Episode Transcript
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0:00
Hey everyone, it's Pacific and welcome
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back to another episode of SCP Archives!
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Now it's time to talk about this week, but
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if you haven't given a listen to our new fiction
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check it out. It's on Spotify, Apple Podcasts,
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made in partnership with the George
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A. Romero Foundation. It has
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them to create this really incredible
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show. And it's zombies,
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Joining us this week is Devious
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Nick, Seth Stanley, Charles
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Kowalski, Nicholas Lyming,
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so much for supporting the show, you guys. You
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help us do what we do. And
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now, a very short ad break, and then, this
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week's episode.
1:59
Cindy? Cindy? Oh my god. Please,
2:02
what's happening? I can't believe
2:04
you just
2:06
set her on fire. Why? I do. Why
2:09
did I do that? Did you say, did I? I don't
2:11
know. I don't know. I don't know.
2:14
Cindy, Cindy? Cindy? Cindy?
2:17
Cindy? Cindy? Cindy?
2:20
Cindy?
2:21
Cindy? Cindy? Cindy?
2:24
Cindy? Cindy? Cindy? Cindy?
2:28
Cindy? Cindy? I
2:30
don't know, but... That was Tami Lynn, right? It
2:32
was definitely Tami. I can't get you in her name. What
2:34
would you do to her, Cindy? I don't know, Lee. I don't
2:36
know her. What's that sound? I don't hear anything.
2:39
What sound? It sounds like I've got
2:43
to go look
2:44
out of here. Right.
2:47
I'm way ahead of you. Let's
2:50
go. Dispatch,
2:59
come back. Copy.
3:00
Dispatch here. Cooper
3:03
here. Hey, Coop. So,
3:07
I'm just coming up on 3 Mile and dry Gulch, but
3:10
I think I see some headlights up toward Howdy.
3:13
I'm going to make a quick detour and check it out. Is
3:15
there anyone else you can get to handle the 213? I think Dan is
3:17
out of your way too. I'll check.
3:20
What's going on at Howdy? Cooper?
3:23
Yeah, sorry, Kimmy. I'm just a little distracted. Everything
3:25
okay?
3:26
You going to need backup? No, no, no. I
3:28
won't need backup. I can already hear the music down 3
3:29
Mile on 213. No doubt about
3:31
it.
3:32
That's good. I'm
3:35
going to get him out of here. I'm going to get him out of here. I'm
3:37
going to get him out of here. I'm going to get him out of here. I'm going to get
3:39
him out of here. I'm going to get him out of here. He's going to get
3:41
him out of
3:41
here.
3:43
I'm going to swing by Howdy real quick, and then
3:45
I'll double back to check in on the festivities. Don't
3:48
worry about getting Danner on it unless he's gotten nothing
3:50
better.
3:51
Copy that. I
3:54
did the same thing back when I was a kid, you know?
3:56
Back when you were a kid, huh? And
3:59
when was that? last year?
4:00
It was five years ago.
4:05
Oh, well,
4:06
my apologies Dave Perez.
4:08
If you see my brother, tell him he better
4:11
not be drinking.
4:14
Be on the lookout for an intoxicated Perez.
4:16
Copy that.
4:17
And tell Ren that his dad knows what he's up
4:19
to. Does he? No,
4:23
but he won't know that. Ah,
4:26
understood. I'll
4:27
call it in in a minute. Alright
4:31
then.
4:32
Whoever's missing around in my fight is gonna be
4:34
sorry.
4:50
It's absolutely true. Ask Al.
4:54
Is it worth for the fact that Damat broke his
4:56
ankle last Sunday? I'd still be warming to
4:58
bench. Tell them how he broke his ankle. What?
5:02
He didn't break his ankle, did you? Ren
5:05
Kubo, you animal. No,
5:08
no. Nothing like that. You're not
5:10
gonna believe this though. What? Antique
5:14
Bear Trap. What? What? Is
5:16
he messing with us? No, not
5:18
at all. It's the real deal. Ask
5:21
his old man. Your dad told you that?
5:24
That's right. He was the one that responded
5:26
to the call. But how? Yeah,
5:29
how? Damat was out with us looking
5:31
for Tammy Lynn. Oh my god,
5:33
poor Tammy. Can you believe
5:36
it? To go missing like that? Someone
5:39
put out a bear trap to keep
5:41
you from looking? No. No
5:43
one uses traps for bears anymore. And
5:46
it had nothing to do with Tammy Lynn. That's
5:48
what I thought too, Al. That the kidnapper
5:50
had put it out to throw them off
5:52
the trail. That's not even the weird
5:54
part. If not, what's the weird
5:57
part? No. The weird part?
6:00
They think that trap might be hundreds of
6:02
years old. A hundred years
6:04
old? That's far out. Yep.
6:08
Talk about your missteps. Get it? Missteps?
6:11
Good one, Al. That's
6:14
right. Or just... Really bad luck? Took
6:18
the words right out of my mouth. Good
6:20
luck for you, though, buddy. And
6:22
you, too. If it weren't for that
6:25
hundred-year-old bear trap and my
6:27
brilliant play, these
6:29
lovely ladies would likely be at Dingleberry Donnie's right
6:31
now instead of slumming it up with us. That's
6:34
not true. Not at all. It's
6:37
okay. We get it. Right, Perez? Donnie's
6:39
got the keg and the pool. And
6:42
a raging case of shit for Bran.
6:44
We were just waiting for you
6:47
to ask, Ren. You
6:49
mean you were waiting? Well, one
6:51
of us was waiting for Ren. The other
6:53
one of us was waiting for a certain Latin lothario
6:56
to make his move. Oh, my gosh.
6:58
Shut up. It's true,
7:01
Al. She's been going on and on. Shut
7:03
up, Margo. I can't believe you.
7:05
Oh, my God. Okay, okay.
7:07
That's funny, because Al
7:09
has been doing the same thing all
7:12
day. Oh, Al.
7:15
Oh, Al. I've got to get
7:17
the good stuff for Al. I've
7:19
got to wear my nicer backs. Is
7:22
this one gallon of cologne enough? Al? Is
7:25
that true, Al? Oh, my gosh. You are
7:27
so dead, Margo. Leave him alone.
7:29
Wow.
7:32
Al Perez finally rendered
7:34
speechless. I never thought I'd
7:36
see the day.
7:37
These
7:40
things have to be spoken of. Where's
7:44
the little girl room around here? I need
7:47
to powder my nose. And,
7:50
oh, my God, empty my
7:52
bladder. You are so crude. That's
7:55
why you love me.
7:56
Uh-huh. Ah. That's
8:00
the best part of Kubo's Country Cabin.
8:03
Stumble in any direction for 15 or
8:05
so feet and you've arrived at one
8:08
of our many, many luxurious
8:10
bathroom facilities. What
8:13
if, I mean, what about
8:16
toilet paper? How are we supposed
8:18
to, you know... Toilet paper?
8:21
No one. I'll get you some, Elle.
8:24
It's right over there. Oh
8:28
boy! Looks like this one's going to
8:30
be easy to train, Elle. Oh my gosh,
8:32
what? You're horrible. Here
8:35
you go, Elle. And here's my flashlight.
8:38
Are you? Thank you, Elle.
8:41
It's good to see that Chavarri isn't completely dead.
8:44
Hey! Don't you worry
8:46
about it, Ren. I am a modern
8:49
woman. Oh, uh-huh. Is that
8:51
what you call it? We'll be right back,
8:53
boys.
8:54
Can
8:58
you believe
8:59
this? What's that? She
9:01
is so amazing. Margo?
9:04
No, you could lose Elle. Okay,
9:07
okay. Just pulling your chain, buddy.
9:10
Yes, Elle is amazing.
9:13
I'm not sure Cindy would agree, but yeah.
9:16
Stevens was just worked out about what Elle's mom
9:18
was saying. She'll come around. No
9:20
doubt about that. And you're
9:23
probably right. But, Ren,
9:26
I mean, I always
9:29
knew she was beautiful. But
9:32
she's also so smart and
9:35
funny. And she's so
9:37
beautiful.
9:40
Ren, I think I'm
9:42
in love. Whoa, amigo. Try
9:44
to play it cool. Oh, yeah. Right.
9:48
Of course. I'm playing it cool.
9:53
And by the way, I think
9:56
she's totally into you, too. Don't
9:59
mess with me, Kuba. Are you
10:01
being serious? I am!
10:04
She's been laughing at jokes that no one
10:06
thinks are funny. What? What
10:09
jokes aren't funny? All of my jokes
10:11
are funny. I've been working on this material
10:13
for years. Exactly
10:16
my point. Maybe I'm just- Lynn!
10:18
Alice! What's that, Kevin? You guys! Let's
10:21
go. We've gotta go. We've gotta get out of here. We've
10:23
gotta call the cops. Yeah, it's at the
10:25
light. At the light. What's going
10:28
on? What's gotten into you two? Yeah.
10:31
What's going on? You don't understand.
10:34
We were walking by the lake. Whispering
10:37
Lake? Walking, huh? Is
10:40
that why you're both out of breath? Lee,
10:43
you all dug. No, seriously!
10:46
Listen! I'm seriously proud of you. Not
10:49
so much you, Stevens. You do so
10:51
much better. Good one, Al. Would you two shut
10:54
up already? Whoa! Okay! Okay! Okay!
10:56
What? Hey, y'all. Where
10:58
do you two run off to? Cindy. Oh!
11:01
Cindy! I just- I just wanna apologize. I realize
11:03
that I- Not now, Al. Nobody
11:05
cares.
11:06
We just saw Tammy Lynn. Right?
11:09
Is- isn't that what we saw? Oh my god. Tammy
11:11
Lynn? What?
11:15
Yes. I- I think that's
11:18
what we saw.
11:22
Oh, man! You two! Not funny. This
11:27
is a joke? That's disgusting,
11:29
you guys! You two had us going
11:32
there for a second. You shouldn't be making fun.
11:35
Tammy might not have. This is not a
11:37
fucking joke. Hey!
11:40
What are you doing? Yeah. Not
11:42
cool. We need to go.
11:44
We've got to go. Why? Why
11:46
do we have to go? Is
11:49
it possible that you two had a little
11:51
too much to drink tonight? Or
11:53
is, uh, maybe Renspecial's
11:56
playing tricks on you? Right!
13:59
toxic sight. How does wind scare?
14:02
We weren't at the lake, just at the fence,
14:04
but we saw Tammy there, in
14:06
the lake, and you just
14:09
gotta get over there. I don't
14:11
have to do anything, my friend. Deputy
14:14
Danner? About time you chimed in, Kubo.
14:17
You see Tammy Lynn down at the lake, too? You
14:19
kids smoking grass up here, or worse?
14:22
No, sir, but I think maybe
14:25
we should get my dad up here. Oh,
14:27
do you? Yes, sir.
14:29
Lee and Cindy, they wouldn't make
14:32
up something like this. Okay then, Ren. Let
14:35
me call it in. Thanks, Ren. No worries.
14:39
I think we should go ahead and go, too.
14:42
Are you ready, Al? Yes, please. We'll
14:45
see you guys later, okay? Don't go. Why
14:48
just? It's okay, Al. We
14:50
really had a blast, right, Margo? Yeah,
14:53
totally. Let's get together
14:55
this week and double. Yeah. How's
14:58
that sound?
14:59
Poms and then down to Ridgeway
15:02
for the drive-in? Oh, no, come on. Huh.
15:07
Don't worry, Al. I really was
15:09
having fun. Picky fair.
15:13
Me too. I'm really sorry
15:15
about this. Oh. Al,
15:18
you're a doll.
15:23
See you once again. And there's
15:25
nothing to be sorry about. It's been a blast.
15:28
Yeah,
15:28
totally agree. Let's
15:30
definitely double next week. For sure.
15:33
Bye, guys. Bye, Lee. Bye, Cindy. Bye,
15:36
Ren. Bye. Bye.
15:39
Bye. But... Come
15:41
on, Al. Oh,
15:44
man. You two
15:46
better not be messing around. I'll never
15:49
forgive you if... Don't worry, Perez. We're
15:52
not messing around.
15:58
Dispatch, come back.
15:59
Got me, dispatch
16:02
here.
16:02
Dispatch, this is Deputy Danner. I have
16:04
a possible code 11 up here, just south
16:07
of Three Mile and Winchett Road.
16:09
Code 11?
16:11
That's right.
16:11
Is it...
16:14
It might be. I've got
16:16
an eyewitness here saying she's seen Tamilyn Halona
16:19
out at Whispering Lake.
16:22
Where's the sheriff?
16:23
The sheriff left about an hour
16:25
ago, but West is still here. And
16:27
Cooper is right up at Howdy. Great.
16:33
I'm
16:33
always scared. Okay, dispatch.
16:36
That'll have to do. Get Cooper
16:38
heading my way and let West know that we've got
16:40
a situation. I suspect the sheriff
16:42
will want the call too.
16:43
Copy
16:47
that. I'll get everyone moving your way.
16:50
You better hope this ain't some practical joke,
16:52
little miss. No, you're gonna be in a heap
16:55
of trouble. You too, buddy.
17:09
I'm
17:14
gonna put you shit on your
17:16
fucking
17:16
watch!
17:17
Deputy Cooper, come back.
17:19
Goddammit! Cooper?
17:24
Cooper?
17:27
This is Cooper. Come back.
17:29
There you are. Where'd
17:32
you go, Coop?
17:34
Just making water, Kimmy. What's up?
17:36
Oh, sorry.
17:38
No problem. What's going on? You're
17:40
still out by Three Mile? The
17:42
Danners just called in at Code 11. Code 11?
17:45
Yeah, it says we've got a sighting
17:47
of Tamilyn out at Whispering Lake.
17:49
Uh, yeah. I'm... Actually,
17:52
I'm right near there.
17:53
That's great. You want to swing
17:55
down there and check it out?
17:57
Yeah, I, uh...
17:58
I've got Whis rolling that...
19:30
I
20:00
don't know, Deputy. It looks like maybe she's
20:02
been electrocuted or... Electrocuted?
20:05
How the hell did... How the hell did that happen?
20:07
I don't know, Dana. Can you please just call
20:09
it in? She... Do
20:12
we need an ambulance? I'm afraid it's too
20:14
late for that. We'll need BME, though.
20:17
And you better let Sheriff Kubo know what's going on. Kimmy's
20:20
already on it. He ain't gonna like
20:22
this. I think
20:24
that goes without saying. What the hell happened
20:26
to you, Tammy Lynn?
20:29
Please, Lord, not on my watch. Not
20:31
again! No emergency services are called. We're
20:35
gonna need the kind of phone today.
20:40
Yes, sir. I'm
20:44
sorry. I'm
20:46
sorry. I'm
20:48
sorry. I'm sorry. I'm
20:51
sorry. I'm sorry. I'm
20:53
sorry. I'm sorry. I
20:57
understand. I'm... very
21:00
sorry to hear that.
21:04
No, no, sir. We're locked
21:06
and good at night. Yes,
21:10
sir. Goodbye.
21:15
What was that? That was the dock, he
21:18
says. What,
21:20
god damn it? Quit playing games. He
21:22
says...
21:22
We
21:25
lost her.
21:26
We lost her? How the hell
21:29
does that happen? Since when can
21:31
we
21:31
lose her? No one said nothing about losing
21:33
her. Does that mean she run off? What
21:36
are you saying, you big dummy? He says,
21:38
we lost Tammy Lynn. She... She
21:40
what? She didn't come out of the lake.
21:43
He left her in there? No, he
21:46
said... Son of
21:46
a bitch, I knew it was just a matter of time. We
21:48
ain't nothing but guinea pigs for that man. No
21:51
doubt, she ain't the first he left in that pit of hell. He
21:53
didn't leave her, she... She what,
21:56
god damn it? He said she... Combustive.
21:59
Combustive.
21:59
you mean she burned up? burned
22:03
up? what the hell is that supposed
22:05
to mean? I swear to god I feel like I never know
22:07
what you're talking about
22:07
yes, god damn it, she burned
22:09
up but how? shit,
22:13
I don't know he was... that
22:16
night was supposed to be just like that she
22:18
was... it's a miracle we
22:21
all weren't burnt up but what's that
22:23
mean? it's over your head
22:25
dummy, except for maybe the burning up part
22:28
that's not cool whatever,
22:30
get over it I can't
22:32
believe it what did
22:34
he say? did he say why? I knew
22:37
this would happen shit, I don't know I've
22:40
been writing it telling him that stuff wasn't right
22:42
with those reasons you knew
22:44
that it was going to end like this shut up Holly,
22:46
you didn't know shit the hell I
22:48
didn't, I knew it when I was up there tonight all
22:50
those spikes, he knew exactly what he was doing this ain't a man concerned
22:52
with the well being of others none of us have a single
22:54
memory in our head that we can trust we're
22:58
sat down
22:58
here in a bunker like prisoners and he'd probably
23:00
kill that girl just for the hell of it and it's
23:03
likely to pin it all in you did a junkie of car and he
23:05
ended up being those ones all gift wrapped and ready for the
23:07
cops all he's missing is the beat, the
23:09
boat, be nice
23:14
so...
23:16
what are we supposed to do now? he
23:18
wants us to be ready ready for what
23:20
exactly? trouble
23:38
Ash?
23:44
just... what in the hell happened out
23:46
there? let me gather my thoughts what
23:50
happened?
23:51
what happened to Tammy
23:53
Litt?
23:54
I... she's...
23:59
she's dead. Oh
24:02
my God. Timmy.
24:06
Where? Where responsible
24:09
for her death?
24:10
A 17 year old girl. About just...we?
24:13
This is a neat deal.
24:16
I knew this
24:17
girl. She...she goes to the same
24:20
school as Cindy. She...she
24:23
used to come in all the time. She loved John
24:25
Coltrane. It's worse than you know. Is
24:27
that even possible? Yes. I'm
24:31
not sure about that, Ash. When
24:33
I'm party to a murder, especially of a young
24:35
lady that I know, in my mind, it
24:37
couldn't get much fucking worse. I don't
24:39
think you understand. Oh!
24:42
Oh! I understand completely,
24:44
God dammit! We killed a young
24:46
girl tonight,
24:47
and you promised me!
24:50
Jesus Christ, Ash, I radiated the
24:52
fucking marching band! My daughter's
24:54
in that band! Your daughter is only
24:57
a small part of this. Not
24:59
to me! Elma. She
25:02
didn't go under. She...
25:06
There's a body. What?
25:08
What did you say? This
25:11
is her...what do you mean she didn't go under?
25:14
Just please, give me a minute.
25:16
I need to...
25:18
I need to process. I
25:22
think. I can't believe this is happening.
25:25
This is a complete fucking disaster.
25:29
What are we gonna do? Let me sit.
25:34
Did anyone see you?
25:35
Where's the scotch? This is hardly
25:37
the time. There might be cops!
25:40
What the hell are we gonna do? I need to calm
25:42
my nerves, Elma. And I need you to dial
25:45
it back and help me figure out our next move. Our
25:48
next move? Yes.
25:51
Our next move. This is
25:53
just the beginning, not the end. The
25:56
beginning?
25:56
You're out of your mind.
25:59
This absolutely is the end. We
26:02
can't keep it. But it's one thing, Ash,
26:05
when it's old drifters and druggies and
26:07
Rowan's doing the dirty work. It's
26:09
a whole other thing when it's a seventeen year old girl
26:11
with her whole life in front of her. I'm keenly
26:14
aware of the loss, Elma. I can assure
26:16
you. Maybe I need you
26:18
to convince me of that. And of the fact
26:20
that you aren't seen fleeing the scene of
26:22
a homicide. Considering that I was the one
26:24
that held her under. That I was the one
26:27
that watched the sheep. Trust
26:29
me, I'm aware of the loss. But
26:32
I can absolutely assure you that we were not seen
26:34
leaving the lake.
26:37
No end. Justify these
26:40
means, Ash. I don't
26:42
disagree with the sentiment,
26:43
Elma. But let's not make her... Her
26:46
sacrifice be for nothing. Her
26:48
sacrifice? Her sacrifice?
26:52
That's what
26:52
we're calling it now? God
26:54
forgive us.
26:57
I can't believe this happened.
26:59
Me either. But
27:02
you see, don't you? We
27:04
have to see this through.
27:07
Elma.
27:10
Oh.
27:22
I guess we've got work to do. I'm
27:24
assuming we've got good data from the halo.
27:27
We do.
27:28
It'll be the key to us wrapping our heads around
27:30
what happened. I'm assuming we'll
27:32
need Holly out at the site right away as well? Most
27:35
definitely. Just level
27:37
with me, Ash. What do you think went
27:39
wrong? I've
27:42
no idea. Nothing
27:45
seemed off. She resisted a little,
27:47
but that was to be expected. She
27:49
went under. We revived her right away
27:52
and all her vitals were normal. Maybe
27:54
it was just... We just
27:56
pulled too many lovers tonight.
27:58
The priming and her age and her genetics. I
28:01
accounted for all of that. We were, we've
28:03
had plenty of data to suggest that we be within acceptable
28:06
limits. I knew
28:08
there was a higher risk to my pleasure. I
28:10
mean, there's always a risk. A risk
28:13
that though the lake will claim
28:15
its proverbial pound of flesh, that
28:18
the migration is too much for the subject. Especially
28:21
weaker subjects.
28:24
To me.
28:29
I just don't know yet. Then it's
28:31
rage. Wait a minute. All
28:34
I need to suggest is that the longer telomeres
28:36
are highly coveted by the site. It
28:39
is the X Factor. There's no
28:41
question. She was. An
28:43
exceptional offering.
28:54
Deputy
29:00
Cooper. Could I have a minute? Yeah. Sure.
29:07
What's up? Just
29:09
want to ask you a few quick questions while everything's still
29:12
fresh in your mind. Shoot. So,
29:15
uh, Danner says that you
29:17
were first on the scene. Yep.
29:20
That's right. Okay.
29:23
You want to tell me what happened? Oh, yeah.
29:26
I'm sorry. I just, uh... I
29:28
realize it's not your typical crime scene down
29:30
here. No,
29:32
it isn't. Is it? I
29:37
just don't understand how she... why she
29:39
burned. Why she burned? What's
29:41
that? He said why she
29:43
burned. What does that mean? Well,
29:47
I'm just... I don't see any way... The
29:50
question, Deputy, isn't why. The question is
29:52
who. As in who could do such
29:54
a horrendous thing to a 17-year-old
29:56
girl. Who could set fire to a
29:58
person and then watch them burn? to death. And
30:01
lastly, who could vanish from the scene with
30:03
Naria traced with not one, but
30:06
two of our deputies within spitting
30:08
distance. Who? That's
30:11
right. Who? Deputy Danner
30:13
says that when he pulled up, your cruiser was
30:16
dark. He what?
30:18
Deputy Danner. He says that you were lights
30:21
out down here. Why is
30:23
that? Oh, I
30:26
was just, I got the call from
30:28
Kimmy. I pulled up and
30:30
went to get out of my cruiser. I
30:33
didn't see anything out of the ordinary. It
30:36
wasn't until after I'd gotten out of the cruiser,
30:39
I had to take a leak. I was just
30:41
walking along the fence. You didn't see anything
30:44
when you first pulled up? That's
30:46
right, West. I didn't see anything.
30:49
I sure as hell wasn't expecting to see a dead girl
30:52
lying on the ground. I can tell you that. Okay,
30:54
then you're taking a leak along the fence
30:56
and then what? If I was
30:58
making my way back, I saw, well,
31:01
I didn't know what it was read off, but I saw
31:03
Tammy Lynn here. And well, then
31:06
of course I smelled it. I
31:09
suppose I was in shock. And
31:12
then Danner pulled up and I had him call it in right
31:14
away. Okay then, and
31:16
then what happened? What the hell are you
31:18
implying? Implying? I'm
31:21
not implying anything. I hope
31:23
you aren't. Last time it didn't work
31:25
out so well before you did it. Well,
31:28
I can see you worked up, so that's probably
31:31
all for now. We'll get
31:33
a written statement back at the station. Okay.
31:37
Have you write it all up nice and neat? Won't
31:40
be a problem, West. Some of
31:42
us good police work comes second nature.
31:45
Right. Like I said, you seem upset.
31:48
It's understandable. This is horrific.
31:52
But whoever did this, we will find
31:54
them, Cooper. Will we?
31:58
And we will make sure
34:00
What in hell happened down here? Jimmy
34:03
said we've got a homicide. Sheriff.
34:07
Sheriff, that's right. We do. Is
34:10
that? Do we think
34:12
that's Tammy Lynn Hulona down there? Yes
34:15
sir, we do. Can't really tell
34:17
who the victim is by sight, but we do have
34:20
two eyewitnesses that claim it's her. Goddamn
34:22
it. It's pure evil
34:25
what they've done to her, Sheriff. Let's
34:27
just have a look. The ME is already working
34:29
on the body, and I've got Danner and Donovan
34:31
securing the scene.
34:35
What's your handling? Coop.
34:39
How's that now? I
34:41
just had some questions for Deputy Cooper about
34:43
his arrival on the scene. There seem
34:45
to be some inconsistencies in
34:47
there. There's nothing stopping right there. Both
34:50
of you. It ain't the time or
34:52
the place. I know you two
34:54
have got your own little pissing contest going
34:56
on. But we've got a young woman murdered
34:58
here on our watch. And we? All
35:02
of us feel to protect her. I
35:04
want us all rowing in the same goddamn direction.
35:14
Hey everyone, it's Specific here with a quick ad break
35:16
and a reminder. You can get access
35:18
to ad-free episodes on our Patreon at
35:20
patreon.com slash SCP
35:23
underscore POD. You
35:26
can also find a link to our Patreon in the show notes
35:28
below.
35:36
Alright, and now, back to the show.
35:45
I can't
35:45
believe this.
35:50
It's the most horrible thing.
35:53
It's gonna be okay. Brin's
35:56
dad is gonna catch
35:57
those fuckers.
35:59
How could they do that to her? I
36:03
know, I know, I can't believe
36:05
it either. It's gonna be alright
36:07
though. That's right. We're
36:10
all here. Louise Wright. My
36:12
dad is gonna catch those guys. I'd
36:15
hug you too, but you know, I'm wearing all this
36:18
brew. Oh,
36:22
Al. Come here. Thank
36:25
you. Thank you so much. And
36:29
yes, you are wearing a lot
36:32
of brew. Seriously
36:35
though, we've got your back. I
36:37
know, I know. I'm so lucky
36:39
to have you guys.
36:42
When do you think it's taking so long, Kubo?
36:45
I don't know. No doubt my dad is
36:47
already on his way up. Wish we could
36:49
get the hell out of here. If
36:52
that was Tammy down there, this
36:54
is going to be huge. It
36:57
was her. I'll never forget
36:59
her face.
37:00
How old is her? Her
37:03
face. She... She
37:08
knew.
37:10
What exactly went on down there? I
37:12
don't know. And in shock,
37:14
I think. What did we see?
37:17
I'm not even sure I trust myself enough to talk about it. It
37:21
was... We
37:23
saw Tammy Lynn and this man,
37:25
he... He tried to drown her. No,
37:28
he did. He did. We
37:31
saw him. Why didn't
37:34
you guys do anything? I
37:36
couldn't. You
37:39
know how they say you're frozen to the spot? That's
37:42
what it felt like. Like I couldn't move. Me
37:44
too. It was almost like being in a
37:46
movie. It was so unreal.
37:50
So he drowned her. But
37:53
then you said he set her on fire? Well,
37:57
at first he... Yeah, he drowned
37:59
her.
37:59
and then he drives her out of
38:02
the water and then he shocked
38:04
her or something. Yeah, that's
38:06
right.
38:08
He shocked her. Like, with
38:10
a cattle car? No, no, it
38:13
wasn't like that. It
38:15
was on her head. He had put
38:17
something on her head. Right,
38:20
like a, like, like a crown. It
38:22
was like a metal crown
38:24
with these blue legs.
38:26
And he shocked her, like,
38:27
like over and over, like he
38:29
was trying to revive her, like with a
38:31
defibrillator, but it was on her
38:34
head instead of her chest. And
38:37
then what? And then she kind
38:39
of started coming through, like, like
38:42
the shock had worked. Right,
38:44
like, for a minute it seemed like
38:46
she was fine. And
38:49
then they were walking out of the lake and
38:51
then suddenly she stopped and, and she,
38:54
she, I don't, I don't
38:56
know. What? She was
38:59
moaning. She was like screaming
39:01
in her own skin. And
39:04
then, and then the man starts yelling,
39:06
stand back, stand back, or
39:08
something like that. And then
39:09
he was yelling at her. I think he was yelling
39:12
at her to get into the water. Yes,
39:14
that's right. But she didn't, or
39:17
she couldn't.
39:17
And then she, she,
39:20
she just caught on
39:23
fire. She caught on fire?
39:26
Did she catch on fire or did they set her
39:28
on fire? I don't, I
39:31
didn't see anything like that but the, the
39:33
master's right. She
39:35
was on fire though. Definitely.
39:40
But it wasn't like in the movie, she didn't run
39:42
around waving her arms or anything like
39:44
that. She just, she just stood
39:47
there. And burned like
39:49
those Buddhist monks protesting the war. Just burning.
39:53
It was horrible. The
39:56
screams you guys, I don't
39:58
know if I'll ever forget.
40:48
that
42:00
if you tell that story like
42:02
that, the way you just told
42:04
it to us, you're liable
42:06
to end up with all sorts
42:09
of hassles. I can see the
42:11
headlines now. Longwood
42:13
Highs see Tannic Seniors on
42:15
a rampage. Hadn't even thought of
42:17
that. But what are we supposed to say?
42:20
Just say you found her like that and
42:22
nothing else. Why? Just
42:25
trust me on this one. Just
42:27
say as little as possible.
42:30
I don't know,
42:33
but what if we get caught
42:34
in a lie? I don't
42:36
get it. Why are you two trying to shut us
42:38
down? I'm not trying
42:40
to shut you down. Truth is, I
42:43
can't say I'm totally surprised by what's happened.
42:47
Or more importantly, where
42:49
it's happened. Rightly? Well...
42:53
What? What's
42:55
that supposed to mean? What?
42:59
Lee and I, we've actually
43:01
been doing a little snooping around. I
43:04
wouldn't call it snooping. It's more
43:06
like we've been investigating. Right.
43:09
Whatever. Investigating what?
43:12
Tammy Lynn's disappearance. You've been
43:14
doing what? Are you being serious?
43:17
Well it didn't really start there. We've only
43:19
been looking at Tammy just recently. That's
43:22
right. Then where'd it start?
43:23
Guys? Guys?
43:28
It's the lake. The lake.
43:31
Whispering lake? Right
43:33
in one. You already
43:36
know all about it, Perez. Everyone
43:38
around here knows about it. We
43:41
just never talk about it.
43:43
Talk about what? You guys are being vague
43:45
and it's starting to piss me
43:47
off. There's something going
43:49
on up there. It's not that we ever thought that
43:51
something like this could happen. Are
43:54
you two being serious right now? You've
43:56
been what? Snooping around the lake
43:59
like the Hardy Boys? Give me
44:01
a break. No. This
44:03
is bigger than that. You know
44:05
me, Al. You too, Stevens. If
44:08
what Lee and I have discovered is anywhere
44:10
near the truth, it might change your mind
44:12
about what to do next. Don't you
44:15
agree, Hillerman? Geez, I
44:17
hadn't even thought about it until just now.
44:20
This is crazy! Lee and
44:22
I just saw someone murdered. I'm not...
44:25
What are you saying, Lee? That what we just saw
44:28
has something to do with what? The lake?
44:30
Yeah.
44:33
Is this supposed to be some kind of old legend about Indian
44:35
burial grounds and shit that goes bump in the
44:37
night? You two sound like the old guys
44:40
down at the barbershop, trying to give each other
44:42
the shivers. If you think it's
44:44
crazy now, wait until you hear what we've uncovered.
44:46
You'll be the two that flew over the cuckoo's nest. So
45:25
who's left?
45:36
I
45:39
guess if you were calling
45:43
the Orangevegan
45:55
This is Agent D Cooper, identification
45:57
number Delta Yankee, 19JX.
45:59
for 843 site number 10 32k 11 I need containment
46:13
I need Harper
46:23
Harper it's Cooper
46:27
we've we've had
46:29
a breach
46:29
we're
46:35
off the charts deterrence or operational
46:37
but we are definitely seeing a sea change at the
46:39
site requesting immediate continue
46:46
level two as it stands
46:54
there's one other thing the
46:58
girl is dead
46:59
no
47:06
sir it isn't and no
47:08
I don't foresee any problems with local law enforcement
47:15
yes
47:17
sir this was
47:20
not a typical site this
47:24
young lady didn't go under she
47:26
uh she appears
47:29
to have been burned to death yes
47:32
sir no
47:32
sir I'll have
47:36
a full preliminary
47:38
report
47:42
ready for you by the time you get here I'm
47:45
not sure I'll have an answer to that though kind
47:47
of hoping that you fill me in on why that might have
47:49
happened it's
47:53
locked on tight but we've got the sheriff's department crawling
47:56
all along the fence line with
47:58
the increased activity at the site I don't I don't know
48:00
what you need. I'd like 50 additional
48:02
yards around the fence or the department to pull
48:04
up stakes and call it a day, but neither
48:07
of those things is likely to happen until they
48:09
finish their investigation.
48:10
Is there a possibility that you're breathing?
48:15
Do you still have the noise on your desk or...
48:17
No, I don't want to do that. Not
48:20
just yet. My position at the department
48:22
might come in handy still.
48:24
Grief.
48:25
Do you need a
48:27
word? What is it, sir? All
48:29
of those in the room need a solution to
48:31
know that's not right.
48:33
No problem. No problem.
48:35
Yes, sir. Do you need a
48:37
word? No, sir. Do you need a hand?
48:40
Do you need a hand?
48:42
Yes, sir. I will.
48:59
SCV Archives was created by Pacific
49:01
S. Obadiah and John Grills. Class
49:04
of 76 was written by F. Cole Serrano.
49:08
Lee Hillerman was Brian David Gilbert.
49:11
Cindy Stevens was Madeleine Moore. Rencuba
49:14
was Brandon Wynn. Al
49:17
Perez was Jimmy Fuhrer. Tammy
49:20
Lynn Halona with Kayla Temschiff. Elma
49:23
Stevens was Graham Rowett. Thaddeus
49:26
Cooper was Damon Alum. Jack
49:29
Harper was John Grills. Kimmy
49:32
Perez was Risa Montaner. Sheriff
49:35
Kubo was Gary Scales. Deputy
49:39
West was Chud Nelius. Deputy
49:42
Danner was Russ Moore. Dr.
49:45
Ash Calderwood was Chris Young. Elden
49:48
was Atticus Jackson. Holly
49:51
Dildeen was Krista Lewis. Rowan
49:55
was Nate DeFord. Aspen
49:57
Daniels was Dustin
49:59
Parsons.
50:00
Margot was Melissa Lusk. Automated
50:03
message was B. Nar. Voice
50:07
was Ashley Jones. And
50:09
the other voice was Jesse Hall.
50:12
Our dialogue editor was Daisy McNamara.
50:15
And our music was done by Matt Royberger. Our
50:18
sound designer was done by Dana Creasman. And
50:20
our showrunner was Daisy McNamara. I'm
50:23
your producer Pacifica S. Obadiah. And
50:26
our executive producers are Hamo'in and
50:28
Brad Miska. And this is
50:30
a bloody FM show.
50:35
He's just coming in. He said
50:37
he couldn't what?
50:38
Uh, Jaren? You
50:40
want to do the honors?
50:41
Nah, all you. Ah,
50:46
yuck.
50:48
Jaren? Troy? Jen.
50:52
They done back there? She sealed up tight. You want to fire her up?
50:55
Nah, I gotta dry off a little bit. She's on yours. Don't
50:57
go in the
50:57
house. Jaren!
51:00
Jaren! Oh my!
51:09
From the George A. Romero
51:11
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51:12
and bloody disgusting
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comes a new anthology fiction
51:18
podcast. In a world
51:20
plagued by the undead, the stories
51:23
of survivors are well known. But
51:25
those are the stories of the few, not
51:28
the many who continue to walk this earth
51:31
as shells of their former selves.
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These are their stories.
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These are the stories of
51:40
the dead.
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The Dead is now playing on
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