0:01

A note to the listener. The following

0:03

story contains some adult content and language,

0:14

and so it comes to this, no

0:17

long winded recap or explanation of any

0:19

kind. Here we are at

0:21

the end of it, the end of Hank's

0:24

journey, end of ours. So

0:26

I'm just gonna sit back and be quiet and allow us to finish

0:28

what we started. Welcome

0:35

back, Mr Briggs. I've been very much looking

0:38

forward to this. Please come in, no

0:42

butler today. I only

0:45

hire assistance when I'm entertaining. When

0:47

it comes to all the odds and ends, I know what I like,

0:49

but I don't know how to prepare and present it.

0:51

So no tea. Then, of course

0:53

there's tea. I had just

0:55

assumed you wanted to relay the information and get back

0:57

to life as usual. Might as usual? Is

1:00

that how you think this works? I

1:02

would hope that you would be able to separate yourself

1:05

from the work long enough to enjoy life. Yes,

1:07

you don't know anything about my life, Hank.

1:11

I think you've forgotten why I hired you.

1:23

See t what's

1:28

in the envelope? Why that's

1:30

the second half of your payment? Mr Briggs. You

1:33

didn't think I'd forgotten, did you. That's

1:35

simple humph. It's all there, shouldn't

1:38

it be, That's sure, but

1:40

neither of us known if I actually solved anything.

1:43

Solve That was always a pressure

1:45

word for motivation. If you will,

1:48

I said, you would be chasing information, and chase

1:50

information you have. I would

1:52

never allow you to go without reward for all your efforts,

1:56

unless you feel that you have been careless.

1:59

That's another matter. Entirely. I

2:01

wouldn't say careless, but

2:03

I do have a few questions. I

2:06

realized that I wasn't as thorough as I could

2:08

have been when you first brought me into this. But

2:11

that's the tricky thing about hindsight. Right

2:14

by all means ask me anything, who

2:17

do you think killed her? I

2:20

really wouldn't know. No, I know, But

2:23

if you had to guess, who'd you lean

2:25

towards? I call it a hunch.

2:28

You know those instincts of mine you talked about,

2:30

the ones that make me picasso.

2:33

You must have some of those instincts, right. I

2:36

don't consider myself a detective in

2:38

the slightest Mr Briggs, not even

2:40

one guess. Come on, humor

2:42

me, all this chasing, all this work,

2:44

don't you want to know if you were right? I

2:48

did I had a hunch when I started

2:50

hunting and scrauching. Come on, just

2:52

play along and take a guess if

2:54

it turns out to be right fastest

2:56

murder ever solved. This

3:00

is a very strange exercise,

3:02

mister Briggs. I haven't the faintest idea one

3:05

guess. Was

3:07

it the doctor? Damn

3:09

good guess? But no, you

3:12

know, people still believe he was responsible

3:15

for it, even after he had been cleared. I was

3:17

one of those people. Really, yes,

3:20

twice. Very interesting.

3:23

I'm curious as to why clean

3:25

cuts precision would

3:28

have taken years of experience to be able to cut

3:30

her up like that. That's very astute

3:32

view. But it couldn't have been him.

3:35

You're sure, without question, z

3:37

Aliba checked out clean as

3:40

a whistle. Uh. That's

3:43

a relief, you see. That

3:46

is a job well done on your part. Do you know,

3:48

Adler Harrison. I can't say that I do

3:50

why relief. Relief

3:54

is a pretty strong word to use for someone you've never

3:56

met. You don't have to know someone to have empathy for

3:58

them. Mister Briggs, I

4:00

think you've done a wonderful thing for this man. Once

4:02

the press are able to properly exonerate him,

4:04

he may be able to piece his career back together. After

4:06

all, press, who's going

4:08

to care at this point? You

4:11

don't think the public will want to know new

4:14

Plus, he's busy with Leonard Shaw's dirty work, so

4:16

I don't think he's gonna want too much attention. Leonard

4:19

Shaw the king himself. The

4:22

last place he expected to be was in the middle of all

4:24

this, with a punk like me questioning him.

4:28

You met with Leonard Shaw, I

4:30

did, and he's every bit to prick.

4:32

I've been told he was. He's

4:35

sick. You know, kidneys

4:37

are failing that Poe Man. I

4:40

wouldn't waste your empathy on old Leo Benny

4:42

Luck. He'll go quick. I'm

4:45

surprised at you, Mr Briggs. I wouldn't have

4:47

expected you to be so frivolous in regards to another

4:50

suffering. It's funny you should say

4:52

that, Sam. Why is that?

4:55

That was my impression of you too. She

5:02

didn't suffer, Hank. Not

5:05

at any point did Marline suffer, So

5:10

you don't deny it, Hank.

5:12

I think we've done enough dancing today, don't you.

5:14

Butler t hunch Adler dip

5:19

Once you said it wasn't Adler, I was satisfied

5:23

you wanted me to know it was you. Now,

5:27

that's not true. I was perfectly

5:29

content to part ways with you today as the charitable

5:32

donor, despite your failures. But

5:35

once you mentioned Leonard, I knew you'd gotten

5:37

closer than you were ever supposed to. You

5:41

may not be a detective, Hank, but you're certainly not an

5:43

idiot. Follow

5:46

me, Hank.

5:52

Why don't you just follow me and you

5:54

can have all your answers before you walk out

5:56

of here? M

6:01

h s.

6:07

All of this, this

6:09

was what you were bored. Bored.

6:14

Quite the contrary, I've been

6:16

more invested in this than anything

6:18

I've ever done. Did you meet her at shots? I

6:21

did, and that vile

6:23

gigglow of a doctor stalking or hoping

6:25

to make her one of his conquests. She

6:27

had no interest in him at first, but at

6:30

each gathering, however

6:32

subtle, I could see a flirtation growing.

6:35

And then what mm hmm,

6:37

I wanted to paint her. She understood that

6:39

I wasn't a threat to her. Right over there is where

6:41

she sat for me, and often it was

6:44

there that we developed our friendship. You killed

6:46

her in here. I wanted to

6:48

capture what light she afforded the

6:50

world before it left her in the same way,

6:52

it leaves all of the innocence. Did you kill her

6:54

in here as she died in this room? Yes,

6:56

But as I said, she didn't suffer.

6:59

I don't understand why I have any of this. Why

7:01

out of reverence for her

7:04

reverence, you pride

7:06

her ribs apart and drain her. I

7:08

removed her impurity once

7:11

the barbiturates entered her she was

7:14

no longer clean. Left her in a

7:16

parking lot so that she would be more

7:18

accessible to the common man, just like

7:20

the construction worker who found her, just

7:22

like you noticed. Doesn't make any sense,

7:24

of course it does. You're

7:26

just not listening. Listen.

7:31

Anyone is capable of being renewed,

7:34

anyone is capable of salvation.

7:36

Where you opened her arms and you crossed her legs,

7:39

what did all that mean? Uh? The search

7:41

for artistic meaning has become overbearing

7:43

ly un original. Don't you think it

7:46

was simply the position in which I felt that

7:48

her innocence would

7:50

be best preserved. Meaning

7:54

destroys purity. Meanings

7:57

when my heart began to suffer the most an

8:00

obsession with meaning, as

8:02

contradictory as it may sound, I would rather that we

8:04

as intellectuals, abandoned the need for meaning,

8:08

all of us, for

8:10

it is only in the absence of meaning that

8:12

we are emotionally and psychologically

8:14

free to experience. There

8:19

was a woman. Well

8:21

there's always a woman, isn't there as appropriately

8:24

so, as that is how we all come into this world.

8:27

Her name was Genevieve, and she took such loving

8:29

care of me, such care that my memories

8:32

honored her more than anyone.

8:36

Still too. See,

8:38

I wasn't ready. My style was crude,

8:41

certainly wasn't art. It was harried

8:44

and clumsy, and I was ashamed. I

8:47

wanted to be rid of my failure. But

8:50

it being quite a different canvas. It's

8:53

not as if she could be thrown out in the bins, although

8:55

in retrospect I suppose I could have. But I was

8:57

so young and petuous and overcome with fear

9:00

an adrenaline. My only thought was fire.

9:04

It was the only way in which I could absolve myself

9:07

of both the shame and

9:10

the act. My

9:12

initial experience when she was gone, Oh

9:16

it was unbearable. I

9:20

was nineteen years old. The pain that I felt what's

9:22

excruciating, as

9:25

if someone was standing on my chest. Peeling

9:28

away what I felt for her an inch at a time,

9:30

pure dane, raw

9:33

emotional movement that only exists in nature.

9:39

I tried to find meaning in her death for years

9:42

after I left Paris, and the more I uncovered

9:44

about her sordid tale of prostitution and disease

9:46

and drug addiction, the

9:48

more I uncovered about my own prejudice. I could

9:50

no longer recognize her. When I thought of her. My

9:54

thoughts were clouded with judgment and expletives

9:56

and contempt. So

9:59

I thought or less, and

10:02

so I felt less until

10:05

I felt nothing. Ironic,

10:09

isn't it At the end of my quest for meaning, she

10:13

no longer held any meaning, And

10:17

so I wept not for

10:19

her, not for me, but for the loss of feeling

10:23

itself. I wanted that

10:25

feeling again. I wanted

10:27

that feeling of loss,

10:30

of emptiness, the raw emotional

10:33

movement. I

10:35

didn't ask Marline any personal questions, not one.

10:38

See. I didn't want any part of her past. I wanted

10:40

to know her, experience her only as

10:43

she was at that time of her life.

10:46

I wanted to ensure her a perfect future.

10:49

I wanted to develop the love necessary

10:51

to feel it ripped from me the moment

10:54

she was gone, her parents set right

10:56

out there. No that

11:00

ar her parents here when the feelings began to

11:02

fade. There's nothing more powerful

11:04

and more innocent than a mother's love.

11:06

And I'd hope that her parents recollections

11:08

of her might stir something inside of me. But

11:11

nothing, nothing,

11:17

And so it will continue as

11:19

it always has, and

11:22

she, like the others, will remain in this room

11:25

with me as I search for inspiration

11:27

once again. What do you mean,

11:29

remain in this room. I'm not a

11:31

butcher, Hank, I'm

11:33

an artist. My

11:36

love for them went into my art.

11:39

They are in my

11:42

art. They are all in my

11:44

art. In

11:48

doing so, I make them clean again.

11:50

What is this? It's a

11:52

rebirth on canvas.

11:55

Let's pay now. That is very much Marline's

11:58

blood, you know it? How

12:00

many here against the wall? This

12:05

one is Marline, She's

12:08

Unfortunately she was

12:10

never intended for this series. They should

12:12

have only have ever been twenty seven

12:14

paintings. Marlene was my

12:16

masterpiece. I was certain that she

12:19

wouldn't

12:21

that she couldn't be ignored.

12:24

She should have been the focal point of our time, not

12:28

the irresponsible and reckless

12:30

death of a heart throb or foreign

12:33

nuclear weapons testing certainly not backseat

12:35

to the most handsome bachelor of the year on the

12:38

cover of Life magazine. She should

12:40

have been on the cover of Life, if we're all being honest

12:42

with ourselves. I didn't want her

12:44

to disappear, and so I

12:47

made her clean again. I

12:50

hope in you was that whatever

12:52

you found would resurrect her importance.

12:55

She could once again be unique as a work of art,

12:57

as sculpture of beauty, distorted

12:59

in her human form, fragmented

13:02

in body, but never in

13:04

soul. I am

13:06

questionable, concrete

13:08

Saint M twenty

13:20

seven others. She wasn't

13:22

meant for this, hank, And

13:25

I assure you she wasn't. Oh,

13:30

I hardly think that's necessary.

13:37

And that's where it ended. The

13:40

tape didn't run out. There was more tape, but it was all blank.

13:44

I threw in two more random tapes, and

13:46

it was an older hank. So I pressed

13:48

up and I sat

13:50

there, and I knew who

13:53

had killed Marlene Marie Evans. I

13:55

knew who had killed the Angel of mine. And

13:59

there was the confession. And

14:03

now what was I supposed to do with it? This was

14:05

a little bit bigger than an internet search. So I

14:07

called the Herald's contact within the l A p

14:10

D who connected me to the cold case unit.

14:12

I arranged to meet with them in hand over the tapes pertinent

14:14

to the Angel of Vine and

14:17

the rest is the rest. Actually,

14:19

I shouldn't say the rest is the rest. That's too flippant.

14:22

I don't want to dishonor Marlene's memory that way.

14:25

Marlene had no next of kin, no one connected

14:27

to her is still alive. But

14:30

I would like us to take a moment to acknowledge

14:32

her makes

14:34

your rest in peace. I

14:37

would also like to acknowledge that, thanks to

14:39

Hank Briggs, this is the

14:41

oldest cold case ever to have been

14:43

solved. But

14:45

now we're faced with a new question. What

14:49

the hell happened to Samuel Tench? Throughout

14:54

his life and career. Samuel Tench was incredibly

14:56

reclusive. No family, no close friends

14:58

per se, only acquaintance is so he

15:00

was free to travel to any destination anywhere

15:02

on the planet at any moment in time, and

15:05

he did. The

15:08

only person in his life with whom he had consistent

15:10

contact with was his art dealer and occasional

15:13

confident, Theodore Redmond. Redmond

15:16

said that he had learned to live with the disappearing

15:18

acts. It was part of Tench's creative process,

15:20

he said, and whether it had

15:23

been weeks or even months, when

15:25

Tench would return from a pilgrimage, he would

15:27

do so without apology or explanation, as

15:29

if he had never left. When

15:32

Redmond couldn't get in touch with Tench around

15:34

the fall of nineteen fifty seven, it

15:37

was perfectly natural for him to think the Tench

15:39

had left on another one of his excursions. By

15:43

March of nineteen fifty nine, and still

15:45

with no word from him, Redmond

15:47

just assumed the Tench didn't want to be found, that

15:50

he had decided to leave the art world his

15:53

way. In

15:55

the summer of nineteen Redmond

15:58

sold all of Samuel Tench's assets at

16:00

auction, all

16:02

except for the portraits that Redmond

16:05

found in the studio behind the Garden. Those

16:08

went back to New York with Redmond. Some were sold

16:10

somewhere loan to museums and other galleries. But

16:14

that's all irrelevant now. As

16:18

of today, you won't

16:20

be able to find one of the twenty seven

16:23

Samuel Tant water color portraits anywhere

16:25

in the world, not in the Music Stockholm, the Tate,

16:28

the Broad, Googgenheim, a private collector's

16:30

home, and nowhere they've

16:32

all been collected as evidence because of Hanks tapes.

16:36

Think about this tentious portraits

16:39

painted in the blood of his twenty seven victims

16:41

were hanging in some of the most famous spaces

16:44

in the world for five decades,

16:47

seen by billions of unaware patrons,

16:49

some of whom probably got very close

16:52

to the canvas, as art observers tend to

16:54

do. That's

16:56

insane, and

16:59

was even more insane is that there was an

17:01

exhibition that took place at the Redmond Gallery

17:03

in New York City, and of

17:06

all twenty seven portraits, all

17:09

twenty seven victims were in the same room

17:11

at the same time, nobody

17:14

knew, and when the exhibition

17:16

was over, they were each ship back to wherever they came from

17:20

until today. Now.

17:23

Remember Tench said he only intended

17:26

for there to be twenty seven Marlene

17:28

made, but

17:31

there are only twenty seven portraits. Where

17:34

is Marlene's watercolor portrait? It

17:39

was never found. Redmond

17:42

only brought twenty seven back to New York

17:44

with him.

17:47

So the mystery of the Angel

17:49

of Vine is solved, only to become the mystery

17:51

of Samuel Tench and

17:54

the mystery of Hank Briggs

17:58

for Tench? How many victims were

18:00

there prior to him perfecting his art? And

18:02

will we ever find out the names of the For

18:06

Hank? Why didn't he tell anyone? I'll

18:10

tell you what I think. I think Hank Briggs

18:12

killed Samuel Tench. I think

18:15

he was face to face with a serial killer who he

18:17

knew would kill again. Now

18:19

there's absolutely zero proof that

18:21

he killed Tench? So why hide the tapes?

18:24

Guilt Shane?

18:28

Why did Hank become the recluse that Samuel

18:30

Tench has been? Is

18:33

that the tradeoff once you've killed? I

18:35

don't know, but

18:38

that's what became of him.

18:41

And maybe I'm wrong. Maybe Hank just walked away

18:43

that day, out of the garden, down the hall and into

18:45

his car with ten tho in cash. And

18:47

maybe Tench did retire from the art world to

18:49

spend the rest of his days in solitude overseas.

18:52

It's possible, but

18:54

I don't believe that, and

18:57

Hank's family didn't either. You

19:00

know how, when every engagement story one person gets awkward

19:02

and clumsy and the other freaks out. This

19:05

was that? Who is who?

19:07

In this case? I freaked out? Really

19:11

after we spoke, Okay,

19:13

I was gonna say, you sounded perfectly calm

19:15

on the phone, because my first reaction

19:17

was confusion, then shock,

19:20

then freak out. I probably should

19:22

have led with are you sitting down? All you said

19:24

was he solved it? And then I

19:27

have no idea what you said, but I did hear

19:30

it was Tench. And that's when the

19:32

adrenaline kicked in. When did she tell you? As

19:34

soon as we got off the phone, she never calls

19:36

the restaurant. Scared me

19:38

half to death middle of the rush and Dale

19:40

comes to the front and says, it's bet it's urgent. I

19:43

don't I don't even know what I said. You were

19:45

yelling. I need the art for Oscar. I need the art

19:47

for Oscar. I need to send the book in the art to Oscar.

19:50

So I said, go again a tiger, right, No,

19:53

that wasn't it. Oh right?

19:55

The keys? Okay.

19:58

What I said was why

20:01

the hell are you calling me when you've got

20:03

a set of keys, Go get them tiger.

20:06

Then I told her about our call

20:08

and Hank and Tench, and

20:11

all I could think was get that artwork

20:13

out of my house? Is all you said.

20:15

All you said was get that artwork out

20:17

of my house. Just to clarify

20:20

for our listeners, Um, what art

20:22

are we talking about here? The art that we

20:24

found in the ike, Yes,

20:27

specifically three rolled canvases

20:29

of Samuel Tench originals. I

20:32

want to make it clear to our listeners that

20:34

they are not three of the absolutely

20:38

not. No. I have seen these works, I have handled

20:40

them. They were definitely painted with the crilics.

20:43

It was paint, thank god.

20:46

Now you also mentioned a book, yes,

20:49

Collected Poems of Robert's Service. And

20:52

what was the inscription? Hank

20:55

to paint and canvas Samuel

20:58

Hanks toast the day Tench hired him?

21:01

So creepy. Um,

21:05

let's let's shift subjects. What

21:08

I really want to ask you about is Hank. Now, when

21:10

I met you both almost a year ago, how many of the tapes

21:12

did you listen to? None, just

21:15

a sample? And now how many of you listened

21:17

to all of them? All of them?

21:21

What did your sister say? She has

21:23

no memory of him at all, so it didn't

21:26

really make a difference to her. She

21:28

thought it was a good story, but that was

21:30

about it. What's the biggest

21:32

difference for you? Now? I

21:35

definitely think he killed tench mm

21:39

hmm. Yeah,

21:42

I'm kind of leaning that way too. What's

21:45

the hesitation? I

21:48

don't know. I

21:50

I don't think there's any way to explain what it feels

21:52

like to get to know your grandfather, get

21:54

to like the man that you're getting to know, and then all

21:56

of a sudden have to think of the possibility that

21:58

this person who you really like

22:01

may have murdered someone. It's does

22:05

that make any sense? It's it's difficult to understand.

22:08

Yeah, I know, perfect sense, I get and

22:11

see. For me, it's kind of the opposite.

22:14

I liked him more for the idea that he

22:17

was with a man he knew would kill again have given

22:19

the chance, and he dealt with

22:21

it. Interesting. I

22:23

mean, I'm not advocating for vigilantism,

22:25

but in this case, you know, greater

22:28

good and all that. Did

22:30

you wonder if maybe that's why he didn't come home when

22:32

it was done. I didn't.

22:34

Actually, what I

22:36

thought about the most was that my

22:38

mother had absolutely no idea that

22:41

any of this was going on, and

22:45

I wish she could have known. I

22:47

think it would have answered a lot of questions for her. Didn't

22:51

answer questions, you arette, Yeah,

22:53

I mean sure, I

22:55

have a better understanding of who he was,

22:58

and that would make sense. And so if

23:00

that's why he disappeared, did

23:03

it change how you felt about him?

23:08

You know, I

23:10

don't know yet. I

23:13

definitely felt sorry

23:15

for him, but how

23:18

I feel about him,

23:21

Uh, it's a

23:24

it's a good question. I'll have to

23:26

get back to you, you know, all you do

23:28

that right, please don't well.

23:33

I think I can safely speak for an entire

23:35

community of people when I say thank

23:38

you, and personally,

23:40

I would like to thank you both very very

23:42

much for trusting me with this man's life. Thank you

23:44

for reaching out to me in the first place, and thank

23:47

you for letting me into your home and your

23:49

family history, and

23:51

for being so open to all of my questions. Thank

23:53

you, seriously, thank you

23:55

for taking it on this responsibility. That

23:58

was my pleasure, and I'm fairly confident

24:00

that this experience will remain highlight

24:05

I think that does it, Oh

24:11

my plight. When

24:14

I started this project, I didn't think

24:16

there would be a definitive answer to my questions.

24:20

I thought we would learn more details in the Angel Vine

24:22

case, more facts that would elaborate on what

24:25

we already knew. But

24:27

I really didn't think there would be an actual ending.

24:30

There were so many tapes There are so

24:33

many tapes, and they spanned

24:35

from the last tape that I played you well into

24:37

Hank's old age, And

24:39

like Beth and Phillis, I listened to everything that

24:41

Hank Briggs had to say. Here

24:44

was a family man with a great sense

24:46

of humor, assault of the earth, do the

24:48

right things, stand up, guy who didn't have a

24:51

mean bone in his body, yet

24:53

to catch a killer, he may have had to become one.

24:57

What does that do to a person like Hank, For

25:00

someone who was a good cop and wanted

25:02

more than anything to be a great detective.

25:06

Whatever went on in that studio after he stopped

25:08

the tape, that is another mystery altogether. But

25:12

if Hank the cop vanished that day, then why not

25:14

destroy the tapes? Why not destroy the art

25:16

in the book of poetry? Unless

25:19

that's all that was left to remind

25:22

him of who he was and what he had sacrificed

25:24

it all for Hank

25:26

Briggs with a damn good detective, even

25:31

if he didn't have a badge to show for it. I

25:34

for one hope that he knew that, and

25:37

that he left all of this for us so

25:39

that we would too. There

25:42

was a lot of information here, and

25:45

I tried to compile it as efficiently and as

25:47

effectively as possible in order to bring you

25:49

this story. It was an important story.

25:52

Hank was onto something when he started recording the world

25:55

around him, and by taking

25:57

the time to stop and listen, he didn't

25:59

have to miss a thing. As

26:03

I leave you with Hank's final words, I

26:05

would like to say, thank you, thank

26:08

you for listening. I'm

26:10

Oscar Simmons and this was

26:13

the Angel of Vine. Jeesy

26:22

to cry that you're beaten

26:25

and die, jeezy

26:27

to crawfish and crawl, but

26:31

to fight, and to fight when

26:33

hoops out of sight, Well

26:36

that's the best game of them all. And

26:40

though you come out of each grueling,

26:42

bout, broken,

26:46

battered and scarred, just

26:49

have one more try. It

26:52

stead easy to die. It's

26:55

the keeping on living that's hard.

27:00

H I

27:09

one

27:12

time, come,

27:22

oh way

27:28

is my a joel

27:32

E

27:37

excuse me while

27:45

I did SUPPI

28:00

thank you for listening to the Angel of Vine. If

28:03

you'd like to support us, please leave us a

28:05

review and tell your friends to subscribe. The

28:08

Angel of Vine is available on Apple Podcasts,

28:10

Spotify, Stitcher, and all major

28:12

podcast apps. If you want

28:14

more of the Angel of Vine, please check out

28:16

our bonus episodes and extended episodes

28:19

available exclusively on Stitcher Premium,

28:21

including cast interviews, behind the scenes

28:23

stories, journeys through Old Hollywood,

28:26

and much more. This

28:30

season's performances by Joe

28:32

Manganello, Constant Zimmer, Camilla

28:35

Luddington, Oliver Vakhre, Alan

28:37

Tuteck, Mike Colter, Misha

28:40

Collins, Alfred Molina, Kary

28:42

Peyton, Nolan North, Cree,

28:44

Summer, Rebecca Field, Eric

28:47

Bowsa, Matthew Mercer, Travis

28:49

Willingham, Cary Walgren, Courtney

28:52

Taylor, Steve Bloom, Mary

28:54

Elizabeth McGlenn, Coco Lamaru,

28:57

Tom Sibley, Ali Ruddy, Amari

29:00

Williams, William DeMeritt Delaney,

29:02

Hilen Patrick, Eazel, Philip

29:05

Mershamon The Angel Levine

29:07

was written by Oliver Vacare, directed

29:09

by E. Ryan Martz, Story by E.

29:12

Ryan Martz, Jason sum Walton, Oliver Vacare.

29:14

Lead sound designer was Joel Robbie. Additional

29:17

sound design by Kevin du Ziblon, Matt Tamarello

29:20

and Andrew Vernon. Recording engineer

29:22

was Colin Rodgers. Produced by

29:24

Vox Popular Incorporated in association

29:27

with Forever Dog Podcast Network Associate

29:30

producers William chip Beaman and Julia

29:32

Bianco of the Holp Network. Recorded

29:35

at Roundabout Entertainment, Burbank, California.

29:37

Angel I's performed by Desy Dennis

29:39

Dyllan, Piano arrangement by James Harper,

29:42

composed by Matt Dennis, Lyrics by

29:44

Earl Brent, Cover art by Studio

29:46

Lissara. This has been season one

29:49

of the Angel Levine. Thank you

29:51

for listening.