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conditions. 18 plus. Was everybody this restaurant? Yes, yes

1:02

I know aka survive and

1:05

you listen to Brian Sasquatch

1:07

on Is. Either

1:30

Will go back to Sasquatch. Honest with you

1:32

so much for being with us for the

1:34

show. It is Friday. I hope you're having

1:36

a three week. We have an amazing show

1:38

lined up for you. But as always want

1:41

to start by inviting you if you've had

1:43

an encounter you'd like to be on show.

1:45

You mean a million. Give me Brian Burnham

1:47

over urchins.com and get every the website chicken

1:49

our become a member there and help support

1:51

the show. As

1:53

promised I got to sit down with

1:55

the minds behind the new Sasquatch Sunset

1:57

movie Wine and I have talked about

1:59

the. of this movie. I'm sure

2:01

most of you guys are familiar with it.

2:03

If you haven't looked at it go and

2:05

take a look at the trailer. I'll be

2:07

honest with you it pissed me off when

2:09

I first saw the trailer so I wanted

2:11

to sit down with the minds behind this

2:13

and it's David and Nathan Zellner, their brothers.

2:15

They wrote, directed and produced this film together.

2:18

Nathan actually starred in the film alongside Riley

2:20

Kehoe, Jesse Eisenberg. I reached out to them

2:23

because I wanted to know what the genesis

2:25

of this project was, why they did the

2:27

movie. So I sat down and had a

2:29

conversation with them a couple of days ago

2:32

and now I'm bringing it to you. I'll

2:34

just say this, I've screened the movie, I've

2:36

watched the entire thing, I went back and

2:38

watched a couple of different parts of the

2:40

movie several times because I was scratching my

2:42

head and asking myself why would they do

2:44

this? Why would they portray this this way?

2:46

I think you'll get a better understanding after

2:48

you hear this conversation with David and Nathan

2:50

about why they did some of the things

2:52

that they did. Again it's one of those

2:54

films I think honestly there's nothing else to say

2:56

about it other than you're either gonna love it or

2:58

you're gonna hate it. I don't think there's gonna be

3:00

much in between here and I think they're very much

3:03

aware of that. What I know after this conversation they're

3:05

very much aware of that. I hope you enjoy it.

3:07

I want to hear what you think about it. Please

3:09

let me know. Send me an email brian at paranormalworldproductions.com.

3:11

You can send me a voicemail. The button is right here

3:13

in the show notes or you can

3:15

head over to paranormalworldproductions.com and hit the contact us

3:18

button right there. Let me know your thoughts about

3:20

the trailer. Let me know your thoughts about this

3:22

interview and certainly the movie is gonna come out

3:24

on April the 12th in limited release and it's

3:27

gonna be widespread release in theaters everywhere on April

3:29

19th. But enough of that I know you guys

3:31

are ready to get into it so I'm gonna

3:33

stop talking. All you have to do is sit

3:36

back relax and enjoy the show. you

4:00

to the show. It is David and Nathan

4:02

Zellner, the mind behind the new film Sasquatch

4:04

Sunset. Welcome to the show guys. Thank

4:07

you. Thanks for having us. We are definitely

4:09

glad to have you. So let's get right into it. Let's talk

4:11

about this film. I got to

4:13

see the film. I screened it a couple of

4:15

days ago. I finished it up last night. I

4:17

went back and watched a couple of other parts

4:19

of this. And I'm very curious about your inspiration

4:22

behind this film. Why Sasquatch Sunset?

4:24

Why now? Is this something that you guys

4:26

have been into for a while? Why this

4:28

particular subject and why now? We would

4:30

always love Bigfoot. Since we were kids, I

4:33

think maybe a lot of people our age

4:35

were obsessed with this show in search of

4:37

Leonard Nimoy hosted. But each episode

4:39

was about a different form of paranormal

4:42

phenomena in one way or another. And there was

4:44

a Bigfoot episode and they focused on the Patterson

4:46

Gimlin film. We were just completely

4:48

obsessed with it from then on. And

4:51

then this time we'd buy, especially in the edge

4:53

of the internet when there would be other Sasquatch

4:55

videos on YouTube and whatnot. We would start

4:57

off as a joke talking about, you're seeing the same thing.

5:00

It's just Bigfoot walking. Whether it looked

5:02

legit or it was clear that it was

5:04

fake, it was always the same kind of

5:06

content. So we were like, this is a

5:08

complex animal, just like every other animal. What

5:10

else is it doing? So we started just

5:12

to satiate our own curiosity initially, just trying

5:14

to think about what was going on in

5:16

the interior lives of Sasquatches. And most films

5:18

that have been made are either family films

5:20

or horror films. They're always from a human

5:22

perspective. And we thought it was most interesting

5:25

to approach it from their perspective

5:27

and try to get in their minds and see the

5:29

world through their eyes as much as

5:31

possible. I love that perspective for

5:33

sure. And I've taken some questions from my

5:36

audience. I posted about this upcoming interview and

5:38

a couple of people asked the same question

5:40

in different variations. You mentioned the Patterson Gimlin

5:42

film. Is there anything that has stuck out?

5:44

Maybe it is the PG film. Maybe it's

5:47

some of the other stuff that's out there

5:49

on the internet. Is there anything that stuck

5:51

out to you over the years that you've

5:53

considered to be evidence of possible Sasquatch existing?

5:56

Do You think that's a possibility? Is That something that

5:58

you've given credence to over the years? We.

6:00

Want it to be so bad where it

6:02

like skeptics by nature but then we want

6:05

to be wrong and i think the person

6:07

givens film. Is. So iconic it's one

6:09

of the most famous. He's is a film

6:11

and film history. or maybe most famous frame

6:13

of film and film history. And there's a

6:15

reason. Whether people are believers in

6:17

my why they connect to that might

6:19

resonate for some people and we've talked

6:21

about away in a big but represents

6:23

kind of the a connection to humans

6:25

and the natural world or to that

6:27

a gray area between human animal behavior,

6:29

all the things that there's a need.

6:31

This is not a casual thing. There's

6:33

a reason why we are so fascinated.

6:36

With. With it and not just in America but all

6:38

of the world's are They have their different versions of

6:40

Big Foot. And. This is an idealist.

6:42

nurses are obvious but that was is

6:44

really interesting to learn how independently all

6:46

over the the world so many different

6:49

cultures. Centuries ago they had their own

6:51

versions of of this in their own

6:53

accounts. Is. That was really interesting

6:55

to us. Yeah, Think that most compelling

6:57

evidence would be just like the history

6:59

of his legend and how. You. Hear

7:01

stories from eighteen hundreds of people going west

7:04

and having encounters and as a guy or

7:06

the other day with their there was some.

7:09

Reports. And Lewis and Clark journals

7:11

about sasquatch or whatever. So it's something

7:13

that has been with us for so

7:15

long, but even before Europeans came to

7:17

America? Indigenous to stories of. The

7:20

wild man of the woods and and what not to

7:22

the I think that so assassinated. Wasn't. It

7:24

into the steal. This. Is one of the

7:26

questions. It came from the audience and it was certainly

7:28

on the forefront of my mind. I have several shows

7:30

a have a co host of another podcast we do

7:32

called that Bigfoot Podcast and Wayne were to ask that

7:34

question as well. I'm. Totally immersed in

7:37

this guy's. Wayne had this question.

7:39

It was something that several the audience

7:41

members have asked me to ask. You

7:43

guys in it was on the forefront

7:45

of my mind. Typically movies I was

7:47

in law enforcement. I worked with people

7:49

that consulted on lot of movies back

7:51

in Atlanta exist you job for making

7:53

movies? Did you guys consult with or

7:55

reach out to any what would be

7:57

considered mainstream Sasquatch researchers in putting this

7:59

film. The Given: How did you guys get the information

8:01

on what you guys are going to stay home and the

8:03

behaviors of these creatures in those kind of things that were

8:05

going see in the fail. There. Was a

8:08

combination of things we wanted to go with

8:10

some of the most familiar tropes people had

8:12

in terms of Six Foot as a entry

8:14

point because it is that when prevailing thought

8:17

of every single aspect of this a lot

8:19

of debate with it which is fascinating is

8:21

we try to stick with the most common

8:23

traits in terms of their physicality and as

8:26

a baseline and their demeanor. So there was

8:28

a starting point with a lot of research

8:30

On line is so much a new to

8:32

people having the it'll be of either during

8:34

sounds or are finding things like the Southwest,

8:37

the Nests. They are building or the glyphs.

8:39

Or. The Tree Knocked games are taking those

8:42

elements that a lot of people have had

8:44

different perspectives on in different accounts with and

8:46

in adapting those to the story and trying

8:48

to be as true to. The

8:50

information's out there as we could and then

8:52

beyond that the Addison for your fill in

8:54

the gaps with things that you know we

8:57

we don't have any knowledge or or is

8:59

it and that was a from there was

9:01

just. Reading. About and the study

9:03

lot of like primate behaviors and making that

9:05

and an amalgamation of those that suited as

9:07

the story. Is there any memorable

9:09

moments that stuck out why you guys

9:12

were filming? Was there any anecdote that

9:14

you can share with us that you

9:16

guys really enjoyed about the filming? Something

9:18

maybe unexpected that happened during the filming?

9:20

Gently. On. and main things of the film

9:22

as we really wanted to. Legitimize these

9:25

creatures and make the audience enough for

9:27

them and so is really important. film.

9:29

In. Their natural habitat like Informed Up

9:31

and Amble County. And I'm.

9:33

Already old a redwood forests but a

9:36

long as I've we also wanted to.

9:38

Really? Show their interaction with nature,

9:40

especially animals. We incorporate a lot

9:42

of. Them. and not

9:45

talking by the interact interacting with different features like

9:47

that they would find in the forests are like

9:49

this friends we call it the friends with the

9:51

forest sort of with with a sasquatch and it

9:53

was fascinating like we were worried about how some

9:56

of a how would a porcupine or his gun

9:58

or a raccoon react to these are creatures

10:00

and they were the most non-plus. It

10:02

was just like, oh, it was like

10:04

anything else. Anything else. That felt like

10:06

an interesting connection of, oh yeah,

10:09

Bigfoot probably like, they've

10:11

made these seamless before. They were

10:13

so like cool with the Bigfoot

10:15

customs. It felt their acceptance of

10:18

the Bigfoot helped legitimize it as a

10:20

viewer, hopefully. Because if they feel real

10:22

to the animals, hopefully they can feel

10:24

real to the audience. So that's why we

10:27

never, we didn't shoot any sound stages. It

10:29

was very difficult. Normally with creature work like

10:31

this, they're done on sound stages in very

10:33

controlled environments with very controlled lighting

10:35

to make this relatable and believable as

10:37

much as possible. We wanted to shoot

10:40

on location in remote areas

10:42

with natural light, kind of a 70s feel

10:44

in terms of the naturalism with it. Because

10:46

we thought that was just important to give

10:49

as much credence to these creatures as

10:51

something real. Yeah, I don't know if this is

10:53

a spoiler alert or not, but there's not any dialogue in

10:56

this movie. Did you guys

10:58

find it difficult as writers,

11:00

directors, producers, making this film,

11:03

making these characters relatable without the

11:05

use of dialogue? Because that's one

11:07

of the most powerful things in

11:09

filmmaking is obviously the dialogue,

11:11

the written word, and then what we

11:13

experience with the soundtrack. How

11:15

did you guys approach that? Was it something that you

11:18

found difficult when you were making the movie to create

11:20

this connection? Because the actors,

11:23

in my personal opinion, do a phenomenal

11:25

job creating that connection. I

11:27

felt connected to these characters after I

11:29

went through this movie. So how

11:31

did you guys approach that as filmmakers? Did you

11:33

find it difficult going into it? And did you

11:36

have to adjust while you were making the film?

11:38

We definitely had to adjust. I'd say it was

11:40

both difficult and then also liberating. We had to

11:42

rewire our brain in a certain way for how

11:44

to tell a story because we've done some movies

11:47

that are very dialogue driven. And so you don't

11:49

have the shorthand of that for easy exposition. But

11:51

I think because so much of

11:53

this film is about basic needs of

11:55

these creatures and their intentions are pretty

11:58

straightforward and very relatable. on

12:00

a universal level. It's easy enough to follow

12:02

the plot and I think as we were

12:04

making it, realizing how much, even though they

12:06

communicate with grunts, there's no subtitles or anything

12:08

like that, but it's very clear what their

12:10

intentions and needs are. And through

12:12

the way we chose to shoot it, through

12:15

their physicality and through their facial expressions,

12:17

particularly through their eyes, we felt very

12:19

comfortable and liberated in giving

12:21

information that way. Tussock felt like maybe

12:24

the way silent films were made, where it's

12:26

like you have to tell the story, and

12:28

other ways to tell the story and make

12:30

it clear. But by doing that, through the

12:32

body language and through the facial expression, it

12:34

helps you connect them on an emotional level more

12:37

directly, which was one of the most important things

12:39

to us with this, because if you didn't care

12:41

about these creatures, the movie would feel like a

12:43

gimmick and get boring in 10 minutes. We want

12:45

it, as it went on, to become more and

12:47

more invested in them and find this connection to

12:49

them, which like I was saying before, is one

12:51

of the big things that I think white

12:54

people are obsessed with Bigfoot. If people are into Bigfoot,

12:56

it's not like a passive thing. It's a deep love

12:58

and fascination, and I think it's because

13:00

there's some element of their existence that we

13:02

have a connection to. The

13:04

movie definitely blends elements of

13:06

adventure, discovery, loss, but there's

13:09

clearly this tongue-in-cheek element

13:11

that permeates throughout the film.

13:13

How did you guys balance that

13:16

to create this cohesive narrative

13:18

that's going to resonate with

13:20

widespread audiences, and were there challenges

13:22

that you guys faced when you were putting the film

13:24

together and doing that, and how did you overcome them,

13:26

as well? Everything we do tends

13:28

to, not intentionally, it ends up being a

13:31

mix of kind of comedy and pathos, but

13:33

just an intuitive process, which way we never

13:35

force it one way or the other, whatever

13:37

feels like the most real moment in it,

13:40

and we've all seen movies where you see

13:42

that something has like a false note, just

13:44

feels bullshit, and so for us, it's never

13:46

forcing it. So if something, it's

13:48

just what feels relatable on a human level, so

13:50

if something, even if on the page it

13:52

was a little more dramatic, we're doing it, just know in

13:54

real life, this is a very funny, In

13:56

terms of human folly or whatever, this is something that is

13:59

inherently funny. Let's embrace it. Is it? And then

14:01

if is something is not. This moment is

14:03

truly sad and is not a look for

14:05

punches when it. Let's embrace the full spectrum

14:07

of existence on this world with both the

14:10

comedy and tragedy in everyday life. As comedy,

14:12

tragedy in these are eight and elements in

14:14

the same boat. The wanted to be open

14:16

to a full spectrum. Was a

14:18

little bit but the casting process. There's a small

14:20

cast in this movie. That had to

14:23

be an important thing. When you're putting this together,

14:25

you have to seek out people who are going

14:27

to be able to pull this off. The prosthetics,

14:29

the the make up, the things that they're working

14:31

around and working through. A lack of

14:33

dialogue. All these things. One of the casting process like

14:35

for you guys going into this and could you talk

14:38

a little bit about the selection of the actors and

14:40

how that came about? Yeah, we we

14:42

wanted to work with actors who. Were

14:45

good at both. Comedy. And drama

14:47

but also just. Got. The

14:49

tone that we were going to enter the

14:51

same sensibility. There were two treating this project

14:53

with a lot of respect and not something

14:56

that's done with a wink or that sly

14:58

it's like they were was A and some

15:00

of these situations are really funny. but the

15:02

creatures themselves the old bike very serious of

15:05

the dire served from dire circumstances in life

15:07

or death. Yeah. And

15:09

so I'm you know we have Jesse Eisenberg in

15:11

it and we've known him for a while. We

15:13

have at the up to he worked with him

15:15

before but we sent him the script and. He.

15:18

Read it and instantly loved the

15:20

opportunity to play. This. Type

15:22

feature insect disappear and do something that

15:25

was out of his. You

15:27

know, kind. Of Arizona and things that he was

15:29

known for. And just saw the humanity

15:31

in this project. and the and the humor.

15:33

And Riley was the same way she's done

15:35

a lot of really daring roles of. This

15:38

was something that both. Very. Original

15:40

for us to her and that every

15:42

everyone involved really. Took. The

15:44

characters and just elevated them to feel

15:46

real low of i was one is

15:48

a real people the real creatures he

15:50

lived in really I. Have identified

15:52

with him never to the and and both of them. You

15:54

know what we'd like to add them is are both able

15:56

to do comedy and drama and are both very adventurous in

15:58

there in the roles they. So I

16:01

think that speaks to what drew them.

16:03

To. This and then Riley had spent a lot of

16:05

her time grown up in Oregon and or Dad's

16:07

from there and when he was young had a

16:09

big said encounter. That. He told us

16:12

over the phone and it is really resonated

16:14

with a pretty good ones. As it were

16:16

there other Spielman directors that inspired you to

16:18

create this film where the things frankly that

16:20

you saw another films that you wanted to

16:22

steer clear of and makes you the you

16:25

didn't do with this mail when you get

16:27

set out to start the process. I

16:29

think the most common things like this.

16:31

Growing up watching lots of primate documentaries,

16:33

they stuck Marriage and gentlemen particular primates.

16:36

And to the movies I think the most

16:38

influential on to us is the Dawn of

16:40

Man sequence to Two Thousand and One which

16:42

is that is so spectacular to us with

16:44

passed over and over again. It's. Really

16:46

profound of I think that was a

16:48

big influence indirectly. I don't know the

16:50

first couple play though the apes movies

16:52

and the seventies this the not quite

16:54

as literal have connection but I think

16:56

anything related to encode a play creature

16:58

that is different from what we're familiar

17:00

with. I think it's a mix of

17:03

all of those things at a that reason why

17:05

we only this as it must be but movies

17:07

or be their family films are a horse Ohms

17:09

for like a spoof or something else from a

17:11

human perspective. And so we really wanted

17:13

to do it to the eyes of the Sasquatch.

17:15

Even of his moments of absurdity, we we wanted

17:17

to treat the creatures will serve as a reference

17:20

instead of this kind of like Boogie Man in

17:22

the distance. We really wanted to be in a

17:24

world that of our love for the creatures yeah,

17:26

the in this movie stars and. Encroaching.

17:29

Human elements. But to those

17:31

Sasquatch. The Human is more

17:33

like the Bogeyman or the Mystery and so

17:35

turning the script on that in that regard

17:37

like. We. Don't show any humans, you

17:40

just show the evidence of them. Bids from

17:42

somewhere out Makes a lot of people's experiences

17:44

with Bigfoot, but. There. Are less interested

17:46

in the humans are more axel feeling the

17:49

impact of humanity and their environment and in

17:51

their lives and in an effort to a

17:53

everything we said there was another at a

17:55

certain legitimacy to them and to make a

17:58

normalized heard a naturalized them. Be a. The

18:00

that. Was. Having them be an some

18:02

actually threat which is completely absurd when you first

18:04

see him but then have been normalized quickly In

18:06

the way the people don't freak out when they

18:09

see a dog or a cat or a our

18:11

walking around without clothes off. It's like that were

18:13

in animals. Looks. Like and

18:15

so wanted to didn't design them is

18:17

that we're real animals. There was a

18:20

really important are the process. Images

18:22

this early, I didn't want to circle

18:24

back to filming outside, not filming on

18:26

a soundstage. I thought that was really

18:28

impressive. Did. You find it challenging to

18:31

do the cinematography that way in the elements

18:33

outside with or anything that you didn't anticipate

18:35

or maybe came up during the filming that

18:37

you've found difficult to do this kind of

18:39

film or was it completely natural as it

18:42

appears to be in the movie. Technically was

18:44

a huge challenge is because of the elements

18:46

and these suits their pretty heavy and made

18:48

a foam in covered in fur and they

18:51

get a little waterlogged with the rain and

18:53

stuff like that with sweat air with or

18:55

swear to a are technically we just rolled

18:57

with whatever the elements gave us. can. We

18:59

were out there to see in that environment and

19:01

it was rainy or sunny or of yard. Crazy.

19:04

Looking clouds and and fog or if he

19:06

had a of attackers sun rays we just

19:08

embrace whatever was there he has or as

19:11

endeavor a chance to can see like Daves

19:13

had be suits are normally on soundstages and

19:15

we just wanted to shoot natural light. so

19:17

it's really it's a testament to the creature

19:20

team of how hard they work to keep

19:22

the prosthetics and plays and the fireplace in

19:24

in in between takes when it was rainy

19:26

but I think of made it just made

19:28

everything feel that much more authentic. Because

19:31

we did it that way. I

19:33

guess the final question before we get to where

19:35

people can see it and how they can see

19:37

it is what do you want people to take

19:39

away from this film if you had just an

19:41

elevator pitch of. Why you made the

19:43

film: What You want people to experience, what

19:45

they will experience, and what you want to

19:47

take away to be From Sasquatch Sunset. From

19:50

the audience perspective, if you guys want to

19:52

take that individually or be awesome. For.

19:54

me and i and the sink read with

19:56

brazil similarly of is everything we do that

19:58

the the art that were inspired by and

20:01

then in terms of what we'd like to see

20:03

and then the work that we attempt to make,

20:05

we never like to be didactic or

20:07

some message or an idea that people throw because just

20:10

as a viewer, it's almost condescending

20:13

because I'm being told what to think.

20:15

And I think it also really limits the boundaries of

20:17

what that use of art can be, whether it's a

20:19

movie or music or a painting or whatever, you're like

20:22

put in a box and this is what it is

20:24

and it's nothing more than that. For us, we

20:26

like something that ideally works on

20:28

different levels and creates a dialogue.

20:30

It respects the audience and creates a dialogue with

20:32

them where they can bring some of their own

20:34

thoughts to it. We really like to do this

20:37

working on different levels. We're on the surface level.

20:39

If it's just a wild time at the movies,

20:41

then if people want to join the art level,

20:43

that's great by us. But if they want to

20:45

look at some deeper layers to it and what

20:47

it says about our connection to the natural world

20:49

and what that means to us individually, then that's

20:51

fantastic too. Yeah, I would

20:54

say I'm curious as to

20:56

specifically for this podcast, like with the

20:58

Bigfoot community, people who are obsessed with

21:00

it the same way we are, what they

21:02

think of our interpretation of some of the theories

21:04

and how I feel like they'll really enjoy it.

21:06

I feel like we're treating them

21:08

with the respect, the Bigfoot

21:10

with the respect that it deserves and not making it

21:13

the butt of some of these. The jerky joke. Yeah,

21:16

so we hope different people have different views

21:18

on the specific assessments of its behavior, but

21:20

we tried our best to have something that

21:22

felt, find a certain truthfulness and

21:24

legitimacy and respect for the combination of traits

21:26

that we put together with them. Yeah, we've

21:29

done like a whole range of types of

21:31

interviews, but we're very much looking forward to

21:33

speaking with the actual Sasquatch podcast. I can

21:35

tell you, I know there's some people pissed

21:37

off by the trailer. I can tell

21:39

you, I don't know how many people you guys know, but

21:41

I was talking to Renee Holland. She was on Finding Bigfoot.

21:43

We were talking before we did the interview and Renee said,

21:46

yeah, people were pissed off about that. I get it. And

21:48

I was one of those people, honestly, in the beginning. And

21:50

then I watched the film and I'm like, okay,

21:52

this makes sense. Now there was a couple of moments. I was

21:54

like, what the. Yeah, but the rest

21:56

of it I was able To

21:59

get into. By the time it was over how

22:01

was like holy shit felt connected? Those characters. I

22:03

thought it was interesting. I think people are and

22:05

either going to have it or hate it. Dad

22:08

is. I think it's a movie that's for people

22:10

who aren't familiar with explode and have just entered

22:12

from. With. some some the more

22:14

absurd as comedy and then I think people's or

22:16

really. It. In into Sasquatch

22:18

and really are or into studying at for

22:20

pick up on Alia, that and nuances and

22:23

en route will give it a shot. I

22:25

think there's no single movie or book or

22:27

anything that can please entire a big for

22:29

obvious biggest ever wants to absolutist interviews and

22:31

so we knew that going into it we

22:33

were going to please everyone so we would

22:35

just try to do something as honest as

22:37

week good and then hopefully people could respect

22:39

that in different ways on that level. So

22:41

yeah hopefully they'll give it a chance regardless

22:44

of the as people never hated they are

22:46

help as it's gotta. Be clear

22:48

that I'd love birds as whites and

22:50

respect and reference. Or it which I

22:52

think is very different from a lot of other films

22:54

that there were. they just treat as is the horror

22:56

trope or something. Very good General I appreciate

22:59

it very much and I'm looking forward to getting

23:01

people's reactions when it comes out A key

23:03

away and a word Syria, Syria Hope hopefully

23:05

people give it a shot. The question of

23:07

the our for everybody the been blown up

23:09

my inbox. I'm a social media since I

23:11

posted about this is when and where and how

23:13

can they see this film. When. Us

23:16

ask what sunset gonna be out there

23:18

for the masses A comes out limited

23:20

release is April twelve. Would. Still

23:22

be in New York, L

23:24

A, Austin, Texas and San

23:26

Francisco. and then April nineteenth,

23:28

it'll be nationwide. And it's

23:31

not have viewed as a it's a strictly in

23:33

theaters and we really made this to be seen

23:35

on the big screen. We wanted to feel like

23:37

an epic and is gyro thousand year old redwood

23:40

forests everything we made it people to watch not

23:42

as a different ways eventually but we really made

23:44

it to be seen big and as is a

23:46

great film I think seen in a communal aspect

23:48

with a group of people experience in it it

23:51

together. So. Yeah Oh in a quick

23:53

side note I saw the say we had a premiere

23:55

last night and this is a deep cut or beta

23:57

and but the drink we had as the after party

23:59

was. How the Patterson Gimlet Which as

24:02

the thought was a really good

24:04

great area. You. Always get

24:06

the inside scoop here on Sasquatch Odyssey. David Nathan

24:08

Thanks you guys so much free time and know

24:10

you're busy doing a lot of press and we

24:12

really appreciate you. Stop and by talking about the

24:15

film Everybody go check outs. Ask what sunset. It's

24:18

going to be in theaters April twelve, Limited release

24:20

April nineteenth For everybody else you guys go check

24:22

it out. It is definitely worth wasn't think you

24:24

guys again some was I really appreciate it. Over

24:27

I i seven or eight think ravenous. Excellent

24:29

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