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The Pod Goes Abroad

The Pod Goes Abroad

Released Monday, 15th May 2023
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The Pod Goes Abroad

The Pod Goes Abroad

The Pod Goes Abroad

The Pod Goes Abroad

Monday, 15th May 2023
Good episode? Give it some love!
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Episode Transcript

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0:00

Do

0:00

you guys want to tell the podcast fans

0:03

what we're doing here today? We're

0:05

in Ireland. We are in Ireland. We're in

0:07

Dublin, Ireland. Just had a pretty wild

0:09

night. I

0:19

say if you're going to do a racist stereotype, you

0:21

best do it right. It's the start of the morning, you

0:23

filthy lad. I'm fixing to have a fair little

0:25

time in this here mobile booth. Irish

0:28

auto system. Please serve yourselves.

0:30

Put the money in the bucket. Thank you. I don't

0:33

think the Irish auto system is a thing, man. Oh,

0:35

it's a thing. It's an ancient Irish tradition. Know your history,

0:37

bro. You got drunks. Irish people. You

0:40

got, I guess that's the same thing. A toast

0:42

to Ireland. Raise your

0:44

glass. To the Irish.

0:48

Anybody else out there drunk

0:50

like me and been drinking all day? Woo!

0:54

Green man bringing out the brown nectar of

0:56

the gods. That was impressive because I

0:58

can say from experience, he can't see

1:00

shit right now. I don't know what I'm doing

1:02

right now.

1:03

What is this, a podcast?

1:06

I think we should talk about It's Always Sunny in Philadelphia.

1:09

Oh shit, yeah. It's about time. Don't

1:11

you fucking start because Rob Justice

1:13

might actually come out on the stage. Alright.

1:17

See? Cheers everybody. Cheers. Cheers.

1:20

Cheers. Cheers. Cheers.

1:23

Cheers. Cheers. Cheers.

1:26

Cheers. Cheers. Cheers.

1:29

Cheers. Cheers. Cheers.

1:32

Cheers.

1:33

Cheers. Cheers. Have

1:35

you seen the former video? No, That

1:37

was... I don't think so. double the

1:40

size of any of the shows we've done. It

1:43

sounded like it. We did

1:45

London the night before Royal Albert Hall and that was

1:47

pretty sick. That was beautiful. Last night

1:49

we did Dublin

1:51

9,000 people? Something

1:54

like that. I know that was the 9,000th seater and

1:57

it was full. And a little shout out to the fans

1:59

here. in Ireland who were men

2:02

you say? Yeah. Yeah. They

2:04

were great women. They were great women too.

2:07

I thought that the British would be a little bit more reserved.

2:10

These people seem very drunk. Uh. Yeah.

2:13

Yeah. Yeah. How many of you

2:15

guys are hammer? Yeah.

2:18

All right.

2:18

How many of you actually have to work tomorrow? Yeah.

2:21

Yeah. Yeah. It was pretty

2:24

rowdy in a good way. Yeah. Rowdy

2:26

in a good way. Made me feel good in my heart

2:29

and in my soul. And in my ego. It

2:31

was the first time that we ever. Which is very near the

2:33

heart. Deep inside the ego. I think it's located

2:35

somewhere near the heart. It's right next to my heart. Yeah. Yeah.

2:39

It surrounds it. Protection. The first

2:41

time we got a safety briefing. I was like, if things get

2:43

out of hand, this is what's

2:45

going to happen. Here's the protocol.

2:47

Guys, how's your...

2:50

Our bowels? They seem a little groggy in

2:52

this podcast. Buddy, I'm gonna be

2:54

a bleary eyed bitch in

2:56

this particular podcast. I'm not sleeping well.

2:59

I'm not sleeping enough. And I am drinking

3:01

a lot.

3:02

And today is sort of our day of rest. We're

3:04

gonna go to a Wrecksham game. It will

3:06

not be restful for me. And it will not be restful.

3:09

It will be stressful. And I don't imagine

3:11

when we get there, it will be restful at all.

3:13

No. No. It's very

3:15

exciting. It's very

3:17

stressful at this point of the season. I've

3:22

talked about this in lunch shows, but I haven't in our podcast. I've

3:24

got double styes. I got a stye hero

3:26

stye hero. Wait, you got another one?

3:28

His buddy, Shana? This

3:30

one finally went away. And this one's just not

3:32

going anywhere. But it was pulled up here. And

3:34

now it's like, it's going away. But

3:36

I have a feeling it's too much stress. But

3:39

I talked to an optometrist and he said,

3:41

well, yes, it's a clogged oil duct. They said, okay,

3:43

what could cause that? And he goes, well,

3:45

it could be caused by a certain

3:47

kind of particulate in the air, a lack

3:50

of sleep, extreme stress,

3:53

not properly washing your eyes.

3:56

Gotta wash your eyes. Jamming your face. Everybody

3:58

knows that. That's all.

3:59

And I was like, well, how do you stop

4:02

them? He's like, well, reduce

4:04

stress, get more sleep, clean your

4:06

fucking eyes. And so I've

4:08

done all the other things. But you can't reduce

4:10

stress. It's hard to reduce stress with

4:13

the football. I'm blaming it solely on the football. Because

4:15

you have no control.

4:17

And I bet that's what I'm looking for. I have some control issues.

4:20

Yeah. This is challenging your ability, right?

4:22

You can't control the narrative on the field. All you do is you

4:24

put the pieces together and then the rest. It's

4:27

out of your hands. Oh, boy. Yeah.

4:29

I'm always nervous watching with you. I

4:31

know. What day was that? Were they? It

4:33

was a draw or tie. What did they say? It was

4:35

a draw. They say a draw. A tie is actually

4:38

a match.

4:39

Like, we're going to a tie tonight. Wrap

4:42

your head around that. No. No. No.

4:45

It doesn't like it. Yeah, no. Exactly.

4:48

But OK, so it was a draw.

4:50

It was a draw. And it was right down the wire.

4:53

And the opposing team had some good

4:55

shots on the goal there. Edgeman, boy,

4:58

are you going to be in? And here's an interesting

5:00

thing about European football.

5:02

The ref just sort

5:05

of arbitrarily adds time to

5:07

the end of the game. So it'd be like, well,

5:09

you know. What do you think? It's a draw right now. I'm

5:11

not a tie. Four. And we're just going to, yeah. Four,

5:14

five? What are you thinking?

5:15

Well, the boys, I think they got a bit in them.

5:18

Let's give them six. Give them six, all right. We'll

5:20

give them six. Why? Why

5:22

six? My wife says that.

5:24

Yeah, you don't want to. I don't want to

5:27

go. So they

5:28

just kind of add time, which is highly stressful.

5:31

And then that time ends. And then it keeps

5:33

going. It's for an American sports

5:35

fan. That is maddening. You know

5:37

what I mean? The lack of precision. And then it can

5:39

just keep going forever,

5:42

as long as an offensive plays

5:44

is continuing. So it could be like extra

5:47

time has elapsed. And even added

5:49

time to the extra time has elapsed. If you're on the offense

5:52

and you keep making shots and getting the ball, they'll just

5:54

keep going. I feel like I've seen it where

5:56

the time elapses, the ball changes.

5:58

Like it elapses just like that.

5:59

He just elapses, but then the ball

6:02

changes hands and they're

6:04

like, let's let them have one more shot. They

6:06

only do it if it's a draw, right? They

6:09

don't add time if it's a draw. Oh yeah, they do. Oh

6:12

yeah, yeah, yeah. Give the fuck out. Any game, every game.

6:14

You can be up by three. Every game. One, here's

6:16

one. And I'd be like, let's add six minutes and the island team

6:18

scores too. That's right, happens all the time. It makes sense

6:20

in theory, which is that the clock never stops.

6:23

It just runs and runs and runs. So if a guy gets

6:25

hurt and they're out there

6:27

and they're tending

6:29

to him and it takes four minutes to do so, the

6:31

clock never stops. It just keeps going. So

6:33

the ref just goes, great. We're

6:35

waiting for the game to pick up and he's

6:37

got this watch that just keeps

6:40

adding time. So this guy, it took

6:42

him about a minute and a half to get up.

6:44

Nice. And so well, that's a minute and a half. But

6:46

what is he doing? I think he's doing. Stop the fucking clock.

6:49

Yeah, that would make so much more sense.

6:51

So everyone goes up and up and stuff? Yeah,

6:54

I've learned my lesson. Don't ask too many questions.

6:56

Just enjoy the ball.

6:57

Yes. So

7:02

now let's raise a toast. Yeah. Let's

7:04

do it. Let's do it. I'm sorry you guys don't

7:06

have, oh wait, wait a minute. Now some of you. Oh

7:08

shit. All

7:10

right, all right. Oh wow, we can see everybody.

7:14

Oh Christ, they're not good looking. Let's get the

7:16

lights out. You all have a buzzer in

7:18

front of you.

7:20

But how this game works. Top

7:24

four answers on the board. Name

7:26

one of Rickety Crickets injuries.

7:29

Oh.

7:32

These buzzers are fucking bullshit. Show

7:35

me. No, don't say show me. She's a goddamn

7:38

whore. Did you guys know that that

7:40

was how Danny pronounces the word whore?

7:42

Or was that just a happy accident? That

7:45

was a happy accident, yeah. I mean, that wasn't the first

7:47

time he's done it, but. But

7:50

yeah, no, that was. Oh,

7:52

well, thank you. Some

7:55

whore just, we

7:58

have Mr. Ching. There

8:04

are 31 million Americans who

8:06

identify as Irish and

8:09

I am one of them. Rabbi

8:13

Malso one of them. What

8:15

that

8:15

really proves is that the

8:17

Irish can fuck. Ladies

8:21

and gentlemen, take them all so high.

8:26

What is this feeling?

8:33

I feel so strange inside. It

8:38

is strange but appealing.

8:41

I feel good. Ooh,

8:45

tiny boy, little boy, baby boy,

8:48

I need you. Tiny

8:50

boy, little boy, I want to touch you

8:52

boy. What I do to you

8:55

if I love that boy

8:57

that's inside of you. Last

8:59

night I didn't sleep that

9:02

well but for literally the first time in my life

9:04

I was up all night because I was so happy

9:06

I couldn't go to sleep. It was weird

9:08

because I've only ever had the anxious thing and

9:11

last night I was just like I don't want this day to end. Just such

9:13

a high of

9:13

doing the show in front of that many people. I

9:16

just couldn't sleep. I was just going over in my head

9:18

how great it was. Maybe

9:21

that's why I couldn't sleep last night or for the last

9:23

week. So what did you do about it? I

9:26

just laid there and appreciated

9:28

it. Just soaked it in. Wow, that was a big smile on your back.

9:31

Well I have had so many nights where I'm like oh

9:33

my god I'm so anxious. Leading up to these

9:35

shows there's a lot of anxiety about

9:38

wanting it to go well and having been a Sunny fan

9:40

for so long. The last thing I want to do in the world is

9:42

disappoint other Sunny fans. I

9:46

was really nervous and I had nights where I stayed up

9:48

thinking about like oh did I pick all the right

9:50

clips and that. But last night truly I

9:52

was just

9:53

like living it again in my head

9:56

over and it was just like so. feel

10:00

their love constantly. Even when they're being quiet,

10:03

you could feel the love of... I've

10:05

never experienced anything like that in my

10:08

life. You guys have presumably been in

10:10

front of lots of Sunny fans before

10:12

and feeling

10:13

that kind of rush. You've talked about Comic-Con

10:15

before and feeling that energy. I've

10:18

never had that before, but they

10:20

are so locked in. It's crazy.

10:23

It's elusive. I find it a little intimidating

10:26

when we're just talking because

10:28

when we have a funny clip to play

10:31

or when we're doing the

10:33

family fight game which has been

10:35

going over well or when I'm getting to sing

10:37

songs which have a beginning, middle, and end

10:40

and everyone knows what they are,

10:42

that's very comfortable. When we're just chatting,

10:44

I'm like, how is it? I see that in

10:46

you. I see you very specifically

10:49

wanting to keep things moving forward. I see you

10:51

turn like, Megan, do we have a play? He's

10:53

looking at me like, where's mine? I get it. I get it. I

10:56

just wanted to entertain. I just want to entertain.

10:59

I think it's good. I think people want

11:02

to hear us slow down a little bit. You stop down

11:05

more than I think we ever have maybe in a

11:07

live show last night to talk about

11:09

because you picked Charlie

11:11

Clips

11:12

to talk about Charlie.

11:16

In that moment, I was like, I think people

11:20

do want to hear this.

11:21

I've been asked to pick my favorite

11:23

clips of Mr. Charlie

11:26

Day. Yes. I

11:29

mean, this is my first night getting to do it.

11:31

That's exciting. This is

11:34

such an honor for me. I'm going

11:36

to try not to get too emotional, but

11:38

I will talk a little bit about Charlie. I

11:41

think I've mentioned this on the podcast, but I'm

11:43

going to tell the story again. I met

11:46

Charlie Day on an airplane. We

11:49

were both testing. A screen test

11:51

is when you're auditioning for a role. You're

11:54

really close. It's usually down to like three or

11:56

four, maybe sometimes two other people. We

11:59

were living in New York.

11:59

York City at the time and they put actors

12:02

on planes, they fly them out to LA. You

12:05

then audition and you get to see who gets the

12:07

part. For whatever reason, they

12:09

sat us next to each other. You

12:11

were going for the same part? We're going for the same part. They

12:13

sat you next to each other? Well, you could always spot the actor actually

12:16

like in the lobby because he's the only other

12:18

person like waiting for the flight like this. And

12:20

then there's... No, you do it, Carlos.

12:23

So I spied you. I

12:29

knew we were out going for the same reason. Yes, so immediately

12:31

we know, okay, that's the guy.

12:33

And I'm sitting with him and I'm thinking,

12:36

I'm going to ice this motherfucker out. I got

12:38

this guy. I'm a tad competitive.

12:41

And I thought, well, all right,

12:43

I got this job. So somewhere we

12:46

get out of JFK and

12:49

somewhere over... Somebody

12:52

just wooed on JFK. One

12:55

of our most Irish presidents other than Biden. You're

12:59

goddamn right. Yeah,

13:01

go ahead. Sorry. Irish...

13:05

JFK, Irish Catholic. Yeah. We

13:08

shot him.

13:08

Too many guns. Too many guns.

13:10

It's not wrong. Too many... Those

13:13

are just facts. Yeah. Anyway, go

13:16

on about me. So

13:25

somewhere over Ohio, and for

13:27

those of you who don't... Are

13:29

familiar with the contiguous United

13:31

States, it's like a state and a half

13:34

over from New York. I realized

13:36

I'm not going to get this job.

13:40

This is one of the funniest people I've ever

13:42

met in my

13:42

entire life and I am fucked. I am

13:45

wasting the next four hours of

13:47

a plane ride in the next three days of my life. Wait,

13:49

so it was a comedy that you were going to... Yeah, it was

13:51

a comedy. Okay. Yeah,

13:54

no, yeah, that's not... Yeah, you're fucked. Good

13:57

luck to almost anybody

13:59

in the world.

13:59

Truly. Yeah. Yeah. Yeah.

14:03

Yeah. Thank you. That's very

14:05

sweet. You want to tell them what happened

14:07

after they saw us both audition? Well,

14:10

yes. Neither, neither

14:12

one of us got the job because the whole thing fell apart.

14:15

They canceled the show. They

14:17

said, nah, this is, this is not working.

14:20

But what was birthed from that was a friendship.

14:23

And from that point forward, we would check

14:25

in with each other and, and we

14:27

would always talk about how, everything

14:30

that he was working on and all the jobs he was

14:33

getting, which were plentiful, still

14:35

weren't creatively fulfilling. He didn't have any control

14:38

or power over what was happening.

14:40

I wasn't working at all. But I,

14:43

I realized that, wow, there are some

14:46

really talented people out there. And if I could take,

14:48

and I can't do what he can do, but I can

14:50

do something else. And if I could take what I could

14:52

do and, and work with him

14:55

and work with people like him and hitch

14:57

my wagon to his star, then I would be along

14:59

for the ride.

15:00

I'm dead serious. And

15:02

that's what's been happening ever since. I

15:07

could, I could honestly say the same exact

15:10

thing about Glenn, but this isn't about Glenn

15:12

for once. For

15:16

once.

15:17

The whole show is so big and entertaining

15:19

and we are doing a bunch of stuff. I think it's, I think

15:21

we should stop down every once in a while and just like

15:23

get in, you know what I mean? Like, cause

15:26

then it's, then it's, cause otherwise it's just, you know, it's

15:29

like a, I'm not saying I'm opposed to it. like,

15:32

oh shit, what's happening? You know, the

15:34

minutes seem to take hours in that space.

15:36

Yeah, yeah, yeah, yeah. Drag on.

15:39

I think you can see how people get fucked up

15:41

by that experience. And you hear that

15:43

same story over and over again,

15:45

people in our business getting to perform

15:47

it from large groups of people feeling

15:49

the adulation or love coming

15:52

from the crowd up into the stage.

15:54

And I think what happens is people get addicted

15:56

to it

15:57

and they think that all of that external

15:59

validation.

21:59

and nothing that you don't so we're

22:02

talking no sugar novel plenty of the salt

22:04

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can't we've been over months as we we've been

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in the uk and ireland that was i was maze

23:26

there was been over a month for you guys

23:29

but i like as a humor is due to their

23:32

state out there that long second longer than

23:34

us what else did you do over there while i

23:36

just booked like a bunch of different

23:38

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harry potter muggles tour or nord

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and as a writer i really i

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live for good reviews all okay

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so maybe next time we go on

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do bunch reviews their hold on a second here

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because i'm just i'm i'm leaving this review in here

24:24

are you doing a good review i'm going to do have you hear the

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25:02

my love what you are bringing up our the royal

25:04

albert hall show us the second one in particular

25:06

you mentioned and charlie on the bus back

25:08

that you could really see him

25:10

soaking

25:10

up a lot of playing johnson

25:13

and like feeling like holy shit i'm

25:15

in such a hundred and one

25:17

hundred and fifty year old venue

25:20

where the watched it happen yeah and and i'm

25:22

playing these songs that i wrote and

25:24

people are singing along they know all the words

25:27

and we got to see just how is

25:29

such a true for me to get to do that to

25:31

really kind of it but just play rock

25:33

star for fifteen twenty minutes at the

25:35

end of the show and play

25:38

music and i'm people sing along i think that's why

25:40

i enjoy to so much you know because i i get that that

25:42

first night as you know you got up there you did the

25:44

songs they sounded amazing but you're doing your thing

25:46

you are putting on a show you

25:47

know as what you're supposed to try to measure

25:50

had to write notes yeah yeah yeah bro others

25:52

that to the technical side right because not like

25:54

you play all the time and certainly not for

25:56

the audience but but then the second

25:58

i was like

27:51

the

28:00

us out to the crowd as a shit

28:02

right so then i don't notice a good actor

28:04

as the great where's the camera let me try to like

28:06

that so i have my had a little more

28:08

towards the cameras with little more entertaining for someone

28:11

and artistic looking down at the keys although i need

28:13

to a little bit

28:14

now great addition to a by the way

28:16

to mess because we're gonna

28:18

wait we are putting on these live shows

28:21

we interpret

28:21

i've certainly never planned like a whole stage

28:23

show before and so we were learning

28:25

things and the phillies shows we didn't have

28:28

big screens with you guys close

28:31

up project and i think it changed the whole it made it feels

28:33

so much more intimate they can see your face

28:35

is your actions the things you enjoying the stuff

28:37

and that in particular you could see spending

28:40

on the crowd which in a lot of

28:41

i forgot to spent last night and we gotta

28:43

remember to spit on now ah ha ha

28:45

ha and

28:48

bigger show during audience go fuck themselves

28:50

from is let us not what we're doing right

28:52

were taught were really what we're doing is we're all collectively

28:55

saying go fuck yourself to anyone who doesn't get

28:57

it the people who go get some people who don't

28:59

hear that's really with this yeah

29:02

and that's the joy of as the just hurts the

29:04

joy of his we all collectively know the wrong

29:07

bad taste exactly

29:17

we're going to do one more these

29:20

and then we might do some throughout the summer here

29:22

in the back in the states yeah

29:26

yeah really fun yeah it's real we're

29:28

just going to we can't and could just because of our schedules

29:30

we can't do like up and fall

29:33

tour where we just go for like a month or two

29:35

months unfortunately sadly so we just

29:37

how we're we're basically we would want to do

29:39

i even if they're scheduled how's it going to say that cut

29:41

that i is i was since you're

29:43

right that's why we're not doing it it's just

29:46

that up my kids are just kind of that and that yeah

29:48

i miss my kids as a

29:50

mess circuit and i think that consideration

29:54

as what's your excuse online

29:55

it fucking tired i don't have kids

29:57

i just i will do this and then by the

31:57

this

32:01

is the best fucking ground we've had for any

32:03

of the oh my gosh hulu it back

32:07

there are many

32:11

anybody else hanging on by up for added

32:16

i said the video of

32:18

this roads are my friends from philly there's fifty

32:20

animal fifteen of a long chain and

32:23

they also one i'm so please tell

32:26

make me so i said well without it being

32:28

too creepy than everybody said oh hi meg jesus

32:30

christ mag flame

32:32

emerging what is this is my go

32:34

to philly that's a net but from what

32:36

i pray based on what i just told

32:38

the video hit it with you and

32:40

you just about like that and

32:42

your hair color friends after

32:45

the film shows we got

32:47

we got to get they they're very nice

32:49

to name and harris we we talked

32:51

about getting tattoos together it was

32:53

pretty drunk and we were talking about going to see

32:56

ads is together classic classic

32:59

late night drunk conversation risky

33:01

it's a doozy why now was

33:03

like sunday night until in the morning and amazon

33:05

you are close i was broke what i would have gone

33:08

i've our

33:08

new and it on it after the jewish up after

33:10

the financial would the tattoo have been like

33:12

do you have it did you did you know what you wanted to guess

33:14

you get a sunny related tattoo i've

33:17

always felt like i should get to tatters related

33:19

to comedy one should be something related to sunny

33:22

maybe just bad new tattoo somewhere on my body

33:24

and then draw it if you want to ah

33:27

and my to add news a cool it's a cool thing

33:29

and then the other one as i'd like to get an onion

33:31

related

33:31

tattoo because i i start on the onion

33:34

those that were my first paint jobs and i've always wanted

33:36

to get the onion logo movie sullivan

33:38

a powerful like semper fi on my shoulder

33:40

and so i just really semper fi

33:42

that gordo just

33:45

cooler she's cooler than going can do that on the pod

33:47

maybe sometimes he said right bad new and i can

33:49

get a tattoo sure

33:51

you've got it i don't think i have to

33:53

progress and i found him anymore but now you

33:55

have any charges idea i've seen tattoos

33:57

yeah that's that's your alternative i got to

36:00

What's happening? No, no, I was just afraid

36:02

that my dick was coming. Oh, you're afraid, yeah, because you

36:04

don't, yeah. That is, that's a big. I just had

36:06

to make sure that, honestly, I got so nervous for

36:08

a split second, I looked at the wrong leg.

36:10

I forgot which leg it was on. So then

36:13

I was like, wait, where is it? And then I just was

36:15

like, I just don't want my dick. It's hard to know these days

36:17

when it's appropriate to take your dick out.

36:19

Yeah. You know what I mean? We never know

36:21

anymore, we never know. We're like, when can I, you know,

36:24

you're always thinking, every room I walk in to, I'm like, can I take

36:26

my dick out in this room? And then I'm like, fuck no. I

36:28

think that I would have got the best there because that's not a power

36:30

move. It's the opposite. What's that? I

36:32

would have been, I would have been the victim. Yeah. If

36:35

my dick were to fall out on stage while the audience

36:37

was like, take it out. And I was like, I don't know.

36:40

Yeah, you're the victim in that situation.

36:41

Yeah, that was like your fame moment where

36:44

you were like, I guess, you know, do it. Is

36:47

this what you want? Did you get

36:50

your shot? Did you get your shot? Is the

36:52

director, did you get your shot?

36:54

Oh no. Meg did a Secret

36:56

Santa where she said, hey, pick

36:58

three clips and, you know, you gave

37:01

me Glenn and Rob got me and

37:03

then Glenn got Rob. And then on

37:05

the next show, you'll do Danny.

37:08

Here's what I'm curious about. I didn't know that. Oh,

37:10

I didn't know that. Yeah. I was wondering about

37:12

that. I was like, wait, oh, nice, good. If,

37:16

well, start with you, Rob. Rob, if you had to pick

37:18

your own clips, your own three clips,

37:21

which scenes would you have picked? Oh,

37:25

wow. It's

37:27

a little harder because, you know,

37:29

when people ask us about Charny McDennis and how much

37:32

fun it was to make, because it seems

37:34

like it was so fun because the people loved the episode and were

37:36

actually miserable. It was. Because your

37:38

experience of performing something isn't always

37:40

necessarily how,

37:42

the way that it

37:44

winds up and the way that it's perceived by

37:46

other people has really got little to do with

37:49

like the performance that you gave. The Revenant was an

37:51

amazing movie. You think Leonardo DiCaprio had a good

37:53

time filming it? Fuck no, he didn't. We're

37:55

screaming the entire episode. We're

37:59

out of 10 the whole.

37:59

time like it's exhausting. Yeah,

38:02

to think about what I would

38:04

pick out for myself, it would be

38:06

things that I had the most fun making. Right,

38:10

which is not really the the assignment.

38:12

That's fine. You can do that. I'll

38:15

allow it. Shilaw, Meg is going

38:17

to allow it. How

38:20

about the dance? Yeah, I mean something

38:22

like that. The fat dance or the fit dance?

38:25

I would say just the...well...

38:28

Cause the fat dance is funny too. Both.

38:31

Both. Because you know what, yes, I

38:33

think those are tied for one. Because

38:37

they represented putting in months

38:40

and months of hard work together. And

38:43

then it winds up

38:44

paying off for a brief second.

38:46

And to me that's what's fun about it. That

38:50

even the dance itself, which was very long, it was only four

38:52

minutes. And it took me six months to learn

38:54

how to do that and to get my body in the shape of

38:57

it. And the fat is just

38:59

dancing across the stage

39:01

for four seconds. I

39:03

can see it when he says it. It runs through

39:05

my mind. It's the look on his face and

39:07

the fact that he's going sideways. Also

39:10

the Michael Jackson kind of moment

39:12

at the end when you throw your shirt back. Oh that?

39:15

There's that one too. The Frank's Little

39:17

Beauties is the best dance move. That

39:19

little... I would have picked one of the ones

39:21

that Glenn picked for you, which was the I've had

39:23

an orgasm. I've

39:26

had one with your mom. I'll put my

39:28

thumb through your eye. Yeah, yeah, yeah.

39:31

I got Mr. Rob McElhenney. Now... You

39:38

guys do know how to pronounce his last name, right? No,

39:44

no, it's gonna be stuck in our heads for the rest

39:47

of our lives. Matt, you want to play that video?

39:49

No, do not. Do

39:51

not. Do not. Oh, for

39:53

the love of God. It's funny because I just met Ryan

39:56

a couple years ago and he spent about 150,000 pounds making a video

39:58

for my...

39:59

and what did you guys do? We

40:02

made you millions and millions of dollars. Yeah,

40:04

sorry. Yeah, we

40:06

made you famous. We

40:09

made you full stop. We

40:11

made you. Ryan

40:14

Reynolds is a total schmitty. Ryan

40:18

Reynolds is schmitty-ing us. He's schmitty-ing us.

40:20

Yeah, he is.

40:23

But not only did we

40:25

make you Rob, but

40:28

you made us. It's

40:32

true. And if it were not for you,

40:35

this show would not exist. That's

40:38

true. It

40:42

wouldn't be even a fraction as

40:44

funny as it is

40:46

without you, my friend.

40:48

You're a phenomenal writer, you're a phenomenal

40:50

actor. Yes!

40:56

You're a phenomenal friend, and

40:59

I want to watch some clips of you doing some funny shit.

41:01

Yeah! Glenn,

41:05

I'm very curious what you picked. Okay,

41:08

well, I... There will be so many if I

41:10

was... So, I

41:12

know that people enjoy watching my character get angry, but

41:16

I enjoy your

41:18

character getting angry. Because

41:21

it doesn't... When

41:24

it comes on, it's fast, and

41:26

it is beyond anything I can... It's

41:28

fast and it's furious! So, I wanted

41:31

to see some

41:33

of my favorite moments of you getting

41:35

furious. Okay.

41:38

Let's roll the tape. Hey, I'm Matt. Welcome

41:40

to Patty's Club. I would like to recommend to first

41:42

of all our signature blended room, Caribbean

41:44

Para-Nets. People say it's better than a Nord-Ets.

41:48

Not that he's never

41:48

had one. I got one with your mom,

41:50

Derek! I got one with your mom, Derek! I

41:53

was trying to stick my goddamn thumb to

41:55

your eye! Go, go, go, go, Derek! What,

41:58

in the corner, stole the Patty's Pop?

42:00

and a thick line. Yeah, go tell

42:01

me what you want! I'm gonna put my thumb

42:03

through your eye, you little bitch! Men's

42:06

and women's bathroom thing is antiquated. Maybe you're antiquated.

42:09

Maybe I'm gonna put my thumb through your eye, you

42:11

little bitch! Now,

42:15

hold on. Thumbs

42:19

through the eye!

42:23

I... The... Strangling your

42:25

wife. That's

42:28

funny. Your

42:31

bursts of anger were just so, so funny to me. Like,

42:33

anytime you go into these bursts of anger

42:36

and then immediately like, calm down, like,

42:38

that shit's always really funny. But then, there

42:40

were some of like,

42:42

the clips that you showed of Charlie, and

42:45

honestly, I mean, I was

42:47

loving what you were doing, but I was also

42:49

noticing in those scenes, I couldn't help but notice, I'm like, oh

42:52

fuck, those are so great for Rob, too. Like,

42:54

I felt like I didn't necessarily

42:56

pick the best ones, but...

42:58

But that's good, it's a testament to like, I think there are a lot.

43:01

I was choosing, as I explained, like, I was choosing

43:04

ones very carefully for specific reasons, that it

43:06

wasn't just what made me laugh. No,

43:08

no. It was ones

43:11

where I wanted to point out to the audience

43:13

what makes Charlie so special. As opposed

43:15

to just the funniest scene.

43:18

I had a really tough job. My job was to

43:20

pick clips for Charlie. Again,

43:23

good fucking look. How do you do that? How

43:25

do you do that? I had to whittle it down, and

43:28

my very first pick

43:30

is from an episode called, Underage

43:32

Drinking, A National

43:34

Consume. Now,

43:37

maybe I actually, I might set this up. So

43:40

this was early in the show, and I remember, I

43:42

had a very strong take on this episode, and

43:45

I, especially early on, I was able to like, I

43:47

just wrote this very quickly. I had an idea,

43:50

a pitch for the episode, I wrote it very,

43:52

very quickly, and the first draft I got to

43:54

the guys, and they were like, oh, okay, this looks good. We

43:56

could probably

43:57

shoot this. Then, of course, we did.

44:00

We did our pass through it and it got even better. But

44:02

then what you're about to see in

44:06

this scene and in this little monologue, Charlie

44:10

ad-libbed something that was not in the script

44:13

and it became an iconic line

44:16

in the history of the show. Let's watch that. What

44:20

the hell is going on? That's Tammy, Trey's

44:22

ex-girlfriend. This is classic

44:25

Tammy. Trey broke up with Tammy

44:27

because Maureen Canallan said she saw Tammy

44:29

flirting with Walt Timmy at a party but she was only

44:31

doing it to make Trey jealous because

44:33

she thought that Trey secretly liked Aaron Henry but

44:35

treated him like Aaron Henry. He was a whole bunch of bull.

44:38

What is happening? That's Tammy,

44:40

Trey's ex-girlfriend. This is classic

44:42

Tammy. Trey broke up with Tammy because he- Okay, you know

44:44

what Charlie, you gotta stop, honestly.

44:47

Okay. Okay. So

44:52

the reason I led with this was not because

44:54

it's the funniest thing that Charlie's ever done, because

44:56

again, it's-

44:58

It's impossible. It's impossible.

45:01

It's because he took something and

45:04

elevated it exponentially further than any of

45:06

us could have imagined by just saying the words

45:08

classic Tammy. That's

45:13

classic Tammy. I

45:17

actually don't, that wasn't in the script? No. Calling

45:19

her, that's classic Tammy? No,

45:22

and another reason why I chose that is

45:24

because I know you guys would probably not even remember it. No,

45:27

I don't remember shit. No.

45:34

Our show today is brought to you by Rocket

45:36

Money. Get outta here, Rocket Money? Yeah,

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when Glenn is with us because you're

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such an app-thusiast. I love him.

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I love him a lot. I love the applications. The

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more, the better. Anytime

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I have to download a new app.

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I, it's exciting.

46:02

I love it. But I bet you do feel good about

46:04

them when they save you money on unwanted subscriptions,

46:07

right? Okay, all sarcasm aside, I do love

46:09

saving money. I love, money

46:12

is great. I like money. Yeah, especially

46:14

when the average American thinks they spend $80

46:16

a month on subscriptions, but in reality,

46:18

they actually spend closer to $200. And

46:21

it's a lot of money to be off, you

46:23

know, perception-wise, to think you're only spending like 60

46:25

to 70 and be spending 200. Oof.

46:29

That's a big gap. That's a big hit. Yeah, but

46:31

that's a job for a robot to

46:33

be tracking, is where your money's going.

46:35

Not, not for people. It's like, we just let Rocket

46:37

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46:39

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47:00

Yeah, you want a pocket rocket full of money.

47:02

Ha ha ha. Ha

47:03

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47:06

had an idea, Charlie, for an RCG

47:08

business venture. Oh my God.

47:11

Another one with the abundance of time that we have? Yeah.

47:14

Okay, yeah. What do you got? Okay, so check

47:16

this out.

47:17

We have all these sunny sets, you

47:19

know, we built over the years. And what do we do with

47:21

them in the off season? We put them in storage.

47:24

Yeah, we keep them in storage. Exactly. Locked

47:26

away where no one can enjoy them.

47:28

And, you know, can't make money off of

47:30

them. But what if, what if, okay, what if we

47:33

let people pay to

47:35

come and take pictures on our sets? Yeah,

47:37

okay, okay, okay. But slow down, you got to think about the overhead, right?

47:39

We'd have to hire a staff. We got to get a bunch of PAs,

47:42

kind of like getting people in and out of these sets.

47:44

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48:51

I want to hear your guys' top one. Let's just do one.

48:54

What's your top moment of yourself in the

48:56

show? Either the one you had the most fun

48:58

filming, or just the one that you're like,

49:01

well, I'm pretty fucking proud of that moment.

49:03

True.

49:04

Some

49:06

of my favorite ones, weirdly, are

49:08

out of character for what I

49:11

normally am. But I've grown

49:14

quite weary.

49:18

Speech. Like. That's

49:21

pretty great. Wait, is that from Flowers

49:23

for Charlie? Yeah, Flowers for Charlie. That and

49:25

probably Pep Bey Silvia. And honestly,

49:27

the Ryan Gosling playing

49:30

you? How

49:32

ridiculous. I

49:37

don't know why. Those

49:39

are the ones I had the most fun doing. You know

49:41

what's funny is you actually, much

49:44

like it's usually me that does this. But as I recall,

49:47

when we went to shoot that, you were doing it. And you were

49:49

like, this is not. This is too big. I was?

49:52

Oh, that's funny. Yeah. And I was the one. I

49:54

was the one who was like, no, no, no, go further.

49:57

Oh, great. Go further with it. And the more

49:59

you go.

49:59

We were like, all right, I'll do one that's insane.

50:02

And then you did it and it was so funny

50:04

and you felt it too. And

50:06

we're like, all right, this is ridiculous and it makes no

50:08

fucking sense. It's just funny, it's

50:10

just funny. Yeah, it was one of the rare instances

50:13

in which you were kind of backing

50:15

away from something and I was like, no, no, no,

50:17

no, go, go, go, go. There's really no reason to be

50:20

talking like that, but it's just funny. It's just

50:22

when you had the wires sticking out your mouth, you're like, yes,

50:24

I can't,

50:24

I can't talk right. Is

50:26

that when you had the thing too? It

50:28

was like a gas mask that you fell off as

50:30

well. So funny.

50:33

Yeah, yeah, yeah. Glenn, what about you

50:35

for you? Honestly, have no, I'm

50:37

not, this is. There were,

50:40

that was tough for me to pick because there's so many good

50:42

Dennis moments. The one and only Mr. Glenn

50:44

Howerton, I got to pick your clips buddy.

50:46

Oh. And

50:48

I'm pretty excited about this. I

50:51

got a little piece of paper here to

50:53

set them up. Charlie's my biggest fan. So

50:57

my first clip is not

50:59

going to be actually so

51:02

much your acting as

51:05

you're breaking. Now you don't always break in a scene,

51:09

but this is one of Dennis's finest

51:11

scenes and one of Glenn's finest

51:13

moments. This was our last day of filming this season.

51:16

This is Dennis needing his tools.

51:19

Why

51:21

do you keep all that shit in your car? It's

51:25

finished, it's finished

51:25

shit. I like to

51:27

bind. I like to be bound. Duct

51:38

tape, zip ties, tools. I have to hack

51:40

my

51:40

tools. Why do you keep all the shit in your

51:42

car? Finished

51:44

shit, you know, I like to bind. Mark,

51:49

I'm gonna. You're

51:53

faster, I like to bind, I like to

51:55

be bound. Yes,

51:59

I can't.

52:00

What's all that stuff you're grabbing, dude? One

52:06

of my favorites, though, is you saying idiots

52:07

and savages. Oh!

52:14

The pitch that your voice goes into

52:16

is so funny. It gets so high

52:19

pitched. Idiots!

52:22

That's not fun. What they were doing wasn't funny.

52:24

It comes zapras, zapras, idiots, savages, idiots,

52:26

idiots! Jesus Christ,

52:28

man. Damn, man. Damn. Now

52:31

that's the first time we went. We

52:33

were like, what happens if we take that thing,

52:35

that gear that we're finding, and

52:37

like, really... I remember doing

52:40

what you did for me with the braces thing on that one. I was

52:42

like, go even further. Just the angrier

52:44

you get, the more incensed, the more insane

52:48

you feel about this, the better. I would have picked

52:50

tools. I would have picked tools. Oh,

52:52

tools, yeah. Yeah, I would have picked tools, yeah. Yeah,

52:54

see, it is funny because there are certain things that

52:57

other people think are super,

53:00

super funny, like the implication scene, which I think

53:02

is... I think that too. Well, so I think...

53:05

It's the two of you together in that scene.

53:08

You guys are like a perverse Laurel

53:10

and Hardy. So

53:13

it's not that I dislike... I like my performance in that scene,

53:15

but to me the thing that makes that scene so

53:18

funny

53:19

is what you guys wrote and your

53:21

reaction to what... That's just for me. That's

53:23

just for me. Now, I'm not saying I don't... I do like

53:25

my performance in it, and I think my performance is good, but I don't

53:27

think it's my best work.

53:29

I think it's good, but I think the best thing about

53:31

that scene is the actual speech itself,

53:34

and honestly, for me, your reaction

53:36

is to it. But then it's so funny that you're

53:38

getting so irritated with him that he's saying

53:40

you sound creepy, and you're not

53:42

understanding it, and the more irritated

53:44

you become with him not understanding it, the funnier

53:47

it is. Yeah, yeah, yeah. You're

53:49

deliberately

53:49

misunderstanding me. Another of

53:51

my favorites, and it's a rant, but it's a

53:53

different gear also because it's quieter, is

53:56

I will put you in a box when you

53:58

do that to D. That's a good one.

53:59

a tiny box because it's a weird, it's a different.

54:02

My phone algorithm sent that to me the other day

54:04

being like, you want to watch Glenn do this to me. See a psychopath.

54:07

Yes I do. And I watched

54:09

it again, it was fucking great. Honestly, any time

54:12

I can make Caitlin break.

54:13

I will shove you into a box,

54:16

a glass box. Put

54:19

you on display. Think

54:24

of the smell, you bitch. Rotten

54:27

fish. Furniture. Fish.

54:31

Sorry mate. A

54:33

glass box. But it's just like, what,

54:36

like I don't know. You know, cause you know Caitlin's

54:38

like, she's a tough one to break. Like we break all the

54:40

time. Caitlin doesn't break that often, Danny doesn't

54:42

break that often. But Caitlin. Danny has started breaking

54:44

more, have you noticed that? The last couple of years

54:47

he's breaking a lot more. Yep, yep.

54:49

I think, yeah I don't know.

54:50

And by breaking we mean laughing,

54:52

not breaking. He's perfectly fine. Nothing's

54:55

happening to Danny. It's an industry term. He's

54:57

tough to break. Breaking means laughing

54:59

in a scene. But yeah, I think most people know that.

55:01

You guys, we've done it. Yeah, we've

55:03

gotta wrap it up. We got to get over to another

55:06

country. We've got to get to Wales. Yeah,

55:09

going to Wales. And then back

55:11

to Dublin.

55:13

Yeah, there goes Styes. Here come

55:15

the Styes. Here come the Styes. And

55:17

here come the Styes and they've added six minutes

55:20

to the clocks. And

55:22

six more Styes. I

55:25

like that one. I love it. I

55:28

like that one.

55:54

He disagrees. Cause

55:57

I like laughing bad. He's

55:59

both. It's a place for me, it's the place I go And

56:07

the fear is

56:09

cheap and the lights are low It's

56:12

Patty's Poem I

56:15

like Patty's Poem Let

56:18

the record show the greatest place

56:20

to go Is that bar

56:23

called Patty's Poem I

56:31

like life in Patty's Poem And

56:38

that is Poem

57:08

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