Episode Transcript
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0:00
Do
0:00
you guys want to tell the podcast fans
0:03
what we're doing here today? We're
0:05
in Ireland. We are in Ireland. We're in
0:07
Dublin, Ireland. Just had a pretty wild
0:09
night. I
0:19
say if you're going to do a racist stereotype, you
0:21
best do it right. It's the start of the morning, you
0:23
filthy lad. I'm fixing to have a fair little
0:25
time in this here mobile booth. Irish
0:28
auto system. Please serve yourselves.
0:30
Put the money in the bucket. Thank you. I don't
0:33
think the Irish auto system is a thing, man. Oh,
0:35
it's a thing. It's an ancient Irish tradition. Know your history,
0:37
bro. You got drunks. Irish people. You
0:40
got, I guess that's the same thing. A toast
0:42
to Ireland. Raise your
0:44
glass. To the Irish.
0:48
Anybody else out there drunk
0:50
like me and been drinking all day? Woo!
0:54
Green man bringing out the brown nectar of
0:56
the gods. That was impressive because I
0:58
can say from experience, he can't see
1:00
shit right now. I don't know what I'm doing
1:02
right now.
1:03
What is this, a podcast?
1:06
I think we should talk about It's Always Sunny in Philadelphia.
1:09
Oh shit, yeah. It's about time. Don't
1:11
you fucking start because Rob Justice
1:13
might actually come out on the stage. Alright.
1:17
See? Cheers everybody. Cheers. Cheers.
1:20
Cheers. Cheers. Cheers.
1:23
Cheers. Cheers. Cheers.
1:26
Cheers. Cheers. Cheers.
1:29
Cheers. Cheers. Cheers.
1:32
Cheers.
1:33
Cheers. Cheers. Have
1:35
you seen the former video? No, That
1:37
was... I don't think so. double the
1:40
size of any of the shows we've done. It
1:43
sounded like it. We did
1:45
London the night before Royal Albert Hall and that was
1:47
pretty sick. That was beautiful. Last night
1:49
we did Dublin
1:51
9,000 people? Something
1:54
like that. I know that was the 9,000th seater and
1:57
it was full. And a little shout out to the fans
1:59
here. in Ireland who were men
2:02
you say? Yeah. Yeah. They
2:04
were great women. They were great women too.
2:07
I thought that the British would be a little bit more reserved.
2:10
These people seem very drunk. Uh. Yeah.
2:13
Yeah. Yeah. How many of you
2:15
guys are hammer? Yeah.
2:18
All right.
2:18
How many of you actually have to work tomorrow? Yeah.
2:21
Yeah. Yeah. It was pretty
2:24
rowdy in a good way. Yeah. Rowdy
2:26
in a good way. Made me feel good in my heart
2:29
and in my soul. And in my ego. It
2:31
was the first time that we ever. Which is very near the
2:33
heart. Deep inside the ego. I think it's located
2:35
somewhere near the heart. It's right next to my heart. Yeah. Yeah.
2:39
It surrounds it. Protection. The first
2:41
time we got a safety briefing. I was like, if things get
2:43
out of hand, this is what's
2:45
going to happen. Here's the protocol.
2:47
Guys, how's your...
2:50
Our bowels? They seem a little groggy in
2:52
this podcast. Buddy, I'm gonna be
2:54
a bleary eyed bitch in
2:56
this particular podcast. I'm not sleeping well.
2:59
I'm not sleeping enough. And I am drinking
3:01
a lot.
3:02
And today is sort of our day of rest. We're
3:04
gonna go to a Wrecksham game. It will
3:06
not be restful for me. And it will not be restful.
3:09
It will be stressful. And I don't imagine
3:11
when we get there, it will be restful at all.
3:13
No. No. It's very
3:15
exciting. It's very
3:17
stressful at this point of the season. I've
3:22
talked about this in lunch shows, but I haven't in our podcast. I've
3:24
got double styes. I got a stye hero
3:26
stye hero. Wait, you got another one?
3:28
His buddy, Shana? This
3:30
one finally went away. And this one's just not
3:32
going anywhere. But it was pulled up here. And
3:34
now it's like, it's going away. But
3:36
I have a feeling it's too much stress. But
3:39
I talked to an optometrist and he said,
3:41
well, yes, it's a clogged oil duct. They said, okay,
3:43
what could cause that? And he goes, well,
3:45
it could be caused by a certain
3:47
kind of particulate in the air, a lack
3:50
of sleep, extreme stress,
3:53
not properly washing your eyes.
3:56
Gotta wash your eyes. Jamming your face. Everybody
3:58
knows that. That's all.
3:59
And I was like, well, how do you stop
4:02
them? He's like, well, reduce
4:04
stress, get more sleep, clean your
4:06
fucking eyes. And so I've
4:08
done all the other things. But you can't reduce
4:10
stress. It's hard to reduce stress with
4:13
the football. I'm blaming it solely on the football. Because
4:15
you have no control.
4:17
And I bet that's what I'm looking for. I have some control issues.
4:20
Yeah. This is challenging your ability, right?
4:22
You can't control the narrative on the field. All you do is you
4:24
put the pieces together and then the rest. It's
4:27
out of your hands. Oh, boy. Yeah.
4:29
I'm always nervous watching with you. I
4:31
know. What day was that? Were they? It
4:33
was a draw or tie. What did they say? It was
4:35
a draw. They say a draw. A tie is actually
4:38
a match.
4:39
Like, we're going to a tie tonight. Wrap
4:42
your head around that. No. No. No.
4:45
It doesn't like it. Yeah, no. Exactly.
4:48
But OK, so it was a draw.
4:50
It was a draw. And it was right down the wire.
4:53
And the opposing team had some good
4:55
shots on the goal there. Edgeman, boy,
4:58
are you going to be in? And here's an interesting
5:00
thing about European football.
5:02
The ref just sort
5:05
of arbitrarily adds time to
5:07
the end of the game. So it'd be like, well,
5:09
you know. What do you think? It's a draw right now. I'm
5:11
not a tie. Four. And we're just going to, yeah. Four,
5:14
five? What are you thinking?
5:15
Well, the boys, I think they got a bit in them.
5:18
Let's give them six. Give them six, all right. We'll
5:20
give them six. Why? Why
5:22
six? My wife says that.
5:24
Yeah, you don't want to. I don't want to
5:27
go. So they
5:28
just kind of add time, which is highly stressful.
5:31
And then that time ends. And then it keeps
5:33
going. It's for an American sports
5:35
fan. That is maddening. You know
5:37
what I mean? The lack of precision. And then it can
5:39
just keep going forever,
5:42
as long as an offensive plays
5:44
is continuing. So it could be like extra
5:47
time has elapsed. And even added
5:49
time to the extra time has elapsed. If you're on the offense
5:52
and you keep making shots and getting the ball, they'll just
5:54
keep going. I feel like I've seen it where
5:56
the time elapses, the ball changes.
5:58
Like it elapses just like that.
5:59
He just elapses, but then the ball
6:02
changes hands and they're
6:04
like, let's let them have one more shot. They
6:06
only do it if it's a draw, right? They
6:09
don't add time if it's a draw. Oh yeah, they do. Oh
6:12
yeah, yeah, yeah. Give the fuck out. Any game, every game.
6:14
You can be up by three. Every game. One, here's
6:16
one. And I'd be like, let's add six minutes and the island team
6:18
scores too. That's right, happens all the time. It makes sense
6:20
in theory, which is that the clock never stops.
6:23
It just runs and runs and runs. So if a guy gets
6:25
hurt and they're out there
6:27
and they're tending
6:29
to him and it takes four minutes to do so, the
6:31
clock never stops. It just keeps going. So
6:33
the ref just goes, great. We're
6:35
waiting for the game to pick up and he's
6:37
got this watch that just keeps
6:40
adding time. So this guy, it took
6:42
him about a minute and a half to get up.
6:44
Nice. And so well, that's a minute and a half. But
6:46
what is he doing? I think he's doing. Stop the fucking clock.
6:49
Yeah, that would make so much more sense.
6:51
So everyone goes up and up and stuff? Yeah,
6:54
I've learned my lesson. Don't ask too many questions.
6:56
Just enjoy the ball.
6:57
Yes. So
7:02
now let's raise a toast. Yeah. Let's
7:04
do it. Let's do it. I'm sorry you guys don't
7:06
have, oh wait, wait a minute. Now some of you. Oh
7:08
shit. All
7:10
right, all right. Oh wow, we can see everybody.
7:14
Oh Christ, they're not good looking. Let's get the
7:16
lights out. You all have a buzzer in
7:18
front of you.
7:20
But how this game works. Top
7:24
four answers on the board. Name
7:26
one of Rickety Crickets injuries.
7:29
Oh.
7:32
These buzzers are fucking bullshit. Show
7:35
me. No, don't say show me. She's a goddamn
7:38
whore. Did you guys know that that
7:40
was how Danny pronounces the word whore?
7:42
Or was that just a happy accident? That
7:45
was a happy accident, yeah. I mean, that wasn't the first
7:47
time he's done it, but. But
7:50
yeah, no, that was. Oh,
7:52
well, thank you. Some
7:55
whore just, we
7:58
have Mr. Ching. There
8:04
are 31 million Americans who
8:06
identify as Irish and
8:09
I am one of them. Rabbi
8:13
Malso one of them. What
8:15
that
8:15
really proves is that the
8:17
Irish can fuck. Ladies
8:21
and gentlemen, take them all so high.
8:26
What is this feeling?
8:33
I feel so strange inside. It
8:38
is strange but appealing.
8:41
I feel good. Ooh,
8:45
tiny boy, little boy, baby boy,
8:48
I need you. Tiny
8:50
boy, little boy, I want to touch you
8:52
boy. What I do to you
8:55
if I love that boy
8:57
that's inside of you. Last
8:59
night I didn't sleep that
9:02
well but for literally the first time in my life
9:04
I was up all night because I was so happy
9:06
I couldn't go to sleep. It was weird
9:08
because I've only ever had the anxious thing and
9:11
last night I was just like I don't want this day to end. Just such
9:13
a high of
9:13
doing the show in front of that many people. I
9:16
just couldn't sleep. I was just going over in my head
9:18
how great it was. Maybe
9:21
that's why I couldn't sleep last night or for the last
9:23
week. So what did you do about it? I
9:26
just laid there and appreciated
9:28
it. Just soaked it in. Wow, that was a big smile on your back.
9:31
Well I have had so many nights where I'm like oh
9:33
my god I'm so anxious. Leading up to these
9:35
shows there's a lot of anxiety about
9:38
wanting it to go well and having been a Sunny fan
9:40
for so long. The last thing I want to do in the world is
9:42
disappoint other Sunny fans. I
9:46
was really nervous and I had nights where I stayed up
9:48
thinking about like oh did I pick all the right
9:50
clips and that. But last night truly I
9:52
was just
9:53
like living it again in my head
9:56
over and it was just like so. feel
10:00
their love constantly. Even when they're being quiet,
10:03
you could feel the love of... I've
10:05
never experienced anything like that in my
10:08
life. You guys have presumably been in
10:10
front of lots of Sunny fans before
10:12
and feeling
10:13
that kind of rush. You've talked about Comic-Con
10:15
before and feeling that energy. I've
10:18
never had that before, but they
10:20
are so locked in. It's crazy.
10:23
It's elusive. I find it a little intimidating
10:26
when we're just talking because
10:28
when we have a funny clip to play
10:31
or when we're doing the
10:33
family fight game which has been
10:35
going over well or when I'm getting to sing
10:37
songs which have a beginning, middle, and end
10:40
and everyone knows what they are,
10:42
that's very comfortable. When we're just chatting,
10:44
I'm like, how is it? I see that in
10:46
you. I see you very specifically
10:49
wanting to keep things moving forward. I see you
10:51
turn like, Megan, do we have a play? He's
10:53
looking at me like, where's mine? I get it. I get it. I
10:56
just wanted to entertain. I just want to entertain.
10:59
I think it's good. I think people want
11:02
to hear us slow down a little bit. You stop down
11:05
more than I think we ever have maybe in a
11:07
live show last night to talk about
11:09
because you picked Charlie
11:11
Clips
11:12
to talk about Charlie.
11:16
In that moment, I was like, I think people
11:20
do want to hear this.
11:21
I've been asked to pick my favorite
11:23
clips of Mr. Charlie
11:26
Day. Yes. I
11:29
mean, this is my first night getting to do it.
11:31
That's exciting. This is
11:34
such an honor for me. I'm going
11:36
to try not to get too emotional, but
11:38
I will talk a little bit about Charlie. I
11:41
think I've mentioned this on the podcast, but I'm
11:43
going to tell the story again. I met
11:46
Charlie Day on an airplane. We
11:49
were both testing. A screen test
11:51
is when you're auditioning for a role. You're
11:54
really close. It's usually down to like three or
11:56
four, maybe sometimes two other people. We
11:59
were living in New York.
11:59
York City at the time and they put actors
12:02
on planes, they fly them out to LA. You
12:05
then audition and you get to see who gets the
12:07
part. For whatever reason, they
12:09
sat us next to each other. You
12:11
were going for the same part? We're going for the same part. They
12:13
sat you next to each other? Well, you could always spot the actor actually
12:16
like in the lobby because he's the only other
12:18
person like waiting for the flight like this. And
12:20
then there's... No, you do it, Carlos.
12:23
So I spied you. I
12:29
knew we were out going for the same reason. Yes, so immediately
12:31
we know, okay, that's the guy.
12:33
And I'm sitting with him and I'm thinking,
12:36
I'm going to ice this motherfucker out. I got
12:38
this guy. I'm a tad competitive.
12:41
And I thought, well, all right,
12:43
I got this job. So somewhere we
12:46
get out of JFK and
12:49
somewhere over... Somebody
12:52
just wooed on JFK. One
12:55
of our most Irish presidents other than Biden. You're
12:59
goddamn right. Yeah,
13:01
go ahead. Sorry. Irish...
13:05
JFK, Irish Catholic. Yeah. We
13:08
shot him.
13:08
Too many guns. Too many guns.
13:10
It's not wrong. Too many... Those
13:13
are just facts. Yeah. Anyway, go
13:16
on about me. So
13:25
somewhere over Ohio, and for
13:27
those of you who don't... Are
13:29
familiar with the contiguous United
13:31
States, it's like a state and a half
13:34
over from New York. I realized
13:36
I'm not going to get this job.
13:40
This is one of the funniest people I've ever
13:42
met in my
13:42
entire life and I am fucked. I am
13:45
wasting the next four hours of
13:47
a plane ride in the next three days of my life. Wait,
13:49
so it was a comedy that you were going to... Yeah, it was
13:51
a comedy. Okay. Yeah,
13:54
no, yeah, that's not... Yeah, you're fucked. Good
13:57
luck to almost anybody
13:59
in the world.
13:59
Truly. Yeah. Yeah. Yeah.
14:03
Yeah. Thank you. That's very
14:05
sweet. You want to tell them what happened
14:07
after they saw us both audition? Well,
14:10
yes. Neither, neither
14:12
one of us got the job because the whole thing fell apart.
14:15
They canceled the show. They
14:17
said, nah, this is, this is not working.
14:20
But what was birthed from that was a friendship.
14:23
And from that point forward, we would check
14:25
in with each other and, and we
14:27
would always talk about how, everything
14:30
that he was working on and all the jobs he was
14:33
getting, which were plentiful, still
14:35
weren't creatively fulfilling. He didn't have any control
14:38
or power over what was happening.
14:40
I wasn't working at all. But I,
14:43
I realized that, wow, there are some
14:46
really talented people out there. And if I could take,
14:48
and I can't do what he can do, but I can
14:50
do something else. And if I could take what I could
14:52
do and, and work with him
14:55
and work with people like him and hitch
14:57
my wagon to his star, then I would be along
14:59
for the ride.
15:00
I'm dead serious. And
15:02
that's what's been happening ever since. I
15:07
could, I could honestly say the same exact
15:10
thing about Glenn, but this isn't about Glenn
15:12
for once. For
15:16
once.
15:17
The whole show is so big and entertaining
15:19
and we are doing a bunch of stuff. I think it's, I think
15:21
we should stop down every once in a while and just like
15:23
get in, you know what I mean? Like, cause
15:26
then it's, then it's, cause otherwise it's just, you know, it's
15:29
like a, I'm not saying I'm opposed to it. like,
15:32
oh shit, what's happening? You know, the
15:34
minutes seem to take hours in that space.
15:36
Yeah, yeah, yeah, yeah. Drag on.
15:39
I think you can see how people get fucked up
15:41
by that experience. And you hear that
15:43
same story over and over again,
15:45
people in our business getting to perform
15:47
it from large groups of people feeling
15:49
the adulation or love coming
15:52
from the crowd up into the stage.
15:54
And I think what happens is people get addicted
15:56
to it
15:57
and they think that all of that external
15:59
validation.
21:59
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22:02
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23:24
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23:26
there was been over a month for you guys
23:29
but i like as a humor is due to their
23:32
state out there that long second longer than
23:34
us what else did you do over there while i
23:36
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so maybe next time we go on
24:17
a tour with the show we also
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do bunch reviews their hold on a second here
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because i'm just i'm i'm leaving this review in here
24:24
are you doing a good review i'm going to do have you hear the
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25:02
my love what you are bringing up our the royal
25:04
albert hall show us the second one in particular
25:06
you mentioned and charlie on the bus back
25:08
that you could really see him
25:10
soaking
25:10
up a lot of playing johnson
25:13
and like feeling like holy shit i'm
25:15
in such a hundred and one
25:17
hundred and fifty year old venue
25:20
where the watched it happen yeah and and i'm
25:22
playing these songs that i wrote and
25:24
people are singing along they know all the words
25:27
and we got to see just how is
25:29
such a true for me to get to do that to
25:31
really kind of it but just play rock
25:33
star for fifteen twenty minutes at the
25:35
end of the show and play
25:38
music and i'm people sing along i think that's why
25:40
i enjoy to so much you know because i i get that that
25:42
first night as you know you got up there you did the
25:44
songs they sounded amazing but you're doing your thing
25:46
you are putting on a show you
25:47
know as what you're supposed to try to measure
25:50
had to write notes yeah yeah yeah bro others
25:52
that to the technical side right because not like
25:54
you play all the time and certainly not for
25:56
the audience but but then the second
25:58
i was like
27:51
the
28:00
us out to the crowd as a shit
28:02
right so then i don't notice a good actor
28:04
as the great where's the camera let me try to like
28:06
that so i have my had a little more
28:08
towards the cameras with little more entertaining for someone
28:11
and artistic looking down at the keys although i need
28:13
to a little bit
28:14
now great addition to a by the way
28:16
to mess because we're gonna
28:18
wait we are putting on these live shows
28:21
we interpret
28:21
i've certainly never planned like a whole stage
28:23
show before and so we were learning
28:25
things and the phillies shows we didn't have
28:28
big screens with you guys close
28:31
up project and i think it changed the whole it made it feels
28:33
so much more intimate they can see your face
28:35
is your actions the things you enjoying the stuff
28:37
and that in particular you could see spending
28:40
on the crowd which in a lot of
28:41
i forgot to spent last night and we gotta
28:43
remember to spit on now ah ha ha
28:45
ha and
28:48
bigger show during audience go fuck themselves
28:50
from is let us not what we're doing right
28:52
were taught were really what we're doing is we're all collectively
28:55
saying go fuck yourself to anyone who doesn't get
28:57
it the people who go get some people who don't
28:59
hear that's really with this yeah
29:02
and that's the joy of as the just hurts the
29:04
joy of his we all collectively know the wrong
29:07
bad taste exactly
29:17
we're going to do one more these
29:20
and then we might do some throughout the summer here
29:22
in the back in the states yeah
29:26
yeah really fun yeah it's real we're
29:28
just going to we can't and could just because of our schedules
29:30
we can't do like up and fall
29:33
tour where we just go for like a month or two
29:35
months unfortunately sadly so we just
29:37
how we're we're basically we would want to do
29:39
i even if they're scheduled how's it going to say that cut
29:41
that i is i was since you're
29:43
right that's why we're not doing it it's just
29:46
that up my kids are just kind of that and that yeah
29:48
i miss my kids as a
29:50
mess circuit and i think that consideration
29:54
as what's your excuse online
29:55
it fucking tired i don't have kids
29:57
i just i will do this and then by the
31:57
this
32:01
is the best fucking ground we've had for any
32:03
of the oh my gosh hulu it back
32:07
there are many
32:11
anybody else hanging on by up for added
32:16
i said the video of
32:18
this roads are my friends from philly there's fifty
32:20
animal fifteen of a long chain and
32:23
they also one i'm so please tell
32:26
make me so i said well without it being
32:28
too creepy than everybody said oh hi meg jesus
32:30
christ mag flame
32:32
emerging what is this is my go
32:34
to philly that's a net but from what
32:36
i pray based on what i just told
32:38
the video hit it with you and
32:40
you just about like that and
32:42
your hair color friends after
32:45
the film shows we got
32:47
we got to get they they're very nice
32:49
to name and harris we we talked
32:51
about getting tattoos together it was
32:53
pretty drunk and we were talking about going to see
32:56
ads is together classic classic
32:59
late night drunk conversation risky
33:01
it's a doozy why now was
33:03
like sunday night until in the morning and amazon
33:05
you are close i was broke what i would have gone
33:08
i've our
33:08
new and it on it after the jewish up after
33:10
the financial would the tattoo have been like
33:12
do you have it did you did you know what you wanted to guess
33:14
you get a sunny related tattoo i've
33:17
always felt like i should get to tatters related
33:19
to comedy one should be something related to sunny
33:22
maybe just bad new tattoo somewhere on my body
33:24
and then draw it if you want to ah
33:27
and my to add news a cool it's a cool thing
33:29
and then the other one as i'd like to get an onion
33:31
related
33:31
tattoo because i i start on the onion
33:34
those that were my first paint jobs and i've always wanted
33:36
to get the onion logo movie sullivan
33:38
a powerful like semper fi on my shoulder
33:40
and so i just really semper fi
33:42
that gordo just
33:45
cooler she's cooler than going can do that on the pod
33:47
maybe sometimes he said right bad new and i can
33:49
get a tattoo sure
33:51
you've got it i don't think i have to
33:53
progress and i found him anymore but now you
33:55
have any charges idea i've seen tattoos
33:57
yeah that's that's your alternative i got to
36:00
What's happening? No, no, I was just afraid
36:02
that my dick was coming. Oh, you're afraid, yeah, because you
36:04
don't, yeah. That is, that's a big. I just had
36:06
to make sure that, honestly, I got so nervous for
36:08
a split second, I looked at the wrong leg.
36:10
I forgot which leg it was on. So then
36:13
I was like, wait, where is it? And then I just was
36:15
like, I just don't want my dick. It's hard to know these days
36:17
when it's appropriate to take your dick out.
36:19
Yeah. You know what I mean? We never know
36:21
anymore, we never know. We're like, when can I, you know,
36:24
you're always thinking, every room I walk in to, I'm like, can I take
36:26
my dick out in this room? And then I'm like, fuck no. I
36:28
think that I would have got the best there because that's not a power
36:30
move. It's the opposite. What's that? I
36:32
would have been, I would have been the victim. Yeah. If
36:35
my dick were to fall out on stage while the audience
36:37
was like, take it out. And I was like, I don't know.
36:40
Yeah, you're the victim in that situation.
36:41
Yeah, that was like your fame moment where
36:44
you were like, I guess, you know, do it. Is
36:47
this what you want? Did you get
36:50
your shot? Did you get your shot? Is the
36:52
director, did you get your shot?
36:54
Oh no. Meg did a Secret
36:56
Santa where she said, hey, pick
36:58
three clips and, you know, you gave
37:01
me Glenn and Rob got me and
37:03
then Glenn got Rob. And then on
37:05
the next show, you'll do Danny.
37:08
Here's what I'm curious about. I didn't know that. Oh,
37:10
I didn't know that. Yeah. I was wondering about
37:12
that. I was like, wait, oh, nice, good. If,
37:16
well, start with you, Rob. Rob, if you had to pick
37:18
your own clips, your own three clips,
37:21
which scenes would you have picked? Oh,
37:25
wow. It's
37:27
a little harder because, you know,
37:29
when people ask us about Charny McDennis and how much
37:32
fun it was to make, because it seems
37:34
like it was so fun because the people loved the episode and were
37:36
actually miserable. It was. Because your
37:38
experience of performing something isn't always
37:40
necessarily how,
37:42
the way that it
37:44
winds up and the way that it's perceived by
37:46
other people has really got little to do with
37:49
like the performance that you gave. The Revenant was an
37:51
amazing movie. You think Leonardo DiCaprio had a good
37:53
time filming it? Fuck no, he didn't. We're
37:55
screaming the entire episode. We're
37:59
out of 10 the whole.
37:59
time like it's exhausting. Yeah,
38:02
to think about what I would
38:04
pick out for myself, it would be
38:06
things that I had the most fun making. Right,
38:10
which is not really the the assignment.
38:12
That's fine. You can do that. I'll
38:15
allow it. Shilaw, Meg is going
38:17
to allow it. How
38:20
about the dance? Yeah, I mean something
38:22
like that. The fat dance or the fit dance?
38:25
I would say just the...well...
38:28
Cause the fat dance is funny too. Both.
38:31
Both. Because you know what, yes, I
38:33
think those are tied for one. Because
38:37
they represented putting in months
38:40
and months of hard work together. And
38:43
then it winds up
38:44
paying off for a brief second.
38:46
And to me that's what's fun about it. That
38:50
even the dance itself, which was very long, it was only four
38:52
minutes. And it took me six months to learn
38:54
how to do that and to get my body in the shape of
38:57
it. And the fat is just
38:59
dancing across the stage
39:01
for four seconds. I
39:03
can see it when he says it. It runs through
39:05
my mind. It's the look on his face and
39:07
the fact that he's going sideways. Also
39:10
the Michael Jackson kind of moment
39:12
at the end when you throw your shirt back. Oh that?
39:15
There's that one too. The Frank's Little
39:17
Beauties is the best dance move. That
39:19
little... I would have picked one of the ones
39:21
that Glenn picked for you, which was the I've had
39:23
an orgasm. I've
39:26
had one with your mom. I'll put my
39:28
thumb through your eye. Yeah, yeah, yeah.
39:31
I got Mr. Rob McElhenney. Now... You
39:38
guys do know how to pronounce his last name, right? No,
39:44
no, it's gonna be stuck in our heads for the rest
39:47
of our lives. Matt, you want to play that video?
39:49
No, do not. Do
39:51
not. Do not. Oh, for
39:53
the love of God. It's funny because I just met Ryan
39:56
a couple years ago and he spent about 150,000 pounds making a video
39:58
for my...
39:59
and what did you guys do? We
40:02
made you millions and millions of dollars. Yeah,
40:04
sorry. Yeah, we
40:06
made you famous. We
40:09
made you full stop. We
40:11
made you. Ryan
40:14
Reynolds is a total schmitty. Ryan
40:18
Reynolds is schmitty-ing us. He's schmitty-ing us.
40:20
Yeah, he is.
40:23
But not only did we
40:25
make you Rob, but
40:28
you made us. It's
40:32
true. And if it were not for you,
40:35
this show would not exist. That's
40:38
true. It
40:42
wouldn't be even a fraction as
40:44
funny as it is
40:46
without you, my friend.
40:48
You're a phenomenal writer, you're a phenomenal
40:50
actor. Yes!
40:56
You're a phenomenal friend, and
40:59
I want to watch some clips of you doing some funny shit.
41:01
Yeah! Glenn,
41:05
I'm very curious what you picked. Okay,
41:08
well, I... There will be so many if I
41:10
was... So, I
41:12
know that people enjoy watching my character get angry, but
41:16
I enjoy your
41:18
character getting angry. Because
41:21
it doesn't... When
41:24
it comes on, it's fast, and
41:26
it is beyond anything I can... It's
41:28
fast and it's furious! So, I wanted
41:31
to see some
41:33
of my favorite moments of you getting
41:35
furious. Okay.
41:38
Let's roll the tape. Hey, I'm Matt. Welcome
41:40
to Patty's Club. I would like to recommend to first
41:42
of all our signature blended room, Caribbean
41:44
Para-Nets. People say it's better than a Nord-Ets.
41:48
Not that he's never
41:48
had one. I got one with your mom,
41:50
Derek! I got one with your mom, Derek! I
41:53
was trying to stick my goddamn thumb to
41:55
your eye! Go, go, go, go, Derek! What,
41:58
in the corner, stole the Patty's Pop?
42:00
and a thick line. Yeah, go tell
42:01
me what you want! I'm gonna put my thumb
42:03
through your eye, you little bitch! Men's
42:06
and women's bathroom thing is antiquated. Maybe you're antiquated.
42:09
Maybe I'm gonna put my thumb through your eye, you
42:11
little bitch! Now,
42:15
hold on. Thumbs
42:19
through the eye!
42:23
I... The... Strangling your
42:25
wife. That's
42:28
funny. Your
42:31
bursts of anger were just so, so funny to me. Like,
42:33
anytime you go into these bursts of anger
42:36
and then immediately like, calm down, like,
42:38
that shit's always really funny. But then, there
42:40
were some of like,
42:42
the clips that you showed of Charlie, and
42:45
honestly, I mean, I was
42:47
loving what you were doing, but I was also
42:49
noticing in those scenes, I couldn't help but notice, I'm like, oh
42:52
fuck, those are so great for Rob, too. Like,
42:54
I felt like I didn't necessarily
42:56
pick the best ones, but...
42:58
But that's good, it's a testament to like, I think there are a lot.
43:01
I was choosing, as I explained, like, I was choosing
43:04
ones very carefully for specific reasons, that it
43:06
wasn't just what made me laugh. No,
43:08
no. It was ones
43:11
where I wanted to point out to the audience
43:13
what makes Charlie so special. As opposed
43:15
to just the funniest scene.
43:18
I had a really tough job. My job was to
43:20
pick clips for Charlie. Again,
43:23
good fucking look. How do you do that? How
43:25
do you do that? I had to whittle it down, and
43:28
my very first pick
43:30
is from an episode called, Underage
43:32
Drinking, A National
43:34
Consume. Now,
43:37
maybe I actually, I might set this up. So
43:40
this was early in the show, and I remember, I
43:42
had a very strong take on this episode, and
43:45
I, especially early on, I was able to like, I
43:47
just wrote this very quickly. I had an idea,
43:50
a pitch for the episode, I wrote it very,
43:52
very quickly, and the first draft I got to
43:54
the guys, and they were like, oh, okay, this looks good. We
43:56
could probably
43:57
shoot this. Then, of course, we did.
44:00
We did our pass through it and it got even better. But
44:02
then what you're about to see in
44:06
this scene and in this little monologue, Charlie
44:10
ad-libbed something that was not in the script
44:13
and it became an iconic line
44:16
in the history of the show. Let's watch that. What
44:20
the hell is going on? That's Tammy, Trey's
44:22
ex-girlfriend. This is classic
44:25
Tammy. Trey broke up with Tammy
44:27
because Maureen Canallan said she saw Tammy
44:29
flirting with Walt Timmy at a party but she was only
44:31
doing it to make Trey jealous because
44:33
she thought that Trey secretly liked Aaron Henry but
44:35
treated him like Aaron Henry. He was a whole bunch of bull.
44:38
What is happening? That's Tammy,
44:40
Trey's ex-girlfriend. This is classic
44:42
Tammy. Trey broke up with Tammy because he- Okay, you know
44:44
what Charlie, you gotta stop, honestly.
44:47
Okay. Okay. So
44:52
the reason I led with this was not because
44:54
it's the funniest thing that Charlie's ever done, because
44:56
again, it's-
44:58
It's impossible. It's impossible.
45:01
It's because he took something and
45:04
elevated it exponentially further than any of
45:06
us could have imagined by just saying the words
45:08
classic Tammy. That's
45:13
classic Tammy. I
45:17
actually don't, that wasn't in the script? No. Calling
45:19
her, that's classic Tammy? No,
45:22
and another reason why I chose that is
45:24
because I know you guys would probably not even remember it. No,
45:27
I don't remember shit. No.
45:34
Our show today is brought to you by Rocket
45:36
Money. Get outta here, Rocket Money? Yeah,
45:38
Rocket Money is a personal finance app that
45:41
finds and cancels your unwanted subscriptions,
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place. That's right, we saved this one for
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when Glenn is with us because you're
45:51
such an app-thusiast. I love him.
45:54
I love him a lot. I love the applications. The
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more, the better. Anytime
45:58
I have to download a new app.
45:59
I, it's exciting.
46:02
I love it. But I bet you do feel good about
46:04
them when they save you money on unwanted subscriptions,
46:07
right? Okay, all sarcasm aside, I do love
46:09
saving money. I love, money
46:12
is great. I like money. Yeah, especially
46:14
when the average American thinks they spend $80
46:16
a month on subscriptions, but in reality,
46:18
they actually spend closer to $200. And
46:21
it's a lot of money to be off, you
46:23
know, perception-wise, to think you're only spending like 60
46:25
to 70 and be spending 200. Oof.
46:29
That's a big gap. That's a big hit. Yeah, but
46:31
that's a job for a robot to
46:33
be tracking, is where your money's going.
46:35
Not, not for people. It's like, we just let Rocket
46:37
Money do that for us. Just stop throwing money
46:39
away, right? That's the main takeaway
46:42
here, you know? Cancel unwanted subscriptions
46:44
and manage your expenses the easy
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way by going to rocketmoney.com slash
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sunny. The slash sunny part
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is important. That's rocketmoney.com
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slash sunny. That's rocketmoney.com
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slash sunny. I want to rocket some
46:58
money to my pocket.
47:00
Yeah, you want a pocket rocket full of money.
47:02
Ha ha ha. Ha
47:03
ha. I
47:06
had an idea, Charlie, for an RCG
47:08
business venture. Oh my God.
47:11
Another one with the abundance of time that we have? Yeah.
47:14
Okay, yeah. What do you got? Okay, so check
47:16
this out.
47:17
We have all these sunny sets, you
47:19
know, we built over the years. And what do we do with
47:21
them in the off season? We put them in storage.
47:24
Yeah, we keep them in storage. Exactly. Locked
47:26
away where no one can enjoy them.
47:28
And, you know, can't make money off of
47:30
them. But what if, what if, okay, what if we
47:33
let people pay to
47:35
come and take pictures on our sets? Yeah,
47:37
okay, okay, okay. But slow down, you got to think about the overhead, right?
47:39
We'd have to hire a staff. We got to get a bunch of PAs,
47:42
kind of like getting people in and out of these sets.
47:44
But see, that's the easy part. Okay. We
47:46
just use ZipRecruiter. Oh, right. Because
47:49
whether you're starting a new business or you're growing
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ZipRecruiter comes in,
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okay? And right now you can try it.
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48:03
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sunny. ZipRecruiter, the
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smartest way to hire.
48:51
I want to hear your guys' top one. Let's just do one.
48:54
What's your top moment of yourself in the
48:56
show? Either the one you had the most fun
48:58
filming, or just the one that you're like,
49:01
well, I'm pretty fucking proud of that moment.
49:03
True.
49:04
Some
49:06
of my favorite ones, weirdly, are
49:08
out of character for what I
49:11
normally am. But I've grown
49:14
quite weary.
49:18
Speech. Like. That's
49:21
pretty great. Wait, is that from Flowers
49:23
for Charlie? Yeah, Flowers for Charlie. That and
49:25
probably Pep Bey Silvia. And honestly,
49:27
the Ryan Gosling playing
49:30
you? How
49:32
ridiculous. I
49:37
don't know why. Those
49:39
are the ones I had the most fun doing. You know
49:41
what's funny is you actually, much
49:44
like it's usually me that does this. But as I recall,
49:47
when we went to shoot that, you were doing it. And you were
49:49
like, this is not. This is too big. I was?
49:52
Oh, that's funny. Yeah. And I was the one. I
49:54
was the one who was like, no, no, no, go further.
49:57
Oh, great. Go further with it. And the more
49:59
you go.
49:59
We were like, all right, I'll do one that's insane.
50:02
And then you did it and it was so funny
50:04
and you felt it too. And
50:06
we're like, all right, this is ridiculous and it makes no
50:08
fucking sense. It's just funny, it's
50:10
just funny. Yeah, it was one of the rare instances
50:13
in which you were kind of backing
50:15
away from something and I was like, no, no, no,
50:17
no, go, go, go, go. There's really no reason to be
50:20
talking like that, but it's just funny. It's just
50:22
when you had the wires sticking out your mouth, you're like, yes,
50:24
I can't,
50:24
I can't talk right. Is
50:26
that when you had the thing too? It
50:28
was like a gas mask that you fell off as
50:30
well. So funny.
50:33
Yeah, yeah, yeah. Glenn, what about you
50:35
for you? Honestly, have no, I'm
50:37
not, this is. There were,
50:40
that was tough for me to pick because there's so many good
50:42
Dennis moments. The one and only Mr. Glenn
50:44
Howerton, I got to pick your clips buddy.
50:46
Oh. And
50:48
I'm pretty excited about this. I
50:51
got a little piece of paper here to
50:53
set them up. Charlie's my biggest fan. So
50:57
my first clip is not
50:59
going to be actually so
51:02
much your acting as
51:05
you're breaking. Now you don't always break in a scene,
51:09
but this is one of Dennis's finest
51:11
scenes and one of Glenn's finest
51:13
moments. This was our last day of filming this season.
51:16
This is Dennis needing his tools.
51:19
Why
51:21
do you keep all that shit in your car? It's
51:25
finished, it's finished
51:25
shit. I like to
51:27
bind. I like to be bound. Duct
51:38
tape, zip ties, tools. I have to hack
51:40
my
51:40
tools. Why do you keep all the shit in your
51:42
car? Finished
51:44
shit, you know, I like to bind. Mark,
51:49
I'm gonna. You're
51:53
faster, I like to bind, I like to
51:55
be bound. Yes,
51:59
I can't.
52:00
What's all that stuff you're grabbing, dude? One
52:06
of my favorites, though, is you saying idiots
52:07
and savages. Oh!
52:14
The pitch that your voice goes into
52:16
is so funny. It gets so high
52:19
pitched. Idiots!
52:22
That's not fun. What they were doing wasn't funny.
52:24
It comes zapras, zapras, idiots, savages, idiots,
52:26
idiots! Jesus Christ,
52:28
man. Damn, man. Damn. Now
52:31
that's the first time we went. We
52:33
were like, what happens if we take that thing,
52:35
that gear that we're finding, and
52:37
like, really... I remember doing
52:40
what you did for me with the braces thing on that one. I was
52:42
like, go even further. Just the angrier
52:44
you get, the more incensed, the more insane
52:48
you feel about this, the better. I would have picked
52:50
tools. I would have picked tools. Oh,
52:52
tools, yeah. Yeah, I would have picked tools, yeah. Yeah,
52:54
see, it is funny because there are certain things that
52:57
other people think are super,
53:00
super funny, like the implication scene, which I think
53:02
is... I think that too. Well, so I think...
53:05
It's the two of you together in that scene.
53:08
You guys are like a perverse Laurel
53:10
and Hardy. So
53:13
it's not that I dislike... I like my performance in that scene,
53:15
but to me the thing that makes that scene so
53:18
funny
53:19
is what you guys wrote and your
53:21
reaction to what... That's just for me. That's
53:23
just for me. Now, I'm not saying I don't... I do like
53:25
my performance in it, and I think my performance is good, but I don't
53:27
think it's my best work.
53:29
I think it's good, but I think the best thing about
53:31
that scene is the actual speech itself,
53:34
and honestly, for me, your reaction
53:36
is to it. But then it's so funny that you're
53:38
getting so irritated with him that he's saying
53:40
you sound creepy, and you're not
53:42
understanding it, and the more irritated
53:44
you become with him not understanding it, the funnier
53:47
it is. Yeah, yeah, yeah. You're
53:49
deliberately
53:49
misunderstanding me. Another of
53:51
my favorites, and it's a rant, but it's a
53:53
different gear also because it's quieter, is
53:56
I will put you in a box when you
53:58
do that to D. That's a good one.
53:59
a tiny box because it's a weird, it's a different.
54:02
My phone algorithm sent that to me the other day
54:04
being like, you want to watch Glenn do this to me. See a psychopath.
54:07
Yes I do. And I watched
54:09
it again, it was fucking great. Honestly, any time
54:12
I can make Caitlin break.
54:13
I will shove you into a box,
54:16
a glass box. Put
54:19
you on display. Think
54:24
of the smell, you bitch. Rotten
54:27
fish. Furniture. Fish.
54:31
Sorry mate. A
54:33
glass box. But it's just like, what,
54:36
like I don't know. You know, cause you know Caitlin's
54:38
like, she's a tough one to break. Like we break all the
54:40
time. Caitlin doesn't break that often, Danny doesn't
54:42
break that often. But Caitlin. Danny has started breaking
54:44
more, have you noticed that? The last couple of years
54:47
he's breaking a lot more. Yep, yep.
54:49
I think, yeah I don't know.
54:50
And by breaking we mean laughing,
54:52
not breaking. He's perfectly fine. Nothing's
54:55
happening to Danny. It's an industry term. He's
54:57
tough to break. Breaking means laughing
54:59
in a scene. But yeah, I think most people know that.
55:01
You guys, we've done it. Yeah, we've
55:03
gotta wrap it up. We got to get over to another
55:06
country. We've got to get to Wales. Yeah,
55:09
going to Wales. And then back
55:11
to Dublin.
55:13
Yeah, there goes Styes. Here come
55:15
the Styes. Here come the Styes. And
55:17
here come the Styes and they've added six minutes
55:20
to the clocks. And
55:22
six more Styes. I
55:25
like that one. I love it. I
55:28
like that one.
55:54
He disagrees. Cause
55:57
I like laughing bad. He's
55:59
both. It's a place for me, it's the place I go And
56:07
the fear is
56:09
cheap and the lights are low It's
56:12
Patty's Poem I
56:15
like Patty's Poem Let
56:18
the record show the greatest place
56:20
to go Is that bar
56:23
called Patty's Poem I
56:31
like life in Patty's Poem And
56:38
that is Poem
57:08
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