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The A.V. Club
The A.V. Club Presents Film ClubEpisodes
The A.V. Club
The A.V. Club Presents Film Club
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Episodes of The A.V. Club Presents Film Club
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December is fast winding down, and here at The A.V. Club, that means one thing: We’re looking back on the pop-culture we loved these past 12 months. The site’s big staff list on the best films of 2021 goes up early next week. Before we unveil t
Last week was 2001 Week at The A.V. Club, and as part of this multi-day retrospective of the pop-culture of two decades ago, we voted on the best movies from the second year of the new century. On a brand new episode of Film Club, critics A.A.
Over this past month, Film Club has been revisiting the films written and directed by Paul Thomas Anderson. It’s all been in anticipation of Anderson’s new movie, Licorice Pizza, which hits theaters this holiday weekend. On this special bonus e
Last week, Film Club dived into the two Paul Thomas Anderson movies starring Daniel Day-Lewis. This week, in the final installment of our four-week series on the movies of this essential filmmaker, critics A.A. Dowd and Katie Rife tackle the ot
What happens when the reigning Method actor of our time joins forces with one of America’s most celebrated filmmakers? On the third installment in our four-part series on the films of Paul Thomas Anderson, critics A.A. Dowd and Katie Rife discu
Our four-part series on the films of Paul Thomas Anderson continues this week on Film Club, as A.A. Dowd and Katie Rife look back on what can be succinctly described as the second half of the first half of Anderson’s career. After the success o
Every new movie from Paul Thomas Anderson is an event. That’s certainly how we’ve treating Licorice Pizza, the writer-director’s latest picture, which hits theaters at the end of November. All month long, in the run-up to its release, critics A
It’s a scary time to be alive, and to go to the movies. But have the movies themselves been scary? With Halloween coming this weekend, critics A.A. Dowd and Katie Rife discuss the year in horror movies—the state of the genre in these uncertain
The fall movie season is in full swing, and that means we’re getting a look at some of the most buzzed-about movies of the rest of 2021. On this week’s episode of Film Club, critics A.A. Dowd and Katie Rife review three of October’s major auteu
This weekend, Michael Myers returns to Haddonfield and to theaters with Halloween Kills, a follow-up to David Gordon Green’s 2018 “legacy sequel” Halloween. To commemorate his latest rampage through the sleepy Midwest town that should probably
Halloween the holiday is still two weeks away. But the movie franchise named after it is back this very weekend. On a special bonus episode of Film Club, critics A.A. Dowd and Katie Rife discuss the latest entry in this undying slasher saga, th
This weekend, No Time To Die brings to an end the Daniel Craig era of James Bond, putting a lid on a story that began 15 years ago with the reboot origin story Casino Royale. This is, of course, just one stretch of a franchise that’s been runni
Now in its 16th year, Fantastic Fest is probably the biggest and more prominent genre-centric film festival in America. But it offers a lot more than just raw meat and geysers of blood for the midnight-movie crowd. On this week’s episode of Fil
North America’s largest and most prominent film festival winds down this weekend. Experienced in person or virtually, the fest was a typically mixed bag of a movie marathon, offering the usual range from triumphs to follies. The A.V. Club’s cri
For almost as long as there have been movies, there have been movies based on literature. Even in the age of superhero spectaculars, novels remain one of Hollywood’s prime sources of source material. But transporting a story from page to screen
Labor Day is traditionally thought of as the unofficial end of the summer movie season. It’s also generally a dead zone for new Hollywood releases, with the studios accepting the conventional wisdom that many Americans want to spend the holiday
As summer begins to wind down and the crisp breezes and scented candles of autumn beckon, we’re taking a week to circle back and talk about what has (thus far) been the horror event of the summer: Netflix’s trilogy of Fear Street movies. Set in
Negative reviews are fun to read—just asks the scores of film fans that have purchased Roger Ebert’s bestselling collection of them, I Hated, Hated, Hated This Movie. Truth is, they can be very fun to write, too, at least for a critic who finds
Late summer is not, normally speaking, a time to expect exceptional cinema; by the onset of August, blockbuster season is winding down and awards season hasn’t yet begun, leaving audiences stranded in a purgatorial middle zone, heavy on Hollywo
M. Night Shyamalan is one of the few Hollywood directors working today who qualifies as a household name. But what reputation does that name now carry? Since bursting into the public eye with his third feature, the Oscar-nominated box-office ph
On this week’s Film Club, our critics A.A. Dowd and Katie Rife are creating a new tradition with the second annual edition of what we like to call the Mid-Year Awards. Last summer, Film Club ran an episode saluting the best performances, screen
Today ends a two-year hiatus for the biggest franchise in movie history. Black Widow, new to theaters and Disney+, is the first Marvel movie to come out since July of 2019, and though a series of television spinoffs have kept the MCU alive in t
One year later than scheduled—and after years of fan demand—Marvel has finally released a starring vehicle for the most opaque of its Avengers, the Russian assassin that switched sides, Scarlett Johansson’s Natasha Romanoff. How does it stack u
From its origins 20 years ago as a humble Point Break ripoff featuring fast cars, tough guys, and stolen DVD players, The Fast & The Furious has grown into a global mega-franchise. On this week’s episode of Film Club, critics A.A. Dowd and Kati
At this point, Pixar’s legacy as the most beloved of American animation houses is probably secure: No other studio so regularly earns the adoration of audiences, critics, and awards voters alike. All the same, it’s difficult not to notice that
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