Are you a middle-roader? Is Jai Santoshi Maa a mainstream film? Are you exposed to world cinema? ‘What’ is popular? Are dialects non-standard? Does writing / scripting / printing legitimize the process of standardization? Are scripts discrete, but language continuous? Can sociopolitics ever be subtracted from language? How is time tapped? Are film scenes cut ‘in’ time (i.e., temporally, rather than visually)? Is the notion of mainstream always market driven? Where does power emerge from? Do the best art films take the maximum (personal) risk? Don’t all films crave commercial success? Are all films dependent? How has English become the language of the world? Is Gujarati one language? Who speaks Hindi? Do languages need a script? Do scripts become the identity of language, just as languages become the identity of people? Is identity dynamic? Why did the early scholarship on Sholay come from the west? Who makes / finances / exhibits films? Why do we divide Spaces? Why do we know merely the name of Panini, but not his frameworks? Is Uski Roti inaccessible? How does ‘realistic’ cinema achieve abstraction? Do binaries always remain? &, what is the long term future of visuality, materialism, time, use cases & ‘the unknown’ in cinema (& the world)? SynTalk thinks about these & more questions using concepts from film studies (Amrit Gangar, Mumbai), & linguistics (Prof. Rajesh Kumar, IIT Madras, Chennai). Listen in...