22

literally one of the best live bands on the planet

7:24

Earth. If

7:31

you've ever opened for them, they put on a show that's so

7:33

epic and engaging. The audience absolutely forgets

7:35

about you by the way they're by the way they're

7:37

halfway through their first chorus and an assault

7:40

of cutting fetti cannons, And if you've

7:42

ever played after them,

7:44

sorry,

7:46

This is a band that's so in tune with their audience that they

7:49

let a random kid come on stage and play

7:51

in the band in

7:53

arenas. They literally fulfilled the

7:55

improbable day dream that every kid has

7:58

a plane on stage with their favorite band. And

8:00

that's the kind of balls you build up not through image

8:03

consultants clever A and R for

8:05

media training, but by cutting your teeth in

8:07

community halls and basements and cross

8:09

punk squads. So

8:12

let some Reddit feed argue the

8:14

definition of punk rock me already

8:16

have my answer. It is our great

8:19

honor to induct Green Day into the Rock and Roll

8:21

Hall of Fame. After

8:30

the break, we'll hear Green Days acceptance

8:32

speeches on the Rock and Roll Hall of Fame induction

8:35

ball. Well,

8:39

thank you Fallout Boy, and that fucking made

8:41

me cheer up a few times, and

8:46

thank all you fuckers coming

8:48

here. We love you. Ah.

8:54

They don't let drummers use teleprompters.

8:57

So I wrote this ship old school on

9:00

a typewriter. No,

9:03

actually, okay, but music

9:05

is the forest that gets us up

9:07

in the morning. It's also the ship that keeps

9:10

us up all night. We're

9:12

all in this room together to celebrate music, and

9:14

it's a beautiful thing. Um, it's

9:17

overwhelming, the amount of talent and

9:19

and love in the room.

9:21

It's it's it's overwhelming. And

9:24

when we uh, we're on tour in

9:26

our yellow forty cono line that

9:29

we called the Two, we're

9:32

playing punk clubs, squats, backyard

9:34

parties. We were screen printing

9:37

T shirts on Billy Joe's guitar case

9:40

and hanging them in people's backyards, sleeping

9:42

off floors, couches, wherever

9:44

we could. I didn't think

9:47

back then that we'd

9:49

be here now in the Rock and Roll

9:51

Hall of Fame. I

9:55

thought it would take at least another year

9:57

or two. But

10:01

we grow older, and we change and and

10:03

and we get weird and weird, weird and crazier

10:05

and it's awesome. We we grow together,

10:08

and with every beat of the drum,

10:10

you know, our love for music gets

10:12

even stronger. And uh,

10:15

being inducted to the Rock and Roll Hall of Fame is an

10:18

enormous honor. And uh, I'd

10:20

like to mention a few people who

10:22

make my crazy world

10:24

turn around. My beautiful wife

10:26

Sarah Rose, Ramona

10:31

and Frankie, my kids, my

10:33

mom and dad, Frank and Linda,

10:36

my sister Laurie, who actually um

10:39

brought music into our home in an early age.

10:41

And Uh, I love you. I love you all of

10:44

course, Billy and Mike, I

10:46

love you guys, the

10:49

Big Three, Jason

10:52

Jason, Jeff, Kenny

10:57

Butler, Oh,

11:00

I love him, Pat Magnarella,

11:03

Chris Dugan, Bill Schneider,

11:06

Chris Fucking Lord, Algae, Michael

11:10

Motto, Rob Like, Rob Cavallo,

11:13

Mike the Sack, Fasano, John

11:17

Passman, Steve Kay, Mike

11:19

Shapprary from s j C drums. Love

11:22

those love you Larry

11:24

Livermore, who gave

11:28

me the name Trey Cool when I was a

11:30

we lad of about eleven or twelve,

11:32

and I thought him as hard as I could

11:35

on that, but I'm fucking stuck with it. I

11:37

mean the Rocket Roll Hall of Fame now, Kane

11:42

Kong, the bass player for the Lookouts,

11:46

Kick Ass Dude, Um

11:49

Paul and Sue, my

11:51

aunt Jenny, my aunt Sue, and

11:53

my cousin Kenny, Uncle Mark Reprise

11:57

Records, and I

12:00

oh so much to my favorite drummers,

12:02

were You Go, Star, Keith

12:10

Moon, John Bonham,

12:13

Mitch Mitchell, Charlie

12:15

Watts, Buddy Rich, John

12:18

Wright, from No Means No, Alex

12:20

van Halen, Dave Mellow,

12:24

Aaron Elliott, Alsh

12:26

Fitz An extra special

12:28

thanks to my good buddy and drummer extraordinaire

12:31

John Kiffmeyer right away there, and

12:34

of course to the Green Day Idiot Nation. Love

12:36

you, thank you. See

12:47

now it's none of us, Like Hella Prompters, I

12:52

got a couple of things, no particular order.

12:55

First and foremost, I also have a mom

12:58

who gave me a guitar, a

13:00

pawn shop base and it only had

13:02

two strings on it. There were flat wounds, but

13:04

Luckily for me they were A and E, so I was

13:06

halfway there. Um,

13:10

I'd like to thank radio. I'm a big

13:12

fan of radio. I like good radio

13:14

shows. I hate commercials, but I

13:16

love good radio shows. So

13:20

you know, there's something about a radio show that when we're listening

13:22

to it, we all were all connected, and it's

13:24

a human connection that I really have always resonated

13:26

with. Uh. Lawrence Livermore,

13:29

you created Lookout Records. You

13:31

start a small record label for

13:33

all the right reasons, and you gave a home to a

13:36

lot of bands, and for that, I want to thank you huge.

13:40

Thank you to all the kids who booked us in small vets,

13:42

halls and backyards in Europe, all the

13:44

people who booked us in clubs and squats,

13:47

and to the hundreds of people whose floors

13:49

you let us sleep on, thank you very

13:52

much. Those were life

13:54

changing experiences and I wouldn't change

13:56

it for the world. Um.

13:58

Randomly, I would like to thank the

14:00

Ford Motor Company for

14:03

creating the forty Conno Line van, the best

14:05

damn van any smelly torrean van

14:08

could have. UM,

14:15

We're Prise Records. Thank

14:18

you guys, all of you

14:20

guys, no matter what era

14:22

you were there. We

14:26

have a few other people, let me see, uh

14:28

Brian Bumbrey Chinn Adler, Bill

14:31

v Chris Lord, Algae. You guys

14:33

have been with us a very long time and

14:35

even longer. Pat Magnarella our manager.

14:42

Pat, you have very thick skin,

14:45

You're very patient. Nobody in the

14:47

world would have let us be ourselves the way you have, and

14:49

we truly appreciate you. To

14:54

Michael Mayer and everybody involved with the American

14:57

Media stage production, this

14:59

is his close as we'll ever get

15:01

to seeing Green Day live and it will

15:03

always be a highlight of our lives. Thank you very much.

15:09

I'm sure a lot of the musicians in this room,

15:11

will Um and everybody who are family

15:13

of the musicians can understand this one. Um.

15:16

I want to thank our friends and family at home for

15:18

allowing us to be gone so much of our lives and

15:20

still being there for us. It meant

15:23

a lot to us over the years and it still really does.

15:25

Thank you. To

15:29

the Armstrong family, I want to thank you guys

15:32

for taking me in as a kid, figuratively

15:34

and literally. Thanks

15:36

for letting me live with you. To

15:39

my amazing wife, Brittany, your wonderful

15:42

mother, you

15:45

kicked cancer's ass last year. Thank

15:47

you, you're

15:51

a great partner your crime. I love you, Bretty

15:53

Kitty. To my

15:55

children, it's still

15:58

my lovely daughter here, my

16:00

son Brixton at home, and my daughter Ryan at

16:02

home. I love you, guys, and each one of you is

16:04

my entire world. Thank you all

16:07

right, wrapping it up here, um,

16:10

to every one of our fans and

16:13

to the idiot nation. This

16:15

is this is much more

16:17

about you, guys than it is about

16:19

me, and I'm very

16:22

proud to share this life on earth with you. Thank you,

16:26

last mynlies, UM.

16:30

To my two brothers behind me on stage here, Believe

16:34

me, it's been way too many years to want to count.

16:37

I love you, guys. I'll see a band

16:39

practice.

16:59

I feel like I man line of the d m V or

17:01

something. Um,

17:07

I I don't, I don't know. I'm finding a loss

17:09

for words right now. The

17:12

gratitude that I feel right now

17:14

is overwhelming. And I didn't

17:16

really uh I didn't really know

17:18

how to prepare it for something like this, so

17:21

uh I didn't. I couldn't. I

17:23

couldn't really write a speech. So I'm just gonna

17:26

make it up at the top of my head, but with

17:28

a few talking points. So uh,

17:32

I mean, first off, I just want to thank my family, my

17:34

boys, Jacob and

17:36

Joey. You guys blow

17:39

me away every day.

17:44

And Adrian, I love you. We've been

17:46

married forever and

17:51

it's uh it's a rare thing in

17:54

this crazy rock world.

17:57

And I love you so much for the best. And

18:01

uh,

18:04

I wanna I gotta thank my mom,

18:06

Ali Louise Armstrong. She's from

18:08

Oklahoma. Uh, moved

18:11

to California. Um,

18:14

you had you and dad had six kids.

18:17

I'm the youngest one, and like my house.

18:20

The one thing that I'm so greatful for is all

18:22

of the music that it was in our

18:25

house. It's like from my brother, my oldest

18:27

brother, Alan, you know, he had first

18:30

of I heard the Beatles and the Stones and the Kinks,

18:33

and you know, we used

18:35

to come come to his house and sleep

18:38

over there and we'd watch Showtime at

18:40

night and I watch Alice Cooper, you know,

18:42

at twelve o'clock because that was the good

18:44

time to watch it. Um.

18:47

And my sister Marcy,

18:49

he was pretty much the person that showed

18:51

me Elvis Presley for the first time. And I, you

18:53

know, I thank you. And

18:57

my sister Holly is like cooling the game and

19:04

my sister Anna who basically that

19:06

record collection that you have turned

19:09

my world inside out. I thank you

19:12

so much. Um Um,

19:14

it's anything. It's like a lot of people here

19:17

right now. It's like my record collection is actually

19:19

sitting in this room,

19:22

you know. I

19:25

mean the

19:29

fact that I got to hear an

19:31

album like Horses by Patti smith Man.

19:33

I and

19:36

and there you are standing right. I love

19:38

it. This is great. And uh um

19:42

you're my brother David. We listened to led Zeppelin

19:44

and Van Halen and Molly

19:47

Crue and and uh um

19:50

you know and Cheap Trick and

19:55

you know, Pyromania by def

19:57

Leppard and um,

20:00

you know and a few others that hopefully will be in the

20:02

rock and Roll Hall of Fame soonerr so

20:06

um so, I just it was like my

20:08

house was like rock and roll high school. I mean literally,

20:10

I mean it was nuts. I mean, all my friends

20:13

with her in to my house. It's like where do you smoke? We did. It's

20:15

a good bit room strong house. You know. No

20:19

I didn't have them, am Um,

20:23

but uh and I you know, I my bandmates,

20:26

Mike, me and my basically me

20:28

and I got together. Um. Our

20:30

school district went bankrupt, so they

20:33

closed down the main

20:36

junior high and they combined the two

20:38

elementary schools to come together. And Um,

20:40

so he went to one elementary and I went together

20:43

and I we used had to take the bus out there,

20:45

and first day of elementary school

20:47

or in in uh, I think the

20:49

fifth grade, I walk up and

20:51

then I was like the class clown, but Mike

20:53

was like the class clown, and so it

20:56

was kind of like this dueling banjo's that

20:58

was gonna go back and fourth I

21:00

was like, so, you know, we both were you

21:02

know, what'd you get

21:04

his deliverance? And

21:13

uh, I went to a show

21:16

Um William's. Mike,

21:18

you are my my musical soul

21:20

mate. Man. I love you so much and we've

21:22

been through everything together and this whole thing,

21:25

and I thank you so much for everything,

21:28

your friendship, your family. I

21:30

love you. And

21:34

uh I

21:36

met Trey was playing

21:39

at this band called the Lookouts, and they

21:41

were I

21:44

was like, they have this really young

21:46

drummer and he was back and he was wearing a

21:48

old lady shower cap and a two

21:51

tube and

21:54

so that's the first time I I saw Trey

21:56

and I was like, oh cool, um

22:00

and uh and then UM

22:03

I don't know. And then you know, as years went by

22:05

we got to know each other. We uh,

22:08

just seeing him at shows and things like that, and

22:10

then he joined the band, and I

22:14

don't know. It was just amazing, amazing

22:16

drummer. One of my favorite drummers of

22:18

all time. I mean, I am a If

22:22

there is one instrument that I

22:26

love to hear is because my

22:28

father is a jazz drummer, my brother

22:30

is a drummer, and my uncle was a drummer. I'm the odd

22:32

ball and uh but Trey

22:35

is just a phenomenal and he pushes and

22:38

he he's the most dangerous drummer on the

22:40

planet. And I love this guy. Um

22:48

um. And there

22:51

was this backyard party that Sweet

22:54

Children played that was us

22:56

before Green Day, and the

22:58

kid that was filling

23:00

in at the time, we and Mike we're looking for

23:02

a drummer, and this

23:05

guy was in this crazy band called

23:07

Disocracy. Um.

23:10

His name is John Kiffmeyer, also known

23:13

as Al Sabronte, and

23:17

he's a couple of years older. And at the time,

23:19

it was like a veteran in our in

23:22

in that community. And uh, you know, John,

23:24

thank you, thank you so much. You know, I

23:27

love you and God, bless your family. Thank

23:30

you so much. And I

23:34

don't know, and what can I say? Look Out Records,

23:36

Like you know, it's so rare

23:39

that you get to have like an independent label

23:41

that it's putting out bands that are

23:43

in a in a scene that are like a

23:45

place like Gilman Street from where we come from.

23:49

And uh, and they're putting out

23:51

my favorite records at the time, whether it was

23:53

crim Shrine, Operation Ivy Isocracy

23:56

through upt the Morals, Tim,

23:58

Tim Armstrong of you brother,

24:04

Um

24:07

so uh yeah, we uh you

24:09

know. We we had this gig that John

24:11

booked and it was going to be on top of this mountain

24:13

in Mendocino. So we drive up

24:15

there. We're supposed to play at the Lookouts and Trade

24:18

booked the show. So we drive

24:20

all the way up to the top of this mountain

24:23

and we play in this cabin

24:25

that didn't have a roof or electricity.

24:28

Now, how the hell you're supposed to have a

24:30

gig, I have no idea, but um,

24:33

they got some generators and we plugged

24:36

in. And that's where we've really met Larry

24:38

Livermore for the first time. And

24:40

Larry, you have been so

24:43

great to us. Thank you so much. You.

24:45

You opened your door and you thank

24:48

you. It's like for kids

24:51

like us and other kids playing and

24:53

in rock and roll bands and to have that

24:56

independent spirit and it's

24:58

just great. Thank you so much. And

25:01

uh, I also want to thank the other

25:03

people that worked at Lookout Records, like David

25:05

Hayes, Chris Applegren

25:08

and Pat Hines. UM.

25:11

And which leads me to all the people

25:13

at Reprise. Thank you so much. UM

25:17

we've had I have to say, we've had a great

25:19

experience there, so we've been there

25:21

for twenty years. Thank you so much. For everyone

25:24

that worked in the mail room,

25:27

UM, that goes out to try to

25:29

find bands, what a thankless job.

25:32

UM, and that you know everybody

25:34

over there and m But

25:37

most of all, I have to thank Rob Cavallo. We've

25:44

we've only worked with two producers

25:47

in our entire career and

25:50

the we Butcher Big did one

25:52

record, so thank you Butch, but Rob you did

25:54

all of them, so thank you so

25:56

much. And I really feel like we you

25:59

are a rather we are kindred spirit.

26:01

And the fact that we we could sit around

26:04

and play songs all day long

26:06

together and just speak in that language.

26:08

I just love to talk

26:11

about and love to talk about it with you and

26:13

stuff, and we'll talk about it later, all

26:16

right, Thank you, rob Um,

26:19

Pat macgarella, you're

26:21

a brave man. You're our

26:23

manager. I want

26:25

to apologize for the hotel rooms. I

26:28

want to apologize for trades, drum sets

26:30

catching on fire. I

26:34

want to uh, you know, thanks for

26:36

rehab, um right,

26:44

and thanks for doing those talks that we

26:46

were not capable of doing. So thank

26:49

you. Thanks a lot. We love I love you all

26:51

right, um.

26:54

And in closing, so we come from this place.

26:56

It's called Gilman Street. It's a club. It's

26:59

in Berkeley, and uh,

27:02

I am so fortunate. We

27:04

are so fortunate to be able to to to

27:06

play there because it was it's

27:09

all ages, and

27:11

it was nonprofit and

27:13

it's just all of these goofballs

27:15

and it was just like like it was like romper

27:17

room for degenerates and so great

27:20

and what a great scene. And we

27:22

got to watch our friends bands and they got

27:24

to watch us play, and they got to heckle us,

27:27

and we tried to heckle back, but they heckled

27:29

better. So and I got to see

27:31

Operation IVY, and I got to see Crimpshry

27:34

and I got to see Sewer Trout

27:36

and Nasal Sex and these far

27:39

out their bands, and I am truly

27:43

fortunate. And but you know, I

27:45

just I love rock and roll music. I

27:47

always have as soon as I opened

27:49

my eyes and took my first breath. I

27:52

am a fan. And that's the

27:54

one thing that I'm going to close with is

27:56

that I love rock and roll

27:59

and I love it for the rest of my

28:01

life. Thank you. Thanks

28:16

for joining us on this week's episode of Rock

28:19

and Roll Hall of Fame Induction Vault. For

28:21

more on your favorite inductees, To shop

28:23

inductee merch or to plan your trip to

28:25

the Rock and Roll Hall of Fame, visit rock

28:27

hall dot com plus Rock

28:30

and Roll Hall of Fame Induction Special on demand

28:32

on HBO Max. Our

28:35

executive producers are Noel Brown, Shelby

28:37

Morrison, and Esa Gurkey. Supervising

28:40

producer is Taylor shakogn Research

28:42

and archival assistants from Isabelle Keeper

28:45

and Shannon Herb. Thanks again for joining

28:47

us on this week's episode of Rock and Roll Hall of

28:49

Fame Induction Vault. Induction Ball

28:51

is a production of I Heart Radio in the Rock

28:53

and Roll Hall of Fame. M

29:01

For more podcasts from I Heart Radio visit the

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or wherever you get your favorite podcasts.