I dont have a routine for any of ky work unoess its features where ots 30 days of the same thing 6 days a week. So these are tips to get up and feel awake too!

My relationship with directors and 1st ADs

Feb 13th, 2019 4m 5s

This is all about the relationship of when and what I talk about with dorectora and forst ADs to keep getting what I need

How To Get Film Work Through Instragram

Feb 11th, 2019 5m 47s

This strategy also works for other social sites with search functions :) like twitter.

Speed of execution is Key

Feb 9th, 2019 8m 44s

If you want to be successful quicker than speed is more important than almost anything else.

How The Slateless System On House Of Cards Worked

Feb 8th, 2019 4m 41s

This is from my chat with Mark Weingarten about his work on House of Cards. They Used a slateless system and lots of metadata :)

Does Mark Weingarten Always Mic Actors?

Feb 8th, 2019 4m 29s

This is an extract from a chat i did with Mark Weingarten who has worked on epics like Insterstellar and if he always mics actors just to be safe?

Overtime + Unsafe Hours

Feb 8th, 2019 11m 10s

Jeff wexler and his dad had a big impacton our industry and especially Jeffs dad with championing safer hours and turnaround times in an industry that wants you to never sleep.

Benefits of Feeding Audio + Timecode to Camera

Feb 8th, 2019 3m 19s

This is a question I got nearly a year ago from one of my live youtube hangouts on why I was feeding both audio and timecode for sync to a Camera

Cueing Actors With Clicks + Claps vs Vocal Cues

Feb 8th, 2019 57s

Directors often want to cue actors while a scene is going on and encouraging them to click and clap is much easier to edit.

What I Do For Track Naming And Metadata

Feb 8th, 2019 3m 45s

This is abkut keeping my audio rushes orgnaised in a way that the editors can find relevant extras as needed and what mic is what, even if its just to triple check.

How Simon Hayes Deals With Hollywood Fx Like Rain and Wind Machines

Feb 8th, 2019 10m 18s

This is from a lengthy sound chat with Simon Hayes and covers a part about special large scale hollywood FX like Rain Machines and Wind when it comes to getting clean dialogue

What Is Film Carnet? Shooting In Other Countries

Feb 8th, 2019 2m 49s

This is from my experience doing Carnet for doing part of a feature film in Morocco and Spain last year

How Wayne Developed His Style Of Post Sound

Feb 8th, 2019 5m 56s

This is an extract about an intangible art of developing a style with your post production projects when they are so different. Like Wayne with movies like The Great Gatsby and Mad Max

Why Dialogue Is King in Animation for Wayne Pashley

Feb 8th, 2019 3m 2s

This is from a few years ago with Wayne Pashley and he gives me a glimpse into the raw performance of dialogue to change and bring characters to life

Why The Great Gatsby Movie had over 5,000 ADR lines

Feb 8th, 2019 5m 41s

This is from my sound chat with Wayne Pashley a few years ago now about his post work on the Great Gatsby with Leoardo De Caprio

Sending The Correct Audio Level When You Dont Trust The Camera Meters

Feb 8th, 2019 2m 53s

Here is a little trick you can do if you need to triple check the audio level on a camera where the meters arent accurate

My Approach To Backing Up Sound Rushes

Feb 7th, 2019 3m 2s

This showcases the various ways i treat back ups for projects and when i decide to delete them

Timecode vs Genlock vs Wordclock

Feb 7th, 2019 7m 26s

Find more at my free course at http://learn.soundrolling.com and i cover my knowledge so far of genlock, timecode and wordclock and exploring the real meaning of SYNC

Should You Get The Sound Devices 633 As Your First Mixer?

Feb 7th, 2019 8m 29s

This os from a question from my live youtube hangouts and i go into deeper detail on my thoughts around having such a solid mixer as your first one

When Do I Record Ambient Sound In Mono or Stereo?

Feb 7th, 2019 6m 23s

Answering in more detail the question from my recent youtube live Q+A session on what ambience do i record and is it in mono or stereo and if so which configuration

Do I Think The Sound Devices 633 Is A Good 1st Mixer?

Feb 7th, 2019 8m 46s

I answer a question about if a Sound Devices 633 is too extravagant as a 1st mixer and give more general context to how I went about buying gear in moving up.