[School of Movies 2024]

The late 2010s. It is a period of civil war. The vast Empire of Disney has released four of its five first Star Wars movies, to mixed reception. Critically and financially, The Force Awakens and The Last Jedi have done very well, as has Rogue One. However, the two episodes have divided the smaller portion of the global audience that amounts to the vocal fanbase, between those who are thrilled and those who are disgusted. 

In a vain effort to smooth things over, it is decided that the pitched final film in this nine-episode Saga be made with nothing upsetting or challenging within. Writer/Director Colin Trevorrow is relieved of duty and replaced by the director of The Force Awakens and the writer of Batman V Superman. These two are then given a hard crunch time to get the movie developed, filmed, finished and released by the end of 2019. It must be by then, because a dark period for the cinema has been prophesised for the 2020s. What was released was designed to mildly please everybody, and as a result, felt largely mediocre, and did not become widely beloved. 

Now, after years of living with the pain of this creative fumble, a lone film aficionado sets out into the wilderness of fan edits to see what has been done with the conclusion that left him so disappointed. What he discovered may shock and delight you, or it might induce a powerful rage. One thing is certain, that pain has been put to rest.