Episode Transcript
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0:02
This is a Global Player original
0:05
podcast.
0:08
This is Take That, everybody. This life.
0:10
The last five weeks we've been counting down to the
0:12
release of our brand new album, This Life.
0:15
We've been uncovering forgotten memories, turning
0:18
back the clock thanks to some familiar faces,
0:20
old friends, and telling our stories in
0:23
our own words. Hello
0:29
everybody, I'm Gary. I'm
0:32
Mark. And I'm Howard. And this
0:34
is Take That, This Life. See
0:36
there wasn't a pause then. Yeah, I liked it.
0:38
It was really good, wasn't it? It was. It
0:40
came in confidently. It did. Yeah,
0:42
well done. It did. You didn't need
0:45
that cheesy. I've got those ears. Yeah, you didn't need it.
0:47
You didn't need it. And now we've reached
0:49
our final episode. I know,
0:52
I've enjoyed it. Have you enjoyed it? Do
0:54
you think we'll be able to keep the microphones on? No. I
0:58
reckon after we've won
0:59
loads and loads of podcast awards,
1:02
I reckon we should do this again.
1:05
We've got to do this again. It's been like, we've never done this, haven't we? It's
1:07
been good. First time. We've presented TV shows
1:09
together, haven't we? But never a podcast. Yeah.
1:12
And we've done radio shows as well. Yeah. But
1:15
never a podcast. Never a podcast. Never
1:17
a podcast. So everybody, as usual, I'm going to start
1:19
with a date. Now in the past,
1:22
on other episodes, there have been dates in the
1:24
past, but this is a future date. Oh,
1:28
now that's got you thinking.
1:29
In fact, the date is actually
1:31
tomorrow. The 24th of November, 2023. I
1:38
think if we don't get this one, there's a problem. What
1:41
is happening tomorrow? I'll let you
1:43
go, Matt, because I got the last one right. So I think
1:45
you should have the honours. Well,
1:48
big things happening tomorrow. Our album's out.
1:50
Our album. Yeah. Funny,
1:52
isn't it, when an album's released? You've
1:55
done a lot of work to get to that point. Yeah.
1:58
I know when I get a new record, that feeling.
1:59
feeling of when you press play and I know
2:02
all my lifetime the excitement that
2:04
I've had when I've put on records
2:07
that I've listened to whether that was Madonna
2:09
in the past or the Vine or when
2:12
you press play on a new record for
2:14
the first time and you put the
2:16
needle on the vine and I know people don't do that so
2:18
much now. I've on this one. I've on
2:20
this one and you sit back
2:23
and you start to enjoy it. So tomorrow
2:26
people can do that. Yeah. So
2:28
far they would have only heard Windows.
2:31
Brand new Son. Brand new Son which is done
2:34
on later videos on and
2:37
we'll see the Son. This Life. This
2:39
Life which was out earlier this month. Yeah, the track. I
2:41
hope you love them. I think it was out on the second wasn't
2:43
it? So there'd be nine songs that they probably
2:46
haven't heard. Yes. Exciting.
2:49
It is. Very exciting. Well
2:51
hang on. It's already been a journey
2:53
of firsts this album because we've
2:55
never done a podcast before. That's the
2:57
first thing. But also it was our
2:59
first time ever on later. After
3:02
this album was. Which that's funny that
3:05
isn't it? It's funny that we've never done that
3:07
show. Yeah. I used
3:09
to watch quite a few of those later
3:11
with Jules Holland and used to think
3:13
I wonder when we're ever going to
3:15
get on this programme. I used to see all
3:17
the musicians that you're all around in
3:19
the circle. Quite serious musicians
3:22
and past musicians and you'd think are
3:25
we... Are we
3:27
going to get on this programme? And
3:30
yeah we are worthy and we've been on it
3:32
and Jules Holland was a
3:35
really lovely, giving...
3:38
Gent. Gent with me. Yeah.
3:41
Who obviously knows his music. I mean Jules, think
3:43
about him. He was in Squeeze. Yeah.
3:45
And he's been around for years. Don't
3:48
make him sound too old though. No. Well
3:50
he does look old though doesn't he? No he doesn't. No.
3:53
He looks amazing. Yeah. We've
3:55
watched a lot of our bands over the years and
3:58
for us to be in that... sort of environment
4:01
was. Ali Pally. Meeting lots of
4:03
other artists and musicians for the first
4:05
time. I think you said, but that's how we performed.
4:08
Ali Pally was back
4:10
when we were splitting up on the
4:13
Brit Awards. Exactly right. We did, I
4:15
think we did three Brit
4:17
Awards at Alexander Palace.
4:20
We did the Beatles medley. Beatles
4:22
medley. 93, something like that. We
4:25
did the first
4:27
ever performance of Back For Good. So
4:29
that would have been 95. And then
4:32
we did How Deep Is Your Love, which was our final
4:34
single as a band. Remember Chris Evans being the host
4:36
that year. And the room we recorded
4:39
the TV programme in, we did the video to
4:41
set it on. That's right. What a beautiful
4:43
room. In 2010 that was. The
4:46
idea of when we first
4:48
was approached for doing it, I just
4:51
thought, what a perfect record. It
4:53
was been worth the wait. Yeah, and it
4:55
was so, for us coming back
4:57
now with this new record, I mean, it's
4:59
been five years since we've made an
5:01
album. And sharing spaces again,
5:04
gutting out on tour, you know, there was the pandemic
5:06
where a lot of these shows were not being
5:08
able to be made in the same way. And now
5:11
to be able to all be there in this environment
5:13
where there's lots of people sort of
5:15
together in these concerts
5:17
and shows happening again. It's so,
5:20
so great to be back. Thank
5:22
goodness. Now you did say the P
5:24
word there, mate. Are we not allowed? Well,
5:27
no, I'm going to go on to that now because we haven't
5:29
touched that on this show. We're
5:31
not really talked about because obviously
5:33
we were all separate because everyone was in the world.
5:37
What was the pandemic like for you? If
5:39
you could sum it, I know it was complicated because
5:42
it was a long period of time. But in general,
5:46
how was it for you, that whole thing? How did you
5:48
feel? For me and my family, it
5:51
was a real coming together
5:54
of a real, felt like a real family.
5:56
You know, the fact that we were doing things and you had
5:58
to really think about what you were doing. doing tomorrow
6:00
because you know you there's so many places
6:02
you couldn't go lots of places for clothes
6:05
you know we did lots of walks lots
6:08
of things together as a family it
6:11
was actually beautiful really we'd made a
6:14
photo album book how was it called Love
6:17
Down. Love Down. We made a photo
6:20
album called Love
6:22
Down. Well Katie made it I mean I've also got
6:24
the time you know even in more
6:28
time.
6:31
I remember homeschooling and
6:33
our internet couldn't cope with three
6:36
kids trying to homeschool at the same
6:38
time computers on yeah and we
6:40
had to sort of take turns every now and again
6:42
I did. Internet sound. Even
6:45
enough kiddies. I
6:50
remember homeschooling as the main thing
6:52
because it also I think that your relationships
6:55
that you build as kids
6:57
when you're growing up as well around that time
7:00
socially and that sort of part
7:03
of your life is very important I think
7:05
and I felt for them I was quite
7:07
happy to have them home but I felt
7:09
for them not
7:11
being able to go out and do things. Yeah selfishly
7:14
that's how we looked at it because we had
7:17
all our kids under one roof
7:19
yeah and we wouldn't
7:21
have had that time with them if the world
7:23
had been normal yeah I'm trying I
7:25
mean I try and look at every every that's just
7:27
me I try and find the positive
7:30
in every every situation and
7:32
when we look back at that time it's just that well
7:35
Dan wouldn't have been home for six
7:38
months. Give you a bit of extra time.
7:40
We felt like we were holding on to
7:43
the days and you know the other thing I always remember
7:45
from that the whole period was the
7:48
happiest being
7:50
on earth as our dogs they
7:52
couldn't believe it we're
7:54
not leaving ever.
7:57
So many wars in a day. So
8:00
with you all day and I worked
8:03
out at one point that was because I
8:05
we went to bed at sort of 11 ish Dan
8:07
didn't go bed till five ish four
8:10
ish five ish he was playing video things
8:12
with his mates all night I got up
8:15
at six so the dogs had a deficit of
8:17
one hour when they were actually by
8:19
themselves and I think
8:21
they were the most disappointed of
8:24
everybody when it when the world went back to
8:26
normal because our dog always looks at me
8:28
like where are you going
8:30
now? What really do you need to do
8:33
that?
8:33
Just stay at home with us.
8:35
They were so happy our
8:37
dogs they really were. The other thing which
8:39
I remember very fondly because you both
8:42
very kindly joined me was
8:44
when we started doing the crooner session.
8:46
Yeah we had great. We had great.
8:49
There was so much more fun going
8:51
on behind the scenes. People
8:54
only ever saw the sort of three minutes on Instagram
8:56
or whatever but the behind the scenes
8:59
conversations kind of made these
9:01
things happen. Yeah because because what
9:03
happened was because no one had anything to do
9:06
you know yeah I mean I remember like
9:08
the phone calls with people like Sting or
9:10
whatever.
9:11
What do you think we should do? Should
9:13
we have a cup of tea? How
9:15
are you doing there?
9:16
You know these calls have gone
9:18
on and I was getting time with some
9:20
of these people that you'd never get five
9:22
minutes with but they didn't have anything to do. Should
9:25
we do that one or should we do this one
9:27
and you play that one? I think we should do
9:30
that. These
9:32
conversations would sometimes go on for
9:34
weeks. People are looking for connections. There was so
9:36
much more fun that went on behind those
9:38
scenes and we did one together
9:40
didn't we? Someone else who
9:43
was on the crooner sessions and
9:46
we're very excited to announce
9:48
these on tour with us as well. Next
9:51
year we're very excited about a great
9:53
friend of mine. Someone we all
9:55
love. Mr Olimas
9:58
everybody! Come on! Oh my
10:00
god, look
10:01
at him! Look
10:07
at him! Look
10:10
at him! Look
10:15
at him! Look at him!
10:19
Look at him!
10:22
Oh, what an entrance.
10:25
What an entrance. Oh
10:27
mate, I can't wait. That is great, isn't it? I
10:30
think we could go back to episode one, do we? I think
10:32
we could. I don't think Ollie wants
10:34
to do that. I think we
10:37
could do that. No, I can't
10:39
wait to hear all the stories. On
10:41
a serious note, Ollie, we're
10:43
delighted to have you on tour with
10:45
us. But second to that, so
10:47
are our fans. They're
10:50
so... I mean, it's just like,
10:52
this is the best night out. That's what everyone's
10:54
saying. Well, that's what really wasn't...
10:57
When the idea was brought to me, I was just on tour actually. And
10:59
what I found on my tour was that we had Scatter
11:02
For Girls, great bands. And they just brought
11:04
something different to the show. And
11:06
it felt like the fans were in their seats early
11:08
and they really enjoyed the whole night. And
11:11
so when the idea of going on tour
11:13
with you guys, I was like, well, one,
11:15
I wasn't sure if you'd be up for it. And then I was
11:17
like, I'd be really up
11:19
for that. Because I've been a huge fan of you guys
11:21
for a long, long time. And we've always crossed
11:24
paths at different points, especially in my career. And
11:26
so, yeah, it was just like something off
11:29
the bucket list, an honour to be a part of such a... I
11:31
was glad we didn't have to at the end
11:33
of your tour when you were tired. You were
11:35
like, well, I've gone on tour again for another two years.
11:38
But yeah, I think the fans are just going to have
11:40
a fantastic time. And yeah,
11:43
I promise you... In your car, your
11:45
songs now, my family, my
11:48
kids, I don't mean that. But they got very excited
11:50
when I said that you were going out tour with us. No,
11:52
he's not. It is? Oh, wow.
11:56
Well, it's the same with my family. They
11:58
can't believe it. I
12:00
think it's gonna be a great night and a
12:02
great energy for the fans. Absolutely.
12:04
Yes, it's gonna be an honor great So you're aware
12:07
we've had a few nights since So
12:09
and I'm sorry There's another
12:11
three or four is it? You need to
12:13
get ready to get ready. Yeah We
12:23
just got married and we've been set which was trying
12:25
to have kids so yeah, that's kind of yeah
12:27
Could be so here's the baby Congratulations,
12:40
yeah very reasonably married right? Yeah
12:43
only recently but it's been a whirlwind really
12:45
how long ago? Yeah, so we got married
12:48
in July. So it's only been three months
12:50
by haven't seen Because
12:52
I've been I had to finish the end of my tour
12:55
and then I had loads of different bits going I had
12:57
to film something on TV and I was a TV
12:59
show I was doing and all these different bits So bless
13:02
us. She doesn't really spend much time with me.
13:05
And then I said to all just now that I am
13:07
home Just so you know next year. I'm going again
13:13
So but no it's been beautiful I think
13:15
getting married for me was something I
13:17
really it was at the right time in my life I
13:19
needed that I met an incredible woman and I
13:22
just thought you know Well, I need to I need to
13:24
yeah, I need to commit and be that guy and
13:26
be a husband So I've got a chance for
13:28
honeymoon yet.
13:29
No, so you're gonna get Yeah,
13:33
we'll get you guys we'll get you what we
13:36
could send him out of way We
13:42
know this lovely place called Chapelle's in
13:44
Leonards, what yeah I
13:55
Don't think I've ever told you this story that
13:57
guy but you remember when you first met me
13:59
I'm interested in this. You wanna know the story?
14:02
I've gotta tell you this, it's on the podcast, so it might not
14:04
be you. Do you remember when you first
14:06
met me? You won't remember this. I don't think you'll remember.
14:08
Really? Really. So,
14:10
but did we not come on the show on
14:13
X Factor? Not my year, no. Okay.
14:16
Robbie did my year, we had Robbie, Michael Bublé,
14:18
and George Michael. You did the
14:20
year after. As guests? Yes. Okay.
14:23
So then you came on the year after. Okay, okay. Because I didn't,
14:25
we didn't, I sort of knew because I'd seen Robbie
14:28
in 2009 you guys
14:29
were doing, potentially doing something together.
14:32
Okay. So I've come off
14:34
the show. Off the X Factor.
14:36
Off the X Factor, yeah. I've come off the show and
14:38
I got signed, I got a record deal. Yeah. I
14:41
couldn't believe it. I couldn't be like, okay, signed, I'm gonna be on
14:43
an album. And I was at Simon Studios
14:46
in Notting Hill and I
14:48
was there in with the legendary Trevor
14:50
Horn. Wow. Great. Absolute
14:53
legend. Yeah. And it's my first recording
14:55
of the song. Oh, man. Thinking what,
14:58
no. I didn't know too much about Trevor, but
15:00
then the night before I was with my dad, I said, dad, I'm in
15:02
with this guy called Trevor Horn's mate. He's
15:04
not just a guy. Yeah.
15:08
He's a major figure. He
15:10
said, you need to go and do your homework.
15:13
I was like, all right, okay, I better go and do my homework.
15:15
Anyway, then I completely
15:16
shit myself. I was gonna say, better not doing
15:18
your homework. So I thought, you know what? I'll go and get a curry.
15:21
So I had a curry. I'll relax myself. Yeah.
15:25
I'm sorry. So anyway,
15:27
I've got to some studios the next day. I'm there.
15:30
I'm in the studio. Trevor's really,
15:32
if you've ever met Trevor, he's quite intense.
15:34
I mean, he didn't know me that well. Obviously he's like, all
15:36
right, mate. And I was like, yep. And we're talking to
15:39
me. He's really intense. And he's like, we're gonna do this. We're
15:41
gonna do that. And I'm like, right, okay. I'm feeling
15:43
a little bit, you're queasy. Oh,
15:46
you did meet in the next occasion. I
15:50
said, I'm gonna go
15:51
to the toilet. Is that all right? And he went, yeah,
15:53
yeah, yeah. And I didn't know at this point. I
15:55
didn't know you guys were doing the progress album. I didn't know you were recording.
15:57
I just remember Robbie saying that you guys might.
15:59
be doing something I didn't know Robbie that well then either really
16:02
yeah I'm thinking and there's been
16:04
rumors that day they said to take that might
16:06
be in the building to
16:08
be unbelievable if I met the boys anyway
16:10
I've gone into the toilet I'm
16:13
sat in there and as you can imagine a whole
16:15
world's fallen. Ohhh! Yes
16:18
exactly! But
16:22
anyway I hear the flush go
16:24
the one next to me
16:27
I'm thinking oh shit
16:29
it was I thought it was in there yeah
16:32
anyway I've come out the cubicle
16:34
and there's this gentleman standing there washing his hands
16:37
and I've looked in the mirror and it's you! Oh my
16:40
god! I've walked to the tap
16:42
and I've gone fuck it's Gary!
16:46
It's Gary fucking brother! This
16:49
is the truth you turn around to me and you went
16:52
that fucking stinks! I didn't know
16:54
what to say I walked in
16:55
to see Trevor I told
16:57
Trevor the whole story and
17:20
he was like I'll just shut up come on go and sing yourself!
17:24
He was a little compressed as well when he
17:25
told you it was like a battery! I
17:27
was jealous! No
17:30
it was angry! That's
17:32
not progress! That
17:34
is strange! I think
17:36
that is terrible! That's time we met! I'm
17:42
on this podcast to apologize! I'm
17:44
sorry! I was a bit creative!
17:48
That is terrible! That
17:51
is terrible! That
17:53
shit did happen! I really wanted to make sure
17:56
I got that story! Oh my god!
17:59
Oh, that is a brilliant
18:02
story, but how was the session afterwards?
18:04
Oh, I mean, do you guys ever work
18:06
with Trevor? Do you ever meet Trevor? Did you ever do any work with
18:09
him? Well, funnily enough, my
18:11
studio was in that building for five
18:13
years. And it's funny, I never
18:15
quite got over bumping
18:17
into Trevor around the place because
18:19
I was really brought up on his music.
18:22
You're the same. We always talk about
18:24
Trevor. I mean, it's just for anyone
18:26
who doesn't know, go and Google Trevor
18:28
Horn. It's crazy
18:30
because he because he was really
18:33
the guy who brought
18:36
the future into the present. He
18:38
was so... It was the first video
18:40
of... I'm going to kill the video so I'll get
18:42
the name wrong. The Buggles or the Buggles?
18:45
It was the first video we played on MTV. Which
18:48
by the way, here's a little bit of trivia. Who else
18:50
was in that band? Hans Zimmer. Really?
18:53
Yeah.
18:54
Wow. I don't know for
18:56
sure if that's true, but it would be brilliant. It
19:00
would be brilliant if it was. No, it
19:02
was because Trevor told me a great story
19:04
one day. He told me he was in the time.
19:08
And he did a curry. He did a
19:10
curry one before. You
19:14
never get out of it. You never get
19:16
out of it. But Trevor... But
19:20
Trevor, honestly, it was my first
19:22
ever recording of the song. It
19:25
was a song called A Million More Years which made the album.
19:28
He butchered me for three or
19:30
four hours. You know when you... I
19:33
don't know, it's for you guys. But obviously
19:35
when you go as a solo artist, I was
19:37
butchered for four or five hours. What does that
19:39
mean then? It means that if
19:41
I work hard, it's like, Right, verse. We need
19:43
to go to verse now. So it was like, take
19:45
of a verse. It's like, I'm not
19:47
happy with that. Do it again. Oh God, really? That's
19:51
probably how we... No, but it was
19:53
great. Looking back now, I was only
19:56
talking about this recently. It was
19:58
really like, this guy is the man.
20:00
This is how it is. And every session
20:02
after that was always different, every producer did that
20:04
and they worked songs differently. Almost like an apprenticeship again.
20:07
Yeah, and he was almost like, oh you
20:09
think you come from the X Factor, you know, this is
20:11
the real stuff now. Right. I'm
20:13
surprised you're a great singer though. Yeah
20:16
I know, but it was really intense, but
20:18
he got the best out of me and he said to me, look
20:20
if you're going to make it in this industry you've got to give me
20:22
everything, you've got to give me the best. Yeah, I'm just, I know
20:24
I was an S, I was 25, I was an S6 lad,
20:27
I was a bit of a cheeky chappy, I was a bit like, you know, I
20:29
can't wait. He was a bit like, no come
20:31
on, we're here to work now, this is your first album, this
20:33
is massive. Yeah. I want to make
20:35
this right. And so he really like tuned in, we
20:38
nailed it, we smashed it. But yeah, that
20:40
was, that was, that was how he was intense.
20:41
But then I, I felt when I left it, I thought,
20:44
I didn't know if I'd,
20:45
if he'd respect you, I didn't know what, I didn't
20:47
know if he really liked, you
20:49
know, if he was
20:50
happy or whatever. And then I remember a few years
20:53
later, I bumped into him in Notting Hill, just down the road,
20:55
we just walked past each other, and he was like,
20:57
hi. And he gave me, we had a ship
20:59
hands, we had a little hug and, and it was sort
21:01
of like, oh, I've earned his respect. Like, he's
21:03
seen my career develop and he's like, yeah. Well,
21:06
also some people out of the workplace are often
21:08
different too. Yeah. I think
21:10
in his studio, in his domain, he's probably Trevor,
21:13
and then when he's out on the street, he's just a normal. Because
21:15
if I remember rightly, at the time it was like,
21:17
oh, can I bring my manager in and I can I bring, no, no,
21:19
no, no, no, it's just me and you. Right. And
21:22
that was one of them, like, you cook, like, we don't want
21:24
anyone in here. No moral support. Yeah.
21:27
I remember. It was great.
21:28
I remember, like, there are certain
21:30
people, I think, I remember you talking about something like
21:32
Max Martin, who, when you're in the studio,
21:35
there are certain producers out there who really,
21:37
isn't Max, Max, do you like them every
21:40
single. Have you worked with Max? No. He's
21:43
a brilliant singer. I mean,
21:45
honestly, when you hear him sing, I don't
21:49
think I've heard anyone better, a male
21:51
vocalist. He grew up listening
21:53
to like ACDC and he
21:55
always wore a leather jacket. He's really
21:57
into rock,
21:58
but not like nowadays. like
22:00
rock when they used to have like tenor
22:03
soul, the rock singers used to be
22:05
soulful he had a brilliant voice, when
22:07
you listen to Backstreet and the records he makes,
22:10
it's him, he produces
22:13
them to sound like him and
22:15
he is literally, I only did one
22:17
song with him but he is literally like syllable
22:20
by syllable. But I found that when I worked
22:23
with some of the Scandinavian kind of producers,
22:25
they really wanted
22:27
like, can you go back and just change that slight
22:29
note there, I want it to go there and you're like, yeah
22:32
right and I'm thinking I can't really hear what you want
22:34
me to do but I'll go and do it. I think it's something
22:36
to do with the language and it's not their first
22:38
language, they want to hear the sound more
22:41
than the
22:42
what it's saying almost. And also,
22:44
just quick one, that was me saying, but I was going
22:46
to say Steve Austin. Well
22:49
I was about to say the league with
22:51
all the legends, the amazing
22:54
Steve Robson. He would love us talking about
22:56
him because when I came off the
22:58
X Factor and obviously got signed and was in writing
23:00
songs and all my hits came with Steve
23:03
and obviously seeing you guys did shine with
23:05
him. We do something with Steve
23:07
on every one of our records. And that album
23:10
Circus and Beautiful World, them
23:13
albums guys, that would be part of my life,
23:16
them albums because that time I think
23:19
Beautiful World came out, was it 2007? Yeah,
23:23
it's 7 and then Circus was two years. Yeah,
23:27
so they were big years for me. I
23:29
was finding music and said it
23:31
all, it's like... Steve Robson?
23:34
Yeah, well I couldn't believe it. I was
23:36
sat in the studio talking to him, he talked about shine and
23:38
that and he goes, you know, and I was going to have this song, said it
23:40
all and he goes, that's me.
23:42
The Deaf of the Boys, no
23:44
way. So there was a lot of times
23:46
during that period I was just like, God, we
23:49
can... How many years have you been in the business? No, 14.
23:52
That's how many years. Did you
23:55
celebrate the tenure? I did do
23:57
a hit album in 2019.
23:59
It was called You Know, I Know. It
24:02
was more, it was actually frustrating for me because
24:04
I've been with Sony for quite some years.
24:07
And we just, it was a part of the deal
24:09
that I signed that they wanted to do a hits album.
24:11
We talked about this earlier. And I said,
24:13
I'm 10 years in, I'm not a hits album,
24:15
yeah. I'm still, I feel like I was still
24:18
having success. I didn't really feel like I needed to
24:20
do it, but they were like, we want you, we need you to do it. Oh,
24:22
for God's sake. So then we wrote
24:24
a second, we wrote an album on top of the hits
24:26
album. So we wrote this song called You Know,
24:29
I Know, which I wrote with Steve. And I just liked the idea of
24:31
saying, well, these are the songs that you know. And these are
24:33
the songs that I've written now that I know. The
24:35
concept of the album was two
24:37
separate Ollies. You got the old Ollie and the new Ollie
24:39
together. It was kind of like a hits album, but not
24:41
saying hits. Yeah, sure. And
24:43
it was okay. I love the album I wrote, but the,
24:46
doing hits album that I, for me any 10 years
24:49
wasn't the right time. But, you know, when you're
24:51
under a contract with a label, it was kind of, I didn't really
24:53
have a choice really. It's a shame. How many
24:55
records have you made now? I've just finished
24:57
my seventh, I think. Yeah,
25:00
seventh album, sure. Quite a
25:02
fabulous. Yeah, and I never forget
25:06
after my shit story. I
25:09
never forget my first album came out. My
25:12
first, that first time I did with Trevor came out. And
25:14
it was, I mean, back in the, this
25:16
is 2010.
25:18
And, you know, back then
25:21
I didn't really know. I didn't really compete against anyone.
25:23
So I've released my first album thinking first
25:25
album. Just had number one with my please let me go. My first
25:27
thing I'm thinking getting new albums
25:30
coming out. It's been tipped is going to go number
25:32
one.
25:32
And then literally the week of the album coming
25:35
out progress, take that.
25:38
What's the same? And your numbers, I mean, I
25:40
did like a hundred and remember I've got like 120,000 albums
25:42
sold in a week. Which
25:46
is mega. I believe that. Which is mega.
25:49
They're like, and my label like, would
25:51
have been a number one any other week. So
25:53
you know, you
25:55
know, take that reform. What? They've
26:00
done a quarter of a million in the first week. I'm like,
26:03
oh my God. And I thought,
26:05
they won't have a great second week. Did
26:07
they? Fuck. Right.
26:10
I've waited all that time. I'm never touring with
26:12
them. I've never won. Never. I've never
26:14
toured with them. It was brilliant. It was a good time. It
26:17
was a great time. Yeah.
26:29
Now Ollie, we have a little link because
26:31
we worked together for a few years on the
26:33
TV with the beautiful Caroline
26:35
as well. And we were with Dermot
26:38
earlier today. Yeah. And he said,
26:40
in fact, he wrote about it in his book, that
26:42
we love acts, but you
26:44
could definitely pick your friends because
26:48
certain people you're like, no, and you,
26:50
yeah, you'll do. And you were a very,
26:52
you know, it was new for me being on
26:54
a panel like that. You both
26:57
looked after us so well. You're so
26:59
respectful to us. And
27:02
in an environment, and actually a culture
27:04
at that time where everyone was kind of backstabbing
27:06
one another, you always had our backs and we
27:08
always loved spending time with you. And
27:11
actually more telling than that, I thought
27:13
was how much the artists loved you
27:15
guys as well. They saw you as real
27:18
friends. And I think, cause you'd been
27:20
a contestant on there. You
27:22
need to feel supported
27:25
and confident. And you always gave so
27:27
much time to them. Well, they were great years.
27:29
And it was good for us cause
27:31
we did the extra facts at the time. Yeah. It
27:33
was a bit more relaxed and a bit like, well,
27:36
the way that we wanted the show to be when I came
27:38
in, cause I didn't do any presenting, but Caroline
27:41
and the ITV saw a vision, Simon
27:43
saw a vision of me being in there. So
27:45
we wanted to create that sort of tier five Friday
27:48
kind of vibe. So when you guys used to come down,
27:50
it was like, yeah, all the
27:52
stuff that's going on. We look forward to it. Yeah. And
27:54
we could read Caroline's sense to that. And
27:58
bless her, you know, when,
27:59
you know, whatever.
27:59
happened in the last few years with Kaz and
28:02
passing away in 2020. I actually got to write
28:06
something in my book on my tour
28:09
in 2019, the hit tour. And when you,
28:12
it was hard for me to talk about it, but she actually
28:14
writes in it that then the times that we had
28:16
in them years that we worked together with the happiest that
28:19
she had, but they were the happiest for me as well.
28:21
We had such a laugh with you
28:24
guys. You were chattering, you had
28:26
fun with you, you had Nicole, we had everyone
28:28
was just a really good feel good atmosphere.
28:30
And I think that's what extra factor created and what
28:33
me and Caroline loved. And it really actually helped
28:36
my career as well as I think people get into
28:38
knowing not just my music, but they got to know
28:41
me. It was just brilliant times. And
28:43
yeah, X factor was great.
28:46
It was great
28:49
fun. I did enjoy it. For me,
28:51
I always want to feel like I'm learning something.
28:53
And I definitely came away from that shelf feeling
28:56
like I've learned a few bits and pieces
28:58
I didn't know before. And I hope for me anyway,
29:00
I've obviously gone on and worked on the voice as
29:02
well and worked on different shows. But
29:04
you know, it's something really for me anyway, being
29:07
an ex-contestant of reality shows.
29:09
And you can, you know, you're artists as
29:12
well. And you, I think when you can give something
29:14
back and help someone have a chance at maybe
29:16
having what we've done in our life and
29:19
our careers. That's what I love about them
29:21
shows. That's what that's for me is the
29:23
reason I love doing them. Yeah. So you're
29:26
on tour with us next year, new music as
29:28
well. I haven't really thought this is all a
29:30
bit quick for me. I'm not sure at the moment. Okay.
29:33
When's the last album?
29:34
Just finished it. Yeah. Well, where we came out last year,
29:36
we're number one. Okay. Well,
29:39
I'm happy with that. But the tour
29:42
was brilliant. It's the marry me tour. It's important that
29:44
number one. It doesn't matter. It doesn't
29:46
matter what anyone says. When they're like, this doesn't matter what
29:48
it does. Yeah. I think as artists, yeah.
29:50
Just like to have it. Doesn't matter how many it
29:53
sold. It doesn't matter how many weeks
29:55
it's at number one. I think it's knowing that the album for 52
29:58
weeks of the year, one of them weeks.
29:59
was my album and I think that's something
30:02
I really, and I think when you look back on
30:04
years to come that's something you'll remember. To
30:06
me it's about giving your fans, choosing
30:09
your set list. Yeah and obviously some of my fans that
30:11
are gonna come along as well. I think you've just given
30:13
them a really fun show. It's not the first time we've been
30:15
on stage together, do you know that? Do you remember?
30:18
We played with you in High Park. Well
30:20
yes, sorry, yeah. I was just trying to think of when we were together,
30:22
yeah. I did a concert, I had. I supported you
30:25
guys at the Barkley card, wasn't it? Yeah,
30:27
it was a long time ago, that was
30:29
an amazing, and I remember being back stage
30:32
and going, wow, do you have anything to say? I got that on
30:34
DVD actually. Oh I do. I
30:36
got that on DVD and I've watched it a few times
30:38
because I'm not watching myself perform very
30:40
often because I think you could be tired of it. We don't, we
30:42
don't. Yeah and you go all night. And
30:45
I watched it back because it was such
30:47
a, I mean I couldn't believe, I
30:49
mean I've done lots of gigs and I've done many gigs,
30:52
but that was one of the best ones just because
30:54
I couldn't see the end of
30:57
the people. But at the back I thought, for God actually,
31:00
where does he stand? But the other thing is that's our
31:02
crown. We feel so lucky because every
31:04
night's like a Saturday night. Oh, it was
31:07
fantastic. And I just thought. They can't
31:09
wait, honestly, I promise you. I see
31:11
these messages when it was announced
31:14
and I know we've had tickets on set.
31:16
Everyone's been like, this is the perfect
31:18
night. But we're thrilled. Thrilled. It's
31:21
gonna be awesome. The crown's getting in early. Yeah,
31:23
yeah, yeah. Okay, well look, listen,
31:25
enough about me.
31:27
I'd like to ask you guys some questions.
31:29
Well actually just one question each actually. Okay.
31:32
Same question. I'm gonna start with Howard. Okay. What
31:34
is your proudest moment
31:36
of being in Take That?
31:38
Go on, mate, you go first. Oh, go
31:41
on, you go with it. There's not one thing that just
31:43
comes to you straight away. There's so many, I mean,
31:46
I guess the first thing that comes to my
31:48
head is never forget going to number one. There
31:50
you go. And me singing the vocals, so it's, you know, I
31:52
was very proud of that. Very proud to be
31:55
asked, because obviously Cass wrote the song, and
31:57
you know, and it was
31:59
such a great song.
31:59
It's an epic song now and it's such a celebratory
32:03
song. Huge. And
32:05
it gets played out in lots of universes as
32:07
well. Question. Just question, now then. Noooooo!
32:11
When did you... I know it's a really simple
32:14
bit of choreography, but it works
32:16
every single time. It was literally in a rehearsal
32:18
that, wasn't it? Just before we went out on the road.
32:21
It would have been,
32:22
I'm sure, probably about Howard and Jason. Yeah.
32:25
They were... They were like, yeah. And
32:27
the whole crowd did. Yeah. So what you guys
32:29
were obviously racing at, the coronation? Yeah. Yeah.
32:33
I think we might have knew that bit from We Will Rock. Ooh!
32:36
I've never heard of that before. I've
32:39
never heard of anything like that. Well, that
32:41
you go. Proudest moment. You
32:44
know what? My proudest moments are not
32:46
the obvious ones. There's one
32:48
moment, I refer to it, and
32:51
I think about it a lot, is that when
32:53
we get... The 90's a little bit of a blur
32:55
for me. It was a very fast... It's
32:57
probably like your early years. You
33:00
feel like everything's going at
33:01
a million miles an hour. It's like
33:03
when you perform a show that you don't really
33:05
know, and both show four or five,
33:08
it's starting to slow down a bit. It's
33:11
not being speeded up. And there was a
33:13
point when we came back as a four-piece
33:16
in 2006. We'd sold
33:18
all these tickets. Everyone was excited.
33:21
But we hadn't been on the stage together for 10
33:23
years. Wow. We went
33:25
out, we were playing in Newcastle, and
33:28
there was a bit where we went down to the B stage,
33:31
so now we're surrounded by this
33:33
audience. So it's the first time we've been
33:35
back on stage. We're all terrified. And
33:38
there was just a moment where we got down
33:40
there, that everyone went in a circle,
33:43
and I could see Mark. I could
33:45
see Jay.
33:47
I could see Howard. And
33:49
behind them was just chaos.
33:53
People going mad, you know. I
33:55
just thought, how did
33:57
we get back here? I couldn't
33:59
believe it.
33:59
it because we were back.
34:02
The place was going up, it was going
34:04
mad and I thought this isn't gonna
34:06
end anytime soon. What a great song as well to
34:08
come back with patience as well. It
34:10
was just a moment and so it was
34:13
not an award or anything it was looking at
34:15
us now in this new situation ten
34:17
years later realising this
34:19
is the start of another
34:22
chapter. Incredible. Thank
34:24
you my man. I think I mean
34:27
there have been so many moments obviously
34:29
over the years for us as a band but I think for
34:31
me when I think of like
34:34
a moment that I'd just go like that
34:36
was really special was probably the progress
34:38
tour. Did you get to come and see that? You know
34:41
what? It was so weird you said that.
34:42
As you were talking
34:44
I thought you're gonna say
34:46
progress tour because I watched
34:49
the progress tour this week. No. Yeah I had
34:51
to watch it again because it was the only take
34:53
that tour that I went to, the first take that
34:55
tour I've ever been to and it was 2011.
34:59
Yeah. So I watched the one in Manchester
35:01
and I came to the show and I think
35:04
there's a moment when I watched it on TV actually
35:06
and especially you you could just there
35:08
was a moment when you all got together on stage and
35:10
you could just see it was looked around for
35:12
in Manchester I think. Yeah. I could
35:15
just see in your eyes particularly because you were sort of in the
35:17
middle and you were like
35:18
this feels good. Yeah I think it was
35:20
probably singing that we've got again
35:23
we rolled along on this
35:24
on we called it this robot on we
35:26
got to the middle and we sang
35:29
never forget I think we sang and
35:32
the five of us were there Rob was obviously back
35:34
with us and this thing stood up and put
35:36
its arms up and it was just a
35:38
beauty looking around and seeing everybody
35:41
on stage together
35:43
you know for me was a really
35:45
proud, proud moment. You could say that yeah. It's
35:48
the human things that touch us rather
35:51
than the going up and crowning a Brit Award
35:53
or something it's this you know we've known each
35:55
other for so long those guys longer
35:58
than I've known my wife
35:59
far-wise we've all known
36:02
each other longer and so we
36:04
when we are in moments like that it's
36:07
it's how it feels now do you
36:09
there's just a couple of things before you I know you go
36:12
Barlow's bingo do you know about this I have
36:14
no idea Oh yeah
36:17
wait and see I'll
36:20
be pulling out my balls now
36:32
get ready yeah also I'll be bringing
36:34
some wine with me as well I don't know if you drink one of
36:36
tribe there you go so so we'll have a little
36:39
can't wait Ollie thank you on the
36:41
road
36:55
well that was nice what a lovely
36:57
surprise what a gent great I'm
36:59
so daddy looks so well I've got
37:01
married
37:05
okay I'm gonna be thinking about all now I'm
37:07
gonna be laughing oh
37:10
my goodness that is
37:15
I mean perfect right I
37:17
mean what I mean I always think
37:20
that the when you're touring and you're
37:22
entertaining I think I think the feeling
37:24
starts
37:25
before you go on the stage before you
37:27
even arrive at the venue and you can
37:29
already feel like we're gonna be a nice family
37:31
yeah you can see okay yeah we're
37:33
written you know you know that Ollie is game
37:36
for a laugh yeah and you know there's gonna partake
37:38
in any little thing back yeah yeah
37:41
it's gonna be follows bingo yeah it's
37:43
gonna be fun yeah and for the audience I
37:45
think it's gonna be
37:47
great so guys
37:49
the album's out tomorrow Wow and
37:51
it's been a journey right it's been a real
37:53
journey that started
37:55
for me when we turned up in Nashville
37:57
yeah in a cold Nashville it was January
37:59
was my minus two degrees January
38:01
wasn't it? It was January when we turned up
38:04
at a studio called RCA Victor which
38:06
Studio B which is where one of my
38:08
favorite artists of all time Elvis
38:11
Presley recorded so many of his records
38:14
and then Dolly Parton the Ebbly Bullards the
38:16
people that had been through that studio. I think Elvis
38:18
recorded over 200 songs in
38:20
that studio it was very well known
38:23
that Elvis used to keep his eyes closed when
38:25
he was singing his songs in
38:27
fact there's one of his records where you actually hit
38:29
in his head on the mic.
38:33
So what he used to do is because he didn't
38:36
want any distractions while he was singing he used to have all
38:38
the lights in the studio turned off and
38:41
when we went there they had
38:43
like a tourist thing.
38:47
But they had tourists in there and they were sat
38:49
in there and they did the turning of the lights down
38:51
so they could see what it felt like but it was
38:53
a beautiful studio. A beautiful
38:56
stunning room and the band immediately
38:59
all got into position. Dave Cobb,
39:02
our producer who's produced
39:05
some amazing records
39:06
for me people like Chris Stapleton, Bandicar
39:09
Lyle I know everybody's got favorite records
39:11
that he has done. He did the Star is Born
39:13
movie, he did Lady Gaga and at
39:16
the back it was like 20
39:17
zillion copies sold of the
39:19
album Star is Born. I mean
39:21
yeah and it was pictures of him and Gaga
39:24
in the room. So there was no pressure no
39:26
pressure. Really nice
39:28
guy. When you meet somebody like that and you know
39:31
straight away as soon as you meet him you know it's quite a pressure.
39:34
And it was literally like one two three
39:36
four and the song started and guys
39:38
started singing and it was just like this
39:41
is it. Yeah and you
39:43
know what people often ask about
39:45
you know we've never met this guy before. We
39:48
don't have any
39:49
link to him. He's from Savannah.
39:52
Yeah. But I always say the
39:55
language of music is
39:57
what means you can communicate instantly
39:59
with somebody and he got
40:02
it and we were actually only there as
40:04
a sort of let's try it out, let's meet,
40:07
let's see if we like one another because obviously making
40:09
an album he's going to spend a lot of time with somebody.
40:12
We were there literally just saying hello
40:14
but he had his guitar
40:16
up and we were cutting records
40:19
straight away. No messing. Yeah,
40:21
I mean again being
40:23
in his house in Savannah
40:26
feeling so homely you know
40:28
you're away from home, you're away from your family
40:31
but you're in a house and you're not in this studio
40:34
environment, you're in different rooms for different
40:36
things, different songs and I thought
40:40
that was so inspirational the way
40:42
that he does it and it was also inspirational for us
40:44
the way we made the album. You felt like you
40:46
were in America didn't you in Savannah? So
40:49
did. So Savannah's Dave Cobb's home
40:51
that's where he actually is from and
40:54
that's where he lives, spends most of his time
40:56
and he's converted a house
40:58
there for anyone
41:00
who doesn't know. The coastline
41:03
of Georgia, the east coast
41:06
is actually a collection of islands, hundreds
41:09
of islands and the very first
41:11
island as you leave Savannah the city
41:14
is a place called the
41:15
Isle of Hope and as you cross
41:17
that bridge
41:19
his is the first house right there and
41:21
that's where the recording studio is and that's
41:23
where we did our recordings that Howard's talking
41:25
about and it's also where
41:28
this amazing sport first
41:31
began for us, you, magnet
41:34
fishing every day.
41:37
As soon as I saw that magnet I thought
41:39
my jetty I thought
41:40
I've been here before, I've got my own
41:42
magnet. So do you know what? We're all. I've
41:47
got two different sizes. Can I set this up out?
41:50
So Howard basically, he's
41:52
a real fiddler Howard is. He
41:55
is, he's a real like, if there's
41:57
an ashtray he'd be setting stuff
41:59
alight.
41:59
around that salad. He's a real
42:02
menace isn't he? I've not changed since I was
42:04
a kid by the way. He's a real menace. He is.
42:07
My mum used to watch me all the time because what I would
42:09
do in the gas fire you know you get the soot. I
42:11
don't remember you have a gas fire you
42:13
get you'd have a soot and they're little stone things
42:15
at the back and I'd have a knife from the kitchen knocking
42:18
all the soot off. I'm burning things
42:21
next to the fire with like little rubber tires
42:23
on the cars. You are a menace.
42:25
You're a menace. You really are. I'm a mania.
42:28
And then you are. I thought you
42:30
love things like that magnet and
42:32
I knew as soon as they slung it I thought oh that's ours.
42:35
That's it. He's gone. He is. And
42:37
every time I went down to the jetty
42:40
which is right at the end of his garden right
42:42
there was the estuary
42:45
that eventually got into the sea.
42:47
So it was a big magnet wasn't it?
42:51
It's a big magnet and they'd throw it in there
42:54
and then very slowly pull
42:57
it back. But unfortunately for us
42:59
whilst we were recording one of the sound
43:01
engineers he'd casted
43:03
the magnet out in the direction that I
43:05
wanted to cast out in. Yeah. And
43:08
he pulled up a full. I
43:11
don't know if it's working but they'll get it with a chainsaw.
43:14
Full chainsaw. A chainsaw which is about how
43:16
long is that about? Yeah. How long would we say? Three
43:18
four? Three four. Yeah. Massive
43:20
chainsaw. Full chainsaw. Obviously some workers have
43:22
been working on these jettys and obviously
43:25
thought oh this is not working let's just throw it in the
43:27
river. Or they dropped it accidentally. Possibly
43:29
yeah. And all we got was nails and bolts
43:31
on it. Bits of the roof. Bits of that
43:34
aluminium roof. But I have to say if
43:36
anyone ever did
43:39
go there it's a brilliant place.
43:41
Because interesting for us that you know
43:43
we're
43:44
in Soho at the moment
43:46
and it's you know it's tricky to walk around London
43:49
for us especially together. We
43:51
had breakfast every morning in Savannah.
43:54
It is. Just the three of us. Yeah. Which is
43:56
very unusual for us to not have a
43:58
gang of people around us. It was. just the
44:00
three of us. We turned up there, I'm amazed
44:02
we found it. The Taxi Diver that you started
44:05
to go whoo whoo whoo, turn
44:07
up every night later now, we're trying to put someone in the boot.
44:10
So much comedy. So much character. So
44:12
much comedy in this place. We
44:15
had a great time. It was a really nice
44:17
time for us to eat at Hangres. It was
44:19
an important time. You need that
44:21
on albums. You need thinking
44:23
time. Albums take thought.
44:26
Deep thought. Because
44:28
our audience, any audience,
44:31
they're smart. They can hear when
44:33
things have been thought about and
44:35
thought through and perfected
44:38
and we had time to do all
44:40
that then. It was lovely. Really
44:42
nice. And we also got
44:44
David, because it was his town. We
44:46
had the pleasure of him taking us out to... He
44:49
was showing the town off. Yeah.
44:52
And he's taking us some amazing places
44:54
where we eat or... Great restaurants. Great
44:57
restaurants or like go and look at
44:59
some great streets. We had the best
45:01
tour guide. Well he was saying that... And his lady.
45:03
He was saying, yeah, his wife. He
45:06
was saying he was European. She knew
45:08
us. Yeah. You know, better than
45:10
he did. Yeah. And
45:12
he was saying that the reason the restaurants
45:15
were so... because they're so amazing,
45:17
some of those restaurants. He said
45:19
during the pandemic, a lot of the big
45:21
chefs in New York, there's a big
45:23
exodus from New York in the pandemic, a
45:26
lot of them left, came home to Savannah and
45:28
have never gone
45:28
back. Wow. Because they've
45:30
enjoyed being back home. Because I think a lot of people...
45:33
we talked about the pandemic before.
45:36
I think a lot of people had a
45:38
bit of an epiphany during that. Yeah, reevaluation.
45:40
A really valuation. Yeah. Yeah. And
45:43
one of the little fun facts about Savannah, we all
45:45
know, is the film
45:47
which Tom Hanks was in. Oh,
45:49
it's gone. Oh, it's gone. It's there, isn't
45:52
it? The bench is there, where he sits next to
45:54
the lady with his box of chocolates. That's right.
45:56
Yeah. Well, it is exciting. We can't wait for everyone
45:59
to hear it.
45:59
I can't wait for everyone to react to it, because
46:02
that's...
46:03
obviously we want people to
46:05
hear this and enjoy it. It's
46:07
going to be the album we'll be playing on
46:09
tour next year. We've
46:13
got
46:13
performances coming up, I know, over the
46:16
next few weeks that we're going to be singing this
46:18
new music. It's just lovely, isn't it, to have new
46:20
music around us. Yeah, it's
46:22
really lovely to still be able to do
46:24
things like this. And
46:27
I have actually loved your company on
46:29
this podcast. It's been a wonderful thing. I hope
46:31
we do it again. I hope this podcast is a great
46:33
success, because this is much
46:36
better than I thought it would be. Actually, sitting
46:38
around... No, seriously, I know they're
46:41
all laughing in the background. Seriously,
46:43
sitting down with each other, finding out things
46:45
about each other that we may never have talked about
46:47
before. And that's kind of what I wanted to get
46:50
from this podcast. Closure.
46:53
No, I don't want to be in the band anymore. Yeah,
46:57
I'm excited. And don't forget, everyone listening,
46:59
that we have a lovely crew around us, so
47:01
thank you everybody. Thank you, everybody.
47:04
Because they're lighting up with us. They're about to sit here
47:06
and listen to us gabble on about all this
47:08
rubbish. And they've been so patient,
47:11
so thank you. And thanks for listening at
47:13
home. And we really hope
47:15
you enjoy the new music. And I hope some
47:17
of the stories and the things that we've told
47:19
you over the last six weeks have helped you.
47:22
Maybe understand a few of the reasons why
47:24
we do what we do, why we love what we
47:26
do, and why we love making
47:28
new music for you guys who are listening
47:30
out there. And so I'm going to do my last link
47:33
here on the piece of paper. It's very
47:35
sad. And among the tears, I'm going
47:37
to say thank you all so much for listening to take that.
47:40
This life, we have loved making this
47:42
podcast and counting down
47:43
with you every week to celebrate the
47:46
release of our new record, It's Out Tomorrow. We've
47:49
reached that point. We really have. We
47:51
hope you have enjoyed our podcast and
47:53
that you enjoyed anyhow.
47:59
Remember, you can listen to every episode
48:02
of Take That, This Life, on
48:05
Global Player. Download it from
48:07
the App Store or go to globalplayer.com.
48:10
Until next time, I'm Mark,
48:13
I'm Gary, and I'm Howard, and
48:15
we are Take That.
48:18
You got your wish, we got
48:20
it. See you guys. That
48:25
was a Global Player original podcast.
48:28
This podcast was produced by Helen Burke
48:30
and Alexander Girenais, with executive
48:32
producing by Chris Gaines.
48:34
Our head of podcasting for comedy and entertainment
48:36
is Chris Lander.
48:38
Filming and video production by Will Batchelor,
48:40
Merton Sullivan, and Samson Falladin.
48:43
With special thanks to Flossie Easthope and Susie
48:45
Walby at Universal, Emma Powell,
48:47
Chris Dempsey, and Nick, Annie, and
48:49
Jeff at 21Soho.
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