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0:30
I. Met with Alex. Garland director of
0:32
the new Buzzy Film Civil War.
0:35
On the day of the solar eclipse. Irish,
0:37
physically. Eclipse happening right this second? Is
0:39
that weird? Sorry
0:43
to interrupt. Literally a very dark go.
0:46
It is and also people started by Windows on the
0:48
other side of History which is. I. Mean
0:50
it was suddenly become very still, very quiet
0:52
on the streets of New York, right outside
0:55
of the A Twenty Four. Movie Studio offices
0:57
where we were. Meeting. And
0:59
it was eerie. loose fitting, His
1:02
movie is set in a quiet
1:04
war torn American landscape, one where
1:07
Texas and California have gone to
1:09
war against a three term president
1:11
who was disbanded the F B
1:13
I and deemed journalists enemy combatants.
1:16
May be shot. On sight, The
1:18
story starts as that civil war is coming
1:20
to an end. You're. Treated to
1:23
images of burnt out military
1:25
helicopters and mall parking lots,
1:27
interstate highways clogged with abandoned
1:29
cars and you follow a
1:31
group of photo journalist trying
1:33
to capture the final images
1:35
of the war at any
1:37
cost. Now
1:43
Carlin was the writer behind the
1:45
zombie flick twenty eight days later.
1:47
And frankly, I wished. A zombie would
1:49
have appeared in this felt kind of offer
1:51
some relief from what felt. Like an
1:53
all too real scenario. This
1:56
is a movie that ass what could happen. If
1:58
the system of checks and balances, The
2:00
whole, the democracy. Together fall apart,
2:03
And I wanted to know how you
2:05
talk about that without lecturing. Or talking
2:07
down to the people. That you
2:09
want to see it. This is the
2:12
assignments I'm. Audie Cornish. And
2:14
on Today's Show writer and
2:16
director Alex Garland on his
2:18
films. Of all. Our
2:28
true and will come to the assignments. Priests
2:30
are you talking with us versus
2:32
we've talked about your films are
2:34
being a kind of arguments. What
2:37
was the argument that was the germ of this
2:39
one? Argument
2:42
as conversation the outside. But
2:44
yes, you are the Germans.
2:47
This one it was. There
2:49
were two distinct areas for
2:52
their completely co related. One
2:54
of them is a populist
2:57
politics. Division. Populism
3:00
really leads towards extremism. With and
3:02
where were you when you are
3:04
encountering Populism? Oh. Everywhere.
3:06
I mean I have my own
3:08
country in the Uk. It's extremely
3:11
evidence here. It's of isn't across
3:13
Europe. Or
3:15
populism and polarization in the
3:17
to the way they go
3:19
together as and the journey
3:21
their own. I'm Ah, Israel,
3:23
A Asia, South America. It's
3:25
It's not hard to find
3:27
countries that have some kind
3:29
of deep division which is
3:31
represented. In
3:34
politics and in their population. So
3:36
there was that side of it
3:38
which was just putting rule very
3:40
familiar with and has been around
3:42
for quite awhile now or Sli
3:45
and there was another set of
3:47
those which was to do with
3:49
journalism and journalists and wondering why
3:51
journalism had lost the traction that
3:53
it used to have, Why was
3:55
perceived as being an enemy of
3:57
them? White was interested. So
4:00
what had led to that
4:02
situation? Which obviously, stitch, Complex
4:04
picture, but that's a d if the
4:07
question is, where did all come from
4:09
Us Reconfirm. Yeah, there's always a
4:11
dram or something and I know
4:13
for me, storytelling like we haven't.
4:15
Done very many many movies on a shell. And
4:17
one this came out and and. The internet
4:20
kind of went nuts because of what they
4:22
perceived to be like a kind of obvious.
4:24
Allegories: The first thing I thought, well in the
4:27
why is Alex Garland doing it and that was
4:29
the germ of me wanting to talk to You
4:31
mean it was like, wait a second. Why would
4:33
this person. Tackle.
4:36
This, and. After seeing it without
4:38
like irony, right like this is not something
4:40
that's a little bit of a joke or
4:42
a wink. No. No. Partly
4:44
because I. Ah, I take it
4:47
seriously. I don't take it seriously in
4:49
a cell serious way. Of In some
4:51
ways if you would work on something
4:54
for two years, you'd better care about
4:56
it because you're gonna be living with
4:58
it for a long time if fattest
5:00
in the and was longer than two
5:03
years. But also, I don't actually take
5:05
the subject matter lightly with a wink.
5:07
In fact, I have a feeling that
5:10
we partly entered into the situation wherein
5:12
by people being playful with serious stuff.
5:14
What I think. Is the people who.
5:17
Believed. And this was
5:19
politicians but it also included sections
5:21
of the media to they could
5:23
act in a way the didn't
5:26
take. Deposition. Seriously,
5:28
in terms of a requirement to true
5:30
saw to society or two tone or
5:32
to the meaning of words and that
5:34
it was all kind of in a
5:37
way knock about fun and it might
5:39
progress. They career birds wasn't really that
5:41
damaging because they're just a small voice
5:43
in a big canvas. A little bit
5:45
of like this story is really wild
5:48
without underscoring for the audience. The very
5:50
serious nature of some of those. Ideas.
5:53
Yeah so what I'm saying is really
5:55
Wild Sandy Hook Cove whatever it is
5:57
that is the example been used his.
6:00
Is an invention and
6:02
ah ah. I. Get
6:04
it? So kind of. The
6:06
online commentary that known escalated
6:08
into online Prince isn't politicians.
6:10
anybody with a voice. social
6:12
media the that there isn't
6:14
any danger attached to doing
6:16
these things. There's something playful
6:18
about doing these things that
6:21
would absolutely include politicians as
6:23
well. And.
6:27
It's it's a complicated better because.
6:30
Ah, There
6:32
is in some ways an element
6:34
of truth, which is that being
6:36
irreverent has it's own function and
6:39
and different voices in different spaces
6:41
have their own function, but as
6:43
it drifts away from being extremists,
6:46
them becomes mainstream than something else
6:48
says to occur and I felt
6:51
worried. but lots of other people
6:53
feel worried about it's one of
6:55
my one of my general feelings
6:58
about this whole subject matter is
7:00
that I'm of subject. Matter meaning
7:02
polarization as a threat of. Dysfunctional
7:06
Democracy ratings breaking down with
7:08
which leads to authoritarianism eventually
7:10
can lead to fascism in
7:13
fact, and that this was
7:15
it, that there was a
7:17
generalized sense of disquiet and
7:19
the disquiet was not located
7:21
to a political party it
7:24
actually quite shared. It
7:26
would probably probably be shared in
7:29
a sensor a space, but still
7:31
shed. And ah, I could certainly
7:33
see lots of journalists doing good
7:35
work and. Being.
7:38
Straight food and balanced and honest and
7:41
direct by their work having no traction
7:43
in the way. Used to have tracks
7:45
and and so I would think about
7:47
why that was what was going on
7:49
and what? What are those journalists their
7:51
to do? What? Why do we need
7:53
them? What are they protecting us from
7:56
The they're not able to protect us
7:58
from in the same way. Psyllids. Interesting
8:00
about what you're saying. I can
8:02
help people out with a plot
8:04
even if you haven't seen. and
8:06
you have this handful of effectively
8:08
war journalists on American soil. taking
8:10
an odyssey? a trip from New
8:12
York. I'm. To. The
8:14
District of Columbia where they hope to
8:17
get the big scoop. The final scoop.
8:19
This sort of fascists president either stepping
8:21
down, being captured, are doing an interview
8:23
with him as some kind and being
8:25
courageous. Take. Taking a
8:27
personal risk for a story,
8:29
but in choosing. Kind of
8:32
war correspondents. I feel like you picked. A. Certain
8:34
breed. At. That was sort
8:36
of a more time journalists. They
8:38
have experiences that. Can.
8:41
Turn them into risk takers can turn
8:43
them into pro tip. Get right. A
8:45
kind of cynicism who the reason why I'm
8:48
saying this is eating Take small. Town newspaper
8:50
people and turn them into people reporting raid
8:52
what you did as you took people. Who
8:55
we typically see. In
8:57
Glimpses An international reports
9:00
and. You brought them here
9:02
and it made it for a very jarring
9:04
experience raid on for for me as an
9:07
American a made for drawing experience because I'm
9:09
not used to seeing my country through that
9:11
lens run. Are
9:14
also chose them just by always reporters
9:16
which in that way they are likes.
9:18
Some. A work on a small time,
9:20
a small town paper. Innocence. They're recording
9:23
what I see, but they're the sharp
9:25
end of that form of reporting for
9:27
sure. And and yeah, that's baked into
9:29
the story. The really you have a
9:31
journalist through the start of the film
9:33
is were traumatized by things they have
9:35
encountered over the course of their work
9:37
life and is now having to deal
9:39
with that kind of imagery being at
9:42
home and away that she didn't expect
9:44
to saw the she might have been
9:46
warning against innocence. And of imagery
9:48
that as an at the certainly I
9:50
would say the West, but certainly Americans
9:52
were sort of studiously protected from. So
9:55
the main characters play by Chris Sundance.
9:57
He's the sort. Of long time, you
9:59
know, Photo journalist and. There
10:02
were so many visual. References and her
10:04
memory. Two traumas that I recall
10:06
sort of reading about and reporting
10:08
so. Whether that's.
10:12
Necklace. Same rate which is like though the
10:14
way. That anti Apartheid activists would
10:16
execute traders and South Africa
10:18
seeing body is hanging from
10:20
an overpass. Something people may
10:23
think of from the reporting
10:25
of cartels. And Mexico. All
10:27
of these images that she. Has
10:29
lived with as he put. On. Us
10:31
Soil. yeah that's exactly right. Do the
10:33
same references you have for the same
10:36
ones I have and I think part
10:38
of.is it is a sort of and
10:40
to exceptionalism. Point
10:42
which is the nobody's immune. Underneath the
10:44
whole film is a pretty simple idea
10:47
or think which is that the system
10:49
of checks and balances we have which
10:51
is. To parts. Of government
10:53
but also journalists are there to
10:55
guard against something that they're not
10:57
arbitrary, they're there to protect us
10:59
and if you are road them.
11:02
What are you guarding against? The thing
11:04
to you are guarding against might now
11:06
a rise and people do get complacent
11:09
about seeing the and other countries and
11:11
do not believe that they have some
11:13
kind of immunity. They have no immunity.
11:15
Immunity is actually the checks and balances.
11:17
and if in the playful way I
11:20
was talking about earlier, you could call
11:22
it playful. or you could call it
11:24
irresponsible. You erode those things. They.
11:26
Can be serious consequences. One.
11:30
Other point on this that I sound interesting and
11:32
help. It's not a spoiler to talk about pets.
11:35
You have references throughout the
11:37
cel Mai characters will imply
11:39
that their parents or somewhere
11:41
somewhere else people aren't paying
11:43
attention to the fact that
11:45
there. Is a violent Civil
11:47
war going on on American
11:49
soil? A. Or
11:51
offences. Are
11:54
doesn't wear is like a. Pretty.
11:57
Huge civil war going follicles on
11:59
there. I'm sure
12:01
that. We. Just try to say
12:03
I'll. Stay on. With.
12:06
What we see on the news seems like it's
12:08
for the best. To
12:11
let me know if you're training. Them.
12:14
At one point there is a character
12:16
who says well liked that's not happening
12:18
here that's on the news. It is
12:20
depressing as it's like the logical conclusion
12:22
to people constantly telling you that your
12:24
fake news. Or that there's misinformation that
12:26
one day they'll look you in the
12:28
face and not acknowledge. That like tanks rolling
12:31
down the street. Yes
12:33
yes absolutely As and says the thing
12:35
I would spend a lot of time
12:37
thinking about why is the when I
12:39
was younger If the press broke a
12:42
certain kind of story about a certain
12:44
kind of politician andrew tend to look
12:46
the best example be Nixon was codes
12:48
to perfect bit of journalism leading to
12:50
the downfall of a president. or was
12:53
he doing he was lying and he
12:55
was being a crook and he was
12:57
called Alfred A Knopf Ended his career
12:59
and I wonder. Would. That
13:01
happen in the same way Now
13:04
I'm not sure why wouldn't happen.
13:06
In fact I suspect I really
13:08
suspect in my not that say
13:10
in. Arguably has
13:12
happened and it didn't have
13:14
any consequences or the consequences
13:16
are currently. A noble
13:19
or in the when the process of seeing
13:21
it will get played out says. Is no
13:23
political ideology in the cell? Mean you
13:25
don't have. Read without. Ah, tell. Me
13:27
more it when when I mean when I that is
13:29
Nobody comes out and says I'm from a red. State:
13:32
I'm from a blue state. I'm from
13:34
this party. I'm from That party would
13:36
tell me how you think of it
13:38
actually does. That's true, but that in
13:41
itself is not the absence of a
13:43
political ideology. Political ideologies don't have to
13:45
reduce to red vs. Blue, And in
13:47
fact, within the film there is a
13:50
deliberate discussion about that to do with
13:52
Texas and California having joined forces, which
13:54
is there to provoke a question which
13:56
is on what terms as the Civil
13:59
War playing out. I'm why
14:01
are these two allied? What would
14:03
they consider to be more important
14:05
than their political differences, right? In
14:07
this case, it's a president to
14:09
as it stands to a third
14:12
term, disbands. the F B. Attacks
14:15
People are correct. Strikes on Us
14:17
soil without. Say this anything is a
14:19
fascist. Yeah yeah is it isn't as they
14:21
were of the latest. I say it was
14:23
interesting. You picked a couple of precise be
14:26
I did pick precise speeds and that is
14:28
usually to terms in which. The
14:31
conversation in for in the film
14:33
takes place or I hope it
14:35
allows for conversation and interpretation and
14:37
discuss and. I
14:39
think it's more that people say
14:42
the film is not political and
14:44
then I question just what politics
14:46
means as a word. And
14:48
also of people say it's not sufficiently
14:51
left wing enough for is not sufficiently
14:53
right wing enough. One of the things
14:55
I would ask is what do you
14:57
mean by left wing and right wing?
15:00
What is left wing? Right wing actually
15:02
means you what? And also where it
15:04
is, where the their boundaries sit. Where
15:08
does it stop? Being a left wing, right
15:10
wing discussion, it becomes an extremist discussion. all
15:12
like what you need to see for it
15:14
to fall under your. Preconceived. Notions.
15:18
Just because it does, It's not laid out.
15:20
Using all of our
15:23
cultural. And media
15:25
markers only mean it's not political
15:27
are utterly one of the things
15:29
I'm saying is to things have
15:31
been dragged into what is mostly
15:33
left right debate that I'm not
15:35
sure have any real position within
15:37
left wing or right wing politics.
15:39
So I just whenever having that
15:41
conversation I need to know what
15:43
people mean by left wing and
15:45
right Wing. Are they talking about
15:47
ah way taxation gets used to
15:49
they talk about free markets versus
15:51
regulated markets. Are they talking about
15:53
abortion? And I'm. Personally not sure.
15:56
Whether abortion is a left rights
15:58
issue, I can eat. The imagine a
16:00
leftwing person who is anti abortion. Maybe
16:03
because they're a carrier. For example, I
16:05
can't say the same about free markets.
16:07
Or yeah, tell that overlay we have
16:09
a tendency to us. We
16:11
don't have a we have. You know,
16:13
we have an overlay and the question
16:15
is, what are the forces behind those
16:17
overlays? What is being dragged into the
16:19
debate? Who is dragged Me into the
16:21
debate? Why are they dragged me into
16:23
the To debate And how much of
16:25
that is part of polarization? How much
16:27
of that is somebody saying I need
16:29
that constituency votes away? So I'm gonna
16:31
take this position whether I believe it
16:33
or not. For example, Outs
16:37
Carlin is the writer and director
16:39
of Civil War Without Now More
16:41
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The. That's only the beginning of the story. And.
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For. Every revelation brings us closer
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to the truth. This.
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Is the Assignment. I'm Audie Cornish and I'm
17:56
talking with Alex Garland, writer and director of
17:58
the New A Twenty Four Film. The
18:00
War. I. Want to know that
18:02
your relationship with. Illustrations.
18:05
And photography. I
18:08
felt like I was watching a film where
18:10
amidst there are. Moments. Of it
18:12
that are quite literally through viewfinder and
18:14
quite. Literally reference famous
18:17
war photographs. But.
18:20
Also just are beautifully
18:22
composed and. Edges I understand
18:24
your dad was a cartoonists it out
18:26
as got am kind of curious about
18:28
your drawing life when I grew up.
18:32
With him and my mom's cool
18:34
some and during was always around
18:36
he was always during his or
18:38
fascinates know the people drink and
18:40
i grew up around people newspapers
18:43
because he was a political cartoonists
18:45
or and also newspapers don't have
18:47
many cartoonists but I have many
18:49
journalists and I'm so his buddies
18:51
were people who worked on the
18:54
paper and all sorts of different
18:56
capacities they were editors and political
18:58
journalists who for correspondence and a
19:00
bird in terms. Of images I
19:02
i was also are trying to
19:05
do a throwback really to an
19:07
old fashioned kind of journalism about
19:09
reporting in the weights news photographers
19:11
would operate. And in
19:13
some ways the film is about a
19:15
young. News. Photographer who's who
19:17
is an older one is attempting to dissuade
19:20
them in a sense from the past they're
19:22
taking kind of you don't want this life
19:24
kid at is a little bit of the
19:26
town Yeah, because because there's often a conflict
19:28
between the personal price the a journalist might.
19:31
Pay. In relation to
19:33
the worked actually do yes they So he
19:35
talks about the trauma that this character has
19:38
thinking about the things that she seems that
19:40
also seat says at one point which I
19:42
have heard before in terms of justifying the
19:44
worse you do and which chronicled the do
19:47
not intervene at is that we record so
19:49
other people ask yes if that is something
19:51
you heard from someone or something or we
19:53
end up like oh yeah are they are
19:56
all the time or but there's a price
19:58
that the end of it. It pays
20:00
so said he individual journalists. So many
20:02
of those people are traumatised. I'm they're
20:04
doing important work for has an individual.
20:06
they have to live with Some the
20:09
consequences of the last month. the ethics
20:11
of that. That's. Still a conversation
20:13
now and Alice and they should ask
20:15
about it but on balance we we
20:17
do need people doing that. I I
20:20
think in some ways it's ah you
20:22
could compare it to like any are
20:24
surgeon who is may be doing very
20:27
difficult things and being traumatized. If a
20:29
child has been hit by car and
20:31
then they lose that child that must
20:33
have a terrible effect on them but
20:36
we still need some help doing that.
20:38
The net effect is not just a
20:40
they help but we. Need some. It.
20:43
See think they health. Yes, I
20:45
do. I think I am
20:47
a huge believer in the
20:49
importance of unbiased journalism. I
20:52
think the something strange happens
20:54
Journalism has been hugely on
20:56
the mind is partly the
20:58
context of social media. I
21:00
think it's also politicians going
21:02
out of their way to
21:04
undermine journalism and journalists. And
21:06
it's also I've been done
21:09
internally by large organizations, really
21:11
embracing by us and trying
21:13
to hold on to. Advertising
21:15
revenue by making sure they
21:17
keep their audience and there's
21:19
been a net effect for.
21:22
All of these things. It. I don't
21:24
want people to hear this and think that it's
21:26
like academic cel mai sus it does. It's one
21:28
of the most. Visceral. And then it's stunning
21:30
experiences I've ever had. I'm in fact,
21:32
I'm blowing it's I see I'm terribly
21:35
selling for hims, right? Oh yeah, I
21:37
know you're yeah for sure. fear underselling
21:39
in a visit. Yeah, yeah I say.
21:41
It's not that it's a war movie
21:43
that is not on. We
21:46
see so many things blown up. I see The White House.
21:48
Blown Up! How many times in a
21:50
felony? times? And I absolutely
21:52
never felt the way I
21:54
sell watching the attacks on
21:56
monuments in this film on.
21:59
An eye. Don't. Know why that was.
22:02
I think it's because it
22:04
had a sense of real
22:06
danger. And six steaks exactly
22:08
dirt The the the things
22:10
that it's showing are probably
22:12
things you're worried about. One
22:14
of the reasons I made
22:16
this film in the way
22:18
I made it is because
22:20
I don't think. I'd
22:22
rather let me price of this way.
22:24
I do think those concerns are shared
22:26
by lots of different people who may
22:29
disagree about all sorts of things, for
22:31
they agree about that. and not only
22:33
that, I join them and not concern,
22:35
I also am concerned about it. I
22:37
don't think that. That these.
22:39
Things have no consequences. I think they
22:41
do as consequences. So I was speaking
22:44
to that. We.
22:46
Talked about this idea of. The.
22:49
Journalist song, you know? We.
22:52
Record So other people ask that a
22:54
good writers and directors as people who
22:56
dream so that. Other people
22:58
ask i get a player like you
23:00
show us scenarios and we sit in
23:03
the audience and ask ourselves can I
23:05
live in this Could I survive in
23:07
this letter that be lighter, funny Et
23:10
and and also some firms are just
23:12
there to purely entertain and that's okay,
23:14
not this, That's where I am. I
23:16
know you like defending him. many points
23:19
for like this is not a popcorn
23:21
situation know But hopefully what it is
23:23
is a compelling film and it's engaging.
23:26
So it's compelling and it's engaging. And
23:28
then hopefully is thought provoking. but it
23:30
is a kind of visceral experience that
23:33
that leads to yeah, sinking talking, the
23:35
conference and he's a lot of your
23:37
time and I pc you talking with
23:39
us. Is there anything that you wish People
23:41
asked about the sound that they aren't. Know.
23:44
I just wish I was better selling phones.
23:46
I'm hopeless, that's why So, but you're. Hopeless.
23:49
At as I had to tell you something
23:51
as interviewed a lot of directors and. Just
23:53
because you're not doing the razzle dazzle doesn't
23:55
mean. Like the fact that you wanna
23:57
talk about it actually is huge. Thank
24:00
you I It's just not in me
24:02
that Russell Square so lazy. New As a
24:04
writer like want One of the reasons why you're good. To
24:06
interviews Because writers know the story. You're
24:08
not somebody. Who's like adapted the story or
24:11
thought about it a lot or just lived
24:13
with for a long time? Fundamentally, this is
24:15
you. In a lot of ways.
24:17
yeah, but it's also other people.
24:19
My experience of other people is
24:21
always not. Was this allies? There's
24:24
always our laws for most people
24:26
are polite conversation, no. Respect.
24:28
For it, when you meet them one
24:30
on one, you can come from any
24:32
number of different backgrounds, who, worlds, or
24:35
whatever. And this includes a lot of
24:37
traveling all sorts of different places. I'm
24:39
not a supra. you can get our
24:41
country and people are broadly pretty sensitive
24:43
and pretty good natured unless you put
24:45
them in extremists. But and then they're
24:47
willing to shoot and hang their neighbor.
24:50
Then they are willing to shoot knowing
24:52
the neighbor. And that's why it's a
24:54
sort of anti exceptionalism film. Because we're
24:56
all. Open to that question
24:58
is in the film. Is this
25:01
something we should be really thinking
25:03
about guarding against her And the
25:05
answer for probably implicitly as yes,
25:08
But then. Ah
25:10
know, you know I'm gonna shut up on to
25:12
school either. That. Books
25:15
As you read. As a
25:18
kid, I read almost exclusively
25:20
nonfiction. Ah, I see, I
25:22
read history and science and
25:24
journalism. Actually, I'm I remember
25:26
talking to one of the
25:29
creators of the Last, right?
25:31
else? And damn he told me that
25:33
his dad or parent someone gave him bucks
25:35
kid mystery box and they would rip out
25:37
the and like the. To.
25:40
Your own adventure suspended? I never figured out
25:42
and I didn't say this person had trouble
25:44
a third acts, but they might have had
25:46
your phone. Is there an ethics s? And
25:48
so have you know, I'm sure everyone does a see you
25:51
we think about your. Body of work and we try
25:53
and it together. A narrative, right? That's our job.
25:55
As like reviewers are, critics are trying to create
25:57
a story for the audience to say. Here's here's
25:59
why we. This film is interesting and
26:01
I guess the you know I wondered
26:03
for you a over time have you
26:05
heard people say hey the seems to
26:07
be the theme of your work I
26:10
i have a lot and sometimes a
26:12
thing or know what you mean and
26:14
sometimes I think port where did come
26:16
from and are both very broadly I
26:18
would say it's always the same. There
26:20
is some kind of thing going on
26:22
in the world where it could be
26:25
I could be quantum computing, it could
26:27
be politics. it could be people's behavior
26:29
with in marriages. Or whatever happens to
26:31
be and then I just react to
26:33
it. And that's
26:35
all it's ever been. Pretty. Even
26:38
twenty eight days later which is
26:40
a zombie flick cried was really
26:43
that was a consequence of me
26:45
having just been in a country
26:47
that had been destroyed, ready by
26:49
decades of conflicts and just thinking.
26:53
It's like wanting to bring it. Home
26:56
to wake people up. Maybe or
26:58
something even a zombie flick. This
27:00
is a reaction to something. that's
27:03
that's the through line I think.
27:06
Both. Of you And you. Alex
27:08
Garland he's the writer and director.
27:11
As a moving Civil War is
27:13
out in theaters. This
27:22
I'm In is a production of
27:24
Cnn Audio and Cnn Audio has
27:26
been nominated. For a plans of lobby
27:28
Awards. So see. Congrats to all
27:31
of my colleagues Anderson Cooper sign Take
27:33
that said, David Ryan's and the team
27:35
behind the podcast Tug of War also
27:37
want to know that the assignment has
27:39
been nominated. For to awards. This
27:42
interview, talk show and best Health though!
27:44
Thank you so much for that recognition
27:46
And thank you so much to our
27:49
crew and are producers! Here the web
27:51
these are actually awarded by a public
27:53
vote Which means I've got one more
27:55
thing to ask which is the head
27:57
over to the website and vote for
27:59
us that live his vote. Thought
28:02
Webby awards.com. And
28:04
well that that in our episode notes. And
28:12
Morning Hello Reddit a senior producer.
28:15
That martinez. The and
28:17
his allies or text. See
28:19
like Thai is the second is. Reduced.
28:21
The in an audio we got the board
28:23
from Haley. Thomas Alexander theory.
28:26
Robert Matters. John and
28:28
Aura Lenny Steinhardt same as Andrus,
28:30
Sniffles has the roof and least
28:32
an emerald. Special thanks to Katie
28:35
had been I'm Audie Cornish Thank
28:37
you for listening. Quality.
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