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0:00
Activists have been working to restrict access
0:02
to certain types of books in schools.
0:04
I'm Angela Mongos of NPR's Book of The Day
0:06
podcast, and we spent a week talking
0:08
to authors to band books to get their
0:10
take on being subject to a political
0:12
mailstrom. Listen to the book of the day podcast
0:14
from ManPR. Hey, it's Gregory
0:16
from Rough Translation. And if you came here
0:18
looking for the second part of our Ukraine
0:20
collaboration with Radio Lab, we are still
0:22
hard at work on that episode. It's
0:24
an episode that's gonna take us to Ukraine
0:27
on the ground We're gonna hear these really
0:29
surprising, very intimate conversations
0:31
with people about abortion and pregnancy
0:34
and just making choices in
0:36
the middle of war. So that'll
0:38
be in the feed next week. Meanwhile
0:40
though, I know you came here looking for a story
0:42
and I've not arrived empty handed.
0:44
I wanna share the first episode of the
0:46
new season of the podcast White Lies.
0:49
So the first season, if you haven't heard
0:51
it, it's descripting tale all
0:53
about the unsolved murder of a white pastor
0:56
in Selma, Alabama in nineteen sixty
0:58
five. But this season, Well,
1:00
it's an international story. It's the first
1:02
chapter in the story of the
1:05
modern US immigration system. But
1:07
it begins with this rescue mission across
1:09
the Florida Strait. That devolves into
1:11
a saga of indefinite detentions,
1:14
prison uprisings, and deportations.
1:17
If you like this episode, be sure to follow
1:19
NPR's podcast embedded to
1:21
get the whole season. Here are the White Lies
1:23
hosts, Chip Brantley and Andrew
1:25
Beck Grace.
1:27
Before we found the man in Vancouver, before
1:30
we sued the state department, before
1:33
we snuck into the graveyard of the federal penitentiary,
1:36
and before we received the brown paper package
1:38
that changed everything. All
1:40
we had were the photographs. We
1:43
just stumbled onto them. We were in the photo
1:45
archives of a newspaper in Birmingham, Alabama
1:48
looking through rows of filing cabinets,
1:50
each one containing small minimal envelopes
1:52
with negatives organized by a year. And
1:55
we were looking for something else entirely when we
1:57
found them. They're in envelopes dated
1:59
nineteen ninety one. One of a loeb
2:01
bread, Talladega Federal Prison
2:03
hostage situation. And another
2:06
Cubans Takeover Federal Prison. Most
2:09
of the images inside were unremarkable, cops
2:12
feeling about press conference with the
2:14
warden, news vans, all the road.
2:17
But then we found the photos of the middle
2:19
of the roof.
2:23
These were taken on a hilltop hundreds of yards
2:25
from the prison. They were taken with
2:27
a telephoto lens So the angle of view
2:29
is very narrow, the images are blurry, especially
2:31
around the edges. The show
2:33
group of men standing on top of the roof of
2:36
the prison. You can only make
2:38
up their faces, but they're holding bed sheets
2:40
with messages scrolled across them.
2:42
Please media, justice, freedom,
2:44
or death, each one. Another
2:47
so simply pray for us.
2:50
These images had been here in this filing
2:52
cabinet unseen for decades. And
2:55
at least for the people in Alabama, the story
2:57
they depicted had been mostly forgotten. When
2:59
we asked around, hey, do you know anything about
3:01
this prison riot in Talladega in the nineties
3:04
hardly anyone remembered it, despite the
3:06
fact that it had been by far the longest
3:08
prison takeover in the state's history. One
3:10
of the longest in the entire country. And
3:12
for those who did remember something about
3:14
it, the memory was always vague and
3:16
precise. Oh yeah, that thing
3:18
with the Cubans they'd say. It was
3:20
like this decades old story. It just
3:22
kind of faded away around here. Not
3:24
every moment in the past can be remembered,
3:27
there's a burden to remembering the convenience
3:29
to forgetting. Sometimes it's
3:31
just easier to look away. But
3:38
still, there was something about
3:40
these photographs of the men on the roof,
3:43
something about not being able to really make
3:45
out their faces. Something about Cuban
3:47
men in a prison in rural Alabama holding
3:50
a bedsheet that said pray for us.
3:52
Just the incongruity of it all.
3:55
But it didn't take much to realize that
3:57
those telephoto images had framed
3:59
out an unimaginable human drama,
4:01
a mass migration across the sea
4:03
backchannel cold war communicators, family
4:06
separation, and the creation of a secret
4:08
government list. And these
4:10
men had been sent to that prison in Talladega,
4:12
Alabama because their names were on
4:14
this list. And in nineteen ninety one,
4:16
when they took to the roof of the prison, they
4:18
were not being held as prisoners. None
4:21
were serving time for a sentence. They
4:23
were immigration
4:24
detainees, and some of them had been
4:26
indefinitely detained for over a decade.
4:29
The story we're gonna tell you, it's
4:31
about what happened when we set out to find the men
4:33
on the roof. And it starts not
4:35
at the
4:35
beginning, but here at the end.
4:37
At the Talladega Federal Correctional
4:39
Institutions. They were just
4:41
detained there waiting for either deportation
4:44
or trials or anything like
4:46
that. Most of them were awaiting
4:48
deportation. That's Cynthia Corzo.
4:51
In nineteen ninety one, she was a young reporter
4:53
from Miami's Spanish language daily newspaper
4:55
El Nueva Herald.
4:56
I would get phone calls from
4:59
prisoners on a regular basis. And
5:02
one in particular in Talladega,
5:04
his name is Jorge Luis. Marcus Molina.
5:07
He was one that used to call
5:09
regularly and he would always call me
5:11
directly. And one
5:13
day, phone call
5:15
phone rings, collect call from Jorge
5:18
Madquez, and, you know, casual conversation,
5:20
hey, how are you? I said, oh, how are things, this
5:22
and that. And all of a
5:23
sudden, he says, oh, we're rioting and we took
5:25
prisoners. We've got hostages. I
5:31
was like, what do you mean? We have prisoners. He
5:34
said, yeah. Yeah. We're all up in arms.
5:36
He said it in Spanish.
5:41
And what does that translate to exactly? Basically,
5:44
we've started a riot.
5:48
On the morning of August twenty first nineteen
5:50
ninety one, a handful of the men
5:52
detained at Talladega were in a secure
5:54
recreation yard. They overpowered
5:56
a guard, took his keys, and began
5:59
releasing other detainees in the unit. By
6:01
the time Jorge Marquez Medina called
6:03
Cynthia, all one hundred and nineteen
6:05
detainees had been released from their
6:07
cells.
6:13
After, like, an initial shock, I just started
6:15
asking him additional questions. And
6:19
hung up with him, told my editors, and
6:21
they got me and a photographer on a
6:23
flight out to Talladega to
6:25
cover the situation.
6:27
It's hard for me to put myself in their shoes, but I
6:29
wonder if you got a sense of what they hope to
6:31
get out
6:31
of all of us. I don't know
6:33
that they really sought that through, you
6:36
know, he just said, it was our only option.
6:38
We had to do
6:39
something, and this was the only
6:41
thing we could think of.
6:52
One to three, one to three, one to three I
6:55
got a message into the public opinion of
6:57
the unmet need.
6:59
Some of them have made the statement very
7:01
clearly that they are willing to die
7:03
rather than be returned to Cuba.
7:07
This man just read our names, all of
7:10
our names, and then he said, there's a
7:12
bold way for you to get everybody.
7:15
I think we should go back and remember
7:17
what happened in nineteen eighty. And in fact,
7:19
these people were dumped on the United
7:22
States. We'll
7:23
continue to provide open heart
7:25
and open arms to refugees seeking
7:27
freedom. This
7:29
isn't right. What our government is doing
7:31
in our name is not right.
7:37
You're not being held, who's your charge with the crime.
7:39
These people were being indefinitely detained.
7:41
We can't just keep these people in jail until
7:44
they die.
7:46
In many cases, we
7:49
never heard back from them.
7:51
He was like in the earth and swallowed
7:53
them. From
8:01
NPR, this is White Lies. I'm
8:03
Chip Brantley. And I'm Andrew Beck
8:05
Grace.
8:12
Demand on the roof were in Talladega because
8:14
her names run a list. The secret
8:16
list. A list made in secret,
8:18
kept in secret. The
8:21
list has never been released. So all that's
8:23
known about it for sure is that it was
8:25
announced on December fourteenth nineteen
8:27
eighty four, and that it contains the names
8:29
of two thousand seven hundred and forty
8:31
six Cubans who came to the US in
8:33
nineteen
8:33
eighty, but who the US government deemed
8:35
ineligible for legal admission to the country.
8:37
There was a list of specific individuals.
8:41
And as these individuals became
8:43
deportable, they
8:45
were moved to town, and they
8:48
had the whole list been
8:49
deported. There wouldn't have been any more
8:52
reason for my job. In
8:54
August of nineteen ninety one, Jerry
8:56
Walsh was a deportation officer for the
8:58
integration and naturalization service,
9:00
the INS. He worked inside
9:02
Teledica in the prison's alpha
9:04
unit. For those on the list who were about to
9:06
be deported back to
9:06
Cuba, the alpha unit was the
9:09
last stop. The
9:09
immigration service is strange
9:12
because you deal with
9:14
people as commodities.
9:16
If I arrested a guy for drugs, you take
9:19
the drugs, you send the guy to jail,
9:21
and you're done, you know, you
9:23
arrested an alien, you
9:26
might take whatever he's got
9:28
illegal on him, but then you have this person
9:30
you have to deal with. And
9:33
it's a lot harder
9:35
to take care of people in India's five
9:38
pounds a dope. Well, what led
9:40
up to it was that some of the Cubans found
9:42
out there was gonna be a big
9:44
playing mode of them going back to Cuba
9:46
the next
9:46
day. That's Linda Calhoun.
9:49
In nineteen ninety one, she was working as
9:51
a deportation docket clerk for
9:53
the INS. At the federal prison in Talladega.
9:55
Linda is originally from Brooklyn. Maybe you
9:57
can tell by her accent, and she and
9:59
her family had only lived in the south for a couple
10:01
of
10:01
years. It was like a different world.
10:04
The little 1II think
10:06
when we got there, it must have been like
10:08
four or five years old, and she picked
10:10
up this Alabama slang
10:13
that it was like a
10:15
knife, a sharp knife going in my
10:17
ears and twisting them.
10:19
Yes, terrible to
10:20
say, but I
10:22
hated for for Vicki to talk.
10:24
But despite the kids accents, the family
10:26
liked it in Alabama. They big
10:28
property with a bunch of animals. Her husband
10:30
worked at the nearby army
10:31
base. My first cousin at that time
10:34
was an MP at four McClellan.
10:36
He came home one night and in the driveway,
10:38
there was this little puppy
10:40
that just fitted in the palm of his
10:43
hand while my husband
10:45
loved animals. And he
10:47
put it in a box and and that
10:49
little puppy just
10:51
cried all night and we try
10:53
to feed it with a little doll
10:55
bottle I didn't get that much sleep
10:57
that night. Maybe I should have stayed
10:59
home that day. But
11:01
that day was when they took
11:03
a hostage. Well,
11:05
I remembered that I wasn't
11:07
supposed to be working there that
11:08
day. I had swapped out with a friend
11:11
of mine because
11:13
I had relatives in North
11:15
Carolina who
11:17
invited my family to come hang out on
11:19
the beach. So the day before I
11:21
was in the beach in North
11:21
Carolina, and that
11:24
morning I came on
11:26
duty,
11:26
and there you go. Mary
11:29
Hogan was a corrections officer at Talladega,
11:31
working for the Bureau of Prisons. The
11:33
morning of Wednesday, August twenty first,
11:35
started out like any other day, an alpha
11:37
unit. After breakfast, the detainees
11:39
were allowed time in a secure recreation
11:42
yard just outside the
11:42
unit. So they were in a cell
11:45
and they had to extend their hands out so
11:47
that they could be handcuffed while they were still
11:49
in the cell. Once they were
11:51
handcuffed, we popped open the cell
11:53
door and one
11:55
officer would escort the inmate
11:57
by holding the handcuffs and another officer would
11:59
be supervising
11:59
it. And we
12:02
escorted them out The yard was
12:04
divided into five chain link cages,
12:06
each twenty by thirty feet with a
12:08
chain link fence on all sides, even a
12:10
chain link ceiling. And each pin could
12:12
hold a few detainees. One guard
12:14
would patrol the wreck yard, lighting detainees
12:16
cigarettes, or bringing them water from a
12:18
cooler. There was a little enclosed
12:21
yard area for recreation
12:23
for the detainees, and
12:25
we were sending people out to
12:28
a recreation. I was talking to a guy in a
12:30
bottom cell, through the door to his
12:31
cell, and I heard a
12:34
commotion behind me.
12:36
Over the
12:43
years, we've been working on this story, we've
12:45
heard different versions about what happened
12:47
next. The team from the Bureau of
12:49
Prisons, who had later produced the after action
12:51
report on the incident, was unclear how it
12:53
all started. It say simply that they were
12:55
quote, unable to determine the exact
12:57
manner in which this occurred. From
12:59
our reporting, we know that it started with three
13:01
detainees in one of the recreation cages.
13:03
One story involves a disguise. Another
13:06
features a piece of stolen jewelry and yet
13:08
another an igloo cooler in a distracted
13:11
guard. But the most plausible
13:13
version seems to be that the detainees
13:15
threw a hand ball under the bottom of the fence.
13:17
And when the guard went to retrieve the ball,
13:19
he was enough for one detainee to grab
13:21
his arm and pull him hard against the
13:23
fence. Another detainee whipped out a
13:25
screw they'd taken from a creative instant
13:27
match potatoes and held it against the guards'
13:29
neck. The third DTE grabbed
13:31
the guards' keys, and in a matter of
13:33
minutes, they're trying to get back into the
13:35
unit.
13:35
I'm sitting in my office
13:38
doing paperwork. I think the
13:41
Cubans were supposed to fly out the next
13:42
day. And
13:45
I heard a commotion
13:46
One of the BOP yells
13:49
out. Cubans took over the wreck
13:51
yard. What the hell's going
13:52
on? I says, what do we do?
13:55
I looked at my office door and a
13:57
BOP guard was leaning on
13:59
the entry door looking
14:01
around for help, you know. I went
14:03
out to help him hold the door.
14:05
They finally pushed him
14:08
through the door and
14:10
retreated to my
14:11
office. I think I had
14:13
already called it in. You know,
14:15
ten one, I think, is a general
14:18
code for bad things happening,
14:20
but I think III think I
14:22
specifically said they're
14:24
taking place. I
14:26
started to
14:28
turned to run and and
14:30
the guy stopped and came walking
14:32
towards me.
14:33
And he
14:34
said, don't do it. So I
14:36
give up That's what our training was.
14:38
I said,
14:39
okay, from that run,
14:42
getting
14:42
my radio. I was with the
14:45
language specialist and we
14:47
heard all the yelling and the running
14:49
around and everything. So, you
14:51
know, my legs were
14:53
like this. Moving so fast. I
14:55
tried to hold on to them, but my hands were
14:58
going like that till he says, just take it
15:00
easy. Don't worry. So then
15:02
the door swung open
15:04
and it was the Cubans. They
15:06
opened the door, don't hurt Miss
15:08
Linda. So they
15:10
told him. No. We won't hurt her. I mean,
15:12
it it surprised me how fast
15:14
they move and how they were
15:17
organized. Do you ever
15:19
watch any of the Check Norris
15:21
movies, Delta
15:23
Force? It means quite quick. 123I
15:25
mean, you know, that every one of them knew what
15:28
exactly they had to do.
15:35
Eventually, the, you know, the door between
15:38
my office and the other
15:40
side were open and we were
15:42
vastly
15:42
outnumbered. They
15:44
came into the office. Okay? And they
15:47
started going for telephones. It's at
15:49
this point. Just minutes after they've taken
15:51
over alpha unit, that Jorge Marquez
15:53
Medina called the reporter at El Nueva
15:55
Herald, Cynthia Coorso. And all of
15:57
a sudden, he says, oh, we're rioting and we
15:59
took prisoners. We've got hostages.
16:01
After Qorvo hung up with Mark as Modena,
16:04
her first call was to her photographer, C.
16:06
M. Gurero. The
16:07
other thing I knew about Tallo Bago was that there
16:09
was a big giant erased track there. You
16:11
know, Tallo Bago
16:12
Speedway. By the time Corzo and
16:15
Guehro arrived at the prison, all one
16:17
hundred and nineteen Cuban detainees and
16:19
Alpha unit had been released from their
16:21
cells, and they were holding ten hostages.
16:23
Seven guards from the Bureau of Prisons and three
16:25
INS employees. Media outlets
16:27
from across the country were descending
16:29
on Talladega as was law enforcement
16:31
from across the region. I
16:34
never felt so
16:36
much pressure. On a photo
16:38
assignment ever, it it
16:40
was, like, one big giant SWAT
16:42
unit was there
16:44
surrounding this cell
16:45
compound. A lot of FBI
16:48
that you can cut through the knife,
16:50
the detention was
16:51
so I
16:51
don't know what it was. It
16:54
was how quiet everybody
16:56
was.
17:01
Cuban inmates took over part of a
17:03
federal prison in Talladega,
17:05
Alabama today. At least ten people are
17:07
believed to be held
17:08
hostage, including guards in immigration and
17:11
not And what does your
17:11
training tell you to do at this point once you've
17:14
been locked in this room? Well,
17:16
generally speaking, I mean, you're still
17:18
working. You can oh, you're still you're
17:20
still on duty, but you're not in charge anymore. So
17:22
your job then is to,
17:25
you know, keep yourself safe, keep
17:27
everybody else
17:28
safe, What
17:30
point did you get a sense of how
17:32
the Cubans were gonna treat you all?
17:34
No.
17:37
We had no idea. I mean,
17:39
the first part of
17:41
any kind of disturbance
17:45
like that is incredibly is
17:47
usually incredibly violent. This was
17:49
not thank
17:50
God, but it
17:51
was could have been at any second. I mean,
17:53
so, you know, you had that kind of in the back of
17:55
your head that bad things could happen any
17:57
second. And then they
18:00
didn't prison riots are usually unwieldy,
18:03
unpredictable, and often very,
18:05
very violent. The New Mexico
18:07
State prison riot of nineteen eighty one of most
18:09
notorious in US history began when a
18:11
group of inmates overpowered four guards.
18:13
The guards were beaten, stripped,
18:15
bound, and blindfolded. The inmates then went
18:17
searching for other guards, dragging one of them naked
18:20
and blindfolded down a flight of concrete
18:22
stairs by a belt wrapped around
18:24
his neck. The riot ended with
18:26
thirty three deaths and over two hundred
18:28
injuries, and what researchers would later call an
18:30
orgy of violence. The
18:32
Talladega takeover began with
18:34
violence too. AGAR was hit over the head with
18:36
a mop handle right at the
18:38
beginning. But the detainees released him for medical
18:40
treatment within hours. And according to the
18:42
after action report, he was
18:44
only, quote, slightly injured.
18:46
So as the first day of the takeover came
18:48
to a close, the detainees moved the
18:50
ten hostages into a hearing room. And they
18:52
brought each one a thin mattress. Then they made their
18:54
way to the property room and found their street
18:56
clothes. So they took off
18:59
their prison uniform and they
19:01
put on their regular clothes,
19:03
you know, clothes from
19:05
that period of time back from the
19:07
nineteen eighties or whenever
19:10
things from that period of time, and
19:12
they were happy to have them. You know, they
19:14
felt more comfortable in
19:17
eddies. Linda Calhoun had worked at Talladega
19:19
for several years, and she'd gotten to know
19:21
many of the detainees. She shared with
19:23
the art supplies when she
19:25
could. And they would give her homemade mother's day cards and valentons.
19:27
They called her miss Linda. The
19:29
ones that spoke English days to talk
19:31
to me, they used to draw draw
19:34
pictures for me. You know, they
19:36
were respectful. They took care of
19:38
us when we were there. You
19:41
know, they could have just said, okay, you're gonna
19:43
go to the restroom, go, and then somebody could
19:45
have come into the restroom with us.
19:47
But they they always stood guard
19:49
when we went up to the shower room. They
19:52
stood guard there with their handmade
19:54
weapons that they made. They
19:56
didn't let anybody come by there, and they didn't
19:58
peak or nothing. So, you know, it
20:00
was like, they took care of us like
20:02
they would, let's say, It's
20:05
gonna sound dumb like their sisters or
20:07
their
20:07
mothers. Okay? Did
20:09
you remember much about Jorge?
20:13
But Marquez. I know he
20:16
told the other the other Cubans not
20:18
to mess with me and
20:20
not to hurt me. Once
20:22
I had sort of a little pimple and it
20:24
started bleeding right away and he
20:26
wanted to know who who hit
20:27
me. Who did that to you? Nobody
20:30
did it to me. I just had a little pimple and
20:32
it started bleeding. Oh, okay.
20:35
So he was ready to go and,
20:37
you know, talk to somebody.
20:39
He sort of maybe was sort
20:41
of I don't know if I should say
20:43
this or
20:44
not. Sort of my guardian angel
20:46
watching over me. You know?
20:57
See, I I see a hostage negotiator
21:00
is a fisherman. And a good
21:02
fisherman just doesn't take a hook
21:04
and a worm. You got a tackle
21:06
box and you've got multiple lures
21:09
in there to use in different
21:10
situations. Clint Van Zant
21:13
was a hostage negotiator from
21:15
the FBI. He arrived at the prison
21:17
soon after the
21:17
takeover. You're a you're a negotiator.
21:20
You're a facilitator. You're a
21:22
middle man. Your used car
21:24
salesman. Vance Vance sent a message to the
21:27
Cubans. To try and end the uprising, he
21:29
wanted to understand their demands. In
21:31
response, Jorge Marquez Medina demanded to speak to a member of
21:33
the press, and he chose Cynthia
21:36
Corzo, a Valinuevo
21:36
Harold. We were just all
21:39
milling about and
21:41
mask would still call me. They
21:43
were trying to get their story told.
21:46
And they said they wanted to speak to the media, and if
21:48
they were speak to the media they wanted to speak
21:50
to
21:50
me. The
21:51
detainees needed to take a hostage with them to
21:53
talk to the FBI, so they picked
21:56
Linda Calhoun. So I went in and they
21:58
told me right away, don't worry, we're not
22:00
gonna hurt you. I said, okay.
22:02
Now you could handcuff saw me, but the
22:05
handcuffs was so whoosh. I
22:07
took off the handcuffs, I says
22:09
here. And they looked at me and I
22:11
says, you see that big fence?
22:13
So do you think I can climb that big
22:15
fence? I says there's no way. So
22:17
we will laugh about it, so they let
22:19
me go out there. We talked to
22:21
the
22:21
FBI, Palle data was
22:24
surrounded by hills. So I
22:26
am up this hill. Is
22:28
that a good vantage
22:29
point? The El Nuevo Herald photographer, Si M Guérero,
22:31
got the call from reporter Cynthia Corzo,
22:33
that they were going in to talk
22:35
to the
22:35
detainees. I just
22:37
gather my ear and I sprint
22:40
down going downhill. It
22:42
seemed like a
22:44
mile. And, of course, everybody's looking
22:46
at me, say, where's Guehrer going?
22:48
Oh, Guehrer's onto something? What's
22:50
happening to
22:50
Guehrer? Why is he running so fast? And
22:53
then all of a sudden, next think I know we're in the
22:55
compound, and that's where
22:57
everything was so
22:58
the
22:58
high tension man. We were right at least,
23:00
like, ten feet in front of them.
23:02
Sitting down, talking to
23:04
him, and I'm shooting away. It was
23:07
like anything could happen, and
23:08
we'd be in the middle of it. I
23:10
kind of just remembered a million
23:12
things going on at once, like, there
23:14
were things happening in every
23:15
direction. And you kinda didn't
23:18
know where to look. Okay?
23:19
You know,
23:19
let me start taking notes, but where do I
23:22
look first? I see in Guéro shot
23:24
photos and Cynthia Corzo took notes
23:26
and spoke to the detainees, the negotiator
23:28
from the FBI. Clint Van Zan grew
23:30
increasingly concerned that the detainees
23:32
didn't want to negotiate an end of
23:34
standoff. They wanted media to
23:36
instead. The lead
23:36
hostage taker was demanding
23:39
that the CNN come with
23:41
a live camera. And,
23:43
well, I mean, that wasn't gonna happen. And
23:45
he was yelling louder and
23:47
louder. And I told the
23:49
female reporter and this camera person I
23:50
said, turn around and walk away. And
23:53
at that juncture, the guy says, look, I wanna show you
23:55
the hostage. And I remember
23:58
telling you if you I know. The the guy
24:00
show the hostage.
24:02
Stop this now. They're gonna bring the hospice to the
24:04
dorm. I said, both of you
24:06
with me turn around
24:10
walk away and walk back
24:12
into the command
24:12
post. Mhmm. There's negotiators here at the
24:15
tip of the spear. You're out
24:17
there as far as you can be.
24:18
And if things go
24:20
right, that's good. And if you're
24:22
wrong, people die. It's
24:32
Toldig,
24:32
Alabama, it's day six, and
24:35
we're here hoping that
24:37
this siege will end
24:38
shortly. Six days after the takeover
24:41
started, an INS Staffer showed up with
24:43
a VHS camera document
24:45
the crisis for the agency's internal use.
24:47
There are wide shaky shots at the
24:49
outside of the prison with a line of TV news
24:51
trucks with satellites on
24:53
top. A
24:53
helicopter passes overhead, law
24:56
enforcement officers and right gear, lounge, or
24:58
beneath an oak tree, and then the
25:00
camera moves to a room adjacent to
25:02
Alpha
25:02
unit. And shooting through a window
25:04
captures the unit's roof.
25:12
The Cubans have gained access to the roof of Alpha unit,
25:14
and soon dozens of the detainees
25:16
are there. Some of them begin to
25:18
unfurl a banner.
25:20
But now you can read this one. Can
25:21
you read it for me? I can't make it
25:24
on me. Camera. Yeah. I could Can someone read
25:26
it for me? No. I I read
25:27
it.
25:28
We office. Can you say this new one
25:30
on me? You might be able to
25:31
read this. Pressure what?
25:34
Just justice,
25:37
freedom, or death.
25:39
They unfurl another banner. It
25:42
says simply pray for us.
25:44
As the takeover enters the second week,
25:46
the feds are running on of patients and the Cubans are increasingly
25:49
desperate. Their primary demand that the
25:51
deportation flights stop is falling
25:53
on deaf
25:53
ears, and their only bargaining chip
25:56
is a continued safety of the hostages.
25:58
Our job was to try
26:00
and make these guys like us enough to where
26:02
they didn't wanna kill
26:04
us.
26:04
one of the guys came in with
26:07
a with a pillowcase
26:09
and said, need
26:11
an identification card from everybody.
26:14
To all two relationships into the billet
26:17
case. And he said,
26:18
okay, we're gonna pick a name out for the
26:20
first guy we're gonna kill.
26:22
I mean, we were all bright people, and I think
26:24
we all knew that it was very,
26:26
very, very possible and
26:28
and kind of likely
26:30
that we might not make it out in one piece.
26:32
You
26:32
know, I wasn't buying the whole butcher thing
26:35
in a in a
26:37
pillowcase bit I thought
26:39
that was more just
26:39
showmanship, but didn't matter
26:42
because
26:42
if they
26:43
were gonna do it, they were gonna
26:45
do it. So I didn't know if
26:48
we were gonna be rescued or
26:50
not. And I wrote my kids a
26:52
little node each telling them that
26:54
I love them, the matter wide,
26:56
and, you know, to pray for
26:58
us and not to
27:00
be angry with anybody
27:03
that things happen
27:05
and that I
27:07
loved them and to take care of each
27:09
other and their dad and
27:11
a grandma and
27:12
grandpa. detainees agreed to have
27:14
the hostages examined by medical staff in
27:16
exchange for more food rations. During
27:18
this
27:18
exchange, the hostages were able to
27:21
communicate their fears things might soon turn
27:23
violent. And that was all the
27:25
FBI needed to finally move
27:27
in.
27:29
It was my habit to
27:33
sleep with my feet in
27:35
front of the door. So
27:37
if anybody decided to come in, they'd have
27:39
to wake me up.
27:41
And I heard
27:44
a a flu.
27:46
And I stood out and went to the door. Of
27:48
course, I thought it was a flash bang.
27:50
What had happened on the on
27:52
the door furthest from
27:54
us, they charge that was placed on the door
27:57
slipped off the door. When the
27:59
assault went down at Talladega, the
28:01
hostage rescue team put explosive
28:03
charge on one of the doors to get in.
28:05
And initially, the charge did
28:07
work. And another negotiator standing
28:09
next to me
28:10
said, oh my god, everybody's gonna die.
28:12
And
28:12
I I didn't really need to hear that at
28:14
that point because I
28:16
had invested every ounce
28:19
of emotion I
28:20
had. And then they blew
28:23
the door off and went in. I
28:25
said, alright. We need to put those
28:27
mattresses in this hole here. So
28:29
we started showing mattresses in about that time the other door
28:32
went
28:32
off. And
28:33
you could hear chunks of
28:35
concrete ricochet and off the walls
28:38
blew the light fixtures out of the
28:40
ceiling. It
28:41
was early early in the morning because I remember
28:43
I didn't have shoes on, but
28:46
it felt like the ceiling
28:49
sort of jumped up
28:51
and came down because the
28:53
fluorescent light just missed
28:55
my head. It was all dark. So you
28:57
couldn't see where you were walking. I didn't
28:59
have shoes on. I know I stepped on
29:01
some big pieces of
29:03
rock. Because I got healed spurs
29:05
due to that. So we all got up
29:07
and we were barricading the doors. And,
29:09
you
29:09
know, all I need is a few seconds
29:12
these guys are these guys are amazing. And all
29:14
they needed was was that little bit of time. I
29:16
think it was about a minute and a half
29:19
where they made contact with us. And then I think it was
29:21
at at three
29:22
minutes. I was walking through the door. I
29:24
think I was first one out.
29:29
The
29:29
hostage standoff at the Talladega prison in
29:31
Alabama ended just before dawn today.
29:34
They had told us
29:34
out we were all in a group outside
29:38
the unit And I
29:40
asked the rest of the group. Is it okay if I
29:43
have a cigarette now? Because I had to vote on
29:45
whether I could have a cigarette because I
29:47
was that
29:47
annoying. And
29:47
they said, yes, I could, and I laid it up.
29:50
And I think I took about two
29:52
drags and a very nice man from
29:54
the
29:54
FBI. Tap me on
29:56
the shoulder and ask me very politely to put that
29:58
out because I was standing in the middle of their
30:00
field
30:00
armory. And I
30:03
can
30:03
remember very clearly
30:05
the first breath of fresh
30:08
air. I got it must have been four or
30:10
five o'clock in the morning. You
30:12
know, beautiful Alabama morning.
30:14
You breathe in that
30:16
that fresh air and we're just
30:18
greatest
30:19
error I'd ever tasted in
30:22
my life.
30:37
The VHS tape filmed by the INS picks
30:39
back up after the breach of the wall.
30:41
It's dark before dawn. Generators
30:43
run-in the background They're shots of
30:46
INS staffers and then the camera pans across
30:48
the lawn of the prison. Rose and
30:50
Rose of the Cuban men were lying face down on
30:52
the ground not. Their hands sipped behind
30:54
their backs, their feet shackled.
30:56
Standing over them are SWAT team members
30:58
and FBI agents in full rioting holding
31:00
the times. One of the men on the ground has
31:03
heard screaming. Then
31:08
there's a shot
31:13
a little later. The sun has
31:15
come up. The men are being walked one
31:17
by one across the yard to be strip
31:19
searched. There seemed to be more SWAT and
31:21
FBI members than detainees at
31:23
this point. The camera pans across the
31:25
yard where the men were shackled, and now
31:27
it's strewn with clothing and shoes. The
31:29
relics of the personal effects and
31:31
street clothes They had rescued from the prison's property room during
31:33
the take
31:33
home. Looks like a
31:35
blue light special. Hey, Mark. Doesn't it? The
31:37
lectern is pulled in front
31:40
of cameras with the prison in the background. And the acting
31:42
attorney general William
31:43
Barr, yes, that bill Barr,
31:46
steps out to address the crowd. I
31:48
do.
31:49
Extend you my heartfelt appreciation,
31:54
bravery,
31:54
professionalism, the
31:57
occasion.
31:59
Thanks. The
32:03
next day, the deportations resume.
32:05
Jorge Marquez Medina and the other leaders of the uprising
32:07
are on the first flights out.
32:09
The final shots from the tape are
32:11
INS staff milling about in the front of
32:14
the prison posing for
32:15
photographs. It has this weird end of summer
32:18
camp five to it. Hey, Steve. What's
32:20
coming in the future?
32:20
Alright. Hold
32:21
on. Atay,
32:22
this is a great operation with people. Good job, guys. Yeah. you
32:25
very much. Well, no. It's thirtieth nineteen
32:27
ninety one. Don't help me.
32:41
Finding
32:43
those photos
32:46
of the men on the roof is what started
32:48
with all of this. But it wasn't long before we came to
32:50
understand just how vast and complex the
32:52
story was. These men had all
32:55
come to this country in nineteen eighty.
32:57
Part of the When in a matter of months, one
32:59
hundred and twenty five thousand Cuban refugees
33:01
had come to South Florida on overcrowded
33:04
shrimp boats and rusty freighters and
33:06
virtually anything that would float. They'd
33:08
worm their way through the perplexity of the immigration
33:10
system until the US government decided and
33:12
wanted to return some of them to Cuba.
33:15
But it wasn't that This was a cold war. And
33:17
so there were backchannel communicators
33:19
over years about the creation of
33:21
a list, the secret list.
33:24
And while this list was being negotiated, thousands
33:26
of Morio Cubans languished in federal prisons
33:28
without due process, without any constitutional
33:31
rights. And in nineteen ninety one,
33:33
when these men seized the prison and took to the
33:35
roof, again, they were not being held as
33:37
prisoners, but as immigration detainees.
33:39
And some of them had been indefinitely detained
33:42
for more than a decade.
33:43
But it
33:43
wasn't just what had happened to them
33:46
as our angle of view widened as we went
33:48
through rhemes and rhemes of their legal
33:50
filings, picking apart the memos of
33:52
various presidential administrations. Reporting
33:54
from Havana to Vancouver, we
33:56
came across all kinds of stories about
33:58
what sort of people they were. In one version,
34:00
they were dangerous criminals, the worst of
34:02
the worst. In another, they were
34:05
refugees seeking freedom. One
34:07
person would tell us injustice after injustice had
34:09
befallen them while someone else would say.
34:11
They got exactly what was
34:13
coming to them. But there was one thing that
34:15
pretty much everyone agreed on. Those men on the roof of
34:17
the prison in Talladega, Alabama in
34:20
nineteen ninety one, they
34:22
were gone. Forgotten.
34:24
They'd been deported or they'd disappeared.
34:26
You couldn't trace them. Early on,
34:28
someone told us it was as if the
34:31
earth had swallowed them. So
34:33
we knew it would be difficult to find the
34:35
men on the roof. But what we could not
34:37
have known when all this started was that
34:40
in trying to track down what happened
34:42
to them, we'd actually wind up finding a bigger story, a
34:44
story about us, about our own
34:46
country, about our
34:47
ideals, and our history,
34:49
and our laws. Sunday, October
34:52
third, Lennon and I
34:54
had late breakfast. Then got ready to
34:56
go to the National City Christian
34:58
Church. This
34:58
is from Lady Bird Johnson's audio diary. It's nineteen
35:01
sixty five. And on this Sunday, she
35:03
was traveling with president Johnson and
35:05
some friends from
35:06
Texas, to a ceremony
35:08
in New York City. Going up for
35:09
one of the most dramatic hours of
35:12
this year's congressional session,
35:14
signing of the immigration bill,
35:17
took place where else, but in the shadow of the statue
35:19
of liberty. And if anybody
35:21
hollows its
35:23
corny, make the most
35:26
of it. On the heels
35:28
of two of the most
35:30
consequential pieces of legislation in
35:33
the twentieth century, the Civil Rights Act
35:35
of nineteen sixty four and the Voting Rights Act of nineteen sixty five.
35:38
President Johnson was poised to sign the
35:40
most sweeping and significant immigration
35:42
overhaul in
35:44
the nation's history. Simply put, the bill would
35:46
redefine who could become an
35:48
American. And in the decades, it would follow an
35:50
unprecedented migration
35:52
for Asia,
35:53
Africa, and Latin America would radically
35:56
reshape the demographics of this
35:57
country. Nearly two hundred
36:00
years after our founding exactly one hundred years after a civil war,
36:02
Gilead Taurus apart. This bill
36:04
liberated our immigration policy from an
36:06
explicitly racist
36:08
quota system. It
36:10
has been unAmerican in the high sense because
36:13
it has been
36:16
untrue. To the faith
36:18
that brought thousands to these shores
36:20
even before we were
36:23
a country. Today,
36:26
with my signature.
36:28
This system is abolished.
36:32
We can now
36:34
believe that it will never again shatter the gate
36:36
to the American nation
36:38
with
36:39
the twin barriers our
36:42
prejudice and
36:44
privilege.
36:49
And his eyes turned from
36:51
Linden's space to the flag to the
36:53
To the great statue itself was caught
36:56
up in the magnificent drama of
36:58
the moment. It was good history and
37:00
good theater. Good
37:07
history
37:07
and good theater. After confessed,
37:10
we're a little obsessed with this idea. Because
37:12
when you look back at the past, it's
37:14
this constant battle between what
37:16
really happened and how we think
37:18
about what happened, the story we tell about
37:20
what
37:20
happened, the history on the one
37:22
hand and the theater on the other,
37:24
It's very theatrical to say that we're a nation of immigrants that what is written
37:27
on the base of the statue of liberty
37:29
right where president Johnson is
37:31
standing is true. That we're
37:33
here to welcome the refuse from your shore.
37:36
You're tired and huddled masses yearning to
37:38
breathe free. But
37:40
the history it can get the
37:42
way of
37:42
that theater. The
37:43
first immigration law passed in the United
37:46
States was the naturalization act of
37:48
seventeen ninety. It established
37:50
that the path to citizenship was reserved
37:52
for free white persons of good
37:54
character. In
37:55
this policy, it excluding non whites would be upheld again.
37:58
The Indian removal act
37:59
of eighteen thirty forced indigenous people from
38:01
their land and denied
38:04
them citizenship. The dred Scott
38:06
decision of eighteen fifty seven held that
38:08
people of African descent even those
38:10
freed from slavery could not become
38:12
US citizens. The Chinese
38:14
exclusion act of eighteen eighty
38:16
two banned migration from China and
38:18
refused citizenship to Chinese people
38:20
already here. And finally, the
38:22
Immigration Act of nineteen twenty four
38:24
virtually eliminated immigration from
38:26
non white countries. The net
38:28
result of all this wasn't subtle It
38:30
was simple to enshrine whiteness as the
38:33
national
38:33
identity. But
38:34
then things began to change. You can draw
38:36
a line from the end of world war
38:39
two to the of rights era align when forces in the
38:41
country are pushing it to live up to the radical proposition
38:43
of this country's founding documents
38:46
that here is
38:48
a place where the inalienable rights of all people will be
38:50
protected before the
38:51
law. It's a time
38:52
when some are trying to tell a more inclusive story
38:56
about country about who deserves to be an American. It's by
38:58
no means a perfect time. There's reactionary
39:00
violence to nearly every attempt
39:02
to change the story. But
39:05
the theater in the history at this moment,
39:07
they align. And that's how we get
39:09
to president Johnson standing at the statue
39:11
of liberty, celebrating the most Expensive Immigration
39:13
Act in the nation's
39:13
history. Those are
39:16
that's the pocketbook
39:17
that I had that when I went
39:19
to work that day. You
39:21
know, when the Cubans sit
39:23
down. That's alright. When the
39:26
Cubans to go with
39:28
the unit, But here's the thing about theater seldom
39:30
converge the way they did back then.
39:32
Usually, they're in tension with each other
39:34
because stories are vulnerable things.
39:37
And tries we might to tell a new story about who
39:39
we are. It's hard to outrun your
39:41
history. Wait.
39:42
Yes. Can I go check the
39:45
pizza? You're sure.
39:45
In your story. Yeah. Yeah. Because I don't want you
39:47
to -- Yeah. I don't know. -- ask
39:49
it twice.
39:50
This interview with Linda Calhoun
39:52
was the first one we did for the
39:54
story back in twenty fifteen. We'd found the photos of the men on
39:56
the roof just a couple of months before a
39:58
long shot presidential candidate, a
40:00
reality television star, announced his
40:04
run by saying that immigrants were criminals, that our country had become a
40:06
dumping ground for the rest of the world's problems,
40:08
that the American dream was dead.
40:11
And that the solution was to build a giant
40:14
wall.
40:14
The story he told wasn't subtle,
40:16
it was simple. And if this
40:18
seemed out of place and improbable at first
40:21
like theater from a different era. By the time
40:23
we sat with Linda Calhoun in her living
40:25
room, this theater was resonating in
40:27
a new
40:28
way. And that vulnerable national story was fraying
40:30
because of it. Look, put it this
40:33
way. If the
40:35
week got released, And the
40:38
day that they, you know,
40:40
got the Cubans and they stripped
40:42
them and they put them on the floor and
40:44
they kept them there for a couple
40:46
hours, I cried.
40:48
I cried
40:49
because some of
40:51
them didn't deserve
40:52
them. I mean, that's
40:55
I guess it's, like, remarkable attitude. I
40:57
think for somebody who's just been out of that situation, were
40:59
you They didn't do that
41:01
to us.
41:01
Even though we were a house
41:04
to originate redness and
41:06
everything. They still treated
41:08
us with dignity and
41:10
respect. You know? So don't
41:12
you think they deserve the same
41:15
thing?
41:15
What did
41:23
those men deserve? This question
41:26
from Linda Calhoun all those years
41:28
ago, the very beginning of our
41:30
reporting, it's stuck with us.
41:32
Because really, it's a question about what this
41:34
country is of what this
41:36
country is not. A
41:38
question about our values, about
41:40
justice and fairness, about
41:42
how we decide who has the right
41:44
to have rights.
41:45
This season on White
41:46
Lies. They had received shortwave transmissions
41:49
from their Cuban relatives
41:51
that Fidel
41:53
was letting gray Emma essentially come. My mom, of course, had
41:55
no
41:55
choice because she already knew that if she
41:58
cried, I would stay in Cuba. There was a
42:00
continuing concern that Fidel Castro is
42:02
lifting his jails and
42:04
forcing boat captains to take
42:06
undesirable to the United
42:06
States. They get out of their boats
42:08
and they walk through water. And
42:11
they're yours. What do you do with
42:13
them? So you don't know who you're bringing
42:15
or what what their intentions are. If
42:18
there's a racial element to this suspicion in stereotypes.
42:20
Absolutely. We got a question. I mean,
42:22
Miami was sort of like like back
42:23
then, you
42:26
know, who very unpleasant
42:27
place. They were sick
42:27
here with a label, and you know what
42:30
we did? We
42:32
accepted the
42:33
have effectively lost control of our border.
42:36
We are talking
42:36
about the most dangerous group of
42:39
inmates confined in American prisons
42:42
anyway.
42:42
And staff came along and proceeded to beat the living
42:44
daylight time. No journey.
42:47
No journey. No
42:50
journey. And no new process. Just locked up
42:52
and the keys literally thrown
42:53
away. Well, I mean, look at the whole place and
42:55
look at the components of it. Right? We're in
42:58
a graveyard all these men died
43:00
here. This is not the place you wanted
43:02
to. Please don't send this
43:04
letter to the mailbox
43:07
of forgetfulness. I hope one day to go back to United
43:10
States. I I left my daughter when she
43:12
was four years old. I didn't see
43:14
my
43:15
daughter anymore.
43:16
I would
43:17
like to see my daughter. I like to, you know, to feel like
43:19
a like a
43:22
father.
43:48
If you wanna
43:51
hear our next
43:55
episode now, for everyone else, sign
43:58
up for embedded plus. At
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plus dot NPR dot org
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slash embedded. Or find the
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embedded channel in Apple It's a great way to
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support our work, and you'll get to listen
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to the entire season sponsor
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free. That's plus dot MPR dot
44:12
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44:13
embedded. White Liza's ported, written and produced by us and
44:15
Connor town O'Neil. Liana Simpson
44:18
is our supervising producer. Andy
44:20
Yetsi is our
44:22
associate producer. Robert Little
44:24
edits the show with help from Bruce Oster
44:26
Keith
44:26
Woods, Christopher Turpin, and Kamala
44:29
Kelger. Our incredible Core as composed and
44:31
performed by Jeff T. Bird. Emily Vogel, his
44:34
senior visual editor. Barbara Van
44:36
Werkam
44:37
is our fact checker. We had production
44:39
help from Pablo Arguez. Audio engineers include
44:42
Robert Rodriguez and Andy
44:44
Heuser. A huge thanks
44:46
to Radiohead. For
44:48
the use of their song The National
44:50
Anthem, courtesy of XL recordings and Warner Chapel Music.
44:52
Archival tape in this episode
44:55
comes from Seaspan, CBS NBC,
44:57
the PBS NewsHour Collection, and the American
45:00
Archive of Public Broadcasting, the
45:02
Jimmy Carter library, Museum, the
45:04
LBJ presidential library, the US
45:06
citizenship and immigration services historical
45:07
library, and the Hoover Institution
45:10
archives. Special thanks to Elizabeth
45:12
Whitmire in the Alabama
45:14
media group. Long time Birmingham news photographer Joe Songer,
45:16
who took those photos of the men on the
45:17
roof. Jose Glasius and
45:19
the Miami Herald, Zach
45:22
Willsky. Senior historian at the
45:24
US CIS history office and library,
45:26
Wisconsin Public Radio, Britney
45:28
Young and Pat Dugans, an Alabama Public
45:30
Radio and Meredith McDonough in the Alabama Department of
45:33
Arts in
45:33
History. We are grateful for the work of Micah
45:36
Ratner in NPR's
45:38
legal team. And Tony Cavitt, NPR's standards and practices
45:40
editor. Our project manager is Margaret
45:42
Price. Irene Naguchi is the executive
45:44
producer of NPR's enterprise
45:46
storytelling unit.
45:48
And Anja Grundman is
45:50
NPR's Senior Vice President for Programming and Audience
45:52
Development.
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