Episode Transcript
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0:00
Oh, man. I got your Rexam scarf.
0:02
I put my scarf on. You know, you gotta enjoy
0:04
the winds. I I just watched a a Rexam
0:06
win. We're top of the league. We're
0:09
in first place, and that feels good. And I know
0:11
that's I know this is an Rexam
0:12
podcast, but You know, you gotta you gotta do
0:14
number one.
0:15
It's good. It feels good to be in
0:17
first nice. Mhmm.
0:19
You know what else? It feels good. Watching
0:22
this episode. Maybe my favorite
0:24
episode thus far during
0:26
the rewatch.
0:27
Truly. Truly. Up there for me
0:29
too.
0:29
It's it's up there probably one of
0:31
my top ten episodes
0:33
of all time. Yeah. It's like I say that a lot,
0:35
but Yeah.
0:37
I you wanna do us an intro, Maggie?
0:39
Yeah. Like So Sure. We're
0:42
getting right into the epic so that none of
0:44
you are coming in hot? No.
0:46
No. No. Let's get the fans what they want. They wanna
0:48
hear us talk about the episode. This is a good one to
0:50
talk about. We're in the process of working
0:52
on the show, so it feels like it's very present
0:54
in our minds how things happen and
0:57
and how they happened. To
0:59
get into
0:59
it. Well, I mean, unless we
1:00
wanna give some people some context is where we
1:02
are. We are one day out.
1:05
From production on season sixteen.
1:07
We start filming tomorrow, babies.
1:09
In the Philadelphia, we start filming
1:11
tomorrow. Mhmm. And
1:15
we're finishing things up. We're
1:17
a good show behind on a few things,
1:20
but not than other seasons. We usually
1:22
have one script or two that we're like, okay. We're
1:24
gonna be working on those in our trailers. That's right.
1:26
That's right. We got it there.
1:28
That's where we're
1:29
at. It's fun watching episode like this though
1:31
because gets me excited
1:33
to act
1:35
to transition to anything on the show.
1:37
It's a good, like, they
1:39
can feel like this. We're doing something right. Mhmm.
1:42
Great. Very inspiring. Very
1:45
inspiring. Very
1:45
inspiring. Very inspiring.
1:46
Let's tell the audience what the episode is about.
1:48
So season five episode
1:51
two is what we're discussing today, the gang
1:53
hits the road. It aired on September
1:55
twenty fourth two thousand nine was written by
1:57
Charlie and Glen and directed by Fred
1:59
Savage. The gang tries to expand
2:01
the horizons by going on a road trip to the Grand
2:03
Canyon, but they hit a few speed
2:05
bumps along the way.
2:08
Oh, yeah. More than a few. Right.
2:11
Charlie, I remember writing
2:13
this episode with you. It was the
2:16
first year. We were in these offices
2:18
On the fox lot, however, we were one floor
2:20
down from here. We're on the fourth floor. We were on the third
2:22
floor when we wrote that. We were in the exact
2:25
office below the office that we've been writing
2:27
this entire season from.
2:29
And as all the the creeps can tell, it's
2:31
it's so inspiring.
2:33
The car is very It sounds
2:35
like and by the way, Meg put these up.
2:37
Mhmm. Here they can see there might be
2:39
thing to break up walls. Otherwise, it's just a white
2:41
wall. Just a white room.
2:43
Yeah. With windows, which are not which are
2:45
nice But sterile. --
2:46
sterile. Very sterile. But I like to start
2:48
from a sterile place, you know, before I get things dirty.
2:51
Okay. You know,
2:53
like,
2:54
the purity of this Yeah. Like,
2:56
it forces you to go somewhere else
2:58
in your mind, and that is your imagination.
3:01
And that's where
3:02
stories come. Yes.
3:04
It is. He's right. He's right. Tell
3:07
me about what happened. We
3:21
had a lot of fun. We were having a lot of
3:23
fun. I don't remember
3:25
exactly how specific and
3:27
extensive the brake was, but I do
3:29
remember that it
3:31
came to us very, very quickly. And
3:34
we had a draft, an entire draft
3:36
of the episode done by the end of the
3:38
first day of writing with it, which is outrageous.
3:42
It just happened very, very quickly. And how
3:44
do you think we changed that much?
3:46
We we always you know, we went back through it and we
3:48
because it had only taken us a day. We were like, let's
3:50
just take another day and and go through
3:52
it, make sure that everything's as good as it can be, but
3:55
it just flowed. Really? You
3:57
can tell, like, watching it and my
4:00
favorite thing is when we're writing and you
4:03
hit you hit that thing where the writing
4:05
is actually doing
4:07
the breaking for you. So, like, you've done some
4:10
breaking, but you're coming
4:12
up with things in how you execute a scene that you're
4:14
like, oh, we'll we'll actually pay this
4:16
off later So think that I imagine
4:18
weren't in there as
4:21
as we were, like, writing it. I I
4:23
remember these kind things coming up, like, probably
4:25
like the pee in the window
4:26
joke. And stuff like that. But yeah.
4:29
This one. Do you remember
4:30
do you guys remember where the all the fruit
4:32
stuff came from? Or that Stop harder. Yeah.
4:34
Yeah. So A writer, Scott Marter -- Yeah.
4:37
-- discovering that he -- Yeah. -- had never had a blueberry.
4:39
I believe Never eaten a blueberry. And we
4:41
just couldn't believe that a person had never
4:43
tasted a blueberryberryberryberryberryberryberryberryberryberryberry. And and
4:46
that was just the beginning. Then we really got into
4:48
listing all the things that he had never eaten
4:50
in in
4:50
apricot, a pear. And it wasn't
4:53
just fruit specific.
4:54
Other vegetables.
4:55
It was other, like, certain kind of, like, a
4:57
chicken -- Very cold. -- sandwich. She was very,
4:59
very common foods. Like, extremely
5:01
common foods, not rare foods, not exotic
5:03
foods, very common foods. Yeah. And he
5:05
had not had a number of them. It
5:08
wasn't you know, it's very it's It's one thing when
5:10
somebody's like, I don't
5:12
yeah. I know it's weird, but I don't like blueberries.
5:14
Okay? I get that. A little weird. Blueberries
5:16
are
5:16
delicious. Never tried it. Never
5:19
even tried one. Never tried them. Not
5:21
even but every once in a while, he'd bring
5:23
in, like, smelling salts. And he'd be like, let's do these
5:25
today. Yeah. Sure. And he'd smell those. How do
5:27
they
5:27
get that far in life without trying a blueberry?
5:30
Well, you know, that'll be
5:31
a question for when we do the murder.
5:33
We just save that for when
5:35
he's not here
5:35
here today. Right? He's not here today, but they
5:37
have a great that they will.
5:39
Alright. Well, I bring them back. Oh, thanks.
5:42
Oh, you are
5:42
going to dain us with your
5:44
presence. Oh, will you? Alright. Well, we've
5:46
worked up to a point for fifteen years.
5:48
That's for sure. You guys are missing
5:50
fun conversations. The writers room with them,
5:52
like, Rosalyn, I talked for an extensive
5:54
period of time about nitrous the other
5:56
day, which was fun.
5:57
Sure. Because I
5:58
was gonna go get some for, like, little
6:00
outpatient procedure, and he was like,
6:02
oh, yeah. What are you? Did did you
6:03
have the nitrous?
6:04
Yeah. I did. I have that. It wasn't as
6:06
good as I thought was gonna be. I thought it was gonna
6:08
be strong and it was
6:09
fine.
6:10
Yeah. They were like it feels like a warm
6:12
blanket kinda like com like kind
6:14
of sitting. And it was
6:15
good, but I don't think it had the strength
6:17
of the kind that Roselle was talking about, which is when
6:20
you just hoff off of
6:21
-- Yeah. -- like a -- I have a balloon. -- I don't know.
6:23
-- parking lot at the
6:24
beach. Gotcha. And then you you pay basically
6:26
go brain down to thirty go brain down to thirty go brain.
6:27
And then everything
6:29
just goes Angel. Will,
6:30
you know, when you fall down and Right.
6:32
He's, like, That's what that's
6:33
what I remember. I remember there always being this bold
6:36
bold bold bold bold bold bold.
6:37
Is
6:37
the sound of your brain dying
6:39
really a little bit. Is
6:40
the sound of the blood trying to
6:42
But, yeah, it wasn't as good. But, you know, it's
6:44
because it was administered to me by a doctor and
6:46
not a
6:46
whipped cream can. And
6:48
not a for another fourteen year old who who
6:50
had the cracker. You remember that as a thing that actually
6:53
got into the nitrous was the crack was the cracking
6:55
tool. No. I don't know. Oh, yeah. Oh, you guys I
6:57
mean, then you didn't do whippets.
6:59
No. I did witness I did witness witness
7:01
with the Oh oh, the big you did the big
7:03
night. I did yeah. Yeah. We had we had
7:05
Well, you know, you could buy the individual. Yes.
7:08
Oh, it was it was almost like the keg tap.
7:10
Whoever had the cracker is the person who
7:12
had the the the tap. That was the that
7:14
was the the tool. That would allow you to
7:16
crack the thing open and then fill up a
7:17
balloon. And it was just another
7:19
fifteen year old.
7:20
Who was in charge of the cracker? I just
7:21
now that I've got kids, I just I
7:25
don't want to think
7:27
about that for my kids. I I'm happy
7:29
to say I probably only did.
7:31
I could probably count on two hands the number of times
7:33
I actually did it, maybe three
7:36
hands. Sure.
7:39
But you hit certain point where you're you realize,
7:41
okay, I'm gonna stop doing that because
7:43
I I truly believe I don't even
7:45
love the sensation that It's
7:47
not that great. I'm
7:47
just gonna experiment with it, and then I realized I'm actually
7:50
killing myself. And then there were the kids who were like, I'm
7:52
gonna do this
7:53
every brand.
7:54
And then you realize, well, they're gonna
7:56
do lots of things every And -- Okay. --
7:58
let me see if things that make
8:00
you pass out from the episode. I did
8:03
notice on this rewatch a very
8:05
funny choice by Charlie for when you guys
8:07
like the wicker chairs on fire, and it, like,
8:09
gasses you in the in the trailer and
8:11
think that you open up the thing. And Charlie is
8:13
just face this
8:14
down. Yeah. We were talking about that. Like
8:17
Yeah. I thought funny.
8:18
He made the choice to to just, like,
8:20
face face directly, face down.
8:22
Arms at his sides, arms at backwards.
8:24
As if you just like Yeah. We we've
8:27
always enjoyed that kind of fall
8:29
where some you get knocked out instantly
8:31
and your arms are not you don't even stop
8:33
yourself. Your arms just at yourself. I
8:35
remember wanting to do it in a way that
8:37
was, like, it seemed really believable that
8:39
he made no effort to stop himself.
8:41
Yeah. Yeah. But
8:42
also, I remember being like, you know, you gotta
8:45
wait for a a good chunk of dialogue
8:47
before they open the thing and just be
8:48
like, this is uncomfortable. This is straight
8:51
away.
8:51
Oh, yeah. But yeah. Straight down on Knowing
8:53
it would be
8:53
funny, Billy, but it'll be a good bet. Worth it.
8:55
The biggest laugh for me in that whole episode
8:58
is the Jabachi Grill
9:00
legs kicking up and sliding
9:02
out. Like, I'm proud of the the joke, like
9:04
the writing of the joke, but I'm really
9:06
proud of the special effects team.
9:08
That's a pretty sweet duct tape rig. You got going
9:11
on the doorman? Yeah. You like that?
9:12
Take the chairs down too. So
9:13
I'm fly I know. But you stopped at the grill,
9:15
and
9:15
that's got be confused. Ran on tape actually.
9:17
Yeah.
9:18
It's not gonna slide through the crack.
9:19
It won't because I measure the crack, and the crack is smaller
9:21
than the height of the grill. We're all hooked up
9:23
here, dude. The shotgun of beer?
9:25
Out common nerves. Sure. Well.
9:32
Do you remember how hard it
9:34
was for that to happen? No.
9:36
Oh, oh my
9:37
god. Yeah. To we had to get filament to pull
9:40
the the legs sideways and
9:41
then have someone pull it straight out. Now but
9:44
at the time, we were very very frustrated.
9:46
And we had a we had a great special effects
9:48
team. But for some reason, this was the one that stumped
9:50
them because you had to get the timing exactly
9:53
right. So I remember exactly how this happened because
9:55
you guys were in the
9:56
Oh, in the event. Sorry. Also, yes.
9:58
You know what I do remember? Also, the time and this
10:00
maybe was what you're talking about when you say timing because
10:02
it wasn't like when to do
10:03
it. It was starting
10:06
it slow and then speeding it up. Yeah. It's like, no. It's
10:08
more like it's like, do we
10:09
yank it
10:09
out? And it's like, no. Yes. Can we do it
10:11
all slow? No. You start slow
10:13
and you it's like a
10:14
Again,
10:15
hits a bump. So it's gonna go boom. Uh-huh.
10:17
And then the legs have and then the legs have come
10:19
out. And the and the legs have to it collapse at
10:21
the same time. It can't go one one. It doesn't
10:23
look as funny. It's gotta go, bump, bump,
10:25
and then out. And then And so So
10:28
we're we're we're thinking, well, we're in Hollywood,
10:30
but we know that at this point, our show is a piece
10:32
of shit, and and we don't have any money. So
10:34
we gotta figure out now again, we've seen dinosaurs
10:36
on in nineteen ninety three, and yet we
10:39
can't just get this goddamn Jabachi girl to
10:41
just do what we needed to do. They wound up having
10:43
two two special effects guys
10:45
one on one side of the trailer, one on the
10:47
other. They cut a hole through
10:49
the through the van -- Okay. -- and they pulled the string
10:52
this way. And then a third special
10:54
effects guy that pulled the thing
10:56
out. That's right. And you know why? Because
10:58
the van, there and the tightness
11:01
of the van is such that we couldn't
11:03
put two guys in there to to pull on the strings
11:05
to have the legs come
11:06
back. So we
11:06
had to, like, drill through the
11:07
Yeah. Side
11:08
that you hold. And originally, what
11:10
they did was they fed the wire this
11:12
way. Right? And then threw a little,
11:15
like, snake hole out. So
11:17
the the way that they had to sit without drilling
11:19
a hole. So all three guys were on the other
11:21
side of the truck and pulling
11:23
But how do you get the timing right where
11:25
the the tension isn't this way? The tension
11:28
is this way. But then eventually, it's got
11:30
a pull, like, through a pulley system. But it's also
11:32
funny. So complex. There's so many different ways.
11:34
Until they got it. Until they, like, thank God.
11:36
We spent the time with it because it's -- Yeah. -- it's like it's
11:38
definitely worth it.
11:39
Yeah. You yeah. You wouldn't think that it would be that difficult.
11:41
But it's also like because we have a very
11:44
specific, sort of, like,
11:46
timing in mind of what we want to happen.
11:48
It's like as you said, it's got a fault both
11:50
legs have to collapse
11:51
first. And then there's gonna be, like, the tiniest
11:53
microbebe, and then it just
11:55
Yeah.
11:56
You know what I mean? Then you guys have such a funny
11:58
reaction. It's just, like, staring
12:00
at it. Yeah. It's nice. I'm gonna hang out and react. More
12:04
up. Yeah. Just sort of there's the era of,
12:06
like, yeah, that was we could have seen that
12:09
coming.
12:09
Okay, man. Like I love it. Not the I
12:11
love the the attitudes throughout the
12:14
entire episode. It's always fun when characters
12:16
are on the same page or excited and happy
12:18
and having fun. So Dennis and Frank,
12:20
when they first get back there, how
12:22
excited they are and how on board they are. And
12:24
there's very little fighting. There's very little argument.
12:26
It's more they might have a little disagreement, but
12:28
Dennis is up for
12:29
anything. Frank's up for anything. That's fun. Same thing
12:31
when Charlie got back there as well. Everybody
12:33
decided playing those colors
12:36
as Dennis. I miss like,
12:39
playing the, you know, the the, like,
12:41
you know, still calm and still every
12:44
and still kind of narcissistic and full of
12:46
himself, but, like, I don't know, not
12:48
always angry. Just
12:50
What's that what I mean, like, what should everybody happen?
12:52
It's a simple story. There's no big
12:55
theme we're trying to jam in there. There's
12:57
no like, well, it's they've gone a road
12:59
trip, but it's really about, you
13:01
know, we're really saying it's about XYZ.
13:04
No. They're trying to go on road trip and
13:06
they're unable to pull it off. And that's
13:08
it. So it allows for those
13:10
grounded moments because people can relate to
13:13
it. Right? We we don't have to we don't have to
13:15
sort of invent a a motive for
13:17
why people would wanna go on a road trip. Like,
13:19
people go on road trip. So yeah.
13:21
So then then we have
13:23
nothing but free reigns and then be
13:25
like, okay. Well, what are the funny things that happen
13:27
that keep them from going on this road trip?
13:29
Yeah.
13:30
So, yeah, it doesn't it wouldn't make sense to have
13:32
any, like, heightened art One person
13:34
that we've talked about on the podcast in
13:36
the past and now people can put a
13:38
face to his name is Chachi. So
13:41
Chachi who we've mentioned in the podcast was Danny's
13:43
friend who may or
13:45
may not have been in a certain organization
13:48
that may or may not have existed somewhere
13:50
in the northeast part of this
13:52
country. We can't say for sure,
13:54
but we were it
13:57
could be that he possibly was a member
13:59
of one of those or types of
14:00
Like the American Legion. Like, what do you remember?
14:02
Yeah. I Yeah. Whatever. Were the the
14:04
carpenters union,
14:05
something like that. Shit. And I
14:08
have fruit. Now the thing is that Kochachai
14:10
has has since passed. So we're we're
14:12
we're clear to talk about in in many
14:14
different
14:14
ways. But none of the ways that will get us beaten
14:16
up or murdered ideally. Chachi was the
14:18
best.
14:19
He was he was so
14:20
Was it
14:21
a boxing promoter
14:22
for Tony
14:23
Danza? And that's how Danny met
14:25
him? Yes. Yeah. Chachi and I
14:27
had a night where he took me
14:29
to a
14:31
a fight at Madison Square Garden
14:33
where we took. Yeah. What was this?
14:36
Around that time, I guess. was in New York
14:38
City on it
14:40
was I don't know. It was something like we were shooting
14:42
in Philly And then there was a big fight
14:44
coming up at Madison Square Garden, and I was
14:46
talking a chaw about it. I think it may have even
14:49
been when we were doing that episode. And
14:51
he was like, I yeah. He was like, I could
14:53
I could get a sense that I fight, you know?
14:55
And I was like, let's let's do it. You know what I mean?
14:57
So I went to New York and stayed in New York and I
15:00
went to his he had a He had AAAA
15:02
coffee, like a cafe, Bay Mallory
15:04
Street. Called Mallory Street. Yeah. Little
15:06
Italy.
15:07
Yeah.
15:08
It's like a July But it was July. Yeah. It had
15:10
pizza. It had lots of things.
15:11
Yeah. Lots of stuff. Yeah. Yeah. Yeah. It had had coffee.
15:14
It had calzones. Whatever
15:15
you wanted, you could get there.
15:16
And everybody knew Chocha.
15:19
Everybody knew Chocha. Everybody knew
15:21
Chocha. And so, you know, he I
15:23
I went there and I met him there. You know, he
15:25
He fed me, gave me some espresso, then
15:27
we went to the fight together and
15:30
had a blast, and, you know, everybody at the
15:32
stadium knew him. Like, everybody, you know,
15:35
and which which had a really, really fun
15:37
night. And I think very fondly on Chachi
15:39
because he really he really, like, hosted
15:41
that
15:41
night. It was and it was It was really cool. He's
15:43
he's a very guy. No scenes down in the Italian
15:46
market are, like, they feel very alive.
15:48
There's a lot of pedestrians. And,
15:50
you know, we didn't, like, pay for, like, two hundred extras
15:52
that day. We were just filming down in the
15:54
the market. And, you
15:55
know, I'm sure we had, like, fifteen
15:57
or twenty people. Maybe we you know, had
15:59
them cross through.
16:00
That wasn't the Italian market, to be clear
16:02
-- Yeah. -- to infill yeah. But, like, we that
16:04
was still at a time where think we could shoot
16:07
and we wouldn't draw a huge
16:08
crowd. Right? Yeah. Two thousand yeah. Season
16:11
five, not yet. Right? Yeah.
16:11
We could still get away with it.
16:13
Although I do remember people yelling to Danny
16:15
when we were driving
16:16
around the car. Yes. When we hit the
16:18
guy with the with the by the way, the stunt
16:20
guy nailed it going over the body. Yeah.
16:22
Sure
16:22
did. And we'll start we'll start that from
16:24
the beginning because that was a really fun moment in the
16:26
shooting of the show that we reference a lot
16:28
because it was very specific. We were going
16:31
around a big loop. So when we were shooting, we
16:33
would just because I had to throw it up that guy's head
16:35
and I think I missed, like, three times. But we had to do
16:37
this giant loop around this one neighborhood
16:40
in Philly where we would just go up and down the
16:41
street. And
16:42
the car's being towed. Right? So the car's being towed.
16:45
Really driving. It's a yeah. Right. And so we have a camera
16:47
car shooting us. And then and so
16:49
we're just going around. We're passing the same houses
16:51
in the same people. And no one knew our
16:53
show, including people in Philadelphia,
16:55
but everybody knows Danny. So
16:58
their neighbors were out on their stoops.
17:00
And every time we would pass by,
17:02
they would yell out out. Hey, Danny. Hey, Danny.
17:06
Come on over, Danny. I'll make you
17:08
some zevie. And then we'd be passing and
17:10
then we turn
17:11
around, we come back around, and then
17:13
just more and
17:13
more people. Danny. Yeah. And
17:15
we had a joke running joke in the car about it getting
17:17
more extreme, like, Danny, come over.
17:19
Let me tie you up in the basement
17:21
with Danny. Let me wear your face
17:23
then.
17:24
I gotta slowly take off the what?
17:26
Come here, Danny. Danny, just a
17:28
little piece of your body. I
17:30
put a basic foot trophy room.
17:35
Danny, I'll bake you enthusiasm. Danny,
17:38
can we eat you forever. Yeah.
17:44
Yeah. Yeah. Everybody wanted a piece. Everybody
17:46
wanted a piece. Everybody wanted a piece of Danny. They
17:48
wanted a piece, you know. Who who can blame
17:50
him? Who can blame him? And then and then
17:52
also if you remember from that shoot, one
17:55
of the trucks got hit by lightning. One
17:57
of our camera trucks got hit by lightning. Oh, I don't
17:59
remember We were shooting down there. There was a
18:01
thunderstorm, a lightning storm.
18:03
don't know where. I remember was a huge
18:05
thunderstorm. Yeah.
18:06
And you don't really know where to go because
18:08
we don't have a set, so the neighbors were like,
18:10
you can
18:10
come into our house really? Yeah.
18:12
We'll take our chances with the lights. Yeah.
18:14
We'll take
18:14
our chances. We'd go up in these
18:16
these giant metal trucks, which, of course, are grounded
18:19
from the tires, but still, it's terrifying
18:21
and, like, the trailers, like, shaking and whatnot.
18:23
And then one of our trucks got hit by hit by
18:25
lightning. Jesus. Oh, fuck. What happened?
18:27
Did it, like, blow up or, like, no.
18:31
Maybe that's why this episode is so good because
18:33
it's, like,
18:33
infused with the power of zoom. By lightning.
18:36
That's true.
18:36
It's infused for the power of zoom. Right.
18:39
Power of Zeus came through us. Wow.
18:41
There's a lot of Philly stuff. Yeah.
18:43
You did you shoot this into other than the the
18:46
scenes in the bar, and in front of the bar, did
18:48
you shoot all of it in
18:48
Philly? The gas station scenes and stuff? No.
18:51
No. That was that was in LA.
18:53
Not far I believe, not far
18:55
from the Patty's set. Mhmm.
18:57
I
18:57
mean, it's in downtown --
19:00
Yeah. -- that, like, could
19:02
really pass for Philly because it was just very
19:04
urban and --
19:05
Yeah. -- not a lot. Like, what do you remember? Job
19:07
and chases you guys. Like
19:08
That was downtown. That was downtown.
19:10
Yeah. And I wonder because haven't been
19:12
shot down there in a while. Like, the more and more we
19:14
go down in the neighborhood, it's nicer and nicer. It's
19:16
nicer. We can't even shoot outside
19:19
of that Patty set very much anymore because it's
19:21
I went from judgment night to, like,
19:23
you
19:23
know, hipster hipster neck. Do you remember,
19:25
like, in the early years where whatever
19:27
that we might have talked about this in the podcast. The guys
19:30
across the street -- Oh, yeah. -- would just lay
19:32
on there, like, car horn when we were filming.
19:34
And our lime producer had to go over and just
19:36
give them cash It was just a It
19:38
was just a
19:39
story. It was just a shakedown. I kinda
19:41
see both sides of that. You know, I'm not sure. III
19:43
mean, they were shooting on my street.
19:45
Like, two weeks ago, and I pulled
19:48
up and they're like, you can't go up there. And I was like, no,
19:50
I live up there and they're like, sorry, you can't go through.
19:52
And I was like, I'm sorry. You're telling me
19:54
I can't go to my house and they're like, yeah, they're filming.
19:57
And was like, I'm gonna drive. And if you
19:59
get in front of my car, I'm gonna run you over.
20:01
Like, what the fuck? And of of course, it's like some
20:03
poor p a's. I've done
20:04
that. Some, like, gives the first day in the
20:06
job. Like, I was told not to let anyone out
20:08
the street. I don't really wanna work until me and
20:10
the Totally. But, like, local had
20:12
it. The guys the guys across
20:14
the street from us, they had a
20:16
business. And we would just shut the street down, or
20:18
we would do, like, intermittent. Yeah. It doesn't say, Josh,
20:20
I had a business. Cars
20:23
come in, cars go out of whose guys they
20:25
have. I don't know. The horns
20:28
fucking work. So give me cash. But that one
20:30
time in particular, I remember and they were
20:32
started they started to blare music out of there. Cars.
20:34
Yeah. Yeah. And it was because the they
20:36
were told that they couldn't bring they had some
20:38
importing, exporting business. That's right. I'm assuming there Somebody
20:41
told
20:41
them they couldn't bring truckset. Yeah.
20:42
And they were like, this is our business. You just you can't
20:44
shut down the street unless you pass. Mhmm. And so we
20:46
paid them.
20:48
Yeah. Yeah. Yeah. Yeah. It's a middle
20:49
think what you're saying is there's a middle ground.
20:52
In that case, there is a middle ground. There
20:54
is middle ground.
20:59
Alright. Who are your hates cooking?
21:01
Oh, god. It's cooking. Thank you. Overrated.
21:03
It's just it's it's so much time and energy,
21:05
hours of shopping, prep, and cooking,
21:08
and cleaning.
21:08
Also, it's just not
21:09
economical. Well, check it out, Charlie. We're sponsored
21:11
by Factor. America's number
21:13
one ready to eat meal
21:15
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21:15
shipped fresh nutritious meals made
21:17
with high protein. I love that. I love
21:20
protein guys. Yeah. Big protein guy.
21:22
I love factor, especially the protein plus
21:24
meals because they are are filling and great for my
21:26
busy days where I want a quick and healthy
21:28
meal. Well, that's a huge boom when we're busy on
21:30
set. You know, we're just kicking off production and this hardly
21:32
ever time to fit a meal into
21:34
your
21:35
schedules.
21:35
Well, we do have a caterer, you're aware of this. Right? Well,
21:37
yeah. I I mean, you know, but the the caterer, he's not
21:39
dietitian approved.
21:40
Factor is. Plus it only takes two minutes
21:42
to heat up versus trudging over to the truck and,
21:44
you know, waiting in line. Yeah. Who can you wait in
21:46
line? Well, I'm not.
21:48
I cut to the front. But Yeah. You
21:51
know what I'm saying in theory. Be like Glen.
21:53
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21:55
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21:57
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22:07
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22:09
fifty to get fifty percent off your
22:11
first box. What
22:17
else from this one? Oh,
22:18
Runaway Train. Well,
22:20
I can't even perform the runaway And
22:22
the runaway train And your performance
22:24
is getting the piss in the face is very real.
22:26
Yes. Yeah. You play the I really got
22:28
slapped in the face with apple juice or something like
22:30
that. Yes. So you were feeling the actual
22:32
frustration.
22:33
Now that kid's gotta be sixty
22:36
two, sixty three years old. Kevin
22:38
McCain. Oh, look at that case. What's his name?
22:40
Shannon McCain.
22:41
Shannon McCain. What's he up to? Is
22:43
he has he been
22:44
working at all? Shannon McCain? He's thirty eight years
22:46
old. Wow. Wow. Does
22:48
it hear his story? Did he get into the floor? Right. Particularly
22:51
working.
22:51
Good. Yeah. They didn't have to get into the porn, like
22:53
like, dude.
22:53
I don't know what that tiny little body is.
22:57
No. That's what tiny little body is. So
22:59
that means he was twenty four when he did it.
23:01
Did the episode.
23:02
Yeah. Yeah. Yeah. Well, I didn't run away train
23:04
with your pitch. I feel like maybe I remember, like, working
23:06
on that and, like, might have had
23:08
some different song or something, and
23:10
I think I wasn't in the break.
23:13
Maybe it was. Maybe it was Maybe it's right that you had in the room
23:15
because I feel like you liked that song.
23:17
I like well, I like that. I remember
23:20
that song being on the summer
23:22
of probably nineteen ninety
23:25
I'm gonna say, four. Sure.
23:27
A summer of nineteen ninety four.
23:29
That sounds right. That song was on constantly.
23:32
And the video, they would play the video, and it
23:34
was all about, like, runaways. And then it
23:36
became a whole marketing campaign
23:39
where they were talking about how many lives the song
23:41
saved because people were runaways
23:44
were inspired to, like, call home or come
23:46
home. This is, like, all engineered by MTV,
23:48
and I thought, man, it just seemed like such a scam
23:50
to sell to sell
23:51
records. Right. As if they were, like, on the street
23:53
that would hear that song and be like, oh, you know what?
23:55
I'm the runaway train. I'm the runaway train.
23:58
I'm the runaway train. Back in touch with my
24:00
my family who's who's definitely looking for
24:02
me. That's why I ran away in the first room.
24:04
They're really
24:05
Right. They're really
24:06
up. That's the nuclear family that I need to. Yeah.
24:08
I love that she's like, you need to hear the
24:10
songs. It's got a message for you, and then she cannot
24:13
remember the
24:13
worst. Yeah. Delivers all the emotion,
24:16
but -- Yeah.
24:16
-- few of the also like that she she
24:19
immediately is, like, invading the
24:21
space.
24:21
Like, she's she's gotten drunk, like,
24:23
so fast.
24:24
And she also mimes like,
24:27
you get she starts moving
24:28
Yeah. -- as, like, before she reveals
24:30
the piss jar. Yeah. She does a couple of movements,
24:33
which, like, on second
24:34
viewing, you're like, oh, that was her zipping not. Yep.
24:36
Yep. Yep. That was Yeah. Yeah. Yeah.
24:39
I guess, I'm meaning to hear about.
24:43
One second. Just
24:46
easier than dealing with the
24:48
big. Why won't
24:51
they change
25:23
And it's an open mouth jar.
25:25
Yes. It's like so how did she
25:28
That's a bunch of dudes. Right?
25:30
Well, I'm a good guy. I don't know. How does it
25:31
wanna have been, like, dude, Kayla? Just
25:33
figure it out. I
25:34
don't know. It's just a good good name.
25:38
Wonder how many of her cars we wrecked. So
25:40
we wrecked the the first, the blue one,
25:42
and Mac and Charlie died, and then this one gets
25:45
stolen. And then we we wrecked
25:47
the one at the McPoyle wedding
25:48
massacre. I
25:49
dragged it
25:50
into the pole.
25:50
think it's
25:51
a purple pizza cruiser.
25:52
Yep. Yep. Is
25:54
that it?
25:54
There's a few. And that's maybe it.
25:57
I
25:57
told him. Three's a lot. Three's a lot.
25:59
Three's lot of cars. Correct? Yeah. Yeah. Just try.
26:02
Do you remember anything else about the writing of this episode?
26:06
Charles? Nope. Me either.
26:09
You guys you know, or did you have
26:11
all that what I like about it is that there's just
26:13
the simplicity and just mixing up the pairings.
26:16
Like, somebody goes back into the
26:18
back and then somebody moves to the front seat
26:20
and, like, that kind of energy of the story
26:22
is just really funny.
26:23
Okay. Yeah. Yeah. But was that planned?
26:25
Or did you guys just be, like, generally, they're
26:27
gonna be on a road trip.
26:29
I mean, I think it's so long ago.
26:31
It's really hard to remember. Yeah.
26:32
It's hard to remember. Like, I mean, I don't think we would have gone
26:34
into writing it without there being I don't think
26:36
we broke them in the detail
26:39
that we break the stories now. Like, sometimes
26:41
we did and sometimes we did it. Sometimes we were like,
26:43
they go on the road trip. This happens. They
26:45
go to the farmer's market. We do
26:48
the blueberry
26:48
run. The cargot stolen. You
26:50
know, like,
26:51
Well, like, in a row You're not gonna pat down.
26:54
I
26:54
think you improv
26:55
improvise out of the day.
26:57
Possibly. I mean, I remember Roselle pitching
26:59
the sheriff of patties. Okay.
27:00
So that was probably in the show. Because it got back
27:02
in the last scene. Yeah. So But I think
27:05
In the ocular
27:05
pat down thing, joke, I'm pretty sure
27:07
you came up with, though. Yeah.
27:09
I didn't ocular pat down, and I cleared him. Mhmm.
27:12
I'm sorry? I'm saying that I did an ocular assessment
27:15
in the
27:15
situation, Garner, that he was not security risk, and
27:17
I cleared him for passage.
27:18
Ocular. That what in that
27:20
hell are you talking about?
27:21
I'm talking about breaking down the security
27:24
situation, clearing an individual, and making
27:26
it safe for passage. Oh,
27:29
how exactly do you view yourself within
27:32
the context of our group? This
27:36
sheriff of patties. Can't
27:38
I can't have this conversation
27:39
right now.
27:40
I wanna unfold this thing. I'm gonna pass out. But
27:42
my favorite part of that whole thing was is
27:44
setting that up. And then in the end, finding out
27:47
that Charlie. He's also very much aware of the
27:49
process. And and he he's a clear clear.
27:51
On my side, we're we're we're we're we're we're we're
27:53
we're we're we're we're we're we're
27:55
He said the kid was clear. So I
27:57
figured -- Which is very clear, and we're good. -- coming
27:59
off the heels of us having no idea
28:01
how you view the captain.
28:02
Since it the funny reveal that we've had these
28:04
conversations many times. Yeah. Yeah. Yeah.
28:07
Also
28:07
liked the little run about the glaze on the
28:09
chairs. You guys
28:10
being
28:10
It was a It a glaze.
28:12
Yeah. It was a glaze. Yeah. We pass that in.
28:14
So that's our inspiration.
28:16
Well, I don't remember how we did I guess we just had
28:18
a smoke machine in there. I don't remember how we
28:20
did that. Yeah. I think it was just that thing just that. I don't
28:22
think it was anything more complicated than that. Thank
28:24
god, we didn't have to actually set anything on fire.
28:26
Because they they send the whole fire department when
28:28
you do
28:28
that. Fucking light candle these days on
28:30
set and the whole fire department's got
28:32
a shot. I I tried to cook my husband dinner
28:34
on Friday and fire department calls.
28:37
Yeah. Why do
28:38
I set off an alarm? I did. I set off our
28:40
own fire alarms, and apparently, we
28:42
have we have it's somehow connected
28:44
to, like, the security alarm,
28:46
and then they they called us and the fire
28:48
department called. And so to very
28:50
embarrassing conversations. My husband just had to be
28:52
like, no. My wife's just cooking. Yeah.
28:55
It doesn't happen very often. That's probably
28:57
why we haven't
28:58
been. So they actually came by. Now, No.
29:00
No. They just Oh, they did? Okay. Alright.
29:02
Well, so I had an experience, I don't know,
29:04
it was maybe about year ago, and we were we had,
29:06
like, a busted pipe in our landscaping.
29:09
And we had, like, expanded our landscaping.
29:12
So I knew where the landscaping
29:15
the the controls were for turning
29:17
off all the water that goes to landscaping. Except
29:19
there's this like a new section of landscaping that
29:22
had been done and it wasn't on the same pipe. So I was
29:24
like, I don't know how to stop this and there's this fucking water
29:26
guys ring. So we had to call
29:28
we had to call I don't
29:30
know if we called I guess, we've called the fire department
29:32
or somebody. Actually, I don't know. Yeah. I guess we did.
29:35
But they they show you know, we're just, like, just
29:37
like, why do you always have to show up in a fire
29:39
truck? Like, you know, it's like it's like midnight,
29:41
you know. Like, the whole waking
29:43
the whole neighbor neighborhood up to iron
29:46
got, like, blaring honking the
29:47
horn, like, lights blowing up, you know, or
29:50
it's like, oh, man. It's vitamin.
29:52
Fummin.
29:52
Red.
29:52
Oh, we have to stay by the way. Hornsby.
29:55
And and I I these guys
29:57
got out. I
29:59
There's nothing more emasculating. It's
30:01
so massive.
30:01
Hey, bud. You want us to turn your water off for you? Yeah.
30:03
Yeah. Yeah. Basically, he wants to come in there to take care
30:06
of your wife too. Yeah.
30:06
You could turn her watery. Every single
30:09
guy was was, like, six foot three
30:11
on average. You know what mean? Like, no one was below
30:13
six foot three. Mhmm. It was like six foot three
30:15
and above. Every single guy, I'm not kidding
30:17
you looked like he could be a male
30:18
model. We
30:20
got the calendar shoot right after this. So
30:22
that looks like it. Yeah. I will say I noticed
30:24
I noticed the a major difference when I first
30:26
moved to Los Angeles with the police force.
30:28
I noticed the the LAPD and
30:30
the California State highway patrol.
30:33
Those are some big people. And and in
30:35
shape people. Even the even if the women aren't
30:37
large, they seem like they're in very good shape. And all
30:39
the cops I knew in New York and Philly --
30:41
Yeah.
30:41
That is how -- yeah.
30:42
Not really because they were skinny, but, like,
30:44
never, like, not in, like, the kind of
30:46
California shape where
30:47
Yeah. Right. These are California firemen and
30:50
-- Yeah. -- the policeman. Right? Yeah.
30:52
Yeah. Just coming correct.
30:54
Right? Just coming straight from the gym, like, at
30:56
the gym at four AM every single morning.
30:58
You know what I mean? Cooking, cooking,
31:00
you know, sticking to a
31:02
paleo diet down there at the
31:04
at the firehouse. Right? Cooking everybody
31:07
chicken and vegetables. Let's lay off the
31:09
rice guys. We're getting a few l b's when
31:11
we show up to these people's house, we've really got to make
31:13
the men feel small. That's our
31:15
primary goal here. Right? Putting out fires
31:17
absolutely every time if we
31:19
can. More important than that though,
31:21
and pressing the woman in emasculating it.
31:23
And that's why they became firemen in the first
31:25
place. Right?
31:26
Yep. That's right. I think you're absolutely right.
31:28
Know it's
31:29
all the time. Was that I'm brought on the
31:31
day?
31:31
Or was that a death? can't remember. Definitely. The
31:34
whole thing? Yeah. It was pretty
31:36
gross. Just standing in the in the core.
31:39
He
31:39
told me not to eat the stem, dude. Did you eat the
31:41
stickers that are all over it? Yeah. It was gross.
31:43
Of course, it's gross. It's a
31:44
sticker. Price stickers all the time.
31:47
Dude, God.
31:47
This whole thing is a disaster. I'm
31:49
going back to the car.
31:50
We fought about that in the
31:52
in the meeting room. Yes. We did. Because you were
31:54
we we both were on the same page where you're
31:56
like, I thought it was
31:58
funny. Yeah. Because you are proud to I eat stickers
32:01
all the time and you were like, that is the dumbest thing I've ever
32:03
heard. We're now establishing those at
32:04
me. Charlie eats stickers all the time and we're
32:06
like, yes. Okay. Good. You guys remember that too.
32:08
Oh, yeah. Yeah. Look, I'll I'll fully admit that
32:10
that there's there's just and everybody's got
32:12
a
32:13
line. Right? Everybody's got a line. sounds like these
32:15
are earlier seasons. Right? So maybe
32:17
the characters aren't have gone as
32:19
crazy yet. So you're you're still
32:21
having a conversation, you know, do
32:23
or do they not eat stickers, you know,
32:25
by season six and seven. We know that
32:28
Charlie and Frank, and possibly sometimes
32:30
maybe Mac, eat
32:31
stickers, change,
32:32
Charlie. Like, sure. We need contracts and
32:34
also, like
32:35
Yeah. I feel like
32:36
Yeah. I mean, there's real hair in your feces.
32:38
Small hair. Zero three. So
32:40
yeah. So I down for that. Yeah. Credit pieces
32:42
of a credit card, Wolf hair, like,
32:44
all inclusive
32:45
form. The line is always changing and -- Yeah.
32:47
-- and always but we just had a conversation this morning.
32:49
I know where Glenn was pointing something
32:51
out that was, like, I don't think this makes any kind of rational
32:54
sense. And Charlie and I are both, like, I can't
32:56
see
32:57
it. Like, there's part of me that just want like, in those
32:59
moments, I wanna back down just because IIII
33:02
could just sense you guys
33:03
being, like, on us. Yeah. But we didn't fight
33:05
back with us. No, you did. We didn't fight back. We were
33:07
like, okay.
33:09
Okay. Let's let's see.
33:11
Let's pin it. Let's see if we can figure it out.
33:13
Yeah. But, you know, there is a there
33:15
is a tendency to wanna just be like,
33:18
Well, come on, man. Like, we we do crazy
33:20
shit all the time. Why is it this thing? But
33:23
we each have one of those moments
33:25
throughout the week where you're
33:27
like, no, this is my line. And
33:29
we can either, like, tell the person they're being
33:31
stupid or we can kind of figure out By the way, I
33:33
I usually like to be like, do
33:36
you guys stand behind? Do you fully
33:38
stand behind this? And if you do and you
33:40
guys are like, this is amazing, I fully stand
33:42
behind it. I stole my fight back a little
33:44
bit, but I'll but I'll eventually just be
33:46
like, alright, I'm just gonna back off. Yeah.
33:48
You know what I mean? Because
33:50
I don't think you'd do it that often. Let's just
33:52
do it down
33:53
then. No. No. No. I mean, it's Look at
33:55
the joke is really
33:57
funny.
33:58
You know, you'd probably get a little scared of the
34:01
broken nose. No. You know
34:03
what it is? It's actually the opposite. It's when
34:05
I'm like, this If it's really
34:08
really funny, I care less
34:10
about how ground ground
34:12
it is. You know what I mean? If it's making but
34:15
that's my but that's my me thinking something's funny
34:17
or not funny. You know, as far as you guys might find
34:19
something funny that I'm like, I don't even think that so
34:21
not only is that not funny, but it
34:23
but it also there's there's not grounded in any sort
34:25
of reality that I can
34:26
believe. Yeah.
34:26
That's a it's just a reality thing. Right? Yeah. That's
34:29
a stigger thing for you or the gun thing with Frank
34:31
and the and episode are you shooting
34:33
in that
34:33
thing? We're like It's just not that funny to
34:35
me. So I'm like, why are we bending reality
34:38
for some but it's funny to you guys, and it's funny to
34:40
a lot people in the
34:40
audience. So it's like,
34:42
Okay. Is what it is. What about now?
34:44
Is this a stick or thing funny to do now?
34:46
No. Not funny. But I can appreciate
34:48
why III understand why other people think
34:50
it's funny. I just
34:53
don't think it's that funny. I mean,
34:55
I think you don't
34:56
buy
34:56
that the guy would eat stickers all the time? No.
34:59
I buy that you would have eaten the sticker on the
35:01
pear and that that it tasted
35:03
awful and that you ate the stem and the seeds and all
35:05
that kind of shit because you don't know how to a
35:07
pair. Like, I I somehow that's okay with
35:09
me. But
35:09
Mhmm. -- this is the one step pass This
35:11
is the one step pass when
35:12
you say, like, I eat stickers all the time. That means
35:14
that means you're a man who looks at a tracker and
35:16
goes, I'm gonna eat that. Yeah.
35:17
Probably just like a scratch, a snip snip
35:20
snip
35:20
snip snip snip snip. So
35:23
that additional line would have bought a bathroom.
35:25
If he was like, what are you talking about, like, you scratch
35:27
your snip, your
35:28
taste. You scratch your snip. It's like it's just scratching
35:30
snip. Yeah. Since what? It's
35:33
scratching the face. Scratched
35:34
if it tastes. The ones with the bananas, do
35:36
taste like bananas.
35:38
Have you guys ever been to the Grand Canyon?
35:40
I have. I have yet seen it. That one's
35:43
Really? You've never
35:44
Merrillers than I did a road
35:46
trip once with our dog many
35:48
years ago, our first
35:49
dog, Arthur. And It
35:51
was two degrees when we got to the grand canyon,
35:54
and Arthur had to take a
35:55
crap. And I remember, like,
35:57
the steam coming up. You
36:00
just, like, squeeze one
36:01
out.
36:02
Dude, dump up the grand canyon. We stayed like
36:04
a red roof in, you know.
36:06
Yeah. It's been old days. Old
36:08
days. Right? I looked at it. It was like, this is
36:10
really sad, but looked at it. It was like, yeah, sure.
36:13
Oh, really? Yeah. I think because I'd
36:15
seen things in books and on television
36:17
so many times. Yes. What what is it impressive,
36:20
of course. But there's something about
36:22
this world that we live in now that you have access
36:25
to things so much, you Like,
36:27
I imagine seeing that for the first time when you're riding
36:29
your horse across the country and you're like, oh, shit.
36:32
Whole. Big hole. Yeah.
36:35
We got a home. Big
36:36
hole. Big hole. Yeah.
36:39
It could be the end of the world.
36:41
Not sure. Yes. This is where the world
36:43
It is strange because I've flown over it so
36:45
many times because that is the direct route
36:47
back to the East Coast. And so you
36:49
look at it from the sky. And of course,
36:51
it's impressive. It's a massive gorge. But
36:53
because of the scale, because of the
36:55
height, Yeah. You're like, you can't really
36:57
get a sense of it because so I'm kinda like,
36:59
I get it. Yeah. I had the exact opposite
37:02
reaction. I did not I actually
37:04
expected my maybe because my expectations
37:06
were
37:06
low. I fully expected to not be impressed
37:08
by it because it's seen so many pictures of it.
37:10
Right? I'm like, wow. I mean, I just it's it's
37:12
a fucking hole in the ground. Like, it gives a shit. But,
37:15
you know, whatever it was, we were on a road trip. My
37:17
girlfriend and I at the time, it was the early two thousands,
37:19
and we just we were, like, let's
37:21
stop by the Grand Canyon. Great. Went to the grand
37:23
we went to, like, this one area where you
37:26
could
37:26
really, like, stand, like, really close to the edge
37:28
and which is maybe
37:30
a lot of it.
37:32
But I was absolutely floored.
37:35
To me, it gave me the feeling of being like, oh,
37:37
I'm so small and insignificant in
37:39
way that actually
37:40
is, like, kind of great. And -- Yeah. -- it
37:42
sounded really I felt the same. There's
37:44
a space to that for me. Where do you see, like, how
37:46
many galaxies there are? And like, Wait.
37:48
Wait. We're one dot in one of these
37:50
things. Like, I find that comforting.
37:53
But the grand
37:53
canyon, I was like, oh,
37:55
it's nice.
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Have you guys ever hitchhiked and or picked
40:48
up a hitchhiker before? Yes.
40:51
Yeah? Which one? No. I don't.
40:53
I think for me.
40:54
In in New Jersey, hit
40:56
check-in? In New Jersey, like, you know, on those You picked
40:58
one up or you were hit check-in. Many
41:00
times. You hit check? I have. But
41:02
not like a not like a whole boat across
41:04
the country. You know, like
41:06
Jersey shore towns, like in shore
41:08
towns where people are just going back
41:10
and forth to different, like, vacation
41:13
spots to people would be a hitchhike all the
41:15
time. Okay. I finished, like,
41:17
many many times. I mean, through, like, entire
41:19
summers back and forth.
41:20
And how many people did you did you rob?
41:22
How many people did you just Zero? Had
41:25
I had I had zero negative.
41:27
I got into car accident one time with somebody
41:29
who was who I was I had
41:32
hitched a ride with somebody who had been
41:34
drinking. Mhmm. And I should've thought said,
41:36
maybe I'll get out of this one. I didn't. And I
41:38
we got an
41:39
accident. Any of these people
41:41
stay try to tuck in to put in your
41:43
mouth on them.
41:44
I I would have done it.
41:46
Sure. At the time. At the
41:47
time, I would have done it. Okay. Now is that because you
41:49
were just were so appreciative of them giving you a ride
41:51
and you were like, well, the least I can do is is get
41:53
my mouth on
41:54
you. I'm just I'm just trying to get my mouth on anything
41:56
I could. I was -- Anything. -- well, not
41:58
a dick, but that just wasn't my
42:00
thing. But, like, yeah, I guess, I'm
42:02
sorry.
42:02
You said you would have done it. I'm thinking you're not
42:04
anymore if it was intended.
42:06
No. I was picturing a man. So interestingly
42:08
enough, I didn't even go there. I went right
42:11
to a woman, a young woman asking me to
42:13
put my mouth on her for a ride.
42:15
And that's never happened in history of human
42:17
history that type. Right? think it's gonna
42:19
be a man that's gonna be
42:20
neutral. Yeah. I just if I ran in
42:22
size more maybe, but other than that, I'm
42:24
sorry, the more it's gonna want you to split it together.
42:27
Okay. There's so many moments in this episode
42:29
that that had me chuckling. I'm
42:32
trying to
42:32
remember I'm trying to find the theme of the states.
42:35
I thought was very funny Mhmm. -- saying
42:37
East Virginia and West Virginia and North
42:39
Virginia and all the some
42:41
of the things from my well, that
42:44
that the East Virginia, West Virginia, North
42:46
Virginia came from a thing that I
42:48
swear to god, I was, like, twenty five or
42:51
twenty eight no. Twenty three, and
42:53
I was in New York. And I was looking
42:55
at a map in the United
42:56
States. And I was looking at West Virginia.
42:59
And it was, like, as if someone had told me there was,
43:01
like, a West California, I was, like, I just
43:04
cut I'd forgotten about Western Media.
43:06
I just just because, like, I'm like, what sports
43:08
teams are like, you don't you don't hear about it.
43:10
There's a chunk of my life from, like,
43:12
fifth grade when you learn the States to
43:15
my adult hood where I'd I'd forgotten
43:17
about yesterday. So I
43:19
think that, like, that straight thing was going in
43:21
there, like, being front of that. Also,
43:22
like, the her opting out for the cheaper
43:25
radio situation -- Uh-huh. -- was something
43:27
that my parents had done in my child
43:28
now. Oh, yeah. I think I've said on this, were they Yes.
43:31
-- I had a Honda -- Yeah. -- Accord nineteen eighty well,
43:33
they had a Honda Accord nineteen eighty five
43:35
with no
43:36
radio. Yeah. Just a little plastic plate
43:38
that said Honda because it was cheaper
43:41
to get the option with no
43:42
No. So not even not a CD player,
43:44
not a tape deck. No radio.
43:46
No radio, man. So I would ride around with
43:48
a boombox. Hey, yeah. Well, I think music is
43:50
distracting when you're driving and therefore dangerous.
43:52
Yeah. Also, like, they didn't, like, listen
43:55
to, like, pop music. Like,
43:57
occasionally, like, they're on a classical
43:59
station. Yeah. Right. Like,
44:01
some NPR, the news. It was usually
44:03
the news was on, or someone would sit at a
44:05
piano and be, like, trying to fit, like, knuckle
44:08
out of It's
44:08
fine. Show a pan piece, who show that your
44:10
parents and they look like the physical
44:13
embodiment of NPR. You
44:17
know, like, that's like if they don't get
44:19
size like, NPR in human form. Yeah.
44:21
Just they were they were music
44:25
theory people, but not like not
44:27
like rock and roll. People.
44:30
So yeah. So, like,
44:32
you know, my mom is teaching music class from
44:34
kindergarten to eighth grade. My dad is
44:36
teaching at the local college. And
44:38
yeah, music everywhere but right now in the
44:40
car. Yeah. But I got music in the car.
44:42
So in high school, my buddy,
44:45
Sean Coulter, had a male jeep. And
44:47
he had he had put a a
44:49
radio in there that he'd sort of
44:51
put in himself. And and the radio had a brand
44:53
name. It was called the Sparkromatic. Now
44:56
I bought the sparkle matik off a colter
44:58
and put it in my car where I had didn't quite
45:00
fit. So you had to put, like, little pieces of wood in there
45:02
just to kinda, like, get the stance. Wait.
45:04
And it worked. Went to had it for,
45:07
like, two weeks, went to one motel
45:09
six party. Somebody
45:11
stole the
45:12
party. Jack
45:12
did. The Sparkameddude. Oh,
45:14
the Sparkameddek.
45:15
I spoke of all things.
45:17
Oh, man. What about think
45:18
that the absence of that,
45:20
the hole that it left behind, led to
45:22
your hatred of holes and why
45:24
you weren't impressed by the
45:25
great stuff. It's a good callback because you were
45:27
trying to It's trying to
45:29
Dumpster is trying to tie it all together. It's
45:31
what make the So matter. Yeah.
45:34
One thing I I did pick up
45:36
on that I remembered in the
45:38
conceiving of or the writing of the episode.
45:41
I don't remember where it came if was in the break
45:43
or if it just came when we were writing it was
45:46
the French press getting the French
45:48
press at the Italian market because that
45:50
came from a very specific I
45:53
did a road trip from Alabama to
45:55
Los Angeles. I my
45:57
high school car kinda died on me,
46:00
and so I went back to
46:02
Alabama and I bought my my mom's
46:04
car, like an old Lexus. Yes.
46:07
I was like, you know, driving across the country,
46:09
you gotta have you gotta have coffee.
46:11
Right? But the coffee at, like, gas is just before
46:13
there was a Starbucks at different exits. Right?
46:15
So the coffee, you could really only a coffee at like gas
46:17
stations and stuff like that. So
46:19
I was like, I'm gonna buy I'm
46:21
gonna bring my own coffee grounds
46:24
and bring, like, just a little personal French
46:26
press and I'll stop at
46:28
the gas station, I'll fill up, I'll go
46:30
inside, and I'll ask where the hot
46:32
water is, you know, for tea and stuff. I
46:34
would just go in the gas station and I would put
46:36
my own coffee in the French press and I would
46:38
fill it with
46:39
water. It's gonna
46:39
be a second. What's your hot water for tea?
46:42
You know, I thought what? Glenius Glenn,
46:45
shit I've ever heard. And yet, it
46:47
makes absolute sense. It does. Well, it's definitely the
46:49
thing that I would make and at the time did make
46:51
fun of you for and would still make fun of you for,
46:53
but also would love I would love to enjoy
46:55
a couple of that. Well, exactly. So it makes absolutely
46:58
Yeah. Yeah. Yeah. Yeah. It's just so
46:59
particular, but it also is
47:01
fantastic.
47:01
Yes. No. It is very it is very
47:03
very glanier. Absolutely right. Adding
47:06
as many steps to my life as
47:08
possible. You know
47:09
what I mean? Like,
47:10
Rob would have just sucked somebody off for a better
47:12
cup of
47:12
content. Right. You would have just seemed like he was getting a lift
47:14
across the country. He would have let the guy
47:16
drinking espresso and then sucks. And
47:18
got the caffeine that way. That's when
47:21
the shows that as best. Like, everyone's
47:23
bringing stuff from their own lives and, you know,
47:25
you get Martin's Blueberry story
47:27
and, like, just every little things going
47:29
in there? And then do we do that anymore?
47:32
Is there anything
47:33
any piece of our That is the fear.
47:34
Right? The longer you're in the business that you're like,
47:37
Do I live enough of a life too? Well,
47:39
yes. I've thought about this a lot. Right to it. And
47:41
I'm like, I need to just, like, take a year
47:43
off and just, like, live, like,
47:45
refill you know, have stories to tell. I don't
47:47
have you know, you if you're working all the
47:49
time, you run out of stories to tell. In the writers
47:51
room, we very typically go. What
47:53
do people do? Like, that that
47:55
question
47:56
comes. Now that people What do
47:58
people do? What's the thing that people
48:00
do? Especially if you've been working
48:03
together for so long, you already know what everybody's
48:05
parents did to fuck them up. And that's what every
48:07
writer's room is. Anyway, it's like people trying
48:09
to, like, mine their history.
48:12
And try to figure out who they are
48:14
and why they are like that and then put it, like,
48:16
and view it into the characters. We've we
48:18
already know of. I hear all the secrets. Yeah. Yeah.
48:20
I know all the
48:21
secrets. Yeah. Oh, boy. They've
48:23
already gone to the show. Oh, boy.
48:25
Do you guys have any travel destinations
48:27
still on your bucket list you'd like to see before
48:29
you die?
48:30
Anything you wanna -- Before I jump
48:32
out. -- maybe the
48:34
Grand Canyon, Rob. No. No. No.
48:36
Just send the Grand Canyon. pretty awesome too much.
48:38
I'm gonna I wanna go to wanna go to Africa.
48:41
I've never been to
48:41
Africa. Mhmm. Yeah. I'd love to go to Egypt.
48:44
Yeah. I would like to go to Egypt. So definitely,
48:46
I wanna see the pyramids before I die for
48:48
sure.
48:49
A million, but I I wanna go everywhere.
48:52
Just not
48:55
right now.
48:57
Yeah. But at some point, some
48:59
point. Mhmm. Well,
49:01
the next trip we're taking is just right across
49:04
the way to the stages. You
49:06
guys are gonna
49:07
live
49:07
for the next We walked into
49:09
the bar today. And
49:12
every season since,
49:14
like, five or six. I get
49:16
a crazy sensation walking into that
49:18
bar -- Mhmm. -- where it feels
49:20
like you're home and it feels like
49:22
this place that you've lived
49:25
and that in a weird
49:27
way you also are the character
49:29
even though you're
49:30
you. I know that sounds psychotic, but, like, you've
49:33
worked there for a long time. Yeah.
49:34
If you you click into something immediately
49:36
stepping on that stage, maybe that's part of what you're talking
49:39
about. Like, you step onto the stage
49:41
and you start to feel like
49:43
you're becoming the character again or
49:45
A little bit and you feel the history of
49:47
how many years we've been working on that
49:50
stay in that set and in that
49:51
bar. There's also still the excitement especially
49:54
in the very beginning where everything's still being
49:56
put together and all the electricians are
49:58
there and they can people are there, and props
50:00
are there, and wardrobe is there, and the ADs
50:02
are there. And there's an energy to it. Yeah. It's
50:04
all coming to
50:05
me. That. But it's to me, it's like the floor
50:07
and the bar and the space and certain
50:09
little triggers like Yeah. It takes me all the way
50:11
back to the heroin examiner where we kinda
50:13
found the location and started, you know,
50:16
working on first time to all the years that
50:18
we've been there. Yeah. It's this
50:20
weird, like, other life that I've lived where
50:22
it's like I've been I've had
50:24
a life, but I've also been this person
50:26
for a long
50:26
time. Yeah.
50:27
Yeah. Weird. Sweet. I love it. You know, it's like
50:30
Well, you could really see the dust in the air, though. Couldn't
50:32
you? You guys see that? guys pick up on that?
50:34
III that's, of course, where my my
50:37
my brain goes. Interesting. I walked on the stage,
50:39
and I was just like, oh, what am I breathing? One
50:41
of my breathing. That was my first thought. Your
50:43
first thought was like, yeah, you know, there's so much history
50:46
here. So it's such a more so it's a much more healthy
50:48
thought. Well, you know, I feel that way
50:50
about movie sets, the way you feel about the
50:52
grandkids. The
50:54
magic is there for you on a movie set. The magic is there
50:56
for me and a false reality. Lady. So is
50:59
it better? I don't
50:59
know. I'm not sure. I looked at the grandkirtie.
51:01
I saw a lot of dust.
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