0:01

I Heart three D audio from

0:11

UFOs to psychic powers and government

0:14

conspiracies. History is riddled

0:16

with unexplained events. You can

0:18

turn back now or learn

0:20

the stuff they don't want you to know. A

0:23

production of I Heart Radio. Hello,

0:35

welcome back to the show. My name is Matt, my

0:38

name is Noel Day, called me Ben. We're

0:40

joined as always with our superproducer

0:42

Alexis Code being Doc Holiday Jackson.

0:45

Most importantly, you are you.

0:47

You are here, and that makes this stuff

0:50

they don't want you to know. This

0:53

is one of the

0:56

weirdest journeys we

0:59

have gone on, certainly in the last

1:01

few years. We're really excited

1:04

to to bring this to

1:06

you. Um. We may have teased it a

1:08

little bit obliquely, but all

1:10

of us, everybody on the team has been

1:12

working assiduously

1:15

to not spill the beans until

1:17

now when you're hearing this. And please

1:19

understand, fellow conspiracy realists, we're

1:21

people who are literally paid to talk. So

1:24

this was, guys, this was an

1:26

achievement on our part. Don't you think it

1:28

was tough to to be so ameerta

1:31

about it. But I'm really proud of

1:33

us, you guys, I'm really proud of I'm especially

1:35

proud of you Ben,

1:37

and you Matt for your amazing contributions

1:40

to this thing we're about to hear. Ben turns

1:43

in a tour Toforce performance as the subject

1:45

of a CIA experiment

1:48

of sorts, and Matt also

1:50

plays a character but absolutely crushed

1:52

it with the sound design in this incredibly

1:54

fun and immersive three D audio

1:58

sketch. What do you even call it? It's a scene. It's

2:00

kind of a work of art, guys, it's a true story.

2:02

This is a historical reenactment based

2:05

on a Freedom of Information Act

2:07

request. Uh, this is

2:10

really u you know, and I don't

2:12

want to put you guys on the spot, but yeah,

2:14

the romance went to another level

2:17

on this one. I am so profoundly

2:19

impressed. H This is in many

2:21

ways Matt Frederick's baby,

2:24

um and Noel, all the music

2:26

you hear is indeed our own Noel

2:29

Brown. Uh.

2:31

I'm kind of along for the ride, but

2:34

it's it's like, I don't want to hype it too

2:36

much. Listen, listen

2:39

when you when you're when you're hearing this, you

2:42

here been saying those things about how

2:44

everybody else did stuff. Ben takes us

2:46

on this journey, so you just hold on hold

2:49

on to your seats, strap in

2:52

make sure the car seat

2:54

is connected to the actual car, because you

2:56

know that's why they make those straps there.

2:58

It's really for safety. But most

3:00

importantly, strap some headphones

3:03

into your noggin. That is crucial to

3:05

get the full effect. I did the music

3:08

while listening to them

3:10

to the thing that Matt had geniusly

3:13

soundscaped in this amazing three D immersive

3:15

way. And it's crazy how with just like two

3:18

sources left and the right headphone

3:20

you get all these incredible three

3:23

effects and it really is kind of chilling.

3:25

Um and having that in my ear as while I was blips

3:28

blipping and blooping on my synthesizers made

3:30

it all the more fun. And I think what

3:32

I think, what we're all saying now is,

3:35

uh, it's funny because we have these big

3:37

grins on our faces. If you enjoy hearing

3:39

this a fraction, like a miniscule

3:42

sliver, as much as we enjoyed making

3:44

it, uh, then we are going

3:46

to be over the mooning brateful without

3:49

further ado because we did promise ourselves

3:51

we wouldn't spoil it. Travel with

3:53

us to an undisclosed location.

4:00

H m

4:04

hmm. This

4:09

is remote viewing session. The

4:12

date is May twenty s The

4:15

time is ten o nine am Pacific.

4:18

Subject is Joseph. Session

4:21

is being monitored by Robert. Both

4:23

subject and monitor are unaware of

4:25

the target. Okay,

4:28

being the session, all right,

4:30

now, using the information in the envelope

4:32

I've provided exclusively focusing your attention

4:34

now quality

4:39

nine NONU.

4:49

I want to see it looks like I

4:53

don't know, he's sort of looks I

4:57

kind of got an oblique view of

5:00

pyramid or pyramid form.

5:03

It's very high. It's kind of sitting

5:05

in a large

5:07

depressed area. Okay,

5:10

it's yellowish

5:14

oprah colored. A little

5:17

time top agent about

5:19

blogic and describe it. I'm

5:23

tracking severe severe

5:26

clouds more like dust storm.

5:29

It's a it's a geologic problem.

5:32

It seems to be like a

5:36

just a minute, I've I've got to iron this

5:39

out. It's really weird just

5:41

for word of raw processions at this

5:43

time so early,

5:46

I'm looking at at

5:49

a after effect

5:52

of the major geologic problem.

5:54

Okay, go back at

5:56

the time before the geost raw

5:59

m total

6:02

difference. It's uh

6:06

before there's no I

6:09

don't know how It's like

6:12

mountains of dirt appear

6:15

and then disappear when you go before.

6:17

I see a large

6:20

flat surfaces, very

6:23

smooth angles, walls.

6:26

They're really large though, I mean they're

6:29

megalithic. It's

6:32

this very good time now beforetik

6:35

around and then around this area.

6:38

Let's see and I'm

6:43

seeing. Uh, it's

6:46

it's like a perception of

6:49

a shadow of people, very

6:51

tall, thin. It's

6:54

only a shadow. It's not as if they were

6:56

there, and they're not not not

6:58

there anymore, go back the period

7:01

of time real they are. It's

7:04

like I get a lot of static on

7:06

the line and everything. It's it's breaking

7:09

up all the time, very fragmentary

7:11

pieces don't have put together,

7:14

just a cord the rod.

7:16

Here. I just keep seeing

7:19

very large people. They

7:21

appear thin and tall, but

7:23

they're very large and wearing

7:26

some kind of strange blues. Holy

7:31

side, Holy oh

7:35

for this location says a

7:38

lot of this location, but this

7:42

move now to forty six four

7:44

five three piece

7:49

good top forty says go

7:51

for three deep

7:57

inside of the cabin, not

8:00

a cabin, more like a canyon. I'm

8:04

I'm looking up up

8:06

the side of the steep wall that seems

8:08

to go on forever, and

8:11

there's like a structure

8:14

with a it's

8:16

like the wall of the canyon itself has

8:18

been carved again. I'm

8:20

getting very large structures.

8:23

No, no

8:25

intricacy, it's just a huge sections

8:28

of steam stone in

8:31

size size. Yes,

8:34

yes, they're they're very heavy. It's like

8:36

a rabbit board, corners of rooms.

8:39

They're they're really huge. I

8:42

don't feel like I'm standing

8:44

in one. It's just really huge.

8:47

Perception is that the ceiling

8:49

is very high, the walls are very

8:52

wide. Time stamp is real

8:54

time plus twenty two minutes. Yes, that would

8:56

be correct. All right, I'd

8:59

like to move now out to another location nearby this

9:04

time forty five one three

9:08

four wells at

9:10

the same time forty five freezing

9:14

before they

9:17

have a appears

9:20

to be the end of a very large

9:22

road, and there's a marker

9:26

thing that's very large. Keep

9:29

getting Washington Monument

9:31

overlaid. It's it's like an obelisk

9:36

that's moving

9:39

out five we probably long two

9:41

thirty forty

9:45

five four.

9:50

It's like I'm in the middle of

9:54

a huge circular basin of

9:56

the Range mountains by almost

10:00

only around very ragged,

10:03

ragged mountain. It's very tall basins,

10:07

very very very large

10:09

scale. Seems to be off or something

10:13

it's just it's really big. Everything's

10:15

big. The

10:21

clusters squares up and down.

10:24

Um, it's like you want

10:26

to make them square anyway. They're

10:28

they're almost flush with the ground, and it's

10:31

like they're connected something

10:34

very white or reflects light

10:37

observations. The state flop.

10:42

I'm amid oblique

10:46

left angle. Sun is the

10:50

sun as we're here, back

10:52

out of the ground, just

10:55

as fas just a little bit as

10:57

fasse thirty four s

11:04

very now las

11:08

very far. It's

11:14

like I can just receive I

11:19

go a radiating pattern of some kind.

11:21

It's it's like some really strange

11:25

intersecting kind of roads

11:27

just dug into valleys, you

11:29

know where where rude is just a little

11:31

blue. The edge, they're

11:36

like real neat channel

11:38

cuts. They're very deep. It's

11:41

like the road wind down trick

11:44

your readings. He's pulling back. Okay, now

11:47

I've I've noticed electrically you

11:50

are nulled out a little bit, and I want you to

11:52

stay deep and recapture your focus.

11:54

Here. It's

11:58

really tough. It seems

12:01

like it's just always very sporadic.

12:04

It's very important take the

12:07

focus. I have exercise.

12:10

It's in semable business wag. It's

12:13

a whole those stop meta

12:16

top fatiform and

12:18

now pickings on

12:22

my horizons. Takes

12:24

time and get back see

12:32

the um intersecting

12:37

whatever. These are aqueduct

12:39

type things, these rounded

12:41

bottom carved channels like road

12:44

beds. See see

12:48

pointed tops of something on the

12:50

horizon, even and the horizon.

12:52

It's funny and weird. It's like a different

12:57

misty, like it's really

12:59

far away, very vague.

13:02

Okay, angry

13:08

for now,

13:12

Angry for

13:17

I see pyramids. I

13:19

can't tell that's overly or not because

13:21

they're different.

13:25

Okay, parents

13:27

had the size and houses. M

13:30

hmm, gotta both and

13:34

they're huge. He's

13:36

losing his ability to move accurately. Agreed.

13:39

It's really it's

13:42

attracted to things that are interesting. It's an

13:44

interesting perception and getting

13:46

should we abandon the targets. It's

13:49

filtered from storms

13:53

or something. Repeat that they're

13:56

like shelters from storms,

13:58

these structures you're seeing. Yes, they're

14:01

designed for that. All right, go

14:04

and side one of these and find some activity

14:06

to tell me about time code plus thirty

14:08

seven minutes real time. Different

14:11

chambers, but they're almost

14:14

stripped of any kind of furnishings

14:17

or anything. It's like a strictly

14:20

functional place for sleeping or

14:23

it's not a good word. Hibernations

14:26

in some form. I can't I

14:28

get real raw input, storms,

14:31

savage storms, sleeping

14:34

through storms, make

14:37

contact. Tell me about

14:39

the ones who sleep through the storms. Very

14:44

tall again, very large

14:47

people, but they're thin. They

14:50

look thin because of their height, and they dress

14:53

like in hell.

14:55

It's not it's like a real

14:58

light silk, but it's it's

15:00

not flowing topic clothings.

15:02

It's eats cut to fit

15:07

about. They're

15:10

ancient people. They're

15:14

they're dying it's

15:16

past the time, or they're age

15:21

as. They're

15:25

very philosophic about it. They're looking

15:27

for the

15:30

latest survival and they

15:33

just can't. I can't can't

15:35

seem to get their way out. Don't go to plus

15:37

forty minutes definite voltage reversal.

15:40

They can't seem to find their way

15:42

out. So they're

15:45

hanging on while they look

15:47

for while

15:49

they wait for something to return,

15:54

something coming with the answer hard

15:59

they're uh. Evidently

16:02

was a group or

16:05

a party of them that went to find a new

16:09

place to live. It's it's like I'm

16:11

getting all kinds of overwhelming

16:13

into it of the corruption

16:16

of their environment. It's fairly very

16:19

rapidly, and this group went somewhere

16:22

like a long way to find

16:24

another place to live, almost

16:27

cause sels

16:31

sels, I see

16:33

a picture of a picture

16:37

like, oh

16:40

hell, it's almost a warp

16:42

in a Oh

16:45

god, this is difficult. It's

16:47

it's like I

16:52

get a globe. It's

16:55

like a globe that goes through

16:57

a comic table or something.

17:00

Thing. But it's it's all very cosmic.

17:03

It's like space pictures. Ah

17:05

h, now pass

17:08

as there's any

17:10

way. Also, he

17:12

knows who you are? And

17:15

then how depressings.

17:20

All I get is that they must just wait.

17:24

It doesn't know who I am. I

17:27

think he perceives of a hallucination.

17:33

Last last

17:38

how getting

17:41

impression of a

17:46

double bout what the heck it is? It looks

17:48

like the inside of a larger

17:50

boat, very rounded walls

17:53

and shining metal. Not

17:55

how where go

17:58

along with them in their journey and find out where

18:00

they go? Impression

18:04

really crazy place, volcanoes,

18:07

gas pockets, strange plants

18:10

and very volatile place.

18:12

It's it's very much like going from

18:15

the frying pan into the fire.

18:18

Differences that there seems to be a lot of

18:20

vegetation where the other place

18:23

didn't have it, and different

18:27

kind of storm remote

18:31

viewing session with subject

18:34

real time plus forty six minutes confirmation.

18:39

Congratulations, Now bring

18:42

them home. Oh awesome.

18:57

Now back to the room, back

19:00

to the sound of my voice. Back

19:02

further now to the sound of

19:04

my voice. On the two

19:07

of May, the

19:14

method of site acquisition was a sealed

19:17

envelope. It was coupled with geographic

19:19

coordinates given by the monitor. The

19:22

field envelope was given to the subject immediately

19:25

prior to the session. The

19:27

envelope was not opened until

19:30

after the session. Inside

19:34

the envelope was a three by five

19:36

card with the following information

19:39

the planet Mars time of

19:41

interest approximately one million

19:44

years BC. So

20:08

wait, so we've

20:11

talked about this, this all actually

20:13

happens, well almost

20:16

all of it. There's one thing

20:19

that we have to tell you about that we did

20:22

in the transcript that you

20:25

could at one point find, I believe on

20:27

the CIA's website or maybe the FBI was

20:29

actually hosting it. It was a c I A request.

20:33

We got ahold of the transcript a long time ago,

20:35

and then it got taken down and we had to find

20:37

it again through the wayback machine. But

20:39

it's available online and you could you've

20:41

probably heard of it before it's an actual

20:43

transcript and it only contains two people,

20:46

a subject and a monitor. So

20:48

in this case, what you were listening to Ben's

20:51

character and Noel's character. I

20:53

of course had to insert myself in here somehow,

20:58

So we made up a supervisor

21:00

character that says mostly

21:04

I guess the lines if you will, that

21:06

we're coming from the monitor, because

21:09

there are points in the transcript where it

21:12

mentions that some of the

21:14

things the monitor states in the transcript

21:16

are not heard by the

21:18

subject. So in

21:21

our minds, we imagined this person

21:23

in another room with a microphone that

21:25

that he could turn on or turn

21:28

off to where he could dictate some things without

21:30

the subject hearing them. Yeah. Yeah,

21:33

and this, uh, this also the

21:35

lines that you hear when you say

21:37

it's a true story, it's all pulled directly from

21:39

that transcript. Of course. Uh,

21:42

the CIA has nothing on us when it comes

21:44

to sound design and soundtracking. I think that is

21:47

clear now in compositions. But

21:49

the well, they did some great work in the sixties.

21:52

Okay, that part's true. But this

21:55

the one thing that I think changes

21:57

a little bit is that twist

21:59

that yet, right, Matt, That's that's the only big

22:02

like textual change. But even

22:05

that is verbatim from

22:09

this actual transcript. It is

22:11

a true story. Uh. The CIA

22:14

really did attempt to work

22:16

with what they called psycho energetics.

22:20

Uh. They defined this as a mental process

22:23

by which an individual perceives, communicates

22:25

with, and or perturbs

22:27

characteristics of a designated

22:30

target person or events remote

22:32

in space and or time from that individual.

22:35

That makes me think this is absolutely

22:37

legit, because only Uncle Sam could

22:39

write about such an exciting thing in such

22:42

a dry and boring way and

22:45

get that word perturb in there. I mean, why not

22:48

see and

22:53

um oh man, I completely

22:55

didn't finish my thought there. I'm so sorry

22:58

you guys. Um So, the supervisor

23:00

character that you hear from me is actually the monitor,

23:02

and it's actually

23:05

in the transcript. There are like two

23:07

lines I think that I added one

23:09

in particular at the very end where I say

23:12

confirmed, let's bring him home. That

23:15

is completely made up. That's

23:17

just I don't know, a fun imagining of

23:19

what it could be. But that's how adaptation

23:22

works, you know. Uh. So

23:24

this experiment just for background, if you want

23:26

to go back and listen again. Uh.

23:29

The way they did it is that

23:32

they they had a sealed envelope,

23:35

and in the sealed envelope there would be a little

23:37

index card like a three by five that

23:39

you might have used to study in school. And

23:42

this had a very simple three line

23:44

message. It just said the planet

23:47

Mars time of interest approximately

23:50

one million years BC. That's

23:53

right, that's right, And

23:56

just the descriptions that were given by

23:59

This is what I'm assuming, and I don't know if this is

24:01

fully correct. This is what we're all assuming here. We

24:04

found a video of a man named

24:06

Joe McGonagall who stayed in two thousand

24:08

and four that he was the person doing

24:11

this remote viewing session. He was the subject,

24:13

so he was ben essentially, and

24:16

he was working with Bob Monroe that we've

24:18

spoken about before on this show to make

24:20

this happen, as well as his supervisor, so

24:23

there were three people involved

24:25

in some way. Um, we

24:27

just don't have the full transcript, I guess, but

24:29

he he talks about exactly what the

24:32

experience was like. He says he was laying

24:35

in a dark black cube in

24:37

the lab, floating in a sea of salt,

24:39

so it sounds a lot like a sensory deprivation

24:42

chamber. He was listening to HEMI

24:44

sink tapes. That's

24:46

what Noel was inspired by when he created

24:49

the soundtrack here, or the score rather.

24:52

Yeah, just kind of like this sort of

24:54

weird filtered, kind of other

24:58

worldly kind of sound. And Matt,

25:00

the way you filtered the experientially,

25:04

you know, kind of took listeners from

25:06

the perspective of the subject,

25:09

Ben and kind of like bounce back and

25:11

forth into the room with the monitor.

25:14

Um. But I had a blast do in it. And like I said,

25:16

doing the I did that all in one pass while

25:19

listening to the things, so hopefully it ebbed and float

25:21

along with the performances.

25:23

I've really had a great time doing. I hope you guys enjoyed

25:25

it. Yeah, we sure, I hope you enjoyed

25:28

it. And also, you know, we should

25:30

mention our a lot of our Pure

25:32

podcasters because long time listeners,

25:34

you know that most of us are thickest

25:37

thieves, especially us who have been around for a while.

25:39

Um, a lot of our our Pure shows

25:42

are also doing

25:44

special three D episodes,

25:46

So if you enjoyed this, uh, please

25:49

check out any number of

25:51

other shows from your favorite shows on the

25:53

network will also be having three

25:56

D episodes this week. And Matt's

25:59

you An You Got any scoops on

26:02

ones that are on your radar in particular,

26:04

Well, I mean, I know for sure there's a Ridiculous

26:07

History three D episode because I recorded

26:09

it with you guys, and I got to

26:12

watch y'all be just ridiculous,

26:14

as the name states, with with

26:17

one of those three D O microphones

26:19

with the ears. It was quite fun to watch

26:21

an experience. So I can't wait to hear that one.

26:24

I'm sorry we're always polluting you into direct

26:26

stuff, but yes, thank you very much,

26:28

that is true. Uh, there's also

26:31

I believe Savor has one.

26:34

Both both our friends any recent

26:36

more in Vocalbam have appeared on the show before,

26:39

so it'll be familiar to you. Uh. And

26:42

stuff you should know is doing one stuff

26:44

you should yeah, with Josh and Chuck

26:47

and Jerry of course. And then uh,

26:50

while we're on the subject Ridiculous History,

26:52

just the plug you can hear our

26:54

very own Matt Frederick on a two

26:57

partner episode that came

26:59

out recently while was on a sojourn.

27:02

It's all about pointy shoes. Yeah

27:04

poutine. Oh no, no, I got it

27:06

wrong, Lane. But

27:11

but back to Mars, this is a true story

27:13

we have. We've interviewed people

27:15

in the space before. We've also done some deep

27:18

dives. We we just love

27:20

the audio of the Theater of the Mind. If

27:22

you enjoyed this episode, please

27:25

do right to us. If you

27:27

have more, oh gosh, if you

27:29

have been participant

27:32

in these experiments, are things like

27:34

this and we'd like to know that too. We

27:36

try to be pretty easy to find online. That's

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right. You can find us in the usual social media locations

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content there. And while you're on the internet, why

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not leave us up a review on Apple podcast

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That would be super swell, it would We would

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love that. Hey, if you don't wanna use

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you don't want to rate us on Apple Podcasts,

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whatever, you can call us. Our

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just make those messages dnse

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we go, if you have any ideas

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D episode for us to produce, we would

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love to hear it. Maybe you saw transcript

29:00

somewhere, Maybe you heard about a specific event

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