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TIM HEIDECKER HOSTS THE BEST SHOW! CLAUDIA O’DOHERTY! JOHN EARLY! PATRICIA ARQUETTE & ERIC WHITE! FRED ARMISEN! 20 WORST BEATLES SONGS! JERRY FROM GLENDALE! MORE!

TIM HEIDECKER HOSTS THE BEST SHOW! CLAUDIA O’DOHERTY! JOHN EARLY! PATRICIA ARQUETTE & ERIC WHITE! FRED ARMISEN! 20 WORST BEATLES SONGS! JERRY FROM GLENDALE! MORE!

Released Wednesday, 16th November 2022
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TIM HEIDECKER HOSTS THE BEST SHOW! CLAUDIA O’DOHERTY! JOHN EARLY! PATRICIA ARQUETTE & ERIC WHITE! FRED ARMISEN! 20 WORST BEATLES SONGS! JERRY FROM GLENDALE! MORE!

TIM HEIDECKER HOSTS THE BEST SHOW! CLAUDIA O’DOHERTY! JOHN EARLY! PATRICIA ARQUETTE & ERIC WHITE! FRED ARMISEN! 20 WORST BEATLES SONGS! JERRY FROM GLENDALE! MORE!

TIM HEIDECKER HOSTS THE BEST SHOW! CLAUDIA O’DOHERTY! JOHN EARLY! PATRICIA ARQUETTE & ERIC WHITE! FRED ARMISEN! 20 WORST BEATLES SONGS! JERRY FROM GLENDALE! MORE!

TIM HEIDECKER HOSTS THE BEST SHOW! CLAUDIA O’DOHERTY! JOHN EARLY! PATRICIA ARQUETTE & ERIC WHITE! FRED ARMISEN! 20 WORST BEATLES SONGS! JERRY FROM GLENDALE! MORE!

Wednesday, 16th November 2022
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Episode Transcript

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0:04

Hi. I'm Allison

0:04

Raskin. I'm a writer in mental health advocate.

0:07

And I'm Gabby Dunn. I'm a writer and bisexual

0:09

icon, wink, which I promise, is a thing.

0:11

Many, many Internet years ago,

0:13

we started a YouTube channel, called just between

0:15

us, that has since morphed into a podcast

0:18

by the same name. People ask us all the

0:20

time. What is your podcast about? And honestly,

0:22

it's a bit hard to describe because it's kind

0:24

of about everything.

0:25

I

0:26

like to call it a comedic variety show

0:29

with a bunch of different segments. Oh, that's

0:31

good. Each week, we start off by catching

0:33

up with each other. Then we answer a listener's

0:35

question after I sing a little song for

0:38

no real reason. So cute. Followed

0:40

by interview incredible guests such as public

0:42

defenders, mental health professionals, and

0:44

animal scientists. So that's

0:46

the show. And if you're still pretty confused,

0:49

which honestly Fair. You

0:51

can check out our back catalog of over

0:53

two hundred episodes. We also have

0:55

a brand new episode every Wednesday. Video

0:57

is available on YouTube and audio's

0:59

available wherever you listen to podcasts.

1:02

What's up, guys? It's your favorite Internet

1:04

queers. I'm Ashley Gavin. I'm

1:06

Alena Joy, and I'm Mackenzie, and

1:08

we are here to tell you about our new podcast

1:11

chosen family on the forever dog podcast

1:13

network. Each week, we're bringing you a topic

1:15

or theme related to queer life, to the family

1:17

dinner table, to weigh in, deliberate, and

1:19

discuss the right thing to do. The smart

1:21

thing to do, and the dumb thing we know

1:23

is dumb, but we'll probably end up doing anyway.

1:26

Hey, we never said we were perfect. I

1:28

am perfect. Okay. We'll

1:30

be talking about everything from our own

1:32

dating lives. sex lives

1:34

to dealing with family and friends, IRL,

1:36

then we'll invite you our

1:38

stunningly gorgeous listeners to join

1:41

in on the family conversation by answering any

1:43

of your questions and dilemmas. Listen to chosen

1:45

family podcast every Wednesday on Apple

1:47

podcast spot by or wherever you get

1:49

your podcast. You can also watch every episode

1:51

on YouTube to get the full family experience.

1:54

Enjoy.

1:55

forever. Dog.

2:10

Everybody,

2:10

good.

2:13

Evening,

2:13

I should say. Good evening.

2:17

You're listening to the best show

2:20

with your very special guest

2:23

host, Tim Heidecker. That's

2:25

me sitting in the Tom Chair.

2:28

We have got three hours

2:30

of

2:32

Mirth, Merriment,

2:34

your calls, we've

2:36

got tremendous topics

2:39

today, we've got we

2:42

want you to help us build our

2:44

list of twenty the

2:46

twenty worst Beatles songs. You're

2:48

familiar with the Fab four, John Paul, George,

2:51

and Ringo.

2:52

I'm a huge beetle

2:54

freak, and

2:56

it's I love them all. There's probably

2:59

not a song that I don't

3:01

like, but we have to make the list.

3:03

Twenty of the there's there's the top

3:05

twenty best

3:07

but we gotta

3:09

get to the bottom. We're gonna start at the

3:11

bottom. That's coming up. I've

3:13

got amazing, some friends

3:15

of mine coming in. Claudia

3:18

and get

3:19

ready folks. And don't wanna diminish Claudia.

3:22

But by putting it that

3:24

way. But

3:25

but

3:26

She'll be joined by the great John

3:29

Early, and

3:31

I hope he's on time. I don't

3:32

wanna be early because I got a lot to get

3:35

to. That We also

3:37

have president former president Donald

3:40

John Trump joining

3:42

us via Mar a Lago, throughout

3:44

the show. I think he's speaking right now.

3:46

He is walking up to the podium. Okay.

3:48

Here. And friend just texted me and said

3:50

all I got from my friend was vanquishing all

3:52

enemies like before. So

3:54

-- Perfect. -- the tone. We're

3:57

gonna start the show in a few

3:59

minutes.

3:59

But first, some music. and

4:02

we'll be back after a couple of

4:04

tunes that I've chosen.

4:08

Call us by the way 2019890012

4:13

That's 2019890012

4:15

and

4:18

we'll be back in a

4:19

few.

4:42

lol

4:49

he

4:54

how are

5:00

, our

5:06

room

5:28

Yes.

5:28

That must

5:31

show. evening,

5:34

everybody. I

5:36

am Tim Heidecker here taking

5:38

the place of comm sharp link

5:41

just for the night look at my Damn.

5:44

You can call me Redneck is

5:46

what you can call me. I'll tell

5:48

you why. Look at that. That's

5:51

That's funny. I

5:53

gotta put my list up to no

5:55

cursor. Now, it's I'll

5:57

tell you something. It's it's all

5:59

gonna be revealed

5:59

to night. I've got I've

6:02

got been Irish in meal, and

6:06

and it's It's embarrassing,

6:08

you know. People are embarrassing.

6:10

I'm embarrassing. I'm embarrassed by

6:12

myself. We were listening

6:15

there. Well, that here is the

6:19

iconic best show theme song. I

6:21

wanna get a little more info on that theme song. I

6:23

don't know anything about it. You

6:24

do, though, and you could tell me.

6:26

We were listening to a

6:28

couple of tracks I picked. Come to life

6:31

by Arthur Russell.

6:33

from his album,

6:35

Iowa dream.

6:37

Didn't know much about Iowa. Didn't know much

6:39

about

6:41

Arthur Russell. and

6:43

somebody recommended

6:46

this new record of his that passed

6:48

posthumously passed

6:50

away many years ago and blew

6:53

me away. I think it's a he's a very

6:55

interesting obviously, all the best show listeners

6:57

are way ahead of me on this. This

6:59

is a a cool crowd. And you don't know

7:02

about Arthur

7:03

Russell did? You

7:05

don't know about Arthur Russell? You

7:08

just found out about Arthur Russell.

7:10

That's

7:10

my impression of a best show listener. That's

7:12

pretty cool. Thank you. Yeah. Jason

7:15

Gores in Studio with me. Yeah.

7:17

to see him just met him for the first time. I

7:19

know. because the last time you were here, I

7:21

think I was sick. You were

7:24

sick. I was sick. Okay. And

7:26

then and then You got When I was

7:28

here, I the next day,

7:30

discovered I had the China

7:32

virus. Yep. Yeah. And we were

7:34

watching the president, the former president

7:36

Donald Trump who's speaking now. He's still

7:38

watching this. He's still going. Let's flip it.

7:40

Okay. Here we flip it. happy.

7:42

They are very, very angry. Now

7:45

we have a president who falls

7:48

asleep at Global Conferences big

7:51

of that crust. The love was held

7:53

in contempt by the German

7:56

government over Afghanistan.

7:59

Thanks

7:59

to the

8:01

Yeah.

8:06

We're not gonna spend too much time

8:08

on that. But we were listening right as the as the

8:10

music started. What's this now?

8:12

Is

8:12

this a prank?

8:14

C's unbelievable. C's

8:17

candy? And I

8:19

if this is from who I think it is,

8:22

I will not be returning the

8:24

gesture. We have ladies and gentlemen,

8:26

if you're just listening with box of box

8:28

of flowers and a bouquet of

8:30

chocolates just arrived.

8:32

Big hug. Nope.

8:34

This is from a very special person here.

8:37

Tim, there is no one else that I

8:39

would trust. I'm gonna get

8:41

weepy. To host the best show, it is

8:43

an honor, and I hope you have a fantastic

8:45

time love, your friend,

8:47

Pat,

8:48

Bern. No. Tom,

8:52

with a big t,

8:53

And the the card

8:55

says sometimes it's nice to have a big

8:58

hug from someone who cares and

9:00

the the inside of the card, the prewritten

9:02

section of the car, which I think often gets overlooked.

9:05

Yeah. So I'm sending one just for

9:07

you. Thinking of you today. Isn't that Swaddlers?

9:09

And I love C's candies.

9:11

These

9:12

these chocolates, if you're if you're

9:14

on the East Coast or anywhere else in the

9:16

world, I'm

9:16

telling you folks, this is something that

9:19

us Californians can be

9:20

proud of. This is

9:22

a fine box of chocolates. So thank you,

9:24

Tom. And

9:25

totally

9:28

throw my train of thought. I was just

9:30

hoping that we would I

9:31

could get through a couple of minutes without

9:34

being

9:34

interrupted. What that we were talking well,

9:36

the we were dipped in on Trump. Yes. And

9:38

we're not gonna dip back. Unless you wanna dip

9:40

back. Let's see what we get together

9:42

with you. Hey. Thank you.

9:47

The

9:47

decline of America is being forced

9:49

upon us by Biden and the

9:51

radical left lunatics running our

9:53

ground. right into the Alright. Thank you.

9:55

Alright. Thank you. Good to hear from you,

9:57

sir. Yeah. Well, the only

9:59

thing we

9:59

just checked it right away, we've we caught

10:02

him saying,

10:03

that how people are

10:06

doing much better under his. He said,

10:08

men, women,

10:11

African Americans separate

10:14

them from the men and women category, apparently.

10:18

Well, listen, let me just start with a preamble, a

10:21

secondary preamble and

10:23

say thank you Tom

10:25

and the best show

10:27

what the best show means to me is

10:31

I can recall whenever it

10:33

was two thousand two thousand

10:35

one maybe.

10:37

Somebody could have been producer Matt

10:39

Carlin from office hours who I've known for a long

10:41

time. Somebody hit me

10:43

to the

10:44

best show and sent

10:46

around what was going was very, I would

10:48

say, pre social media

10:50

those days was, I would consider sort of

10:52

a viral

10:53

share was the

10:56

rock rock or roll?

10:57

Is it

10:58

or rock rock rock and roll? And

11:01

Denver. Yeah. And See,

11:02

that's confusing to me. Yeah. Because I

11:04

would always Am I correct, Pat? Mike? It's Rock

11:06

Rock Rock and Rural. Right? Or am

11:08

I being fired tonight? No. It's

11:10

rock, rock, rock, and roll. Good. Rock, thank you.

11:12

But shouldn't it be rock, rock, or Or

11:15

because these are the choices. Anyways, It

11:18

blew my mind. It was a seminal,

11:20

comedic moment in

11:22

inspiration. I thought it was the funniest

11:24

thing I'd heard since what?

11:26

The jerky boys? No.

11:30

But you know, I mean, listen. I grew

11:32

up on the jerky. I'm not not I don't

11:34

know what Tom thinks about the jerky boys, but I

11:36

there are things that use that that come into your

11:38

life that change. And And

11:42

when Eric and I got our

11:44

first adult swim show, Tom

11:46

was

11:46

right there saying, you ever wanna call into

11:48

the best show, It be honor. It was an honor

11:50

for us to do very I

11:53

can't remember all of them, but we used to call in a

11:55

lot and do long

11:57

dumb bits And

11:59

Tom's been a friend

11:59

and for a long time, and

12:02

I think what he's done with this

12:04

show is tremendous

12:05

No one's

12:07

ever done it like this before. And

12:09

I

12:09

mean nobody. You know?

12:12

And I mean nobody. And

12:15

so

12:15

we agree with, you know, office

12:17

hours, my show that you can see here, big promotion

12:20

for office hours if you're watching right now, office

12:22

hours live with Doug and Vic.

12:24

And

12:26

we we recently signed with this

12:28

Forever Dog, but they got a whole sign out

12:30

there. If you're not

12:31

if you haven't stopped by the studio, do you invite

12:33

audience to come to the studio ever ever

12:35

No. No. We're not gonna give the address out.

12:37

I mean, they could see it from the street. Yeah. There's

12:39

a big sign. It's right across from the minions

12:42

and the universal studio and everything.

12:45

So we we

12:47

crafted this little switcheroo, I

12:50

didn't know if I I think it was my suggestion. I didn't know

12:53

if Tom was gonna go for it. I

12:55

would be very understanding if

12:57

he didn't think he wanted to do

12:59

that. I I understand the

13:02

the the dearest by which he holds

13:04

this domain. But

13:07

anyways, we said, let's do it. We put the date

13:09

on the calendar. We're gonna

13:11

commit to this. Now, just to

13:13

just so you understand my level

13:16

of commitment to being here tonight.

13:18

I'm gonna put

13:18

you a couple days back to Friday.

13:22

Where were you

13:22

doing Friday? Do you remember what were you

13:24

doing Friday?

13:25

TGIF getting a couple of beers of

13:27

the boys. Oh, yeah. Yeah.

13:29

In high life. Just kicking

13:31

them back, sampling their beers. I

13:34

was at the zoo. LA

13:36

zoo. Controversial place. A lot of

13:38

people don't appreciate the zoo.

13:41

Don't appreciate the way they treat the

13:43

animals. I'm with you. Right. I

13:45

I but the kids I have two children, and

13:47

they wanted to go to the zoo schools off. It was Veterans

13:50

Day. You might have been there at parade or

13:52

something. I don't know.

13:53

You can't

13:55

remember. No, I don't. I just I just

13:57

remember the beer. I get

13:59

a email

14:00

from my Hollywood team.

14:02

I'm a big celebrity in

14:05

Hollywood, you know. I get an email.

14:07

They say, Are you

14:08

sitting down? That's how they

14:10

start a lot of emails. No.

14:12

They didn't start that. They say,

14:14

offer just came in Tim

14:18

Robinson from

14:19

the great, I

14:20

think you should leave, requests

14:23

your presence for season three.

14:25

Okay? Yeah. I go I'm in.

14:27

I don't need to see no script. I

14:29

know. I was in the first season, the second

14:32

season. and now here I am

14:34

ready to go again. And they need they I'm

14:36

their good luck charm. Yeah. So

14:38

I know that he needs me the way

14:40

I need him. Not

14:41

really, but So

14:44

I go, of course. And I'm at the

14:46

zoo. On

14:47

my phone, checking emails, waiting in

14:49

line to get chicken fingers. Right.

14:51

And then I go back and

14:53

reread the email. When do they

14:55

want me? Now this is Friday. They need

14:57

me Tuesday.

14:58

This,

15:01

like, today. Today. Okay.

15:03

I oh,

15:04

who's that? Mike was

15:07

that was Pat. Oh, hi, Pat. Hey. How

15:10

are you? Why don't you chime in

15:12

when when you're direct when

15:14

I direct and something too.

15:16

Okay? It's very disorienting.

15:19

Yeah. The flat first, it was the flowers

15:21

and the chocolates. I'm trying

15:23

to I I did send candies also,

15:25

but I I just got a text. They went

15:27

to the iHeart. Oh,

15:30

well, now listen. So I reread

15:32

the email. I said, oh, oh, Tuesday. That's a big

15:34

red flag. I write back, wanna do

15:36

it. Would be honored to do it. You know I

15:38

wanna do it. Can't. If

15:40

I can't get out by four PM so I

15:42

can be here and be ready and be prepped,

15:44

they go, yikes,

15:47

That's

15:47

tough.

15:48

I go I play hardball. I

15:50

say, that's the deal. Make

15:52

it work or don't. I don't need to do

15:55

this. I'd love to. Yeah. I

15:57

go, they go, they're working on it, but they

15:59

might be locked into the schedule. I go,

16:01

well, then I just gotta let that fish

16:03

go. You know what I mean?

16:06

It's

16:06

not the end of the world. But I'm not

16:08

calling you and Tom

16:11

and

16:11

producer Matt and saying, hey, we gotta rethink

16:13

this Tuesday night thing. I'm not doing that. I'm

16:15

not bailing on this. No. And

16:18

Monday weekend goes by. I'm

16:20

thinking they're shooting this Tuesday. I guess it's

16:22

not happening. Monday morning they

16:24

go, we have

16:26

found a way to make it

16:28

work. We are

16:30

moving the schedule gonna

16:32

get you out. We're still doing Tuesday.

16:34

Wow. We're gonna get you out by

16:36

four. And

16:37

four out.

16:39

Hard out. And I'm the I

16:43

gotta hard out. Yeah. And they respect

16:45

that. And so

16:46

what was I doing today, which is the

16:48

breaking news, not this big

16:50

announcement we're seeing from now, from

16:53

Don John, We're stuck on the

16:55

donut on jump. Yeah. It

16:57

was I was on set in Hollywood

17:00

shooting a new episode

17:03

of the great Netflix show,

17:05

Tim Robinson, I think you should

17:07

leave. But And this is a

17:09

scoop. This is

17:09

a scoop. The Hollywood reporter is

17:12

now

17:13

furiously typing up a

17:15

or TMZ whoever.

17:18

So that that just is a

17:20

little inside inside baseball

17:21

story about what this means.

17:23

And and it's also a good way for me

17:25

to stretch. Oh, God. The show? I'm

17:28

no. You know? Oh, it's

17:30

good for people than that. We're

17:32

already by the way, Tom says, is are

17:34

you ready for a three hour show? I'm just

17:36

getting I'm I'm just getting warmed up here. I

17:38

mean, with the whole music and everything, you

17:40

got I'm really starting at six ten. Hey,

17:42

since you gave a Scoop, they've told me to

17:44

play the Scoop Jingle. we're doing this a

17:46

little after the thought here, but here

17:48

it is. Come on.

17:51

Give us a scoop. And that

17:53

was the scoop. There's the scoop. And what we'll

17:55

do is edit that before We put

17:57

it back. Yeah. to put it backwards. And I think

17:59

her returns to

18:02

season three. And

18:04

it will be a very funny scene. Everybody

18:06

was loving it. I did I had a little

18:08

it was

18:09

not my strongest day as an actor

18:12

today. I was very much distracted by this

18:14

program. I was forgetting some of my

18:16

lines, but everybody

18:18

seemed happy at the end of the day we made

18:21

it work. Let's can

18:23

we

18:23

should we take a

18:26

call? Yeah. We The topic today,

18:28

2019890012

18:30

The topic is the

18:33

top the twenty not top bottom

18:35

worst Beatles songs. Twenty worst Beatles

18:37

songs. What are they? We haven't talked

18:39

about some of the rules or conditions of

18:41

this. If there are any, there may

18:43

not be. Are we

18:46

talking covers? Do we get a exemption?

18:49

I think not. No. I think this is

18:51

just whatever's on we're

18:53

not doing stuff that never got

18:55

released, I think that would be a

18:57

mistake. And, Tim, a

18:58

lot of people were asking too online

19:00

if we're allowed to include

19:02

Beatles solo No. No way. That's why

19:05

they're not in the Beatles. No. It was our

19:07

biggest question. So we're gonna That would

19:09

be the whole list. I

19:11

don't get that at all. I don't get

19:13

how one single person would

19:16

have that confusion happen

19:19

for them. And it

19:20

seems like these are the kind of people that are just

19:22

looking for attention. Yeah. because they

19:24

know the answer in their hearts. So let's

19:26

take a call. Let's do it. Here we

19:29

go. Hello?

19:33

Hello? Yes. Who am I

19:35

speaking with? Now doesn't Tom always say the

19:37

arrow? He says he'll say best show.

19:39

Best show.

19:41

Best show you're on the air. This is

19:44

Jason.

19:45

hello Hello?

19:46

Jason. Hello. This is Jason. From

19:48

the Friday the thirteenth movies. From

19:52

the Friday the thirteenth movie, yes. I'm wearing

19:54

my mask and everything. doesn't sound

19:56

like it? Well, you

19:58

know,

19:58

I

19:59

I'm lifting it up so you could hear hear So

20:02

you're not where you can't see me.

20:04

Well, I mean, yeah,

20:04

it's it's it's over my forehead,

20:07

not on the lower half of my face. Oh, by

20:09

by the way, and and people might say, would be

20:11

wondering, I'm wearing a baseball

20:13

cap inside and

20:16

why? Because I was in hair

20:18

and makeup and look at this. This is a

20:20

proof of this is all

20:22

jelled up and moosed up from the

20:24

shoot today. And

20:25

look at it looks actually, it's pretty

20:27

good. This is kind of a reveal.

20:30

Yeah. It's a

20:30

total reveal. They can put this

20:33

on the DVD extras. Alright.

20:35

Get rid of that. I wasn't happy with that

20:37

anyways. Jason, how can

20:39

I help you this evening?

20:41

Well, I guess, I – did you say

20:44

– did you propose an

20:47

exemption for – or

20:49

just removing ringo from the

20:51

list. But if not,

20:53

I I mean, I'm just gonna go straight for don't catch

20:55

me by. Uh-huh.

20:56

I don't know. That's I

20:58

I think we do

21:01

no exemptions for Ringo. I think

21:03

we do no exemption

21:06

exemptions for covers. It's

21:08

just whatever came out on those, what

21:10

are they,

21:10

nine albums, fourteen albums, whatever they

21:13

are. Whatever was on them, I

21:15

think that'll make our lives a

21:17

lot easier It'll

21:18

fill the list quickly, but

21:20

you wanna put don't pass me by on

21:22

there. I would be

21:23

by the way, Am

21:25

I the judge? Yeah. You're the judge. You're the if if

21:27

you don't agree an execution executioner.

21:32

Very yeah. Yeah. I would agree. I think don't pass me

21:34

by and again again, we

21:36

must remember. Love all these songs.

21:38

I'd

21:38

listen to them any day of the week.

21:41

But I've

21:41

always said my problem with don't pass

21:43

me by off the white

21:45

album nineteen sixty eight

21:48

is what's missing from that

21:50

song? is some nice

21:53

Paul harmonies. Maybe even Paul and

21:55

John. But -- Yeah. -- doing a

21:57

little third, a little country third

21:59

harmony on the second or third

21:59

verse, if you listen to that

22:01

song and we should not play any Beatles

22:03

songs. Right? because we'll just get shut

22:06

down. Yeah. I think they'll they'll show Well, just you

22:08

can go on your on your if you have another

22:10

device, you can go and reference

22:13

this. I'm not out here saying that everybody

22:15

just has easy access to

22:17

multiple devices. But

22:19

listen to

22:20

it and and it

22:22

it's a it's to me, it feels like a very lonely song.

22:25

It feels like they recorded the You

22:28

agree with that? And it is a lonely song,

22:30

anyway. But I

22:32

agree

22:32

with one hundred percent. Yeah. But they I mean, it

22:34

just I mean, that's what I feel kinda bad

22:36

about actually putting Ringo on there. I

22:38

might switch it out. for

22:40

Rocky Rockyoon because of

22:42

Paul's recommendation, Joshua.

22:44

But, like

22:45

but, yeah, they leave they leave Ringola to

22:47

dry, like, every time. Yeah.

22:49

Well, not at any time. There was there was

22:51

great Ringo backing vocals going with, you

22:53

know, a little help from my friends and

22:56

all the you know, even the one on whoever

22:58

sold, they get that country thing going.

23:00

So alright. Let's let's not

23:02

let's not just spend the whole show talking about,

23:04

don't pass me by. We're putting it

23:06

on the list. Thanks for the call.

23:10

No problem.

23:10

Thank you so much, Dan. I am saying I

23:12

by the way, I'm already so happy. I

23:15

don't have an all

23:17

love, Doug and Vic. Uh-huh. But and

23:19

they're watching now most probably Most

23:22

-- Taking notes. -- Doug's probably not watching. He's

23:25

probably not aware that this is

23:27

happening. But

23:28

to not have the assault. When it and

23:30

it is assault, Uh-huh. What they do with me, with their

23:32

sound effects and their drops that people love

23:34

and tell me how much I love them. Just

23:37

to be sit sitting here and relaxed

23:39

and have this silence, have you

23:41

in the room with me? It's a it's a good vibe. It's a great

23:43

vibe, and I hope people are enjoying it so

23:45

far. We do have some drops, but,

23:48

you know, You're going

23:50

to use them judiciously. Very judiciously.

23:52

Good for you. What number do you wanna

23:54

put? That's another thing that Tom does. He

23:56

signs the number on the list. I Yes.

23:59

And Pat's doing the list. So we're keeping track

24:01

So we're twenty. Right? We're twenty for don't

24:04

pass me by. Let's let's pencil

24:06

it in at Well,

24:08

alright. Is the number

24:09

are we going backwards? So number one is

24:11

the worst? Yes. Number one will be

24:13

the worst. Alright. So let's put that at

24:16

five five.

24:18

penciling in

24:20

though, very very clear about

24:23

that, penciling it in.

24:25

Is Mike AP Mike with us? Let me

24:27

say good morning. Hey. Good afternoon, Tim.

24:29

How are you doing, Tim?

24:31

I understand you're joining us from

24:34

Thailand. where it's morning. That's what

24:36

I got coming No. The far far east

24:39

United States, not the far east.

24:41

As mayor Koch used to say, how am I

24:44

doing? Yeah. I'm doing

24:46

okay. No. No. No. No. The question

24:48

is to you, how am I doing?

24:51

Oh,

24:51

you're doing great. You're doing great.

24:54

Any of you

24:54

Any you're enjoying it. Yes.

24:56

I'm gonna make

24:57

your job. I'm gonna make your life easy.

25:01

tonight. I don't you know, you

25:02

can chime in, but

25:05

I'm

25:05

not gonna be busting your chops or

25:07

anything like that. Too

25:10

much

25:10

damn respect for you. Oh, oh,

25:12

thank you. Thank you. I I spoke

25:14

to you many times. I mean -- Yes. --

25:17

phone. Oh, yes. I

25:18

don't think you've ever made it to the FMU studio. No,

25:21

sir. No. Okay.

25:22

Never did. Yeah. Do we

25:24

have anybody thank you,

25:26

Mike. We've got hot phones. We've got

25:28

full line. I'm sure. So Is

25:31

anybody on the

25:33

other line? Oh, we do not have

25:35

any of one on another line. Sure. Let's

25:37

let's well, you wanna take a call over the phone.

25:39

Let's get another call. Okay.

25:41

Here

25:42

we go. Best special

25:47

show. Yeah.

25:49

Hey. Is this Tim? Yeah. Wow.

25:51

Two guys in a row. one.

25:54

It's an Eddie

25:57

Long from LifeSander. From

26:01

what?

26:02

I

26:03

Lifesander, New York. And Yeah.

26:06

You're definitely gonna have to specify the

26:08

state when you just say I'm, like,

26:11

you you wouldn't have had to have specified

26:13

the state if you said Chicago. You

26:16

know? Right. But you

26:18

said you said like

26:20

One They're like LifeSender.

26:23

LifeSender. LifeSender. Yeah.

26:26

The head. No. LifeSender. Okay.

26:29

I'll take your word for it. Is that a real place,

26:31

Jason? Yeah.

26:32

I'm on the fence. Okay.

26:36

Well, what can I do for

26:38

you? You wanna chime in well on the list or

26:40

talk about whatever you want? I I I've got

26:42

I think I think I've got an easy top twenty.

26:46

And

26:46

that is she's leaving

26:49

home.

26:50

Denied.

26:52

Yeah.

26:54

Denied. Can I can I just can I

26:57

tell you why?

26:58

Sure. and be

27:00

able to change your mind. There is a

27:02

line first of all, it's a horror fun, but there's a

27:04

line of the songs that says

27:07

fun Fun is the one thing that

27:09

money can't buy. Now,

27:12

come

27:12

on. Fun. Fun

27:13

is about Yeah. But

27:16

that money can buy. But it also has one of the

27:18

greatest lines in it, which is

27:20

meeting a man from the

27:22

modes of trade. that's

27:25

cool. I can picture that right away. Okay. But it

27:27

also has What Motortraded.

27:29

Motortraded. What is the line that the parents say in

27:31

that in that song?

27:33

the

27:34

What did we

27:36

-- We gave we we we modeled all

27:38

-- for all of our lives. That's

27:42

great, man. How do

27:44

you get off my phone.

27:46

Come on.

27:46

Fun is the one thing money camp.

27:49

Bye

27:49

bye. No. Listen.

27:52

I

27:52

would put I'll tell you, I'm a I'm a add my

27:55

first. Being

27:56

for the benefit of mister

27:59

kite

27:59

it One

28:02

number for that one? One.

28:04

No.

28:04

I was kidding. No. No. No.

28:06

Top bottom half. So, like,

28:08

you know, down in the Fifth

28:10

We're gonna talk gonna have to we're gonna have

28:12

to do the whole discography. We

28:14

wanna be representative. But,

28:17

yes, I'll say fifteen. Okay.

28:20

It's a, you know, and obviously,

28:22

a groundbreaking piece of recording.

28:24

It's incredible what they were able to do with

28:26

all the loops all that thing. just

28:28

the lazy taking

28:30

the just the lyrics from

28:32

some poster. I

28:34

think they think I

28:40

don't ever wanna hear it, so you're not into

28:42

circus music. No. I don't really hear

28:44

I'll go to the merry go round if I

28:46

wanna hear that. Like,

28:51

it's you might as well they might

28:53

as well have covered it. Come in to take me

28:55

away. You know, get

28:57

that off my

28:58

album. Alright.

29:00

Best Show.

29:06

Hey,

29:06

Tom.

29:09

This is Gary from Glendale,

29:12

California. This is Tim. I'm Tim

29:14

Heidecker. I'm guest hosting the

29:16

best show. I assume you're not

29:18

watching.

29:19

Oh, Tim. I

29:21

thought this was Tom.

29:23

Sorry about that. Hey. What's your name just calling

29:26

in? I'm a long time This is

29:28

Jerry from Glendale, California. Oh, yeah. I'm I'm from

29:30

Glendale, California. Alright. Not from there, but this

29:32

is where I live.

29:35

Yeah. Well,

29:36

you know, Los Angeles

29:38

area, but Glendale, sure.

29:40

Long time

29:41

listener of the show, I guess,

29:43

Tom's not here, but good to talk

29:45

to you anyway. And

29:47

I know this, you know, they like to talk

29:49

about music on this show a lot and

29:51

just want to let you all know big

29:54

news for myself that you all might

29:56

be interested in, but I'm going to be

29:58

working with the great Bruce

29:59

Springsteen for his upcoming

30:02

tour. Oh, really? His And

30:04

what capacity? His tour

30:06

manager.

30:07

Yeah. Uh-huh.

30:09

Super nervous though.

30:11

Super nervous. I haven't

30:13

done this in a very, very long

30:16

time. How did I would

30:16

assume thirty years. Yeah.

30:19

Thirty years. So I I would assume

30:21

that Bruce just has has a

30:24

guy. that's been doing it

30:27

forever. Is are you replacing

30:29

somebody that's yeah.

30:31

I'm I'm replacing somebody have

30:33

a guy that fell out. And

30:35

I I got hired. Fortunately, I

30:37

got a, you know, lucky strike there.

30:40

But I haven't done it a very long time,

30:42

and I am super nervous working with the great

30:44

Bruce Springsteen. You know, I want everything to

30:46

go just right for him.

30:48

You

30:48

know, stuff I don't know

30:50

about Bruce that I gotta learn.

30:53

You know?

30:54

Like, you know,

30:55

what kind of laxative

30:57

cocktails does Bruce like to

31:00

drink before a show, you know, stuff

31:02

like that? What? What?

31:05

What kind of what? laxative cocktail?

31:07

Why would I I don't even

31:08

know what that is. What what do

31:11

you

31:11

mean?

31:13

Well, you know, just like

31:14

something when Bruce

31:16

is ready to kinda unload on the stage

31:19

and You know, it's what

31:21

I'm used to is this is kind of the the

31:23

setup that I'm used to with with the

31:25

group that I used to work

31:27

with thirty years ago and

31:29

Who did

31:29

you use to work with? kinds of things and

31:32

who did you use to work with? What's

31:34

that? Who did you use to work with? I

31:36

used to work Yeah. I used to work with

31:38

Gigi Allen. Oh, I

31:40

see. Uh-huh. Okay.

31:42

So that's

31:43

is that the last person you tour

31:46

managed? as

31:47

the only person I've ever worked

31:50

with.

31:51

Right. And

31:52

the how

31:54

did you how did Bruce

31:56

find you? How did you get involved in

31:58

the Bruce orbit?

32:02

I guess

32:02

through the phone book, you know, I'm in I'm in

32:04

the LA phone book, and I guess he

32:06

he found me They're

32:09

a real local there, and

32:11

so, you know, we kinda hooked up. But,

32:13

you know,

32:14

well, you know, I need

32:17

Yeah. Are you I

32:19

I are you have you seen a Bruce

32:21

Ringstein concert?

32:24

no No. Really? Have you because

32:26

I need to know, like, what how much like, how much

32:28

how many pounds of zap

32:31

do I need for his concerts?

32:33

Of what? You

32:35

know, for for, you know, the stuff they

32:38

lay down for the vomit and things Oh,

32:40

no. No. No. Jerry Jerry Jerry Jerry

32:42

Jerry Jerry. Jerry.

32:43

yeah, Bruce

32:46

doesn't evacuate

32:49

his bodily fluids

32:52

at

32:53

at all all. Except perhaps,

32:55

I guess, you could say Well, not a

32:57

sweat because he sweat. He's a hardest working man

32:59

to show business in my opinion. Living

33:03

Yeah.

33:03

Hardest working man. So, yeah, I think

33:05

you might get the wrong might have got the wrong

33:08

idea about what this show

33:10

is going to entail. That would be

33:12

my unsolicited two

33:14

cents on this situation. Well,

33:16

I guess it's

33:17

kind of a relief. I mean, I was

33:19

kind of wondering, I'm worried about, you know,

33:21

Bruce is more big arenas that

33:24

I'm like, you know, Bruce is

33:26

an older guy, you know. I mean, can

33:28

he can he

33:28

hurl feces like a No. This is

33:31

about He won't be doing Jason,

33:33

do you do you have a,

33:35

you know, a chime in on this? This this is you've

33:37

got the entire are you sure you're speaking

33:40

with Bruce

33:41

Springstein, born to run, born

33:44

to run, but born in the

33:46

USA, born on the Bayou, born

33:49

at the wrong at the right time. Born on

33:51

the tunnel of love. Born on the tunnel of love.

33:53

Born in the tunnel of love. the

33:55

Bruce brings him to the Bruce I know who

33:57

he is. You know,

33:59

I mean,

34:00

I'm hoping, like, during the

34:02

the Jungle Land solo.

34:04

We we're gonna I got an idea. We can, like,

34:06

dispute blood out of it on No. A couple of

34:10

roads. Alright.

34:12

Well,

34:13

what no. No. I don't think

34:16

so, but I'm not one to tell you

34:18

what to do or what brute maybe

34:20

that's what Bruce wants to do. I

34:22

don't know. I I

34:23

don't know why I'm in the middle of

34:25

this either. Right. I mean,

34:27

I I guess, in

34:30

my opinion, though, if you what you're telling me

34:32

is wrong. maybe Bruce needs to to shake things up a little bit. And instead

34:34

of these, you know, boring stories,

34:37

he needs to to

34:40

scream and and you shout

34:42

incoherently and, you know, wake

34:44

up. It's an older crowd, I would imagine. Just

34:46

wake them up. It's a all age

34:49

all ages situation with

34:51

Bruce. Well,

34:52

listen, Jerry, I

34:55

I would go back to

34:57

the drawing board with with

34:59

your plans for Bruce. And and and,

35:01

you know, I would approach it like

35:04

this.

35:04

Listen

35:05

to what he wants to

35:07

do and try a great tour manager is there to just make

35:09

the artist's life easy easier

35:12

and take care of all

35:14

the logistics. and the

35:16

travel and making sure everyone gets there on

35:18

time and he's sort of the conduit between the

35:20

rest of the band and everything. Yeah. So what I would

35:22

do is just if you would If

35:24

you're serious about that. I mean, I'm

35:26

kind of I'm kind of on that kind of thing.

35:28

I mean, I'm I'm doing it. I mean,

35:30

I've got a rider. I want no working

35:32

toilets there, you know?

35:34

No. No. No. No. Just just go

35:37

ahead. Bye.

35:40

had you know, I

35:41

don't want Bruce to be tempted to go to

35:43

the toilet there when he needs to be going

35:45

on stage, you know. I want him I wanna

35:47

know what kind of gauge chain to put

35:50

on the outside of the the

35:52

doors so people can't leave during

35:53

the first

35:56

song. Right. Well,

35:56

listen, forget what you think

35:59

is going to happen.

35:59

Don't do the

36:01

rider. Just talk to

36:06

the boss. That's

36:06

why they call him the boss. Okay. Just say go

36:08

in

36:09

there with a go

36:14

in there with an open mind, without any agenda,

36:16

without any expectations, and

36:19

say, boss, tell me what

36:21

you envision for the show. If

36:23

he brings up going to the bathroom

36:25

on stage or vomiting or any of

36:27

this other business, it seems like you're the

36:29

right guy and you're gonna be able

36:31

to facilitate that. Ods are. He's just gonna have a yeah.

36:33

I'll just wanna, like, you know,

36:34

I'll start out playing jungle land

36:37

or whatever. And and that and your and your

36:39

life will be you don't

36:42

worry about vacation or any of this disgusting. No offense to

36:44

Gigi Alba or what you've done

36:46

in the past. But just talk

36:48

to him now and

36:48

let us know how that goes. Okay?

36:52

Alright. Well,

36:54

you've done you've done musical

36:57

tours yourself.

36:59

Haven't you? Yes.

37:02

What like, what

37:04

do you think if

37:06

I'm booking some some locations,

37:09

like, what what are the best venues with Don't

37:11

don't worry about acoustic acoustic

37:13

to hear

37:14

like the urine splash. No.

37:16

No. No. No. No. No. No. No. No. We don't want let the

37:19

booking agent worry about that. You're

37:21

not booking any arenas and you're not gonna

37:23

worry about the acoustic Okay?

37:26

Jerry? No. I gotta I

37:28

gotta let you go. Alright. Good

37:31

luck to you. Alright.

37:32

Okay. Well,

37:33

good talking to you and best with

37:36

the with the show

37:38

there. Thank

37:38

you, Jerry from Glendale. And stay

37:41

out and stay out of my way if I

37:43

see you. Okay? I

37:44

don't wanna know anybody that No.

37:47

Come

37:47

to a show. Well, we'll

37:50

get you upfront. I would love to. I don't think there's a

37:52

safer

37:52

place. I'll put this I'll put

37:54

this out there. I don't think there's a safer

37:58

place to to

37:58

be if you're if

38:00

you

38:01

don't wanna be splattered with

38:03

feces, then a Bruce

38:05

Brinkstein front row. despite

38:07

what

38:07

you think. Okay?

38:10

Alright. If

38:11

you say so, I do.

38:13

I do

38:14

confidently. Thank

38:15

you, Jerry. Alright. Bye

38:18

bye.

38:18

obama

38:20

Weird. Yeah. It was very odd.

38:21

I think he's got his lines

38:23

crossed. I mean,

38:25

i mean I

38:26

mean, everybody knows Springsteen likes to go in the middle of

38:28

a ramrod usually. But he

38:30

goes off stage. It's never on stage.

38:34

Yeah. So

38:34

this episode is sponsored by better

38:36

help. Now I know

38:38

life can be hard sometimes

38:42

It's hard for me. It's hard for you. It's hard for all of

38:44

us. We're doing the best we can,

38:46

and we're trying to do a good

38:49

job. But unfortunately, life doesn't

38:52

come with a user

38:54

manual that explains how things

38:56

work. So sometimes when it

38:58

gets bad, makes you feel like things are slipping away. Like, you

39:00

got no control over your life and maybe

39:02

you start to

39:04

lose hope or

39:05

get a get worried about

39:08

things and that's when

39:10

therapy comes in and I can

39:12

just say, therapy has been

39:14

an important part of my life throughout

39:17

the challenges and the tribulations

39:19

that have been thrown at me

39:21

and having somebody who I could talk to

39:23

and figure things out with and express

39:26

myself in it. non judgmental

39:29

environment has been

39:31

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40:26

the best show.

40:27

I think

40:28

I think you get a good

40:30

did ever tell the story about seeing Bruce back in the old

40:32

well, seventy three,

40:34

maybe No. Oh, yeah.

40:37

It was it was during

40:38

the Iraq War, during the

40:40

bush years, and he was

40:44

playing in at the forum or

40:46

the sports complex, whatever, in Los Angeles. And

40:48

and he was out

40:49

there kinda talking about

40:51

constitution, and we

40:54

have to expect it. I'm touch it sounds like Bush, but -- Yeah. -- he does a

40:56

little, you know, southern when he

40:58

does his speeches. Well,

41:01

before the show, a

41:03

couple in in pure

41:06

denim, just denim head to

41:08

toe coming in from, you

41:10

know, riverside or

41:12

somewhere that You might you might expect them to be at

41:14

the Trump rally. He's still

41:16

going, by the way. Oh, he's still going? Yeah. Okay.

41:18

Let's dip in.

41:20

Let's see. Oh, no.

41:20

He's done. He just finished. He just finished. Tim, is

41:23

this is this Lucky Town era we're

41:25

talking? No. No. No. This is,

41:27

like, devil's and

41:30

dust Oh, this is devil's and dust. push that too. But oh, yeah.

41:32

Yeah. This is not real. Yeah. Okay.

41:34

That's Okay. This is good.

41:37

That's confusing. You have to be clear on what you're

41:39

right or Yeah. And what,

41:42

anyway?

41:42

the So

41:44

this Denim

41:46

clad coupled

41:47

sitting behind us.

41:50

And it's just there's no

41:52

opener. Right? Yeah. It's just the Bruce Brinkstein in

41:54

the East Street band and it's about

41:56

eight o'clock. And

41:58

maybe it's now 805 And

42:00

people

42:00

are milling in and

42:02

there's no in room that, hey,

42:04

what the hell is going on here? You

42:07

know? There's just

42:08

a normal you know it's

42:10

going to start in a few minutes.

42:13

the lights are gonna go down. Boss is

42:15

gonna come and do

42:17

a You're gonna

42:19

get bruce. There's a little bit of

42:21

that. People are excited. The

42:23

guy behind me and the all goes out of nowhere

42:25

sitting there. He's

42:26

right behind me goes, come

42:28

on.

42:30

Let's

42:33

go. Right?

42:35

What the Dude, have you

42:38

ever been anywhere?

42:40

And then

42:40

then Then middle

42:42

of the show, Bruce goes into a big thing

42:44

about how we

42:45

it was, you know, it's Abu Gray, was

42:47

going on, and the torture, and it

42:49

was a very dark time as it always is these days. But

42:51

it you know, he and he came out and said

42:54

something very sort of, you know, political

42:56

and against bush and and

42:58

respecting and no torture and all that

43:00

stuff. And I looked back and

43:02

they split. That

43:03

was They just got up and left

43:06

right during that. Yep. Oh, yeah. They were not gonna

43:07

have any

43:08

of that. Anyways, that's

43:10

that's

43:10

all the brewers talk We

43:13

need more Beatles on Yeah. We've got two. Do you wanna put the

43:16

graphic up? Do we have

43:18

the graphic? No.

43:21

We don't. I mean, one second. Okay. We do have. But when we

43:23

do We have a call. We do have calls. Yeah.

43:25

We can go right back

43:28

to it. Here

43:29

we go. Goodbye. Might it might

43:31

put oh, do

43:32

we put get back on the list?

43:36

Hello? Hello? Best

43:37

show. Hello? Best show.

43:39

Hi. Where's what's your

43:41

name where you where

43:43

you calling from? Justin

43:45

from Pittsburgh. Alright.

43:48

Wolf Pittsburgh, by

43:49

the way.

43:50

How are you tonight?

43:53

I'm real

43:53

I'm great. We love you.

43:56

We love you. We thought I

43:58

I've seen you every time you come here,

43:59

I think. Do you

44:01

see us last time when over the

44:04

summer? I did.

44:06

Yes. There we go. It

44:07

was the famous -- The perfect show.

44:09

-- the famous Viklas show. We

44:11

had a Vic Sick. Vic's the Vic's show. I have

44:13

a picture. Was it a picture

44:15

of Vic vomiting out

44:16

in front of the bus like him?

44:20

It looks like him in the rafters. I'm almost positive. It's

44:22

like a sad movie. Did he sneak in

44:24

and watch the show? Here's what looks just

44:28

like fish. Well, he was he

44:30

was in the lane. If he was in the

44:32

blue chairs, then I think I have,

44:34

like, a funny

44:36

Saturday for I don't think he

44:38

was. He was curled up in his butt of

44:40

dying. Oh, he was.

44:42

Okay. And we were all disappointed about

44:44

that. I love that. Well, it

44:45

was a great show anyway. Don't

44:47

you think?

44:48

Oh, that's fantastic

44:50

show. Despite. Anyways, what can I

44:52

do for you? I think I've seen you every time you

44:54

come here. But anyways okay.

44:58

Can I ask you a question, Tim?

45:01

You just

45:02

did. Okay. Can I ask,

45:04

like, around what year

45:07

you got into the

45:10

Beatles? Oh, yes. That's the question everybody wants to know.

45:12

That's the topic. Yeah. People

45:14

I think -- What year? --

45:16

really, I'm wanting to know. Let's

45:20

play I mean, what age? What age? What age?

45:22

Like, it was like your big, like

45:25

because I think everybody has

45:27

that very legal, ma'am. Whatever I am in, like,

45:29

eighth grade, seventh grade, eighth

45:32

grade, I'm I I can write.

45:33

I can tell you I

45:35

can tell you my dad No.

45:38

Thirteen.

45:38

I could tell

45:40

you. I didn't. Sorry. Thank

45:42

you so much, sir. First

45:44

time on the

45:46

phone? Hit

45:48

me. No.

45:52

Listen. I'll tell you.

45:54

I my two memories are this.

45:56

One is my dad

45:58

had the sixty seven

45:59

to seventy blue

46:02

best of cassette. He

46:04

he

46:04

got that and we'd be

46:06

driving around. He'd play it. And

46:08

he also had, like, a bunch of oldies tapes and, like, you

46:10

know, Roy Orbison and Dillon

46:12

and stuff. And then We

46:15

used to goof on the Beatles. We used to

46:17

goof on Lucy in the sky with

46:20

Diamond. Picture yourself. Like, we

46:22

just thought it was ridiculous. But

46:24

then something you

46:25

know, something grabbed me about it. Like, it was don't know. There's probably,

46:27

like, all the

46:27

posters at, like, the we had a shop.

46:29

What was the shop called that was, like, Hollywood

46:32

Video or

46:34

something like that or, like, sunset video in the

46:36

mall. Suncoast. Suncoast video

46:38

in the mall. Yeah. Yeah. And there was just,

46:40

like, a

46:42

coach here. like, I think nineteen eighty seven was the CD

46:44

reissues. Mhmm. And and

46:46

that got a lot of attention. And and there was it

46:48

was just in the air, and I I just

46:51

Dovin, started reading books,

46:54

and and, you know, it was off to the

46:56

races. So

46:58

Right. This

46:59

is something, like, the edge. Right? Like, kind

47:01

of, like, Metals called ish edge. Yeah.

47:03

Alright? Right. So okay.

47:05

This

47:06

right

47:07

is a preference. for

47:09

my song that I'm picking. And

47:10

I think it's gonna be really polarizing,

47:14

but it's because

47:16

I was thirteen

47:18

when this

47:19

son came out, and it was, why

47:21

don't you

47:21

get a job is when this

47:23

son came out? And

47:26

that's

47:26

why I fucking I'm

47:28

sorry. I fucking hate of the day

47:30

of Oh, yeah. Well, that's not

47:33

gonna be polarizer. I think that's going

47:35

on the list right away. Yeah. That

47:38

show that show what's it called? I

47:40

feel like that song, like,

47:42

really pushed It was like Wonderful year. that's why No. No. Not no.

47:44

They did. There's no way I can go back.

47:46

Somebody asked to find out the

47:48

show that was on with the

47:52

I

47:52

I don't know what

47:55

to

47:55

call the character on that corky.

47:58

Corky was

47:59

on that show. And that's life goes on. Life goes on. Yeah. And that's the

48:02

lyric from the Does

48:04

Moncton look in

48:06

the marketplace. And

48:08

Paul

48:08

McCartney has said about that song. You know, it was a -- Yeah.

48:11

-- it was a a Jamaican

48:13

fellow that used

48:15

to work near you know, he

48:17

just said, oh, bloodier, oh, bloodier, and I said, well,

48:20

that's a good night song, you know, tight

48:22

song for a song. And I said I said, what

48:24

does it mean? He says, you know, life goes

48:26

on. So we just

48:28

we just nicked it, you

48:30

know, just took it

48:32

wholesale. So,

48:34

you know, Oh, what did you

48:36

say about temporary, secretary? Well, no. I got a master's on

48:38

a beatles too. Okay. Alright.

48:42

I I actually like that song though. I actually like that song though. Great. Thank

48:44

you. Hold on. I'm making a note.

48:47

You like temporary

48:48

secretary. So

48:51

do I? Listen friend. Thanks

48:53

for calling in and go go

48:56

Steelers. Yeah. Steelers.

49:00

He's off

49:00

the line. Alright. I think we

49:02

do have a regular best show

49:05

caller that is special right now.

49:06

I'm just gonna go ahead and patch him through.

49:10

please.

49:11

Best show. Is

49:12

this who I think it is? It

49:14

is Tim. How are

49:15

you doing? I'm

49:17

good. Identify yourself,

49:20

please. Oh,

49:21

it's lay every

49:24

deparve.

49:24

Oh, jeez. Is he Larry

49:26

deparve? regular from FM New Year's end. Okay.

49:28

How can I turn?

49:30

At

49:32

the going

49:33

date, Tim? Real

49:35

good.

49:38

Yeah. Nice. But

49:40

what's

49:40

going on there? We're doing the beetle thing. The

49:42

I'd say to open the open dot and

49:45

you would make make fun of it earlier

49:47

there. Yeah. I

49:47

I I'm not making fun of any

49:50

of this. I'm just trying to create conversation

49:52

about the greatest band of all time.

49:55

And everybody, you know,

49:57

there's a there's a hierarchy

49:59

to

49:59

this music. that I

50:02

think is fair

50:03

game.

50:05

though So listen.

50:06

Like, do you have low. Do

50:09

you

50:09

have a pick?

50:11

Alright. Well, we already got that one. I'm putting

50:13

it at number

50:16

four four.

50:17

Alright. You

50:20

know, never

50:20

gonna get through this. I'm just making a top ten. We're gonna get it.

50:22

We're gonna get it. because I

50:24

think our

50:25

guests have arrived. Oh,

50:28

okay. And

50:28

that's gonna change

50:30

the chemistry tremendously. Tremendously.

50:35

Let's they're

50:36

in no rush. Let's

50:38

anything else?

50:39

Perf? Merf, the Perf? What is

50:42

Larry The Perf, sir. Larry The Perf.

50:45

What's so

50:45

pervy about you? Do we need to know?

50:48

For a

50:48

context? What's that?

50:52

What's that? just like a nickname

50:54

there. Okay. You're not

50:55

a true purf. You're not, like, exposing

50:58

yourself to people on the

51:00

streets. Oh,

51:00

okay. Their full name is

51:03

Leary d purvathan. Copy.

51:04

Alright. Well, thanks for

51:06

calling with them. Alright,

51:10

Ben.

51:12

all the

51:12

best. What's the Larry

51:14

the Perf, Larry? They rarely ever

51:16

called. Oh, really? It's a very special

51:20

a a little It's a very rare call from Larry to her. to

51:22

spot it out. Yeah. Should we

51:24

bring in our guests? We can't check with the news.

51:26

You know what the other thing, I mean, we're

51:29

not gonna this. And maybe

51:31

we can get to it with Claudia and

51:33

John. Claudia, Audoradi,

51:35

the and Is

51:37

it John Early? Joe Early?

51:39

John Early? We'll

51:40

be joining us in a second. I thought

51:42

this could be a fun thing to do. is

51:47

finish. What's the punch

51:49

line?

51:49

Okay? Folks, what's the

51:52

punch line? Here's the setup. The news today

51:54

was there are now eight

51:55

billion people in

51:58

the

51:59

in the world

51:59

world according to whoever, the UN.

52:02

So the joke would

52:03

be there are now

52:04

eight billion people in the world, but

52:06

still, that that that.

52:08

that

52:09

Still, you know, or or

52:11

it doesn't have to be, but still, but

52:13

what's the punch line? What would Jay

52:15

do? Jay Oh, the

52:18

horrible story with Jay. And

52:20

I thought to myself, do we talk about it?

52:22

Do we we have to be

52:24

respectful -- Yeah. -- of the

52:26

great Jay. Jay Leno, injured, and we wish

52:28

him the best. And I'm not here to

52:30

tell him, don't

52:31

be, you know, be careful with your car

52:34

and stuff. I'm not here to shame or

52:36

judge or say, you know,

52:38

look

52:38

with with the twenty twenty

52:42

vision No. What's a what's

52:44

a call with quarterback? Monday morning quarterback, Jay Gleno?

52:46

You shouldn't be messing around with fluids

52:48

and

52:50

but no,

52:51

it's terrible. That's right of the street. We're really close.

52:53

I hope

52:53

he's okay. It sounded it

52:56

sounded bad. But then I read it it

52:58

said that he was like saying he's okay.

53:00

So I don't know. But

53:01

it burned the whole left side of

53:04

his face. Jesus.

53:06

So I don't know. I don't know if I would

53:08

personally I will see what happens. I'm just

53:10

saying I don't know how I would personally

53:12

get through something like that. I don't think

53:14

I could.

53:15

Let's bring

53:16

in her guests on

53:19

that note. Maybe we could

53:21

play

53:21

a quick song. You wanna play one song and

53:23

get them in here? I don't care

53:25

if that's if that's what guys wanna do. Let's do that so I could say hi to them

53:27

off the air. We're gonna

53:30

hear we're gonna hear a little Judi

53:33

Sill. Yep.

53:34

This is Jesus. He was a cross maker from Judy Sill and

53:36

be back with Claudia and John

53:40

Early.

53:50

Oh,

53:56

Kentucky.

53:56

Oh, yeah,

53:59

baby. we are back

54:02

live 707

54:06

PM on the

54:08

West Coast. That

54:10

means it's ten PM on the East

54:12

Coast and other times that you could

54:14

look up if you have the clock app

54:17

on your phone to

54:19

watch little clunky. And I am in studio.

54:22

Don't do that. Don't do. Don't don't

54:24

be doing that. It's not

54:26

funny and not

54:28

fun. It's The best

54:30

show on your guest host Tim Heidecker sitting

54:32

in for the great Tom Sharbling, who will be

54:34

hosting office hours live on

54:36

Thursday morning. The

54:38

old Switcheroo and I'm in studio

54:40

with I can't I oh, you got your

54:42

names

54:42

up there. John Polarity.

54:46

John Clarity. John

54:49

Early, unbelievable, and

54:51

also claudia, oh,

54:54

dude.

54:54

From

54:55

Australia. That's

54:56

right. All the way.

54:57

Why? flew in for

55:00

this. On when did you get

55:02

in? Expensive. Don't get near

55:04

the mic by by all means. No one wants to

55:06

hear. I

55:07

can't talk because John turned on

55:09

my dial. Please. I

55:11

asked you guys to come in at PM today for a

55:13

sound check. We quit it though.

55:15

We're

55:15

busy. Hickory

55:17

Hickory Duck. Watch

55:19

the cursing.

55:21

to one

55:24

one.

55:25

Okay. Hi. Hi. I

55:27

thought, well, let let me did you

55:29

tell John? I told you.

55:32

Yes.

55:32

I But that was weird. I I

55:34

didn't get attacked. I well, I thought about it. I didn't

55:36

wanna scare you away. You're not a

55:39

beetle head. But, you

55:40

know, not in in these

55:42

sort of deliberate way.

55:44

Okay? I understand you had a different

55:46

upbringing. I just

55:48

didn't come by it naturally. Well, it's

55:50

gonna come up. How could you? How could

55:52

You have a general awareness. Yeah.

55:54

Yeah.

55:54

Yeah. Well, I I

55:55

name name. Yes.

55:58

yes

55:59

What do you have? But I'm doing the twenty worst. No.

56:02

Or you named the sword beams?

56:06

John

56:07

Paul. George

56:08

Ringo, and of course, if we're really being

56:11

completeness about it.

56:14

And you know

56:16

how I knew that? Yeah. because Claudine

56:18

said I gave him

56:19

a crash course in the car.

56:21

Okay. Like, literally, like, rudiment. Oh,

56:23

when you crash and did you No.

56:25

Thank goodness. funny. I thought you know what we could do. This

56:27

was not other idea today. We could do

56:30

improv. I prefer we

56:33

did do improv. love that idea. Yeah. That was

56:35

my biggest fear was that we would come in and not

56:37

realize that this is a show where you did characters.

56:39

Mhmm. I'd oh, really? Well,

56:42

I am a character. I know you know

56:44

that. And you are too. Yeah. Right. Right.

56:46

And I so maybe if people wanna call

56:48

in, give

56:50

us prompts. This is improv work. Can you

56:52

imagine can

56:52

you imagine people still do improv?

56:54

They really do. You know

56:56

people love

56:58

it. Were you did you

57:00

come up in the improv scene? Not really. No.

57:02

No. And you claudia?

57:04

I did it for, like,

57:07

six

57:07

weeks at college. And then I

57:10

was like, I

57:11

hate this. Yeah. I hate Go

57:13

away. and watch it. go

57:15

away and write, come up with ideas, work on

57:17

it, then present to me.

57:20

Exactly. Exactly. Okay.

57:22

Well, one

57:22

fear I have. Mhmm. Let's

57:26

let's

57:26

talk about our fears. Mhmm.

57:29

We

57:29

are having dinner

57:31

after this. Yes. Are

57:32

we gonna blow our load on the air and then sit -- Oh.

57:35

-- at dinner, air freedom. I

57:37

feel like with us three It's

57:39

just always regenerate. It's

57:42

true. and then we will keep our our s talking

57:44

to dinner. We will have like,

57:46

cursed. No. Okay. Okay. No. I'm just

57:48

saying we like, if we're

57:51

gonna have dinner, that's when we can kinda air our

57:53

grievances about our colleagues and what we don't like

57:55

about things. Anything main

57:58

now? Yeah. only

57:59

kind. Although, what have you said about

58:02

the Beatles? What are the

58:02

Oh, so what do we we the blister

58:05

is just getting started. And I should say Claudia, you

58:07

are a beetle freak. I'm a beetle

58:08

freak. I grew up as a beetle

58:11

freak. So I do

58:12

have a list. spot. I was like Well, do

58:14

you wanna

58:15

throw one on the list right now? See if it's on

58:17

the list already? Yeah. Of course. Simply truffle.

58:19

I don't like it.

58:21

ramping

58:29

battle wrong. I don't think I could not

58:30

fight really blows down those

58:33

blues. That sucks.

58:35

You know what this is

58:37

about? No. Okay. Well, you know what we could do is bring up

58:39

sat So baby truffle lyrics

58:42

without even

58:44

singing them. I don't are you allowed to play the music on this

58:46

show? We prefer not to. We have

58:48

a show taken down because of people

58:52

Especially, But I'm just gonna read these you, your first

58:54

impression. Cream tangerine,

58:56

montalimong, a ginger sling with the

59:00

pineapple heart, coffee dessert. Yes. You know it's good news, but you'll

59:02

have to have them all pulled out after

59:04

the savor savoy truffle. What do

59:06

you think they're getting

59:08

pulled out? Like,

59:10

are they making a list of, like, the greatest desserts

59:12

or something pretty much? I know you

59:14

know who

59:15

it's about. Right? No.

59:17

no It's

59:17

about plucky himself. Oh.

59:20

And his love of desserts. He

59:22

had a sweet

59:23

tooth until he found the age Exactly.

59:25

The most delicious is that. Quincey cream

59:27

and a nice apple tart. I feel your

59:29

taste all the time we're

59:32

apart. Whoa. Coconut fudge really blows down those blue

59:34

Oh, so they're talking about No. They they

59:38

would like. dang.

59:40

Yeah. But you'll you'll have to have them

59:43

all pulled out. What would you have pulled

59:45

out if you're eating sweets?

59:47

He's giving

59:48

you a hand.

59:49

Teeth. Yes. He's saying you're

59:51

gonna have to have your teeth pulled out.

59:54

Yeah. If you keep eating on the He's

59:56

begging his

59:56

friend to stop eating

59:58

so many desserts. Alright.

59:59

I think savory savory savory

1:00:02

savory. Savory. But isn't

1:00:04

it savory? Nope. No. That would be weird. Savory and truffles. That

1:00:06

would be like it's A bread meeting.

1:00:08

Yeah. Savoy. So you think

1:00:10

it's the meaning

1:00:12

is is It's

1:00:12

literal. Well, it's like a little I

1:00:14

think it kind of is. Yeah. I don't think there's

1:00:16

a sexual innuendo. Okay.

1:00:18

Sorry. You know me. morning.

1:00:23

Double unharmed that. Definitely,

1:00:25

Sabboy truffle goes on the list.

1:00:27

so excited at when

1:00:28

on the list. And don't pass me by.

1:00:31

But So are

1:00:32

the ringo rules? It's

1:00:34

all

1:00:34

fair game. because he's getting

1:00:36

on the

1:00:37

list. Well, he already

1:00:38

is. There's the list so far. Don't

1:00:40

pass me by. he's number five, being for the

1:00:42

benefit of mister kite. I actually think soap

1:00:44

plus me bi is one

1:00:46

of Ringo's better songs.

1:00:49

I think

1:00:49

he's got many worse, but

1:00:51

I'm really excited to get into

1:00:53

this. Okay. Good. This is how

1:00:55

rudimentary I am. Like, So so they would what was

1:00:57

the division of labor? Like, like,

1:00:59

did they, like Were

1:01:01

they, like, you can

1:01:02

do a few songs where you sing

1:01:06

leads? Yeah. But but I I was asking Claudia to listen to Karl. Is it all

1:01:08

singling? Can you write it? Or is it like

1:01:10

I wrote this to you in a singly? Like Well,

1:01:12

by the end, there,

1:01:14

Ringo started saying, well, I can

1:01:16

do this. Yeah. And he would bring terrible songs. And

1:01:17

they'd be mean to him about them.

1:01:19

Oh,

1:01:19

wow. But Fair

1:01:22

enough.

1:01:22

Yes. They're

1:01:23

not good. Yeah. And often

1:01:26

they'd give him cupboards and he just

1:01:28

ruins all. Oh,

1:01:29

oh, like what? Well,

1:01:31

boys, the chirrell song.

1:01:33

Yeah. Yeah. Boys.

1:01:36

No, John. No idea. This is

1:01:38

a song where this is Century.

1:01:40

That's

1:01:41

a good song. Yeah. But like His version of Ringo's

1:01:42

version is not the best version of

1:01:44

that song. Okay. He's always doing

1:01:46

great. You're coming hot.

1:01:49

Well, I'm good. I'm happy. I'm good. Are you happy?

1:01:51

I'm I'm having a ball.

1:01:55

I've got

1:01:56

a lot I've got a lot of opinions about

1:01:58

it. You just

1:01:59

look, John, if you

1:01:59

just wanna watch yourself on the monitor, that's

1:02:02

fine. It's so hard because I just see myself in the

1:02:04

profile. It

1:02:04

does cut away from us whenever we

1:02:06

look at this sandwich sock. Alright. So you wanna just put the

1:02:08

Ringo songs on there? Yeah. Okay. Get it

1:02:11

over with. You can't put with

1:02:13

little help, my friend. No.

1:02:15

I don't want to. That's a ringo. That's

1:02:17

his best. I would say

1:02:18

that's his best. Right? He said,

1:02:20

but Leonard McCarthy wrote

1:02:23

it. Yeah. That's why it's good.

1:02:25

Yeah. I would to consult

1:02:27

the list. Sorry.

1:02:29

Goodbye.

1:02:31

And we have Obladiobladiobladiobladiobladiobladiobladiobladiobladiobladiobladiobladiobladiobladiobladiobladiobladiobladiobladiobladiobladiobladi.

1:02:32

Let's

1:02:38

get boys up there at I don't

1:02:40

know what. seven. Seven.

1:02:43

Always. Great. But

1:02:44

wait. Savoy truffle, where it was at?

1:02:46

Oh, we

1:02:46

haven't put that up yet either. Savoy truffle.

1:02:49

You wanna go real high with it?

1:02:52

Yeah. I mean, you

1:02:54

came in real high. I said about it. Yeah. I was a little

1:02:56

hunch about it. Let No. I wish I like

1:02:58

the horns on that song. It's got some good

1:03:00

stuff about it, but there's lots of lots

1:03:02

of stinks. Come on.

1:03:04

Yeah. I would say probably

1:03:06

it's like six. Number

1:03:07

seven. Do you guys wanna do

1:03:10

you guys wanna wait? Like, are you, like,

1:03:12

locked and loaded with your least

1:03:14

favorite of all time? have it much thought.

1:03:17

And I'm waiting to

1:03:18

just see how it goes. Okay. I didn't do

1:03:20

much. If you did work on this I thought

1:03:22

about Good. I was very busy

1:03:24

tonight using TV shows. Oh, yeah.

1:03:26

Well,

1:03:26

yeah. I've

1:03:28

also rated a cross reference with the list from

1:03:30

enemy. Vulture.

1:03:32

Here's a list. A list

1:03:34

exists. I did. Okay. Earlier

1:03:37

today, Google, like, Unbelievable. Look at your song rinks.

1:03:40

Yeah. Wow. I like to do my

1:03:42

homework

1:03:42

and to hide this. I

1:03:43

also love your

1:03:46

homage to I love your homage

1:03:48

to great radio with your doctor Dimento shirt

1:03:50

and didn't even didn't even

1:03:51

think about that? Didn't well, didn't even

1:03:53

I don't even know doctor Dimento.

1:03:56

This was gifted to me. Are you given clothes to wear and

1:03:58

told what to wear by your

1:03:59

stylist? Are

1:04:03

you Yeah. Alright. I

1:04:04

have to look up with the So so the Ringo

1:04:07

songs are what matchbox? Oh,

1:04:09

yeah. Matchbox sucks.

1:04:10

as well. Like but also

1:04:12

it's so covers are allowed. Yeah.

1:04:14

Mhmm.

1:04:14

Or letting it cover Matchbox

1:04:16

is on the least one hundred

1:04:18

his yellow submarine on the list? I think so. Yeah. I

1:04:20

agree. Yeah. And I think the

1:04:22

Bliss

1:04:22

is God, and

1:04:23

he's on the list. Wow.

1:04:26

Do

1:04:26

you know if it's on the list? We need numbers

1:04:28

too. Tell us where they all sit.

1:04:31

Alright. If it can they

1:04:32

the numbers change because I think as this

1:04:36

conversation, evolves the numbers. The ranking It looks

1:04:37

like it's pretty mean. Honey,

1:04:40

don't? Yeah. For

1:04:42

sure. Yeah. Can you tell me when

1:04:44

you when you name a song, can

1:04:46

you tell me who wrote it? Yeah.

1:04:48

So honeydone is a

1:04:50

cover ringo. Yeah. Matchbox

1:04:52

is a cover, Ringo.

1:04:55

Ringo. Yeah. Did you

1:04:57

hear the new revolver and

1:04:59

the the the the genesis of yellow

1:05:02

submarine? No. What do what is it? It's

1:05:04

fascinating because it started

1:05:06

as a very sad John's

1:05:09

Right. Where he was just on the guitar

1:05:12

singing in the

1:05:12

town, where I was born, all

1:05:15

I was alone. I was

1:05:18

alone. Have you heard that, Jason? Yeah.

1:05:20

It's very cool. It's, like, really

1:05:22

sad. And I am I was, like, oh, you make it a

1:05:24

happy song actually. If it's a really

1:05:26

cool car too. Probably gonna

1:05:28

be a pretty good cartoon. Because why did they

1:05:30

keep

1:05:30

giving ringo these, like, aquatic,

1:05:32

like, underwater zone? They wanted

1:05:34

to drown him. I think that's how we're telling you.

1:05:37

of drowning in that.

1:05:39

Alright. So let's just

1:05:41

fill the list with the ring no

1:05:43

song. Okay. So we don't matchbox. What number do you matchbox? off later. We

1:05:45

can always take them

1:05:47

off. Yeah. Yeah. So

1:05:49

you want matchbox twelve? Matchbox twelve?

1:05:52

Yeah.

1:05:52

Matchbox twenty. Matchbox.

1:05:53

Come on. No. Let's do that. Come

1:05:56

on. Yeah. So matchbox.

1:05:58

Yeah. But That doesn't make

1:05:59

any sense except it's

1:06:02

fine. And

1:06:02

then honey, don't you wanna

1:06:04

do nineteen

1:06:05

on that? Honey, don't? Yeah.

1:06:07

And honey, don't? Do

1:06:08

you like that? If you if I just said, I'm a

1:06:11

new song, I'm a new song, you know? You'd be like, that's

1:06:13

pretty cool. It's like, hey,

1:06:14

good

1:06:16

looking. Does John

1:06:19

does Ringo

1:06:20

have any songs on their first album?

1:06:22

Please, please, me. I'm pretty

1:06:23

sure he does.

1:06:25

I'm pretty sure you're wrong.

1:06:26

Oh, wow. Damn.

1:06:28

Out. I don't think it

1:06:29

boys. Boys. Yeah. It's boys. I'm pretty

1:06:31

sure sometimes the girl just

1:06:34

needs work. It is

1:06:36

a song. It is a

1:06:38

weird song because it's a girl group song

1:06:40

-- Yeah. -- that Ringo sings about

1:06:43

wanting boys. Wow. Well, here's where I come in.

1:06:45

Yeah. There we go. As the

1:06:48

resident queen.

1:06:50

Okay. It's good, honey

1:06:54

here. It's

1:06:55

very it's very

1:06:56

passe to be

1:06:59

gay. That could be nice. It could be

1:07:01

my new phrase. Right? Yeah. Yeah. Why would

1:07:03

we all get excited about this?

1:07:05

We're talking about

1:07:08

gay things. It's all I love too. I know. Come on. You

1:07:10

can't you can't rest on those laurels

1:07:12

anymore. We need more from you. I know.

1:07:14

Lots of the Beatles

1:07:15

were gay. don't

1:07:17

even joke. John was probably John

1:07:19

was probably Absolutely. That's why it's actually confirmed

1:07:22

or, like, you know,

1:07:23

you tried

1:07:26

to full

1:07:26

You didn't I the me.

1:07:29

Full.

1:07:29

023

1:07:32

full. Alright.

1:07:34

We gotta take a call. Yeah. That's that's

1:07:36

what this show is all about. Call

1:07:39

2018201

1:07:44

Is that

1:07:44

Bongo Hill? Yeah. 2019890012

1:07:49

Don't say their number. Oh, that's

1:07:51

this number of one. God.

1:07:53

What about you were saying? Oh,

1:07:55

caller's number.

1:07:57

that's show

1:08:00

Best

1:08:00

show. Hi, Tim. This is Veronica

1:08:02

from Philadelphia. Veronica.

1:08:06

Right? you

1:08:07

suppose it would be

1:08:09

after that, Tom. You are? You have

1:08:11

a sister named Allen, who's also named Allen, and who's also

1:08:13

named Allen. Allen Allen Allen Allen Allen Allen Allen Allen Allen Allen

1:08:15

Allen Allen Allen.

1:08:16

So and

1:08:18

that and guess who

1:08:21

co wrote

1:08:21

Veronika? I I know it was

1:08:24

Bauma Cart

1:08:24

me.

1:08:26

I

1:08:26

told you to guess, though. Oh,

1:08:29

no. I'm sorry. I'll

1:08:31

I'll be better next time.

1:08:34

Okay. Well, do you have a

1:08:36

do you have a song to put on the

1:08:38

list? Or do you wanna talk about something else?

1:08:40

Do you what? So

1:08:41

I feel like we sort

1:08:42

of brushed over. Please please me because it doesn't have any Ringo

1:08:45

song. Mhmm. But I

1:08:47

would really like to

1:08:50

call out. I saw

1:08:53

her standing there

1:08:54

because it started off with

1:08:57

She

1:08:57

was just seventeen. Oh, and you

1:08:59

know what I mean?

1:09:00

And I

1:09:02

you know what? I I

1:09:06

do know what he but don't I'd not.

1:09:08

Yeah. Yeah. But, you know,

1:09:10

the guy the lads

1:09:15

They will let Well, they were, like,

1:09:16

nineteen. They will be a lead. They will

1:09:18

be a lead. When they wrote that, he was

1:09:20

probably nineteen,

1:09:22

nineteen. I'm giving him a pass on He

1:09:24

was if they made money

1:09:26

wrote it. Was he? No. I

1:09:30

don't know. Yeah. I I don't I I don't particularly

1:09:32

love that song anyways. No. It's it's

1:09:34

a but just a basic

1:09:36

blue

1:09:37

the

1:09:38

well, yeah, rock blues

1:09:40

song. But

1:09:41

it is never

1:09:43

Never.

1:09:43

Never. Never.

1:09:45

whoever the

1:09:48

Oh.

1:09:49

That's fun. That is fun. And it is the

1:09:51

song that kicks off the whole thing. Totally. It gets everyone going.

1:09:54

I think it's

1:09:57

No. Sorry. In fact, that's getting

1:09:59

on

1:09:59

number

1:10:01

one and

1:10:04

the bus I mean, hi, I

1:10:06

understand. I do

1:10:07

just wanna say

1:10:09

somebody's gonna nominate

1:10:12

Rocky Rocky And I

1:10:14

wanna stand up for that song because I think it's really, really funny. The Hardney

1:10:16

starts out with

1:10:19

that southern accent.

1:10:21

Yeah. They do a lot

1:10:24

of character work

1:10:26

in

1:10:27

their songs. Well,

1:10:29

I read this

1:10:31

little article about how if you look

1:10:33

at the white album as like a demented

1:10:35

children's album, it really makes a lot

1:10:38

of sense. Yeah. It's

1:10:39

listen to the songwriters. You know, it was

1:10:41

my favorite album as

1:10:42

a little kid. So, like, I don't

1:10:45

get that. Yeah. Yeah. Lots of duds on

1:10:47

it though, but definitely

1:10:49

travel. Oh, definitely. Biggies, are

1:10:51

we putting

1:10:51

biggies on the

1:10:53

list? Every word listen to

1:10:56

this. Every word has lots of

1:10:58

pickies. Yeah. speak

1:10:59

deeply unpleasant songs. It is. Yeah.

1:11:01

It's not fun. I mean, because it's, like, you

1:11:03

get an always Like, I get in this

1:11:06

political commentary, but it's just, like,

1:11:08

it just

1:11:10

is rating

1:11:11

and it's not one to two. Yeah.

1:11:13

I don't you're not looking to

1:11:15

hear political commentary. You wanna

1:11:17

rock out.

1:11:18

What's the political commentary? Oh,

1:11:21

about, like, comps,

1:11:22

you know Cups against these words. Yeah. I mean, you're not

1:11:24

you're not

1:11:26

pro

1:11:27

comp, or you've I'm

1:11:30

pretty staunchly procons. Okay.

1:11:32

We love our

1:11:34

blue. We love we back

1:11:37

the blue. By the way, let

1:11:39

me just say congratulations to you

1:11:42

for what I understand is you

1:11:44

go Soto Martinez, like, deep weed, winning

1:11:46

-- Yeah. -- by a lot. And this

1:11:48

is real deep LA stuff

1:11:50

here folks, and I apologize because

1:11:53

this is an international show. But he running into the game. implications. have politics

1:11:56

worldwide.

1:11:59

And You you did fundraisers

1:12:02

for him. I did fundraisers. they said that my fundraiser

1:12:04

is what ultimately cinch Who's

1:12:07

so in? Who said The

1:12:12

o o time. So Yeah.

1:12:14

Who did say LA weekly.

1:12:17

I

1:12:18

don't know. No. No. You did have say and

1:12:21

i i to say

1:12:23

Droshky. what

1:12:25

an e worked his butt off. He really, really did. And it was

1:12:27

felt like a the forever campaign because there was, like, there

1:12:29

was the first campaign that

1:12:32

turned into run

1:12:35

off

1:12:35

or something anyways. But I

1:12:38

was

1:12:38

very upset because

1:12:40

you did a benefit for

1:12:42

him,

1:12:43

but you did too. and I was not

1:12:45

Oh, I know. Not Sam. Tim. No. Well, I actually thought about this quite

1:12:47

a bit, and we didn't even discuss

1:12:50

it really. But, like, I was

1:12:53

so

1:12:53

worried about your name being kind

1:12:56

of softness.

1:12:57

No.

1:12:59

No. Just that you had already done, Hugo. I don't know if it's,

1:13:01

and I was, like, I need to do a whole

1:13:03

new, like, roster. Yeah. I

1:13:06

will not get the same,

1:13:08

like, Well, I did an eating I I did one at

1:13:10

this place called the lodge room, and I just I was asked to do I didn't

1:13:12

set it up. I just they

1:13:14

asked me to do it last minute.

1:13:16

month and I

1:13:17

What

1:13:18

does that mean? Mhmm. We're going to discuss it. Someone's dropped

1:13:19

out, and I said,

1:13:22

yeah. Okay. I'll do it.

1:13:25

I'm telling

1:13:25

you, I there couldn't have been more than twenty

1:13:27

five people there. Are you free? Yeah. And it was weird. It was sort

1:13:29

of it was a free

1:13:31

thing. It was like, And

1:13:34

I just was and I I didn't over

1:13:36

I didn't push it too hard. Yeah.

1:13:39

I should've

1:13:39

made I don't know.

1:13:40

It was just a weird thing where

1:13:42

I was, like, This is a Yeah. It's a virtual. Yeah. Didn't

1:13:45

feel good. because you're

1:13:47

Go out.

1:13:49

Yeah. It's

1:13:50

a big deal. Yeah. like a whole night. talked about this last

1:13:52

night. Yeah. Love shot going out. Should we go should

1:13:54

I go I was gonna go see the

1:13:58

great Bret McKenzie -- Yeah. -- in your part of

1:13:59

the world. Yeah. And tepotinib,

1:14:01

for sure. He's a

1:14:03

lovely person. And I wanted

1:14:05

to

1:14:06

go to the fonda, and I

1:14:08

just I had to work today,

1:14:10

and I just said, you know what? I have to lie down and not do anything. Yeah. Yeah.

1:14:13

And

1:14:15

I just deferred No.

1:14:17

I think that's preferred. Yeah. Always.

1:14:19

Almost always. Almost always. But sometimes,

1:14:20

always

1:14:20

you

1:14:23

push through. And you and you And good when

1:14:24

you're out. Yeah. And it's worth it.

1:14:26

Yeah. We're out now. You're out for

1:14:28

example. Not in We're

1:14:29

not even gonna folks, we're even gonna

1:14:31

get dinner after the

1:14:33

show. Oh,

1:14:34

late night dinner. Which I might bail on. I don't know. No.

1:14:35

What about You we should when we gonna say

1:14:37

the truth

1:14:40

about dinner? Oh,

1:14:42

okay.

1:14:42

After this break. Wait. There's There is controversy. There is something to tell you. There's no controversy, though.

1:14:44

But it is something

1:14:45

you might want to just

1:14:47

tune back in. Don't

1:14:49

untuned

1:14:51

from the show. Alright. Kill all the mics. You could click back.

1:14:54

do this. Kill all the mics and then tell

1:14:57

me. Kill

1:15:00

the mics. Andrew

1:15:00

the to kill the mike

1:15:01

Kilda

1:15:03

Mikes. Kilda

1:15:07

Mikes. Oh,

1:15:32

that was 0II was worried

1:15:34

you're going to reveal something

1:15:35

more personal than

1:15:38

that. No way. Mike's

1:15:40

are back. Okay. Here's

1:15:42

the news. You're getting

1:15:45

breaking news music? Fed

1:15:47

Oh, let's see here. No. I have the

1:15:49

news

1:15:49

maker hotline. That works. Right?

1:15:52

Yeah.

1:15:52

That's close.

1:15:54

It's the news maker hotline. As

1:15:57

we're joining you, we're

1:15:59

we're apologizing now

1:16:02

for going offline for a moment as we discussed

1:16:04

the breaking news. We wanted to

1:16:06

get things as accurate

1:16:07

as possible. And just did

1:16:09

our own little reporting on

1:16:11

this. The news is, I

1:16:12

was under the impression that dinner reservation was for

1:16:14

nine fifteen. I was just told that their dinner reservation is four

1:16:16

nine, and the restaurant

1:16:18

is how many minutes away.

1:16:20

twelve to thirteen. Ten. That's no wrong. So John

1:16:22

and Claudia will have to leave a touch early to

1:16:26

secure the table. Yeah. then

1:16:28

I will be joining them. I'm not

1:16:30

leaving here early. I'll be leaving here at 905 after

1:16:34

I say, quit advised to people in the room outside. That's

1:16:36

great. That's fine. No. That's fine. No. That's

1:16:38

fine. No. Don't use the restroom though.

1:16:40

Just come straight to

1:16:42

the restroom. Yeah. Yeah. Go right

1:16:44

to a toilet

1:16:45

It's such a nice toilet at

1:16:46

the restaurant. Mhmm. Alright. Moving on, guys. I'm III apologize, but the the doors are

1:16:48

locked. I just heard from

1:16:51

Brett Beaumont, who runs rubber

1:16:53

dog, the doors are locked until

1:16:55

-- Oh, no. -- when are we looking to us?

1:16:58

We have enough comedy in this room. We don't need

1:17:00

this. Unbelievable.

1:17:04

Everybody wants to play. You have

1:17:06

a caller

1:17:06

from Seattle. It's a paid attention.

1:17:10

See, real world.

1:17:11

See, Irene, the slap her

1:17:13

around the world. Right? Who

1:17:15

is this? I

1:17:18

am dead. I'm a big fan of Tim, John and Claudia,

1:17:20

all individually and

1:17:23

collectively. Rank them.

1:17:28

Oh, I think I know number one

1:17:30

of the the worst Beatles. Oh,

1:17:35

this is huge. the floor It's what's

1:17:38

New Mary James? I mean, it's gotta be. Right? Well,

1:17:40

this is controversy.

1:17:42

It is By

1:17:44

far, it

1:17:46

is by far

1:17:47

the worst piece of music that

1:17:49

the Beatles made. Okay. Are we including

1:17:51

it because it was only

1:17:55

released on the sort of anthology series. I don't think

1:17:57

it counts. I don't think

1:17:58

it counts. It

1:17:59

says clunky in that

1:18:02

very -- Fair enough. --

1:18:04

way. What's

1:18:04

the news? Mary Jane? Mary Jane at the

1:18:06

party? There's so much bad stuff on those anthologies.

1:18:11

Yeah. I I think we say one condition is no pathology because

1:18:13

then you're gonna get, like -- Okay. --

1:18:15

he has

1:18:17

he has a backup a backup.

1:18:19

What's the backup? I have

1:18:19

a backup because I thought that might be

1:18:21

a thing. I'm I'm gonna say revolution

1:18:24

number nine. It is cool at

1:18:26

the time. It's a fun heart thing,

1:18:28

but how often do you wanna, like,

1:18:30

sit through the whole track and listen to it? It it Is it a song, you know? I would

1:18:32

agree. It sucks. It's,

1:18:34

like,

1:18:34

if it also feels boring to,

1:18:38

like, join in

1:18:40

on any anti yoko stuff,

1:18:43

but I don't wanna listen

1:18:45

to it

1:18:46

hi ever. I This is a yoko kind

1:18:48

of This is, like, an experimental yoko

1:18:50

try with

1:18:50

the white album. It's about nine

1:18:54

minutes long. Nine? number nine. Number nine? You

1:18:55

might love it, John. Number nine. Thanks.

1:18:58

I think it's I think

1:19:00

it's

1:19:01

very cool. It's cool. It's

1:19:03

it fits nicely where it is on that

1:19:05

album. It makes sense in the

1:19:07

in the shape of in, like,

1:19:09

if you are, like, looking at that album,

1:19:11

it's part of the album. Yeah. But

1:19:12

also, I will skip it.

1:19:13

I am the arbiter

1:19:15

and judge jury executioner of this

1:19:17

list. It's not going on

1:19:19

the list. Wow. at this

1:19:21

time. Thanks. At this juncture.

1:19:23

Yeah. I understand. Alright. Thanks

1:19:27

for the call. Are

1:19:28

you enjoying the show? I'm pandering

1:19:30

for compliments. I already threw out them. Okay. Hey, guys. We'll never

1:19:34

know. We'll never know.

1:19:37

You'll never know how

1:19:39

much I really love you. You'll never know how much I really Dungdungdung.

1:19:45

Is that your one

1:19:46

on the list? No. I love that song. laying off the list. It was like a widow.

1:19:50

A widow.

1:19:53

Do you promise not to

1:19:55

tell? Oh, you guys said? Close, sir.

1:19:56

Listen, there's another

1:19:58

subject we wanna

1:19:59

talk about. is

1:20:02

not really subject to a challenge.

1:20:04

Are you good do

1:20:05

you like jokes? You're a joke writer ever?

1:20:07

Do you think like, thinking about

1:20:10

jokes? Not really. Not really. They're more characters

1:20:12

and ideas. But if we have if

1:20:14

you were sitting in the real

1:20:17

time with Bill Marr, writers room.

1:20:20

Okay? Yeah. And they said, alright.

1:20:22

We need five pitches for now

1:20:24

the news today was there are

1:20:26

now eight billion people in the world.

1:20:28

Well, I remember when they were six billion.

1:20:30

I feel like I remember when it

1:20:31

was Hey, that's

1:20:32

not one of the joke. That was real. And

1:20:34

job is sincere -- Yeah. -- to live

1:20:38

Okay. Obviously, the hilarious bill could sell that

1:20:40

bill could sell it. You know what

1:20:42

I remember? I mean, wasn't that when

1:20:44

how

1:20:44

long it goes? I think it was a

1:20:47

I was saying it's so

1:20:48

fast. I don't think I remember. three

1:20:50

billion. When I was a kid, it was like this

1:20:51

I always think about seven

1:20:52

billion being the

1:20:55

magic number. Yeah. Sorry. So eight

1:20:57

billion in the world. So So what would we say if we had to write a

1:20:59

joke there? There's eight

1:21:02

billion people in the

1:21:04

world and

1:21:06

still nobody bothers to Yes. that's that's

1:21:09

exactly the

1:21:10

number of minions

1:21:12

moving Alright.

1:21:16

Maybe a caller has

1:21:18

a good best show.

1:21:23

No. You got one. Anyone

1:21:24

there? Yeah. Thank you.

1:21:26

Yeah. Who's this?

1:21:27

Hey, Tim. Good

1:21:29

evening. Yep. This is

1:21:31

Philip from North Carolina. I'm working with

1:21:32

girl in a hat. Hey. Hey.

1:21:34

Why? Why

1:21:34

are you working with this? Because

1:21:36

it it's just I've

1:21:39

yeah. I've had for a long

1:21:41

time. Tennessee. I feel Tennessee. It's it's rapidly falling out. Oh, yeah. It's

1:21:43

true. It's true. But

1:21:46

he doesn't wanna hear

1:21:48

that. but that's why he's

1:21:50

wearing a hat. Have you been to Montree? Yes. Oh, that's where you That's where my wife's from. you real?

1:21:52

She's from BlackRock. She's

1:21:55

from BlackRock. Where you Calibrate.

1:21:59

Calibrate. Calibrate. Calibrate. Calibrate. Calibrate. Calibrate. Calibrate.

1:22:02

Calibrate. Calibrate. Calibrate. Calibrate. Calibrate. Calibrate. Calibrate.

1:22:04

Calibrate. Calibrate. Calibrate. Oh. Oh my

1:22:06

gosh. Are

1:22:07

you the guy

1:22:09

from

1:22:12

the staircase? No. His name

1:22:14

was not. Peterson. Peterson. Peterson. You did Jordan Peterson. He did do it.

1:22:17

Didn't

1:22:20

you? Mhmm. That was

1:22:21

the issue. What can I

1:22:24

do

1:22:25

what can i do for it

1:22:27

for you tonight? Well, I got two things. First,

1:22:29

I do have a song. Only a northern

1:22:32

song would be my choice

1:22:34

for one of the worst video

1:22:36

songs. think it's like Revolution

1:22:38

nine, but Yeah. Oh, no more no than some. Yeah.

1:22:43

If you don't

1:22:43

it's a it's a very self referential song about writing songs.

1:22:46

I don't Yes. And it

1:22:48

you know, there

1:22:51

are so many like these. Like these,

1:22:53

like, sort of, like, brief interludes,

1:22:55

barely even songs. III

1:22:57

agree. It goes on It

1:23:00

goes on. What do I

1:23:02

like it? Number nine. Number

1:23:04

nine. Every son's getting

1:23:06

the number nine. That'll need it now than song.

1:23:08

That'll be. What about

1:23:10

if we're gonna if

1:23:12

we're gonna stick on George for a second,

1:23:14

do you wanna do not a second

1:23:16

no, don't bother me. Do you like don't bother me? I don't

1:23:18

love

1:23:19

don't bother me. I think it's, like,

1:23:19

it possibly gets on the

1:23:22

dates.

1:23:22

It's definitely where I would

1:23:24

like at

1:23:26

it? I would I put it on

1:23:28

there at number eighteen. Yeah.

1:23:31

It's

1:23:31

low in the in the

1:23:33

bottom for me. Alright. Well, you had

1:23:35

something else there, Guy? Yeah.

1:23:38

I

1:23:38

got a question.

1:23:40

Phil, I

1:23:43

got a question. some of the stuff. We're gonna be

1:23:45

in a Beatles movie. Which of the Fab four would you play? Who

1:23:47

would be

1:23:48

your fourth? Who would

1:23:50

be your ringtone? Brilliant. Okay.

1:23:53

I think

1:23:54

that you may want to be

1:24:00

Paul?

1:24:00

John

1:24:01

Baugh. I I leave

1:24:03

it to you

1:24:04

guys to cast because

1:24:06

I just obviously coming in with

1:24:10

I

1:24:10

usually play friendly characters, so I

1:24:12

think I'd be

1:24:13

Paul. Yeah. You're very Paulie. Yeah. I

1:24:16

think I'd be goofy fee and

1:24:18

be ring though. Yeah. And then who will play George? You Jason, I guess. Sure. I'll call

1:24:20

George. Yeah. It's Sorry.

1:24:22

We'll play The genius. I'm

1:24:27

the genius. Hello? I'm I'm I

1:24:30

hope you haven't been checking

1:24:33

out. Okay. Late to the

1:24:36

group. No. You know who you'd be. It's

1:24:38

Brian Epstein. Yeah. Got it. The manager

1:24:40

He was Wait. Really? He wasn't

1:24:43

Probably done. He was a gang. Are you for Is he featured in

1:24:45

Getback? Nope. No. He was dead

1:24:47

by that. because I fight

1:24:50

with James is my children.

1:24:52

Missouri. Are people losing it

1:24:54

with this show? Are we talking over each other too? Oh, no. People are a lot of people are loving

1:24:56

it. Two people,

1:24:59

like, did

1:24:59

they want Do they not

1:25:02

like that there's a woman on? Is that No. I think they love it. But there's no woman. It's a thanks.

1:25:03

It's it

1:25:06

keeps us on our

1:25:08

best behavior. I won't

1:25:10

end the game. Yeah. Yeah. I know. Oh. Best shows never had that before. What's

1:25:13

this

1:25:14

Brian Epstein? Oh,

1:25:16

oh cute

1:25:18

He looks kind

1:25:20

of like a song time. He's

1:25:22

a fascinating character. Fascinating. I always thought that

1:25:27

Brian Epstein was a fascinating carry.

1:25:32

Who's that

1:25:34

guy? I

1:25:34

thought he was a fascinating character. Phil

1:25:36

Spectre. That

1:25:37

sounds like Phil Spectre. Yeah. There's

1:25:39

a Phil

1:25:39

Spectre documentary on showtime.

1:25:41

Is it good? I do. very good. Oh my gosh. Just me. It's all about his the

1:25:43

how murdered that woman. Yeah. He

1:25:46

was

1:25:46

not good that he did

1:25:48

that.

1:25:50

No. No. She shot the bottom of her

1:25:52

face off, and he said she did it. She

1:25:54

yeah.

1:25:55

Well, why wouldn't she? She went to this guy's

1:25:57

house. It said, in the morning, never met

1:25:59

him before, took his

1:25:59

gun and blew her brains out. Yeah. But that's what happened. That's

1:26:02

what the there's tape. What's amazing is that there's these nine there's

1:26:07

when they went to to arrest him or go to

1:26:09

the scene of the crime,

1:26:10

there's a there

1:26:12

they recorded the this encounter with

1:26:14

him -- Yeah. -- and they're playing

1:26:17

on his hip. What are you doing in

1:26:19

me? I didn't do nothing. She did in herself when you're crazy and forth. When you're

1:26:21

crazy, I wanna make those shooter, am

1:26:23

I on a home? Okay.

1:26:26

We've got

1:26:27

we have big breaking news.

1:26:29

Oh my god. VIP on the line.

1:26:32

I don't know who the hell

1:26:34

this is gonna find out. best

1:26:35

show.

1:26:36

You're on air? Yeah.

1:26:38

It's Fred.

1:26:41

fred Fred.

1:26:42

Fred. r Mason? Fred

1:26:46

from the Flint's

1:26:48

from the

1:26:50

Flintstones? Yeah. Hi, everybody.

1:26:53

I I have

1:26:55

them legally required to play

1:26:57

the

1:26:58

sounder. Famous person on the bottom.

1:27:00

Oh. we

1:27:03

go. That's a really good compliment.

1:27:05

I know. I've I've do a few

1:27:07

you know. Well, first of all, you're

1:27:09

a fan of my impressions. I love your

1:27:12

impression. Your

1:27:12

guided by my

1:27:15

voice is impression is

1:27:17

so good. So your Obama

1:27:19

is so good. You

1:27:21

know, if it put me

1:27:23

on the spot, it's not gonna happen. Dude, you're bomb. I it.

1:27:24

What?

1:27:26

And

1:27:29

you you this we're talking to Guillermo here.

1:27:31

You played Obama on the S and M

1:27:35

trial. contraversally, I should say.

1:27:38

Look, what do

1:27:40

I

1:27:41

say, Fred? They work. They work hard.

1:27:43

They work hard. They work hard.

1:27:46

Well, look. Let's get fired

1:27:48

up. Oh. They

1:27:50

got it so good. Oh, thank you. And

1:27:52

now, Fred Flynn, ladies and

1:27:55

gentlemen. Hi, everybody. I

1:27:58

don't know. So that's fine. But

1:27:59

that's good. Yeah.

1:28:01

I gotta work.

1:28:04

I gotta work

1:28:07

really good. Well, Mark, probably recorded just

1:28:09

minutes from where

1:28:09

we are right now. Well, so I I just started

1:28:11

doing David Lynch. Do

1:28:15

do i do it. Do it. Yeah.

1:28:16

That was great. Now I'm in my Fred Flintstone

1:28:18

mode.

1:28:18

I don't know if I could do it. We must

1:28:22

start, they would press me. Meditating.

1:28:25

Meditating. I've been

1:28:28

meditating now for

1:28:31

twenty years. That was good.

1:28:33

That was good. Fred, how

1:28:35

are you?

1:28:38

I'm good. This is an interesting list. Oh,

1:28:41

you've been

1:28:42

keeping track.

1:28:46

yeah

1:28:47

the Yeah. Hello? Interesting. I

1:28:48

don't like when people say interesting. That's bad

1:28:50

news. No. I because some of it, I you

1:28:53

know, I think everyone's gonna disagree with

1:28:55

some of it. But I

1:28:59

you

1:28:59

know, we all love the beetle.

1:29:01

Yeah. But

1:29:01

I start I started out by saying

1:29:04

that. I I would listen to any of

1:29:06

these songs except I don't know. Yeah. I would I love them all. You

1:29:08

know, so that's the here's

1:29:10

here's

1:29:11

there's there's a

1:29:13

song that whenever it comes on, I can't listen

1:29:15

to it as music. Like, I don't get locked in

1:29:17

the front and that love me too. All I

1:29:19

think about

1:29:20

-- Mhmm. -- I just

1:29:22

think about like, it's a documentary, and we haven't gotten

1:29:24

to, like, where they get experimental yet.

1:29:27

And I'm like,

1:29:27

oh, this is their

1:29:30

early days. Like, Ringo is

1:29:32

you know, it's just like

1:29:35

We

1:29:35

we we the Hamlin News, like, how every documentary starts.

1:29:40

Yeah.

1:29:40

It's them -- Yeah. -- it's them at the at the

1:29:42

cavern club, that same old footage that they always use. Yes.

1:29:47

That yes. I

1:29:47

never I can't hear it as an actual song.

1:29:49

I'm just like, okay. Well, this is like the

1:29:52

beginning, and we'll just there's

1:29:54

everything's in black and white. Yeah. That's

1:29:57

the harmonic. And And that yeah. I

1:29:58

agree. And it's it's kinda it's

1:29:59

kinda like a

1:30:02

Camp Fire song. It's like

1:30:04

kind of a children's song,

1:30:06

like Very straightforward. Yeah. Me too. You know. I

1:30:10

love you. Yeah. I think it's a

1:30:13

it's a good 1III and how

1:30:15

do you feel about the hate

1:30:17

the Ringo hate? I mean, It's not hate. You know?

1:30:19

It's not hate, but

1:30:20

come on. But you're but

1:30:22

Ringo's

1:30:23

your friend. Can I share

1:30:25

that -- Really? -- that will

1:30:27

Ringo Is that fair to say for him? Yeah. That that's fair.

1:30:29

I'm but I'm sure he's

1:30:30

got many people in his life like

1:30:33

that. I hope he doesn't listen to this.

1:30:35

Fred sends me what? He

1:30:36

he knows. He I know

1:30:39

all my songs stink. No.

1:30:44

There's

1:30:44

a picture Fred sent me. Just to what

1:30:46

did you what did you send that for? Just to goat me? It

1:30:48

was

1:30:49

just yeah. It

1:30:51

was all these drummers. including

1:30:53

Jim

1:30:54

Keltner, Ringo, and Transcendo, at this event. Yes.

1:30:56

It was it was Jim Keltner. It was

1:30:58

the guy from the door.

1:30:59

the photo. The

1:31:03

guy from the doors, Jim what John

1:31:06

Densmaur?

1:31:06

Yeah. Yeah.

1:31:08

I couldn't

1:31:10

go. Jim Jim

1:31:12

Kelter. ringo,

1:31:12

kidding.

1:31:15

Fred, John really does

1:31:17

not know. No does not

1:31:19

know Jim Kelsey. but

1:31:22

that's okay. But

1:31:22

we should talk about Ray Cooper for a sec because

1:31:25

that's the direction I

1:31:27

wanted to. Yeah. Sure. He's

1:31:30

all if you wasn't Any,

1:31:33

like, televised special anybody,

1:31:38

Phil Collins, Eric Clapton. Yeah. Paul McCartney

1:31:40

anybody. This guy, Ray Cooper's up

1:31:42

there with all these timbaries

1:31:46

and promos. Right? did best job

1:31:48

in the world. It's the

1:31:50

best.

1:31:51

And he's and

1:31:52

you're right. He's in

1:31:55

everything. Any live thing Yeah.

1:31:57

There he is. Elton John

1:31:59

or Cheddar. There's he's just there with the Tamberrini. He's like,

1:32:00

has just there with the tambourine device

1:32:04

Yeah. Do we have

1:32:06

a picture of Rae Cooper we could show? Maybe. Yeah. Let me find

1:32:08

one.

1:32:12

nominations

1:32:12

came out today,

1:32:15

Fred. Yeah.

1:32:17

yeah Do

1:32:18

do you know Do you know how much? Abe shows

1:32:20

up on this list. No, really. Oh, because he put out

1:32:22

-- I didn't know how much. --

1:32:23

that's crazy. Abe, Did

1:32:26

you I

1:32:27

don't know. Jason, you are defending this record. It's a good

1:32:29

record. I think it's a great record. I love

1:32:31

that.

1:32:31

I haven't. Let's do it. Yes. But

1:32:33

I love that you're defending. Alton record of the

1:32:35

year. Don't shut me down by Abba. Easy

1:32:38

is it Abba or Abba? It's Abba.

1:32:40

What do you say

1:32:42

Abba in

1:32:42

Australia? Abba, Abba. I don't think it's either of those.

1:32:44

What is it, Fred?

1:32:46

I think I think

1:32:49

it's I think it's the initial

1:32:52

ABBA. Oh, I love

1:32:54

that new song by

1:32:56

ABBA. ABBA. It takes a lot longer

1:32:58

to listen. That's the that's if

1:33:00

it's that's the the

1:33:02

rhyme meter. The rhyme scheme of all their songs, ABBBBBBBBBBA

1:33:08

Easy on

1:33:10

me by Adale. Is that a did they correct her pronunciation of that that

1:33:13

I

1:33:14

heard on the news?

1:33:16

break my soul by

1:33:18

beyond Beyonce. Good morning, gorgeous by Mary

1:33:20

good morning gorgeous by marriage

1:33:22

a blight j Blige. I mean,

1:33:24

I don't know about who knew about any of

1:33:26

this music? Do you listen to any of this music? Have did you ever any awareness of

1:33:30

any of this, Fred?

1:33:32

I

1:33:33

don't. No. The heart paint

1:33:34

part five kind of No idea that they put

1:33:36

out these records this year, I

1:33:38

never would have known. No.

1:33:42

You

1:33:42

guys told me to pick him out a few

1:33:44

years ago. I mean, I

1:33:46

I had no idea. Lizzo had a

1:33:48

song out, I guess, Oh, wait. You

1:33:50

know what? Song of the Year. Get

1:33:53

this. Hey. This I'm just

1:33:54

reading what I'm saying here. Song of the

1:33:56

Year.

1:33:57

song of the year John,

1:33:58

Fred,

1:33:59

Claudia, everybody. Song of the

1:34:01

Year, nominated. Not

1:34:03

one yet. We don't

1:34:05

know. Yeah. is a song that is

1:34:08

ABCDEFU

1:34:11

No. By Sarah

1:34:13

Davis, Gail, and David

1:34:16

songwriters. That's

1:34:16

What? Do you know

1:34:17

about this songwriters? Yeah. Apparently, I get

1:34:19

really big on TikTok. Okay.

1:34:23

And then and crossover. Could you that? Do you know I

1:34:25

think it's, like, ABCDEFUN

1:34:28

ends in your mom. Like, it's,

1:34:30

like, goes into that sort of

1:34:33

thing. The f u at the end

1:34:35

is the f u. That's cute. It sounds great. Yeah. Bonny Wright. What

1:34:36

about Bonny Wright? She's got one who

1:34:38

wants to

1:34:39

to, like, I

1:34:43

think wet leg got on

1:34:44

there, though, like, new -- Yes. -- for

1:34:47

the best new artist? Yeah. That's cool. I

1:34:49

think that's really good. And they're trying

1:34:51

to look really good. Best

1:34:53

new artist, we have Anita. Oh, just chime in if

1:34:55

you've heard of these people. I

1:34:56

listen. Who

1:34:59

am I? I'm It doesn't matter if

1:35:01

I know these people. Nope. It's not Right. Yeah. I'm I'm not seeing it from,

1:35:03

like, how dare they have to think

1:35:06

I don't know. I'm just saying

1:35:08

I'm how can I ever

1:35:10

know these? It's a reflection on us. Yes. So out of touch. So out of touch. The reflection on a Anita,

1:35:16

Omar, Apollo, Domi, you

1:35:18

okay. John might know. He's from a different generation. Yeah. I'm jynzi.

1:35:20

You're not

1:35:22

jynzi.

1:35:23

You're not jynzi. Munee

1:35:27

Long. Yep. Samara

1:35:29

Joy. Do you know

1:35:31

Samara Joy, Fred? No.

1:35:34

Lotto,

1:35:34

LATT0

1:35:35

main scale. What

1:35:36

is this new?

1:35:38

This

1:35:38

is best new artist. Toby

1:35:43

Nick

1:35:43

Nick Nick, Nick. What about Not

1:35:45

an Italian band and

1:35:47

they have, like, they

1:35:49

were really big this year. Lotto.

1:35:51

You want to

1:35:51

come and see my new group, I

1:35:54

called Elastic. It's

1:35:56

cozy. Alright. Molly

1:35:59

Tuttle. Do we know Molly Tuttle? No. That's not real. Best new artist

1:36:01

always felt like such a fake A

1:36:03

con job. Yeah. I

1:36:06

know. It feels like an MTV Movie Award.

1:36:09

You know what I

1:36:10

mean? Yeah. Like,

1:36:11

best Yes.

1:36:12

There's always the

1:36:15

best kiss. Yeah. Yeah. and

1:36:17

then wet leg, which everybody loves. No idea.

1:36:19

Yeah. John doesn't know who wet leg is. Fred and

1:36:21

I

1:36:21

were told that wet leg are great.

1:36:23

I'm going with

1:36:24

it. I

1:36:26

don't wanna be in trouble. I don't wanna get in trouble. Fred, do

1:36:29

you wanna put one more

1:36:31

song on the list

1:36:33

and then we'll let you go? did

1:36:35

we accept love to use? Think of one. I really I

1:36:37

thought this one through, and I just left

1:36:40

it because it's for yeah. I just

1:36:42

left it. I was just like, that's the

1:36:44

one that I always

1:36:45

just kind of Do

1:36:47

you support my decision of keeping revolution number nine off this list? Yeah.

1:36:52

Don't put that on the list. Thank you.

1:36:54

I've got a

1:36:54

controversial nominee. Okay. Let's keep you on for one

1:36:55

more from Claudia here. Who's a big

1:36:58

big I don't know if you

1:37:00

know you know Claudia?

1:37:02

I

1:37:02

mean, you know her question. Yeah. Okay.

1:37:04

But but no. But

1:37:05

but hello. Hi. Hi. Hi. Yeah. We've

1:37:07

got lots of mutual

1:37:10

And Claudia is a big beep. She's she's almost up

1:37:12

to our level. Let me put it to

1:37:14

that level. In terms of fandom. She knows

1:37:16

her stuff. Yeah. So what's what's your

1:37:19

what's on your list?

1:37:20

It's on television one because most

1:37:22

of mine are, like, ringo ones or, like, the little interlude plays.

1:37:24

But here's one that

1:37:26

I think is bad. The

1:37:29

word. Say the word, you'll be free. 00I

1:37:31

hate the word.

1:37:33

oh i hate the idea I

1:37:35

I agree. Yeah. Something it hikes.

1:37:38

Do so. We're gonna get bored. And then why don't you do

1:37:40

that? That that was not that was

1:37:42

not That's like your arms are

1:37:45

cross. I can't It

1:37:47

sucks. That's smoothest way. No. No.

1:37:48

They just they just misfired something. Okay. Great. Let's

1:37:51

not look back on that. And

1:37:52

discuss

1:37:55

it any further. Yes. It's

1:37:58

so fun. It's

1:37:59

sunshine. It's the

1:38:03

one of It also feels like It's been for hair.

1:38:04

Like, it feels like a

1:38:05

song from a bad song from It

1:38:08

is

1:38:09

a little ahead of the curve. of that

1:38:11

kind of flower power sixties hippies. Yes. What year?

1:38:13

What year? Sixty five. Okay. That

1:38:16

is all the

1:38:18

curve. Yeah. I have the curb.

1:38:20

Like, on a road? Yes. That's where the

1:38:22

original term comes. Too much harmony on

1:38:24

it. Too there's, like, too

1:38:26

much singing. There's, like, everyone's on it. Yeah. Yes. There there's,

1:38:28

like, it also

1:38:29

doesn't there's, like, a third or fourth verse

1:38:31

that doesn't need to be there. They could have

1:38:33

wrapped they could have been a good too many

1:38:36

times. It's so

1:38:36

fine. It's sunshine. That's not great. No.

1:38:38

Alright. It's on the list. It's number one.

1:38:40

Number one. Number one. No.

1:38:42

No. No. No. Have A33

1:38:46

Wow. Do you feel that's okay? I would probably put it lower because I actually just feel like beats

1:38:48

when

1:38:48

John breaks out and he's,

1:38:50

like, got his little bit.

1:38:55

Yeah. How about eight? Eight's good.

1:38:57

Sure. Okay. Alright. Well,

1:39:00

Fred, thanks for calling

1:39:02

in. Yeah. Thanks, Fred. Thank you, Fred.

1:39:04

Thank you. Thank you, guys. I'll

1:39:07

talk to you soon. Goodbye. I

1:39:10

noticed

1:39:10

today I was in the makeup chair.

1:39:12

I'm getting a

1:39:13

You don't look like you're wearing

1:39:15

any makeup. Oh, I was. you

1:39:17

wash your face?

1:39:17

I quickly did. I rinse. Yeah. But I'm getting the turkey. I'm getting that. Well, the more

1:39:20

you pull it.

1:39:22

You should've pull it. that's not

1:39:24

helping you. Getting the little job. What's it called a

1:39:26

a job? I think this is not a job. What I've heard, maybe,

1:39:29

even from you, that that's, like,

1:39:31

kind of, the number one

1:39:34

cosmetic surgery. That's good news. There's no one knows.

1:39:35

That like, you

1:39:36

there's You could never tell. Yeah.

1:39:38

So you think I should do that?

1:39:43

No. Oh my

1:39:43

god. I didn't know that though. I oh, wait. Okay.

1:39:45

Maybe It wasn't me, but I'm intrigued by that.

1:39:47

It makes

1:39:49

sense because it's just it does

1:39:51

the least to the rest of you, you Right. You see, now you're looking

1:39:53

at it because I'm tugging.

1:39:54

would have never thought.

1:39:56

Right.

1:39:59

Don't

1:39:59

tug. Let's take a

1:39:59

normal person. Not -- Right. -- the great I

1:40:02

mean, I could I could I I feel

1:40:04

bad because I could keep Fred

1:40:06

on all night. We gotta get the

1:40:08

the We hit

1:40:11

me. nerves. Best show.

1:40:13

the show

1:40:19

Hello?

1:40:19

Hello. Who

1:40:20

am I speaking with?

1:40:23

Hi. This is

1:40:24

Amelia in

1:40:27

Chicago. What

1:40:27

state is that? That's a

1:40:29

callback from earlier.

1:40:32

Amelia, that's my

1:40:34

daughter's that's my daughter's name.

1:40:36

And by

1:40:36

the way, is there a big

1:40:38

what? Is there let me just stop for a second. John Early.

1:40:41

the on early Talk to me

1:40:44

about

1:40:44

my daughter. I love

1:40:46

me. Oh, yes.

1:40:47

You love me.

1:40:50

I really, really love her. And

1:40:52

you if you haven't seen

1:40:54

John and Kate Berlin's peacock show, which you haven't, you

1:40:56

know what I'm sure for

1:40:58

a second. That's not. Just

1:41:04

wonderful. There's a sketch in there.

1:41:05

The beaver sketch. I think it's one of

1:41:07

the finest pieces of comedy the

1:41:10

past several years. And James

1:41:11

Charlie Rose. Yeah. I'm not talking

1:41:13

about that. Talking about that

1:41:15

sketch. No problem. My

1:41:19

my daughter was almost got apart -- Yeah.

1:41:21

-- to play one of your

1:41:23

your daughter's ears.

1:41:26

Yeah. because

1:41:26

you just loved her, and you were looking for a kid, and

1:41:28

you wanted it to be a friend. And you're not a

1:41:30

guy that has a lot of friends with kids.

1:41:32

Well, in the gay community, No.

1:41:35

It's harder. Yeah. Oh, you

1:41:37

can adopt. Come

1:41:40

back. But no. It didn't work out because

1:41:42

she was a little too young. Yeah. I

1:41:44

was gonna it was a big

1:41:46

to do. But just last night, kind of coincidentally, she asked to see that sketch.

1:41:49

No.

1:41:50

Again, nobody. Yeah.

1:41:53

saying up before. She loves

1:41:55

it. Thank god. Yeah. I said, now I'm watching football. Okay. But she

1:41:58

did

1:41:59

she loves I

1:42:03

love that you love her. Oh my god. I

1:42:05

love her. And you have no opinion on her?

1:42:07

Not really. I mean,

1:42:07

cute, but I

1:42:09

encountered her so

1:42:10

briefly. Yeah. Yeah. I don't know why you encountered her

1:42:11

more. Don't It's really

1:42:14

just probably the beaver interaction in

1:42:16

two. because

1:42:18

you made little videos for her -- Yeah.

1:42:21

-- and vice versa

1:42:23

anyways. Amelia, not

1:42:25

my daughter on the phone.

1:42:27

Unless not

1:42:27

your daughter.

1:42:28

As long

1:42:30

as

1:42:35

you're having fun. So

1:42:37

amelior Yeah. I have a contribution to the list. Okay. Good. I wanna hear.

1:42:40

And,

1:42:42

actually,

1:42:44

I would like

1:42:45

to make a bold suggestion that it might be number one,

1:42:47

but I don't know. You get the judge of that. Wild

1:42:49

honey pie.

1:42:51

Agree. It's bad.

1:42:52

i'm green it bad is

1:42:54

my contribution. Yeah. I think

1:42:56

it goes on the list, but I think it's

1:42:58

I would I would actually put honeypie on

1:43:01

the list. Oh, yeah. Honey

1:43:03

For wild honeypie. excuse me.

1:43:08

Yeah.

1:43:10

Don't make me crazy.

1:43:12

I mean, I'm lazy. This

1:43:14

is what you mean

1:43:16

characters of. Yeah.

1:43:19

You're just like, oh, Right?

1:43:20

Yeah. Like, it's a it's a

1:43:22

pastiche and all that. It's, like, on a rap album when there's a sketch. Perhaps

1:43:24

-- Yeah.

1:43:26

-- I

1:43:27

haven't heard. Yeah. But

1:43:29

I

1:43:30

think Wild Honeypot gets it passed. It gets on the list, but it's -- It's not the least. -- but it's just it's

1:43:34

so short and it's

1:43:37

just a bit of it's

1:43:39

a

1:43:39

transitional song. But these suffer like, you know,

1:43:42

fifty second long stupid

1:43:44

interludes?

1:43:48

Nope. That said

1:43:48

that. Me. Oh, you don't put

1:43:51

your voice in. You don't. agree

1:43:54

with myself. Alright. Put put we'll we'll do all we'll do the high double

1:43:59

trouble

1:43:59

Yeah. Do

1:44:02

some do some improv, John. But well, okay. Well, I have

1:44:05

a shot. Keep it. I have something to say

1:44:07

that. Keep it selling

1:44:07

Honeypie.

1:44:09

Okay. We have two

1:44:12

left. Okay.

1:44:16

You do

1:44:17

have something to say?

1:44:19

Well, I think that because of the way we

1:44:21

listen to music now through Spotify where we're just always kind of

1:44:24

choosing exactly what we

1:44:26

want. Yes. At every moment,

1:44:29

we

1:44:29

no longer appreciate the the filler. I think it's filler.

1:44:31

Yeah. You're right. It's experiential. It's

1:44:32

you put it on and there I

1:44:34

believe you've gone back and I wouldn't know.

1:44:38

you go

1:44:39

on a journey. But that's, like, how

1:44:40

I would feel more about Revolution nine and

1:44:43

Wild twenty five. Wild twenty five,

1:44:45

like skip. Yeah. Yeah.

1:44:47

Honeypot? No. Number

1:44:49

eleven?

1:44:49

Between the two. Number eleven. Okay.

1:44:51

And number twelve

1:44:53

goes wild honeypot. got all

1:44:55

biggies. Piggies. Number twelve. We're gonna have to stop

1:44:57

moving

1:44:57

things around. We go. You're good. It's only

1:44:59

eight o'clock. I'll

1:45:01

do it thirteen. We're fine. Sorry. I just know people at

1:45:03

the restaurant. I know. What's

1:45:06

the parking It's

1:45:08

a valet situation. Okay. Okay.

1:45:10

Every

1:45:10

you go, that's valet. Spago?

1:45:13

Is that no. We're

1:45:15

not gonna just Spago. Forget it.

1:45:17

I'll say that. Alright. Thank you,

1:45:19

Amiglia. Great edition. I

1:45:21

mean, please don't feel like we can stray from this list

1:45:23

if you wanna talk about

1:45:28

something else. Well, you,

1:45:29

Jason, but -- Okay. -- I love this, listen. Did you

1:45:31

wanna talk about something? We're just saying, wait, seven fifty eight right

1:45:33

now. Yeah. And we had

1:45:35

we're two minutes away from

1:45:38

Tim can't complain. Okay. But

1:45:41

what about criticized?

1:45:43

That's

1:45:43

still in the

1:45:45

world. There's no criticism.

1:45:48

Oh, no reduces them. No. That points. But we're

1:45:50

ranking

1:45:50

the twenty one. We're still doing that. I think it

1:45:51

has to be very positive. But that should be

1:45:53

an exemption for the list we're working

1:45:55

on because I should be

1:45:58

able to comment and criticize things coming on list.

1:45:59

Mike, Pat.

1:46:04

I

1:46:04

don't know. I think once

1:46:06

we're in the My house in My rule lanes.

1:46:08

Well, that's Okay. I

1:46:10

think the right work. But that

1:46:13

We're not the way. We're one minute until Tim

1:46:15

Canada. Just like I made the mistake of looking on Twitter and nine minutes ago, the best show account tweeted a picture.

1:46:18

They're so excited. Fred Armistice calling in.

1:46:20

They they

1:46:23

they tweeted a picture of of of

1:46:25

Fred from what ninety Nineteen

1:46:28

twenty two.

1:46:32

Very

1:46:32

nice. Okay. What do

1:46:33

we got? You wanna just launch

1:46:35

in? Does that work in it? We're in

1:46:37

it

1:46:37

right now. Tim can't complain. And I was having

1:46:40

so much fun.

1:46:42

No. It still works. We're still gonna do it, but there's another

1:46:44

topic on the table for Tim can't

1:46:46

complain. Oh. You can call in

1:46:49

and talk about what the best and worst

1:46:51

of Tim Heidecker's career. Oh my

1:46:53

goodness. So give us a

1:46:55

call. 2019890012

1:47:00

and that's gonna be tough. Here we

1:47:02

go. We're in it.

1:47:03

No complaints. I

1:47:06

have samples ready. I guess I'll start

1:47:08

just by saying, you know,

1:47:10

I guess I should apologize

1:47:12

for tuning out that

1:47:15

picture or Fred -- Oh. -- while while also

1:47:17

screening calls and monitoring

1:47:19

three other

1:47:21

social accounts

1:47:23

and I could go on. But,

1:47:23

you know, I'm sorry that wasn't a more recent photo

1:47:25

of Fred, Tim. That's really good, Pat.

1:47:28

That's nice of you. That's really nice. But

1:47:30

but, you know, I'm I'm hoping that that

1:47:32

there's enough comedy in the

1:47:34

room right now. It was do

1:47:36

you feel like the comedy's filled now at this point

1:47:38

after after I was humiliated earlier? Oh, dear.

1:47:42

I keep thinking they're behind me these people.

1:47:44

I know. I know. You're

1:47:45

not on office hours

1:47:47

anymore. No. That's right. No.

1:47:50

No. No. No. It's good. It's

1:47:52

good after working on the show for seven years to

1:47:54

to just,

1:47:54

you know, feel feel feel the love when

1:47:59

when,

1:47:59

you know, we we

1:47:59

really hit it off

1:48:00

on the zoomer earlier this week. And I thought,

1:48:02

you know, I'm really looking forward to this show.

1:48:05

It's gonna Well, this is the daughter

1:48:07

told my parents to listen to But

1:48:09

no, I'm glad that there's enough comedy in the room now. Would you say

1:48:11

would you say it's filled now to perfectly perfectly

1:48:17

calibrated. Yeah. Perfectly calibrated, perfectly balanced. Okay. Good. That's

1:48:19

good because, you

1:48:24

know, just

1:48:25

wanna make sure you're good. We really hit

1:48:27

it off from the start, you know, when Well, thanks. earlier. Yes. And I apologize if there any miscommunication or

1:48:29

you felt somehow offended

1:48:32

or heard by

1:48:34

my No. No. No. I thought right from the start

1:48:37

when when I surprised you

1:48:39

and you said that

1:48:40

you wanted

1:48:41

me to be addressed to

1:48:44

before I spoke at the top of the show.

1:48:46

That was that was fair. I was it was honestly it was honestly fair, and

1:48:48

I said, you know, that's

1:48:50

a faux pas on me. I

1:48:53

decided to dial it back. But because it because you

1:48:55

are the guest hope so it's

1:48:56

the to get it because you are the guess hope so it's

1:48:58

your show your show. I'm

1:49:00

just I'm a character in the

1:49:02

background. I'm I'm What was your name again?

1:49:04

My name

1:49:07

is Pat. Pat. Okay. Well,

1:49:09

thanks, Pat, for all you do. Oh, yeah. Of course. I mean, we wanna make

1:49:11

That's great. Thanks. Yeah. We

1:49:12

wanna make you kind of I'm very

1:49:14

comfortable having a terrific time. Thank you

1:49:19

Pat. No. Of course. Of course.

1:49:20

What was it? How was it?

1:49:22

No. I

1:49:22

How was it? Go

1:49:24

ahead. What's

1:49:26

that? No. Go ahead. Oh, no. How was it recording the

1:49:28

the album's fear of death?

1:49:30

No. It was great. It

1:49:32

was great. Well, no. It

1:49:33

was just a little bit of

1:49:35

a murder part. doing the vocals,

1:49:38

you know, doing all the backing vocals, everything,

1:49:41

mixing it all,

1:49:44

you know, work,

1:49:45

you mean because I felt like I

1:49:47

when I first listened to it, I felt like I was fearing death. Oh god. Oh my god. Just

1:49:49

to be

1:49:50

able to

1:49:51

get through it. Uh-huh. Well,

1:49:54

what do what can

1:49:55

you do? No. It's not for everybody.

1:49:58

Yes,

1:49:58

ma'am. Should we

1:50:00

take

1:50:03

a

1:50:04

call? Yikes. Well You're doing great, Tim. Thank

1:50:06

you. But

1:50:06

I don't say you are navigating. But does

1:50:08

Tom probably would

1:50:11

have broken at least fourth. Oh,

1:50:13

I can break. But I can see I can see it building up

1:50:15

again though. You can't You can't you can't break, but

1:50:18

you have to donate

1:50:20

fifty to a hundred to the

1:50:23

charity of your choice. I'll

1:50:25

do that every five minutes.

1:50:27

Oh. Keep a

1:50:28

list. Hello, best show. Sorry.

1:50:30

Hey,

1:50:30

Tim. Hey. How are you, Tim?

1:50:34

our the

1:50:36

the tone already.

1:50:38

Good. I'm so for, like,

1:50:40

I'm in

1:50:44

my eleventh. I'm wondering

1:50:45

if I could do a double dip.

1:50:47

Double dip it up. Double dip it up.

1:50:48

Double dip double dip

1:50:49

or a bad deal. So

1:50:51

what does that fast

1:50:54

records because I love these new revolver

1:50:56

victims. They're exquisite. I love

1:50:58

them. But I think there's two

1:51:00

of the worst beetle songs

1:51:02

on that record. agree with you.

1:51:05

Alright. You wanna you

1:51:07

wanna predict

1:51:08

the first one?

1:51:10

Well, my too on that that I'm insisting on

1:51:13

putting on would be Good Day

1:51:15

Sunshine. Mhmm. And, oh,

1:51:18

doctor Robert -- Yeah. Right?

1:51:20

Wow. So I'm

1:51:21

I'm going off that. And if you say

1:51:23

love YouTube, get

1:51:26

out

1:51:26

of my life. What are

1:51:28

you gonna say? Yellow submarine thing?

1:51:30

And your bird

1:51:31

can and your

1:51:35

bird can thing? And I

1:51:37

want to tell you. Crap. Whoa.

1:51:38

Okay. I've got terrible. That's a deep guy George song. Deep

1:51:41

guy

1:51:41

George song is not very

1:51:43

good. And then Andrew Birkey think,

1:51:47

like Incorrect. Yeah. I mean, first of all, I

1:51:49

want to say it probably here. My

1:51:51

head is filled with things

1:51:54

to say. when you're here. All

1:51:57

those roads, they seem

1:51:59

to zip

1:51:59

away. way

1:52:01

It's tremendously sophisticated,

1:52:03

smart, clever, catchy song. It's

1:52:05

definitely not

1:52:06

on the list. And

1:52:08

what was the other one?

1:52:10

I don't fucking see which No. No. No. No. No. No.

1:52:12

No. No. No. No. No.

1:52:14

No. No. No. No. No.

1:52:17

It's a great song. That's in one

1:52:19

of my top twenty -- Top twenty.

1:52:21

-- titles. I agree. I love that

1:52:23

song. I just Tell

1:52:25

me everything you do with. Yeah. Yeah. and

1:52:27

your butt dancing, but you don't

1:52:29

get me. Get him off

1:52:31

my phone. I think

1:52:33

he's got bad Okay. No.

1:52:36

He's

1:52:36

under ABBA. He's new

1:52:39

record. I love

1:52:40

ABBA, but he's not

1:52:41

he's not I

1:52:43

do too. Good. But so this

1:52:45

revolver mix everyone's talking about -- Yeah. -- I have no idea

1:52:47

about it. Okay. What the

1:52:50

hell is it? It's

1:52:51

just the remix. They they they they bring

1:52:53

it into their pro tools and they

1:52:56

even things out and they

1:52:58

bring up

1:52:58

It's not like think it is. --

1:53:00

versions

1:53:00

of songs are any different. because there's there's other

1:53:03

things where they

1:53:03

smash different songs together and you're like, what is

1:53:05

the point of this? But it's not that. It's

1:53:08

not that.

1:53:09

and it's just then it's

1:53:11

got all these, like, outtakes and,

1:53:12

you know, early versions of songs. I'm not an audio

1:53:15

file. I do hear a different You

1:53:18

do hear -- Yeah. -- you hear a

1:53:20

lot of, like, different piano parts coming through and different gets

1:53:22

better. I do think it's better. Is Paul approving?

1:53:25

It's under his supervision. he sounds

1:53:28

pretty good.

1:53:33

I actually don't mind it. Alright. Next caller.

1:53:35

I have to say as a as a true,

1:53:37

like, you know, I don't know if you the

1:53:40

Beatles good

1:53:43

day sunshine. I actually was shocked that

1:53:45

was the Beatles. Really? Because I

1:53:48

kind of

1:53:50

in my cultural imagination kind of liking it to

1:53:52

Schlock. I don't like it. So

1:53:54

I'm Yeah. Just say I

1:53:57

actually for a little. a great level. It's like

1:54:00

from the music man. Yeah. Yeah. Yeah. I

1:54:02

was careful because one of their greatest songs.

1:54:04

So the music Either

1:54:06

it was a

1:54:07

music. It was you to the always release

1:54:09

what you I'm definitely not putting that on the list. I appreciate that.

1:54:11

Good. It's love Thrable bows. Alright.

1:54:15

Like, this show can't just keep me

1:54:17

singing. Yes. Not

1:54:18

song. The way he

1:54:21

says

1:54:21

song park. Hey. Who's Colin?

1:54:23

Who's here? Who's what? Who's

1:54:25

what? Hi, mister Chan from

1:54:27

Fargo. Yay. Fargo. Season one, season I'm kidding. Come

1:54:30

on. Maybe the movie.

1:54:32

may earn a movie I

1:54:35

look forward to

1:54:36

them. Hi, Claudia. Hi, John.

1:54:38

Hi, Ben. Hi, Giulio. Hey,

1:54:42

Ari. I have a song

1:54:43

to the list.

1:54:46

Great. What

1:54:48

is it?

1:54:51

My be fun

1:54:51

of pulling the surface. is one that just

1:54:54

it just has

1:54:54

a few lyrics where it just

1:54:57

makes me cringe. Mhmm. When

1:54:59

I get home from No.

1:55:01

No. From Hardisty. Yeah. When I

1:55:02

get home tonight, I'm gonna treat her right

1:55:05

I'm gonna love it. to

1:55:07

the

1:55:07

couch and home. Good.

1:55:10

That is the exact lyrics.

1:55:12

That is it it just cringed from it.

1:55:14

And This song is not a huge

1:55:16

deal of songs that I cringed from

1:55:19

that one I When I get home?

1:55:21

No. I don't think it's on

1:55:23

the list. Sorry.

1:55:24

I get

1:55:26

I'm It has any of the protests. Who is

1:55:28

the judge jury in execution? Not you,

1:55:30

but I have a very strong

1:55:33

voice on this. My opinions are good.

1:55:35

They are

1:55:35

When I get home. Alright. It's off the list for

1:55:37

now. What can I see the list right

1:55:40

now? Yeah.

1:55:41

Can we break up the list? Oh, it's starting to fill

1:55:44

up. I

1:55:44

mean, I think I know. We

1:55:46

have We've got to

1:55:47

be careful.

1:55:50

It's a good day, sunshine,

1:55:52

getting on the list. It hasn't been added.

1:55:54

It that's going at number three for

1:55:58

me. Wow. Is that me? I mean, I know

1:55:59

how to know what's going

1:56:02

on. It's like John

1:56:04

and I have talked for a

1:56:06

long time now about -- Playing brothers. -- playing brothers. We have to

1:56:08

do it. Yeah. You gotta do it. You've gotta do it. In,

1:56:10

like, a movie And he's gonna play your

1:56:12

dad,

1:56:14

like, John Hirsch or something. John Let's go.

1:56:16

Or or Jeff

1:56:18

Daniels. Jeff Daniels

1:56:20

to play the deck. I

1:56:22

love Jeff

1:56:23

Daniels. Jeff Daniels. Nils in terms of Indemnity.

1:56:25

Remember we did? Yeah. Face time.

1:56:26

Exactly, John. Alright. We got another VIP

1:56:28

caller. Maybe

1:56:29

it's Fred calling back. I

1:56:32

don't know. haven't

1:56:33

given out

1:56:33

this Is it ringer? God, that would be bad. Hello? Who's here? I

1:56:35

was gonna have a

1:56:36

VIP

1:56:40

card. Maybe Oh, we need the VIP call to

1:56:42

turn the radio off. Yeah. Could you

1:56:46

turn the radio off? I

1:56:48

know what this is. I

1:56:50

know what this is. It's

1:56:55

You know who this is? I love it. It's Tom,

1:56:57

who and he's doing

1:57:00

a bit

1:57:02

where It's swinging

1:57:04

a mess, Tommy Boy. I get

1:57:06

it. I wouldn't say that

1:57:09

as a flight. complaints. Yikes. Is that fifty

1:57:11

bucks? That's fifty bucks.

1:57:13

Look at

1:57:16

you, Tom. You

1:57:17

come in with the chocolates and the flowers? That's a move. That's a move, my

1:57:19

friend. That is a

1:57:23

big boss move. Are

1:57:26

you sweeten me up and I

1:57:28

right?

1:57:29

towards the end his show my right

1:57:33

they hung up.

1:57:34

Hank in his own shirt.

1:57:34

Doesn't have something better to do? Wouldn't he

1:57:37

just said enjoy the night

1:57:39

off?

1:57:39

No, he can't. He's

1:57:42

gonna be sitting there, seething. Seething. You

1:57:44

know what I'm gonna do? I'm gonna

1:57:46

crank column with the old radio.

1:57:49

Turn the radio off, gag. Well,

1:57:51

it flopped. Gonna say that's

1:57:54

a complaint. Oh, yeah.

1:57:56

You know that

1:57:59

was

1:57:59

a complaint. I'm just being honest. Are

1:58:02

you gonna watch

1:58:03

office hours when he does it? I I got better stuff to do. I'm

1:58:08

gonna be cleaning up my

1:58:10

gut is Who who's on

1:58:13

the

1:58:13

line? Who's on the

1:58:15

line? Don't you love?

1:58:17

this. I could do this

1:58:19

-- Oh. -- all day. All day

1:58:21

every day. Would anyone tune in

1:58:24

SiriusXM to

1:58:24

John early stage? Hello? Get number

1:58:27

five AM. Who's on the line? What are

1:58:29

you looking on your phones for? Who's

1:58:31

that? guys in Vancouver.

1:58:33

Hey, Vancouver.

1:58:33

We have our first international call of the night. Just checking on our reservation.

1:58:35

Sorry. Alright. You're leaving

1:58:36

and you still got time. No. It's fine.

1:58:38

The restaurant texted

1:58:39

me and I was

1:58:41

dead,

1:58:43

but now it's fine. How did

1:58:45

let me back this

1:58:46

up for a second. You

1:58:49

said we have reservations

1:58:51

for nine fifteen. And I didn't

1:58:53

say it,

1:58:54

John said that. That is not true. Alright. Alright. Who's

1:58:57

on

1:58:59

the line? Vancouver. This

1:59:00

is Jonathan from Vancouver.

1:59:03

Yes, Jonathan. How are you?

1:59:03

I'm doing well.

1:59:06

Thank you. Thank

1:59:08

you for having me. I'll go

1:59:10

ahead and recommend little child. That's why I agree. Little child. Well,

1:59:13

and

1:59:14

it

1:59:14

does for me. I'm so

1:59:17

sad and lonely. They'll be taking a chance with me.

1:59:19

There's no problem. What did these early

1:59:23

songs say, like, the

1:59:24

song starts so quickly. Like, the song's like,

1:59:26

that's how it begins. And little child is

1:59:27

one of them. Hey little.

1:59:30

You said a bucked

1:59:32

out don't think it's

1:59:33

that bad. But it isn't one

1:59:34

of my worst, but I get what you're saying. Do you know what I

1:59:36

mean? Little child. said

1:59:38

anything. Little

1:59:39

child. I like it. I'm

1:59:42

not I'm saying that's not available. He hasn't said

1:59:43

anything. We're not living anywhere

1:59:45

to talk. You wanna make a

1:59:47

case for it real

1:59:49

quick there, Jonathan? I just feel like

1:59:51

there's Jonathan Cochrane. I feel like there's

1:59:53

I had

1:59:53

a few others that I had on the list,

1:59:56

but they got suggested while I was

1:59:58

on hold. I was gonna see the word originally, but I'm

1:59:59

glad I'm working on the

2:00:01

thrilled. Do you agree with that? One one

2:00:03

thing I wanted

2:00:04

to mention was

2:00:07

one of John personally favorite Beatles songs was

2:00:09

run for your life. I was gonna say run for your life. I just great. I

2:00:11

like run for your life. I'm

2:00:12

putting it on the

2:00:13

list because it's it's

2:00:16

it's a It's it's about spousal abuse. It

2:00:18

yes. He's

2:00:18

threatening to murder But he doesn't know if he can't can he

2:00:20

not

2:00:23

be about that? I

2:00:25

know John didn't like it. I know John didn't like it. I know

2:00:27

he's threatening to kill his girlfriend, and I

2:00:29

know that's not

2:00:32

ideal. But

2:00:33

the I

2:00:34

like the melody. I know he's like,

2:00:36

oh, I just throw it. I knocked it off in

2:00:38

a second. I use vocals and great on that

2:00:40

song. If it's going on the list, I

2:00:42

disagree. I'm

2:00:43

I'm gonna throw I wanna just finish

2:00:45

this list right now, bring up that list, and I'm

2:00:47

gonna show you how you finish this list.

2:00:49

That is and you're not gonna

2:00:51

be able to argue with it. And we do have

2:00:53

good day sunshine at number three. Wow. Okay. Then I'm going

2:00:55

to tell

2:00:56

you Part

2:00:58

of me. Rollover Beethoven. Sure. Absolutely.

2:01:00

Get it

2:01:01

up. Get it on the list. And

2:01:03

I'm gonna

2:01:04

tell you, dizzy, miss

2:01:06

Lizzie. Absolutely. On the list.

2:01:08

And I've

2:01:09

got a number. Those those

2:01:10

are two big ones. Those are big ones.

2:01:13

the big one

2:01:15

man. wanna

2:01:16

be

2:01:17

your man.

2:01:21

I love that

2:01:23

one. What about it's not second

2:01:24

time. It's another one I'd suggest. I

2:01:26

also agree with that. And I would also

2:01:28

put Just

2:01:31

a grievance show. It's

2:01:33

only love and that is Alright. Listen to

2:01:35

this. That part's pretty good, but

2:01:36

it starts, I

2:01:39

get high when I see

2:01:42

you go by by surprise.

2:01:44

And

2:01:44

I remember when I said that's up

2:01:46

the first time. I was like, this

2:01:49

these are bad. These drugs are

2:01:51

bad. And he sings it sarcastically. Like, he goes very bright. Yeah. Very bright.

2:01:53

He

2:01:54

knows, like,

2:01:55

this sucks. but

2:01:57

I still think it's better than a lot of it's kind of everything that Ringo does. I think it

2:01:59

it's only love on the

2:02:00

list. Who's I what's I

2:02:02

wanna be your man? Who who sings that?

2:02:07

That's RingCentral.

2:02:07

Right? Or it's RingCentral. Yeah.

2:02:09

It's another RingCentral. I

2:02:11

like that, so so

2:02:13

it's not going

2:02:15

on the list. Oh, sorry. I'm about to take

2:02:17

up

2:02:17

every spot with the ringtone. But Good,

2:02:20

do

2:02:20

you? Right now, we

2:02:21

have three spots open on

2:02:24

the list. one, two, and number seven.

2:02:26

What about the one after 9090 that should be on the list. Yeah. Which number is

2:02:28

it? One? Is

2:02:30

it two? Or is it

2:02:32

seven. I think it's too.

2:02:33

It's high. Yeah. Bake it too. Just the fact that they, like, wrote it in

2:02:35

sixty three or even

2:02:38

earlier on, like, this

2:02:40

sucks. and then they brought it back.

2:02:42

because they were out of material. Yeah.

2:02:43

It's like, no. No. So it's on the list. Let's keep it. Let's

2:02:45

let's

2:02:45

let's let's take

2:02:46

a look at the list real quick and

2:02:50

pause and move on

2:02:51

because wait. That can't be right.

2:02:53

Yeah. It's not that big. a

2:02:55

number

2:02:55

one yesterday.

2:02:57

No. Yesterday, it's such a good

2:03:00

day. Davis is doing this in real time,

2:03:02

so he'll have it updated in a second.

2:03:04

But number two was

2:03:04

one after 9093 is

2:03:06

good day Sunshine. Wow. Number ten is

2:03:09

rollover to Beethoven. Fourteen

2:03:11

is Disney

2:03:12

-- Disney.

2:03:14

-- Disney. and sixteen

2:03:15

is it's only long. I mean,

2:03:17

do we need to put,

2:03:20

you know, Kansas City, hey,

2:03:22

hey,

2:03:22

hey, on there, bro. That's

2:03:24

actually good.

2:03:25

I actually don't mind it as,

2:03:27

like, lots of their covers are bad, but they that's

2:03:29

one of the better

2:03:32

ones. Yeah.

2:03:32

Alright. Let's take a

2:03:34

call. Best show. You're on the air. We still have Jonathan in

2:03:36

Canada. Did you

2:03:38

were you done, Jonathan? What's

2:03:42

I'm done

2:03:42

with Jonathan, Jonathan. Yes, ma'am.

2:03:45

Hi, Jonathan. No offense,

2:03:46

but come on.

2:03:48

I'm sure there's a backlog

2:03:50

of calls. Right? Yeah. We

2:03:52

have

2:03:53

full

2:03:54

phones. Mhmm. Best

2:03:56

show.

2:03:57

Hi. This is Jefferson from

2:03:59

Texas.

2:03:59

Jefferson? What part of

2:04:01

Texas? my name

2:04:04

is Justin.

2:04:04

part of tackle hello my name is justin Justin.

2:04:07

Which is how far? Texas. Alright. I

2:04:09

don't know

2:04:10

where that is. Well,

2:04:12

it's it's

2:04:13

by the Oklahoma border. My name

2:04:15

is Justin, but com anointed me Jefferson

2:04:17

on the air. So I've just been going as Jefferson. Do you know the connection with

2:04:20

of Jefferson and me? Do

2:04:22

you know what that the

2:04:24

name refers to

2:04:26

-- Yeah. -- thirteen a lot. There you go. We got a super fan. How can I help you? Yeah.

2:04:28

I'm I'm a big I'm a I'm

2:04:30

a big fan of all three of you.

2:04:35

actually. I love search party. I love extraordinary ones. I

2:04:37

work bugging Studio on Twitter

2:04:39

about doctor Who. But

2:04:41

you're in

2:04:42

heaven

2:04:44

right now. I mean, it's it's pretty big. You also

2:04:46

but you did say my I have a beetle song. You said

2:04:49

it a a

2:04:52

good day sunshine. I was gonna say,

2:04:54

good morning. I know we're kind of getting excited about it, but good

2:04:55

good morning is bad. Good

2:04:57

morning is good. I

2:05:00

do so

2:05:00

great. I'm wanting

2:05:02

he's good. Yeah. I wish I could win. How's your

2:05:05

wife been?

2:05:08

That's great. Nothing to do. It's

2:05:10

up to you. It's great. Yeah. What don't you like about it, Jefferson?

2:05:12

He's not

2:05:14

a morning person. Oh,

2:05:16

I I've

2:05:19

definitely absolutely. But I Earlier that the

2:05:25

songs that feel like

2:05:26

half a song. The songs that feel like interludes. Like,

2:05:28

I that's that's the stuff that kinda

2:05:30

bugs me and the stuff that I usually

2:05:35

Kip? Yes. Alright. Well, you can go

2:05:36

off and listen to your honeydomes in

2:05:38

Kansas City, and visit, miss Lizzie,

2:05:41

and your eight

2:05:43

days a week. Does

2:05:44

eight days a week? Eight days a week, aren't good. I don't really

2:05:46

like I don't really like eight days a week that much. It's

2:05:49

I don't do this room for it on

2:05:51

the list. Come on. Alright.

2:05:52

Moving on. No. No. No.

2:05:54

We're What okay.

2:05:56

So the

2:05:57

high points of your career

2:05:59

is definitely

2:05:59

peak fees. Uh-huh. Just

2:06:02

just

2:06:02

just because I

2:06:02

I think fatigue feeds constantly, it's

2:06:08

just it was a big insight or a big

2:06:10

thing with me and my friends in college. The low point would probably be young

2:06:12

person's guide to history, but that's

2:06:14

only because you're not in it that

2:06:16

much. I don't

2:06:18

even know what that is. Yeah. What is that? Really?

2:06:20

What It was

2:06:21

like the it

2:06:24

was part

2:06:24

of the weird adult swim when

2:06:26

they were doing the those, like, kind of stand alone, slightly

2:06:28

animated things. There was a

2:06:30

there was a two or a

2:06:35

three part thing called the young person's guide to history. Okay. That's

2:06:37

ringing a bell. That's like a

2:06:39

that's like a tight data starter

2:06:41

in it. Yeah. Yeah. Yeah. Okay.

2:06:43

That's fair. That's good. I

2:06:45

had nothing to do with that. I just

2:06:47

showed and read lines. don't can't stand that. Exactly. Yeah. Alright.

2:06:52

And

2:06:52

I I remember getting really excited when you and Eric pop

2:06:54

up in it, and then it's, like, two or

2:06:57

three seconds and

2:06:59

then you're gone. Yeah. We've sabotaged

2:07:02

it probably. We probably gave them much unusable

2:07:04

footage. Alright.

2:07:08

Well, thanks. thanks so much,

2:07:10

Jefferton, and have a just enjoy your Ted

2:07:12

Cruz.

2:07:15

cruise. There's a big tech

2:07:17

cruise cruise happening this weekend. sold out. Give me

2:07:20

a face. You

2:07:23

know what's what what's, you know, word Ted

2:07:25

Cruz says a lot? What?

2:07:28

Fundamental. There's

2:07:30

a fundamental issue.

2:07:31

With Needs says it

2:07:33

all the time. Yeah. Loves

2:07:35

it. Fundamentally, we are

2:07:38

at a crossroads. What

2:07:40

What has the reaction been to the Trump

2:07:42

speech, by the way? Did he announce he's running? Yeah. He did. He is running. He did. But

2:07:44

he didn't announce that he's

2:07:47

forming the MAGA party. Nope.

2:07:49

It looks like he's going we're talking to him. Yeah. Good for him.

2:07:51

Yeah. That's You you supported

2:07:54

him in two thousand sixteen,

2:07:57

but they're not in two thousand twenty. Yeah. Yeah. You get

2:07:59

out there for him. gays for Trump. I was very

2:07:59

yeah.

2:08:00

It was very vocal

2:08:03

in two thousand sixteen. Any

2:08:06

regrets? No. No. Not one too. But you just weren't happy with his The

2:08:10

term. Yeah.

2:08:11

I was disappointed

2:08:14

towards the end there. Don't go to Monness, you know. You too. Yeah.

2:08:16

That was me. You

2:08:18

got him Monness, like the

2:08:20

one. he

2:08:22

has

2:08:22

a line to learn.

2:08:23

Yeah. Light to

2:08:26

learn. Well, it is you

2:08:29

know, I was never a fan of

2:08:31

him as a president, but I like him as a

2:08:34

person. Me too. Mittelsterturing. Yeah. But mister Mittelsterturing. The what?

2:08:36

Mittelstert protruding.

2:08:38

Remember that tweet about Barney

2:08:40

Frank? Yes. Mitchell's protruding.

2:08:43

A tweet. It's funny.

2:08:45

Did you see the

2:08:48

disrespectful. discussing it. Yeah. Did

2:08:50

you see the latest thing

2:08:52

that he did

2:08:55

about Glenn Youngkin? the

2:08:56

governor of Virginia? No. I mean,

2:08:58

you can't believe it.

2:08:59

He says this,

2:09:01

you bring it

2:09:03

up. maybe. I don't know. Sorry. I look for it. I mean, do you know what it

2:09:05

is? Yeah. On his truth social, because I guess Glenn

2:09:07

Youngkin, who's the Governor

2:09:11

of Virginia said some things about Trump after the

2:09:13

midterm saying that he was, you know,

2:09:15

a problem. He he

2:09:17

cost his votes, whatever. he says,

2:09:19

I should just We

2:09:20

should just read it. Let me see if

2:09:22

I can find it. You're

2:09:23

not gonna believe

2:09:26

it. Okay? this is

2:09:27

a good setup for this. Truth. Do you find that

2:09:29

I

2:09:29

have there right now? You

2:09:31

have it. Yeah. Is it the

2:09:33

one? Okay. Here it is. Yeah.

2:09:35

I have

2:09:35

it. Young So

2:09:37

Youngkin is spelled Y0UNKIN

2:09:39

Okay. One word. Yeah. He types it

2:09:41

as two words.

2:09:43

Youngkin in parentheses Now

2:09:46

that's an interesting take. Sounds Chinese.

2:09:51

Oh my god.

2:09:56

First of

2:09:56

all, now that's an interesting take. I think

2:09:58

he meant to say name -- Yeah. -- AutoCorrected toothache.

2:09:59

Totally. Young kid. No. That's

2:10:02

an let's just assume its

2:10:04

name. Young Kim. Now that's

2:10:06

an interesting name. Sounds Chinese. Doesn't it? And then back to the main point, in Virginia, couldn't

2:10:09

have one

2:10:12

without me. I

2:10:14

endorsed him did a very big

2:10:16

Trump rally for him telephonically -- Yeah. Yeah.

2:10:18

-- gotten negative over him or he could

2:10:21

or he couldn't have come close

2:10:23

to winning. That doesn't make any sense. I'm just reading what I'm seeing front

2:10:24

of me. But Young

2:10:27

Kim, what an ass?

2:10:28

young can

2:10:30

what an ass Can I say yes?

2:10:31

Yeah. You know, thank you.

2:10:33

Great. Not an an a use

2:10:35

an a hole. I

2:10:37

think Trump is an a hole. That and

2:10:39

that's some hard hitting. Yeah. That's not take. Don't don't,

2:10:42

like, clip that out. I don't

2:10:44

wanna deal I don't wanna

2:10:46

deal with it. Alright. How about

2:10:49

a

2:10:49

call. Mhmm.

2:10:50

You've got a best show. Do you know birds horns?

2:10:54

no berkeley

2:10:55

I love Mike. I don't

2:10:57

care if it's on, Mike, off, Mike. It's not gonna happen again. Hey,

2:10:59

guys. I have the syllabus, but the judges

2:11:02

have said that the

2:11:04

Trump thing was a complaint.

2:11:06

Oh, no. No. You would know. That was a complaint. I I would argue that telling

2:11:08

me not to

2:11:10

burp is kind of a

2:11:12

complaint.

2:11:13

Yeah. Okay? Sorry? That's a

2:11:15

complaint. Alright. Listen. I'm gonna pay the complaint

2:11:17

because the show's gonna

2:11:20

sit down. if

2:11:22

everything's so, you know, rosy. What

2:11:24

do we got? Who's on the

2:11:27

line? I yeah. I

2:11:28

just wanna know. A reincluding

2:11:31

Switzerland has apology records. No. We have just yeah.

2:11:33

Thank you, John. We

2:11:35

have decided because then you got

2:11:37

met what's new Mary Jane?

2:11:40

You got that that twelve

2:11:43

bar Mhmm. Sir don't

2:11:44

know.

2:11:49

I'm gonna

2:11:50

call you three. What's this? I dropped that one. Gary, so I was trying to Gary.

2:11:52

I was like those

2:11:54

in Cuba where they're sending

2:11:58

those sound waves on people. You know what

2:11:59

I'm talking about? You don't you read

2:12:02

the news more. That's what you should

2:12:04

do.

2:12:05

What

2:12:05

I'm gonna get you a

2:12:08

subscription to

2:12:08

the Wall Street Show. That would be

2:12:10

lovely. Best show.

2:12:10

Hey. This is Ian from New York.

2:12:13

in premier Hello,

2:12:15

Ian. How are you? I'm doing well. I think

2:12:17

the last

2:12:18

time I spoke to you, Tim,

2:12:20

we're we're talking

2:12:23

to beetle stuff. Okay. I

2:12:25

showed you my my dad's license plate

2:12:27

of the Rolls Royce. Yes. You're you have the license plate

2:12:28

of John Lennon's

2:12:31

Rolls Royce. Whoa. how

2:12:34

much that cost. You wanna

2:12:37

know how much

2:12:37

that cost? Yeah. I wanna

2:12:39

know how much that

2:12:41

cost. Oh, no. I I inherited my dad stole

2:12:43

it from the museum. Oh

2:12:47

my god. Crime.

2:12:49

crime

2:12:50

He's retired. It's okay. But Yeah.

2:12:56

Still But I I got

2:12:58

a song to contribute. Okay. Go

2:13:00

ahead. I'm gonna go

2:13:02

good

2:13:02

night. Love good night. I wouldn't put

2:13:05

it

2:13:06

on the

2:13:08

list. It's kinda

2:13:09

Less. That's so sweet. Yeah. It's very

2:13:11

sweet. Yeah. Get

2:13:15

off my phone I don't know.

2:13:17

Sleep time. Bye bye. Now it's time for you to

2:13:19

say goodbye. Go

2:13:24

to bed. That's how you're

2:13:26

on the air. Hello? Hello. Who's who's

2:13:28

wow talking to?

2:13:29

Gerard

2:13:31

had an Oh, Eric White. This is

2:13:33

the

2:13:33

Beyond. Give me that

2:13:35

really, really funny. Oh,

2:13:37

yeah. Yeah. I gotta get that. Are y'all

2:13:39

angry? really angry. Wow.

2:13:41

Yeah. We're trying to

2:13:43

build our our daughter

2:13:44

a bed, and we're just

2:13:47

getting infuriated in here.

2:13:48

Well, I have to play this

2:13:51

play with the soccer game. It's got nothing to do on. Famous the line.

2:13:56

You guys are, like, putting good

2:13:58

dogs on there and leaving

2:13:59

cocka's hopping dogs

2:14:02

and it's bullshit. Well,

2:14:05

Okay. Watch your language miss

2:14:07

our cat. You're a little bit you're a little bit viewer. I'm just

2:14:09

wait a

2:14:11

minute. Hold on.

2:14:13

hold on Tell

2:14:15

me where we're wrong. Tell me what

2:14:17

we're missing. This is a dialogue.

2:14:19

This isn't although

2:14:20

I am the

2:14:23

ultimate judge.

2:14:24

But jury execution. Yeah. You know, what would you take

2:14:26

us? the word back, and

2:14:27

we want you to take

2:14:28

-- Mhmm. -- yellow

2:14:31

submarine from us and octopus's

2:14:34

garden and Number one, number two. Silver hammer. Oh, well, nice. have those on

2:14:36

your lips. Listen. You

2:14:38

don't have to come up.

2:14:40

want

2:14:42

to have gone back. Excuse me,

2:14:44

miss Arcett. I don't

2:14:46

you don't need to

2:14:48

come in this hot. You

2:14:49

could you could come

2:14:51

in respectfully. Yeah.

2:14:52

Yeah. You know that was a complaint.

2:14:54

You think it's been growing on

2:14:56

me. Well,

2:14:59

listen, rage. You you guys stay up

2:15:01

here

2:15:01

and and stand by max matchbox

2:15:06

and honey don't. the rest of You

2:15:08

got a

2:15:09

bunch of, yes, man,

2:15:11

around you.

2:15:12

Alright.

2:15:16

Elite put max I mean, Maxwell, does anyone

2:15:18

need to hear that again? I would be children's songs. That's about it. Definitely put

2:15:21

Maxwell's on there, Eric.

2:15:23

And Eric also

2:15:24

a yellow centering -- No. -- not on

2:15:27

the list. I love you,

2:15:27

and thank you for being a voice of reason on this call because I'm getting excited. I'm

2:15:32

being attacked. like Patricia

2:15:33

Harkett. And I I I've Imagine that.

2:15:35

It's true. He's imagine number

2:15:37

one?

2:15:39

Maxwell's number one. I make

2:15:41

you happy, miss Arkinel window. Wow. Are

2:15:43

you happy now, miss Arkinel? Are you

2:15:45

happy? Oscar winner.

2:15:47

I didn't have Maybe

2:15:49

getting there. Are you are you are you are you are you sergeant on there

2:15:51

or not. She's it should be on the

2:15:54

list. Me said. Right? Are you an Oscar

2:15:56

winner? Yes.

2:16:00

Is

2:16:00

she? Yes. Two

2:16:01

times. Yes. But if Marilyn's on

2:16:03

my

2:16:03

side, I can

2:16:06

feel it. My wife.

2:16:08

Yes. You you're a fond

2:16:10

of my wife. Is

2:16:11

this true? Yeah. Who is

2:16:13

it? No. It's a

2:16:15

lovely cool, ladies. Not so much me Right? You always have a

2:16:17

you you you kinda get a

2:16:19

weird vibe. There's always

2:16:20

one. No.

2:16:24

You're good. Thank you,

2:16:26

sir. You're a keeper. Accepted this. Man. Listen. I was so excited

2:16:28

and then I was

2:16:31

like, what's happening here? So

2:16:34

the word with down sharply showing

2:16:37

throw it in the trash pile. But wait wait. I

2:16:39

just don't like the word. Is that what you're saying?

2:16:40

the word is that what you're saying

2:16:44

We do

2:16:45

like it. Mhmm.

2:16:46

We wanted that. You

2:16:48

know what? Not at all.

2:16:50

I'm I'm confident that we've ruined that song for

2:16:52

you for the rest of the time. I think

2:16:54

it's gonna come up and you're gonna go Oh, yeah. You can We're gonna stick it all that Well,

2:16:59

wait. I just wanna say

2:17:01

one more time that I loved all these songs dearly. Okay? And we just gotta do

2:17:04

the list.

2:17:06

and we just gotta do with a list

2:17:09

Yeah. We

2:17:09

do have to do that. Unfortunately, we have to

2:17:11

do that. We're working together.

2:17:13

Yeah.

2:17:14

Alright. Well, Maxwell. home all

2:17:15

too, but You too. We've got

2:17:17

a gun to bow his arms.

2:17:19

I love him, but do you do some

2:17:21

are great

2:17:21

when you're five? But they don't need to they

2:17:23

don't need to they don't need to hear him

2:17:26

anymore. Can they need to be on this? Alright. What's what are the big what are the big bring up the list.

2:17:31

What are the big issues? Or the big what

2:17:34

flat. Yeah. This Oh, I'm here. What's the most offensive besides the word? Wait.

2:17:38

I can't Okay. I can't I

2:17:39

can't I can't see the damn list.

2:17:42

You gotta read

2:17:42

it for a because we're we're we're That'll that'll make for a good show.

2:17:44

Alright.

2:17:48

No. I'll do it. Yeah. Yeah.

2:17:50

Yeah. You start screaming and hollowing like a mad woman when I get to a thing that you think is egregious.

2:17:56

Matchbox at twenty twenty Okay. Okay. Matchbox

2:17:58

at twenty twenty, honey don't at night at love

2:17:59

sixteen. It's only love

2:18:02

at sixteen. Being for

2:18:05

the benefit of mister

2:18:07

Kite at fifteen. Where

2:18:10

so so far, everybody's

2:18:12

hat? Yeah. Yeah. Disney, Miss Lizzie,

2:18:14

buy

2:18:14

it over here. Wild honey pie, piggy's,

2:18:16

the No.

2:18:17

Get it

2:18:20

off right

2:18:23

now. Really? No.

2:18:25

No. Not that one. Give

2:18:27

me a Honey Bar. You're driving

2:18:29

me crazy. Well, they have both on there. I don't

2:18:31

know.

2:18:31

Oh, you get a Bosch. You

2:18:33

love Piggies, but Patricia Kenson, I'm homeless

2:18:35

in the Piggies. Ten. Ten. Ten. Ten. Ten. Ten.

2:18:38

Ten. Okay. I I'm so happy to come on.

2:18:40

But piggies

2:18:42

belongs under that song sucks. Thank you,

2:18:44

Eric. None of them suck, but Roll

2:18:46

over Beethoven.

2:18:46

What else? What Roll over Beethoven. Terrible. You can keep

2:18:50

Only a northern song. Terrible. I need to ask

2:18:52

to keep it on there. The word. You oh,

2:18:54

forget the word. You don't you want the word again? I'll get

2:18:56

it

2:18:57

get

2:19:00

it off. Okay. Put

2:19:01

the word at seven put the word

2:19:03

at seventeen. Put the word at seventeen. Give them give them some Throw them some crumbs. No. Armidid is

2:19:06

rob armored grounded.

2:19:08

That's no problem. notice. No.

2:19:09

By the way, we don't have a a love

2:19:12

me do on there. That was for that's

2:19:14

That's Well, I is a great with it.

2:19:16

But Thank goodness. Is it actually So should that

2:19:18

be number eight? Yeah. Okay. And then we have -- Oh.

2:19:23

--

2:19:24

we have satellite truffle. No. Get

2:19:26

it off. Desagree. Don't deal it. Don't

2:19:28

have

2:19:29

to put this garden. Where's

2:19:31

Maxel's silver hammer? how

2:19:33

about -- Right. -- network memory? We're gonna do the

2:19:35

work right now. Mhmm. Matchbox

2:19:39

Silver Hammers number one. Octopus's Garden's

2:19:41

number sixteen. And you know what? Yellow

2:19:44

submarine put it on there. Yeah.

2:19:46

Seventeen. And the list is complete.

2:19:48

Now goodbye.

2:19:49

You've done a

2:19:50

dead the the

2:19:52

John

2:19:52

Demo version is beautiful.

2:19:55

I love that I know. That's why

2:19:57

it was I was resistant to put it on because that

2:19:59

hearing that just

2:19:59

that open my

2:20:02

ear. I

2:20:02

hear it. what's happening, but you can't

2:20:04

you know, you gotta go by the Alright. Let's What

2:20:06

they put on the truth really is. Yeah. We have lots

2:20:08

the true

2:20:08

of beautiful

2:20:11

normal people, not these Hollywood celebrities that wanna

2:20:13

talk to me. Can you just Do you mind

2:20:15

clearing the phone? Goodbye. Goodbye. Thank

2:20:17

you for call get rid

2:20:19

of I hope to see you

2:20:21

soon. Look at me. I got so many hollies. Yes, sir. I believe I What did

2:20:23

I do to deserve

2:20:26

this? The they're both Patricia and Eric are

2:20:29

dear, dear people. Wonderful people. And Tom's

2:20:31

friend, too. Yeah. And I love them.

2:20:33

Most people must be seething out

2:20:35

there the life we lead I know.

2:20:37

John John, you would hit it off

2:20:39

with them. Oh,

2:20:42

you're not so much me.

2:20:44

Dear to your friends. Dear.

2:20:46

Alright. Let's keep let's

2:20:49

go back to the

2:20:51

calls, the phone And it's

2:20:53

eight thirty threes. Yeah. We're doing great. We're doing

2:20:56

great.

2:20:56

doing great And

2:20:58

the list is

2:20:59

finished. Hi. It's Tuesday night, what's this

2:21:01

place? What kind of attitude does this place have

2:21:03

where they're being all stuffy about it?

2:21:05

We can always go

2:21:06

to Chipotle. Is it like a Dave? Is

2:21:08

it Dave and Buster's? No. It's it's

2:21:10

a banana banana banana. I mean,

2:21:12

you know, what we should do

2:21:14

is open up a a restaurant

2:21:16

called banana Right next to a narrow narrow narrow narrow breath.

2:21:18

Yeah. We're going we're meeting it banana

2:21:23

by any banana banana banana banana banana

2:21:25

banana banana banana banana banana bread. Pan

2:21:27

bread. Panterra

2:21:27

bread. Who's there? Panterra bread.

2:21:28

Hi, Tim.

2:21:32

It's

2:21:32

them at seven seven.

2:21:34

It's seven. Evan. Evan. I

2:21:37

said seven. Evan. Yeah.

2:21:39

It's seven. Where are

2:21:41

you calling

2:21:42

from? to Saskatchewan, Canada. Oh, yeah. How

2:21:46

the heck can

2:21:48

I follow pictures or

2:21:50

tell? No. It's even think to do that. I don't think you even try. I think you just live your life,

2:21:52

be yourself -- Yeah.

2:21:54

-- and don't even

2:21:57

think about it. Begin

2:21:59

about it. Man. I've already

2:22:00

forgot. Hi, all. I'm glad

2:22:03

that the

2:22:03

lift got completed. Did

2:22:05

she sign off on Love

2:22:08

Me Doo? She don't need to. Nobody she

2:22:10

doesn't she's just because she's won

2:22:12

an Oscar doesn't mean she gets to

2:22:14

sign off. She has to sign off. Yeah. But

2:22:16

Okay. Well, I

2:22:18

sign off. I'm rubbish, dude. Let

2:22:20

me check out. You don't

2:22:22

have to sign off either. What,

2:22:24

John? What Forget

2:22:26

where y'all stood at? do. I'm

2:22:28

fine with that. I think it makes the list.

2:22:30

Yeah. I don't think it makes the list.

2:22:33

Yeah. There's no way. Alright. The list is

2:22:35

done. The list is complete. Forget about -- What else? -- if you

2:22:37

have I would say if you have a major nominee, you could

2:22:40

say it. and

2:22:44

maybe it'll rattle the group.

2:22:46

Sure.

2:22:46

No. No. I don't have no. I genuinely wasn't listening to you.

2:22:52

for a second. For one second. And

2:22:55

then I looked over and

2:22:58

I went, what? What are

2:23:00

you saying? I'm hungry. So I I was

2:23:02

just thinking if he hasn't meet me,

2:23:05

it could rattle the group and

2:23:07

shake up

2:23:08

the list.

2:23:09

What is it? There's no list. I

2:23:10

want to call and ask about remember

2:23:14

the Julie Paymore movie

2:23:16

across the universe? Of

2:23:19

course. Yes. does your contour -- radish up

2:23:23

-- come together.

2:23:26

Make the most tragic

2:23:29

bad,

2:23:29

happy. It's

2:23:30

it's it's, like,

2:23:31

the most prominent, like, recreation

2:23:34

of something that you don't even

2:23:36

understand. Joe

2:23:38

Cockerstein come together as a

2:23:41

homeless person as a him. Alright. Bad

2:23:43

company. You got I

2:23:44

think advised

2:23:48

by my concierge

2:23:50

here. You getting rid of me.

2:23:51

Okay. That's fine.

2:23:57

Alright. Yes. I'd III

2:23:59

wasn't I'd

2:24:02

I got an some

2:24:05

advice on on instituting that, and I just don't know

2:24:07

if it was the right call. Okay. Right. Right.

2:24:10

Sorry, Tim. Good

2:24:13

job tonight. Thank

2:24:16

you, buddy. That's not nice. And

2:24:18

then usually, when we play

2:24:20

all two of them. They

2:24:22

don't say you don't say that

2:24:24

company. Oh, well, I didn't get the script on

2:24:26

me. I didn't get the script on me. Okay.

2:24:29

Well, I don't know what that feels like

2:24:31

in that. Right. there. Sounded like a complaint. Oh. I'm

2:24:33

a bad boy.

2:24:35

I don't I

2:24:38

don't

2:24:38

mind breaking some rules.

2:24:40

here and

2:24:43

there.

2:24:43

Alright. Best show

2:24:45

you're on the

2:24:47

air. Hey. This is

2:24:49

Jonathan. I was gonna talk

2:24:51

about Beatles songs, but it seems

2:24:53

like that's over. So it

2:24:55

feels like I'm Well, stuck here.

2:24:57

Tristan in the wind. Gonna add

2:25:00

it. 0PSI

2:25:01

love you. Do you I think Disney,

2:25:03

miss Lizzie, is terrible. Yeah.

2:25:06

And monolithic is awful. It's

2:25:09

yeah. III wish I

2:25:11

had more to add That's

2:25:13

okay. Well, today. What's your worst?

2:25:16

because everything you do is the best. Wow. That's

2:25:18

why you're on the best show. Thanks. What's

2:25:19

the best?

2:25:23

Shit. You put me on

2:25:25

the spot.

2:25:25

I think we're sorry.

2:25:27

Sorry.

2:25:27

Sorry. Yeah. So

2:25:34

Bruell,

2:25:36

I

2:25:37

the room

2:25:39

i love bro love Bruell. I'm

2:25:41

crazy about it. Well, I only wrote my husband

2:25:43

or everything. With

2:25:46

Eric, where I'm in John c

2:25:48

Riley. But And you did

2:25:51

the music. I did the theme song. But I have to admit,

2:25:52

I've been on

2:25:54

a

2:25:54

YouTube wormhole with

2:25:57

the with the check

2:25:59

it

2:25:59

out rule and it is truly

2:26:02

unincredibly funny. I

2:26:03

can't believe my own

2:26:05

work.

2:26:05

But it's mostly I

2:26:08

mean, it's It's -- Yeah.

2:26:10

-- a lot of John. I mean, it's, you

2:26:12

know, it's not just me. But, you know, some some things you

2:26:14

can look and be proud of. You know what you should say. That's great.

2:26:18

Now,

2:26:18

really strong. Mhmm. Can I

2:26:21

I hate to have

2:26:22

to pick just one, but it's just

2:26:25

it kills me every, excuse me,

2:26:28

time. Sounds like you're so surprised.

2:26:30

watching it over and over again.

2:26:33

Okay. Thank you for

2:26:34

the call

2:26:35

and the compliment. John

2:26:37

Early has something to say.

2:26:39

I would like you guys

2:26:41

to pick -- Mhmm.

2:26:43

-- between NME, Vulture --

2:26:46

Mhmm. -- or

2:26:47

ultimate classic rock. that's

2:26:49

I don't even know. I've never heard about

2:26:51

that. culture or enemy. The the vulture

2:26:53

list, I remember, coming out is very controversial, and that's kinda

2:26:56

stupid. Right? studio

2:26:57

-- Yeah. -- so that you're gonna do

2:27:00

NME. So let's do NME because that's the

2:27:02

Beatles. That was their paper when they were coming -- Yeah. -- melody maker, new

2:27:04

music new

2:27:06

musical express. Right? Mhmm. Okay. So we're

2:27:08

cross referencing with enemy. Is it that the list

2:27:10

of West

2:27:11

song go best? This is

2:27:13

every song ring. So

2:27:15

I'm just gonna go to the very

2:27:17

end. Great. Now can we bring up the list? You guys certainly don't need footage

2:27:19

of me reading this.

2:27:20

Okay. Wild

2:27:23

honey pie. Yeah. We we

2:27:25

made it. We did it. So this is still being updated, but I have

2:27:27

the list

2:27:27

in front of me right now. Something's

2:27:31

happening.

2:27:32

It says you're not on

2:27:34

the Internet. What is happening? Okay.

2:27:35

Okay. Wilder. You might dig it.

2:27:36

the her wildman if i dig it No

2:27:39

digger. Oh, digger. I can see how

2:27:40

that would be. You know

2:27:42

my name. Love up the number. I would love with the loans. Love Why don't we do it in the

2:27:44

road?

2:27:44

known by when with them

2:27:46

love why don't we do in the road

2:27:48

I I would put it on I

2:27:50

say it's down there. I think it

2:27:51

cooks. I think if if we were

2:27:54

doing a top thirty yeah. We'd put

2:27:56

it in the top thirty. I love the

2:27:58

mean,

2:27:58

no. No. That works, sir. Like, we have But I love

2:27:59

the I

2:28:02

love the there's a group of

2:28:04

But a vibe. It's got an absolute

2:28:06

vibe. Revolution nine. Mhmm. Those are simpletons flying flying

2:28:08

is cool. It's

2:28:11

cool.

2:28:11

It's cool. It's

2:28:14

minor.

2:28:14

Only a

2:28:16

northern song. Yep. Ask me why.

2:28:18

Wrong. I agree

2:28:19

that's I disagree.

2:28:21

No. It's cute. little child. We talked about

2:28:23

it. Bluejay Way. Didn't get

2:28:25

get the

2:28:26

I think Bluejay Way

2:28:28

is cool. Yeah. Bluejay

2:28:30

Way

2:28:30

too. It's

2:28:31

like an actual scary songs.

2:28:33

Yeah. Like, it feels scary.

2:28:35

There's a photo on the leg.

2:28:38

Yeah. Yeah. They're incorrect to put that

2:28:39

on the legs. Yeah.

2:28:41

the breathe out of the way

2:28:43

Not

2:28:43

a second time. Not a

2:28:45

second time. I think

2:28:46

that's interesting song. Yeah. I didn't get that. Her majesty. No. No. That's sweet.

2:28:50

no that's week Run

2:28:52

for

2:28:52

your life, especially since

2:28:53

Paul was horny for the queen. So for the Run your

2:28:55

life if can, girl. Don't bother me. the

2:28:58

country like it you can little do don't

2:29:00

bother me Yeah.

2:29:01

For you

2:29:02

blue. I don't love

2:29:04

for you blue. I don't

2:29:06

love it. I can

2:29:07

I get it.

2:29:09

we're

2:29:09

almost there. What goes on? What goes on in

2:29:11

your mouth? I like that some

2:29:14

Not the ring go. Some

2:29:15

sort of spam thing has happened. I know

2:29:17

you guys don't care, but No. I think it's I think it's interesting here. God.

2:29:19

No. I do. I think it's interesting because it's

2:29:22

a good segue to

2:29:24

talk about Twitter and

2:29:27

psychology. Yeah. Yeah. and Kanye. That's

2:29:30

Dave chappell monologue. Okay.

2:29:33

Thank you, girl. Is

2:29:35

that on there?

2:29:36

Thank

2:29:37

you, girl. Thank you, girl. I wouldn't

2:29:39

put it on. Wait. How many more you're not

2:29:42

there's

2:29:42

like three more. Okay. One after 909 Every

2:29:44

single One

2:29:46

after nine and nine is a number

2:29:48

two. I mean mine. Oh, through the

2:29:50

days of great time. I'll cry instead. No. That's a great song until then. I'll cry.

2:29:52

Is

2:29:56

that

2:29:56

and then finals year of blues?

2:29:59

I

2:29:59

get Oh, Okay. list. Take call. more

2:29:59

beetle talk.

2:30:05

I love it. You're just

2:30:08

you're rolling with

2:30:10

it beautifully. Yeah.

2:30:11

My best

2:30:12

show. Taking it well.

2:30:14

That's how you're on there. Yeah.

2:30:16

Go ahead.

2:30:19

Hey,

2:30:20

man. What's up?

2:30:23

Hey, who's this? This is Jerome.

2:30:25

I'm calling out of

2:30:28

Albuquerque, New Mexico.

2:30:29

Jerry.

2:30:30

Hello, Jerry. Yeah. No. Jerome. Okay. Jerome. Jerome.

2:30:31

Jerome science

2:30:36

filled. Anyways, so Yeah.

2:30:39

been following you for a while, and I love your work. I gotta ask, I've

2:30:44

noticed

2:30:44

you've lost, like, a bunch of

2:30:46

weight, so, like, What's your regimen? Like, what are you doing, dude? Like, you are looking really That's

2:30:51

that's very nice very

2:30:53

nice. Very nice. I do just

2:30:55

I

2:30:55

don't eat before

2:30:58

noon and I don't eat

2:31:00

after sick. my friends. Excellent. So

2:31:03

intermittent fasting. Intermittent

2:31:06

fasting, and then I

2:31:08

try to walk and

2:31:11

jog you know, three or four or

2:31:11

five days a week, you know, forty

2:31:14

five minutes or so.

2:31:16

We're talking to people.

2:31:18

some stuff about that

2:31:20

Do you know that not

2:31:22

eating breakfast gives you dementia?

2:31:24

Don't could you

2:31:27

tell I have dementia? I'm gonna

2:31:29

do that. You don't

2:31:31

do no part.

2:31:33

That's it,

2:31:34

manta. The manta. That's a

2:31:37

question. They called

2:31:39

me professor. Oh,

2:31:42

you're hello. Okay. That's what was that

2:31:44

true? That's what I

2:31:46

yeah. Yeah. Yeah. because

2:31:48

my mom was doing exactly

2:31:51

your diet for years lost

2:31:54

a ton of weight and she found that that

2:31:56

seemed to get dementia. So she stopped doing it.

2:31:58

And I lost some weight recently because I started eating way more food all

2:31:59

day long. Wait.

2:32:02

Wait. Wait. Wait. Are you

2:32:05

bulimic? No. because I think it's

2:32:07

if you eat really early, you

2:32:09

activating your

2:32:11

metabolism, you're burning more

2:32:14

energy. And

2:32:14

suddenly, my clothes falling off me. Hello?

2:32:16

So

2:32:19

don't I just think Well, thank you

2:32:22

for the compliment. Nobody wants to hear me being complimented.

2:32:23

I can tell you that much.

2:32:25

It's

2:32:29

bad for ratings. Yeah. Well, the I

2:32:31

I gotta say the the,

2:32:33

you know, you you guys forgot

2:32:35

a song on the list. It's twist

2:32:37

and shout dog be have to be on there. Get off my

2:32:40

phone. That's

2:32:42

all I'm

2:32:42

gonna say about that. Oh, come

2:32:45

on.

2:32:45

Alright. Go on. No worries. and a

2:32:47

call from Australia. Is it my mama or dad? I don't

2:32:49

know. It doesn't say --

2:32:51

Hello?

2:32:51

-- the body of mama

2:32:53

or dad. Sorry. Little just

2:32:55

I heard the lazy stuff.

2:32:57

Is that wisey stuff?

2:32:59

Nauer. It's somebody else.

2:33:02

Nauer.

2:33:03

Who's this? Am I am I on? Yes. Hi. This is from

2:33:04

Tasmania Australia.

2:33:06

It you'd

2:33:09

know.

2:33:10

This is just

2:33:12

Claudia. You're just how are

2:33:14

you doing this, Claudia? Sorry.

2:33:15

My voice again. No way. I'm

2:33:18

in I'm in the whole boat right

2:33:20

now. anyways, I'm honored

2:33:22

to talk to you. I

2:33:24

have so many things

2:33:26

I could talk about, but We'll

2:33:28

pick one. Mhmm.

2:33:29

Okay. I'm just

2:33:31

gonna get to it.

2:33:32

Sorry? No. No. Get to

2:33:34

it.

2:33:35

Get to it. Go.

2:33:37

Yeah. I wish

2:33:38

I would tell this

2:33:40

story on office hours, but, obviously,

2:33:43

we're not there today. when

2:33:47

I was sixteen, my friends

2:33:49

and I were, like, obsessed with the band, you

2:33:51

know, I know I've

2:33:55

older records, I've older

2:33:57

songs. And we came across

2:33:59

a little

2:33:59

YouTube channel by

2:34:03

someone named Carrie Gankle, who

2:34:05

is Rick Gankle's brother. Oh, when you're saying the band,

2:34:07

you're talking about

2:34:07

the band.

2:34:12

The band. Yeah.

2:34:13

Rick Ginkgo is so

2:34:14

And he Wait a minute.

2:34:16

Joe, we have some connection here. I

2:34:18

don't know. just watch the last

2:34:20

waltz really two days ago. Really, what brought you

2:34:22

to the last page? Oh, yes. I'm

2:34:27

giving a talk

2:34:28

on it at UC Irvine.

2:34:30

We're kidding. Like, I'm doing

2:34:31

a lecture season. Oh, but anyway Pause, Hobart, I just

2:34:33

wanna talk to John Early

2:34:35

about why you watched The

2:34:37

Last Wolfs, and did you

2:34:39

love it? I Absolutely loved

2:34:41

it. I was a girl.

2:34:43

I loved it. It's a beautiful.

2:34:45

It's a beautiful and I couldn't believe

2:34:48

how sexy be all

2:34:50

are. It's new range.

2:34:50

Yeah. It's sixty stuff. The So Rick

2:34:53

Gingko

2:34:53

especially. I was like, oh, what what what what

2:34:55

what what I'm doing? I'm not. your

2:34:57

Gaga for Danko. Yeah.

2:35:00

Alright. So you discovered

2:35:02

Rick

2:35:03

Danko's brother's band? No. He had

2:35:05

a YouTube channel, and

2:35:07

he used to make

2:35:10

all these video edits of,

2:35:12

like, the baby was Christmas, Merry

2:35:14

Christmas, and he tried to

2:35:16

do, like, the band clubs

2:35:19

and I don't know. I was just kinda, like, wish I a bit, you

2:35:22

know.

2:35:22

Now let me

2:35:24

ask

2:35:25

you a

2:35:26

question and be honest.

2:35:29

Is

2:35:29

this a story? That's all.

2:35:31

Yeah. Well Is this the

2:35:34

first act of the story? A

2:35:36

death and I

2:35:38

found

2:35:38

him on Facebook. I was

2:35:40

sixteen by the way, and my friends

2:35:42

and I were, like, messaging him. Oh, yes.

2:35:45

the angle him a and

2:35:47

we were, like, sixteen and

2:35:49

this guy he was,

2:35:51

like, probably, like, fifties or something. bit

2:35:54

dodgy, but we ended up getting

2:35:56

blocked anyways.

2:35:57

Okay. Sounds like a happy ending. Alright. Thanks

2:35:59

for

2:35:59

the call. Yeah.

2:36:02

All the

2:36:03

best. Alright. Sorry. To say

2:36:05

sorry.

2:36:05

Yeah. You didn't cut

2:36:07

off. Sorry. Sorry. Sorry.

2:36:09

Yeah. Best show

2:36:12

you're on

2:36:14

the air. Don't

2:36:16

Hi. Do that.

2:36:19

nuts. Sorry.

2:36:19

John Early is being

2:36:22

an absolute terror. I'm just

2:36:24

checking. Yes.

2:36:26

Sorry to

2:36:26

interrupt. How can I help you?

2:36:28

I know you guys said you're done with the list. I

2:36:30

gotta

2:36:31

add one. Can I add one? Maybe.

2:36:35

Tell

2:36:36

me what you see. If

2:36:38

you all listen to my

2:36:40

I

2:36:43

like it. Tell me what

2:36:45

you see. One moment while the

2:36:48

whole time. It's

2:36:52

a great song. It's lovely.

2:36:54

It's great. When you're the Beatles,

2:36:56

isn't it? Well, nice to

2:36:58

be unremarkable for 1II

2:37:00

think it's

2:37:01

a remarkable sign. I think

2:37:03

it's a beautiful sentiment. It's a very inventive melody. so good.

2:37:07

They didn't think they didn't think about it

2:37:10

the whole time, but they're they it's

2:37:12

just a very uninspired fill. Is that it?

2:37:14

You're uninspired. I think that's I'm all

2:37:16

looking it up to date. Bye bye.

2:37:19

Okay. Bye.

2:37:20

You are uninspired,

2:37:22

and that's not a

2:37:24

complaint. It's a

2:37:27

fact. You're inspired. Is

2:37:29

that a big

2:37:32

deal? Not everybody

2:37:35

can be inspired. Alright. Who did

2:37:37

that? I'm worried about We

2:37:39

got You gotta go. We

2:37:41

gotta go. We gotta go. We

2:37:44

gotta go. should

2:37:44

we go? I guess. Oh, yeah. Because he

2:37:47

is at now. It is literally He

2:37:49

has at eight fifty. Yeah. And it means that

2:37:51

you literally have to go and we're

2:37:53

not gonna do a big goodbye? Nope. You're

2:37:55

just gonna be gone. Well, good to go. I

2:37:57

don't care. Can I and I'm I love

2:37:59

the big

2:37:59

big goodbye. let us just

2:38:02

thank you though and say, what a

2:38:04

great tremendous talent you are and you

2:38:06

are, in fact, inspired. And you inspire me.

2:38:09

And so do you claudia? Oh, nice. I

2:38:11

love guys, and we'll see you in twenty minutes. See

2:38:13

you soon. I love you guys. hands on there.

2:38:15

The best shot we've Yeah.

2:38:18

So nice What if I forgot about?

2:38:20

I just like, oh, that was such a

2:38:22

great show. I'm gonna go home. I just went home and you

2:38:24

would Wait. Can

2:38:26

you text me the the

2:38:28

address of this place? Yeah. I'll

2:38:30

just say it now on here. Beverly Hills.

2:38:34

Bye y'all. Alright. What a blast.

2:38:36

Guys, the Studio. And let me bring the rest

2:38:38

of the guys back in. Yeah. Yeah. And just start

2:38:40

weeks we

2:38:44

should start maybe well, I think

2:38:46

the calls are

2:38:47

done. Oh, well, that kinda hurts my

2:38:49

feelings.

2:38:49

No. No. I think we I think

2:38:51

we did that on purpose. Oh, I

2:38:53

see. you. Well, Pat and

2:38:56

Mike and whoever else wants

2:38:57

to chime in, let's

2:39:00

review. Not the Beatles list. Forget that.

2:39:02

Mhmm. Let's just review the evening

2:39:05

because

2:39:05

I'm I don't

2:39:07

know how it went. Mike and

2:39:09

I thought it went great. Really? Yeah.

2:39:11

And I I, you

2:39:12

know, I was I was playing a

2:39:14

bit of a character earlier, but I I

2:39:16

just want you to know all coming

2:39:19

in. You know, as Tom

2:39:21

would say, we're

2:39:22

Boston beans over here.

2:39:24

We're having a

2:39:26

good I know. I know. Champions were busted. Pat, do you have something to say?

2:39:29

that you have something to say

2:39:31

Yeah. You're

2:39:34

you're my hero. you are my hero and this was an honor. So great good

2:39:36

show. Love you,

2:39:39

man. I love

2:39:41

you

2:39:41

and I don't

2:39:44

I don't No

2:39:44

more than enough to say that. What

2:39:46

what am I saying? in this situation.

2:39:49

I love you. body in a plies. I

2:39:50

love you. I absolutely adore you. Back

2:39:53

at you brother.

2:39:54

Thank you. But I was sorry, because

2:39:56

I don't see anybody. Is is is AP Mike on the other

2:39:58

side? We're hovering in the ether. Yeah.

2:39:59

I'm here. How

2:40:03

are

2:40:03

you doing, Tim? Four stars?

2:40:06

Five stars? What are we talking here? You did good. Four

2:40:08

stars. That's

2:40:11

all he gives. Yeah. He only gives four

2:40:13

stars. Four stars. Four stars. It's out of five. It wasn't their great chemistry

2:40:15

in here with with John Early in Claudia. Yeah. I

2:40:19

mean, that's it was good. Yeah. I

2:40:21

don't sometimes, it it it becomes too much fun that I don't I'm worried that it feels

2:40:23

like, you know, you're the

2:40:27

audience can't even get in because

2:40:29

it feels so ins you know, sort of inside baseball and

2:40:31

we're all laughing at each other's jokes, but we

2:40:36

had Fred Armisen call in and we

2:40:38

had Patricia

2:40:38

Harkett. I mean But she

2:40:40

called in to that show. Right? Yeah.

2:40:42

Yeah. They both call in. So they

2:40:44

recognize That's not But it's still very special. It's special

2:40:46

because they're really good for me. Yeah. What

2:40:52

else can

2:40:52

I say? Any anything else to

2:40:54

say? I mean, I'm I'm not wrapping things up until

2:40:57

it's time to wrap it up, but and

2:41:00

we

2:41:00

can go out on the song too. We

2:41:02

could always go out

2:41:02

in a song. Let me look at my list if I just because there are things I wanted to

2:41:07

get to. Yeah. But I will say -- Yes. --

2:41:09

I'm gonna say five stars. Thank you.

2:41:11

I'm gonna say it was a a joy. It

2:41:14

was an honor to be in here

2:41:16

because we've never met before. And

2:41:18

I It was wonderful just being in here with you doing the show. Well, it was I

2:41:20

mean, I I was joking

2:41:22

about this earlier. I love

2:41:24

Doug and I love Vic

2:41:26

and I love Matt, but there

2:41:29

is something about, first of

2:41:31

all, sitting down --

2:41:33

Oh, yeah. -- and

2:41:35

not packing it as tightly

2:41:37

as we packed office hours, which I'm

2:41:39

very proud of. We've been

2:41:40

having musical guests on, and there's a lot of

2:41:42

there's a lot of balls to juggle on that.

2:41:46

show. Mhmm. And I think the

2:41:48

three hour looseness

2:41:49

of this show and when it's just calls, there's

2:41:52

no Zoom I

2:41:54

don't

2:41:54

know. It's a very good vibe

2:41:56

in here, very feel

2:41:57

very comfortable, very happy, and I don't know if I'm gonna

2:41:59

be seeding

2:41:59

this seat that

2:42:03

quickly.

2:42:03

And I think I have to tell

2:42:05

you that I think Tom made a big mistake -- Yeah. -- letting me in let letting

2:42:07

the what is the move

2:42:12

the analogy, the the nursery rhyme

2:42:14

or the aesop's fable about this.

2:42:16

He's let the cat out of

2:42:19

the

2:42:19

let let the wolf.

2:42:21

into

2:42:21

the head now. And I'm gonna

2:42:23

be

2:42:23

hosting this show

2:42:26

whenever the hell I want.

2:42:28

Do

2:42:28

you think you would ever move

2:42:30

office hours to a night

2:42:33

well

2:42:34

show? Well, I'm aware of a

2:42:36

morning guy. Your morning guy. But I'm feeling

2:42:38

I got a lot I had that second cup of coffee -- Yeah. -- later in the later in the afternoon and it me through.

2:42:45

Yeah. I

2:42:45

don't have much more

2:42:47

to say except maybe,

2:42:49

you know, office

2:42:50

hours on Thursday with the

2:42:52

one and only, the great

2:42:55

one. Tom Sharbling himself hosting with

2:42:55

Doug and Vic. And I don't know if

2:42:57

they've announced I've been out

2:43:00

of loop. I don't know if they've announced

2:43:02

guest Do you know what they have? I don't think they have. I don't think I I know

2:43:06

who's going to be there, but I don't think

2:43:08

it's beneficial events. Yeah. How how do you feel

2:43:11

about the I feel pretty good. Really? Yeah. It's pretty special. It's gonna be very special show.

2:43:13

Really? Yep. Well,

2:43:14

I might have to

2:43:17

come down from the

2:43:19

palace and say hello. On let

2:43:21

me just plug my other stuff. We

2:43:23

got on cinema. A lot of people

2:43:25

love on cinema. I love it more

2:43:28

than anybody. It's

2:43:29

now we got

2:43:31

episode four coming out tomorrow

2:43:33

morning on the high network,

2:43:35

HEI

2:43:35

network dot TV

2:43:39

and people,

2:43:40

I gotta get their

2:43:42

heads

2:43:42

around. The fact that this

2:43:44

the fact that this we

2:43:46

are self

2:43:47

financing the show

2:43:50

entirely through subscribers.

2:43:52

Right? and

2:43:53

people who wasn't on YouTube. It's not

2:43:55

on YouTube. It's on this other website that

2:43:57

you could get to as easy as you can get

2:43:59

to YouTube. now

2:44:02

you gotta do is pay five

2:44:04

bucks a

2:44:04

month. Okay? And it's it's given

2:44:06

us the power to make

2:44:08

two full seasons of the show,

2:44:10

two Oscar specials, and tons of other

2:44:12

stuff. And it's working out well,

2:44:14

but I can't stress it enough join that's

2:44:16

the best stuff out there that's

2:44:19

not the best show or office

2:44:21

hours. It

2:44:22

is constant. It is it is next. It's the greatest. Okay? The greatest. And I can

2:44:25

say

2:44:26

that because

2:44:30

I know. And

2:44:32

and What else?

2:44:34

Thanksgiving is coming up,

2:44:36

and we have

2:44:37

to honor that

2:44:39

and

2:44:39

know that There's turkey shortages and

2:44:42

food prices are high, but I

2:44:44

hope you're still looking forward to

2:44:46

Thanksgiving. I think it's my second favorite

2:44:48

holiday. And of course, April

2:44:50

fool's day being my number

2:44:52

one holiday is nothing better than

2:44:54

that. Nothing better than the great April fool's day.

2:44:57

the you

2:44:58

know, I don't know I don't know

2:45:00

how to to say goodbye.

2:45:02

I don't know how to do it. I don't know how

2:45:03

to say goodbye. I

2:45:06

want to thank everybody for calling in.

2:45:08

The list will go out as public.

2:45:10

This is a this is doctrine now.

2:45:12

These are officially the twenty worst

2:45:14

Beatles songs despite what Oscar winners

2:45:16

and Fred Armisons and whoever Emmy winners. I'm sure he's

2:45:19

won an Emmy. Whatever they say,

2:45:21

whatever they say The

2:45:23

list is is dogma. It is canon.

2:45:25

And we did it with your help. So thank you

2:45:26

for calling in. Thank you for being a part of the show.

2:45:28

thanks

2:45:32

to everybody here at Forever Dog

2:45:34

for making it so easy and fun. You guys are the best. I'm gonna take my chocolates.

2:45:38

i'm gonna take my chocolates and my

2:45:40

flowers and give them to my wife

2:45:42

and say, look what

2:45:43

I got you,

2:45:45

honey. I got you. Look at

2:45:48

my sweetie. I'm home from my big job. I

2:45:50

got you some flowers and she goes, oh, that's

2:45:54

so sweet and she sees the

2:45:56

note. Uh-oh. caught

2:45:57

in another lie. Any price

2:45:59

on these

2:45:59

flowers here? I I think

2:46:02

he probably took them off.

2:46:04

took the

2:46:04

price off. Yeah. He's a

2:46:06

nice bouquet. This is seasonal.

2:46:09

Yeah. Beautiful

2:46:11

okay autumnal bouquet. Alright, everybody.

2:46:12

We'll go out with some we

2:46:14

we oh, and let me just

2:46:18

say, Jerry from Glendale

2:46:19

-- Yep. office hours,

2:46:20

fans know who that was.

2:46:22

I don't wanna spoil anything,

2:46:25

but since we were talking

2:46:27

about the boss earlier We'll

2:46:29

go out with little boss. Here's little Bobby Jean.

2:46:31

Good night, everybody.

2:46:32

night everybody

2:46:35

The best show is

2:46:36

produced in partnership with

2:46:39

the Forever Dog Podcast Network. The show is hosted by Tom Sharpling and

2:46:44

features John Worcester, Jason Gore, Pat

2:46:46

Burns, and Michael Lisk. The written Gore, Byrne, List,

2:46:48

John Worcester, and Tom

2:46:51

Sharplin. The best show

2:46:53

is executive produced by

2:46:56

Tom Sharplin, Fred Bollum,

2:46:58

Joe Celyo, and Alex Ramsay.

2:47:00

The show is engineered and mastered by Andrew

2:47:02

Gleeson, website and technical support provided by Markine Sellas,

2:47:07

and the show was recorded at

2:47:09

Forever Dog Studios in Los Angeles. Support the

2:47:11

best show on Patreon over at patreon dot com slash

2:47:16

the best show and follow us

2:47:18

on YouTube, Twitter, and Instagram over at best show for life. That's best show number four, life

2:47:25

Thanks for listening, and we'll see

2:47:27

you next week.

2:47:35

I'm Ally Weiss,

2:47:37

and on my

2:47:39

podcast tales of

2:47:42

taboo, I gather anonymous fashions

2:47:45

from my listeners

2:47:45

around the world. They've

2:47:47

existed in elusive subcultures, ventured

2:47:49

down the road less traveled,

2:47:51

made serious mistakes and achieved extraordinary victories. These stories

2:47:56

are raw, honest, even

2:47:58

downright shocking sometimes, but always deliver the most incredible life lessons. Tales

2:48:01

of taboo is a

2:48:03

unique exploration of why

2:48:05

we're so afraid to

2:48:08

be different. because quite frankly, it's

2:48:10

a lot more fun on the

2:48:12

dark side. Listen to new episodes of tales of

2:48:14

taboo every Monday wherever you get your podcasts.

2:48:16

are you get your podcast

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