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Shelley's Ghost: Reshaping the Image of a Literary Family

Oxford University

Shelley's Ghost: Reshaping the Image of a Literary Family

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Shelley's Ghost: Reshaping the Image of a Literary Family

Oxford University

Shelley's Ghost: Reshaping the Image of a Literary Family

Episodes
Shelley's Ghost: Reshaping the Image of a Literary Family

Oxford University

Shelley's Ghost: Reshaping the Image of a Literary Family

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Episodes of Shelley's Ghost

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Part of the Shelley's Ghost Exhibition. In the months immediately following Shelley's death Mary lived at Albaro on the outskirts of Genoa. Her only regular companions were her young son, Percy Florence, and the journal she began on 2 October 1
Part of the Shelley's Ghost Exhibition. This is the letter Godwin wrote to Mary after hearing of Shelley's death. Initially he seems more sorry for himself than for his daughter, complaining of her failure to write to him, but he then talks hop
Part of the Shelley's Ghost Exhibition. 'Everybody is in despair and every thing in confusion' writes Shelley in his last letter to Mary. He was in Pisa to discuss a new journal, The Liberal, with Leigh Hunt and Lord Byron. Shelley had been del
Part of the Shelley's Ghost Exhibition. This great elegy was prompted by the news of the death of John Keats in Rome, and by Shelley's belief that Keats's illness was caused by the hostile notices his work had been given in the Quarterly Review
Part of the Shelley's Ghost Exhibition. Shelley worked on 'The Triumph of Life', a dark and visionary poem, while living at the Villa Magni. At the time of his death it was still in a very incomplete state but despite this it is generally consi
Part of the Shelley's Ghost Exhibition. Shelley presented this light-hearted poem, copied out in his best hand, with the guitar he gave to Jane Williams in 1822. Taking his cue, perhaps, from the Shakespearean Christian name of the guitar's mak
Part of the Shelly's Ghost Exhibition. Shelley's best-known poem was written in Florence in late 1819. Technically it is a series of four sonnets written in 'terza rima', the verse-form Shelley would use again, with similar fluency, in his fina
Part of the Shelley's Ghost Exhibition. 'Ozymandias' is the Greek name for Ramses II, who ruled Egypt for sixty-seven years from 1279 to 1213 BC. Ramses II was a military conqueror and a great builder, but Shelley's sonnet describes how the ach
Mary Shelley drafted Frankenstein in two tall notebooks. The first notebook was probably purchased in Geneva, the second several months later in England. They were later disbound, and now exist as single sheets. Shown here is an original openin
Part of the Shelley's Ghost Exhibition. Harriet Shelley drowned herself in December 1816, aged twenty-one. Her body was recovered from the Serpentine on 10 December, and an inquest into the death of one 'Harriet Smith' was held the following da
Part of the Shelley's Ghost Exhibition. Shelley and Mary arrived back in London to face the almost universal disapproval of family and friends, and severe money problems. Shelley was now financially responsible for Mary and Claire as well as Ha
Part of the Shelley's Ghost Exhibition. Shelley and Mary eloped at 4.15 am on 28 July 1814, accompanied by Mary's step-sister Jane Clairmont. They were pursued by Mrs Godwin (Claire's mother), who caught up with them the following day at Calais
Part of the Shelley's Ghost Exhibition. Using false names, Shelley sent copies of The Necessity of the Atheism to 'men of thought and learning', including bishops and clergymen. Here, writing as 'Jennings Stukeley', he sends 'a tract' to Willia
Part of the Shelley's Ghost Exhibition. Godwin's memoir of Mary Wollstonecraft has been called the first modern biography. At the time, however, its frankness and emotional candour provoked general outrage. Godwin did not hesitate to include th
Part of the Shelley's Ghost Exhibition. Even after their marriage Godwin and Wollstonecraft preferred to live independently during the day, and communicate by correspondence. They regularly exchanged anything from long, carefully composed lette
Part of the Shelley's Ghost Exhibition. In her most famous work Mary Wollstonecraft argued that if women were educated in the same way as men they would perform as well. And that society was wasting its assets by failing to educate them and to
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