Episode Transcript
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0:07
You. Know. That freeze a force of nature
0:10
on the next selected shorts we've got
0:12
four strong stories to blew me away
0:14
from our gardens to our whether the
0:16
Great Outdoors tests and defines us. I'm
0:19
Meg Wolitzer bravely elements and stay with.
0:21
Me: You're
0:23
listening to selected shorts where our greatest
0:25
actors transport us through the magic of
0:28
fiction. One short story at a. Time.
0:42
Sometimes. The setting of a story
0:44
can matter as much as the characters,
0:47
creating challenges for them, helping to define
0:49
them and giving the reader a visceral
0:51
context for the narrative. On. This
0:53
program we share for stories in which
0:55
nature has an impact. I.
0:57
Am not someone who spends a lot
0:59
of time in nature, and as a
1:01
result, I don't have too many nature
1:04
metaphors to rely on when I write
1:06
fiction. Instead, my fiction tends to include
1:08
nature's indoor parallel by which I mean
1:10
families in their native habitat, gathering around
1:12
the dinner table or sitting on the
1:14
grassy plains of the shag carpeting. In the
1:16
den. But. I do appreciate writers
1:18
who make the actual natural world
1:20
vivid and original, using it in
1:22
ways that amplify the emotional tension
1:24
in a scene. Landscape.
1:26
Can sometimes be the most memorable character.
1:28
Of all. Several. Of the
1:31
stories on this program were part of a show
1:33
we presented with Cash or It's and Utah Public
1:35
Radio K U S You Fm. In.
1:37
The first, a comic duel between
1:39
a woman and her garden. In
1:41
the second, a border crossing reveals
1:44
outer and inner landscapes. In
1:46
the third, mastering one of the elements,
1:48
and in the fourth, the upside of
1:50
bad weather. Humorous Jenny
1:53
Alan, the author of the collection
1:55
would everybody Please Stop Reflections on
1:57
life and other bad ideas has
1:59
mass. the art of disappointment. You
2:02
name it. Boyfriends, tie-dyes, slumber. She's tried
2:04
it, it hasn't worked, and she wants
2:06
to share her pain. This time it's
2:09
her garden. How does it grow? Well,
2:11
let's just say time to go to the supermarket.
2:14
Reading this essay about Alan's
2:16
not-so-green thumb is Kirsten Vangsness.
2:18
Best known as computer whiz
2:20
Penelope Garcia on Criminal Minds,
2:22
she's also an accomplished playwright,
2:24
performance artist, and podcast producer.
2:27
Here she is with Jenny Alan's garden
2:29
growing pains. Garden
2:41
growing pains. Now
2:44
that it's harvest season, I'm curious. How
2:47
does your garden grow this summer? Was
2:50
it thrilling in those early
2:52
days to watch your vegetable patch begin
2:54
to come alive? To step into your
2:56
garden in the dewy dawn and see
2:59
what magic had transpired
3:01
during the night, how each brave
3:03
green shoot had grown a little
3:05
taller, and then after only a
3:08
few weeks to spot adorable tomatoes
3:10
and green peppers no bigger than
3:13
you might find in a dollhouse
3:15
kitchen. To peek under
3:17
a fuzzy leaf and encounter a shy
3:19
cucumber the size of a pea, to
3:22
gasp at the appearance of
3:24
bugle-shaped squash blossoms, the cheerful
3:27
orange of school buses, or
3:29
there were no blossoms, none
3:32
the day before. But then something
3:35
happened. The cucumbers grew
3:37
bigger slowly and steadily, but when
3:39
they finished growing many were only the size
3:41
and shape of golf balls. You
3:44
rushed to the garden each morning to see
3:46
if the golf balls had elongated at all
3:48
had taken on anything that resembled a cucumber
3:50
shape. No, still golf balls.
3:54
Others of your cucumbers started out
3:56
shaped like tiny crescent moons and
3:58
stayed that way. The way at
4:01
full maturity, they resembled cashews. With.
4:05
Are supporting of the plastic label that came
4:07
with the seedlings which is stupidly throughout the
4:09
you missed. Some. Benson
4:12
minutes to cook bursts. Did.
4:15
I was a squash. The squash vines
4:17
grew as strict as hot, the squash
4:19
leaves as broad as butter plates, and
4:22
just the squash. Appellate Yellow
4:24
Bruno thicker than a white foam. Also
4:27
Gilles was three. They.
4:32
Do These vegetables underwent a
4:34
kind of spontaneous genetic mutation
4:36
in your garden, and you
4:38
invented a whole new strains
4:40
of We food. Made. You
4:42
could sell them to some researcher at Mit.
4:44
The Studies: Maybe the not size to convert
4:46
to be marketed as a cocktail. Fact: Says
4:51
you tube. They.
4:54
Sit. Your. Garden is filled
4:56
with the vegetable equivalent of failure to
4:58
thrive in since it hopes to look
5:00
at them. But
5:03
you cared for them. Still fortified
5:05
the to with huge sacks, a
5:07
very expensive low me soil from
5:09
Maine so heavy that you pulled
5:12
a muscle watching them from your
5:14
car. You lovingly watered every day.
5:16
and yet. Here. They are.
5:18
Purely. And Stupid. Those.
5:22
Vegetables that are not puny or
5:24
nonexistent like. good for you to
5:26
try to look with artichokes. Very
5:28
adventurous and whoa, those leaves or
5:30
two feet long and spiky. Just
5:32
like the pictures online. You. Been
5:34
to blink photos apart. Or troops to see where
5:37
the earth since are supposed to be. On
5:39
top of the stock in the middle of
5:41
all despite the Leafs put you put your
5:44
facebook killed his there is there's a stock.
5:47
So. The other drugs for a post. Some.
5:51
Negative Two: Tomato Harvest was a
5:53
success. Copious. Plump Tomato,
5:55
Sweet Cherry Tomatoes Dust Pollard
5:57
Heirloom Ones. The. Group: Peppers. The
6:00
and out good to a little on the small
6:02
side but close to regular size. You. Had
6:04
so many that he kept foisting them onto
6:06
your friends who were turned out also had
6:08
a bumper crop of green peppers and their
6:10
gardens. They probably stayed your green peppers away
6:13
to other friends until finally for the peppers
6:15
rotted got thrown away. And
6:19
remember earlier in the summer. When.
6:21
Your letters came up. That was fun. Play.
6:24
The letters was delicious. After you ate it
6:26
all, you could have planted, nor would it
6:28
have grown and had a whole second thought.
6:30
Maybe even a third. Why didn't do that?
6:33
Oh, that's right, Because. Each
6:35
head of lettuce took seven hours to
6:37
clean. Even.
6:40
After you watched each least individually
6:42
under the faucet and added them
6:44
dry with paper towels, entire forest
6:46
died to make the paper towels
6:48
you use to block one head
6:50
of lettuce. phillies still had invisible
6:52
specs of unpleasantly crunchy door in
6:54
them. Are so
6:56
so. To leave had revolting splints, speak
6:58
to them and you had to walk to
7:01
bleed outside. She could flip off the slugs.
7:03
Years. Of watching your Buddhists friends
7:05
gently coke spiders on to pieces of
7:07
paper and caring about doors have made
7:10
you feel seats about killing living things
7:12
even prose one. And
7:14
as a whole reincarnation thing as a credence which you
7:16
dad but you know stranger things have turned out to
7:19
be true and he slug could be your second grade
7:21
teacher. Mrs
7:28
to have on T. For
7:32
you. He
7:40
likes withdraw. It. says.
7:43
Anyone. True.
7:45
There's probably a Swiss chard committee at
7:47
work right now around some kitchen table
7:49
and green light. Plotting. To
7:52
do for swiss chard what they did for
7:54
tail. So we can
7:56
look forward. a Swiss surge ships and
7:58
Moody's and Salad stable. taste bitter
8:00
and terrible because Swiss chard tastes
8:03
bitter and terrible. But
8:05
they will be full of fiber and antioxidants and the
8:08
promise of living to a hundred. In
8:10
your opinion, the last welcome addition to lettuce
8:12
choices was arugula. Why couldn't
8:14
they have stopped with arugula? Arugula
8:17
wasn't up. And even
8:19
if you planted Swiss chard and it grew to normal
8:21
size and you cooked it to death so it tasted
8:23
less awful, you'd still have to clean it with a
8:25
million paper towels and there'd still be that grain of
8:27
dirt in it waiting to ambush your molars. No.
8:32
Better to put the garden to bed for the winter. Possibly
8:36
forever. Kirsten
8:53
Vangsness performed Garden Growing Pains by
8:55
Jenny Allen at the Ellen Eccles
8:58
Theater in Logan, Utah. I'm
9:00
Meg Wallitzer. I really enjoyed
9:02
Allen's trope here. It's bad enough
9:04
that everything is freakish or non-existent.
9:07
Most gardens deliver those disappointments. Allen
9:10
behaves as if her produce is a
9:12
family of underachieving children. I
9:14
am not a gardener myself, but I think I
9:16
know what kind I would be. When
9:19
people give me flowers, they don't last long. I
9:21
cut the stems on a diagonal and I add
9:23
the little packet of whatever they give you. Is
9:25
it salt? So if you're ever going
9:27
to give me something, I am really a fan of
9:29
good olive oil. I'm also a fan of Jenny
9:31
Allen. And we know one place to look for
9:33
her if we need her. Our
9:38
second work, Borders, is by prolific
9:40
indigenous writer Thomas King, whose
9:43
titles include Indians on Vacation
9:45
and Sufference. This
9:47
work was first published in 1993
9:49
in King's collection One Good Story,
9:51
that one, and then adapted into
9:53
a critically acclaimed graphic novel. Borders
9:56
presents the idea of nature in a Very different
9:58
context and on a very. Different scale
10:00
from Jenny Allen's playful essay in
10:03
this powerful piece that joins family
10:05
dynamics with identity politics, the vast
10:07
Canadian landscape as both a goal
10:10
and a witness to conflict. Reader.
10:13
Kimberly Guerrero is making her Selected
10:15
shorts broadcast debut with this piece
10:17
which was also presented as part
10:19
of our Logan Utah Live Show
10:21
with Cash. Arts and Utah Public
10:23
Radio. She was also the host
10:25
and reminded her audience of. Her work
10:28
in so such as Seinfeld Reservation
10:30
Dogs and the animated series Spirit
10:32
Rangers. When.
10:45
I was. well, maybe. Thirteen.
10:48
My. Mother announced that we are going to Salt Lake
10:50
City to visit my sister who let the reserve. Moved.
10:53
Across the line and found a job. The.
10:55
Tisa had not left home with by most blessing
10:57
but over time my mother had come to be
10:59
proud of the fact that with Tisa hidden all
11:01
of this on her own. See.
11:03
Did real good. My. Mother would say.
11:06
Then there were the fine points to live she says going.
11:09
See. Had not as my mother like to
11:11
tell Mrs many fingers gone floating after some
11:13
man like a balloon on his stream. See
11:16
hadn't suck out of the house
11:18
either and gone to Vancouver or
11:20
Edmonson or Toronto to chase rainbows
11:23
down alleys. And this, See hadn't
11:25
been pregnant. She.
11:27
Did real good. I
11:29
was seven or eight, when which he slept house
11:31
he was seventeen. Our father was from Rocky
11:33
Boy on the American side. Dad's.
11:35
American. Which. He sits on my
11:37
mother so I can come and go as I please. Send.
11:40
Us a postcard. But.
11:43
She's a pack your things that we headed for
11:45
the border Just outside is not reverse. The teacher
11:47
told us to watch for the water tower. Over
11:50
the next rises the first thing you'll see. We.
11:53
Got a water tower on the reserve. My
11:55
mother said. There's. A big one in
11:57
Lethbridge to. You'll. be able
11:59
to the tops of the flagpoles too. That's where
12:01
the border is. When we
12:03
got to Kootz, my mother stopped at the convenience store
12:06
and bought her and Letitia a cup of coffee. I
12:09
got an orange crush. This
12:11
is real lousy coffee. You're
12:13
just angry because I want to see the world. It's
12:16
just the water. From here on down
12:18
they got lousy water. I
12:20
can't catch the bus from sweet grass. You don't even have to
12:23
lift a finger. You're going to
12:25
have to buy your water and bottles if you want good
12:27
coffee. There was
12:29
an old wooden building about a block away with a
12:31
tall sign in the yard that said Museum. Most
12:34
of the roof had been blown away. Mom
12:36
told me to go and see if the place was open.
12:38
There were boards all over the windows and
12:40
doors. You could tell if the place was closed and
12:43
I told Mom so but she said to go and
12:45
check anyway. Mom and Letitia stayed by the card.
12:47
Neither one of them moved. I
12:49
sat down in the steps of the museum and watched them. I
12:52
don't know that they ever said anything to each
12:54
other but finally Letitia got her
12:56
bag out of the trunk and gave Mom a hug. I wandered
12:59
back to the car. The wind had come up and it
13:01
blew Letitia's hair across her face. Mom
13:04
reached out and pulled the strands out of Letitia's
13:06
eyes and Letitia let her.
13:10
You can still see the mountain from here,
13:12
my mother told Letitia in Blackfoot.
13:16
That's the mountains in Salt Lake, Letitia
13:18
told her in English. The
13:20
place is closed, I said, just like I told
13:22
you. Letitia tucked her hair
13:25
into her jacket and dragged her bag down the road
13:27
to the brick building with the American flag flapping on
13:29
the pole. When she got to where
13:31
the guards were waiting, she turned, put the bag
13:33
down and waved to us. We
13:36
waved back. Then my mother
13:38
turned the car around and we came home. We
13:41
got postcards from Letitia regular and
13:43
if she wasn't spreading jelly on the truth, she was
13:45
happy. She found a good job
13:47
and rented an apartment with a pool and
13:50
she can't even swim, my mother
13:52
told Mrs. Minnie Fingers. Most
13:55
of the postcards said we should come down and see the
13:57
city but whenever I mentioned this my mother would stiffen up.
14:00
So I was surprised when she bought two new
14:02
tires to the car and put on her blue
14:04
dress with the green and yellow flowers. I
14:06
had to dress up too for my mother did
14:09
not want us crossing the border looking like Americans.
14:13
We made sandwiches and put them in a
14:15
big box with pop and potato chips and
14:17
some apples and bananas and a big jar
14:19
of water. But
14:22
we could stop at one of those restaurants too, right?
14:25
We maybe should take some blankets in case she gets
14:27
sleepy. But we can
14:30
stop at one of those restaurants too, right?
14:33
The border was actually two towns, so neither one was
14:35
big enough to amount to anything. Coots
14:37
was on the Canadian side and consisted of
14:40
a convenience store and gas station, the museum
14:42
that was closed and bordered up, and a
14:44
motel. Sweetgrass was on the American
14:46
side, but all you could see was an overpass that
14:49
arched over the highway and disappeared into the prairies. Just
14:52
hearing the names of those towns, you would
14:54
expect that Sweetgrass, which is a nice name
14:56
and sounds like it is related to other
14:58
places such as Medicine Hat and Moose Jaw
15:00
and Kicking Horse Pass, would be on the
15:03
Canadian side and that Coots, which sounds abrupt
15:05
and rude, would be on the American side.
15:09
But this was not the case. Between
15:11
the two borders was a duty-free shop where you
15:13
could buy cigarettes and liquor and flax, stuff like
15:15
that. We left the reserve in the
15:18
morning and drove until we got to Coots. Last
15:20
time we stopped here, my mother said,
15:22
you had an orange crush. You
15:25
remember that? Sure, I said. That
15:27
was when Letitia took off. You
15:30
want another orange crush? That
15:32
means we're not going to stop at a restaurant, right?
15:36
My mother got a coffee at a convenience store
15:38
and we stood around and watched the prairies move
15:40
in the sunlight. Then we climbed back in the
15:42
car. My mother straightened the dress across her thighs,
15:45
leaned against the wheel and drove all the way
15:47
to the border in first gear. Slowly,
15:50
as if she were trying to see through a
15:52
bad storm or riding high on black ice, the
15:55
border guard was an old guy. As he
15:57
walked to the car, he swayed from side to side. his
16:00
beat-set wide apart, the holster on his
16:02
hip pitching up and down. He
16:05
leaned into the window and looked into the back seat
16:07
and looked at my mother and me. Morning,
16:10
ma'am. Good morning. Where are you
16:12
heading? Salt Lake City. Purpose of your visit?
16:14
Visit my daughter. Citizenship?
16:17
Blackfoot, my mother told him. Ma'am? Blackfoot.
16:20
I'm not a blackfoot. I'm a blackfoot. I'm a
16:22
blackfoot. I'm a blackfoot. I'm
16:25
a blackfoot. I'm a blackfoot. I'm
16:27
a blackfoot. I'm a blackfoot. It
16:30
would have been easier if my mother
16:32
had just said Canadian and had been done with it, but I
16:34
could see she wasn't going to do that. The
16:37
guard wasn't angry or anything. He just smiled and
16:39
looked towards the building, then he turned back
16:41
and nodded. Morning,
16:45
ma'am. Good morning.
16:48
Any firearms or tobacco? No.
16:53
Citizenship? Blackfoot. He
16:56
told us to sit in the car and wait, and we
16:58
did. In about five minutes, another guard came out with First
17:00
Man. They were talking as they came,
17:03
both men swinging back and forth like cowboys headed
17:05
for a gunfight. Morning,
17:07
ma'am. Good morning. Cecil
17:10
here tells me you and the girl are blackfoot. That's
17:13
right. Now, I
17:15
know that we got blackfeet on the American side
17:18
and the Canadians got blackfeet on their side, so
17:20
can we just keep our records straight? What
17:22
side do you come from? I
17:25
knew exactly what my mother was going to say, and I
17:27
could have told them if they'd asked me. Canadian
17:30
side or American side? Asked the guard.
17:34
Blackfoot side. She
17:36
said. It didn't take them long to
17:38
lose their sense of humor. I can tell you that. One
17:40
guard stopped smiling altogether and told us to park our car
17:42
at the side of the building and come in. We
17:45
sat on the wood bench for about an hour before
17:47
anyone came over to talk to us. This
17:49
time it was a woman. She had a gun,
17:51
too. Hi, she said.
17:54
I'm Inspector Pratt. I understand there's
17:56
a little misunderstanding. I'm
17:58
going to visit my daughter in Salt Lake City. My
18:00
mother told her, we don't have any guns or
18:02
beer. It's
18:04
illegal technicality, that's all. My
18:07
daughter's blackfoot too. The
18:09
woman opened a briefcase and took out a couple of forms and
18:11
began to write on one of them. Everyone
18:14
who crosses our border has to declare their
18:16
citizenship and here's what I'll do. You
18:18
tell me and I won't put it
18:20
down on the form. No one will know
18:22
but you and me. Her
18:25
gun was silver. There were several chips
18:27
in the wood handle and the name Stella was
18:29
scratched into the metal butt. We
18:32
ran the border office for about four hours
18:34
and we talked to almost everyone there. One
18:37
of the men bought me a Coke. My mother
18:39
brought a couple of sandwiches from the car. I
18:42
offered a part of mine to Stella but she said she
18:44
wasn't hungry. I told Stella
18:46
that we were blackfoot and Canadian but she said that
18:49
didn't count because I was a minor. In
18:51
the end she told us that if my mother didn't
18:53
declare her citizenship, we would have to go back to
18:55
where we came from. My mother
18:57
stood up and thanked Stella for her time then we got
18:59
back in the car and drove to the Canadian border which
19:01
is only about 100 yards away. I
19:04
was disappointed. I hadn't seen Letitia
19:06
for a long time and I had never been to
19:08
Salt Lake City. When she
19:10
was still at home, Letitia would go
19:12
on and on about Salt Lake City.
19:15
She'd never been there but her boyfriend Lester
19:18
Tallbull had spent an entire year in Salt
19:20
Lake at a technical school. It's
19:22
a great place, Lester would say. Nothing
19:24
but blondes in the whole state. Whenever
19:30
he said that, Letitia would slug him on the shoulder, hard
19:32
enough to make him flinch. He
19:35
had some brochures on Salt Lake and some maps and never
19:37
so often the two of them would spread them out on
19:39
the table. That's the temple. It's right
19:41
downtown. You got to have a pass to get in.
19:44
This is Liberty Park and it's got a zoo. There's
19:47
good skiing in the mountains. Got
19:49
all the skiing we can use, my mother would say.
19:52
People come from all over the world to ski at
19:54
Banff. Cartston's got a
19:57
temple, if you like those kind of things.
20:00
Oh, this one's real big, Lester would say.
20:02
They got armed guards and everything. Lester
20:06
and Letitia broke up, but I guess the idea
20:09
of felt like stuck in her mind. The
20:12
Canadian border guard was a young woman, and she
20:15
seemed happy to see it. Hi,
20:17
she said. You folks sure have a great day for
20:19
a trip. Where are you coming from? Standoff.
20:23
Is that in Montana? No.
20:26
Where are you going? Standoff.
20:30
The woman's name was Carol, and I don't guess she
20:32
was older than Letitia. Wow, you
20:34
both Canadians? Blackfoot.
20:38
Really? I have a friend who went to school
20:40
with someone who was a Blackfoot. Do you know
20:42
Mike Harley? No.
20:45
He went to school in Lethbridge, but he's really from
20:47
Browning. There was a nice
20:49
conversation, and there were no cars behind us, so there
20:51
was no rush. You're not bringing any
20:54
liquor back, are you? No. Any
20:56
cigarettes or plants or stuff like that? No.
20:59
Citizenship? Blackfoot. I
21:04
know, said the woman, and I'd
21:06
be proud of being Blackfoot if
21:08
I were Blackfoot, but you have
21:10
to be American or Canadian. When
21:14
Letitia and Lester broke up, Lester took his
21:16
brochures and mapped with them. So Letitia wrote
21:18
to someone in Salt Lake City, and about
21:20
a month later, she got a big envelope
21:22
of stuff. We sat at
21:25
the table and opened up all the brochures,
21:27
and Letitia read each one out loud. Salt
21:30
Lake City is the gateway to some of the
21:32
world's most magnificent skiing. Salt
21:34
Lake City is the home to one of
21:36
the newest professional basketball franchises, the Utah Jags.
21:40
The Great Salt Lake is one of the most
21:42
natural wonders in the world. It
21:45
was kind of exciting seeing all those
21:47
colored brochures on the table and listening
21:49
to Letitia read all about how Salt
21:51
Lake City was one of the best
21:53
places in the entire world. That
21:57
Salt Lake City sounds too good to be true,
21:59
my mother. told her, it has
22:01
everything. We got everything
22:03
right here. It's
22:06
boring here. People in
22:08
Salt Lake City are probably sending away for
22:10
brochures of Calvary and Lethbridge and Pincher Creek
22:12
right now. In
22:16
the end, my mother would say that maybe Letitia
22:18
should go to Salt Lake City. And Letitia would
22:20
say that maybe she would. We
22:24
parked a car on the side of the building, and Carol
22:26
led us into the small room on the second floor. I
22:29
found a comfortable spot on the couch and sat
22:31
through some back issues of Saturday night in Alberta
22:33
report. When I woke up, my
22:35
mother was just coming out of another office. She didn't
22:38
say a word to me. I followed her down the
22:40
stairs and out to the car. I
22:43
thought we were going home, but she turned
22:45
the car around and drove back toward the
22:47
American border, which made me think we're
22:49
going to go visit Letitia in Salt Lake City after all.
22:52
But instead, she pulled into the parking lot
22:54
of the duty-free store and stopped. Are
22:57
we going to see Letitia? No. We're
23:01
going home? Pride
23:04
is a good thing to have. Letitia
23:06
had a lot of pride, and so did my mother. I
23:09
figured that someday, I'd
23:11
have it too. So
23:16
where are we going? Most
23:18
of that day, we wandered around the duty-free store,
23:20
which wasn't very large. The manager
23:22
had a name tab with a tiny American flag on
23:24
one side and a tiny Canadian flag on the other.
23:29
His name was Mel. Towards evening, he began suggesting that
23:31
we should be on our way. I told him we
23:33
had no word to go, that either the Americans or
23:37
the Canadians would let us in.
23:39
He laughed at that and told us
23:41
we should buy something or leave. The car
23:43
wasn't very comfortable, but we did have all that food.
23:46
And it was April. So even if it did snow, as
23:48
it sometimes does on the prairies, we
23:51
wouldn't freeze. The next morning, my mother
23:53
drove us to the American border. It
23:55
was a different guard this time, but it was the
23:57
same. We didn't spend as much time in the office By
24:00
noon, we were back at the Canadian border. By
24:03
two, we were back on the duty-free shop parking
24:05
lot. The second
24:07
night in the car was not as much
24:09
fun as the first, but my mother seemed
24:11
a good spirit, and all in all, it
24:14
was as much an adventurism inconvenience. There
24:16
wasn't much food left, and that was a
24:18
problem. We had lots of water, as
24:21
there was a faucet on the side of the duty-free shop. One
24:24
Sunday, the teacher and I were watching television.
24:27
My mom was over at Mrs. Minnie Fingers. Right
24:30
in the middle of the program, Letitia turned
24:32
off a set and said she was going
24:34
to Salt Lake City. That life
24:36
around here was too boring. I
24:38
had wanted to see the rest of the program, and I really didn't
24:40
care if Letitia went to Salt Lake City or not. When
24:43
mom got home, I told her what
24:46
Letitia said. What
24:48
surprised me was how angry Letitia got when she
24:50
found out that I had told mom, you go
24:52
to Big Mouth. That's what you
24:55
said. What I said is
24:57
none of your business. I didn't say
24:59
anything. Well, I'm going for sure now. That
25:03
weekend, Letitia packed her bags, and we drove her
25:05
to the border. Mal
25:07
turned out to be friendly. When
25:10
he closed up for the night, his boundess still parked in
25:12
the lot. He came over and asked if our car was
25:14
broken down or something. My mother thanked him
25:16
for his concern and told him that we were fine, that things
25:18
would get straightened out in the morning. You're
25:21
kidding, Mal said. You
25:23
think they could handle the simple things. We
25:26
got some apples and a banana, I said,
25:28
but we're all out of hand sandwiches. You
25:32
know, you read about these things,
25:34
but you just don't believe it.
25:36
You just don't believe it. Hammergris
25:39
would be even better because it got more stuff for energy. My
25:44
mother slept in the backseat. I slept in the front
25:46
because I was smaller and could lie under the steering
25:48
wheel. That night, I heard my
25:50
mother open the car door. I found her
25:53
sitting on a blanket leaning against the bumper of the
25:55
car. You
25:57
see all those stars? She
25:59
said. When. I was a little
26:01
girl. My. Grammarly said: take me and
26:03
my sister out on the prairies and tell
26:06
us stories about all the stars. Depict
26:09
mouse going to bring as many hamburgers. Every
26:12
one of those stars as a story.
26:15
You see that bunch of stars over there that
26:17
look like fish. He
26:20
didn't say no. Coyote went
26:22
fishing one day. That's. How
26:24
it all started. We.
26:28
Set out under the stars at night
26:30
and my mother told me all sorts
26:32
of stories. She. Was serious
26:34
about it to. See. Tell them
26:36
slow. Repeating. Parts as she
26:38
went. As. It seeks patted
26:41
me to remember each one. Early
26:44
the next morning. That. Television vans
26:46
began to arrive and guys in suits
26:48
and women in dresses keeps rotting over
26:51
to as dragging microphones and cameras and
26:53
lights behind them. One of the bands
26:55
at a table set up with orange
26:58
juice and sandwiches and fruits. It
27:00
was for the crew but when I told them we had eaten
27:02
for a while of really skinny blond woman told us because he
27:04
as much as we wanted. They
27:07
mostly talked to my mother. Every so often one
27:09
of the reporters will come over and ask me
27:11
questions about how it felt to be an Indian
27:13
without a country. I.
27:15
Told them we had a house, nice house
27:17
on the reserve, and that my cousins had
27:20
a couple of horses we rode when we
27:22
went missing. Some. The
27:24
television people went over to the American border
27:26
and then they went to the Canadian border.
27:28
Around noon, a good looking guy in a
27:30
dark blue suit and an orange taboo ducks
27:32
on a job up in a fancy car.
27:35
He talked to my mother for a while and after
27:37
they were done talking at my mother called me over
27:39
and we got into our car. Justice.
27:41
My mother started the engine, Mel came
27:43
over again with a bag of peanut
27:45
brittle and told us that justice was
27:47
a damn hard thing to. But
27:50
that we shouldn't give up. I.
27:53
Would have preferred lemon job. But. It
27:55
was nice. I'm Melanie Wayne. Where.
27:59
we going down. Going
28:01
to visit Letitia. The
28:04
guard who came out to our car was all
28:06
smiles. The television lights were
28:08
so bright they heard my eyes. If
28:11
you try to look through the windshield in certain directions
28:13
you couldn't see a thing. Morning
28:16
ma'am. Good morning. Where
28:19
are you heading? Salt Lake
28:21
City. Purpose of your
28:24
visit? Visit my
28:26
daughter. Any tobacco, liquor,
28:28
or firearms? Don't
28:30
smoke. Any plants
28:32
or fruit? Not
28:34
anymore. Citizenship.
28:41
Blackfoot. The
28:43
guard rocked back on his heels and jammed his
28:45
thumbs into his gun belt. Thank
28:48
you, he said, his fingers patting the
28:50
butt of the revolver. Have
28:53
a pleasant trip. My
28:56
mother rolled the car forward and the television people had
28:58
to scramble out of the way. They
29:00
ran alongside the car as we pulled away from
29:02
the border and when they couldn't run any further
29:04
they stood in the middle of the highway and
29:06
waved and waved and waved. We
29:09
got to Salt Lake City the next day.
29:11
Letitia was happy to see us and that first
29:13
night she took us out to a restaurant that
29:15
made really good soup. The
29:18
list of pies took up a whole page.
29:20
I had cherry, mom had chocolate. Letitia said
29:22
that she saw us on television the night
29:25
before. During the meal she had us tell
29:27
her the whole story over and over again.
29:30
Letitia took us everywhere. We went to a
29:32
fancy ski resort. We went to the temple.
29:34
We got to go shopping in a couple
29:36
of large malls but they weren't as large
29:38
as the one in Edmonton and my
29:41
mom said so. After
29:44
a week or so I got bored and I wasn't
29:46
at all sad when mother said that we should be
29:48
heading back home. Letitia wanted to
29:50
stay longer but my mom said no that she
29:52
had things to do back home and that next
29:55
time Letitia should come up and visit. Letitia
29:58
said she was thinking about moving back. and
30:00
Mom told her to do as she pleased, and
30:03
Letitia said that she would. On
30:06
the way home, we stopped at the duty-free shop, and
30:09
my mother gave Mel a green hat that said, Salt
30:11
Lake across the front. Mel
30:14
was a funny guy. He
30:16
took the hat and blew his nose
30:19
and told my mother that she was an
30:21
inspiration to us all. He
30:24
gave us some more peanut brittle and came
30:26
out to the parking lot and waved
30:28
at us all the way to the Canadian border.
30:32
It was almost evening when we left Kootz. I
30:35
watched the border through the rear window until all you
30:37
could see were the tops of the flag poles
30:39
and the blue water tower, and
30:41
then they rolled over a hill and
30:44
disappeared. Kimberley
31:00
Guerrero performed Borders by Thomas King.
31:03
I'm Meg Wallitzer. King
31:05
tackles big subjects here, indigenous
31:07
rights, tribal pride, bureaucratic red
31:10
tape, family dynamics. But
31:12
the whole event is filtered through the eyes of
31:14
a child. Letitia's sister recognizes
31:16
the stakes, but can't help seeing
31:19
this thwarted road trip as an
31:21
excellent adventure through a beautiful, if
31:23
contested, landscape. When
31:26
we return, Kirsten Vangsness flies
31:28
and Jane Curtin takes shelter.
31:30
You're listening to Selected Shorts recorded
31:33
live in performance at Symphony Space in
31:35
New York City and at other venues
31:37
nationwide. Welcome
31:57
back. This is Selected Shorts where our
31:59
great... Greatest actors transport us through the
32:01
magic of fiction, one short story at
32:03
a time. I'm Meg Wallitzer. On
32:07
today's show, Stories About Nature. If
32:10
you're an outdoorsy type, this show will resonate.
32:12
And even if you're an armchair nature lover,
32:14
we have plenty of stories in our podcast
32:16
that will allow you to experience the
32:18
elements from home. Just
32:21
go to selectedshorts.org or search for
32:23
us wherever you get podcasts. And
32:25
while you're there, subscribe to the show so
32:27
that you'll always be with us wherever you
32:29
are. And speaking
32:31
of wherever you are, you too can
32:34
be part of the Selected Shorts family
32:36
and can see the actors and hear
32:38
the gasps and laughter live in a
32:40
theater near you. While most
32:42
of our stories are recorded at our home theater
32:44
of symphony space in New York City, every
32:47
year we pack our bags and take the show
32:49
on the road. We go coast
32:51
to coast to find fresh audiences for our
32:53
live show, and we'd love to include you.
32:57
In April, we're headed to the Irvine Barkley
32:59
Theater in California, the Field Arts
33:01
and Event Hall in Port Angeles, Washington,
33:04
and to the University at Albany in New York
33:06
State. We are hitting the
33:08
road with actors including Joanna Gleason,
33:10
Melora Harden, Richard Kind, and more.
33:13
We hope to see you there. To see
33:15
the current lineup of Selected Shorts dates on the
33:17
road and at our home theater
33:19
of symphony space, head to selectedshorts.org
33:21
for the latest tour dates and
33:24
ticket information. And did I mention
33:26
our podcast? Of course I did, but I
33:28
also wanted to let you know that
33:30
that's where you'll find bonus episodes and
33:33
backstage conversations with actors who perform in
33:35
the show. If you like what
33:37
you hear, please write us a review and tell
33:39
your friends how much you love Selected Shorts. Our
33:42
third story about nature and its elements
33:45
comes from writer Alice Miller. Her
33:47
work includes the collection's Sweet Love,
33:49
Water, and the Nature of Longing.
33:52
This whimsical piece has one obvious theme,
33:55
which is right in its title, Flying,
33:57
but it also touches on aging and death.
34:01
And here's the versatile Kirsten Wangsness
34:03
back to try her hand at
34:05
flying instead of gardening. Flying.
34:18
When Allie Lester was six years old,
34:20
her cousin Mac put her to fly.
34:24
Once they were airborne, the act seemed as
34:26
natural as humming. The distance between
34:28
sky and earth an infinite chasm.
34:31
Clouds were now just a stretch of the hand away.
34:34
The microscopic world below struck her as
34:36
laughable. Too tiny to
34:38
matter. Afterward, back
34:40
on the ground, her ears still tingling
34:42
from cold, Allie studied
34:44
Mac's disbelief. How long
34:47
have you known how? She
34:49
asked as they stamped their feet and huddled together
34:51
out of the wind behind her ant's shed. Well,
34:54
what are you talking about, Allie? I've
34:57
always known how to fly, you know. Boys.
35:04
I'm a boy. All
35:07
boys can fly? Allie
35:09
wanted to know. Mac
35:12
glanced over his shoulder to ensure they were out
35:14
of earshot. He hunkered down on
35:16
his heels, the collar of his blue jean jacket
35:18
standing straight up against his neck. The
35:20
tips of his ears were still red. Allie,
35:24
he said. He was five years older
35:27
than she. She thought he might
35:29
be poking fun at her, but his expression was
35:31
more one of concern. When Mac
35:33
scratched out the word, yes,
35:37
with the end of a pointed stick and the dirt at their feet, she
35:39
realized he was trusting her to keep a
35:41
secret. Allie had no
35:44
brothers, just a younger sister. Mac
35:46
knew how to do everything. Before
35:48
flying, Mac had showed her how to
35:50
leap from a log onto the stream
35:52
that ran below the slope of this
35:55
family's property. On another
35:57
visit, Mac had taught her to drive
35:59
a track. her. Even
36:01
though her feet couldn't reach the accelerator, she
36:04
had steered through a field of mustard with
36:06
Matt crouched below her, shifting and manipulating the
36:08
pedals until she rammed the front up against
36:11
an old elm tree. Don't
36:14
tell anyone, he would instruct her. Each
36:16
time he taught her something new. I
36:19
don't know. She always promised, savoring
36:22
their secrets like gifts. And
36:25
he cautioned over and over, don't
36:27
ever try to fly without me.
36:30
You get hurt. He
36:32
told her then about Prometheus, who stole the
36:35
god's fire and gave it to man, and
36:37
how Prometheus was punished for his betrayal. His
36:39
liver cruelly worked over by the beak of
36:41
an eagle. Understand? He said. For
36:45
a long time, Ally thought Matt meant that she would
36:47
be punished. But later, as
36:49
she grew into a young woman, she
36:51
realized he feared for herself. The
36:55
memory of flying simmered inside her for
36:57
years after, and often on her way
36:59
home from school she gazed enviously up
37:02
at the sky, her
37:04
mind expanding to accommodate the lack of
37:06
limits. Suddenly, the sheer
37:08
muscle of consequence, if
37:10
she disobeyed, wrenched her back to
37:12
earth. Methodically, she planted her
37:14
feet, one in front of the other, following
37:16
the linear way home. Ally
37:19
always believed Mac and never tried to fly again.
37:22
As the years wore on, she sometimes imagined it
37:24
was only a dream. By the
37:26
time she was old enough to be able to
37:29
distinguish between fantasy and reality, she still had her
37:31
doubts about the memory of flying with Mac. Now
37:34
she wants to write him an ask, but he
37:36
is busy with work and a family, and she
37:39
hasn't seen him in ages. Ally
37:41
thinks often about flying. She
37:44
flies in her dreams, soaring
37:46
away from her earthly body, returning just
37:48
in time to hear the alarm,
37:51
to feel her husband reaching for her, to answer
37:53
the cries of her children. She
37:56
knows better than to mention flying to anyone. When
37:58
normal people fly, they bite. Tickets and
38:00
sit-in airplanes. Allie has done that
38:02
too, but it's a cheap trick Sometimes
38:07
as she takes the children down to the beach
38:09
to watch the hand gliders She
38:12
can't imagine being strapped to such a
38:14
contraption But she watches anyway
38:16
reading their faces for hints as
38:19
they rise off the cliff edges like Icarus She
38:22
wonders if they ever come here alone Secretly
38:25
at night with no one around without
38:27
all the equipment to soar
38:29
through the air unhindered Really
38:32
does not regret being a wife and a mother
38:35
choosing one thing for another The
38:38
closest she has ever gotten to that feeling of
38:40
flying years ago has been in labor Just
38:43
as the baby's head pushed out. She checks
38:45
about binoculars to study birds to
38:48
watch them fly through meadows and forests But she
38:50
has no real interest in the birds themselves and
38:52
no desire to learn their names or find out
38:54
about their habitats The
38:56
children are very rapidly two sons and a
38:59
daughter and she suspects they would
39:01
understand if she confided to them that she had
39:03
flown The feeling has
39:05
begun to grow stronger these days Not
39:08
only the certainty that she and Mac
39:10
actually flew But that she
39:12
can do it again She considers
39:14
psychological counseling but sees no point in
39:17
being analyzed This is no
39:19
metaphor. She wants to fly that is
39:21
all this is not about
39:23
unfulfilled desires and creative urges a
39:26
stifling marriage a slow
39:28
emotional death it is about memory
39:30
and Experience and wanting
39:32
to trust in both When
39:36
windy afternoon Ali steps into the backyard
39:39
With the thought in mind that perhaps she
39:41
can test out her impulses Maybe lift off
39:43
the ground a few inches not really go
39:45
anywhere certainly not leave her children She
39:48
pulls an orange crate from the garage stands on
39:50
it feels the wind sifting through her hair She
39:53
raises her arms extends curves
39:57
and straightens them Like a
39:59
neighbor is watching calls the police.
40:02
She glances around, no sign of
40:04
anyone on either side of their house. She
40:07
closes her eyes, takes a deep breath, and
40:10
begins to flap her arms. It
40:14
is moments before she realizes she
40:17
is erising. After
40:19
a few moments after that, she
40:22
actually begins to ascend. She
40:25
keeps her eyes tightly shut and imagining
40:27
how the world below must be disappearing.
40:29
Now she pushes through a mist of
40:31
clouds. She can feel the vapor still
40:33
higher until the air is so thin
40:36
she can hardly catch her breath. She
40:38
tends to go this far as
40:41
she slowly opens her eyes. She
40:45
sees she is
40:47
higher than that day she flew with
40:49
Mack. Never
40:52
let them know you can fly,
40:54
Mack, it said. Ellie
40:56
lands. She circles above
40:58
weightless, her sense of ease restored.
41:00
She twists in and out of
41:03
clouds, drifts down slowly until she
41:05
is low enough to distinguish buildings.
41:08
She finds as she lets the wind take her
41:10
she can float through the air like a swimmer
41:12
in water. After a
41:14
time, she turns in the direction of
41:16
home, wondering how to calculate her landing,
41:18
grateful to Mack years ago for having taken her
41:20
up but now wishing he had told her how
41:23
to get back down. She
41:25
closes her eyes. She feels herself falling
41:28
ever so gently out of the sky like
41:30
a leaf. Downward she
41:32
swirls lazily catching the currents,
41:34
pausing to rest in a pocket
41:36
of still air. When she lands,
41:38
there is only the soft thud
41:40
of her feet touching the earth. At
41:43
dinner that night she sits flushed at
41:45
the table surrounded by her three children
41:48
and Nick, all of whom she loves.
41:51
She is alternately elated and sad
41:53
because she cannot tell them where
41:55
she has been. But her
41:58
desire to fly is still not satisfied. Over
42:00
the next few days it grows. One
42:03
night, when the children sleep, she tiptoes
42:05
into their room. She moves
42:07
past the bunk beds where the boys breathe in unison
42:10
and across the floor to her daughter. Allie
42:13
pauses at the foot of the single bed, studying
42:15
the pattern of light and shadow cast by
42:18
the aspen tree outside the window. It
42:20
shivers. The wind is stirring.
42:23
Allie listens. Nick is
42:26
still downstairs reading. She looks
42:28
out the window into the backyard. The
42:30
orange crate shimmers in the middle of the lawn. Allie
42:33
isn't sure if what she does next is right
42:35
or how to calculate the risk. She
42:38
lifts her sleeping daughter into her arms. The
42:41
child is heavy, her breath warm on
42:43
Allie's face. Lana, the
42:46
child murmurs through the thickness of sleep. Shh,
42:49
shh, shh, shh, says Allie. I
42:52
want to show you something. But
42:55
you must promise not to tell the boys.
43:00
The child nods drowsily. Allie
43:02
descends the back stairs, keeping her footsteps
43:04
light all the way home. She
43:07
is gripped with excitement that the
43:09
child has no idea what
43:12
she has agreed to. That
43:28
was Kirsten Vangsness reading Alice Miller's
43:30
Flying. I'm Meg Wolitzer. To
43:33
complete this quartet of stories about forces
43:35
of nature and how they shape us,
43:37
we're bringing back a favorite from our
43:39
archives. Writer Kate Chopin lived
43:41
from 1850 to 1904 and
43:44
is considered a bellwether of early
43:47
feminism for her devastating novel The
43:49
Awakening. But she's also
43:51
able to advance her agenda in subtler ways.
43:54
In The Storm, the upheaval in nature
43:56
finds its analog in the emotions and
43:58
acts of the characters. Reader
44:01
Jane Curtin is known for work
44:03
in iconic television shows like Saturday
44:05
Night Live and Kate and Ally,
44:07
and has had a rich theatrical
44:09
career as well. But for
44:11
us, she's an icon unto herself,
44:14
veteran of many selected shorts readings. And
44:17
here she is in one of her best,
44:19
Kate Chopin's The Storm. The
44:24
leaves were so still that even Beebe thought
44:26
it was going to rain. Bobineau,
44:29
who was accustomed to converse on terms
44:31
of perfect equality with his little son,
44:33
called the child's attention to certain somber
44:35
clouds that were rolling with sinister
44:37
intention from the west, accompanied
44:40
by a silyn-threatening roar. They
44:43
were at Friedheimer's store and decided to remain
44:45
there till the storm had passed. They
44:47
sat within the door on two empty kegs.
44:50
Beebe was four years old and looked very
44:52
wise. Mama
44:54
befraid, yes, he suggested, with
44:56
blinking eyes. She'll
44:59
shut the house. Maybe she got
45:01
Sylvie helping her this evening, Bobineau responded
45:03
reassuringly. No,
45:05
she ain't got Sylvie. Sylvie was helping her
45:07
yesterday, pipe Beebe. Bobineau
45:10
arose and, going across to the counter, purchased
45:12
a can of shrimps, of which Calixto was
45:14
very fond. Then
45:16
he returned to his perch on the keg and
45:19
sat stolidly holding the can of shrimps while
45:21
the storm burst. It
45:23
shook the wooden store and seemed to be
45:25
ripping great furrows in the distant field. Beebe
45:28
laid his little hand on his father's knee and was
45:31
not afraid. Calixto
45:33
at home felt no uneasiness for their
45:35
safety. She sat at a
45:37
side window sewing furiously on a sewing machine.
45:40
She was greatly occupied and did not notice
45:43
the approaching storm. But
45:45
she felt very warm and often stuck to
45:47
mop her face on which the perspiration gathered
45:49
in beads. She
45:52
unfastened her white sack at the throat. It
45:55
began to grow dark and suddenly, realizing the
45:57
situation, she got up hurriedly and went about
45:59
closing. windows and doors. Out
46:02
on the small front gallery she had
46:04
hung Bobineau's Sunday clothes to air and
46:06
she hastened out to gather them before
46:08
the rain fell. As
46:10
she stepped outside, Alcy LaBalliere rode
46:12
in at the gate. She
46:15
had not seen him very often since her marriage
46:17
and never alone. She
46:19
stood there with Bobineau's coat in her hands and
46:21
the big raindrops began to fall. Alcy
46:24
rode his horse under the shelter of a side
46:26
projection where the chickens had to cuddle and there
46:29
were plows and a harrow piled up in the
46:31
corner. May I come and wait
46:33
on your gallery till the storm is over, Callixta, he
46:35
asked? Come long in,
46:37
Monsieur Alcy. His voice
46:40
and her own startled her as if from a
46:42
trance and she seized Bobineau's vest. Alcy,
46:45
mounting to the porch, grabbed the trousers and
46:47
snatched Bebe's braided jacket that was about to
46:49
be carried away by a sudden gust of
46:52
wind. He expressed
46:54
an intention to remain outside but it was
46:56
soon apparent that he might as well have
46:58
been out in the open. The water beat
47:00
in upon the boards and driving sheets
47:02
and he went inside, closing the door
47:04
after him. It was
47:06
even necessary to put something beneath the door to keep
47:09
the water out. My
47:11
water rain, it's good two years since it
47:13
rained like that, exclaimed Callixta as she rolled up
47:15
a piece of bagging and Alcy
47:17
helped her to thrust it beneath the crack.
47:20
She was a little fuller a figure than five
47:22
years before when she married but
47:24
she'd lost nothing of her vivacity. Her
47:27
blue eyes still retained their melting quality
47:29
and her yellow hair disheveled by the
47:31
wind and rain kinked more stubbornly than
47:33
ever about her ears and temples.
47:36
The rain beat upon the low shingled roof
47:38
with a force and clatter that threatened to
47:40
break an entrance and deluge them there. They
47:44
were in the dining room, the sitting
47:46
room, the general utility room. Adjoining
47:49
was her bedroom with Bebe's couch
47:51
alongside her own. The
47:53
door stood open and the room
47:55
with its white monumental bed, its
47:57
closed shutters, Looked dim. And.
48:00
Mysterious. Lc.
48:02
Flung himself onto a rocker and collects to
48:05
nervously began to gather up from the floor
48:07
the lengths of a cotton seat. which she
48:09
had been sewing. If. This
48:11
keeps up. Do you say it's a live
48:13
is gonna stand it She exclaimed would have
48:16
you got to do with the levees I
48:18
got enough to do and as boehner would
48:20
be out and that storm is the only
48:23
didn't less freedoms. Let us hope collects
48:25
to the bobo knows got sense enough to come
48:27
in out of sight loan. She
48:29
went stood at the window with a greatly. Disturb look
48:31
on her face. She liked
48:33
the frame that was clouded with moisture. And
48:37
stiflingly. Aussi.
48:39
Got up and. Joined her at the window looking
48:41
over his shoulder. The. Rain was
48:43
coming. Down and sheets obscuring the view
48:45
as far as cabins and enveloping
48:47
the distant would in a gray
48:50
missed. The. Playing at the
48:52
Lightning was incessant. A. Both struck.
48:54
A tall china very tree at the edge of the
48:56
field. It. Filled all visible space
48:58
with a blinding glare and the crash seem
49:00
to invade the very boards they stood. Upon.
49:04
Felix to put her hands to her eyes and
49:06
that a cry staggered backward. Aussies,
49:08
Arms encircled her. And.
49:10
For an instant, he drew her close and
49:13
spasmodically to him. On. T
49:15
she cried releasing. Herself. From
49:17
his encircling arm and retreating from the. Window
49:19
the house of the next. If
49:21
I only knew where Bb ones.
49:24
She. Would not compose herself. She would not
49:26
be seated. Lc classed her
49:28
shoulders and looked into her face. The
49:31
contact of her warm palpitating body when
49:33
he had unthinkingly drawn her into his
49:36
arms had aroused all the all time
49:38
and saturation and desire for her flesh.
49:40
Clicks to he said, don't be frightened,
49:42
nothing can happen The house. Is. Too
49:44
low to be struck with so many
49:46
tall trees standing about. say, aren't you
49:48
gonna be quiet? See? aren't you? He.
49:51
Pushed her hair back from their face that was
49:53
warm and steaming, Her. Lips were
49:56
is red and moist is Palmer granite seed.
49:58
her white neck and of her
50:01
full firm bosom disturbed him powerfully.
50:04
As she glanced up at him, the fear in
50:06
her liquid blue eyes had given place to a
50:08
drowsy gleam that unconsciously betrayed
50:10
a sensuous desire. He
50:13
looked down into her eyes and there was nothing for him
50:15
to do but to gather her lips in a kiss. It
50:19
reminded him of assumption. Do
50:21
you remember? In assumption, Calixta,
50:24
he asked in a low voice broken by
50:26
passion. Oh, she remembered.
50:28
For in assumption, he had kissed her and
50:31
kissed and kissed her until
50:33
his senses would well nigh fail and
50:35
to save her he would resort to a
50:38
desperate flight. If she
50:40
was not an immaculate dove in those days, she
50:42
was still inviolate, a passionate
50:44
creature whose very defenselessness had made
50:46
her defense against which his
50:48
honor forbade him to prevail. Now,
50:52
well, now her lips
50:54
seemed in a manner free to be tasted, as
50:57
well as her round white throat and her
51:00
whiter breasts. They did
51:02
not heed the crashing torrents and the roar of the
51:04
elements made her laugh as she lay in his arms.
51:07
She was a revelation in that dim
51:09
mysterious chamber, as white
51:11
as the couch she lay upon. Her
51:14
firm elastic flesh that was knowing for
51:16
the first time its birthright was
51:18
like a creamy lily that the sun invites
51:20
to contribute its breath and perfume to the
51:22
undying life of the world. The
51:26
generous abundance of her passion without guile
51:28
or trickery was like a white flame
51:30
which penetrated and found response in depths
51:32
of his own sensuous nature that had
51:35
never yet been reached. When
51:37
he touched her breasts, they gave themselves
51:39
up in quivering ecstasy, inviting his lips.
51:42
Her mouth was a fountain of delight, and
51:45
when he possessed her they seemed to swoon
51:47
together at the very borderland of life's
51:49
mystery. He stayed cushioned
51:52
upon her, breathless, dazed, and innovated, with
51:54
his heart beating like a hammer upon
51:56
her. With one
51:58
hand she clasped his head. her
52:00
lips lightly touching his forehead, the
52:03
other hand stroked with a soothing rhythm
52:05
his muscular shoulders. The
52:07
growl of the thunder was distant and passing
52:09
away. The rain
52:11
beat softly upon the shingles, inviting them to
52:13
drowsiness and sleep, but they dared not
52:15
yield. The rain
52:17
was over, and the sun was
52:19
turning the glistening green world into a palace
52:21
of gems. Calixta
52:24
on the gallery watched Elsie ride away.
52:27
She turned and smiled at her with a beaming
52:29
face, and she lifted her pretty tin in the
52:31
air and laughed out loud. Bobino
52:34
and Bebe trudging home stopped without
52:36
it the cistern to make themselves presentable.
52:39
My, Bebe, what will your mama say? You ought
52:42
to be ashamed. You ought not put on those
52:44
good pants. Look at them, and that mud on
52:46
your collar. How you got that mud on your
52:48
collar, Bebe? I never saw such a boy. Bebe
52:52
was the picture of pathetic resignation.
52:55
Bobino was the embodiment of serious solicitude
52:57
as he strove to remove from his
52:59
own person and his sons the signs
53:01
of their tramp over heavy roads and
53:03
through wet fields. He
53:05
scraped the mud off Bebe's bare legs and
53:07
feet with a stick and carefully removed all
53:10
traces from his heavy brogans. Then
53:12
prepared for the worst, the meeting
53:14
with an overscrupulous housewife, they entered cautiously
53:17
at the back door. Calixta
53:19
was preparing supper. She
53:21
had set the table in his dripping coffee at the
53:24
hearth. She sprang up as they came in. Oh,
53:27
Bobino, you back, my, but I was uneasy.
53:29
Where you been during the rain? And Bebe
53:31
ain't wet. He ain't hurt. She
53:33
had clasped Bebe and was kissing him
53:36
effusively. Bobino's explanations and apologies,
53:38
which he had been composing all the way,
53:40
died on his lips as Calixta felt him
53:42
to see if he were dry and seemed
53:45
to express nothing but satisfaction at their
53:47
safe return. I brought
53:49
you some shrimps, Calixta offered Bobino, hauling the
53:51
can from his ample side pocket and laying
53:53
it on the table. Shrimps,
53:56
oh, Bobino, you too good for anything.
53:58
And she gave him a smacking. kiss
54:01
on the cheek that resounded, J'voure, bon,
54:03
we'll have a feast tonight, uh-huh. Bobanoe
54:06
and Bebe began to relax and enjoy
54:08
themselves, and when the three seated themselves
54:10
at table, they laughed much and so
54:12
loud that anyone might have heard them
54:14
as far away as La Balieres. Alcy
54:17
La Balieres wrote to his wife Clarice that
54:19
night. It was a loving
54:21
letter full of tender solicitude. He
54:24
told her not to hurry back, but if she and
54:26
the babies liked it at Biloxi, to stay a month
54:28
longer. He was getting on
54:30
nicely, and though he missed them, he was willing to
54:33
bear the separation a while longer. Realizing
54:35
that their health and pleasure were the first
54:37
things to be considered. As
54:40
for Clarice, she was charmed upon
54:42
receiving her husband's letter. She
54:44
and the babies were doing well. The
54:47
society was agreeable. Many
54:49
of her old friends and acquaintances were at the
54:51
bay, and the first free
54:53
breath since her marriage seemed to restore the
54:55
pleasant liberty of her maiden days. Devoted
54:58
as she was to her husband, their intimate conjugal
55:00
life was something which she was more than willing
55:02
to forgo for a while. So
55:06
the storm passed, and
55:08
everyone was happy. Aww.
55:11
Aww. Aww. Aww. Aww.
55:15
Aww. Aww. Aww.
55:18
Aww. Aww. Aww.
55:21
Aww. Aww. Aww.
55:24
Aww. Aww. Aww. Aww.
55:28
Aww. Aww. Aww.
55:31
The Story
55:48
So, four stories that ask us to extend
55:51
our ideas about nature and its impact on
55:53
us. Sometimes it's a thing
55:55
we try to make do our bidding. Sometimes
55:57
it's a backdrop to the ways in which the place
55:59
the places we start from and those we hope
56:01
to reach define us. And
56:04
sometimes it's a source of unexpected joy.
56:07
I'm Meg Wallitzer. Thanks for joining me for
56:09
Selected Shorts. Selected
56:20
Shorts is produced by Jennifer Brennan,
56:22
Jenny Falcon, and Sarah Montague. Our
56:25
team includes Matthew Love, Drew
56:28
Richardson, Mary Shimpkin, Vivienne Woodward,
56:30
and Magdalene Roblesky. The
56:33
readings are recorded by Miles B. Smith. Our
56:36
theme music is David Peterson's That's the
56:38
Deal, performed by the New York North
56:40
Peterson group. Selected
56:42
Shorts is supported by the Dungannon
56:44
Foundation. This program is also
56:46
made possible with public funds from the New
56:48
York State Council on the Arts with the support
56:51
of Governor Kathy Hochul and the New
56:53
York State Legislature. Selected
56:55
Shorts is produced and distributed by the New York
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