Episode Transcript
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0:01
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disease.
0:44
Hey,
0:44
it's Ben Bailey-Smith here. And Sasha Bates.
0:47
And as season one draws to a close
0:49
of the podcast that puts fictional
0:52
TV characters into therapy, here's a few
0:54
special bonus episodes that
0:57
we're going to chuck out there for you just to answer
0:59
some of your questions and explore a little bit deeper
1:01
because we just haven't got that kind of time, Sasha, frankly,
1:04
have we? We haven't. In a normal
1:06
episode. There's too much to talk about. So coming
1:08
up, we're going to look at Stans, you know, obsessive
1:10
fans. We're going to look at how problematic characters
1:13
get away with much, much
1:14
more because they're just basically just buff.
1:17
And Seinfeld in an alternative
1:20
universe. As ever, you
1:22
can expect some naughty words and spoiler
1:24
filled chat and all of that. to
1:27
shrink the inbox.
1:29
All
1:36
right, let's kick off with some suggestions. We
1:39
love getting them. This is from Switzerland,
1:41
our first Swiss correspondent
1:43
is Lisa.
1:45
And she says, Hello, I'd really
1:47
love for you to talk about Dre, Dominique Fishback
1:49
from the Amazon miniseries Swarm.
1:52
So a comedy horror thriller vibe. Have you
1:54
seen this? I have not heard of it. OK,
1:57
she says it follows Dre, who's
1:59
a young woman. whose obsession
2:01
with a pop star takes a dark turn.
2:04
Ooh, I like the sound of that. It's a really dark,
2:06
interesting story about how Stan culture
2:08
goes too far. It's about a broken
2:10
family dynamics and how destructive grief can become.
2:13
Thanks and keep up the good work. All right. There's
2:16
a couple of things in there. Comedy
2:19
horrors, obviously, you know, can
2:23
be big on the psychology, but most of the time they
2:25
are not. I mean, I'm thinking there's definitely
2:27
attempts, like some of
2:29
the stuff your man Jordan Peele does. I think
2:32
he's definitely sort of slots into that. Oh,
2:34
there's laughs and there's horrific things,
2:37
and I want it to mean this thing about our
2:39
psyche. Sometimes gets it right, sometimes
2:41
doesn't. The other thing that's in this is
2:43
the mention of Stan's.
2:45
Have you ever had a Stan? I did
2:47
once, yeah. I was in mumbles.
2:50
There's a place, it's in Wales,
2:53
it's called Mumbles. It's like a little coastal
2:55
town. And I went there
2:57
to do a gig once. This is in
2:59
my days of being like a part-time
3:03
underground rapper, youth
3:05
worker by day. So I'm not making any
3:07
money. I'm not doing big gigs or
3:09
anything like that. I'm just taking what I can get and I get offered
3:11
a gig that's
3:12
half decent money. I guess I'll probably be
3:14
like a hundred pounds or something. But
3:17
I still got drive to fucking mumbles with
3:19
my DJ. And I
3:22
get there and of course no one's at the
3:24
gig. It's like in the back of a,
3:26
I don't
3:27
know what it was. It looked like an amusement
3:29
arcade or something like that. It's in the back room. It
3:32
sounds very Gavin and Tracy so far. There's no
3:34
stage. There's a few rugby
3:37
boys who wandered in and it was, ahhhhh, there's
3:40
a bit of that. Just
3:41
got through it. And then I was like, all right,
3:43
can we just go to the hotel? And the guy
3:46
who'd booked me, he was like, oh yeah. So there's
3:49
not really a lot of options this
3:51
weekend, but don't worry because I've got you basically self-contained.
3:54
It's like on top of my flat.
3:56
It's fine. And I was like, okay. And my
3:58
DJ.
3:59
He's like, yeah, I mean, there
4:02
should be... I was just like, this is not
4:04
going well at all. We walk into the flat.
4:08
And in the living room,
4:10
there's like a mantelpiece
4:12
above the fire. And bear in mind,
4:14
I'm very underground. People don't really
4:16
know who I am. This is like very
4:18
early 2000s. He's got like
4:21
my mixtape that I put out. He's got
4:23
like my first single that I put out. He's
4:26
got a couple of pictures of me. Oh, God.
4:28
And they're all on the mantelpiece. And then there's a Sharpie
4:31
and it's just it looks like something
4:33
about the vibe of it, like how they're all symmetrically
4:35
laid out. And then the Sharpie at the end, I just
4:38
got this image of him
4:40
looking at the Sharpie and then repositioning
4:42
it and then positioning it again and then positioning it again
4:45
and then come in to meet me. And it just
4:47
freaked me out. And I was like, I looked to my DJ
4:49
and he was just like, we're not fucking
4:52
saying it. And that's terrifying.
4:54
We drove all the way back from Wales.
4:57
Yeah, yeah. And like, you know, at this point,
4:59
we're like, we're leaving. Yeah, no, I don't blame you.
5:01
One in the morning or something. That's horrific. So
5:04
as close as I got to a stand. But, you know, there
5:07
is a hip hop origin to stand
5:09
because I guess some people miss it. But
5:12
most people will know it comes from the Eminem song.
5:14
Yeah. Stan about an obsessive
5:16
fan and Eminem being such
5:18
a, you know, a bigger
5:20
pop cultural influence than half
5:23
the shows we've talked about in this entire series
5:26
has
5:27
created a word that's entered the lexicon,
5:29
which is always an
5:31
interesting thing. When I think
5:33
about it in screen terms, I
5:36
think of King of Comedy.
5:38
Oh, yeah. That movie? Yes, yes. Yeah,
5:41
of course. And he's like a massive
5:43
fan of Jerry Lewis, who's playing
5:45
us. Is he playing himself? Who's playing like a Jerry Lewis
5:48
kite?
5:48
I can't remember so long ago. It's worth
5:50
rewatching. Really, really fucking
5:52
creepy. What do you think is in
5:54
the psyche where it spills
5:57
over into that I need to cross this boundary
5:59
and this person?
5:59
needs to acknowledge me. We
6:02
need to have this moment together. Like, where
6:05
does that come from? There's a novel
6:07
by Ian McEwen called Enduring Love,
6:09
where they have a similar situation, where
6:12
a character played by Rhys Ifanz becomes
6:14
obsessed with somebody. And it's not a famous person,
6:17
I don't think, if I remember the book
6:19
and the film rightly. But
6:21
yeah, people can get really
6:23
latched on. It's like they represent
6:26
everything that they want in their life, and
6:28
they can't separate out their
6:30
desire for that person from any
6:32
sort of reality. So every time the
6:34
person says, I don't want you, you are
6:36
not my boyfriend or
6:38
girlfriend, they just take
6:40
it to me and they're playing hard to get. And
6:43
I mean, it happens in real life as well,
6:45
not just with fans. But
6:48
it's a sort of an idealization of an
6:50
image of what you want the person to be. You
6:52
can't distinguish the representation of what
6:54
you want them to be from the fact that they are a real
6:57
person, with their own
6:59
wants and hopes and desires. Right,
7:01
it is interesting, isn't it? That your insecurities
7:04
can manifest themselves in believing
7:06
that this
7:07
unattainable person could... It's like the ultimate
7:10
object... ... fill a little gap. Yeah, it's like the ultimate objectification
7:13
of somebody. You are what I need you to be,
7:15
and your own desire for me, or
7:18
even your ability to know that I exist
7:21
is irrelevant because I have decided that
7:23
that is what you need to be.
7:24
I was obsessed with so many different
7:28
celebrities, actors, singers, in
7:32
that stage of life when you really get deep into
7:34
it, when you're a teenager, right? Like a young teen, 13, 14, 15.
7:38
But I didn't even write to... You remember
7:40
fan clubs? Yes, no. I didn't even do that. I was just like,
7:43
that's too far. I mean, I'm obsessed with
7:45
it. I've got the posters and everything. I'm not gonna fucking
7:47
try and talk to them. No.
7:48
No, well, I mean, that's healthy
7:50
to be able to understand that just because you love
7:52
them doesn't mean that they're gonna love you back.
7:54
That's the thing, right? That's exactly what I thought. Like
7:56
the fear of like, what if they're just really
7:59
rude or they just like... brush past me. Well,
8:01
they do say don't ever meet your heroes, don't
8:03
they? They do. And like, as
8:06
I've got an order and have met heroes,
8:10
I met one very recently. I was
8:12
a huge gangster fan when I was
8:14
a teenager, and I eventually met their
8:16
producer, DJ Premier,
8:19
and he was bloody
8:21
lovely. Oh, good. Yeah. That's nice
8:23
to hear. Really nice. Lovely.
8:26
So sometimes meet your heroes. Just judge
8:28
it in the moment, is what I say. Do
8:30
you know what I mean? Yeah. So as you look over
8:32
and someone's like, I don't know,
8:34
in a domestic with their kids, you think, this
8:37
is not the time to say hello to Tom Hanks. Yeah,
8:42
play it by ear. I've actually got one here from Avital,
8:44
which kind of looks at fame
8:47
from the inside. This is an email from Vancouver,
8:49
all the way from Vancouver. And Avital says, hello,
8:52
first heard of your show in a Guardian article. It's very
8:54
highbrow. Yes. I like the fact that-
8:57
For a couple of people to swear and talk about
9:00
dreams and sex and
9:03
killing and drugs. And now I'm hooked.
9:05
I'm recommending it to everyone. One show I'd
9:07
love to see your take on is I Hate
9:09
Suzy. Yes. Yeah. And it's another one I need to see. Yeah,
9:11
it's great. I loved it. Billy
9:14
Piper's breakdown is depicted in an unreal,
9:16
fantastical, visually arresting manner that I've
9:18
never seen before. Thanks, Avital.
9:20
Yeah. I mean, one of the things in I Hate Suzy is
9:23
her relationship with fame. Do you ever
9:25
get stopped on the street? I mean, what's your level
9:27
of- Every day. Every single day. Really?
9:29
And how do you cope with that?
9:30
It might not be 10 times a day. It might
9:32
just be once a day or twice a day. But it happens every- It's
9:35
every single day. Wow. Does that
9:37
feel oppressive? I think that would drive me up
9:39
the wall. Something, it depends on your
9:41
mood and what you're doing. My
9:43
brother had written a little play and I
9:45
was worried that I was going to miss it. So I was
9:47
hurrying into this
9:49
venue. It was one of those plays
9:51
where it's like above a bar. Oh yeah. And you have
9:53
to go through the bar. And I went
9:55
in and it just happened immediately.
9:57
And I was just like, I really don't- of
10:00
trying for a stop and chat and photos.
10:02
Do you know what I mean? Yeah, it's really inconvenient.
10:05
I was really like, like, someone shouted
10:07
out my name and I was like, hey, how you doing? You
10:09
know, showbiz smile. And I was like,
10:11
I'm late for a play. I just said it because I was like,
10:14
that's probably the quickest way. It's every day. 99% of
10:16
the time, it's, yeah, it's
10:18
all really
10:20
nice and friendly. But
10:22
my favorite people who stop me are the ones that
10:25
don't, they don't stop walking. They don't
10:27
break stride. Right. Hey man, keep doing what
10:29
you're doing. They're amazing.
10:31
Those guys, if you're one of them,
10:33
I'm just sending my love out to you now. You
10:36
don't, you don't waste my time, but the
10:38
reason I respect you even more is because you don't want me to
10:40
waste your time. You got shit to do. I
10:42
love that. Get away there.
10:45
Lovely affirmation. Yeah, yeah, yeah.
10:47
What you mean to people. That's really nice. All
10:50
right, this could end up being a question for you actually,
10:52
Sasha. Okay. This email is
10:54
from Ali, who says they are formerly of Dalston.
10:57
Okay. Hey Ben and Sasha, I've been
10:59
loving your podcast since hearing about it. When
11:01
Ben's inheritance tracks were played on radio
11:03
for, oh yeah, I remember that. I gave
11:05
a big plug. I just plugged the show over. Good.
11:08
Yeah. And I'm very excited to hear
11:11
that Top Boy was next on your list. Although
11:13
I think Sully would be a much more complex,
11:16
interesting and conflicted subject for your analysis
11:18
than Jamie. Maybe too much for a 25 minute
11:20
session. Following Ben's comments
11:23
about the male characters and this is us being too ripped
11:25
to identify with. I have a similar
11:27
feeling about the main characters in Top Boy,
11:29
a show I love. Don't get me wrong. Okay.
11:32
I'm sorry to interject onto the email, but in Top Boy, everyone's
11:34
a lot younger. Yeah, so yeah.
11:37
They tend to be boys like they're
11:39
running around doing this. This is us. There's
11:41
just no reason for these middle aged
11:44
men older than me. Anyway, I
11:46
think it'd be much harder to root for the psychopaths
11:49
that are Duchain, Sully and Jamie if they weren't
11:51
also gorgeous looking. Interesting,
11:53
Ali. Okay. But of course their lovely
11:55
faces are part of the pleasure of watching the show, aren't they?
11:57
Can't wait to hear what you've got coming up.
12:00
and thanks again for a great listen, cheers, Ali. Okay,
12:03
an interesting point that sort of crept out of
12:05
this, Ash, which is why I think it might be a question
12:07
for
12:08
you. Why do we root for the psychopaths
12:10
and why are producers
12:12
making psychopaths hot? Well,
12:14
I think that... I'm looking at you, you.
12:16
Well,
12:18
yes, exactly. Well, I think they
12:21
have to make them good looking in a TV
12:23
show, because otherwise we wouldn't root for
12:25
them, because I think psychopaths are really hard
12:27
to root for in real life, because
12:29
they've got nothing going for them. Once
12:32
you get beyond the surface charm, I mean, they are very
12:34
charming. That's how they get away with it. But
12:36
then behind that, when you realise that there is nothing...
12:38
Yeah,
12:38
I remember this is why you... When
12:41
we first thought about doing... Killing
12:43
Eve. Killing Eve. I was thinking, oh yeah, we got
12:45
to do Villanelle. Villanelle the villain.
12:47
And you were like, no, because there's nothing to dig
12:50
into. No. She's a psycho, she has no emotions.
12:52
Yes, but she's absolutely gorgeous and wears
12:54
lovely outfits, and she's also
12:56
very funny. And of course, she's written by Phoebe
12:58
Waller-Bridge. But I think in TV shows,
13:01
it is very different, because they have to make them
13:03
watchable and you have to root for them.
13:05
I don't know how many real life psychopaths are
13:08
gorgeous. I don't know any real life
13:10
psychopaths. I think it's
13:12
one of those TV tropes. This is one
13:15
of those movie tropes. A bit of a dramatic license. Yeah. Although
13:19
I suppose narcissism is
13:21
a big part of it, isn't it? So maybe there's, well-cuffered
13:26
psychos out there. Let us know if it's one of
13:28
those. All
13:30
right, so coming up after the break, we're going to be looking at Seinfeld
13:33
a bit more, wondering if the characters
13:35
weren't quite as selfish. And a few more
13:37
of your favourite people to cover, of course. So
13:39
we'll see you after the ads, unless you, very
13:42
wisely I must say, subscribe to the Take
13:44
channel, in which case we'll be back right after
13:46
this little musical duty.
13:56
Alright,
14:01
so that background noise, you can't hear that right?
14:03
That I can hear, is that just... What?
14:07
Is that Selena?
14:10
Ah yeah, there we go. Okay. Hey,
14:14
it's Ben here from Shrink The Box. Now this episode
14:17
is sponsored by BetterHelp. And sometimes
14:20
life can feel a bit overwhelming. I know,
14:22
juggling work, family, and keeping
14:24
on top of TV's most chaotic characters
14:26
can feel like a bit of a challenge. But
14:28
whatever it is for you, I can promise you I've tried BetterHelp,
14:31
and I know first hand how helpful therapy
14:33
can be to access the best version
14:36
of yourself. And look,
14:38
therapy isn't just for those who've experienced
14:40
trauma. It can be about finding
14:43
ways to balance those everyday stresses in a
14:45
positive way.
14:46
I know sometimes you look at your schedule for
14:48
the week and wonder where you could possibly find time,
14:51
but BetterHelp fits around you. It's entirely
14:53
online.
14:54
It's designed to be convenient and
14:56
flexible. So let therapy be your
14:58
map. With BetterHelp, visit
15:00
betterhelp.com slash shrinkthebox today
15:03
to get 10% off your first month. That's betterhelp.com
15:08
slash shrinkthebox.
15:11
I'm gonna go once more. Hey,
15:19
it's Ben here from Shrink The Box. And this
15:21
episode is sponsored by BetterHelp.
15:24
Now, sometimes life can feel
15:26
a bit overwhelming. And
15:28
I feel it sometimes, juggling work and family,
15:31
and of course keeping on top of your favourite
15:34
TV characters can feel like a
15:36
bit of a challenge. But whatever
15:38
it feels like for you, I can promise you I've tried
15:40
BetterHelp, and I know first hand
15:43
how helpful therapy can be to
15:45
access the best version of yourself.
15:48
And I also know therapy is not just
15:51
for those who've experienced trauma. It can
15:53
just be about finding ways to balance
15:55
your everyday stresses, in a
15:58
positive way,
15:59
that helps you.
15:59
you move forward. And I know sometimes
16:02
you look at your schedule for the week and you think,
16:04
I can't fit this in, it's impossible. But BetterHelp
16:07
will work around you and it will fit in what
16:09
you need, when you need. It's completely online
16:12
and it's designed to be convenient and flexible.
16:15
So let therapy be your map with BetterHelp.
16:18
Visit betterhelp.com slash shrink the box today
16:20
to get 10% off your first month. That's betterhelp,
16:23
H-E-L-P.com slash shrink
16:25
the box.
16:29
A couple there. Time
16:35
wise, is it okay? Fits
16:37
in time wise. Do you
16:49
want a quick one, really fast one? Yeah, absolutely.
16:52
Okay, here we go.
16:59
Hey, it's Ben here from Shrink The Box. Now this episode
17:01
is sponsored by BetterHelp and we know that
17:04
life can be a bit overwhelming sometimes.
17:06
I know juggling work, family, keeping on top of
17:08
TV's most chaotic characters, of course,
17:11
can feel like a bit of a challenge. But whatever it is
17:13
for you, I can promise you I've tried BetterHelp. I
17:15
know firsthand how helpful therapy can be
17:18
to access the best version of yourself. And look,
17:20
therapy isn't just for those who've experienced trauma. It
17:22
can be about finding ways to balance those
17:25
everyday stresses in a positive way. And
17:27
I know that sometimes you look at your schedule for the week
17:29
and think, oh, how can I possibly fit this in? But
17:31
BetterHelp will fit in around you. It's
17:33
entirely online and designed to be convenient
17:36
and flexible. So let therapy be your map
17:38
with BetterHelp. Visit betterhelp.com
17:41
slash shrink the box today to get 10% off
17:43
your first month. That's betterhelp, H-E-L-P.com
17:47
slash shrink the box.
17:56
You're so good at that. You're
18:00
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18:02
an art form. Wait,
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All
18:50
right, and we are right back as promised. We've
18:52
got a regular emailer, Dash.
18:55
We got someone who actually got in touch more
18:58
than once. Oh, the recivitist. This
19:01
is Stu from Suffolk, Virginia. Not
19:03
on the East Coast of the UK. He's
19:06
got in touch before and he does have a good
19:09
way
19:09
of words, so we have to include this email. Stu
19:13
says, hello, Ben, Sasha, and the STB production team. I'm
19:16
a few eps behind and just listened
19:18
to the George Costanza episode this morning. I too find
19:21
George a bit uncomfortably relatable
19:23
in how the slightest thing can spiral me out if I don't
19:25
catch it. And self-regulate,
19:28
it's just so easy to let the mildest anxiety
19:30
stress have
19:32
become a mental mountain. You
19:35
touch briefly on Jerry winding him up
19:37
at one point. He's a very good guy.
19:40
You touch briefly on Jerry winding him
19:42
up at one point, and I'm glad you pointed that out. In
19:45
a kinder show,
19:46
Jerry and George would both have an arc where they
19:48
both grow out of these traits. I can imagine
19:51
a Schitt's Creek-esque Seinfeld where
19:53
George's fiancé maybe gets sick but doesn't
19:56
die, and he learns how to process hard
19:58
things without spinning out.
19:59
Jerry even is able to drop
20:02
his detachment and be genuinely supportive
20:04
of his friend. That would of course be an entirely
20:06
different show, but in the non-fiction world,
20:09
it's what I would hope for.
20:10
You're mentioning how many people watch
20:13
the series finale made me think of the finale of
20:15
another earlier sitcom that
20:17
actually set and still holds, I believe, the record
20:20
for the most watched broadcast in
20:22
America that isn't news or football, which
20:25
is MASH. Oh, lovely MASH.
20:27
Oh man, I grew up watching this show in syndication
20:30
and the 4,077th is near and dear to me. I
20:35
think there would be a lot to dive into here. The
20:37
show takes several different personalities from militant
20:39
army lifers to zany rebellious draughty
20:41
doctors, throws them into an impossible situation,
20:44
a medical outpost for casualties in the Korean War,
20:46
and stirs week after
20:48
week.
20:50
I'd love to hear your thoughts on Major Houlihan's insistence
20:52
on standard operating procedure and following orders
20:55
and the chain of command in the middle of absolute chaos.
20:57
Or Hawkeye's practical jokes and snide commentary
21:00
deflecting how torn a party is over the carnage
21:02
he can't make sense of and can't do anything about.
21:04
It's a great show and has some good potential
21:07
clients in my humble opinion. Thank
21:09
you for this show. I'm enjoying it so much.
21:11
Well, I mean, what an argument for
21:13
MASH. And I mean, it'd
21:15
be great. I mean, from the start, I've been wanting to see how
21:17
far back we might go because I think
21:20
the oldest show we've done is probably Friends.
21:23
I think Seinfeld predates. Oh, no,
21:25
wait, Seinfeld, of course. Yeah, Seinfeld started in
21:27
the eighties, didn't it? Eight, nine? I
21:29
think it did. Yeah. So I
21:31
think it's the same year as The Simpsons. You're right. Yeah.
21:34
So 89 is the furthest we've gone back. So it'd be great to go back
21:36
to something even older. I watch MASH as a child
21:39
as well, but not, it wouldn't have been in syndication.
21:41
It would have been
21:43
like a huge rerun for
21:45
us for some reason because
21:48
presumably it started in the seventies. Yeah.
21:51
I don't know. I think my history, my grasp of history
21:54
is pretty full. In my mind, it doesn't look like the eighties,
21:56
MASH. Maybe it ended in the eighties.
21:59
I think I was quite... young when I watched it.
22:01
I was young, but I enjoyed it. I liked
22:03
it. Because there was a guy who like, was it Clinger?
22:06
Yeah. Sort of the kind of clown. He reminded
22:08
me of Animal from The Muppets
22:10
for some reason. Yeah. But
22:12
yeah, that'd be weird throwback,
22:14
wouldn't it, if we did Mash? Was it Mash? Was
22:17
it Clinger who kept
22:19
trying to pretend to be mad
22:22
in order to get said tone? That's right.
22:23
So he like, you know, he dressed
22:26
like crazy, put on like lipstick or something,
22:28
or just come out in his pants. So he was just always
22:30
trying something different.
22:31
Yeah. And they never did send him home
22:33
because they thought that it was a bit like that Catch-22
22:36
where, you know, if you, if
22:39
you recognize that you're mad, then you're sane enough
22:41
to stay or
22:41
something. But yeah, I love that
22:44
show. Yeah. All right. Great shout.
22:46
Thank you, Stu. Who's this one from
22:48
Kerry Hagen? Oh, you
22:50
like this. A teacher of English for years
22:52
nine to 13 at the Co-educational
22:55
Boarding and Day School
22:57
in Wanganui, New
22:59
Zealand.
23:00
Kerry says, I often use
23:02
your show to spark discussions of literary
23:04
characters in my senior English classes. I
23:06
find it interesting that so many of our
23:08
modern protagonists are so unlikable. And I
23:10
wonder what that says about modern society.
23:13
Now I know she's not strictly a TV character,
23:15
but have you considered Abigail Williams
23:17
from Arthur Miller's The Crucible?
23:20
Well, we haven't because she's not strictly a TV
23:22
character, but we would if
23:24
they make a TV series out of it. We would.
23:27
I think my takeaway from that email is that
23:29
we're being played in schools in
23:32
New Zealand.
23:32
I know. Amazing. Amazing.
23:35
I love that. I'm hoping
23:37
that Kerry edits out the swearing.
23:41
Otherwise we're going to get an email from
23:43
whatever they call head teachers in
23:45
Wanganui. But The Crucible
23:48
is fascinating. I mean, all of Arthur Miller's
23:50
work is fascinating. It would be
23:53
great if it did become a TV show. But
23:55
yeah, it's on. There's a stage
23:58
version on In London at the moment.
23:59
I'd love to see, I haven't
24:02
been to it, but I'd love to see how they,
24:04
you know, what the current take on it
24:07
is because that, it's something,
24:09
I don't know, to me, there's something a bit social
24:11
media-like about it in that sense
24:14
of somebody getting an idea and it's spreading
24:16
like wildfire and everybody leaping
24:18
on that bandwagon. And it's
24:20
not that similar, the witch hunts and
24:22
the cancel culture and the, just
24:25
that absolute piling in on somebody
24:27
who's- The
24:27
great works always, they find a new relevance,
24:30
they come around again, I think. Yeah,
24:32
they really do. So, I don't know if the current
24:34
production would have any of that
24:37
resonance in it, but that's just what occurs to
24:39
me, that predisposition, I guess, that
24:41
goes from back then to now,
24:44
to want to be part of a sort of obeying
24:46
horde who kind of points the
24:49
finger at one person.
24:50
Oi, oi, oi. We
24:52
got another Ben
24:53
who says he's in a markedly
24:55
unexotic but currently very sunny Birmingham.
24:58
You take that really, wouldn't you? As long
25:01
as it's sunny.
25:02
A, B, B, S and S, B. I
25:04
only heard about this podcast thanks to
25:06
Ben's appearance on Radio X. Look,
25:08
my plugging's going so well. It's working. I don't
25:10
just do Radio 4, I do Radio X. I'll do
25:13
anyway. Like if I'm on, I'm talking about Shrink the Box.
25:15
Great. It works. It does,
25:17
keep at it. I knew it was going
25:19
to be the one for me.
25:21
Since then I've listened to almost all the episodes,
25:23
Skip Bloodline and Happy Valley because I've not seen those shows yet.
25:26
Although, that's a good shout. I don't think
25:28
I'd want to listen to our Bloodline one if
25:30
I hadn't watched Bloodline.
25:31
No, although a friend of mine did
25:33
and it made her go back and watch it even though
25:35
we'd done all the spoilers. Oh wow, going off on that.
25:38
But I think it's better not to,
25:40
but it's great to hear that you can listen.
25:42
Absolutely. Even without having seen the show.
25:44
And Ben will be back once he's watched
25:46
those. He says, clearly we
25:48
have very similar tastes in TV because I've seen all the others.
25:51
I think it's becoming clearer that we're living
25:53
in a golden age of television, typified by shows
25:56
that center around complex and well-rounded characters.
25:58
And I think this podcast is the perfect way to do it.
25:59
of exploring them. Every episode of
26:02
Shrink the Boxes made me want to go back and watch those shows
26:04
again, which I think is a testament to how good
26:06
you two both are at bringing their richness
26:08
to life. Here's
26:10
some character thoughts from Ben.
26:13
Dozens I'd like you to hear about. Curtain
26:15
from this country. Carrie
26:18
from Homeland. Anyone
26:20
but especially Shauna from
26:23
Yellow Jackets would be perfect. I
26:25
think I also suggested Yellow Jackets
26:27
early on. Not seen. He
26:29
says because of the formative trauma and the
26:32
results. 25 years later. Joe
26:34
Goldberg from You. No, not for
26:37
me. No psychopaths. Sleep boring.
26:40
Okay, but I appreciate Ben and I love
26:42
the love the love. He's got another,
26:44
he's got one more suggestion. Homer
26:46
Simpson. The ultimate. When Homer
26:49
keeps coming back and I think we can't
26:51
ignore him for much longer. I'd
26:53
love to see him pop up in season two.
26:56
And if we do Homer Simpson, that would be our joint
26:59
oldest alongside the 89 Seinfeld.
27:01
So there we go.
27:02
We are working our way back. But
27:04
it shows the quality that they're still enduring
27:07
now that these shows start is in the 80s and
27:09
we're still talking about them. Oh man. We're still watching
27:11
them. Absolutely. The quality of the writing
27:13
and the quality of the characters. Those are the two
27:16
key things that keeps it going. It's interesting
27:18
that he says that we're living in a
27:20
golden age of television. I think that's
27:23
at threat with
27:25
the way the industry's going at the moment.
27:28
I mean, the writers have been on strike for half this
27:31
series that we've been celebrating writers.
27:33
Yeah. Writers have been on strike. Yeah.
27:35
And the actors have just joined. And now the actors
27:37
have joined and you know, we've got
27:39
to be careful because we love all this content.
27:42
But if we don't support the industry
27:44
properly, all that's going to be left of your golden
27:46
era of television is going to be fucking cookery
27:49
shows, reality shows. And
27:51
that leaves me and Sasha without a podcast. We'll
27:54
just have to work backwards. We'll
27:56
be doing I Love Fucking Lucy.
27:58
Yeah. Mary Taylor Moore.
28:01
Support your writers, support your
28:05
set designers, support your VFX artists.
28:09
If you notice shonky VFX in
28:11
any recent movies, probably because
28:13
the VFX artists are being paid peanuts. Anyway,
28:16
that's my rant over. It came right in the middle of Ben's email.
28:19
I'm so sorry,
28:20
Ben, but thank you
28:21
for the love. All right,
28:23
let's do another one next week. Sash, you up for that?
28:25
Yeah, I'm up for that. I love hearing
28:27
from our listeners. Wicked. Well,
28:29
thanks to the production team as ever.
28:32
Production management is Lily Hambly. The assistant producer
28:35
is Marnie Woodmead. Social media
28:37
is Jonathan Imieri. The studio engineer
28:39
is Teddy Riley.
28:41
And the mix engineer is Gulliver Tickle.
28:43
The senior producer is Selena Ream and the executive
28:45
producer is Simon Poole. Do
28:48
follow us on Apple Podcasts, Spotify,
28:50
Stitcher, Amazon, wherever you get your podcasts to
28:52
get new eps. Tell everyone you can.
28:55
We can make more. If you want to listen to
28:57
Shrink the Box and get Kermode and Mayo's Take
29:00
ad free and all their bonus stuff,
29:02
you know what to do by now. Subscribe to Extra
29:04
Takes. Start your free trial now by
29:07
clicking Try Free at the top of the Shrink the Box show page on Apple
29:09
Podcasts or just go to extra takes.com
29:12
on your browser. So if we're going to do it again next
29:15
week, Sash, what should
29:17
we build this nonsense around?
29:19
Well, I think we have more to say about
29:22
ghosts. We didn't get a chance. Oh, you know, the
29:24
ghosts didn't get a fair swing of the... No,
29:27
and they're so interesting. And I think they really represent,
29:29
yeah, they represent a lot of different things
29:31
that we could maybe pick up on.
29:33
So we weren't allowed to waffle the way, live
29:36
show. No, no. We had to get in and
29:38
get out. We did. Like you're done, move
29:40
on. There's another show coming in. Probably Louis Ferrouz
29:42
coming in now. Fuck off. OK,
29:45
we can give the ghosts their due. And that's going
29:47
to be good as well, because it's probably the only
29:49
show. No, definitely the only show that
29:51
we've done
29:53
where the writers are, the actors are, the characters
29:55
are the writers, the actors. Yes.
29:58
Well, Jerry Seinfeld is also... Oh yeah,
30:00
Jerry, yeah, yeah. The second time
30:02
I've forgotten what Seinfeld being in her
30:04
originator. Yeah, Jerry
30:06
writing for Jerry, yeah, that's true. Yeah, but yeah,
30:09
no, it's great that the writers are also
30:11
the actors and ghosts. You feel it's
30:13
a real kind of label of love.
30:15
And it gives it an extra layer of richness, I
30:17
think. Different from your average
30:19
sitcom. All right, can't wait for that. And obviously
30:21
more of your emails. Keep gushing is
30:24
fine if you've got some issues. Send
30:26
them in as well. You got issues
30:28
with anything that we... Because sometimes I think,
30:31
especially with the amount of professionals that we
30:33
got listening, maybe sometimes they think, oh,
30:35
but actually there's this other layer to
30:37
that. You haven't even mentioned. Absolutely,
30:39
yeah. So don't be shy. Sash is not
30:41
precious. No. I learn
30:43
shit every week. So I'm not gonna be like, no, no,
30:45
that's nonsense. You're thinking of attachment theory.
30:48
No, I'm not. I'm gonna be like, fuck, wow, my brain's
30:50
been blown. So please do write in and
30:53
we will see you for another shrink the inbox next
30:55
week. Until then, tada.
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