0:04

Hey

0:11

there, welcome to another episode of Star

0:13

Wars Minute. It's your daily podcast

0:16

where we analyze, we scrutinize, and we celebrate

0:18

the rise of Skywalker one

0:20

minute at a time.

0:22

I'm Alex Robinson from alexrobinson.fun. I'm

0:26

Pete the Retailer from peteretailer.com.

0:30

And today we're talking about minute 139 of the rise

0:32

of Skywalker. We

0:37

are, I don't know what, shoulders deep in the credits

0:40

at this point? Yeah, the end

0:42

is on the horizon. Yeah.

0:45

Anyway, minute 139 starts off with a credit to

0:47

Ram Krishna Bajpai, and

0:50

it ends a minute later teasing the credit

0:52

for CFX model painter

0:55

paint finishers. They'll

0:57

see who they are, but we know that job's going to

0:59

be credited in minute 140. We

1:02

assume it's going to be credited in minute 140. This

1:05

was the first credits minute

1:07

where the music, maybe because the credits themselves

1:09

were less interesting, at least to me, I noticed

1:13

the music a lot more during this minute.

1:15

Okay.

1:17

Also, I feel like they do kind of like a medley

1:19

of greatest hits of, so maybe that's

1:21

a lot of music I was able to recognize from

1:24

previous films. Yeah,

1:26

I think we joked last week that it was like, now that's

1:28

what I call Star Wars because they just kind of, yeah,

1:32

we'll just play it all over here. We got a lot of, we

1:34

got seven minutes and more, we got nine minutes

1:36

to fill. Yeah. Hooked

1:40

on Star Wars. So

1:42

the music, it's continues

1:44

to baffle me that the musicians are not credited

1:47

as part of the,

1:49

as part of the production, like

1:52

every two bit, you know, a carpenter

1:56

and, and the vice president

1:58

of sales and everything.

1:59

mentioned and yet nothing

2:02

for the musicians. I guess they need a better union.

2:05

Yeah. I did

2:07

find out that it was a 102-piece

2:10

orchestra and the choir is credited. 100

2:14

Voice Los Angeles Master Choir.

2:17

Choir gets credited,

2:19

not the music. Not individually

2:21

though, do they? No, not individually though. Just an

2:23

organization. But you know, it's not even... I mean,

2:25

it doesn't say with the London

2:28

Symphony Orchestra or something like that. It just

2:30

says... Who plays it? Hmm. It

2:33

does not credit a specific...

2:37

Maybe at the end. We'll see it. Yeah, maybe. I'm

2:39

holding out hope. They say post-credit

2:42

scene where the musicians all come out and take a bow

2:44

individually won by one. Right, yeah. So,

2:49

you have anything else? Well, speaking of the music, do you think

2:51

my wife is a tennis official? That's not the question.

2:54

I do think your wife is a tennis

2:56

official. You're correct. My wife is

2:58

a tennis umpire, you know, in tennis games

3:01

and one of the side effects of this is

3:03

when she watches tennis now, she never

3:05

watches the game. She's always watching the

3:08

other umpires to see if they're... how they're...

3:10

if they're, you know, have the right form and all that stuff.

3:12

Do you think musicians... I

3:15

should ask Chrysanthi this. If musicians

3:18

like listen for their parts in the

3:22

music, like, oh, this is the big A minor

3:24

part. You know what I mean? Is it like a distraction?

3:27

Or are they like, oh, I missed that one. Or

3:30

it's too low. Whatever. I

3:34

will offer my... as

3:36

somebody who is in a high school production of The Music

3:38

Man, I do tend to, you know, listen

3:41

to other Winthrop's and

3:43

kind of, you know, judge

3:46

them. But... or

3:49

what was the other part that... I don't know. There's some... but

3:51

yeah, probably there's some of that, but not...

3:55

or even, you know, like, like, I mean, you

3:57

get that, I guess, seeing... turn

4:00

it back into musical theater minute.

4:03

But seeing different people

4:05

play different parts over time

4:08

and you're like, oh, he did that differently than the other person

4:11

did that. So it's like, hmm, hmm, hmm.

4:13

I guess it's like cover songs in a sense. Yeah.

4:16

But here it's like you're covering new, it's

4:18

like new stuff, so do you know what? Unless they're playing

4:21

the old, if they're playing like Star Wars theme,

4:23

or the Imperial March or something like that.

4:25

Compare with the other versions. Yeah.

4:30

And finally, since it's our last crack at this, I

4:33

thought we could share some of our favorite musical things

4:35

from all 11 movies. That'd

4:38

be 11, if you wanna see your favorites

4:40

or...

4:42

Hmm.

4:43

Well, I do have, I'll

4:45

get to my list of peeps. We'll save that for the end. I do have one

4:47

non-pete credit related to this.

4:50

Huh? The recordist.

4:52

Mm-hmm. Recordist, I'm assuming, is somebody who's,

4:56

putting out microphones and hitting record, not

4:58

somebody who's like, boop, boop, boop, boop, boop, like playing the recorder.

5:01

Mm-hmm. But

5:03

the recordist for this is Luke

5:06

Schwartzweller. And I'm wondering

5:09

if he had to at least once be like, I'm

5:12

Luke Schwartzweller, I'm here to record you. Ah,

5:14

I like it. Did he do some

5:16

Luke Skywalker kind of things, or is

5:18

he totally not? Is this just

5:20

a job for him? And he's like, what? One of the characters,

5:23

okay. Yeah, he either

5:25

plays up on it, or he's really sick of

5:27

other people playing up on it. Right,

5:30

yeah. Oh yeah, Luke Skywalker. I never heard

5:32

that one before. Mm-hmm. But

5:38

yes, I guess it's, now

5:40

I'm picturing, the hopeful story is that

5:44

it's his dream. Yeah. That

5:46

he loved Star Wars because of that. He was always

5:48

like, he got to play Luke Skywalker

5:50

on the playground when he was a kid. Yeah.

5:52

Eventually grew up, got into recording, and

5:56

then they're like, hey, do you wanna record the new Star Wars?

5:58

He's like, yes, finally. I'm

6:00

gonna go you want it farther I'll say he actually had

6:02

a different name but then legally changed his name

6:04

to Luke because he loved Star Wars so

6:07

much And so he was super excited to even

6:09

just be the recordist for this production. He

6:11

was yeah Wow,

6:14

so yeah, I wonder if that did did Luke

6:17

Luke Schwartzwell er I wonder if Luke Schwartzwell

6:19

er got to record Luke Skywalker hmm and Side

6:23

note do you think that he refers to this film as the rise

6:26

of Schwartzwell? Depends is this is like

6:28

first movie or is this like the end of the line for

6:30

it could be give you the the last Schwartzwell

6:33

there Let's

6:42

see think of pieces of music that

6:47

From well obvious I mean you got your army we talked

6:49

about it a little bit last week that I feel like The

6:52

main theme and to a certain extent the Imperial March

6:54

almost seemed like novelty songs at this point because they're

6:56

so yeah Overplayed, you know, you can if

6:59

you can get a you know, like

7:01

a birthday card that plays that song when you open

7:03

it Yeah, I think it's a little bit overdone But

7:10

yeah, I'm trying to think of what it like I've been really

7:12

appreciating The

7:16

I think I've mentioned the the Kind

7:19

of speaking of recorders the ukulele

7:21

force ukulele covers of music

7:25

Star Wars music that album and

7:27

that hearing a cover sometimes makes you appreciate

7:29

things in the original and so I feel like That not

7:31

that I didn't appreciate, you know You

7:35

know, what's the Obi-Wan theme And

7:39

the Princess Leia theme well Princess Leia theme

7:41

I feel I guess so the Obi-Wan theme I feel like I got a deeper

7:44

appreciation for a little bit of

7:46

your older musical a le for sir But

7:49

Princess Leia's theme definitely like that that

7:52

we talked about it last season that it's you know Even

7:54

thinking about it now almost makes me a little bit teary

7:57

with thinking of it like, you know for our princess

8:00

with the little Princess Leia music over

8:02

it, under it, whatever. And

8:06

of course, here they come, kind of the

8:08

music from the escape, escaping

8:11

from the Death Star, part

8:15

of the motion picture. Here

8:18

they come. But

8:23

that, and then newer stuff too.

8:25

I mean, a radio theme, obviously, we've talked about that. The

8:29

simplicity of the Kylo Ren's

8:31

theme. Phantom

8:35

Menace had some good things. I still,

8:37

I love

8:39

the Phantom Menace soundtrack. I do, it's a

8:41

good, it's something that, you know,

8:44

yeah, I mean, we brought up, I think at the time that, well, somebody

8:47

who was doing their job quite

8:49

well, still during that era was John

8:51

Williams. There's definitely good stuff,

8:54

musically from the prequels. Yeah, I think

8:56

my- Yeah,

8:58

go ahead, because I was gonna say, you

9:01

might know better the later, I'm

9:04

just thinking about the Phantom Menace. I can't think of other pieces of

9:06

music from the Attack

9:09

of the Clones or the Rise of Skyward, or the Revenge

9:12

of the Sith, but. Yeah, I was gonna say my favorite,

9:14

I think my favorite piece from the, the

9:16

Jewel of Fates, obviously, is good. And

9:19

I think my second favorite part is the

9:22

scene in Revenge of the Sith, where it's,

9:24

I think it's right

9:27

before Order 66, where

9:31

you should have chose Anakin kind of brooding, and there's

9:33

just like very Eastern sounding

9:35

kind of music, and it

9:37

has like a choir behind it and

9:39

stuff. It was very unusual for Star Wars music,

9:42

I thought, and I think that's why, and also there's

9:44

no, there's no diagenic

9:47

sound, it's just kind of, just the music with no,

9:49

you know, it's almost like a silent movie more than

9:51

anything else. Yeah, I remember that clip.

9:54

Yeah, I think that was. But of

9:56

course, staring at the French horns, that's

9:58

the. Right, sure. the iconic

10:01

one. Yeah,

10:04

lots of good choices. And even the on-screen,

10:07

you know, songs too are all really

10:10

good. So I know you were kind

10:12

of over the Imperial March. The

10:14

Imperial March is sort of the,

10:18

it's the Boba Fett of. It's like,

10:20

so it was cool at first and now it's so

10:22

overused that it's like, okay, it's hard

10:24

to hear it fresh. But as

10:27

we said last week, it is still really good. Yeah. It's,

10:29

you know, you go back and you're like, oh no, it is really good. But

10:31

it's also. How would you rank the Cantina song?

10:35

Do you think? And like, do you think? Well, which one?

10:38

The noble. And come on. The Cantina

10:40

song. Right. Not the,

10:42

not the, not the Cantina

10:44

number two of what I forget what they call the name

10:46

of it. It's like, Yeah. Missing You or something

10:48

like that. Yeah, something like that. Anyway, but I

10:50

do like that one too. But what's the classic

10:53

Cantina song? Do you think it's good? I feel

10:56

like cliche. I mean, it is really

10:58

good, but it's also cliche. It's also, it fits in the same

11:00

category. I say main theme Cantina song, Imperial

11:02

March. Yeah. Those are the greeting card songs.

11:06

That's hard to, hard to get around

11:08

that they're so overplayed, but they are also really

11:10

good. Yeah. I guess the, yeah, the Cantina

11:12

one is definitely a greeting

11:15

card level song. Yeah.

11:20

Although I will go. So fresh

11:22

take on it. The, the, go

11:25

listen to Yooka-Laylee Forest. Listen to the, I

11:27

know you have, but listeners at home go listen to Yooka-Laylee

11:29

Forest. Listen to the Imperial March on

11:32

that because they do a much, they

11:36

deconstructed in a way. Yeah. And they do that more

11:39

so than I don't, I don't, turning

11:42

into bizarre albums, but again,

11:44

the, the, the,

11:46

the Empire

11:50

Jazz version of Imperial March, not as much

11:52

because it's, it's a little more straightforward and it was,

11:54

you know, recorded more or less, you know,

11:57

at the time, you know, within a year, I think of. Empire

12:00

coming out so it was

12:02

it was fresh still yeah But

12:06

yeah, I don't know they're all still good I

12:08

recommend if you're looking for some Star

12:10

Wars some Star Wars novelty music there

12:13

was a

12:15

An album called cocktails with the cantina I

12:18

think they're from evil genius orchestra

12:20

and they did an album of came out

12:22

the 90s when Lounge music was starting

12:24

to have a big revival and they do some good

12:27

fun

12:28

versions of Star Wars

12:30

music You ready

12:33

for Pete's let's have the roll

12:35

call of Pete's Now

12:38

we we have a lot. I think this is the most

12:40

out of any out of any minute This is the most Pete's

12:42

in the credits Wow and It

12:47

is odd because it goes You

12:49

know yesterday we had a little you know variety

12:51

today. It's just kind of like I'm

12:54

sure I was excited. We had a roll. It was all just

12:56

Peters. No Pete's no no no variations

12:59

No, no linguistic variance just all Pete Peter

13:01

Peter Peter Peter, but then at the end we it'll

13:05

Break the streak a little bit break it up a little bit get a little

13:07

less formal mostly Let's

13:09

start with additional music editor.

13:11

Mm-hmm

13:13

Peter Miles and why oh, yeah

13:19

Charge hand electrical rigger One

13:21

of them is Peter Armstrong charge hand

13:24

electrical rigger you

13:26

know what that is, I'm assuming this they they

13:30

They hooked up the electric the battery

13:32

to Daisy Ridley's hand so she can charge

13:35

hand They rigged the electric turn so she can

13:37

shock charge hand I get it Rigging

13:43

desk operators one of them is Peter

13:45

Gilmore desk operator Yeah,

13:49

doesn't take much to operate a desk, but I'm assuming that they

13:51

were like like the rigging

13:54

equipment the electricity equipment was

13:56

all like behind a desk

13:59

and the people who They're basically keeping tabs

14:01

of the equipment as it comes and goes where it is

14:03

where it's being oh really that's what you think of it I

14:06

don't know that's what I'm messing. I was thinking of it

14:08

almost more like a like a soundboard

14:10

kind of thing like oh I'm behind the rigging desk

14:12

and he can manipulate all the All

14:15

the lights. I like your version of it better though. It's

14:18

much more mundane Like

14:21

the AV Club and why I want to check out the

14:24

the Claude costume Here

14:26

you go back by Tuesday

14:30

It's clean So

14:32

speaking of costume supervising dressing

14:35

props hmm Peter

14:37

Watson Supervising

14:40

dressing props even the props have

14:42

costume people on assigned to them right

14:44

it's crazy Supervising

14:47

production modelers set decoration.

14:50

There's those different categories here. There's set decoration

14:54

supervising prop modelers Um

14:58

Peter Lee Peter Lee Add

15:04

Advanced no, what is the advanced

15:06

idea mechanic whatever wonder at

15:08

ADV additional

15:13

Advanced prop modelers, I don't know where do you Well

15:17

now I'm right now I'm concerned I'm like what did I because this is

15:20

this is our our friend friend

15:22

of the show Former guest of the

15:25

show somebody we check in on once once

15:27

every once in a while Prop

15:29

modeler weapons Pete Fielding Peter

15:31

Fielding listed here Pete is normally a Pete

15:33

Fielding. I think it's Pete Fielding props is his Account

15:38

his domain name perhaps. I know this is a Instagram

15:40

I think but here is Peter Fielding now

15:42

What made you upgrade Pete? Yeah, let me know did

15:44

you get that you got the same thing as Chelsea did? No,

15:47

that didn't happen yet. Maybe he got Maybe

15:50

he got like You know, he went from

15:52

being Jimmy to just Jim like it's kind

15:54

of like he's older now So he just wants to go by Peter

15:56

and not named Petey. What

15:59

I mean, I've said I've talked about this before when I go.

16:02

I always say Peter when I'm introducing myself because

16:04

it is harder to get confused

16:07

with other things. As opposed

16:09

to Pete. Other times, I

16:11

say Pete, people think I'm saying Keith

16:13

or Steve or all kinds of other things. Like

16:15

I've gotten the weirdest. Or Pete. Yeah,

16:18

my name is. Right, or

16:20

they'll come back and they'll be like, oh yeah, Paul, or

16:22

they'll fill, they'll come back and

16:24

they'll be like, but if I add the two syllables, I'm just

16:26

like, oh right, Peter is a thing. Have

16:29

you ever thought of going to Peter the retailer? Doesn't

16:32

it the same? I have that, or

16:34

Peter the retail, but that's weird. Speaking,

16:41

I think we've brought this guy up before. Speaking of Peters,

16:44

another ADV, advanced, no,

16:47

what could ADV stand for? I could look it back up.

16:49

I'll look it up while you're looking up DV. You're

16:52

telling us about the next Pete. Sorry, Pete.

16:56

ADV prop modelers, set decoration.

16:58

We're back to set decoration. We had weapons, set decoration.

17:00

Two different, completely things. So Pete

17:03

Fielding's counterpart in set decoration department,

17:06

Peter Sellers, we've talked about this before. Sellers

17:08

with an A though, S-E-L-L-A-R-S.

17:12

So not the

17:15

Pink Panther, not Inspector Cluzo.

17:20

We have,

17:22

what does ADV stand for? It's

17:26

not abbreviated in the credits. I could just look

17:29

in the credits to see what. Okay.

17:32

This one says AD Vision,

17:35

is an American international multimedia entertainment

17:38

company that does. They

17:40

did manga stuff, didn't they? The abbreviation

17:42

AD stands for animation dubbing.

17:46

That would make sense. They probably like an overdubbing house.

17:48

They did anime. Yeah. All

17:51

right, I looked it up. It is advanced after all. So it's

17:53

advanced. Advanced idea, like

17:55

anime. Yeah,

17:57

these would be advanced prop modelers. He's

18:00

not a he's been in a couple of

18:02

these P feelings. He's an advanced prop modeler. I'd

18:04

vouch for that And

18:08

Yeah, Peter Sellers Set decoration

18:11

advanced prop modelers set decoration and a

18:13

person another person who probably gets teased about his

18:15

name a lot Yeah, you should go hang

18:18

out with Luke short speller Yeah,

18:21

we got a last name coming in here but with

18:24

a really cool title action

18:26

vehicles charge hand That's

18:28

funny. Oh, is that a Pete? Carl

18:31

Peters Oh Carl Peters. I was just saying my full

18:33

I one of the fun jobs I wrote down was action

18:36

vehicles fabrication like there was

18:38

who build the Build the yeah the action

18:40

vehicle. That must be a cool. I Imagine

18:43

the people who are doing that like their job Yeah,

18:48

I mean I would imagine Most

18:51

of these people like their job. Well, there's a certain

18:53

I Don't know I'd

18:56

say the people who are actually out there building stuff and

18:58

doing things on set or enjoy

19:00

their jobs maybe some

19:02

of the other you know the We

19:05

we've heard a lot about kind of crunch time digital stuff

19:08

that people are being you know treated fairly digital

19:10

artists forget I mean a lot of digital effects houses probably

19:12

like their job. They're putting them in the computer

19:14

Yeah, some of them do but yeah that They're

19:19

putting in their time to climb up the ladder, you know,

19:21

right

19:23

Meanwhile these guys are out here building ladder. Yeah

19:29

This is our SFX engineers

19:31

that special effects sound effects sound effects engineers

19:33

special effects engineers Peter

19:36

Wendell Peter Wendell

19:39

Mm-hmm And

19:42

then the Peters are over like

19:44

this is all Peter This is a lot of a lot of a lot of

19:46

representation here. These are all Peters great and

19:48

then we get fire officers Pete

19:52

maul hood Wow now

19:54

Mr. Pete fire officer Yeah, that's

19:56

like if you're a fireman, you're probably gonna be a Pete

19:58

rather than a Peter. Yeah I'm

20:01

not to generalize but you know that's As

20:04

a Pete I can say that yeah,

20:06

and um and Then

20:10

creature effects key animatronic designs

20:12

designers one of them is Pete Hawkins. That's

20:15

a cool name young Pete Hawkins From

20:19

the Admiral Ben bow in But

20:23

yeah, that's a good what is that one two three four five

20:26

six seven eight nine ten eleven including

20:28

one last name er Wow I think

20:30

that's the that's the most Pete's we've had in a minute

20:33

Or will have in a minute you should look this up

20:36

for tomorrow, but you should find out What movie has

20:38

the most Pete's involved in it hmm?

20:41

That might be out of our purview Some

20:44

flying our mandate, but you don't want to do it. I understand

20:47

now Alright

20:53

the other one I thought was cool as Pip Fox Hey,

20:56

that's a cool name unto itself. Yeah,

20:58

but and the weapons supervisor. I'm

21:00

weapon supervisor Pip Fox You

21:02

know mmm sounds the well, I'm

21:04

picturing like like rocket rec in Yeah,

21:08

that does make it a little that's the DC version

21:11

of rocket rec, right Supervisor

21:15

yeah, just a blow them up good who do

21:17

the voice of that of that character? Mmm.

21:20

Yeah, who's the DC version of the Bradley

21:23

Cooper? Mmm.

21:24

Yeah, I don't know

21:28

Yeah, I don't know I can't even think of like Was

21:33

Channing Tatum still a thing he's not he's not

21:35

a that he's a different level of thing I mean he's

21:37

a different down more of like a Ryan Reynolds.

21:39

Yeah, but I would say that's close Hmm

21:43

He's like a handsome, but funny Right.

21:48

Let's go with Channing to you. All right.

21:50

Let's go. He is the water. I'll drive

21:53

alright

21:54

Are we going on a?

21:56

Like everything

21:58

was name of the movie when they went to Vegas

21:59

the hangover. Oh,

22:02

yeah. Anywho,

22:05

well do we have any time for any more IMDB

22:08

trivia? Sure, why don't you hit us with

22:10

one? Okay, just one. Let's

22:13

see what we have here.

22:18

Here's something kind of fun. The Maz,

22:21

Maz Kanata, who shows up in this movie,

22:24

not a CGI creation. She

22:26

is in fact a practical puppet

22:29

on set, and it wasn't her in the green

22:31

screen this time, I guess, because she doesn't really do very much.

22:34

It was an animatronic... What's

22:36

that?

22:37

At all? That's interesting. That's what it says here. The 94,

22:42

94 custom gears and,

22:45

you know, servos inside, or you know that Neil Scanlan.

22:47

He's a... Yeah, I mean,

22:50

he pulls me all the time. And it's weird because

22:52

there was a scene in it where Maz

22:55

is looking over her

22:58

Princess Leia, and I said, that looks very puppety

23:00

in that scene. But I was like, well, it's not obviously,

23:02

but... And then lo and behold, it is

23:05

a puppet.

23:06

And

23:08

yeah, so there you go, Maz Kanata.

23:10

I guess it was just easier to make a puppet than it is

23:13

to digitally go

23:15

through

23:17

all that trouble if she's just basically standing

23:20

in one spot and handing Chewie a medal. That's

23:22

all she kind of does. I

23:24

wonder how much... I mean, we saw her

23:26

kind of...

23:28

We've seen her in the motion capture suit.

23:31

Yeah. So I wonder if like, how

23:33

much did they just kind of... There's

23:36

such a fluidity between the

23:38

media in the... So you can have something

23:41

where they're like, oh, they built the puppet and they scanned

23:43

it and then made a CG out of it, like in the

23:45

Crystal Critters, or the opposite, we're here,

23:47

it's like, oh, well, we already have the computer model of it.

23:49

Let's just 3D print the pieces or

23:52

something like that. Oh, yeah. And

23:54

they can make a puppet out of it. Yeah. So that's

23:56

probably... Who knows? Yeah. We'll

23:59

never know, I guess. See, if this was the olden

24:01

days, there would have been tons of behind the

24:03

scenes documentaries showing us all these movies.

24:06

Right. Fingers crossed once, you know, all the

24:08

hurt feelings are, you know,

24:11

healed, that then they'll come out with all kinds

24:13

of behind the scenes stuff. Even just like, I

24:15

can understand, oh yeah, you don't want to go into Ron Howard

24:17

and Lord Miller and that stuff, but I don't know

24:19

why you couldn't go into how poor Gullet was made.

24:22

That doesn't seem like it would be anything. I

24:24

think that opens up a can of worms with the, because

24:27

I think that kind

24:29

of, for

24:31

Gullet's inclusion and representation

24:34

on screen was also part of the kind

24:36

of weird. Oh really? Okay. Last

24:39

minute rush. Yeah. So, who knows?

24:42

Yeah, I guess until I know what is actually a sensitive

24:44

subject, I guess I shouldn't really say, but

24:47

I miss the days of getting to see

24:50

eight men crammed into a puppet to

24:52

be operated a giant creature affected.

24:55

Yeah. They showed us that with the. Last

24:57

Jedi, there was a bit of some of that. Yeah.

25:00

That they had to seal those guys in there all day. Yeah. Like

25:02

Claude, come on, show us what's going on with Claude. What's

25:05

in, let's cut Claude open. Give

25:07

me a Claude. Sweaty, here, it tumbles out. A

25:10

little featurette on Claude. Yeah.

25:12

Um.

25:14

Yeah, they cut him open and there's nobody inside. They're like,

25:16

what? Just

25:18

blood guts, pouring out of it. Yeah.

25:22

So, that's it. That'll

25:24

do it for today's IMDB trivia. All

25:27

right. Trivia. Peace. Trivium.

25:30

Trivium. A singular is a trivia. You're

25:33

right. There you go. Trivia.

25:37

Anyway, I guess that will wrap up minute

25:39

number 139. And

25:44

now that we're getting close to the end, don't forget, Pete and I both

25:46

have solo, not solo podcasts,

25:48

podcasts we do with other people apart from.

25:51

We had that too. We did have a solo podcast. It

25:53

lasted six months. Luckily, it's available on digital

25:55

and Blu-ray now. So, people get to. But

25:59

I am the co-host of. Godfather Minute, we

26:01

are somewhere in the 140s,

26:03

coincidentally. This might be a nice bit

26:05

of a crossing of

26:07

the paths where they have the synchronicity,

26:09

yes, of Godfathers

26:11

2P. What's the status of ABCD-TNG?

26:15

Well, I didn't

26:17

say anything about that. What?

26:21

No, we've done the

26:23

original series, ABCD-TOS,

26:26

and we did all the original series episodes. We did all

26:28

the original series movies. And

26:31

now we're kicking the tires on maybe moving forward.

26:33

So we'll see. Keep an eye on that.

26:37

And if you support us on Patreon, if

26:39

you go back, you like the show, support us on Patreon, because

26:41

we do drop, every

26:43

month or two, we'll drop a bonus episode

26:46

there, Subspace Chatter, which is just

26:49

kind of akin to Weekend Edition or Indiana

26:51

Jones minute anything goes. Yeah,

26:54

you know, it's a different crew, different vibe. Less

26:57

funny. But

27:00

it's kind of, you know, all

27:03

over the place just to pop culture talk for

27:06

with the same guys. And that's

27:09

available over there. And

27:12

we'll be back with something

27:15

eventually, probably, at ABCD-TOS.com.

27:17

Yeah. Well,

27:20

good. I hope that happens. And I

27:24

hope everyone joins us tomorrow for another brand

27:27

new credit packed episode of Star

27:29

Wars Minute. Credit

27:31

Star Wars Minute. It's

27:46

kind of, you know, all over the place

27:49

just to pop culture talk for

27:51

with the same guys. And that's

27:54

that's available over there. And

27:57

we'll be back with something.

28:00

something eventually probably at abcdtos.com.

28:03

Yeah.

28:05

Well good I hope that happens and I

28:10

hope everyone joins us tomorrow for another brand

28:12

new credit packed episode of Star

28:14

Wars Minutes.