Episode Transcript
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0:02
This is a HeadGum Podcast. Ah,
0:06
you're home. Looks like you caught
0:08
me changing your bed sheets. Well,
0:12
most front door locks are hardly impermeable.
0:14
A false sense of security, really. Why
0:17
am I here changing your sheets? Well,
0:20
when I saw you at the dog track,
0:22
I noticed that your skin is looking, well,
0:25
riddled with grease and acne. And
0:28
I thought that poor bookie down at Rusty
0:30
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0:50
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sponsoring me. this episode. Okay,
2:02
okay, I'm leaving, but you'll never find where
2:04
my wife is hiding in here! Ha
2:06
ha ha ha ha ha! Hello,
2:09
you nasty little piss pigs!
2:12
Back to the graveyard, are we? Couldn't
2:14
get enough of your rude tales of
2:17
magic tricks, eh? Well, that's fine by
2:19
me. I could
2:21
use the company. I'm a
2:23
lone puppet-like creature chained to
2:25
a gut magazine in a
2:27
graveyard. I could use
2:29
all the companionship I can get!
2:32
All I have are these ravens that pluck out
2:34
my organs. Some friends. Oh,
2:37
I shouldn't judge, though. It's not like
2:39
I've never eaten the organs of a man
2:41
chained to a magazine. I was quite
2:43
a fixture of the 80s underground scene I'll
2:46
have you know. Under the
2:48
earth, that is. Where am I going with
2:50
this rift? Who cares? Rude
2:52
tales of magic! Weird
2:54
types in piss harbor! Wow,
2:58
thank you, grave freaker. Yeah! It's
3:01
a piss harbor! Yeah, thanks harbor! I sure
3:03
see them in the same room! Well,
3:10
the grave freaker wears glasses. Yeah, yeah, yeah.
3:13
Thank you, grave freaker! Yes, piss harbor! The
3:16
town that Cordelia today voted most
3:19
likely to break your damn heart,
3:21
baby. It's a town
3:23
of crime and grime. Broken
3:25
laws and smoking bras due
3:28
to a large population of second wave
3:30
feminists, most of whom live
3:32
in Sinumtown. But we're not in
3:35
Sinumtown right now. No, our
3:37
camera is pushing through the Blade
3:40
Runner levels of smoke and fog
3:42
into the soaking wet streets and
3:45
slashing me on signs of porno
3:47
square, the beating heart of the
3:49
harbor. If this
3:51
is the beating heart, then piss harbor
3:53
is a two-pack a day smoking because,
3:56
baby, this is one clean label hole.
4:00
The lead hustler's push the
4:02
latest and most fashionable drug,
4:04
while sign after sign advertises
4:07
24-hour beauty shows like Dude's
4:09
Control or Up With People.
4:13
A two-story-tall neon sign of an
4:15
elf in a negligee with
4:17
a beehive hairdoost oscillates between its two
4:19
neon poses as it blows a
4:21
kiss to you. The listener, wow,
4:23
next to it is a
4:25
martini for Admiral Weiner's R-rated
4:27
movie. Look, they're
4:30
showing murder my husband erotically.
4:33
You drift in past an orc
4:35
usher in a little red cap
4:37
to the single-screen theater. The
4:39
air is thick with cigarette smoke
4:41
as flickering images spurt out onto
4:43
the screen from the projector room.
4:45
A single kenku stuffed to
4:48
the brim with pixies gives descriptions of
4:50
the movie so vivid that
4:52
we see them in Vinegar Syndrome
4:54
Stains 35mm Clarity up on the
4:57
screen. Wow, what a world of
4:59
magic. A woman with large hair
5:01
stands on a balcony and holds a gun
5:03
at the screen. You know
5:05
how to whistle, don't you? Just put your
5:07
lips together and blow. Like this.
5:12
Well, I was hoping you could teach me. Down
5:16
below, the orc usher walks down
5:18
the aisle with a pixie-ass flashlight
5:20
looking for somebody. Waleed,
5:23
who exactly is he looking
5:25
for? Well, he's
5:27
looking for Timmy and Tommy.
5:29
I'm a real
5:31
adult. A real,
5:34
live adult. I'm
5:36
about six feet tall or two, three
5:38
feet tall, however you want to consider
5:40
it. And then
5:42
I also got glasses and
5:45
a big glaustral mox nose mustache
5:48
and eyebrows. And
5:50
I got a hat that's way too
5:52
big for my frickin' head. The
5:54
orc usher, he looks like a
5:57
little girl. with
6:00
his flashlight. He sees people, they're asleep in
6:02
the theater, they're making out of this in
6:04
the seats. This doesn't bother him at all
6:07
until finally his flashlight. Timmy,
6:10
it's on you. Timmy,
6:12
what do you do? And he says, wait a second.
6:15
Where's your ticket? It's right
6:17
here. So I pay for
6:19
it on the counter. Here you go. He
6:21
looks at your ticket and he eyes it suspiciously. He
6:23
goes, let's see that ID. Oh
6:26
yes, of course. Let me dig
6:28
down into my trench coat and
6:31
well, here you go.
6:33
That's me and my face. Something
6:36
stinks here. And he tears the ID
6:38
in half and he starts pounding his
6:41
fist. And he says, your ass is
6:43
grass kid. This is an R rated
6:45
movie. I
6:50
don't think so. And he
6:52
winds up and he's going to take a
6:54
huge swing at you. He's going to make
6:56
an attack roll at you.
6:58
Oh no. This is a
7:00
short guest appearance. Yeah. Unfortunately
7:03
though, he gets a two.
7:05
Okay. Or fortunately, I'm actually looking forward
7:07
to having you on the show. Well,
7:09
thank you. I appreciate that. It's nice
7:12
to be here. I'm just so empathetic.
7:14
Even this oric I feel for him.
7:16
And he whips it and he falls.
7:18
He says, oh boy, when I stand
7:20
up, I'm going to really kill you
7:22
for watching an R rated movie. Okay.
7:24
I guess I'll just see myself. And
7:27
then Jimmy stands up as awkwardly as
7:29
you've ever seen a human being stand
7:31
up and shuffles unbalanceably
7:33
out of the theater. The
7:36
oric tries to stand up, but there's so much gum
7:38
stuck to the bottom of the floor. He has to
7:40
make a strength roll to see if he can get
7:42
up. Got
7:44
a roll heavy show going on here. Well,
7:47
uh, I don't know. Listers might've noticed we
7:49
want to run a pretty tight ship when
7:51
it comes to being this guy. However, he
7:53
rolls a six. So he stretches and he
7:55
gets almost all the way up. But there's
7:57
this like a, this thin membrane of gum.
7:59
and it just slams it back down to the
8:01
ground. Not today, orc. Giving you
8:04
just enough time to wobble out of
8:06
the theater out into the night.
8:09
We cut now to the brand
8:11
new Moonlight Value Bounties headquarters in
8:14
the break room of the O'Reilly
8:16
Auto Parts on De Palma Boulevard
8:18
between Sherman and Hauser. A
8:21
statuesque, half-elf, half-orc woman with
8:23
enormous raven hair addresses a
8:25
group of bounty hunters. Hey
8:27
guys, thanks for meeting me here
8:30
on such short notice. We had
8:32
a last minute bounty come in. Frankly,
8:34
this is one of the lower bounties,
8:37
lower reward bounties we've ever gotten. It's only
8:39
about 800 gold, but
8:41
frankly, you guys could use
8:43
the money after blowing your last bounty
8:46
so badly. I did the math and
8:48
that's 200 gold for each of you.
8:50
For what I can assure you will
8:52
be the easiest bounty of your lives.
8:55
Your target is Timmy N.
8:57
Tommy. And at that she hands
8:59
out photo copies of a Boardwalk
9:01
caricature. The subject of the caricature
9:03
looks to be a little boy with
9:05
big ears, freckles, and glasses connected to
9:07
what looks to be a fake nose
9:09
and mustache with big eyebrows. He wears
9:11
an enormous fedora and a trench coat.
9:14
He stands about two children tall. Uh,
9:16
he posed for this caricature last week
9:19
before going to the Blow Trunks Express
9:21
roller coaster down by the Boardwalk. The
9:24
caricature artist has drawn him surfing
9:26
here, but no eyewitness reports corroborate
9:28
him to be any sort of
9:30
surfer. I tried to contact the
9:32
caricature artist, but nobody can find
9:34
them. This seems to be
9:37
a pretty obvious case of two kids in
9:39
a trench coat posing as an adult man.
9:42
They've been sneaking into R-rated movies
9:44
and running up astronomical tabs in
9:46
the Candy and Ice Cream District.
9:49
The bounty actually came in from Franco
9:53
Neapolitan, the owner of
9:55
Neapolitan's Vanilla, Chocolate, and
9:57
Strawberry Emporium. He's a good
9:59
man. Iran and he's worried for these
10:01
kids. Safety is worried that they're gonna
10:04
be lured into even more dangerous than
10:06
illicit activities If they are. Stop soon.
10:08
We need you to find these kids
10:11
and bring them in before they get
10:13
themselves into actual danger. Auto know, maybe
10:15
offer them a lollipop or something new.
10:18
I'm looking at you and I say
10:20
this next part this is one where
10:22
you're gonna need to bring them in,
10:24
allies or of our show will be
10:27
getting angry emails every question. Can I
10:29
bring the man that. I'm now now.
10:31
Quests and always. Who is this? Neil?
10:33
Who is the describe who's asking? this?
10:36
Well as thank you for asking. Neil
10:38
standing by that coffee maker
10:41
in the garage is a
10:43
gargoyle. She says about three
10:45
four feet tall and that
10:47
she is a of immaculate
10:49
beautiful grey stone that speaks
10:52
to the high quality of
10:54
the chapel she once and
10:56
settled for and that she
10:58
has scratches all over her
11:00
stone that look like tattoos.
11:03
From. The wayward children who made it
11:05
up onto the roof Low: three or
11:07
four feet tall. That's almost one half
11:10
of Timmy and Tommy. Tall. Interesting. interesting
11:12
going for it. Yes,
11:14
that's a lot of positive records that
11:17
oh sorry I was. I got third
11:19
where the description closer course you knew.
11:21
I rescinded it. I think I understand the
11:24
parameters. now. now that I understand their children,
11:26
I would simply never kill them. Children are
11:28
innocent. Oh great. We got
11:30
time for three more questions. I'm
11:32
sorry ago I have to. These
11:35
kids have a loving family. Are
11:37
they looking for a new type
11:39
of arrangement? A new type of
11:41
file family? Who's asking this question?
11:44
Tim Gray Question: Branson This is
11:46
Tommy Whistle or Frogman. Potentially Life
11:48
Who is a cowboy excluding his
11:50
cowboy boots, holster, bow tie and
11:53
cowboy hat. By last episode I
11:55
accidentally said was sleep. He told
11:57
his naked. Oh yes. Australis. I
11:59
should. That's mostly agree.
12:01
A good question. We have been
12:03
unable to find out he sets
12:05
of parents of for these kids
12:07
are So far there's there are
12:10
the Norm de Plume there earlier
12:12
so of to me and Tommy
12:14
seems to be oh we can't
12:16
We can't figure it. We can't
12:18
crack it. We don't know who
12:20
these kids off at this point
12:22
in fantasy history. We don't have
12:24
a face recognizing technology that would
12:26
allow us to identify who this
12:29
kid or these. Kids. Are
12:31
so no. no family has been
12:33
identified. We don't know where they're
12:35
from. Once again, where we are
12:37
in history confounds my ambitions. Don't
12:39
worry, we'll find these kinds of
12:41
bring him back home. For. Interest.
12:45
Ah, Not. A
12:47
question so much as a tell me.
12:50
That. Comes from a tall,
12:53
wide, dense sent our to
12:55
looks ready to be your
12:57
widows next husband if you
12:59
stare too long as his
13:02
keys. With that I know,
13:04
radiant entanglement of flowers, sealed
13:06
frame sunglasses and little else.
13:09
It's Johnson Large is absolutely
13:11
drives me coconuts and insanity.
13:13
The idea that a child
13:16
might learn so much from
13:18
the world's by watching are
13:20
rated. Movies instead of.
13:23
Growing to the appropriate age to
13:25
our relationships and sex with us
13:27
consenting loving partner and killing a
13:29
man with our own hands non
13:31
consensual eat by a hated enemy
13:34
we got to get help these
13:36
kids out for her. So much
13:38
stronger than large obviously because I
13:40
was a comment or not a
13:42
courses or don't know them for
13:44
you have already. Here's a question
13:47
may moving Are you doing these
13:49
days? From do a great the
13:51
to hosts have sexual tension. Another
13:54
cool All right.
13:57
I thought you were dating moose? oh was
13:59
i was established in a previous episode? I'm
14:01
a modern woman I can have sexual attention
14:03
with whoever I want. Neil, you're on the
14:06
wrong side of history for this one although
14:08
you said here here so never mind. I
14:10
was simply pointing it out I wasn't judging it although
14:12
my intonation was- No, you were right to remind me.
14:15
I did forget. Neil,
14:17
we don't have tension. We
14:20
have history. It's a little different. But
14:23
it doesn't surprise me that a statue would
14:25
get that wrong. Moose, I
14:27
don't want to hear it. And I want to hear you messing
14:29
my name up around these streets.
14:31
Jill, who is who is this
14:34
Moose character who's got such a
14:36
problem with Neil the gargoyle? Imagine
14:38
it's 1987 and you're
14:40
Don Johnson. Oh, Don.
14:42
And you're smushed down to three
14:44
feet for compact portability.
14:46
Well, I don't mind if I do. Then
14:49
we're talking Moose, baby. The smoothest dwarf
14:51
in the streets of this harbor. He
14:53
knows all the angles, he knows all
14:56
the corners, and he's never met a
14:58
sleeve he hasn't rolled up. Joe is
15:00
playing to the the silent majority of our
15:02
listeners who have a Don Johnson crush fetish.
15:08
Sturring the sweeping giant. We
15:11
put Don Johnson in a hydraulic
15:13
press. Right before he passed away
15:16
we took him out. Moose
15:19
turns away. Sometimes
15:22
it feels like there ain't no
15:24
one in this town that I don't have history with.
15:26
But yeah, we'll find these kids. Okay,
15:28
great. Get them, get them
15:30
move on, okay? There's a lot of flammable liquids
15:32
here in this in this break room and I'm
15:34
worried something's gonna get knocked over and we're gonna
15:37
start a fire in here. I
15:39
do have a question. Okay. Didn't we all push
15:41
the envelope a little when we were kids? Is
15:43
it really so wrong if one,
15:46
maybe two, maybe even three
15:48
children are seeing something a
15:50
little past their comfort zone? Who
15:53
are we to judge? We're not here to judge. Oh good.
15:55
We're not here. If the kid wants to watch all rated
15:57
movies at home, during the day, we're gonna have to go.
16:00
In a sleep over which is
16:02
developmentally normal Really? every day me
16:04
a fucking to didn't do that
16:06
that are did hundred. For.
16:08
You know otherwise like are allowed to do this
16:10
stuff is just you guys are here to. There
16:12
was a bounty on this kid. Okay
16:15
of the kid wants to steal candy and
16:17
watch R rated movies. That's fine by me.
16:19
You're just there to protect this kid. This
16:21
kid's gonna get themselves into a are super
16:24
trouble them I want up dead because you
16:26
just need to bring them off the streets.
16:28
Favourite Maybelline will maybe. Maybe.
16:31
We'll discuss the particulars over dinner sometime.
16:33
Pol Pot Love that because we have
16:35
a history. She looks a jonathan large
16:37
and we have a future. She looks
16:39
itami whistle. Get outta here. About
16:43
a mile and ladders have.
16:46
Come. On friends let's go save a
16:48
family. Moose Moose
16:50
is going to light a match
16:52
and light a cigarette and and
16:54
then he he waves the match
16:56
to put it out and throws
16:58
it to the ground. It goes
17:00
out and eight hits the ground
17:02
harmlessly, but it hits it up
17:04
with at such a high velocity
17:07
that it explodes. Or
17:09
eating at a silos and sold his
17:11
clothes. It's all of this is fluid
17:13
and was that Elisa for enough a
17:15
starts to. Explode. That
17:22
are, we don't run, he was
17:24
headed. very cool and we're all
17:26
in one flatline of walking away.
17:29
V as I call it all.
17:31
Free plays his truck away fine
17:33
Chanterie. Maybelline
17:36
explosive the headquarters. For.
17:42
Us to listen gang. i
17:44
know there's only one place we gotta
17:46
stop first and we're going to smash
17:48
cut to the ice cream and candy
17:50
district you are you find yourself the
17:53
ice cream and sandy district us everywhere
17:55
you look ah there's there's ice cream
17:57
stores there's little arcade sir sandy stores
18:00
If it's at the top of the food pyramid, if
18:02
it's all the eat sparingly, this
18:04
is the original name of the town
18:06
was the eat sparingly district. You
18:10
find yourself here. Everything's brightly colored.
18:12
There's neon signs at much lower
18:14
eye levels. This place seems designed
18:17
to lure in children.
18:20
Where do you want to go? Branson, is there...
18:23
I think Tommy Lissl is looking for one
18:25
of the more responsible owners of shop to
18:27
one of the more responsible shopkeeps. So I'm
18:29
gonna ask, are there any candy
18:32
nut stands? Candy
18:34
nut stands? Yeah, because in my opinion, those
18:36
who do the candy nuts are the most
18:38
responsible of the candy
18:40
purveyors. Of course, Tim. The world
18:43
bends to the whims of
18:45
whatever insane thing you privately believe. There
18:48
is a... yeah. You find
18:51
a candy nuts and homework help
18:53
store. It's run
18:55
by Michigan J. Responsible. Before
18:58
he takes a step forward, Moose
19:01
is gonna put a hand on Tommy Lissl's shoulder.
19:04
He's gonna say, Tommy, you gotta watch out.
19:06
Look right down that street. And
19:08
Moose points down the alley past
19:10
the nut candy and homework help
19:13
store. He says, that way leaves
19:15
you right into dentist town. In
19:17
these two neighborhoods, they're like
19:19
oil and water. You do not
19:21
want to step too far. You see
19:23
snapping dentists leaning on lampposts and like
19:25
flipping coins. They've
19:27
got really surly expressions on. They smile
19:30
at you. Their teeth are just like
19:32
blindingly white and clean. Tommy Lissl puts
19:34
his hand on his revolver. If it
19:36
comes to it, I'll kill him. I'll
19:38
kill the man with the little hooks
19:40
that they put around our teeth. And
19:43
I'll do it gladly. But first, candy
19:45
nuts. We
19:47
zoom in on Tommy Lissl's gun and
19:49
there's a written on it. Are
19:52
the words, this gun kills dentists. There's
19:57
like tally marks for different dentists that he's
19:59
killed. I just wear any will
20:01
Listen Election Freebie backstory but why it's more
20:03
and it's kind of motivated but we'll get
20:05
a different episodes t us saunters over more
20:07
than one we are tied up up up
20:09
up up. I Will is not a robot
20:11
or the Not man. okay you said he
20:13
saw their over to the Not Man and
20:16
you see a tiny little human sharp teeth
20:18
with the long white dress shirt with like
20:20
be arm bands. Around. Them that
20:22
like all time ragtime piano player
20:24
says he's putting a going out
20:26
of business any day now side
20:28
in the window sadly outbid. Oh
20:30
there. He
20:34
looks at you that's not good
20:36
food seems these days all children
20:38
one is ice cream and candies
20:40
with no not in them little
20:43
won't help with their homework, they
20:45
want to pursue their homework or
20:47
you can even so account enough
20:49
to us cream shops looking. For
20:51
fun things to bullet of the
20:53
ice cream I've tried dining room
20:56
for this saddens me but I'm
20:58
I hear the voice a sad
21:00
story even though I watch videos
21:02
that door ago. the reminds me
21:04
our all that Aliens well I'm
21:06
here. The as you seen any
21:08
chills walk around pretending to be
21:10
adult. Children. Walking around
21:12
pretending to be a job where
21:15
the only thing I've seen around
21:17
these parts are children not coming
21:19
into my store and also my
21:22
old partner Diego. Homework.
21:26
Via he's when he sees died sake
21:28
of homework he the had by. Oh
21:31
yes I was visited by him last
21:33
night of well how's ago did you
21:35
reconnect and talk about Palms I was
21:38
that I got my own story anyway.
21:40
suppose we did. but you know that
21:42
the chains we'd we were in death.
21:45
We ford's in life that I is
21:47
ponderous trade have been told. This
21:49
is a riff without a light at the end of
21:51
the total What? i'm
21:54
looking for a kid named simeon
21:57
tommy about six feet tall that's
21:59
three times If you
22:01
want to check my homework on that he
22:03
he pulls up an envelope and does some
22:05
math on the backup And he goes my
22:07
god it checks out. Thank you, and he
22:09
flicks a little uh 25 cent gold Coin
22:13
to him as a thank you for helping him check his
22:15
homework For
22:19
minutes and then he flicks a second a
22:21
second one goes and I'll take some of
22:23
those candid cashews Oh good goodie goodie, and
22:26
he blows dust off of the the candied
22:28
cashews and hands them to you Would
22:30
you like an individually wrapped where there's
22:32
a region? What yeah, damn fuck yeah
22:34
do that do that do that sir
22:36
he also then opens his revolver takes
22:38
out all the bullets and puts them
22:40
as a Other his
22:42
pocket in this holster and he puts
22:45
the candied cashews in the revolver spinning
22:47
it slamming it shut shooting into the
22:49
alley a warning shot Candied
22:54
cashew into the alley and
22:57
you hear the dentist Say
23:00
a warning shot this guy means business. I
23:02
was hoping for a scurrying But
23:05
you can I've learned a scurrying the only comes
23:07
when you don't want it to come. Do you
23:09
need anything else? Oh? Friends
23:12
what you think any more questions mooch is
23:15
outside feels not there Wow
23:18
the friends you made reference to weren't even
23:20
in the store were they you went from
23:22
being normal to being an idiot I
23:25
have learned that horses are not
23:27
welcome indoors Well,
23:29
I guess I'll walk through this open door. I've
23:31
been holding open the whole time Thank
23:35
you, sir, and I hope you're still around by
23:37
the time I come back. I love candid nuts
23:40
I hope I am too he
23:42
eyes the sign in his window and he
23:44
shakes his head and says the times They
23:46
are a changing the camera blows past
23:48
his shoulder through the glass and up to
23:50
the rooftop of the ice cream joint where
23:53
Neil is sitting with his feet dangling off
23:55
the edge like kicking them happily and she
23:59
has a like a swirl cone and
24:01
her tiny vanity wings are
24:03
like doo doo doo doo like
24:05
so excited because she loves
24:07
ice cream. Tommy flicks up the
24:09
withers up to her hand. She
24:12
grabs it. That's yours, baby.
24:16
Thanks, baby. So
24:19
I've got this great vantage point and I
24:21
thought maybe I could look around from here. Yeah, I
24:23
think you should make a perception roll for me.
24:25
I think you're right. I think you're right.
24:27
I got a 19 plus 4. I
24:30
got a 23. I checked
24:32
the back of an envelope. It's
24:34
remarkable. Mathematicians on my show.
24:38
You've got a 23. So
24:41
where are you looking and what are you
24:44
looking for? And I'll tell you exactly what
24:46
you see. Okay, she's enjoying the swirl cone
24:48
as a way of like re-engaging
24:50
with sort of a childish spirit.
24:53
And by doing that sort of like
24:55
scanning and basically like almost
24:58
as if she's a robot, it's like human or you
25:00
know like robot. But in this case, it's
25:02
like child, adult, child, adult. Right.
25:05
It's like the Terminator view. Yeah.
25:09
And you know what? You get a little bit
25:11
of the predator heat vision in there too for
25:13
the fire roll. So you
25:15
can see it's like it's horrible blues
25:17
and greens for adults and then just
25:20
like bright red for kids. This
25:22
place is crawling with kids.
25:25
But you do see a lot of
25:27
commotion coming from gumballs forever.
25:30
Okay. It seems like there's like maybe
25:32
there's like a fight going on in
25:34
there. Somebody's screaming. There's a lot of
25:36
kids running from there. Hoping that
25:38
Tommy Whistle still has his eyes up
25:40
on her. She whistles at
25:43
him and then sort of like puts
25:45
your fingers together and like double points
25:47
them at the gumball place as if
25:49
to say move out. He mimics a gesture
25:51
back to her to let her know that he
25:53
has seen it and he is following suit. He
25:56
starts walking towards the gumball place. She's
25:58
going by rooftop. Timmy
30:00
and Tommy talk outside. Oh, yeah,
30:02
take that sir And then
30:04
Timmy and Tommy goes and as he's like wobbling
30:07
out of the store He's like grabbing gumballs left
30:09
and right and shoving them into his trashcoat pocket.
30:11
Oh Powerless.
30:14
Oh my gosh. Oh
30:16
my god. Thank you. So I appreciate all your
30:18
help. Wait, how the heck you know my name
30:20
Well, that's the fun. Yeah, how do you know
30:22
his name? Yeah, how do you know my name?
30:26
Jonathan We we
30:28
were hired we were hired by
30:30
your Parents. Yeah, that's
30:32
it. My parents. My parents are
30:34
dead. Oh You
30:36
think this tall man is the
30:38
kid that indeed I do look
30:41
at him He's six feet tall
30:43
the in-between part don't seem completely
30:45
attached as if foot was resting
30:47
upon Shoulder and
30:50
it's pretty hot outside. Why would you
30:52
want to wear a and she? Steps
30:55
up and like grabs the buttons on
30:57
the trench coat So
31:03
you rip the trench coat open yeah Neil
31:06
can you make a strength roll for me
31:09
and it's not gonna be tough. It's a
31:11
trench coat Oh, I got a 10 you
31:13
got a 10. Yeah, you had to beat
31:16
a 2 with the trench coat trench coat
31:18
rips open Is
31:25
it no what you see
31:27
is a deformed body Who
31:34
has two tiny little legs and in the
31:36
middle of the six feet is a large
31:38
bulbous bump that is his stomach belly
31:41
area And
31:43
yeah connected to you know a
31:45
little tiny. Well, it looks like a kid's head. Oh,
31:47
no Oh Neil
31:50
shoves the trench coat back together and takes a
31:52
big step back. Oh geez. Sorry Neil
31:54
Neil What's wrong show us the other
31:56
child you have to look for yourself Okay
32:00
No please don't! Please don't!
32:03
Moose ignores the pleas of what he
32:05
believes to be this child and reopens
32:07
the trench coat. Oh!
32:10
Hey, um, are you
32:12
clothed underneath? Yeah, I- yeah, Timmy
32:14
and Tommy is wearing like, uh... Okay, great, great, great,
32:16
great. Yeah, he's wearing like long johns underneath. I
32:19
see! Hmm... So
32:21
sorry, sir! And Moose
32:24
closes- Moose closes the trench coat
32:26
and buttons it. I thought you
32:28
guys were nice! You guys helped me only
32:30
seconds ago and now you're stripping me in
32:32
public in front of all these kids! What
32:35
the heck?! Hey, hey, hey,
32:37
calm yourself, calm yourself, calm- We may
32:39
have been under a false assumption about
32:41
you being two children, but still, we
32:44
are required to get you out of
32:46
here right now. Okay, well
32:48
I don't know if- I don't know if I want
32:50
to spend time around you guys. Why not? We're fun.
32:52
We're pretty fun. You guys are fun? Yeah, we're fun.
32:54
Like, what kind of stuff would you guys
32:56
like to do? Like buy alcohol and rent
32:58
cars and see movies and stuff? Well, you
33:00
talk like that, it- You know,
33:03
it's so sound like you can admit that
33:05
that sounds childish, right? And we're not crazy
33:07
to assume when someone says that. Don't you
33:10
guys like to like, vote
33:12
and get to Afton and stuff? Yeah,
33:14
we love to vote. I kind of liked
33:16
getting my Costco card. Oh man, I gotta
33:18
try that. I have a driver's license. Let
33:20
me just get the list of
33:22
what is canon in the world up and add
33:24
Costco to that. Oh
33:27
discount. Why not? I
33:30
gotta get rid of Sam's club now. I
33:33
support it. So now what do we do? The
33:36
bounty was to bring in a child. Two child,
33:38
in fact. And now we have one not child.
33:40
Yeah. Another failed bounty. We don't keep
33:42
looking for the child.
33:45
Oh, his name. Right. He
33:47
said that was his name. Okay.
33:49
Yeah, my name is Timmy and Tommy. But
33:53
if he's only one individual, are we gonna get
33:55
half the money? That's not very much money. Don't
33:57
turn me in. I didn't do nothing wrong. It's
34:00
not my fault, none of these people take my credit cards
34:02
and stuff. They think I'm
34:04
lying and stuff. I don't really get it.
34:06
You don't? You don't? Have
34:08
you tried to affect a more mature attitude?
34:10
What do you mean? Like kind of
34:12
how I do, you know? And Moo sort of
34:14
like does a little strut around in a very
34:17
like adult way. You're, I mean,
34:19
you're only like half my height. I'm way more
34:21
adult than you are. Maybe we should do an
34:23
adult off. Yay! You want
34:25
to? You would lose, my friend.
34:27
You would lose. The kids around
34:30
you begin cheering, adults off, adults
34:32
off, adults. They say gabbo, gabbo,
34:34
gabbo, gab. They have their primitive
34:36
child culture. You've called for an
34:39
adult off and they want to make this happen. Okay,
34:41
and working the crowd, Moose is going
34:43
to start to, he does another bit of
34:45
a strut and he sort of like, he
34:47
throws open his suit jacket
34:49
that he's wearing in
34:52
sort of a flourish. And as he does
34:54
in the same smooth movement, he's going to
34:56
whip out a checkbook. And
34:58
then he grabs a pen and he quickly
35:00
balances it. Oh my god, the kids don't
35:03
even totally understand what's going on here. Make
35:05
a charisma roll. Branson, it's my
35:07
lucky number tonight. That's a 12. 12?
35:11
That's pretty, do you have any modifiers? No, you have a
35:13
pretty high charisma. I added a modifier. Oh, you added a
35:15
modifier. I have a very good modifier and I came up
35:17
to a 12. You,
35:19
so what the kids are doing
35:21
right now is they're like, they're
35:23
pretty impressed. They can tell that
35:25
those are adult signifiers, but they
35:28
really just don't know what balancing
35:30
a checkbook means. That means very,
35:32
that's very abstract to children. And
35:34
so they make a noise like,
35:36
oh, you know, we've
35:39
seen our parents do things like that. Okay,
35:41
Michael, I'm going to show you. And
35:44
first of all, what Timmy does is he reaches
35:47
into his trench coat and he chucks
35:49
the gumballs at all the kids just to get them on
35:51
his side. They love that.
35:55
And then he also reaches into his pocket
35:57
and drop his wallet on the ground. He
36:00
starts to bend over and then
36:03
he's like, Oh, my back, my
36:05
freaking back hoods. Oh
36:08
my God, my back hoods
36:10
so much. So not only
36:12
did you butter them up with gumballs, but
36:14
you are, you're taking a shot at adults.
36:17
Here's a child's natural enemy. So
36:19
make a charisma roll with advantage.
36:21
Okay, excellent. The least childish
36:23
thing in the world is adults
36:26
suck. Kids
36:29
love that stuff. Okay, that's a 19 plus
36:31
3, that's 22. Hell
36:34
yeah. Yeah, I felt like a 22. The
36:36
kids begin chanting, not one of us,
36:39
not one of us, not one of
36:41
us. Yeah. Moose is
36:43
like, is a little panicked. He
36:45
usually, like any room he walks
36:48
into, he's the coolest guy in the room. He's
36:50
realizing he maybe can't connect with children in the
36:52
way he can connect with adults. And maybe this
36:54
isn't like, you know, maybe the night
36:56
isn't with him. So he panics and he does the only
36:58
thing he can do. And he turns to the mob of
37:00
children and he says, I am
37:03
not a virgin. The
37:05
kids not wanting to like to
37:07
really think about that or riff
37:10
with that. The kids begin running
37:12
from you. Looks
37:16
like I won the place clears out. Yeah,
37:18
man. I got to give you your respect.
37:21
That's impressive, dude. I got it.
37:25
I am a virgin. For some
37:27
reason, the ladies don't like me
37:29
very much. Jonathan
37:32
Large puts his hand on Timmy's shoulder
37:34
and says, It's because you spend too
37:36
much time with the
37:39
unrealistic expectations of these
37:42
R-rated movie ladies. All
37:45
right? Oh. I
37:48
never thought about it that way. They
37:50
don't act like that in the real
37:52
world. Yeah, I guess
37:54
I thought I went to those movies because
37:56
I wasn't having success with my war
37:59
life. maybe it's opposite yeah
38:01
usually I don't have success because I
38:03
watch those movies all the rest of
38:05
us are nodding sagely yeah yeah the
38:08
thing is in those movies
38:16
when you finally get lucky with
38:18
one of these R rated ladies
38:21
you're gonna see him with their top
38:23
off and their titties out you're
38:26
never gonna see Bush though but
38:28
in real life my friend it's
38:30
all there I think we covered it
38:33
it's all there I'm so glad
38:36
the kids ran away yeah I
38:38
wouldn't like a lollipop blows
38:41
through the alley like a tumbleweed so
38:43
something to think about as you
38:45
you know explore the world of
38:48
dating yeah I'll keep that in
38:50
mind horse guy thank you my name is Jonathan
38:52
and as Jonathan large
38:54
wraps up saying the most beautiful
38:58
and thing that's ever
39:00
been said on Ruth Gilda Magic an
39:04
adult human woman
39:07
wearing a black veil over
39:09
her face enters into
39:12
this part of town and she looks up
39:15
at Timmy and Tommy and she
39:17
points and she says you yeah
39:20
how can I help you you're the
39:22
one you recognize this and
39:24
she pulls up the caricature of Timmy
39:27
and Tommy oh
39:29
yeah when I was surfing the other day
39:31
yeah I got caricature done of me yeah
39:33
what's the big deal my husband drew that
39:36
caricature I am a
39:38
characterist widow and you
39:40
and she pointed him are
39:42
the man who killed him we
39:46
look at Jimmy no
39:49
no what does this mean Jimmy why'd
39:51
you do that lawyer lawyer
39:54
are you saying
39:56
lawyer do you want a lawyer
39:58
anyway we're not peacekeepers Okay,
40:00
guys, I don't usually answer questions
40:03
about... ...marp supposed in motors
40:05
and whatnot. It's a shame he'd get
40:07
a letter sentence if he was tried as a child. Oh,
40:10
I should probably use that. Timmy takes out a notebook
40:12
and writes that down. He can write. Mostly,
40:15
I think you're missing the point. He killed a
40:17
man. The grieving widow, she's just like
40:19
waving the caricature around, and she says, This
40:21
man is a murderer, a killer
40:23
of husbands. Hold on,
40:25
hold on. Did you see him do
40:28
this, ma'am? Yeah, I did.
40:30
I saw the whole thing. It was
40:32
down by the boardwalk. This man received
40:34
a caricature that he didn't like at
40:36
all, because he claimed my husband made
40:38
him look like he was surfing like
40:41
a fool. Yeah, I feel good,
40:43
first of all. But that's... But I do
40:45
do this, okay? Really?
40:47
Could somebody like me do
40:50
this? And... I
40:52
don't... I guess it is okay if I
40:54
use my cuteness spell right here. Oh, yeah.
40:56
Whoa. Oh,
40:58
my God. He lowers
41:01
his glasses, and for the first time,
41:03
you realize that the eyebrows and mustache
41:06
nose are, in fact, attached to his
41:08
face and part of him. And
41:10
he widens his eyes, and the
41:13
sun hits them perfectly, and they
41:15
glisten as you fall into a
41:17
deep love for this beautiful
41:19
man. Is this directed towards us or towards
41:22
the widow? The four of you. I don't
41:24
think I could sway this woman. An
41:26
angel? You were my baby. There
41:29
must be a misunderstanding, ma'am. This
41:31
boy, this man, could never have
41:33
done something like that. He's our
41:35
friend. Now. No! No, you
41:37
fools! You fools are falling for his
41:39
cuteness! He looks like two children, and
41:41
so you think of him as two
41:43
children, but he is one man, one
41:46
serial killer, and you're falling for it.
41:48
I wish one of you would make
41:50
a wisdom saving throw against his charisma,
41:52
so you can understand the truth of
41:54
the matter. This is an evil man!
41:56
Ma'am, ma'am, ma'am, we've been through it.
41:58
He may be a child. He's a
42:00
childish man, but he's a man nonetheless. We
42:02
just did a dang competition about it, ma'am.
42:05
I had an adult off with him, and god damn
42:07
it if he didn't earn my respect. If
42:10
you think you can bully around this man just
42:12
because he looks like a boy, we're here to
42:14
say no way. And
42:16
I've got a minus two wisdom modifier
42:18
role and isn't gonna do shit. I
42:21
love this boy. I
42:24
also have a minus two wisdom, so... I
42:28
have a plus four, but I'm so convinced. God,
42:31
so this is what justice looks like
42:33
in Piss Harbor? Fine. Then I'll go
42:35
find it with the dentist. And
42:37
she runs down the alley into dentist town
42:39
to try to recruit the dentist to her
42:41
noble cause. Let's get out of here. Oh,
42:44
I freaking hate going to the dentist. You're
42:47
telling me. We gotta clear our friend's
42:49
name. Let's go to the scene of the
42:51
crime, the boardwalk, and find out who did
42:53
it and who framed him. Greetings.
42:58
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43:00
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card drawn by Brunson Rees every week,
45:36
accompanied by an original interpretation for what
45:38
your future holds. What did you get
45:40
this time? The devil!
45:43
Uh-oh. That's traditionally considered one of
45:45
the worst dudes. Only
45:48
Satanists and Penn Jillette like getting this
45:50
card. But that's in a normal
45:52
tarot deck. On the Rood Tales Patreon, you
45:54
can see that because there's like 20 devils
45:56
in Cordelia, it's Brian Fock on this card.
45:58
And with a little pro-life. and goat shape.
46:00
How nice. The devil represents being tied down
46:02
by overabundance or a love of material pleasures
46:04
in giving in to your raw desires. I
46:07
think that's supposed to be bad, but frankly I
46:09
think people give in to that stuff for a
46:12
reason. It feels great. So, actually, congratulations on getting
46:14
the devil. Want more weekly readings
46:16
like this? Give in to your love of
46:18
pleasure to support the show and find more
46:20
great stuff I don't even have time to
46:22
mention at patreon.com/rude tales of magic. And
46:27
we're back. The boardwalk stinks
46:29
like curly fries and overly bold
46:31
seagulls. The sun has gone down
46:33
and the moon has gone up
46:35
and long ago somebody left with
46:37
a cup. Sorry, I realized as
46:39
I said it that I was
46:41
quoting cake. Speaking of cake, funnel
46:43
cake, there's a bunch of it
46:45
here. The ferris wheel spins ominously
46:47
and the blow chunks express stands
46:49
like a Lovecraft horror out over
46:51
the water. What are you guys
46:53
doing here? The party
46:55
is strolling down the boardwalk purposefully.
46:58
They all have those giant, plastic, gross
47:00
cocktails. You know, the like, oh yeah,
47:02
like the yard. Yeah. Yeah. And with,
47:07
with, you know, bendy, like, like wacky
47:09
straws, but we're all in the hunt
47:11
for clues. We want to exonerate our
47:13
best friend. Moose says to the party.
47:16
Oh, thanks so much guys. I mean, if we're
47:18
looking around, it really feels like anybody could have
47:20
killed that guy. I see a lot of killers
47:22
around here. Oh yeah, like who?
47:25
Oh, look at that guy. He's selling
47:27
cotton candy, but you can tell he's got a
47:29
Gwen in his eyes. That's where we evil.
47:31
I will kill him for you, Timmy. And
47:34
Jonathan gallops over to the man with
47:36
cotton candy. His hands
47:39
stretched in such a
47:41
fashion to just like gallop into this
47:43
man's throat. You see this man, he's
47:45
handing, he's kneeling down to hand cotton
47:47
candy to a child. He says no
47:49
charge. And he looks at
47:51
you and says, hello, irony
47:55
of him being charged at. No,
47:57
no. No
48:00
charge, no charge! Hahahaha
48:06
Yay! Yay!
48:10
But Jonathan Large fails his irony
48:12
check and he slams
48:14
this guy into the wall
48:16
uh, just pressing
48:19
his Adam's apple into his
48:21
spinal cord. I see
48:24
that he loves me and he watches me
48:26
cry but that was my crime! Yes,
48:29
kill him, kill him! You
48:32
widowed a good woman and
48:34
framed my son. I married
48:37
a good woman! I'm not the dad, I'm the
48:39
dad that stepped up. Wait, let me say it
48:41
again, I'm not the step dad, I'm the dad
48:43
that stepped up! Hahahaha
48:47
This is like the antidote for
48:50
Jonathan, this phrase. This is
48:52
the Manchurian candidate of goodness within his
48:54
soul and he releases him
48:57
like stumbling backward. A good
48:59
stepfather, everything I
49:01
know is wrong. And Jonathan looks
49:04
back at Timmy considering
49:06
for the first time that
49:08
he was deceased. What
49:10
the heck, why'd you kill that guy? That guy's
49:12
probably the model! Hold on
49:14
Jonathan, hold on. And uh, Moose looks
49:17
back to the cotton candy salesman. He's
49:19
coughing and he looks up and he
49:21
says Agh, an honest misunderstanding
49:23
I'm sure. And
49:27
then Moose is going
49:29
to press his heat back into this
49:31
guy's neck. Agh, agh, agh, agh,
49:33
agh. You
49:36
were giving away cotton candy for free, so what
49:38
is the angle buddy? It's
49:42
so inexpensive, it's so inexpensive, we
49:44
have so much more than we did. So
49:48
how do you provide for your step
49:50
kids? Well, I- But where do we care
49:53
what control this? That's gotta be the way!
49:56
Please, please, please. Sounds
50:00
forgotten. Sand isn't a day and
50:03
still make a profit. Oh okay.
50:05
Then. The word profit is a made sure
50:07
he said if it's a very. Long
50:12
as he knows this guy is a capitalist. Us.
50:14
And go. Oh. Boy.
50:17
You. Guys have a real way of questioning for
50:19
hooks. It's a tough town. I just want to
50:22
make sure you're. Making. A buck?
50:24
I certainly am. And before you get to
50:26
the. End of a mess you
50:28
up against the wall as. Looking
50:32
away for the with her arms crossed it
50:34
was highly wings has her throat or know
50:36
if a little vice. Er
50:40
nok or are now. I don't believe
50:43
it. I
50:45
mean. You've. Been down here this
50:47
whole time. If. You didn't do the murder.
50:49
You must have at least see that. Odds
50:52
of Zimmerman and what did you tell your
50:54
son. About it. I didn't business stuff.
50:56
He's not old enough to know about
50:58
stuff like that. How old is he?
51:00
My son? Yeah, he's three. I didn't
51:03
tell them about a murder I saw.
51:06
A four year old is ready to see her
51:08
process. Group. Home
51:11
sick when I will leave his
51:13
bed with a. A
51:16
Protecting the innocence of children
51:18
is meals Manchurian candidate and
51:21
she sets away. From.
51:23
The Guy and Sorcery think whether or
51:26
not can you believe that Said oh
51:28
boy, my neck is taking a pounding.
51:30
Specifically the front of a a second
51:33
booth is frowned upon. His neck for
51:35
this time says cowboy boots baby to
51:37
me is any by the time and
51:40
is in his hands into their container
51:42
just eating emoticon. Yourself
51:47
sir, Good
51:50
business model. Middle school teachers,
51:54
Credible business model that I couldn't. I
51:56
should give much away. So. I
51:58
don't know why are be all litter. The cotton
52:00
candy sales, but in town, it's printing money.
52:03
You shut the hell up. You pick four
52:05
random times of the day to charge, and
52:07
every other time you give it away for
52:09
free, those four people must be pissed off
52:12
every time. I don't like that
52:14
one bit. You must have killed them. You
52:16
must have. Now think about what you're saying.
52:18
I only charge the richest people in town,
52:20
including me. I live in a four-story home.
52:23
The sound of a story, the sound of a
52:25
story, is the same tricking thing that I do.
52:31
Because for kids, it's just an
52:33
adventure. But for adults, I know a good story
52:35
takes work. Adults
52:37
respect storytellers. He sort of
52:39
steps back. Maybe he has the wrong
52:41
person. Ah, of course. I'm
52:44
sorry. Maybe we jump to conclusions. Timmy,
52:47
this seems like maybe a wrong
52:50
direction. Maybe it's the
52:52
man with the basketball hoop, or the
52:54
man with the gun that shoots Waller
52:56
into a hole. Or maybe that
52:58
man over there who is just asking you to
53:01
hang on a pole for a minute. Come on!
53:03
Come on! There's no prize! I
53:05
want to see it! Tommy,
53:08
I don't think it's any of those other guys. Timmy,
53:12
I think there's only one way to
53:14
prove you're innocent. Yeah, how fair.
53:17
How do anything? Prove to us
53:19
that you can surf cool.
53:21
What? Why, you don't believe
53:24
me? It wouldn't be hard for a
53:26
guy as cute as you. If you can
53:28
surf cool, we'll know it was provoked and
53:30
therefore manslaughter. Up
53:33
until this moment, I have always trusted
53:35
the truth of a
53:38
caricature artist to see what is
53:40
real in a man. And if you
53:43
look foolish, we'll know he portrayed you
53:45
accurately, and therefore you killed him
53:48
unfairly. Come on, Timmy. Just
53:50
surf. Show me you can do it. I
53:52
know you can do it. Just show him.
53:54
Just the beach is right there. I
53:57
could do anything, why? Can't
53:59
we all go up to... This
56:00
is the only way, even if I didn't
56:02
do this, this is not a good way
56:04
to judge whether or not I killed him.
56:06
Well, you just made it even if you didn't
56:08
do this. And
56:11
as Timmy is protesting, heading into
56:13
the boardwalk, you hear the unmistakable
56:15
sound of a pack of dentists.
56:18
You hear their clean teeth revving,
56:22
led by this widow as she points to
56:24
her. There, there they are!
56:26
And you hear the dentists snapping and
56:28
approaching, like maybe their jets or sharks.
56:31
Get out there, Timmy! If you can surf,
56:33
cool, we'll fight them off. Okay, sounds good.
56:35
I can't put the sharks on the lead, by
56:37
the way. And then
56:39
he hops onto the surfboard and he makes his
56:41
way out into the wake,
56:44
into the... is that what it's called? What's it called?
56:46
The surf. The surf! I headed to the surf. The
56:48
water. Sorry, I didn't think
56:50
of the word water. It's like an element.
56:53
It's like an element. I hear it. Yes.
56:56
And then I guess I'll wait
56:59
for the moon to pull up one of these
57:01
sweet, sweet waves and then hop on the surfboard.
57:03
So as you are waiting, it goes
57:06
eerily still and calm all around
57:08
you. Can I have you make
57:11
an athletics roll, which would be...
57:14
you'd use your strength modifier. Not
57:16
surprisingly, I have a negative strength modifier. Why? Oh,
57:19
no. Because
57:22
of my freaking body. It's
57:25
horrendous. Tell me about it, man. A
57:28
five. A five. These
57:31
waves are very strong and
57:33
they are overpowering you and
57:36
something's wrong here. Timmy,
57:38
this is... you can tell right away, this
57:40
is not going to work. Your center of gravity
57:42
is... you have two of them somehow. You've
57:46
got one in the middle of you and
57:48
one six feet up just swaying up there.
57:50
It doesn't... this is not going to
57:52
go well. You've got to figure something
57:54
else out. Am I cool? Is this
57:57
cool? I can only assume he looks
57:59
exactly like you. like the caricature is
58:01
that correct the caricature nailed it
58:03
yeah this is this is
58:05
not looking great this is a little bit
58:08
like this is like mr. bean goes to
58:10
surf or something it is just it's not
58:12
working it's not looking good randy
58:14
can i make a wisdom roll of course you can i
58:17
rolled 12 but
58:22
with my wisdom modifier that's only
58:24
a 10 uh for a 12 which
58:27
is actually a 10 yeah you
58:30
tell me what you were trying to do and i tell
58:32
you how it goes not great i
58:34
was trying to see if watching timmy
58:36
surf would make moose lose the cute
58:39
feeling i gotta be honest this
58:41
is pretty cute and to be and
58:43
to actually not only does it not
58:45
make you lose the cute feeling but
58:48
kid looks hell i mean he looks like a kid looks
58:51
like two kids and you can't see him as
58:53
well because he's a little further away so he
58:55
really looks like two kids and he's helpless out
58:57
there not only do you not lose the cute
59:00
feeling but the urge to protect uh that natural
59:02
instinct it sort of kicks in for you moose
59:04
moose sighs and says forgive
59:07
me but it's time to
59:09
go back to the old me and he
59:11
turns around to face the mob of dentists
59:13
and pulls out two handguns he
59:19
says time to shoot some teeth um
59:22
out of the glint in moose's eye
59:24
i caught the same wisdom roll and
59:26
also feel that timmy on
59:29
the water looks really cute
59:31
so i'm recognizing in this
59:33
moment like he is obviously
59:36
exactly to the caricature but
59:38
i feel he must be saved and
59:40
so i say
59:43
forgive me i have to go try
59:45
to save him he's gonna drown out there and
59:48
she a stone gargle oh
59:52
no at no point do
59:54
you float as you run you just
59:57
said you follow the natural curve of
59:59
the beach Down, down, down into
1:00:01
the water. You are just completely
1:00:03
underwater. You are running like the
1:00:05
team 1000 in slow motion under
1:00:08
there and before you know it, he's
1:00:11
about 30 or 40 feet directly above you.
1:00:14
And unfortunately we've established many times
1:00:16
due to her smoking habit that
1:00:18
she has lungs and so she drowns. Oh
1:00:22
my God, it was. Oh
1:00:26
no. Oh no.
1:00:30
It's okay if they die, right? Yeah,
1:00:32
it's fine. It's completely fine if they
1:00:34
die. We said that before we recorded
1:00:36
any of these. I thought it
1:00:38
was still on the table. Allie,
1:00:41
of course. Not only is it on the table,
1:00:43
it just happened. I'm gonna be affected by it.
1:00:46
So all anyone sees is you just
1:00:48
run into the water and also your
1:00:50
body doesn't float up because you're stoned.
1:00:54
Maybe it does. Well, what
1:00:56
does Timmy see? Does Timmy watch this happen? Yeah,
1:00:58
you would see her running towards you. Well, Timmy
1:01:00
is unconscious now at this point. His eyes
1:01:03
are closed. He is on top of the
1:01:05
surfboard and he's like being pushed to shore
1:01:07
via the waves. But he is, yeah, he's
1:01:09
like passed out in the water. So we've
1:01:12
got, one of us is passed out in
1:01:14
the water, unconscious, one of
1:01:16
us is dead, dead in
1:01:19
the water. And one
1:01:21
of us has two guns out facing
1:01:23
down these dentists. I gotta be honest, things
1:01:25
don't look good for us. Jonathan
1:01:29
Large is just trotting
1:01:31
back and forth along the beach,
1:01:34
looking to the water, looking to
1:01:36
the dentist apocalypse about to happen.
1:01:39
Very nervous, not sure what to do. I
1:01:42
think I need to roll. I gotta see
1:01:44
what the wisdom is in
1:01:46
this moment. Which again, his modifier is
1:01:48
bad. But
1:01:52
not today. 17, 17, I rolled
1:01:54
a 17. Time
1:01:58
slows down and begins to... almost freezes
1:02:00
for you as you look within yourself. Yes.
1:02:03
Jonathan Large understands
1:02:06
that Timmy Tommy absolutely
1:02:10
did murder that caricaturist,
1:02:12
but he knows that there's room
1:02:14
for growth within him and if
1:02:16
he is to be alive again,
1:02:18
then that growth may
1:02:20
blossom like so many beautiful flowers.
1:02:23
The densest charge
1:02:26
ever so slowly and he can see
1:02:28
their weak points picked out
1:02:30
among every single one of those bodies. Jonathan
1:02:34
starts to gallop along
1:02:36
the beach, aiming his
1:02:38
body for an inflatable
1:02:40
raft while swinging the
1:02:43
75-pound spikes flail that he has
1:02:45
on him at all times. As
1:02:48
it reaches max velocity, Jonathan
1:02:51
bends down, yanks
1:02:53
the inflatable raft under the
1:02:56
sleeping sunbather, and
1:02:58
flings the mace towards
1:03:00
the dentist in an arc that
1:03:02
will eventually ping pong
1:03:05
between each and every one
1:03:07
of their jaws, cheeks, and
1:03:09
exposed teeth, and throwing
1:03:11
the raft in the opposite direction
1:03:14
toward the ocean to gracefully
1:03:17
scoop up weird, tall,
1:03:20
gangly, adorable Timmy and send him safely
1:03:22
to shore. This is a beautiful motion
1:03:24
you're describing. As you pull the raft
1:03:27
out from under the sleeping sunbather, who
1:03:29
it's night by the way, they should
1:03:32
have woken up by this point, you pull
1:03:34
it out from under them and it
1:03:36
pulls their swim trunks with them. They wake
1:03:38
up and look at the camera and they
1:03:40
say, yeah, it's my meat. They
1:03:44
just continue to lie on the beach. They don't
1:03:46
give a fuck. Can you make
1:03:48
an attack roll on the dentist? Yes,
1:03:50
I would love to. That's
1:03:52
a good modifier, which means I'll probably roll bad. I
1:03:55
did end. Yeah,
1:04:00
you fling it and it perfect.
1:04:03
It's that feeling I think I've said this
1:04:05
on mic before at one time I threw
1:04:07
a rock at my brother's head I didn't
1:04:09
mean to hit him but as soon as
1:04:11
it left my hand I thought oh fuck
1:04:13
I'm gonna get in trouble That's
1:04:15
gonna hit and listeners it did
1:04:18
I got in trouble He's fine,
1:04:20
but the dentists are not as
1:04:22
you did that perfect art that
1:04:24
perfect feeling as you released
1:04:27
And it ricochets off of all of the
1:04:29
dentist's Which of course
1:04:31
for every dentist is their mouth their
1:04:33
teeth shatter and they smile Toothlessly
1:04:37
as they scream in agony as the flail
1:04:39
breaks their teeth Meanwhile
1:04:41
moose time is it is moving normal for
1:04:44
you. You have just pulled your guns out.
1:04:46
What are you gonna do moose? watches
1:04:49
this all happen and sees
1:04:51
all of the dentist's mouths
1:04:53
just destroyed and Chuckles
1:04:55
to himself and says didn't even have
1:04:57
to pull the trigger That's
1:05:00
the moose way baby now the glint of
1:05:03
Johnson largest wisdom roll Bounces into
1:05:05
Tommy whistles eyes and he knows exactly
1:05:07
what he has to do He opens
1:05:09
his mouth dropping his tongue completely lassoed
1:05:12
up into his hand He ties the
1:05:14
end of the tongue around a turned-over
1:05:17
lifeguard chair He then ties the
1:05:19
rest of the tongue around his
1:05:21
waist providing a Cord
1:05:23
to go back to land and then he runs
1:05:26
diving into the water swimming deeper to
1:05:28
the ocean floor to try to find
1:05:30
his stone Good
1:05:34
for you Tommy I gave up on Neil really quickly
1:05:39
Now good for you, but also
1:05:41
Ali did already say she said
1:05:45
I got a five a five dad
1:05:48
you did It's nighttime. You are
1:05:50
in the water and she's stoned you
1:05:52
cannot see a godly a thing Moose
1:05:55
is going to turn and he sees
1:05:58
Tommy struggling and he's going call
1:06:00
out hey Tommy what's the matter? Neil!
1:06:04
She's down there somewhere I can't
1:06:06
find her I can't find her I'm going
1:06:09
back here. He dives back in. Moose hearing
1:06:11
this up on the boardwalk is stricken
1:06:14
by content. He turns
1:06:16
away and says to himself she's
1:06:18
in danger but would I could
1:06:20
I save a statue knowing
1:06:23
my long complicated
1:06:25
history with those
1:06:27
made of stone. Can I roll to
1:06:29
decide if I'm going to help?
1:06:32
What's the roll that I have to make?
1:06:34
Make a conscience roll and it's that's a
1:06:37
yeah you're gonna add your wisdom modifier to
1:06:39
that and I think that's what I'm going
1:06:41
to do. I think conscience
1:06:44
is charisma. No I think
1:06:47
it's wisdom. I think it's strength. Whoa!
1:06:52
Wow. Well he thought this was you think?
1:06:54
No I was. Come on!
1:06:58
I liked it though. I liked it. Branson
1:07:00
I got a 14. You got a 14? Here's
1:07:04
the answer you arrived at. I don't
1:07:06
like you but damn it I respect
1:07:08
you. Moose takes
1:07:10
his already rolled up suit and
1:07:12
shirt sleeves and pushes them
1:07:14
up all the way to
1:07:16
the elbow. Oh my god. And then time
1:07:19
does slow down for Moose because it slows
1:07:21
down for him anytime he's on a beach
1:07:23
and he's going to run into the surf after Tommy. The two of you
1:07:26
are looking
1:07:34
in the dark water meanwhile Timmy and Tommy.
1:07:36
But I'm a dwarf I have darkvision. You
1:07:38
have darkvision? God damn it! Even in this
1:07:40
campaign! Alright
1:07:44
fine so it looks like a sunny day
1:07:46
down there to you. You see her? He's
1:07:48
holding up one arm hopefully
1:07:51
but deadly. Moose
1:07:54
plunges in and he's going to grab that
1:07:57
stony hand. Tommy!
1:08:00
Pull us out! Around Moose's waist
1:08:02
he feels Tommy tying a second
1:08:04
knot with his tongue around his
1:08:06
waist And he then starts holding
1:08:08
back as he kicks his boosted
1:08:10
webbed feet. Uh, back to
1:08:12
short, I even felt my waist get tongue-ed
1:08:15
in days. Tommy,
1:08:17
you have webbed feet which gives you an
1:08:19
advantage in the water, but also you're wearing
1:08:21
boots which takes away that advantage. So you,
1:08:23
uh, you're, you know, you're
1:08:25
paddling and it's working. Uh,
1:08:28
but it got, it would have gone a lot smoother
1:08:30
if you didn't have those boots on.
1:08:32
Slow and steady wins the race like
1:08:34
my most favorite fable. Slow
1:08:37
and steady, always the approach with people who are
1:08:39
drowning. Yeah, yeah, yeah. I
1:08:42
don't want to be boastful and go fast. He
1:08:47
gets to short. He yer-tugs, tugs, tugs
1:08:50
his tongue back pulling two forms upon
1:08:52
the sand. You do it, they're both
1:08:54
out on the sand, and as they're
1:08:56
on the sand too, the surf pushes
1:08:58
back Timmy and Tommy. Uh,
1:09:00
who is still, like, clinging to the surfboard
1:09:03
and unconscious. As all of you, uh, you
1:09:05
make it to the beach. Branson.
1:09:08
Yes. Can I roll to see if
1:09:10
she comes back from the dead if
1:09:12
she drowns because she's a church gargoyle
1:09:14
so it's like a baptism. That's
1:09:18
a very creative pitch. And I
1:09:21
would... There
1:09:23
is no... If I say yes, that's
1:09:25
insane. And if I say no, I think
1:09:27
that's more insane. Who am I to stop?
1:09:31
There's no way to get out of this with my
1:09:33
sanity. Uh, yeah, you can do that.
1:09:35
That's going to be a strength roll.
1:09:37
It's going to take all of your strength. Okay.
1:09:41
Okay, here I go. She coughs.
1:09:46
And spits water out onto the beach. And...
1:09:50
Fits up, gasping for breath. Very
1:09:52
much alive. And very much born
1:09:55
again. And that's when you see
1:09:58
her full body. With
1:10:00
the scratches, uh, that
1:10:02
look somewhat like tattoos, and
1:10:05
one of them was scratched on
1:10:07
her that looks like a bush. And
1:10:10
that's when you know this is an X-rated show. Oh
1:10:13
my god. You
1:10:16
saved my life. Neil,
1:10:19
you're okay. I've
1:10:23
never been better. Neil, I didn't even know
1:10:25
you were in trouble. Jonathan,
1:10:28
we barely know each other. Oh,
1:10:30
hey, let's change that soon, huh? I'd
1:10:32
like that. Cool. Jimmy!
1:10:36
Oh, okay, I was gonna say, with all their
1:10:38
attention focused on Neil, they
1:10:40
turn and they look
1:10:43
to see Timmy, but he's no longer
1:10:45
there. They turn up the beach and
1:10:47
what they see is Timmy
1:10:49
has a slingshot pulled back at
1:10:51
the widow of the caricature artist.
1:10:53
And he, like, looks at them,
1:10:55
side eyes, like, uh... Timmy,
1:11:00
don't be mad. What? Don't
1:11:02
be mad. I'm not being bad, but
1:11:04
if she dies, then I don't get
1:11:06
in trouble or nothing. Um,
1:11:09
he's got a point. That's true. The widow is saying,
1:11:12
no, no, no, I think it's the opposite. I think
1:11:14
if I do die, you get in more trouble. Uh,
1:11:17
I don't know. You think that's the way- Lady, you
1:11:19
lost my respect the day you partnered with dentists. I
1:11:22
hate dentists. And then you look up and
1:11:24
down the beach and all the senses that
1:11:26
have been maced have now been stabbed by
1:11:28
Timmy and they are, like, all dead. Oh
1:11:31
my god. It's just like the shot of,
1:11:33
like, Gone With the Wind. It's just like
1:11:35
hundreds of dead dentists. Yeah,
1:11:37
that's why you killed him all. And
1:11:40
all I gotta do is say, if I just finish off this meeting, and
1:11:42
I'm not gonna give you a
1:11:45
little stain of Z-Woomy for stuff. I'll
1:11:48
say we let him do it. He's our friend.
1:11:51
I- You know, I was there. I was there,
1:11:53
Tommy. And
1:11:56
then I just noticed, like, how
1:11:58
many dentists he's murdered. And
1:12:00
it's a pre-I body count. I don't
1:12:02
know if... I don't know if
1:12:04
Tommy is quite as cute as he seemed
1:12:06
to me before all the murders. There's like
1:12:09
a historic number of crabs just crawling over
1:12:11
dead bodies. You can hear flies buzzing. Listen
1:12:14
to this. He's our friend. We let him
1:12:16
kill her and then take him back to
1:12:18
our... to our hideout where we
1:12:20
get paid for having him around. And
1:12:23
maybe even get paid a little bit more
1:12:25
because of his more recent crimes. Crimes that
1:12:27
didn't hurt nobody. The family's already broken apart.
1:12:29
Why not just finish the job? Would
1:12:32
you guys really take me in?
1:12:35
And then Timmy casts cuteness
1:12:37
once again. Oh no. Oh. I
1:12:40
lowered his glasses. I think it's time we
1:12:42
really roll those wisdom. Yeah, I think yeah.
1:12:44
On this round. Let's make some wisdom saving
1:12:46
throws. I got eight. Oh,
1:12:49
fuck. Okay, didn't work. I don't know why I went, ah, I
1:12:51
wanted to trust this guy. Tommy, you were
1:12:53
in the middle of saying, let's just finish the job
1:12:55
with a widow. I think that's an easy sell. You
1:12:58
got a 12? I
1:13:00
rolled a fucking 12. And
1:13:02
with my modifier, it's a 10. With
1:13:05
my modifier, I got a five.
1:13:08
And I got a 13. Folks,
1:13:11
it doesn't work. He
1:13:14
casts cuteness and you all fall for
1:13:16
it. This is your friend. He couldn't
1:13:18
reply. Timmy
1:13:20
releases the slingshot. Good boy.
1:13:23
It's a widow. It can't explode. It's
1:13:27
okay. Oh, wow. That
1:13:30
was way bigger explosion than I expected.
1:13:32
Right, guys? Timmy,
1:13:35
thank you so much for reuniting that
1:13:38
widow with her husband. That was so
1:13:40
nice of you. And Jonathan
1:13:42
Large once again takes
1:13:45
Timmy by the shoulder and says, now
1:13:48
we must finish the job and
1:13:51
honor this widow's journey
1:13:54
back to the earth. We can
1:13:56
bury her at sea. And
1:13:59
all these dead And then why can't we
1:14:02
be friends by war begins playing
1:14:04
as we see shots of them
1:14:06
burying the bodies
1:14:24
at sea, burying them in the
1:14:26
sand, writing the blowchunks express, having
1:14:29
a lot of fun at
1:14:31
the boardwalk. The final
1:14:33
image we see is a photo booth.
1:14:35
We see three flashes coming from out
1:14:37
from a closed curtain and then we
1:14:39
see the photo fall down
1:14:41
and we see three images. What
1:14:44
do we see in order? What's the first image? The
1:14:47
five friends are just smiling. They're like trying
1:14:49
to get the nice one out of the
1:14:51
way. So Tommy's arms are one
1:14:53
of his arms is like leaned up to
1:14:55
try to get over Timmy's
1:14:57
shoulder. The other one is around
1:15:00
Jonathan. In the second one, we're
1:15:02
all like sticking dental instruments in
1:15:04
each other's mouths. That
1:15:07
we've grave robbed. In
1:15:12
the third one, the four of you
1:15:14
have are holding different body parts that
1:15:16
you may have pulled from my trench
1:15:18
coat. For the first time, you guys
1:15:20
look at Timmy and Tommy skeptically like,
1:15:22
oh, could we really be friends
1:15:24
with this guy? Good
1:15:28
night, everybody. That is an episode of Rude
1:15:30
Tales of Magic. Why
1:15:33
can't we be friends? Why
1:15:35
can't we be friends? I'm
1:15:39
a favorite. Wow.
1:15:46
Another home run from Rude Tales
1:15:48
of Magic, the Mark Maguire of
1:15:50
podcasting. And that was
1:15:52
Holly Cesaris Neal. Holly Monado
1:15:55
is Paedica. Christopher Hastings is
1:15:57
still at the lodge. For
1:16:00
his moose, in fact his
1:16:02
tummy whistle is practically
1:16:04
through every kitchen everyone knows
1:16:07
with one notable exception. Roushay
1:16:09
of his magic is produced by Bucket
1:16:11
of Milk, edited by Sam
1:16:14
Pratt, and sound designed and scored
1:16:16
by Kodiak Sanders, with additional
1:16:18
sound designs from Michael Kelsey.
1:16:21
As always, special thanks to
1:16:23
Tyler Button and Sydney
1:16:26
and Benjamin Paul, and special
1:16:28
thanks to our guest Walid
1:16:30
Mansour. You can hear
1:16:32
him on his podcast, sitcom
1:16:34
D&D, right here on
1:16:37
Headgum. Good night.
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