Episode Transcript
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0:06
Welcome to a special supporting episode of
0:08
Service Stories of Hunger and War,
0:11
a production from I Heart Radio and Me your
0:13
host, Jacqueline Reposo. I
0:16
lived in k rations and sea rations,
0:18
and the sea rations they were like extra lash
0:20
cracker jack boxes. We want a childlike
0:22
waiting for the food, probably a mile long
0:25
between all the soldiers and sails. The
0:28
military has a language all its own.
0:31
Over the course of this season, we'll progressively
0:33
hear our World War two veterans described
0:35
k ration boxes, how they loved
0:37
or hated or simply tolerated their military
0:40
meals, and what they outsourced to fill
0:42
in the gaps. Today, we're going
0:44
to detail out a few terms. You'll be hearing
0:46
our veterans voice. Early on this season,
0:49
they had a code name Vickey Mouse.
0:51
If I said Mickey, you had a same mouse
0:54
they made at six and that
0:56
was a bigger cargo plant than the Sea
0:58
forty selling the most will flew into
1:00
chairman as to buy wing plan. The
1:02
needs of World War Two encouraged major
1:04
advancements in technology in both the United
1:07
States and abroad, and Allied forces
1:09
worked together before the United States joined
1:11
in December. By
1:13
that time, the war had been raging in
1:15
Britain and Winston Churchill was never
1:17
shy in praising technological advancement,
1:20
but all the adverse fact that I've described
1:23
have sam rather been canceled out
1:27
development of our machinery and organization.
1:31
The first digital computers were breaking
1:33
enemy code. Civilians filled
1:35
the SEMBL line state side, turning out
1:37
nearly fifty thousand m for Sherman
1:39
tanks in only four years. And
1:42
the brand new development of radio navigation
1:44
systems RADAR allowed
1:46
pilots to maneuver to and from targets
1:48
safely, which aided the Allies triumph
1:51
against the Germans and the Battle of Britain, a
1:53
huge turning point in the war which inspired
1:56
Churchill's famous speech, The
1:58
gratitude of every home in our island,
2:00
in our Empire, and indeed throughout
2:03
the world, except in the abodes
2:05
of the guilty, go back to the British
2:07
Airman, who, undaunted by
2:09
odds and wearied in their
2:12
constant challenge and mortal
2:14
danger, are turning the tide
2:16
of the World War by their promise and
2:19
by that devotion, never in
2:21
the field of human country was
2:23
so much owed by so many
2:26
fledgling
2:28
US Army Air Corps pilots were inspired
2:30
by such winds, and our veterans
2:32
aren't shy in name dropping the companies
2:34
that made such things possible. Before
2:37
he was drafted, Harold bud Long was
2:39
one of one hundred and eighty thousand employees
2:41
of Curtis Right, the largest aircraft
2:43
manufacturer in the United States at the time and
2:46
second only to General Motors when it came to
2:48
employment. Curtis produced
2:50
aircraft engines, electric propellers,
2:52
and airplanes like the P forty Fighter, a
2:55
sleek, light one man monoplane
2:57
with an enclosed cockpit that made it possible
2:59
for pile it's to fly and inclement weather. Here's
3:02
George Hardy at just Skigi airman you'll
3:04
hear from the season, who flew fighter planes in
3:06
Italy, explaining how manufacturers
3:08
from different companies worked together on advancements
3:11
that could make or break crucial missions.
3:14
P fifty one type airplane we built for the
3:16
British when we got no war. They came
3:18
over here for us to build an airplane. They
3:21
wanted P forties, but Curtis couldn't build
3:23
any more than they were building, and they as North American
3:25
to put in a P forty production line
3:27
in North Americans said we can build a
3:30
better airplanes faster than that. So they
3:32
built an airplane eight thirty six something
3:34
like that. P forty has had an Allison
3:36
engine and built by the Allison company here, but
3:39
the Allison engine lost efficiency
3:41
above say fifteen thousand feet. It didn't
3:43
have a good supercharger on it. The English
3:46
took the airplane and they put the Rolls Royce
3:48
engine in it, and that changed the whole characteristic
3:50
of the airplane. Is the best airplane at any
3:52
aplitude, and so we built
3:54
over fourteen thousand of them for ourselves
3:57
after that. The Rolls Royce engine
3:59
and the engine was under licensed
4:01
by the Pack and Moda Company, So I
4:03
had my roles at nineteen Yeah,
4:05
I remember flying at a forty feet
4:07
an engine just going beautifully over the
4:09
cal of sam in Rome. Because
4:13
they were fast and could fly so high, pilots
4:16
like George were able to escort and defend bomber
4:18
planes. You'll hear details about that in
4:21
his episode. But even with such
4:23
helpful technological advances, soldiers
4:25
sometimes faced agricultural challenges
4:28
when they landed in foreign landscapes. After
4:32
I got off on the beach and I was looking
4:35
for my sea company guys come
4:37
up into the hedgerows. When
4:39
off of the Normandy beaches after D Day,
4:41
soldiers like bud An Army private Jonda
4:43
Strica then had to navigate hedgerows.
4:47
I had never heard of them, but veterans
4:49
remember them clearly. Built
4:51
as early as the Roman era picture,
4:53
these man made hedgerows as tall earth
4:55
fences topped with dense shrubbery, trees
4:58
and brambles. They closed ten
5:00
acres of pasture around the size of
5:02
a football field, and as they had spread
5:04
over time to create meandering lanes
5:07
with deep curves, they made prime
5:09
hiding spots. This meant soldiers
5:11
had to learn new maneuvering strategies
5:13
to stay ahead of their foe. Here's
5:15
Bud Long, who landed in Normandy with the Air
5:18
Corps on D Day. It's
5:20
tough to get through them because they were thick farmers
5:22
in our teams of horses, and they
5:24
farmed like five acres of land, just a small
5:26
plot and the hedgerows and Allays
5:29
had a lane that went into him, and I said,
5:31
don't go through that lane because the machine
5:33
guns set up on the other side just waiting for you
5:35
to get through. So I said, pick the thickest
5:37
part of the hedge roll and go through it and you'll
5:39
catch them on by surprise. We learned
5:41
that right off the beach. Because
5:44
tents and barnes made easy enemy targets,
5:47
finding a safe place to rest at night was a
5:49
treacherous task, and so as much
5:51
as the hedgerow's hindered movement, they
5:53
also helped create shelter. Here's
5:56
John explaining the difference between slip trenches
5:58
and foxholes and how hedgerows
6:00
could help. When we
6:02
stopped before nightfall, we
6:05
were told, don't dig
6:07
a slip churrench, dig foxhole.
6:10
A trench is just dig the hole
6:12
the length of your body and the thickness
6:15
of your body dirt on all sides.
6:17
You'd be level with the ground. I f a
6:19
shell would hit close the sharp no
6:21
would go over your head. But if you
6:23
like a foxhole, you dug down
6:26
maybe three ft in the ground, and you made
6:28
a seat in there, and your head had
6:30
to be below ground in case you had a tank
6:32
attack, the tank would go over and
6:35
wouldn't hurt you. The biggest head rows
6:37
they released five ft high to maybe
6:39
three ft wide, so you didn't
6:41
have to dig into the ground so much. This
6:45
season, you'll hear our veterans referre to hedgerows
6:48
and various kinds of ships, trucks, and planes.
6:50
If you find yourself not entirely sure of
6:53
the what and why, don't worry too hard
6:55
on it. Soldiers and sailors were
6:57
once civilians too. Sons
7:01
pride upon lich this day
7:04
upset upon the mighty Endeva
7:06
that's struggle to preserve our republic.
7:09
You can see photos from this episode at Service podcast
7:12
dot org, where you can leave comments or messages
7:14
for our veterans. Connect with our community
7:16
on social media. We are at Service podcast
7:18
on Instagram and Facebook. Service
7:21
as a production from I Heart Radio and Me. Jacqueline
7:23
Roposo MS Puetiger is the associate
7:26
producer on this episode. Jennie Ramikin
7:28
engineered the on site interview with John. Our
7:30
supervising producer is Gabrielle Collins. Our
7:32
executive producer is Christopher Hassiotis.
7:35
Our art is by Girl Friday. Thanks
7:37
for listening, and thank you those who
7:39
are serving and those who have served
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