Blake Collier & Joe George
So Grosse Such Pointe Much BlankEpisodes
Episodes of So Grosse Such Pointe Much Blank
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On today's episode, Blake talks to Zoey and Katelyn Rosen, the twin sisters who played "Baby Robbie" in the high school reunion scene. We talk about being child stars, how their parents got the brilliant looks in the scene, and what they are do
In this week's episode, Blake and Joe look at minute 8 of Grosse Pointe Blank which is taken up with a phone conversation between Martin and Marcella as the camera cuts back and forth between them in their witty, sharp dialogue. The guys talk a
On the latest So Grosse Such Pointe Much Blank, Blake and Joe talk about Grosse Pointe Blank cinematographer Jamey Anderson, a man who doesn’t talk much about himself. We dig into the role of a cinematographer and poke fun at a few lesser entri
It’s good times all over on So Grosse Such Point Much Blank, as we finally discuss Johnny Nash’s first reggae/soul album, Hold Me Tight! Blake and Joe gush about Nash’s new sound and free expression, as well as the album’s refreshing cover art!
In this very special episode of So Grosse Such Pointe Much Blank, we visit with Pat Jankiewicz, author of Just When You Thought It Was Safe: A Jaws Companion, a correspondent for Fangoria, writer for various publications, but, perhaps most impo
Even though the latest episode of So Grosse Such Pointe Much Blank is barely 15 minutes long, Joe manages to find a way to say “Yep” approximately 300 times. Of course, you would be enthusiastic too if you were talking about Joan Cusack’s perfo
In this week’s So Grosse Such Pointe Much Blank, Blake and Joe end their look at the films of Grosse Pointe Blank director George Armitage with a shocking twist: the very bad movie The Big Bounce, from 2004. Blake and Joe deal with their disapp
In this episode, your hosts, Blake and Joe, actually stay on topic for once and talk about Johnny Nash' 1964 album, Composer's Choice. We dive into the perfect mixture of instrumentation and raw Nash vocals, how this version of jazz differs fro
In this episode, we talk with Bob Cram, Jr., author and illustrator, about his love of Grosse Pointe Blank, why he thinks John Cusack should get back into writing and producing, and how the GPB soundtrack acts as the Greek Chorus of the film. W
In this episode of So Grosse Such Pointe Much Blank, Joe and Blake find an uneven minute of the movie. They discuss Dan Ackroyd’s improv skills, George Armitage’s control as a director, and ex-Stasi guys. We don’t like those guys. And always re
Your podcast parents are fighting in the latest episode of So Grosse, Such Pointe, Much Blank, as Joe and Blake have differing opinions about George Armitage’s Neo-noir Miami Blues. They disagree about Alec Baldwin’s performance, the film’s tre
This week, Blake and Joe are surprised and delighted by Nash's final album for ABC-Paramount, Studio Time, and dig into why the album works so well even when it is tonally all over the place. We also talk about music writing on vinyl sleeves, M
This week, Blake and Joe welcome Mike Jordan Laskey, host of AMDG: A Jesuit Podcast. Mike shares his thoughts after his first viewing experience of Grosse Pointe Blank, celebrating the movie’s surreal comedy, its outstanding soundtrack, and its
This week, Blake and Joe discuss minute five of Grosse Pointe Blank. They praise Dan Ackroyd’s chemistry with John Cusack, the beauty of physical comedy, and the evils of capitalism. All and all, it’s a regular episode of So Grosse Such Pointe
This week, Blake and Joe look at the fourth film from Grosse Pointe Blank director George Armitage, 1979’s Hot Rod. In their discussion, Blake and Joe talk about their histories with car maintenance, the power (and sadness) of nostalgia, movies
On the latest episode, Joe and Blake get lost in boredom trying to discuss Johnny Nash's 1960 album Let's Get Lost. Do they succeed? I’m not sure! Should you listen to the record? No! Should you listen to the episode? Please do!
Film Inquiry Presents So Grosse | Such Pointe | Much Blank #16: WC004 – Topic Roulette: "Philosophy"
This week, Blake and Joe introduce a new wild card segment called topic roulette! We each contributed ten things we know something about, we mixed them up on an ongoing list, and we roll the digital die to see what topic we have to riff on for
This week, Blake and Joe proceed into minute four of our analysis of Grosse Pointe Blank and talk about the brilliance of Tom Jankiewicz's story, Dirty Harry and his gun, and the paramilitary organization, Blackwater! We assure you, you won't w
This week, Blake and Joe look at the third film from Grosse Pointe Blank director George Armitage, 1976’s Vigilante Force. In their discussion, Blake and Joe sing the praises of Bernadette Peters, uncover the political undertones of hicksploita
This week, Blake and Joe dig into Johnny Nash’s third album as we continue our chronological investigation into the artists who make up the Grosse Pointe Blank’s soundtrack. We talk about Johnny Nash’s 1959 album, I Got Rhythm. Things get a bit
This week, Blake and Joe talk to the host of Home One Radio, Joshua Crabb, about his first viewing of Grosse Pointe Blank. He attempts to figure out what exactly Blake likes about the film and whether or not Blake thinks he is Martin Blank inca
This week, Blake and Joe look at the third full minute of Grosse Pointe Blank and celebrate John Cusack's general "coolness" and Joan Cusack's perfect line readings. We also tangent into high school graduation nonsense and the filmography of th
This week, Blake and Joe dig into George Armitage's second feature film, Hit Man (1972), as we continue our exploration into the filmographies of the cast and crew that make up Grosse Pointe Blank. Joe and Blake dig into this blaxploitation fli
This week, Blake and Joe dig into Johnny Nash's sophomore album as we continue our chronological investigation into the artists who make up the Grosse Pointe Blank's soundtrack. We talk about Johnny Nash's 1959 sophomore album, The Quiet Hour.
Blake & Joe are delighted to have special guest, Sarah Welch-Larson, on the show today to talk about her first ever viewing of Grosse Pointe Blank! We dig into the emotional, technical, and the transcendent elements of the film. Then we switch
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