The Antakshari Scene: The antakshari scene located mid-film is a prime example of the intertextuality found in MPK and the originality that comes in part from the film’s recontextualization of various fragments from pop culture. Even though the song sequence does not contain original music but rather a medley of songs from previous Hindi films, it still functions as an important vehicle for plot development and the articulation of feelings that cannot easily be expressed through dialogue (see Ganti 2004, 178-179). Antakshari, as played in the film, requires two opposing teams that alternate singing popular song lyrics, with the first word of each song starting with the same syllable that ended the previous song. These rules are embedded on the name of the game itself, as antakshari combines ant (end) and akshar (a letter of the Hindi alphabet). The competition continues until one team cannot continue the back-and-forth. Given the centrality of lyrics in Hindi film songs, and the hegemonic popularity of cinema in India, antakshari is a pleasurable mode of “timepass” during long train rides, parties, or wedding celebrations. (An excerpt from ‘Antakshari in Maine Pyar Kiya’ by Peter Kvetko, ch. 2 in ‘Music in Contemporary Hindi Film: Memory, Voice, Identity’, edited by Jayson Beaster-Jones, Natalie Sarrazin). Listen in...