Episode Transcript
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0:05
Snap Judgment Studios.
0:15
I carved her name into the tree.
0:18
The tree grew sick and died.
0:22
I carved her name into my heart. Now
0:27
I'm barely alive. Listen
0:32
to Spooked. Stay
0:34
tuned.
0:40
Why? You can't get enough of Spooked?
0:43
Sign up for a Summer of Spooked,
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highlights from Spooked episodes, eerie
0:52
stories from KQED, and accounts
0:55
of supernatural experiences as told
0:57
by fans. Head
1:00
to kqed.org slash spooked
1:02
and sign up today.
1:06
From KQED and PRX,
1:09
you've crossed over to Spooked.
1:28
There are communities where
1:31
you will never experience the divine
1:34
unless you first pour libations. Not
1:38
bread, not meat, not prayers, not
1:41
offerings. You must pour the
1:43
liquid.
1:45
Nothing else will call to God. With
1:48
other groups, the ritual must begin and
1:50
end with fire. There is no
1:53
substitution. If there is no fire,
1:56
there will be no God.
1:59
And as whole peoples are wiped
2:02
from the planet, whole traditions
2:04
swallow, we've lost
2:07
so much knowledge, so
2:09
much access. But
2:12
I know this.
2:14
Several cultures have revered gods
2:16
that only answer to the thump of a communal
2:19
drum. As I
2:21
was reminded just the other day,
2:24
walking through my neighborhood and
2:26
happening upon a drum circle.
2:30
This pounding incantation,
2:32
this rhythmic plea for
2:34
the god to appear. You
2:37
can't do this alone. There'll
2:40
be no answer to one person playing
2:42
in solitude, only the rhythm of a
2:44
collective will wake certain powers.
2:48
And the rhythms, sparring,
2:51
beats joining together, breaking off
2:53
the joust of drums and sound and
2:55
thin as the beat builds to
2:57
a frantic staccato, a woman
3:00
leaps into the center of the circle.
3:03
She dances, thrashes
3:05
with the fury transformed, as
3:08
if inhabited by someone, something
3:11
of power controlling her as
3:14
one would a marionette. The
3:17
drummers, they welcome this
3:20
new visitor with reverence, joy, with
3:22
rhythm, they play in celebration of
3:24
the gods presence amongst them. Even
3:28
now, with all we've lost,
3:32
not
3:36
everything is forgotten. Not
3:40
yet. Spook
3:44
stars. Now.
4:38
When you make a call to the powers
4:41
that be, perhaps
4:44
it's not a god that hears your cry. A
4:47
storyteller is a member of the Pawnee
4:49
Nation and he
4:51
knows better than to go looking for trouble but
4:53
sometimes
4:55
trouble finds him. It's
5:00
a good time to be a
5:02
Pawnee Nation.
5:16
My cousin called me up and he told me let's go singing.
5:20
He picked me up and we drove six, seven
5:23
miles deep into the mountains. They
5:28
had a Sundance Arena up there.
5:34
The Sundance, it's a spiritual
5:36
gathering. If you have somebody who's sick or anything
5:38
like that, you go in and pray for them. It
5:41
cleanses your body. It helps
5:43
people.
5:47
We were there in the evening time. There's
5:49
no lights, no electricity.
5:54
The lights that they did have were from headlights. field.
6:00
You
6:02
could see shadows and outlines of people
6:04
dancing and singing. It's
6:06
in a big circle.
6:08
Only ones that are allowed in the circle are the dancers.
6:13
There must have been about maybe seven to eight singers
6:15
there already. They were sitting
6:17
there singing and you can hear their whistles. They
6:19
have whistles that they blow. We
6:23
walked up and we joined the circle.
6:25
We start singing with the drum.
6:28
Singing constantly for hours on end
6:30
with two to five minute breaks in
6:32
between songs. Get something
6:35
to drink and continue to sing again.
6:39
Everybody has a notion you know of a Hollywood
6:42
Indian that ha-ya-ya-ya-ya. It's
6:44
not like that. It's your heartbeat.
6:47
Every time you hear a bump in your heart you hit
6:50
the drum.
6:51
This is the rhythm of everything. This is
6:53
the main rhythm of life you know. I'm
6:59
having a good time and
7:01
you're sitting there singing, you're with friends, you're with family.
7:05
Talking, laughing and
7:08
everybody got quiet. I
7:14
could smell something bad. I was
7:16
like what is that? Just
7:18
a wet dog, mildew
7:20
smell, stagnant water.
7:24
All these different smells mixed
7:26
into one. Some
7:29
of the old folks, you could see them kind of whispering around
7:31
to one another. Everybody's
7:34
straightened up like when a principal walks
7:36
in the room.
7:40
I turned and when I turned
7:43
I seen this big figure standing behind
7:45
us. Between
7:48
eight to ten foot tall. He
7:51
was big, tall and furry. He
7:54
was walking toward the entrance of the Sundance. I
7:58
couldn't see his face. I just saw the outline. I
8:00
knew it
8:02
wasn't a bear. I've
8:04
seen bears before, and bears
8:07
don't walk like that. They'll
8:10
walk on their hind legs, but they kind of stumble
8:12
around.
8:14
This thing will walk like a man. I
8:19
knew what it was immediately, this
8:21
Bigfoot.
8:27
When I was little, you know, everybody would tell stories. Don't
8:31
be going outside at night. Don't
8:33
whistle at night. Don't run at night.
8:36
Don't be looking out the windows. Bigfoot be looking
8:38
in. Every
8:42
tribe has a different name for him. Sasquatch,
8:46
Bigfoot. A
8:48
lot of them call him B.F. or Big
8:50
Guy. Other
8:52
people, they kind of look at him as a messenger of death. We
8:59
got scared and froze. The
9:02
elderly people, they come walking over to keep singing,
9:04
keep singing. Don't stop. It
9:06
kind of goes back to don't run
9:09
from a dog. Just
9:11
stay calm, just relax.
9:13
So we powered through it. We kept singing. But
9:17
everybody kept looking over their shoulders to see, you know, where
9:19
he's at. He'd
9:22
come up to the entrance, and
9:24
he looked at everything, looked at everybody, and everybody
9:26
just kind of spread apart, you know,
9:28
made way for him. It was
9:30
terrifying. Nobody
9:32
bothered him. Nobody said anything to him.
9:36
I kept thinking, I can't believe what I'm seeing
9:38
right now. Just kind
9:40
of just stood there and stared at him.
9:45
As quick as he walked into the arena, he turned around and walked off.
9:52
And he was gone. His
9:55
odor kept lingering. It
10:00
really stinks. Busy,
10:04
busy, we're all busy. The end of summer.
10:07
And just the other day, getting back
10:09
from camping, with my nieces, with
10:11
my kids, in the house, everyone's
10:13
looking for something to eat. And
10:16
I don't want to cook. And
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We finished the song and after the
12:14
song, we
12:17
all took like a five minute break. Everybody
12:21
was in shock and awe. Did
12:23
we just see what we saw?
12:26
The old folks, they came around, said you guys did good,
12:28
you did real good. Everything's
12:30
fine, you're okay, he's gone, you're
12:33
okay. Don't be telling
12:35
everybody on the news about this.
12:37
We
12:37
just kind of laughed about it and just enjoyed
12:40
singing again.
12:43
I wasn't really dying to tell anybody. Years
12:49
ago, our community had a really
12:51
large problem with people looking for Bigfoot.
12:56
People would go on private property and
12:58
they would ask questions they shouldn't be asking.
13:02
They would go into areas that
13:04
weren't allowed to anybody
13:06
other than tribal members. Nothing
13:09
was off limits to them.
13:13
I don't care whose field I go through, whose house I
13:15
go to, I'm gonna get my evidence. That's
13:18
why we don't speak on it that much.
13:23
But
13:23
anyway, thought that was the only time
13:26
I was gonna run into him.
13:29
That was the only time. And that
13:31
was the only time I ever got to see him. That
13:33
was the only time I ever saw Bigfoot. Fast
13:44
forward years later, I was working at
13:46
a truck stop around 12 miles outside of town. Me
13:51
and my co-worker were working. It
13:54
was just us two. Late
13:56
at night, you know, it really dies down.
13:59
We're sitting there and we're just
14:03
kind of waiting for time to drag on. I'm
14:07
sitting there talking to my co-worker and
14:09
I look out the window. The window's
14:11
black.
14:15
They can't see anything.
14:17
I was like, why are the lights out? He's
14:20
like, I don't know. Maybe the lights blew out. So
14:23
we start flipping
14:24
the switches. And we couldn't figure out what
14:27
was the matter. Where
14:29
are all the lights? And
14:33
so both of us had our hands cupped, looking out the window. All
14:38
of a sudden, the night starts to move. We're
14:41
like, what? So we kind
14:42
of back up and look. We
14:46
realized what we were looking at.
14:50
He was so wide he took up this big bay window. That
14:53
bay window was probably
14:56
about seven and a half foot. And
14:58
he was well above that. He
15:01
backed up and he bent down and
15:03
looked at us. The only thing
15:07
that separated us was a little pane of glass. You
15:09
can't really see nothing
15:11
but the reflection of his eyes.
15:17
Brown big eyes.
15:19
Looking back at you, it scared
15:21
us. What
15:24
I was scared about was him breaking the window and reaching in.
15:28
We start screaming. I
15:33
locked the front door and
15:36
he just stared at us through the window. We
15:38
didn't know what to do. We
15:41
climbed over to the counter and
15:43
we looked at him for maybe 15 seconds. All
15:46
of a sudden, he just walked off to the side.
15:50
I walked out of the way of the window.
15:53
You could see the lights behind him after that. Fast
15:57
as he was there, as fast as he was gone.
16:05
It took us a good minute to figure out what we wanted
16:07
to do. I was like, you want to
16:09
open those doors and keep going? We
16:12
looked at each other and at the same time, nope,
16:15
we're closed. We
16:17
counted our tail fast and we
16:19
were out of that place in under five minutes.
16:24
Both of us were scared running to our car trying
16:26
to figure out where he was at in case he was riding
16:28
around in the area still. You're
16:31
going to watch me when I go to my car. Yeah, you
16:33
watch me. Make sure we get to my car okay. When
16:36
I was flying down the road to my boss's house, I was
16:39
like, I can't believe this is happening again. I
16:42
went back to the elder telling me, you're fine.
16:46
And I kept saying that, going down the road. I'm
16:48
okay, I'm okay, I'm fine, I'm okay.
16:56
We pulled up to the boss's house and she was like,
16:58
what's going on? And we told her what happened.
17:01
She said, you did the right thing, good call. It
17:05
took a lot of convincing to get my coworker to
17:07
come back to work, to work nights after that.
17:13
Years later, they built on a casino next door
17:15
to that truck stop. I
17:17
worked there, it was a cashier. I
17:21
just came into work. And
17:24
a friend of mine, he was a surveillance officer.
17:27
He said, come here, come here, come and look at this, come look at this. You
17:30
got to come see this.
17:32
They had cameras all over that place inside
17:34
and out. So I go
17:36
in the little surveillance room and
17:38
he pulls up the video.
17:42
Right behind the casino, they
17:45
have a big dumpster back there, eight, 10
17:47
foot tall. And
17:51
they put the door in the gas station, they make hot food, chicken, corn
17:53
dogs, burritos, things like that. At
17:56
the end of the night, when they don't sell
17:58
anything, they throw it in the trash.
17:59
back in the dumpster. I'm
18:02
sitting there watching the video and you could
18:04
see him at the corner of that video. It
18:08
was dark but the one big huge
18:10
outside light in the corner of the parking lot. So you could
18:12
see his silhouette of it real clearly.
18:14
He was really furry,
18:17
he's dark, he was tall. Reached
18:20
in, no problem. Like he'd done it
18:22
several times, he just grabs a bag out and he walks
18:24
off.
18:27
My friend looks at me and says, you know what that is. I was like, man,
18:30
that is crazy. My coworkers say,
18:32
yep, that is. He reached over and hit delete.
18:42
They had an unwritten rule. If you see
18:44
anything on the cameras like this, delete it. They
18:48
don't want evidence because it
18:51
goes back to people wanting to see this thing and act a fool, you know.
18:53
My personal opinion, when people
18:56
go looking for him, they're
18:58
looking for him for the notoriety,
19:02
the fame. They need that validation. The ones
19:05
that don't have an agenda, they always tend to run into him. This
19:07
is the luck of the draw, it just
19:11
falls in your lap. I'd
19:15
rather avoid him at all costs but
19:18
you never know. I've seen him twice. Nothing
19:21
bad has happened but I'm
19:24
not going to press my luck.
19:42
Thank you
19:43
so much to our storyteller
19:45
for sharing his experience. The
19:47
original score for that piece was by Yare Bundy.
19:51
It was produced by Ann Ford.
20:02
Now, you may know that
20:04
there are places that the GPS
20:06
still can't map.
20:13
Places
20:19
where things can still hide in
20:21
both the shadow and in the light. And
20:23
I know, because you write
20:26
and you email, I know that a lot
20:28
of you are intrepid. You
20:31
travel off the beaten path and I wonder
20:33
if in the woods, the jungle,
20:36
the desert, if you've ever stumbled across a creature
20:38
that by all rights shouldn't
20:40
be there. If you've
20:43
seen
20:43
something you're afraid to tell
20:45
someone else, well, you
20:47
know, we're all friends here. Tell me. Spooked
20:51
at stampjudgment.org. I promise
20:53
I'll only reveal your story
20:56
to the legions of spooksters walking the path
20:58
of the shadow. Let me know. Spooked
21:00
at stampjudgment.org. Because there's
21:03
nothing better than a spook story
21:05
from a spooked listener.
21:17
Spooked is brought to you by the team that thinks
21:20
Bigfoot would rather be left alone.
21:22
Comes
21:23
of course from Mark Rischich. He's out in these woods
21:25
trying to take him or
21:27
her a casserole. Told
21:30
him not to. There's Davey
21:32
Kim, Zoe Frigno, and
21:34
Ford. Dave Gagnez,
21:37
Teo Dacote, Marissa Dodge,
21:40
Leon Morimoto, Miles Lassie, Yari
21:43
Bundy, Doug Stewart, Paulina
21:45
Creaky, Elizabeth Z. Pardue,
21:48
Adityu Matu, and Lulu Garcia.
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