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Sculpting Lives: Veronica Ryan

Sculpting Lives: Veronica Ryan

Released Tuesday, 9th November 2021
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Sculpting Lives: Veronica Ryan

Sculpting Lives: Veronica Ryan

Sculpting Lives: Veronica Ryan

Sculpting Lives: Veronica Ryan

Tuesday, 9th November 2021
Good episode? Give it some love!
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'I have been preoccupied all my life with a "sense of belonging." Growing up with an awareness of "being apart" has certainly defined who I am now. However, that alienation was in part to do with constantly moving – my parents never stayed in one place when we were younger for very long, so there was little chance of continued friendships, or a feeling of being settled. Being “out of place” characterized my growing up.' Veronica Ryan

In October 2021 Veronica Ryan (born 1956) unveiled her first permanent public sculpture, the Hackney Windrush Art Commission, which will be the first public artwork in the UK to honour the Windrush generation.

In this episode we interview the artist as we walk with her through her exhibition Along a Spectrum at Spike Island, Bristol, recipient of the annual Freelands Award. The award enables an arts organisation outside London to present an exhibition by a mid-career female artist who may not yet have received the acclaim or public recognition that her work deserves and serves to highlight the continued under-representation of women artists in arts organisations in Britain. This is Ryan’s largest and most significant exhibition to date, and we discuss her approach to materials, myriad influences and how visibility and critical acclaim came to her later in life. Along with the artist, museum curators and art historians we talk about issues of invisibility, belonging and identity.

Photo: Lisa Whiting, Veronica Ryan,Digital image courtesy of courtesy of Alison Jacques, London, and Create, London

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From The Podcast

Sculpting Lives

Sculpting Lives is a podcast series written and presented by Jo Baring (https://www.jobaring.com/about) (Director of the Ingram Collection of Modern British & Contemporary Art) and Sarah Victoria Turner (https://www.paul-mellon-centre.ac.uk/about/people/sarah-victoria-turner) (Deputy Director at the Paul Mellon Centre for Studies in British Art in London).Dame Barbara Hepworth, Dame Elisabeth Frink, Kim Lim, Phyllida Barlow and Rana Begum – some of the most globally well-known British artists are women sculptors. Conversely, the profession and practice of sculpture was seen by many throughout the twentieth century (and before) to be very much a man’s world. Often using heavy and hard materials, sculpture was not typically viewed as suitable for women artists. Series one explores the lives and careers of these five women who worked (and are still working) against these preconceptions, forging successful careers and contributing in groundbreaking ways to the histories of sculpture and art. Series two features episodes on Dora Gordine, Gertrude Hermes, Veronica Ryan, Alison Wilding and Cathie Pilkington. At a moment when public sculpture is the subject of contentious debate, the final episode of the second series focuses on questions of gender, public sculpture and display, and explores women’s representation – both as subjects and artists – in our public spaces and exhibitions.Each episode is recorded in places that are significant for the women sculptors featured – their studios, as well as galleries and public places where their work is on display – and includes new interviews with curators, friends, family and the artists themselves, creating intimate soundscapes of their private and public worlds.The @SculptingLives Instagram (https://www.instagram.com/sculptinglives) feed contains more information about the podcast and the artists and artworks featured in it.Written and hosted by: Jo Baring and Sarah TurnerProduced by: Clare LynchResearch by: Isabelle Mooney (Series One) & Chloe Nahum (Series Two)Music by: Pauline Oliveros, [Silence] (https://freemusicarchive.org/music/Pauline_Oliveros/EASY_NOT_EASY_Festival_Oct_8_2010/Silence_1082010)Visual identity by: Vanessa Fowler-KendallThis podcast has been made possible through support from the Paul Mellon Centre for Studies in British Art.We are also extremely grateful to Art UK (https://artuk.org/) and National Life Stories: Artists' Lives (British Library) (https://www.bl.uk/projects/national-life-stories-artists-lives) .

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