Episode Transcript
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0:00
So I want to do something a little different with
0:02
this episode. I want to have a little bit of
0:04
a check-in with y'all. To,
0:08
I guess to put this in the timeline, episode
0:10
3 just came out and
0:13
so I've had the benefit of all
0:15
of the feedback from episodes 1 and
0:17
2 and then the feedback from
0:19
3 is trickling in and I have, first off,
0:21
I gotta say beyond grateful
0:23
and humbled and blown away by
0:26
the volume of messages
0:29
I've received through social media and then
0:31
also to the email address eric
0:34
at jeffsboss.com Some
0:36
really just wonderfully supportive things y'all have
0:39
said to me and I cannot appreciate
0:41
that and you enough clearly
0:44
if you guys don't listen to this podcast then
0:46
I don't get to make it and so I
0:50
am indebted to your ears and
0:52
to that accord I would also
0:54
add if you think this podcast might appeal to
0:56
somebody you know, I've never been
0:59
great at promoting my stuff I've
1:01
always kind of relied on word-of-mouth So if
1:03
you think that there's somebody I'm not I'm
1:05
not asking to tell everybody, you know to
1:07
listen to the podcast It's probably not for
1:09
everybody, but if there's like a person, you
1:11
know that you think might enjoy it Maybe
1:14
let them maybe let them know about it. Maybe
1:16
recommend an episode to them or not.
1:19
It's totally up to you I get it. Either way.
1:21
I appreciate y'all listening and Consider
1:23
myself lucky that we get to have this conversation together Which
1:26
is why I was so blown away
1:28
by all of the wonderful insights You
1:31
all sent me in addition to the
1:33
really positive feedback You've given me you've
1:35
also helped kind of elucidate some
1:38
of the finer points of the things that we've talked about and I
1:40
realized there is a Need for for
1:42
me to then take the information
1:44
that I received I I talk about stuff that
1:46
I find interesting David McWilliams Flamingo Street, whatever and
1:48
then y'all fill in the gaps for me and
1:50
I don't want to just hold on to this
1:52
new information I feel like I need to share
1:54
it back with you So I think every once
1:57
in a while I'll do an episode like this
1:59
where I'll just compile Pile all the really interesting
2:01
shit y'all have given me and then
2:04
parse through it and share
2:07
it back with you. First things first, I feel
2:10
like I now know everything there is to know
2:12
about David McWilliams. Not
2:14
only did I receive multiple emails
2:16
explaining more about him, his history,
2:18
his life, even some great stuff
2:20
about the Bachelors, I
2:24
also received photos. For
2:26
instance, here's this dude Ben who
2:29
I can't believe messaged me because I'm not going
2:31
to read the whole email because it's pretty wordy
2:33
and I want to read a few more as
2:35
well, but I'm going to read some really interesting
2:37
stuff that he sent me. Ben is
2:39
in Ireland. He said, Jeff
2:41
Hope Hall as well, really enjoyed the first
2:43
episode, yada, yada, yada. And
2:46
then he said, my colleagues and I have
2:49
a special connection to David. We work in
2:51
a building called the Oh Yeah! Artic Center
2:53
in Belfast, Northern Ireland, which is a museum
2:55
recording studio venue and more. And
2:58
one of the musicians that they honor, the most
3:00
highly, I'm paraphrasing here, is David
3:02
McWilliams. And then he included attached museum
3:05
images, which I will put up on the
3:07
Instagram account and they tell the story of
3:10
David McWilliams. It's like museum displays and it's
3:12
really fascinating. And you could learn so much
3:15
interesting shit about this guy who as Ben
3:17
puts it is sort of a Woody Guthrie
3:19
type character in Belfast and the surrounding areas
3:22
and mentioned how surprised
3:24
he was to hear me talking about him. I guess that
3:27
must have been oddly localized for you. He
3:29
mentioned, and I'll just read what he says
3:31
here. You noted that the track was reminiscent
3:33
of Townes Van Zandt and you're not totally
3:36
wrong. Well, thanks Ben. In
3:38
fact, Woody, Townes, Dylan, etc. have all
3:40
credited acts like the Clancy brothers, the
3:42
Dubliners and Liam Weldon as huge inspirations
3:44
in their original music, all of whom
3:46
are legacy iconic Iris
3:49
folk and traditional music acts.
3:51
These acts all would have played an
3:53
instrumental part in shaping David's trajectory as
3:56
an artist also due to
3:58
oral traditions of sharing music and Ireland. pre-mass
4:00
production of vinyl records across the Atlantic. So
4:02
what you're hearing that's similar to Van Zant
4:04
is likely a legacy of the influence of
4:07
legendary Irish folk musicians. And
4:09
I have some other emails similarly that kind
4:11
of expound upon that. He talks
4:13
a lot about the interesting traditions. This
4:16
is really cool. And he
4:19
says, side note, many of the instruments
4:21
and melodies used in traditional US country
4:23
folk Americana, Appalachian folk, are
4:25
from Ireland. The fiddle and the
4:27
banjo, I guess, are traditional Irish
4:29
instruments. I had no idea. And
4:31
I guess they made their way
4:33
to America during mass migration. And
4:36
in fact, the people... This is the craziest part
4:38
to me. In fact, the
4:40
people who played these instruments and
4:43
moved out into the hills and
4:45
mountains of the East Coast were
4:47
former supporters of King William of
4:49
Orange, the sovereign region of Ireland,
4:51
who completed the colonization of the
4:54
Ireland after defeating King James. King
4:56
William was known colloquially as King
4:58
Billy, which is where hillbillies originates
5:00
from because they were supporters
5:03
of King William known as Billy and they
5:05
lived in the hills, hillbilly. I'm
5:07
gonna take that as gospel. I'm gonna take that as
5:09
100% true because
5:11
I trust Ben and that's pretty fucking wild.
5:14
And then Ben tells me... I know I said
5:16
that that was the craziest thing. Then Ben tells
5:18
me the real craziest thing. He's the
5:20
only one who gave me this bit of information. And so
5:23
Ben, I am indebted to you. You've
5:25
answered a question that I posed that I never thought
5:27
I'd get the answer to. And that answer is Flamingo
5:31
Street actually refers to a
5:33
now renamed avenue in Ballymena,
5:35
the home of McWilliams. A
5:38
small rural town on the outskirts of Belfast,
5:41
capital of Northern Ireland, Ballymena saw
5:43
particularly vicious fighting and pogroms... What
5:46
is a pogrom? A pogrom is
5:48
an organized massacre of a particular
5:50
ethnic group. In particular... Oh
5:53
gosh. Ugh. Ugh.
5:55
Okay, he said... Ballymena
5:59
saw some... particularly vicious fighting and pogroms during
6:01
the Northern Irish Civil War known internationally as
6:03
the Troubles between 1968 and 1996 which led
6:05
to a rather destitute feeling in the town
6:08
that resulted
6:12
in an uncommonly high percentage of
6:14
substance abuse and self-harm that has
6:16
persisted to this day. Flamingo Street
6:18
now called Balimony Street was the
6:20
home of the Flamingo Ballroom, a
6:22
legendary venue that hosted everyone from
6:24
the Rolling Stones to Thin Lizzy
6:26
and would have been where McWilliams
6:29
cut his teeth as a young player
6:31
in the show bands and also as a solo singer.
6:33
It was also famous for serving hot dogs
6:35
and milkshakes instead of alcohol. I do love
6:37
a hot dog. You know that's interesting because two
6:39
of the best hot dogs I've ever had in
6:42
my entire life, one was in Iceland. Millie and
6:44
I went on vacation to Iceland and we had
6:46
like their local Reykjavik hot dog. They do this
6:48
thing with the onions where they cut up the
6:50
onion and fry them and it's... I've never had...
6:52
I've tried to make it at home. I've never
6:54
come close. I've never had it anywhere else in
6:57
the world like they have it there. And then
6:59
I think we've talked about this throughout the
7:02
history of Roost Teeth but Bernie and Gavin
7:05
and I, Bernie and Joel and I, Bernie and
7:07
somebody and I went... We went to Edinburgh one
7:09
time for a work trip and we found a
7:12
hot dog trailer there that had easily the best
7:14
hot dog I've ever had in my entire life
7:17
and I still think about it
7:19
to this day. So if the best
7:21
two hot dogs I've ever had are
7:23
from Iceland and Scotland then maybe Ireland
7:26
completes the triangle, the trifecta of phenomenal
7:28
hot dogs and so someday I hope
7:31
to have an Irish hot dog. And now
7:33
I know that if I go to
7:35
Bally Money Street I can actually step
7:38
foot on Flamingo Street because it's a
7:40
real place. It doesn't exist anymore but
7:42
the streets still exist, the place still
7:44
exists. Ben, Ben,
7:47
you have no idea the service you've done
7:49
for me by telling me that information. I
7:51
thank you, thank you, thank you. So
7:58
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right. And
10:49
now I'm gonna thank Jake, because
10:52
he expounded upon the country influence
10:54
in David McWilliams, which I thought
10:56
was really fantastic. He
10:59
said that McWilliams was known to tour the band
11:01
called the Dubliners, which was another Irish folk group
11:03
that wrote a fair number of decent hits for
11:05
the time. They also covered and subsequently popularized a
11:07
bunch of Irish folk song, why am
11:10
I having trouble saying that? Irish folk songs
11:12
from decades prior. More contemporary Irish bands like
11:14
the Kilkennies and the Maguire Brothers have recently
11:16
covered a lot of their stuff with a
11:18
bit more of a rock tilt and Irish
11:21
American bands like Dropkick Murphys were strongly influenced
11:23
by them and other similar bands of the
11:25
time. That's really interesting to know.
11:27
Then he goes on, he says, the fact
11:29
that McWilliams sounds sort of like an American
11:31
country folk singer isn't coincidental. Country is a
11:34
genre and Appalachian folk in particular, this is
11:36
going back to what Ben was saying, owes
11:38
its existence largely to two earlier genres of
11:40
music. A huge influence is early African
11:42
American blues and folk. They brought the
11:44
banjo into play as well as many
11:46
other styles and sounds we associate with
11:48
the genre today. The other influence is
11:50
Irish and Scottish folk brought over by
11:52
early immigrants from those areas into Appalachia.
11:54
They brought over the fiddle and the
11:56
ballads as a style of song. That's
11:59
so fucking. cool. I love
12:01
getting to know the genesis of things.
12:04
And I feel like we don't spend enough
12:06
time recognizing and
12:09
appreciating how things
12:11
come to be. And he goes on
12:13
to say, the whole history is really fascinating and I
12:15
definitely recommend you dive into it when you have some
12:17
spare time. Another semi-related genre
12:20
that you might find interesting is Caribbean folk. I
12:22
don't know anything about Caribbean folk, but Jake, I
12:24
promise you, I'm going to look into it. The
12:26
next email I want to cover is from one
12:28
of my favorite people in the Rooster Teeth community,
12:30
the great Peter Hayes. And he answered another question
12:32
that was burning a hole in my brain. David
12:36
McWilliams wrote the song. And
12:38
Peter says, he was signed with major, minor records
12:41
who had a distribution deal with another record label,
12:43
which then used a different record label for distribution
12:46
in the US and Canada and Latin America, and
12:48
then selectively in the UK for some releases. So
12:50
the bachelors were signed to London Records and that's
12:52
how they got the song since music in the
12:54
60s was shared widely around labels to try and
12:57
find the best fit for the song and the
12:59
singer prime example being Son of a Preacher Man,
13:01
a song written with Aretha Franklin in mind taken
13:04
by Jerry Wexler, then given to Dusty
13:06
Springfield, who then gave it back to
13:08
Aretha. So songs were shopped
13:10
around, but David definitely wrote the song, which makes
13:12
a lot of sense because like I said, it
13:15
is so far out of left field for everything
13:17
else the bachelors have ever recorded. He also
13:19
says the song's country vibe is in the
13:22
trick. So he's further reinforcing what Jake and
13:25
Ben said. The guitar uses a classic country
13:27
driving rhythm, which imparts a bounce that the
13:29
listener can feel akin to that of a
13:31
cowboy riding a horse. And if that is
13:34
not the perfect way to describe what I
13:36
was very poorly
13:38
trying to describe, Peter
13:40
absolutely nails it. That is exactly what it feels
13:42
like. It's that bounce that you
13:44
can feel it and it just feels like
13:46
cowboy shit. He
13:49
says, but what it more accurately represents
13:51
and what I believe is the musical
13:53
influence is a pan European cinematic sound
13:55
Spanish guitar with British orchestral tension wrapped
13:57
up in Italian dramatics. I'll
14:00
be honest that's way over my head,
14:02
but it sounds right and it sounds
14:04
very cool He says those three abstracts
14:07
of music consumption whether wholly used or
14:09
not Dominated all of Europe's
14:11
music in that period and what would
14:13
be classed as popular music then he
14:15
actually recommends that you go and
14:17
listen to Eurovision songs from 1960 to
14:19
1975 Because
14:21
it'll give a broad overview of that sound and
14:24
how it came to be and how it dominated
14:26
the European landscape Which I think is a great
14:28
idea and I absolutely want to do that someday.
14:30
Oh also Peter
14:32
let me know flamingos are not native to Ireland.
14:34
They do have sub in the Dublin Zoo among
14:37
many other great animals I I
14:40
didn't think that they were were actually Native
14:43
to Ireland. I was just kind of fucking around there, but
14:45
it's good to know That
14:48
they're not so there you have it that
14:51
answers like just about every question I had
14:53
about David McWilliams every question I posed to
14:55
y'all eight questions I didn't think I would
14:57
ever get the answer to but thanks to
14:59
Peter and Jake and
15:02
then I now know
15:04
quite a bit about David McWilliams
15:08
And I am indebted to you for that. Thank you very much While
15:11
we're doing a little bit of house cleaning I
15:13
should also mention I promised that I was gonna
15:15
read the house on mango Street And then I
15:17
received a ton a ton of email from You
15:21
out there telling me that you read it in
15:23
high school or in middle school and that you
15:25
loved it or hated it or didn't Connect with
15:27
it or went back and read it years later
15:29
and got it. It sounds like it is a
15:31
pretty polarizing book So I decided
15:33
to sit down and read it It's by
15:35
Sandra Cisneros and it was called the
15:38
house on mango Street and it's required reading for a
15:40
lot of high schools and it's
15:42
also It's also showing
15:44
up on book band lists, which is
15:46
terrifying because I read that book
15:49
and it is a Short
15:51
book it is a quick read.
15:54
I read it in two sittings. I read
15:56
on a Kindle So I'm not sure how many pages it is
15:59
in a book for but it was about
16:01
110 pages. And like I said, very
16:03
quick read. It's a story of
16:06
a young Hispanic girl growing up in a place called
16:08
Mango Street in Chicago.
16:11
And it is told through very simple vignettes
16:15
and memories of her life and experiences.
16:17
And there's some time skipping here
16:20
and there, but it is mostly just
16:22
a record of fragments of her life.
16:25
And I absolutely
16:28
loved it. It's written in a
16:30
style that the
16:32
content and the prose is very, very
16:34
different from this. But the
16:37
style that she writes in is
16:40
reminiscent of, honestly, of
16:42
Charles Bukowski to me in the way that they
16:44
both have a very spare,
16:48
blunt, honest
16:50
way that they
16:52
write where it's...
16:55
I don't know how to... It's like the
16:58
beauty is in how sparsely
17:01
worded things are, how
17:04
in your face and kind of just there it
17:07
is. It's not florid. I
17:10
don't think that Sandra Cisneros or
17:13
Charles Bukowski, who I don't know if
17:15
they get compared a lot, but I
17:17
don't think either of them ever throws
17:19
in an extra word. Like the way
17:21
both of those people write, it's so
17:24
precise and it's
17:26
like they're doing a maximum
17:29
amount of storytelling
17:33
and setting with a minimum
17:35
amount of words. And it's really...
17:38
It makes it incredibly easy to read.
17:40
It makes it incredibly
17:42
fast to read. And it does something, at
17:45
least to me, where it just makes it
17:47
explode in your head as you are able
17:49
to imagine what they're talking about.
17:52
And I found that both of them...
17:55
I think the nice thing about the way it's
17:57
written is just how clearly you can see and
17:59
picture... and understand things in
18:02
your mind. And also, by the way,
18:05
a lot of people wrote me and thank you so much for
18:07
writing me and telling me to read the book or telling me
18:09
you love the book, telling me you didn't like the book. For
18:11
anybody that didn't enjoy the book when you
18:13
read it in high school, a lot of people said they had
18:16
trouble understanding or connecting with the character. I
18:18
Esperanza, I guess I
18:21
recommend you read it now because it's,
18:25
I think, I mean, I don't know how
18:27
to relate. I'm a 48-year-old white guy and
18:29
it's the story of who grew up in
18:31
Alabama and it's the story of an inner
18:33
city young Hispanic woman. And
18:35
that's a perspective I'll never get
18:38
on my own. Like I'll never
18:40
know what it feels like. I'm even reading the
18:42
book. I'll never know what it feels like. But
18:44
what a window into the mind of a different
18:47
experience of a different life lived. What
18:51
a window into the way the world works. I
18:53
mean, I'm a dad, right? I have almost 18.
18:56
She might be 18 by the time this episode
18:58
comes out. I'll never know what it's like to
19:00
be my daughter. I'll never know what it's like
19:02
to be a woman. I'll never know what it's
19:04
like to grow up and go through puberty as
19:06
a girl. My experience is completely and totally different.
19:08
I'll never know what it's like to be Hispanic
19:10
in an inner city. And I think that that's
19:12
what is so wonderful about this book is you
19:14
get to understand a little bit
19:17
of the reality
19:19
of what that life lived
19:22
was like, the pain and the
19:24
fear and the joy
19:26
and the hope and the perseverance
19:28
and the strength that are present
19:30
in that book are prized
19:35
and really appreciate it. It's
19:37
a raw and honest telling. And some of it is
19:39
jarring and some of it is beautiful and some of
19:41
it is painful, but it's all powerful
19:43
and poignant. And I really recommend
19:46
everybody, especially if you read it when you were
19:48
younger and you didn't understand it, maybe give it
19:51
a shot again now, now that
19:53
you're a little older and maybe have it can see it
19:55
from a different light because I thought it was a really
19:57
powerful book and I'm really, really, really glad I read it.
20:00
And I encourage everybody else to as well. One
20:03
other thing I did the whole who
20:05
shot JR episode. I've mentioned in it that throughout the
20:07
course of it, I ended up watching a couple of
20:09
episodes and I thought, well, maybe, maybe watch one or
20:11
two more. Well, Emily got into it. And
20:14
when Emily got into it, I by proxy
20:16
got into it. And we are now on
20:18
season six of Dallas. And let me tell
20:20
you, I had no idea
20:22
how good that show was my
20:26
entire life. I can't believe I
20:28
slept on Dallas for 48 fucking years. I
20:32
clearly, I was too young to appreciate it when it came out,
20:35
but it's so good.
20:37
It is so good. And let me
20:39
tell you, it gets better and better.
20:42
The season five finale and then the
20:44
start of season six have been tremendous.
20:46
It is taking over our family. It is taking,
20:49
Emily and I watch it every night before we
20:51
go to bed. And I'm only sad that I
20:53
only have another 3000 episodes to
20:55
go through because there are 30 episode
20:57
seasons and there's like 12 seasons. It's
21:01
insane. And then there's
21:03
the reunions and shit after we could
21:05
get into depending on how we feel
21:07
after another four billion
21:09
hours of it. But I seriously, I was
21:11
joking around about it, but everybody should watch
21:13
Dallas. It is good. And if
21:16
you ever wanna hear us talk about it,
21:18
every Monday I do a live show over
21:20
on the Fuckface YouTube channel where
21:22
I open up cards. It's called the
21:25
Break Show. Sports cards, non-sports cards, silly,
21:27
weird stuff, Beavis and Budhead cards, Umbrella
21:30
Academy, baseball, whatever.
21:33
And we have gotten into some Dallas cards lately. And so
21:35
every episode we open up one or two packs and then
21:37
Emily and I just talk about
21:39
Dallas and make jokes about Dallas. So if you're
21:41
a Dallas stan, meet us on Mondays at
21:44
4 p.m. and we'll
21:46
entertain ya. I
21:48
guess that'll do it. I'll
21:51
probably make another one of these when you
21:53
guys send me enough interesting information that I
21:55
feel compelled to share. I'll
21:57
see you next time. All right.
22:10
This is Red Web, a podcast
22:12
all about mysteries, true crime, and
22:14
the paranormal. Join hosts Trevor Collins
22:16
and Alfredo Diaz as they uncover
22:18
a new unsolved mystery every week
22:20
discussing the background and theories behind
22:22
the case. If you love the
22:25
unknown like we do, you're going
22:27
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22:29
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