Episode Transcript
Transcripts are displayed as originally observed. Some content, including advertisements may have changed.
Use Ctrl + F to search
0:04
Hi. I'm Allison
0:04
Raskin. I'm a writer in mental health advocate.
0:07
And I'm Gabby Dunn. I'm a writer and bisexual
0:09
icon, wink, which I promise, is a thing.
0:11
Many, many Internet years ago,
0:13
we started a YouTube channel, called just between
0:15
us, that has since morphed into a podcast
0:18
by the same name. People ask us all the
0:20
time. What is your podcast about? And honestly,
0:22
it's a bit hard to describe because it's kind
0:24
of about everything.
0:25
I
0:26
like to call it a comedic variety show
0:29
with a bunch of different segments. Oh, that's
0:31
good. Each week, we start off by catching
0:33
up with each other. Then we answer a listener's
0:35
question after I sing a little song for
0:38
no real reason. So cute. Followed
0:40
by interview incredible guests such as public
0:42
defenders, mental health professionals, and
0:44
animal scientists. So that's
0:46
the show. And if you're still pretty confused,
0:49
which honestly Fair. You
0:51
can check out our back catalog of over
0:53
two hundred episodes. We also have
0:55
a brand new episode every Wednesday. Video
0:57
is available on YouTube and audio's
0:59
available wherever you listen to podcasts.
1:02
What's up, guys? It's your favorite Internet
1:04
queers. I'm Ashley Gavin. I'm
1:06
Alena Joy, and I'm Mackenzie, and
1:08
we are here to tell you about our new podcast
1:11
chosen family on the forever dog podcast
1:13
network. Each week, we're bringing you a topic
1:15
or theme related to queer life, to the family
1:17
dinner table, to weigh in, deliberate, and
1:19
discuss the right thing to do. The smart
1:21
thing to do, and the dumb thing we know
1:23
is dumb, but we'll probably end up doing anyway.
1:26
Hey, we never said we were perfect. I
1:28
am perfect. Okay. We'll
1:30
be talking about everything from our own
1:32
dating lives. sex lives
1:34
to dealing with family and friends, IRL,
1:36
then we'll invite you our
1:38
stunningly gorgeous listeners to join
1:41
in on the family conversation by answering any
1:43
of your questions and dilemmas. Listen to chosen
1:45
family podcast every Wednesday on Apple
1:47
podcast spot by or wherever you get
1:49
your podcast. You can also watch every episode
1:51
on YouTube to get the full family experience.
1:54
Enjoy.
1:55
forever. Dog.
2:10
Everybody,
2:10
good.
2:13
Evening,
2:13
I should say. Good evening.
2:17
You're listening to the best show
2:20
with your very special guest
2:23
host, Tim Heidecker. That's
2:25
me sitting in the Tom Chair.
2:28
We have got three hours
2:30
of
2:32
Mirth, Merriment,
2:34
your calls, we've
2:36
got tremendous topics
2:39
today, we've got we
2:42
want you to help us build our
2:44
list of twenty the
2:46
twenty worst Beatles songs. You're
2:48
familiar with the Fab four, John Paul, George,
2:51
and Ringo.
2:52
I'm a huge beetle
2:54
freak, and
2:56
it's I love them all. There's probably
2:59
not a song that I don't
3:01
like, but we have to make the list.
3:03
Twenty of the there's there's the top
3:05
twenty best
3:07
but we gotta
3:09
get to the bottom. We're gonna start at the
3:11
bottom. That's coming up. I've
3:13
got amazing, some friends
3:15
of mine coming in. Claudia
3:18
and get
3:19
ready folks. And don't wanna diminish Claudia.
3:22
But by putting it that
3:24
way. But
3:25
but
3:26
She'll be joined by the great John
3:29
Early, and
3:31
I hope he's on time. I don't
3:32
wanna be early because I got a lot to get
3:35
to. That We also
3:37
have president former president Donald
3:40
John Trump joining
3:42
us via Mar a Lago, throughout
3:44
the show. I think he's speaking right now.
3:46
He is walking up to the podium. Okay.
3:48
Here. And friend just texted me and said
3:50
all I got from my friend was vanquishing all
3:52
enemies like before. So
3:54
-- Perfect. -- the tone. We're
3:57
gonna start the show in a few
3:59
minutes.
3:59
But first, some music. and
4:02
we'll be back after a couple of
4:04
tunes that I've chosen.
4:08
Call us by the way 2019890012
4:13
That's 2019890012
4:15
and
4:18
we'll be back in a
4:19
few.
4:42
lol
4:49
he
4:54
how are
5:00
, our
5:06
room
5:28
Yes.
5:28
That must
5:31
show. evening,
5:34
everybody. I
5:36
am Tim Heidecker here taking
5:38
the place of comm sharp link
5:41
just for the night look at my Damn.
5:44
You can call me Redneck is
5:46
what you can call me. I'll tell
5:48
you why. Look at that. That's
5:51
That's funny. I
5:53
gotta put my list up to no
5:55
cursor. Now, it's I'll
5:57
tell you something. It's it's all
5:59
gonna be revealed
5:59
to night. I've got I've
6:02
got been Irish in meal, and
6:06
and it's It's embarrassing,
6:08
you know. People are embarrassing.
6:10
I'm embarrassing. I'm embarrassed by
6:12
myself. We were listening
6:15
there. Well, that here is the
6:19
iconic best show theme song. I
6:21
wanna get a little more info on that theme song. I
6:23
don't know anything about it. You
6:24
do, though, and you could tell me.
6:26
We were listening to a
6:28
couple of tracks I picked. Come to life
6:31
by Arthur Russell.
6:33
from his album,
6:35
Iowa dream.
6:37
Didn't know much about Iowa. Didn't know much
6:39
about
6:41
Arthur Russell. and
6:43
somebody recommended
6:46
this new record of his that passed
6:48
posthumously passed
6:50
away many years ago and blew
6:53
me away. I think it's a he's a very
6:55
interesting obviously, all the best show listeners
6:57
are way ahead of me on this. This
6:59
is a a cool crowd. And you don't know
7:02
about Arthur
7:03
Russell did? You
7:05
don't know about Arthur Russell? You
7:08
just found out about Arthur Russell.
7:10
That's
7:10
my impression of a best show listener. That's
7:12
pretty cool. Thank you. Yeah. Jason
7:15
Gores in Studio with me. Yeah.
7:17
to see him just met him for the first time. I
7:19
know. because the last time you were here, I
7:21
think I was sick. You were
7:24
sick. I was sick. Okay. And
7:26
then and then You got When I was
7:28
here, I the next day,
7:30
discovered I had the China
7:32
virus. Yep. Yeah. And we were
7:34
watching the president, the former president
7:36
Donald Trump who's speaking now. He's still
7:38
watching this. He's still going. Let's flip it.
7:40
Okay. Here we flip it. happy.
7:42
They are very, very angry. Now
7:45
we have a president who falls
7:48
asleep at Global Conferences big
7:51
of that crust. The love was held
7:53
in contempt by the German
7:56
government over Afghanistan.
7:59
Thanks
7:59
to the
8:01
Yeah.
8:06
We're not gonna spend too much time
8:08
on that. But we were listening right as the as the
8:10
music started. What's this now?
8:12
Is
8:12
this a prank?
8:14
C's unbelievable. C's
8:17
candy? And I
8:19
if this is from who I think it is,
8:22
I will not be returning the
8:24
gesture. We have ladies and gentlemen,
8:26
if you're just listening with box of box
8:28
of flowers and a bouquet of
8:30
chocolates just arrived.
8:32
Big hug. Nope.
8:34
This is from a very special person here.
8:37
Tim, there is no one else that I
8:39
would trust. I'm gonna get
8:41
weepy. To host the best show, it is
8:43
an honor, and I hope you have a fantastic
8:45
time love, your friend,
8:47
Pat,
8:48
Bern. No. Tom,
8:52
with a big t,
8:53
And the the card
8:55
says sometimes it's nice to have a big
8:58
hug from someone who cares and
9:00
the the inside of the card, the prewritten
9:02
section of the car, which I think often gets overlooked.
9:05
Yeah. So I'm sending one just for
9:07
you. Thinking of you today. Isn't that Swaddlers?
9:09
And I love C's candies.
9:11
These
9:12
these chocolates, if you're if you're
9:14
on the East Coast or anywhere else in the
9:16
world, I'm
9:16
telling you folks, this is something that
9:19
us Californians can be
9:20
proud of. This is
9:22
a fine box of chocolates. So thank you,
9:24
Tom. And
9:25
totally
9:28
throw my train of thought. I was just
9:30
hoping that we would I
9:31
could get through a couple of minutes without
9:34
being
9:34
interrupted. What that we were talking well,
9:36
the we were dipped in on Trump. Yes. And
9:38
we're not gonna dip back. Unless you wanna dip
9:40
back. Let's see what we get together
9:42
with you. Hey. Thank you.
9:47
The
9:47
decline of America is being forced
9:49
upon us by Biden and the
9:51
radical left lunatics running our
9:53
ground. right into the Alright. Thank you.
9:55
Alright. Thank you. Good to hear from you,
9:57
sir. Yeah. Well, the only
9:59
thing we
9:59
just checked it right away, we've we caught
10:02
him saying,
10:03
that how people are
10:06
doing much better under his. He said,
10:08
men, women,
10:11
African Americans separate
10:14
them from the men and women category, apparently.
10:18
Well, listen, let me just start with a preamble, a
10:21
secondary preamble and
10:23
say thank you Tom
10:25
and the best show
10:27
what the best show means to me is
10:31
I can recall whenever it
10:33
was two thousand two thousand
10:35
one maybe.
10:37
Somebody could have been producer Matt
10:39
Carlin from office hours who I've known for a long
10:41
time. Somebody hit me
10:43
to the
10:44
best show and sent
10:46
around what was going was very, I would
10:48
say, pre social media
10:50
those days was, I would consider sort of
10:52
a viral
10:53
share was the
10:56
rock rock or roll?
10:57
Is it
10:58
or rock rock rock and roll? And
11:01
Denver. Yeah. And See,
11:02
that's confusing to me. Yeah. Because I
11:04
would always Am I correct, Pat? Mike? It's Rock
11:06
Rock Rock and Rural. Right? Or am
11:08
I being fired tonight? No. It's
11:10
rock, rock, rock, and roll. Good. Rock, thank you.
11:12
But shouldn't it be rock, rock, or Or
11:15
because these are the choices. Anyways, It
11:18
blew my mind. It was a seminal,
11:20
comedic moment in
11:22
inspiration. I thought it was the funniest
11:24
thing I'd heard since what?
11:26
The jerky boys? No.
11:30
But you know, I mean, listen. I grew
11:32
up on the jerky. I'm not not I don't
11:34
know what Tom thinks about the jerky boys, but I
11:36
there are things that use that that come into your
11:38
life that change. And And
11:42
when Eric and I got our
11:44
first adult swim show, Tom
11:46
was
11:46
right there saying, you ever wanna call into
11:48
the best show, It be honor. It was an honor
11:50
for us to do very I
11:53
can't remember all of them, but we used to call in a
11:55
lot and do long
11:57
dumb bits And
11:59
Tom's been a friend
11:59
and for a long time, and
12:02
I think what he's done with this
12:04
show is tremendous
12:05
No one's
12:07
ever done it like this before. And
12:09
I
12:09
mean nobody. You know?
12:12
And I mean nobody. And
12:15
so
12:15
we agree with, you know, office
12:17
hours, my show that you can see here, big promotion
12:20
for office hours if you're watching right now, office
12:22
hours live with Doug and Vic.
12:24
And
12:26
we we recently signed with this
12:28
Forever Dog, but they got a whole sign out
12:30
there. If you're not
12:31
if you haven't stopped by the studio, do you invite
12:33
audience to come to the studio ever ever
12:35
No. No. We're not gonna give the address out.
12:37
I mean, they could see it from the street. Yeah. There's
12:39
a big sign. It's right across from the minions
12:42
and the universal studio and everything.
12:45
So we we
12:47
crafted this little switcheroo, I
12:50
didn't know if I I think it was my suggestion. I didn't know
12:53
if Tom was gonna go for it. I
12:55
would be very understanding if
12:57
he didn't think he wanted to do
12:59
that. I I understand the
13:02
the the dearest by which he holds
13:04
this domain. But
13:07
anyways, we said, let's do it. We put the date
13:09
on the calendar. We're gonna
13:11
commit to this. Now, just to
13:13
just so you understand my level
13:16
of commitment to being here tonight.
13:18
I'm gonna put
13:18
you a couple days back to Friday.
13:22
Where were you
13:22
doing Friday? Do you remember what were you
13:24
doing Friday?
13:25
TGIF getting a couple of beers of
13:27
the boys. Oh, yeah. Yeah.
13:29
In high life. Just kicking
13:31
them back, sampling their beers. I
13:34
was at the zoo. LA
13:36
zoo. Controversial place. A lot of
13:38
people don't appreciate the zoo.
13:41
Don't appreciate the way they treat the
13:43
animals. I'm with you. Right. I
13:45
I but the kids I have two children, and
13:47
they wanted to go to the zoo schools off. It was Veterans
13:50
Day. You might have been there at parade or
13:52
something. I don't know.
13:53
You can't
13:55
remember. No, I don't. I just I just
13:57
remember the beer. I get
13:59
a email
14:00
from my Hollywood team.
14:02
I'm a big celebrity in
14:05
Hollywood, you know. I get an email.
14:07
They say, Are you
14:08
sitting down? That's how they
14:10
start a lot of emails. No.
14:12
They didn't start that. They say,
14:14
offer just came in Tim
14:18
Robinson from
14:19
the great, I
14:20
think you should leave, requests
14:23
your presence for season three.
14:25
Okay? Yeah. I go I'm in.
14:27
I don't need to see no script. I
14:29
know. I was in the first season, the second
14:32
season. and now here I am
14:34
ready to go again. And they need they I'm
14:36
their good luck charm. Yeah. So
14:38
I know that he needs me the way
14:40
I need him. Not
14:41
really, but So
14:44
I go, of course. And I'm at the
14:46
zoo. On
14:47
my phone, checking emails, waiting in
14:49
line to get chicken fingers. Right.
14:51
And then I go back and
14:53
reread the email. When do they
14:55
want me? Now this is Friday. They need
14:57
me Tuesday.
14:58
This,
15:01
like, today. Today. Okay.
15:03
I oh,
15:04
who's that? Mike was
15:07
that was Pat. Oh, hi, Pat. Hey. How
15:10
are you? Why don't you chime in
15:12
when when you're direct when
15:14
I direct and something too.
15:16
Okay? It's very disorienting.
15:19
Yeah. The flat first, it was the flowers
15:21
and the chocolates. I'm trying
15:23
to I I did send candies also,
15:25
but I I just got a text. They went
15:27
to the iHeart. Oh,
15:30
well, now listen. So I reread
15:32
the email. I said, oh, oh, Tuesday. That's a big
15:34
red flag. I write back, wanna do
15:36
it. Would be honored to do it. You know I
15:38
wanna do it. Can't. If
15:40
I can't get out by four PM so I
15:42
can be here and be ready and be prepped,
15:44
they go, yikes,
15:47
That's
15:47
tough.
15:48
I go I play hardball. I
15:50
say, that's the deal. Make
15:52
it work or don't. I don't need to do
15:55
this. I'd love to. Yeah. I
15:57
go, they go, they're working on it, but they
15:59
might be locked into the schedule. I go,
16:01
well, then I just gotta let that fish
16:03
go. You know what I mean?
16:06
It's
16:06
not the end of the world. But I'm not
16:08
calling you and Tom
16:11
and
16:11
producer Matt and saying, hey, we gotta rethink
16:13
this Tuesday night thing. I'm not doing that. I'm
16:15
not bailing on this. No. And
16:18
Monday weekend goes by. I'm
16:20
thinking they're shooting this Tuesday. I guess it's
16:22
not happening. Monday morning they
16:24
go, we have
16:26
found a way to make it
16:28
work. We are
16:30
moving the schedule gonna
16:32
get you out. We're still doing Tuesday.
16:34
Wow. We're gonna get you out by
16:36
four. And
16:37
four out.
16:39
Hard out. And I'm the I
16:43
gotta hard out. Yeah. And they respect
16:45
that. And so
16:46
what was I doing today, which is the
16:48
breaking news, not this big
16:50
announcement we're seeing from now, from
16:53
Don John, We're stuck on the
16:55
donut on jump. Yeah. It
16:57
was I was on set in Hollywood
17:00
shooting a new episode
17:03
of the great Netflix show,
17:05
Tim Robinson, I think you should
17:07
leave. But And this is a
17:09
scoop. This is
17:09
a scoop. The Hollywood reporter is
17:12
now
17:13
furiously typing up a
17:15
or TMZ whoever.
17:18
So that that just is a
17:20
little inside inside baseball
17:21
story about what this means.
17:23
And and it's also a good way for me
17:25
to stretch. Oh, God. The show? I'm
17:28
no. You know? Oh, it's
17:30
good for people than that. We're
17:32
already by the way, Tom says, is are
17:34
you ready for a three hour show? I'm just
17:36
getting I'm I'm just getting warmed up here. I
17:38
mean, with the whole music and everything, you
17:40
got I'm really starting at six ten. Hey,
17:42
since you gave a Scoop, they've told me to
17:44
play the Scoop Jingle. we're doing this a
17:46
little after the thought here, but here
17:48
it is. Come on.
17:51
Give us a scoop. And that
17:53
was the scoop. There's the scoop. And what we'll
17:55
do is edit that before We put
17:57
it back. Yeah. to put it backwards. And I think
17:59
her returns to
18:02
season three. And
18:04
it will be a very funny scene. Everybody
18:06
was loving it. I did I had a little
18:08
it was
18:09
not my strongest day as an actor
18:12
today. I was very much distracted by this
18:14
program. I was forgetting some of my
18:16
lines, but everybody
18:18
seemed happy at the end of the day we made
18:21
it work. Let's can
18:23
we
18:23
should we take a
18:26
call? Yeah. We The topic today,
18:28
2019890012
18:30
The topic is the
18:33
top the twenty not top bottom
18:35
worst Beatles songs. Twenty worst Beatles
18:37
songs. What are they? We haven't talked
18:39
about some of the rules or conditions of
18:41
this. If there are any, there may
18:43
not be. Are we
18:46
talking covers? Do we get a exemption?
18:49
I think not. No. I think this is
18:51
just whatever's on we're
18:53
not doing stuff that never got
18:55
released, I think that would be a
18:57
mistake. And, Tim, a
18:58
lot of people were asking too online
19:00
if we're allowed to include
19:02
Beatles solo No. No way. That's why
19:05
they're not in the Beatles. No. It was our
19:07
biggest question. So we're gonna That would
19:09
be the whole list. I
19:11
don't get that at all. I don't get
19:13
how one single person would
19:16
have that confusion happen
19:19
for them. And it
19:20
seems like these are the kind of people that are just
19:22
looking for attention. Yeah. because they
19:24
know the answer in their hearts. So let's
19:26
take a call. Let's do it. Here we
19:29
go. Hello?
19:33
Hello? Yes. Who am I
19:35
speaking with? Now doesn't Tom always say the
19:37
arrow? He says he'll say best show.
19:39
Best show.
19:41
Best show you're on the air. This is
19:44
Jason.
19:45
hello Hello?
19:46
Jason. Hello. This is Jason. From
19:48
the Friday the thirteenth movies. From
19:52
the Friday the thirteenth movie, yes. I'm wearing
19:54
my mask and everything. doesn't sound
19:56
like it? Well, you
19:58
know,
19:58
I
19:59
I'm lifting it up so you could hear hear So
20:02
you're not where you can't see me.
20:04
Well, I mean, yeah,
20:04
it's it's it's over my forehead,
20:07
not on the lower half of my face. Oh, by
20:09
by the way, and and people might say, would be
20:11
wondering, I'm wearing a baseball
20:13
cap inside and
20:16
why? Because I was in hair
20:18
and makeup and look at this. This is a
20:20
proof of this is all
20:22
jelled up and moosed up from the
20:24
shoot today. And
20:25
look at it looks actually, it's pretty
20:27
good. This is kind of a reveal.
20:30
Yeah. It's a
20:30
total reveal. They can put this
20:33
on the DVD extras. Alright.
20:35
Get rid of that. I wasn't happy with that
20:37
anyways. Jason, how can
20:39
I help you this evening?
20:41
Well, I guess, I – did you say
20:44
– did you propose an
20:47
exemption for – or
20:49
just removing ringo from the
20:51
list. But if not,
20:53
I I mean, I'm just gonna go straight for don't catch
20:55
me by. Uh-huh.
20:56
I don't know. That's I
20:58
I think we do
21:01
no exemptions for Ringo. I think
21:03
we do no exemption
21:06
exemptions for covers. It's
21:08
just whatever came out on those, what
21:10
are they,
21:10
nine albums, fourteen albums, whatever they
21:13
are. Whatever was on them, I
21:15
think that'll make our lives a
21:17
lot easier It'll
21:18
fill the list quickly, but
21:20
you wanna put don't pass me by on
21:22
there. I would be
21:23
by the way, Am
21:25
I the judge? Yeah. You're the judge. You're the if if
21:27
you don't agree an execution executioner.
21:32
Very yeah. Yeah. I would agree. I think don't pass me
21:34
by and again again, we
21:36
must remember. Love all these songs.
21:38
I'd
21:38
listen to them any day of the week.
21:41
But I've
21:41
always said my problem with don't pass
21:43
me by off the white
21:45
album nineteen sixty eight
21:48
is what's missing from that
21:50
song? is some nice
21:53
Paul harmonies. Maybe even Paul and
21:55
John. But -- Yeah. -- doing a
21:57
little third, a little country third
21:59
harmony on the second or third
21:59
verse, if you listen to that
22:01
song and we should not play any Beatles
22:03
songs. Right? because we'll just get shut
22:06
down. Yeah. I think they'll they'll show Well, just you
22:08
can go on your on your if you have another
22:10
device, you can go and reference
22:13
this. I'm not out here saying that everybody
22:15
just has easy access to
22:17
multiple devices. But
22:19
listen to
22:20
it and and it
22:22
it's a it's to me, it feels like a very lonely song.
22:25
It feels like they recorded the You
22:28
agree with that? And it is a lonely song,
22:30
anyway. But I
22:32
agree
22:32
with one hundred percent. Yeah. But they I mean, it
22:34
just I mean, that's what I feel kinda bad
22:36
about actually putting Ringo on there. I
22:38
might switch it out. for
22:40
Rocky Rockyoon because of
22:42
Paul's recommendation, Joshua.
22:44
But, like
22:45
but, yeah, they leave they leave Ringola to
22:47
dry, like, every time. Yeah.
22:49
Well, not at any time. There was there was
22:51
great Ringo backing vocals going with, you
22:53
know, a little help from my friends and
22:56
all the you know, even the one on whoever
22:58
sold, they get that country thing going.
23:00
So alright. Let's let's not
23:02
let's not just spend the whole show talking about,
23:04
don't pass me by. We're putting it
23:06
on the list. Thanks for the call.
23:10
No problem.
23:10
Thank you so much, Dan. I am saying I
23:12
by the way, I'm already so happy. I
23:15
don't have an all
23:17
love, Doug and Vic. Uh-huh. But and
23:19
they're watching now most probably Most
23:22
-- Taking notes. -- Doug's probably not watching. He's
23:25
probably not aware that this is
23:27
happening. But
23:28
to not have the assault. When it and
23:30
it is assault, Uh-huh. What they do with me, with their
23:32
sound effects and their drops that people love
23:34
and tell me how much I love them. Just
23:37
to be sit sitting here and relaxed
23:39
and have this silence, have you
23:41
in the room with me? It's a it's a good vibe. It's a great
23:43
vibe, and I hope people are enjoying it so
23:45
far. We do have some drops, but,
23:48
you know, You're going
23:50
to use them judiciously. Very judiciously.
23:52
Good for you. What number do you wanna
23:54
put? That's another thing that Tom does. He
23:56
signs the number on the list. I Yes.
23:59
And Pat's doing the list. So we're keeping track
24:01
So we're twenty. Right? We're twenty for don't
24:04
pass me by. Let's let's pencil
24:06
it in at Well,
24:08
alright. Is the number
24:09
are we going backwards? So number one is
24:11
the worst? Yes. Number one will be
24:13
the worst. Alright. So let's put that at
24:16
five five.
24:18
penciling in
24:20
though, very very clear about
24:23
that, penciling it in.
24:25
Is Mike AP Mike with us? Let me
24:27
say good morning. Hey. Good afternoon, Tim.
24:29
How are you doing, Tim?
24:31
I understand you're joining us from
24:34
Thailand. where it's morning. That's what
24:36
I got coming No. The far far east
24:39
United States, not the far east.
24:41
As mayor Koch used to say, how am I
24:44
doing? Yeah. I'm doing
24:46
okay. No. No. No. No. The question
24:48
is to you, how am I doing?
24:51
Oh,
24:51
you're doing great. You're doing great.
24:54
Any of you
24:54
Any you're enjoying it. Yes.
24:56
I'm gonna make
24:57
your job. I'm gonna make your life easy.
25:01
tonight. I don't you know, you
25:02
can chime in, but
25:05
I'm
25:05
not gonna be busting your chops or
25:07
anything like that. Too
25:10
much
25:10
damn respect for you. Oh, oh,
25:12
thank you. Thank you. I I spoke
25:14
to you many times. I mean -- Yes. --
25:17
phone. Oh, yes. I
25:18
don't think you've ever made it to the FMU studio. No,
25:21
sir. No. Okay.
25:22
Never did. Yeah. Do we
25:24
have anybody thank you,
25:26
Mike. We've got hot phones. We've got
25:28
full line. I'm sure. So Is
25:31
anybody on the
25:33
other line? Oh, we do not have
25:35
any of one on another line. Sure. Let's
25:37
let's well, you wanna take a call over the phone.
25:39
Let's get another call. Okay.
25:41
Here
25:42
we go. Best special
25:47
show. Yeah.
25:49
Hey. Is this Tim? Yeah. Wow.
25:51
Two guys in a row. one.
25:54
It's an Eddie
25:57
Long from LifeSander. From
26:01
what?
26:02
I
26:03
Lifesander, New York. And Yeah.
26:06
You're definitely gonna have to specify the
26:08
state when you just say I'm, like,
26:11
you you wouldn't have had to have specified
26:13
the state if you said Chicago. You
26:16
know? Right. But you
26:18
said you said like
26:20
One They're like LifeSender.
26:23
LifeSender. LifeSender. Yeah.
26:26
The head. No. LifeSender. Okay.
26:29
I'll take your word for it. Is that a real place,
26:31
Jason? Yeah.
26:32
I'm on the fence. Okay.
26:36
Well, what can I do for
26:38
you? You wanna chime in well on the list or
26:40
talk about whatever you want? I I I've got
26:42
I think I think I've got an easy top twenty.
26:46
And
26:46
that is she's leaving
26:49
home.
26:50
Denied.
26:52
Yeah.
26:54
Denied. Can I can I just can I
26:57
tell you why?
26:58
Sure. and be
27:00
able to change your mind. There is a
27:02
line first of all, it's a horror fun, but there's a
27:04
line of the songs that says
27:07
fun Fun is the one thing that
27:09
money can't buy. Now,
27:12
come
27:12
on. Fun. Fun
27:13
is about Yeah. But
27:16
that money can buy. But it also has one of the
27:18
greatest lines in it, which is
27:20
meeting a man from the
27:22
modes of trade. that's
27:25
cool. I can picture that right away. Okay. But it
27:27
also has What Motortraded.
27:29
Motortraded. What is the line that the parents say in
27:31
that in that song?
27:33
the
27:34
What did we
27:36
-- We gave we we we modeled all
27:38
-- for all of our lives. That's
27:42
great, man. How do
27:44
you get off my phone.
27:46
Come on.
27:46
Fun is the one thing money camp.
27:49
Bye
27:49
bye. No. Listen.
27:52
I
27:52
would put I'll tell you, I'm a I'm a add my
27:55
first. Being
27:56
for the benefit of mister
27:59
kite
27:59
it One
28:02
number for that one? One.
28:04
No.
28:04
I was kidding. No. No. No.
28:06
Top bottom half. So, like,
28:08
you know, down in the Fifth
28:10
We're gonna talk gonna have to we're gonna have
28:12
to do the whole discography. We
28:14
wanna be representative. But,
28:17
yes, I'll say fifteen. Okay.
28:20
It's a, you know, and obviously,
28:22
a groundbreaking piece of recording.
28:24
It's incredible what they were able to do with
28:26
all the loops all that thing. just
28:28
the lazy taking
28:30
the just the lyrics from
28:32
some poster. I
28:34
think they think I
28:40
don't ever wanna hear it, so you're not into
28:42
circus music. No. I don't really hear
28:44
I'll go to the merry go round if I
28:46
wanna hear that. Like,
28:51
it's you might as well they might
28:53
as well have covered it. Come in to take me
28:55
away. You know, get
28:57
that off my
28:58
album. Alright.
29:00
Best Show.
29:06
Hey,
29:06
Tom.
29:09
This is Gary from Glendale,
29:12
California. This is Tim. I'm Tim
29:14
Heidecker. I'm guest hosting the
29:16
best show. I assume you're not
29:18
watching.
29:19
Oh, Tim. I
29:21
thought this was Tom.
29:23
Sorry about that. Hey. What's your name just calling
29:26
in? I'm a long time This is
29:28
Jerry from Glendale, California. Oh, yeah. I'm I'm from
29:30
Glendale, California. Alright. Not from there, but this
29:32
is where I live.
29:35
Yeah. Well,
29:36
you know, Los Angeles
29:38
area, but Glendale, sure.
29:40
Long time
29:41
listener of the show, I guess,
29:43
Tom's not here, but good to talk
29:45
to you anyway. And
29:47
I know this, you know, they like to talk
29:49
about music on this show a lot and
29:51
just want to let you all know big
29:54
news for myself that you all might
29:56
be interested in, but I'm going to be
29:58
working with the great Bruce
29:59
Springsteen for his upcoming
30:02
tour. Oh, really? His And
30:04
what capacity? His tour
30:06
manager.
30:07
Yeah. Uh-huh.
30:09
Super nervous though.
30:11
Super nervous. I haven't
30:13
done this in a very, very long
30:16
time. How did I would
30:16
assume thirty years. Yeah.
30:19
Thirty years. So I I would assume
30:21
that Bruce just has has a
30:24
guy. that's been doing it
30:27
forever. Is are you replacing
30:29
somebody that's yeah.
30:31
I'm I'm replacing somebody have
30:33
a guy that fell out. And
30:35
I I got hired. Fortunately, I
30:37
got a, you know, lucky strike there.
30:40
But I haven't done it a very long time,
30:42
and I am super nervous working with the great
30:44
Bruce Springsteen. You know, I want everything to
30:46
go just right for him.
30:48
You
30:48
know, stuff I don't know
30:50
about Bruce that I gotta learn.
30:53
You know?
30:54
Like, you know,
30:55
what kind of laxative
30:57
cocktails does Bruce like to
31:00
drink before a show, you know, stuff
31:02
like that? What? What?
31:05
What kind of what? laxative cocktail?
31:07
Why would I I don't even
31:08
know what that is. What what do
31:11
you
31:11
mean?
31:13
Well, you know, just like
31:14
something when Bruce
31:16
is ready to kinda unload on the stage
31:19
and You know, it's what
31:21
I'm used to is this is kind of the the
31:23
setup that I'm used to with with the
31:25
group that I used to work
31:27
with thirty years ago and
31:29
Who did
31:29
you use to work with? kinds of things and
31:32
who did you use to work with? What's
31:34
that? Who did you use to work with? I
31:36
used to work Yeah. I used to work with
31:38
Gigi Allen. Oh, I
31:40
see. Uh-huh. Okay.
31:42
So that's
31:43
is that the last person you tour
31:46
managed? as
31:47
the only person I've ever worked
31:50
with.
31:51
Right. And
31:52
the how
31:54
did you how did Bruce
31:56
find you? How did you get involved in
31:58
the Bruce orbit?
32:02
I guess
32:02
through the phone book, you know, I'm in I'm in
32:04
the LA phone book, and I guess he
32:06
he found me They're
32:09
a real local there, and
32:11
so, you know, we kinda hooked up. But,
32:13
you know,
32:14
well, you know, I need
32:17
Yeah. Are you I
32:19
I are you have you seen a Bruce
32:21
Ringstein concert?
32:24
no No. Really? Have you because
32:26
I need to know, like, what how much like, how much
32:28
how many pounds of zap
32:31
do I need for his concerts?
32:33
Of what? You
32:35
know, for for, you know, the stuff they
32:38
lay down for the vomit and things Oh,
32:40
no. No. No. Jerry Jerry Jerry Jerry
32:42
Jerry Jerry. Jerry.
32:43
yeah, Bruce
32:46
doesn't evacuate
32:49
his bodily fluids
32:52
at
32:53
at all all. Except perhaps,
32:55
I guess, you could say Well, not a
32:57
sweat because he sweat. He's a hardest working man
32:59
to show business in my opinion. Living
33:03
Yeah.
33:03
Hardest working man. So, yeah, I think
33:05
you might get the wrong might have got the wrong
33:08
idea about what this show
33:10
is going to entail. That would be
33:12
my unsolicited two
33:14
cents on this situation. Well,
33:16
I guess it's
33:17
kind of a relief. I mean, I was
33:19
kind of wondering, I'm worried about, you know,
33:21
Bruce is more big arenas that
33:24
I'm like, you know, Bruce is
33:26
an older guy, you know. I mean, can
33:28
he can he
33:28
hurl feces like a No. This is
33:31
about He won't be doing Jason,
33:33
do you do you have a,
33:35
you know, a chime in on this? This this is you've
33:37
got the entire are you sure you're speaking
33:40
with Bruce
33:41
Springstein, born to run, born
33:44
to run, but born in the
33:46
USA, born on the Bayou, born
33:49
at the wrong at the right time. Born on
33:51
the tunnel of love. Born on the tunnel of love.
33:53
Born in the tunnel of love. the
33:55
Bruce brings him to the Bruce I know who
33:57
he is. You know,
33:59
I mean,
34:00
I'm hoping, like, during the
34:02
the Jungle Land solo.
34:04
We we're gonna I got an idea. We can, like,
34:06
dispute blood out of it on No. A couple of
34:10
roads. Alright.
34:12
Well,
34:13
what no. No. I don't think
34:16
so, but I'm not one to tell you
34:18
what to do or what brute maybe
34:20
that's what Bruce wants to do. I
34:22
don't know. I I
34:23
don't know why I'm in the middle of
34:25
this either. Right. I mean,
34:27
I I guess, in
34:30
my opinion, though, if you what you're telling me
34:32
is wrong. maybe Bruce needs to to shake things up a little bit. And instead
34:34
of these, you know, boring stories,
34:37
he needs to to
34:40
scream and and you shout
34:42
incoherently and, you know, wake
34:44
up. It's an older crowd, I would imagine. Just
34:46
wake them up. It's a all age
34:49
all ages situation with
34:51
Bruce. Well,
34:52
listen, Jerry, I
34:55
I would go back to
34:57
the drawing board with with
34:59
your plans for Bruce. And and and,
35:01
you know, I would approach it like
35:04
this.
35:04
Listen
35:05
to what he wants to
35:07
do and try a great tour manager is there to just make
35:09
the artist's life easy easier
35:12
and take care of all
35:14
the logistics. and the
35:16
travel and making sure everyone gets there on
35:18
time and he's sort of the conduit between the
35:20
rest of the band and everything. Yeah. So what I would
35:22
do is just if you would If
35:24
you're serious about that. I mean, I'm
35:26
kind of I'm kind of on that kind of thing.
35:28
I mean, I'm I'm doing it. I mean,
35:30
I've got a rider. I want no working
35:32
toilets there, you know?
35:34
No. No. No. No. Just just go
35:37
ahead. Bye.
35:40
had you know, I
35:41
don't want Bruce to be tempted to go to
35:43
the toilet there when he needs to be going
35:45
on stage, you know. I want him I wanna
35:47
know what kind of gauge chain to put
35:50
on the outside of the the
35:52
doors so people can't leave during
35:53
the first
35:56
song. Right. Well,
35:56
listen, forget what you think
35:59
is going to happen.
35:59
Don't do the
36:01
rider. Just talk to
36:06
the boss. That's
36:06
why they call him the boss. Okay. Just say go
36:08
in
36:09
there with a go
36:14
in there with an open mind, without any agenda,
36:16
without any expectations, and
36:19
say, boss, tell me what
36:21
you envision for the show. If
36:23
he brings up going to the bathroom
36:25
on stage or vomiting or any of
36:27
this other business, it seems like you're the
36:29
right guy and you're gonna be able
36:31
to facilitate that. Ods are. He's just gonna have a yeah.
36:33
I'll just wanna, like, you know,
36:34
I'll start out playing jungle land
36:37
or whatever. And and that and your and your
36:39
life will be you don't
36:42
worry about vacation or any of this disgusting. No offense to
36:44
Gigi Alba or what you've done
36:46
in the past. But just talk
36:48
to him now and
36:48
let us know how that goes. Okay?
36:52
Alright. Well,
36:54
you've done you've done musical
36:57
tours yourself.
36:59
Haven't you? Yes.
37:02
What like, what
37:04
do you think if
37:06
I'm booking some some locations,
37:09
like, what what are the best venues with Don't
37:11
don't worry about acoustic acoustic
37:13
to hear
37:14
like the urine splash. No.
37:16
No. No. No. No. No. No. No. No. We don't want let the
37:19
booking agent worry about that. You're
37:21
not booking any arenas and you're not gonna
37:23
worry about the acoustic Okay?
37:26
Jerry? No. I gotta I
37:28
gotta let you go. Alright. Good
37:31
luck to you. Alright.
37:32
Okay. Well,
37:33
good talking to you and best with
37:36
the with the show
37:38
there. Thank
37:38
you, Jerry from Glendale. And stay
37:41
out and stay out of my way if I
37:43
see you. Okay? I
37:44
don't wanna know anybody that No.
37:47
Come
37:47
to a show. Well, we'll
37:50
get you upfront. I would love to. I don't think there's a
37:52
safer
37:52
place. I'll put this I'll put
37:54
this out there. I don't think there's a safer
37:58
place to to
37:58
be if you're if
38:00
you
38:01
don't wanna be splattered with
38:03
feces, then a Bruce
38:05
Brinkstein front row. despite
38:07
what
38:07
you think. Okay?
38:10
Alright. If
38:11
you say so, I do.
38:13
I do
38:14
confidently. Thank
38:15
you, Jerry. Alright. Bye
38:18
bye.
38:18
obama
38:20
Weird. Yeah. It was very odd.
38:21
I think he's got his lines
38:23
crossed. I mean,
38:25
i mean I
38:26
mean, everybody knows Springsteen likes to go in the middle of
38:28
a ramrod usually. But he
38:30
goes off stage. It's never on stage.
38:34
Yeah. So
38:34
this episode is sponsored by better
38:36
help. Now I know
38:38
life can be hard sometimes
38:42
It's hard for me. It's hard for you. It's hard for all of
38:44
us. We're doing the best we can,
38:46
and we're trying to do a good
38:49
job. But unfortunately, life doesn't
38:52
come with a user
38:54
manual that explains how things
38:56
work. So sometimes when it
38:58
gets bad, makes you feel like things are slipping away. Like, you
39:00
got no control over your life and maybe
39:02
you start to
39:04
lose hope or
39:05
get a get worried about
39:08
things and that's when
39:10
therapy comes in and I can
39:12
just say, therapy has been
39:14
an important part of my life throughout
39:17
the challenges and the tribulations
39:19
that have been thrown at me
39:21
and having somebody who I could talk to
39:23
and figure things out with and express
39:26
myself in it. non judgmental
39:29
environment has been
39:31
invaluable to me. And if
39:32
you find yourself in one of those
39:34
spots where you kinda can't figure things out and need somebody
39:37
to talk to, better help
39:39
is an excellent option. Something
39:41
definitely worth considering they
39:44
have helped over three million people
39:46
pairing them with licensed therapists.
39:48
It's convenient. It's accessible
39:51
wherever you are. one hundred
39:54
percent online. Their therapists
39:56
are trained to help you figure out the cause
39:58
of challenging emotions and help you learn
39:59
productive coping
40:02
skills. Just go fill out a brief questionnaire to match with a therapist.
40:04
If things aren't clicking, you can
40:06
easily switch to a new therapist anytime
40:09
it couldn't be simpler. no
40:11
waiting rooms, no traffic, no
40:14
endless searching for the right
40:16
therapist. Learn more and save ten percent off
40:18
your first month at better help
40:20
dot com slash the
40:22
best show. That's better
40:24
help dot com slash
40:26
the best show.
40:27
I think
40:28
I think you get a good
40:30
did ever tell the story about seeing Bruce back in the old
40:32
well, seventy three,
40:34
maybe No. Oh, yeah.
40:37
It was it was during
40:38
the Iraq War, during the
40:40
bush years, and he was
40:44
playing in at the forum or
40:46
the sports complex, whatever, in Los Angeles. And
40:48
and he was out
40:49
there kinda talking about
40:51
constitution, and we
40:54
have to expect it. I'm touch it sounds like Bush, but -- Yeah. -- he does a
40:56
little, you know, southern when he
40:58
does his speeches. Well,
41:01
before the show, a
41:03
couple in in pure
41:06
denim, just denim head to
41:08
toe coming in from, you
41:10
know, riverside or
41:12
somewhere that You might you might expect them to be at
41:14
the Trump rally. He's still
41:16
going, by the way. Oh, he's still going? Yeah. Okay.
41:18
Let's dip in.
41:20
Let's see. Oh, no.
41:20
He's done. He just finished. He just finished. Tim, is
41:23
this is this Lucky Town era we're
41:25
talking? No. No. No. This is,
41:27
like, devil's and
41:30
dust Oh, this is devil's and dust. push that too. But oh, yeah.
41:32
Yeah. This is not real. Yeah. Okay.
41:34
That's Okay. This is good.
41:37
That's confusing. You have to be clear on what you're
41:39
right or Yeah. And what,
41:42
anyway?
41:42
the So
41:44
this Denim
41:46
clad coupled
41:47
sitting behind us.
41:50
And it's just there's no
41:52
opener. Right? Yeah. It's just the Bruce Brinkstein in
41:54
the East Street band and it's about
41:56
eight o'clock. And
41:58
maybe it's now 805 And
42:00
people
42:00
are milling in and
42:02
there's no in room that, hey,
42:04
what the hell is going on here? You
42:07
know? There's just
42:08
a normal you know it's
42:10
going to start in a few minutes.
42:13
the lights are gonna go down. Boss is
42:15
gonna come and do
42:17
a You're gonna
42:19
get bruce. There's a little bit of
42:21
that. People are excited. The
42:23
guy behind me and the all goes out of nowhere
42:25
sitting there. He's
42:26
right behind me goes, come
42:28
on.
42:30
Let's
42:33
go. Right?
42:35
What the Dude, have you
42:38
ever been anywhere?
42:40
And then
42:40
then Then middle
42:42
of the show, Bruce goes into a big thing
42:44
about how we
42:45
it was, you know, it's Abu Gray, was
42:47
going on, and the torture, and it
42:49
was a very dark time as it always is these days. But
42:51
it you know, he and he came out and said
42:54
something very sort of, you know, political
42:56
and against bush and and
42:58
respecting and no torture and all that
43:00
stuff. And I looked back and
43:02
they split. That
43:03
was They just got up and left
43:06
right during that. Yep. Oh, yeah. They were not gonna
43:07
have any
43:08
of that. Anyways, that's
43:10
that's
43:10
all the brewers talk We
43:13
need more Beatles on Yeah. We've got two. Do you wanna put the
43:16
graphic up? Do we have
43:18
the graphic? No.
43:21
We don't. I mean, one second. Okay. We do have. But when we
43:23
do We have a call. We do have calls. Yeah.
43:25
We can go right back
43:28
to it. Here
43:29
we go. Goodbye. Might it might
43:31
put oh, do
43:32
we put get back on the list?
43:36
Hello? Hello? Best
43:37
show. Hello? Best show.
43:39
Hi. Where's what's your
43:41
name where you where
43:43
you calling from? Justin
43:45
from Pittsburgh. Alright.
43:48
Wolf Pittsburgh, by
43:49
the way.
43:50
How are you tonight?
43:53
I'm real
43:53
I'm great. We love you.
43:56
We love you. We thought I
43:58
I've seen you every time you come here,
43:59
I think. Do you
44:01
see us last time when over the
44:04
summer? I did.
44:06
Yes. There we go. It
44:07
was the famous -- The perfect show.
44:09
-- the famous Viklas show. We
44:11
had a Vic Sick. Vic's the Vic's show. I have
44:13
a picture. Was it a picture
44:15
of Vic vomiting out
44:16
in front of the bus like him?
44:20
It looks like him in the rafters. I'm almost positive. It's
44:22
like a sad movie. Did he sneak in
44:24
and watch the show? Here's what looks just
44:28
like fish. Well, he was he
44:30
was in the lane. If he was in the
44:32
blue chairs, then I think I have,
44:34
like, a funny
44:36
Saturday for I don't think he
44:38
was. He was curled up in his butt of
44:40
dying. Oh, he was.
44:42
Okay. And we were all disappointed about
44:44
that. I love that. Well, it
44:45
was a great show anyway. Don't
44:47
you think?
44:48
Oh, that's fantastic
44:50
show. Despite. Anyways, what can I
44:52
do for you? I think I've seen you every time you
44:54
come here. But anyways okay.
44:58
Can I ask you a question, Tim?
45:01
You just
45:02
did. Okay. Can I ask,
45:04
like, around what year
45:07
you got into the
45:10
Beatles? Oh, yes. That's the question everybody wants to know.
45:12
That's the topic. Yeah. People
45:14
I think -- What year? --
45:16
really, I'm wanting to know. Let's
45:20
play I mean, what age? What age? What age?
45:22
Like, it was like your big, like
45:25
because I think everybody has
45:27
that very legal, ma'am. Whatever I am in, like,
45:29
eighth grade, seventh grade, eighth
45:32
grade, I'm I I can write.
45:33
I can tell you I
45:35
can tell you my dad No.
45:38
Thirteen.
45:38
I could tell
45:40
you. I didn't. Sorry. Thank
45:42
you so much, sir. First
45:44
time on the
45:46
phone? Hit
45:48
me. No.
45:52
Listen. I'll tell you.
45:54
I my two memories are this.
45:56
One is my dad
45:58
had the sixty seven
45:59
to seventy blue
46:02
best of cassette. He
46:04
he
46:04
got that and we'd be
46:06
driving around. He'd play it. And
46:08
he also had, like, a bunch of oldies tapes and, like, you
46:10
know, Roy Orbison and Dillon
46:12
and stuff. And then We
46:15
used to goof on the Beatles. We used to
46:17
goof on Lucy in the sky with
46:20
Diamond. Picture yourself. Like, we
46:22
just thought it was ridiculous. But
46:24
then something you
46:25
know, something grabbed me about it. Like, it was don't know. There's probably,
46:27
like, all the
46:27
posters at, like, the we had a shop.
46:29
What was the shop called that was, like, Hollywood
46:32
Video or
46:34
something like that or, like, sunset video in the
46:36
mall. Suncoast. Suncoast video
46:38
in the mall. Yeah. Yeah. And there was just,
46:40
like, a
46:42
coach here. like, I think nineteen eighty seven was the CD
46:44
reissues. Mhmm. And and
46:46
that got a lot of attention. And and there was it
46:48
was just in the air, and I I just
46:51
Dovin, started reading books,
46:54
and and, you know, it was off to the
46:56
races. So
46:58
Right. This
46:59
is something, like, the edge. Right? Like, kind
47:01
of, like, Metals called ish edge. Yeah.
47:03
Alright? Right. So okay.
47:05
This
47:06
right
47:07
is a preference. for
47:09
my song that I'm picking. And
47:10
I think it's gonna be really polarizing,
47:14
but it's because
47:16
I was thirteen
47:18
when this
47:19
son came out, and it was, why
47:21
don't you
47:21
get a job is when this
47:23
son came out? And
47:26
that's
47:26
why I fucking I'm
47:28
sorry. I fucking hate of the day
47:30
of Oh, yeah. Well, that's not
47:33
gonna be polarizer. I think that's going
47:35
on the list right away. Yeah. That
47:38
show that show what's it called? I
47:40
feel like that song, like,
47:42
really pushed It was like Wonderful year. that's why No. No. Not no.
47:44
They did. There's no way I can go back.
47:46
Somebody asked to find out the
47:48
show that was on with the
47:52
I
47:52
I don't know what
47:55
to
47:55
call the character on that corky.
47:58
Corky was
47:59
on that show. And that's life goes on. Life goes on. Yeah. And that's the
48:02
lyric from the Does
48:04
Moncton look in
48:06
the marketplace. And
48:08
Paul
48:08
McCartney has said about that song. You know, it was a -- Yeah.
48:11
-- it was a a Jamaican
48:13
fellow that used
48:15
to work near you know, he
48:17
just said, oh, bloodier, oh, bloodier, and I said, well,
48:20
that's a good night song, you know, tight
48:22
song for a song. And I said I said, what
48:24
does it mean? He says, you know, life goes
48:26
on. So we just
48:28
we just nicked it, you
48:30
know, just took it
48:32
wholesale. So,
48:34
you know, Oh, what did you
48:36
say about temporary, secretary? Well, no. I got a master's on
48:38
a beatles too. Okay. Alright.
48:42
I I actually like that song though. I actually like that song though. Great. Thank
48:44
you. Hold on. I'm making a note.
48:47
You like temporary
48:48
secretary. So
48:51
do I? Listen friend. Thanks
48:53
for calling in and go go
48:56
Steelers. Yeah. Steelers.
49:00
He's off
49:00
the line. Alright. I think we
49:02
do have a regular best show
49:05
caller that is special right now.
49:06
I'm just gonna go ahead and patch him through.
49:10
please.
49:11
Best show. Is
49:12
this who I think it is? It
49:14
is Tim. How are
49:15
you doing? I'm
49:17
good. Identify yourself,
49:20
please. Oh,
49:21
it's lay every
49:24
deparve.
49:24
Oh, jeez. Is he Larry
49:26
deparve? regular from FM New Year's end. Okay.
49:28
How can I turn?
49:30
At
49:32
the going
49:33
date, Tim? Real
49:35
good.
49:38
Yeah. Nice. But
49:40
what's
49:40
going on there? We're doing the beetle thing. The
49:42
I'd say to open the open dot and
49:45
you would make make fun of it earlier
49:47
there. Yeah. I
49:47
I I'm not making fun of any
49:50
of this. I'm just trying to create conversation
49:52
about the greatest band of all time.
49:55
And everybody, you know,
49:57
there's a there's a hierarchy
49:59
to
49:59
this music. that I
50:02
think is fair
50:03
game.
50:05
though So listen.
50:06
Like, do you have low. Do
50:09
you
50:09
have a pick?
50:11
Alright. Well, we already got that one. I'm putting
50:13
it at number
50:16
four four.
50:17
Alright. You
50:20
know, never
50:20
gonna get through this. I'm just making a top ten. We're gonna get it.
50:22
We're gonna get it. because I
50:24
think our
50:25
guests have arrived. Oh,
50:28
okay. And
50:28
that's gonna change
50:30
the chemistry tremendously. Tremendously.
50:35
Let's they're
50:36
in no rush. Let's
50:38
anything else?
50:39
Perf? Merf, the Perf? What is
50:42
Larry The Perf, sir. Larry The Perf.
50:45
What's so
50:45
pervy about you? Do we need to know?
50:48
For a
50:48
context? What's that?
50:52
What's that? just like a nickname
50:54
there. Okay. You're not
50:55
a true purf. You're not, like, exposing
50:58
yourself to people on the
51:00
streets. Oh,
51:00
okay. Their full name is
51:03
Leary d purvathan. Copy.
51:04
Alright. Well, thanks for
51:06
calling with them. Alright,
51:10
Ben.
51:12
all the
51:12
best. What's the Larry
51:14
the Perf, Larry? They rarely ever
51:16
called. Oh, really? It's a very special
51:20
a a little It's a very rare call from Larry to her. to
51:22
spot it out. Yeah. Should we
51:24
bring in our guests? We can't check with the news.
51:26
You know what the other thing, I mean, we're
51:29
not gonna this. And maybe
51:31
we can get to it with Claudia and
51:33
John. Claudia, Audoradi,
51:35
the and Is
51:37
it John Early? Joe Early?
51:39
John Early? We'll
51:40
be joining us in a second. I thought
51:42
this could be a fun thing to do. is
51:47
finish. What's the punch
51:49
line?
51:49
Okay? Folks, what's the
51:52
punch line? Here's the setup. The news today
51:54
was there are now eight
51:55
billion people in
51:58
the
51:59
in the world
51:59
world according to whoever, the UN.
52:02
So the joke would
52:03
be there are now
52:04
eight billion people in the world, but
52:06
still, that that that.
52:08
that
52:09
Still, you know, or or
52:11
it doesn't have to be, but still, but
52:13
what's the punch line? What would Jay
52:15
do? Jay Oh, the
52:18
horrible story with Jay. And
52:20
I thought to myself, do we talk about it?
52:22
Do we we have to be
52:24
respectful -- Yeah. -- of the
52:26
great Jay. Jay Leno, injured, and we wish
52:28
him the best. And I'm not here to
52:30
tell him, don't
52:31
be, you know, be careful with your car
52:34
and stuff. I'm not here to shame or
52:36
judge or say, you know,
52:38
look
52:38
with with the twenty twenty
52:42
vision No. What's a what's
52:44
a call with quarterback? Monday morning quarterback, Jay Gleno?
52:46
You shouldn't be messing around with fluids
52:48
and
52:50
but no,
52:51
it's terrible. That's right of the street. We're really close.
52:53
I hope
52:53
he's okay. It sounded it
52:56
sounded bad. But then I read it it
52:58
said that he was like saying he's okay.
53:00
So I don't know. But
53:01
it burned the whole left side of
53:04
his face. Jesus.
53:06
So I don't know. I don't know if I would
53:08
personally I will see what happens. I'm just
53:10
saying I don't know how I would personally
53:12
get through something like that. I don't think
53:14
I could.
53:15
Let's bring
53:16
in her guests on
53:19
that note. Maybe we could
53:21
play
53:21
a quick song. You wanna play one song and
53:23
get them in here? I don't care
53:25
if that's if that's what guys wanna do. Let's do that so I could say hi to them
53:27
off the air. We're gonna
53:30
hear we're gonna hear a little Judi
53:33
Sill. Yep.
53:34
This is Jesus. He was a cross maker from Judy Sill and
53:36
be back with Claudia and John
53:40
Early.
53:50
Oh,
53:56
Kentucky.
53:56
Oh, yeah,
53:59
baby. we are back
54:02
live 707
54:06
PM on the
54:08
West Coast. That
54:10
means it's ten PM on the East
54:12
Coast and other times that you could
54:14
look up if you have the clock app
54:17
on your phone to
54:19
watch little clunky. And I am in studio.
54:22
Don't do that. Don't do. Don't don't
54:24
be doing that. It's not
54:26
funny and not
54:28
fun. It's The best
54:30
show on your guest host Tim Heidecker sitting
54:32
in for the great Tom Sharbling, who will be
54:34
hosting office hours live on
54:36
Thursday morning. The
54:38
old Switcheroo and I'm in studio
54:40
with I can't I oh, you got your
54:42
names
54:42
up there. John Polarity.
54:46
John Clarity. John
54:49
Early, unbelievable, and
54:51
also claudia, oh,
54:54
dude.
54:54
From
54:55
Australia. That's
54:56
right. All the way.
54:57
Why? flew in for
55:00
this. On when did you get
55:02
in? Expensive. Don't get near
55:04
the mic by by all means. No one wants to
55:06
hear. I
55:07
can't talk because John turned on
55:09
my dial. Please. I
55:11
asked you guys to come in at PM today for a
55:13
sound check. We quit it though.
55:15
We're
55:15
busy. Hickory
55:17
Hickory Duck. Watch
55:19
the cursing.
55:21
to one
55:24
one.
55:25
Okay. Hi. Hi. I
55:27
thought, well, let let me did you
55:29
tell John? I told you.
55:32
Yes.
55:32
I But that was weird. I I
55:34
didn't get attacked. I well, I thought about it. I didn't
55:36
wanna scare you away. You're not a
55:39
beetle head. But, you
55:40
know, not in in these
55:42
sort of deliberate way.
55:44
Okay? I understand you had a different
55:46
upbringing. I just
55:48
didn't come by it naturally. Well, it's
55:50
gonna come up. How could you? How could
55:52
You have a general awareness. Yeah.
55:54
Yeah.
55:54
Yeah. Well, I I
55:55
name name. Yes.
55:58
yes
55:59
What do you have? But I'm doing the twenty worst. No.
56:02
Or you named the sword beams?
56:06
John
56:07
Paul. George
56:08
Ringo, and of course, if we're really being
56:11
completeness about it.
56:14
And you know
56:16
how I knew that? Yeah. because Claudine
56:18
said I gave him
56:19
a crash course in the car.
56:21
Okay. Like, literally, like, rudiment. Oh,
56:23
when you crash and did you No.
56:25
Thank goodness. funny. I thought you know what we could do. This
56:27
was not other idea today. We could do
56:30
improv. I prefer we
56:33
did do improv. love that idea. Yeah. That was
56:35
my biggest fear was that we would come in and not
56:37
realize that this is a show where you did characters.
56:39
Mhmm. I'd oh, really? Well,
56:42
I am a character. I know you know
56:44
that. And you are too. Yeah. Right. Right.
56:46
And I so maybe if people wanna call
56:48
in, give
56:50
us prompts. This is improv work. Can you
56:52
imagine can
56:52
you imagine people still do improv?
56:54
They really do. You know
56:56
people love
56:58
it. Were you did you
57:00
come up in the improv scene? Not really. No.
57:02
No. And you claudia?
57:04
I did it for, like,
57:07
six
57:07
weeks at college. And then I
57:10
was like, I
57:11
hate this. Yeah. I hate Go
57:13
away. and watch it. go
57:15
away and write, come up with ideas, work on
57:17
it, then present to me.
57:20
Exactly. Exactly. Okay.
57:22
Well, one
57:22
fear I have. Mhmm. Let's
57:26
let's
57:26
talk about our fears. Mhmm.
57:29
We
57:29
are having dinner
57:31
after this. Yes. Are
57:32
we gonna blow our load on the air and then sit -- Oh.
57:35
-- at dinner, air freedom. I
57:37
feel like with us three It's
57:39
just always regenerate. It's
57:42
true. and then we will keep our our s talking
57:44
to dinner. We will have like,
57:46
cursed. No. Okay. Okay. No. I'm just
57:48
saying we like, if we're
57:51
gonna have dinner, that's when we can kinda air our
57:53
grievances about our colleagues and what we don't like
57:55
about things. Anything main
57:58
now? Yeah. only
57:59
kind. Although, what have you said about
58:02
the Beatles? What are the
58:02
Oh, so what do we we the blister
58:05
is just getting started. And I should say Claudia, you
58:07
are a beetle freak. I'm a beetle
58:08
freak. I grew up as a beetle
58:11
freak. So I do
58:12
have a list. spot. I was like Well, do
58:14
you wanna
58:15
throw one on the list right now? See if it's on
58:17
the list already? Yeah. Of course. Simply truffle.
58:19
I don't like it.
58:21
ramping
58:29
battle wrong. I don't think I could not
58:30
fight really blows down those
58:33
blues. That sucks.
58:35
You know what this is
58:37
about? No. Okay. Well, you know what we could do is bring up
58:39
sat So baby truffle lyrics
58:42
without even
58:44
singing them. I don't are you allowed to play the music on this
58:46
show? We prefer not to. We have
58:48
a show taken down because of people
58:52
Especially, But I'm just gonna read these you, your first
58:54
impression. Cream tangerine,
58:56
montalimong, a ginger sling with the
59:00
pineapple heart, coffee dessert. Yes. You know it's good news, but you'll
59:02
have to have them all pulled out after
59:04
the savor savoy truffle. What do
59:06
you think they're getting
59:08
pulled out? Like,
59:10
are they making a list of, like, the greatest desserts
59:12
or something pretty much? I know you
59:14
know who
59:15
it's about. Right? No.
59:17
no It's
59:17
about plucky himself. Oh.
59:20
And his love of desserts. He
59:22
had a sweet
59:23
tooth until he found the age Exactly.
59:25
The most delicious is that. Quincey cream
59:27
and a nice apple tart. I feel your
59:29
taste all the time we're
59:32
apart. Whoa. Coconut fudge really blows down those blue
59:34
Oh, so they're talking about No. They they
59:38
would like. dang.
59:40
Yeah. But you'll you'll have to have them
59:43
all pulled out. What would you have pulled
59:45
out if you're eating sweets?
59:47
He's giving
59:48
you a hand.
59:49
Teeth. Yes. He's saying you're
59:51
gonna have to have your teeth pulled out.
59:54
Yeah. If you keep eating on the He's
59:56
begging his
59:56
friend to stop eating
59:58
so many desserts. Alright.
59:59
I think savory savory savory
1:00:02
savory. Savory. But isn't
1:00:04
it savory? Nope. No. That would be weird. Savory and truffles. That
1:00:06
would be like it's A bread meeting.
1:00:08
Yeah. Savoy. So you think
1:00:10
it's the meaning
1:00:12
is is It's
1:00:12
literal. Well, it's like a little I
1:00:14
think it kind of is. Yeah. I don't think there's
1:00:16
a sexual innuendo. Okay.
1:00:18
Sorry. You know me. morning.
1:00:23
Double unharmed that. Definitely,
1:00:25
Sabboy truffle goes on the list.
1:00:27
so excited at when
1:00:28
on the list. And don't pass me by.
1:00:31
But So are
1:00:32
the ringo rules? It's
1:00:34
all
1:00:34
fair game. because he's getting
1:00:36
on the
1:00:37
list. Well, he already
1:00:38
is. There's the list so far. Don't
1:00:40
pass me by. he's number five, being for the
1:00:42
benefit of mister kite. I actually think soap
1:00:44
plus me bi is one
1:00:46
of Ringo's better songs.
1:00:49
I think
1:00:49
he's got many worse, but
1:00:51
I'm really excited to get into
1:00:53
this. Okay. Good. This is how
1:00:55
rudimentary I am. Like, So so they would what was
1:00:57
the division of labor? Like, like,
1:00:59
did they, like Were
1:01:01
they, like, you can
1:01:02
do a few songs where you sing
1:01:06
leads? Yeah. But but I I was asking Claudia to listen to Karl. Is it all
1:01:08
singling? Can you write it? Or is it like
1:01:10
I wrote this to you in a singly? Like Well,
1:01:12
by the end, there,
1:01:14
Ringo started saying, well, I can
1:01:16
do this. Yeah. And he would bring terrible songs. And
1:01:17
they'd be mean to him about them.
1:01:19
Oh,
1:01:19
wow. But Fair
1:01:22
enough.
1:01:22
Yes. They're
1:01:23
not good. Yeah. And often
1:01:26
they'd give him cupboards and he just
1:01:28
ruins all. Oh,
1:01:29
oh, like what? Well,
1:01:31
boys, the chirrell song.
1:01:33
Yeah. Yeah. Boys.
1:01:36
No, John. No idea. This is
1:01:38
a song where this is Century.
1:01:40
That's
1:01:41
a good song. Yeah. But like His version of Ringo's
1:01:42
version is not the best version of
1:01:44
that song. Okay. He's always doing
1:01:46
great. You're coming hot.
1:01:49
Well, I'm good. I'm happy. I'm good. Are you happy?
1:01:51
I'm I'm having a ball.
1:01:55
I've got
1:01:56
a lot I've got a lot of opinions about
1:01:58
it. You just
1:01:59
look, John, if you
1:01:59
just wanna watch yourself on the monitor, that's
1:02:02
fine. It's so hard because I just see myself in the
1:02:04
profile. It
1:02:04
does cut away from us whenever we
1:02:06
look at this sandwich sock. Alright. So you wanna just put the
1:02:08
Ringo songs on there? Yeah. Okay. Get it
1:02:11
over with. You can't put with
1:02:13
little help, my friend. No.
1:02:15
I don't want to. That's a ringo. That's
1:02:17
his best. I would say
1:02:18
that's his best. Right? He said,
1:02:20
but Leonard McCarthy wrote
1:02:23
it. Yeah. That's why it's good.
1:02:25
Yeah. I would to consult
1:02:27
the list. Sorry.
1:02:29
Goodbye.
1:02:31
And we have Obladiobladiobladiobladiobladiobladiobladiobladiobladiobladiobladiobladiobladiobladiobladiobladiobladiobladiobladiobladiobladiobladi.
1:02:32
Let's
1:02:38
get boys up there at I don't
1:02:40
know what. seven. Seven.
1:02:43
Always. Great. But
1:02:44
wait. Savoy truffle, where it was at?
1:02:46
Oh, we
1:02:46
haven't put that up yet either. Savoy truffle.
1:02:49
You wanna go real high with it?
1:02:52
Yeah. I mean, you
1:02:54
came in real high. I said about it. Yeah. I was a little
1:02:56
hunch about it. Let No. I wish I like
1:02:58
the horns on that song. It's got some good
1:03:00
stuff about it, but there's lots of lots
1:03:02
of stinks. Come on.
1:03:04
Yeah. I would say probably
1:03:06
it's like six. Number
1:03:07
seven. Do you guys wanna do
1:03:10
you guys wanna wait? Like, are you, like,
1:03:12
locked and loaded with your least
1:03:14
favorite of all time? have it much thought.
1:03:17
And I'm waiting to
1:03:18
just see how it goes. Okay. I didn't do
1:03:20
much. If you did work on this I thought
1:03:22
about Good. I was very busy
1:03:24
tonight using TV shows. Oh, yeah.
1:03:26
Well,
1:03:26
yeah. I've
1:03:28
also rated a cross reference with the list from
1:03:30
enemy. Vulture.
1:03:32
Here's a list. A list
1:03:34
exists. I did. Okay. Earlier
1:03:37
today, Google, like, Unbelievable. Look at your song rinks.
1:03:40
Yeah. Wow. I like to do my
1:03:42
homework
1:03:42
and to hide this. I
1:03:43
also love your
1:03:46
homage to I love your homage
1:03:48
to great radio with your doctor Dimento shirt
1:03:50
and didn't even didn't even
1:03:51
think about that? Didn't well, didn't even
1:03:53
I don't even know doctor Dimento.
1:03:56
This was gifted to me. Are you given clothes to wear and
1:03:58
told what to wear by your
1:03:59
stylist? Are
1:04:03
you Yeah. Alright. I
1:04:04
have to look up with the So so the Ringo
1:04:07
songs are what matchbox? Oh,
1:04:09
yeah. Matchbox sucks.
1:04:10
as well. Like but also
1:04:12
it's so covers are allowed. Yeah.
1:04:14
Mhmm.
1:04:14
Or letting it cover Matchbox
1:04:16
is on the least one hundred
1:04:18
his yellow submarine on the list? I think so. Yeah. I
1:04:20
agree. Yeah. And I think the
1:04:22
Bliss
1:04:22
is God, and
1:04:23
he's on the list. Wow.
1:04:26
Do
1:04:26
you know if it's on the list? We need numbers
1:04:28
too. Tell us where they all sit.
1:04:31
Alright. If it can they
1:04:32
the numbers change because I think as this
1:04:36
conversation, evolves the numbers. The ranking It looks
1:04:37
like it's pretty mean. Honey,
1:04:40
don't? Yeah. For
1:04:42
sure. Yeah. Can you tell me when
1:04:44
you when you name a song, can
1:04:46
you tell me who wrote it? Yeah.
1:04:48
So honeydone is a
1:04:50
cover ringo. Yeah. Matchbox
1:04:52
is a cover, Ringo.
1:04:55
Ringo. Yeah. Did you
1:04:57
hear the new revolver and
1:04:59
the the the the genesis of yellow
1:05:02
submarine? No. What do what is it? It's
1:05:04
fascinating because it started
1:05:06
as a very sad John's
1:05:09
Right. Where he was just on the guitar
1:05:12
singing in the
1:05:12
town, where I was born, all
1:05:15
I was alone. I was
1:05:18
alone. Have you heard that, Jason? Yeah.
1:05:20
It's very cool. It's, like, really
1:05:22
sad. And I am I was, like, oh, you make it a
1:05:24
happy song actually. If it's a really
1:05:26
cool car too. Probably gonna
1:05:28
be a pretty good cartoon. Because why did they
1:05:30
keep
1:05:30
giving ringo these, like, aquatic,
1:05:32
like, underwater zone? They wanted
1:05:34
to drown him. I think that's how we're telling you.
1:05:37
of drowning in that.
1:05:39
Alright. So let's just
1:05:41
fill the list with the ring no
1:05:43
song. Okay. So we don't matchbox. What number do you matchbox? off later. We
1:05:45
can always take them
1:05:47
off. Yeah. Yeah. So
1:05:49
you want matchbox twelve? Matchbox twelve?
1:05:52
Yeah.
1:05:52
Matchbox twenty. Matchbox.
1:05:53
Come on. No. Let's do that. Come
1:05:56
on. Yeah. So matchbox.
1:05:58
Yeah. But That doesn't make
1:05:59
any sense except it's
1:06:02
fine. And
1:06:02
then honey, don't you wanna
1:06:04
do nineteen
1:06:05
on that? Honey, don't? Yeah.
1:06:07
And honey, don't? Do
1:06:08
you like that? If you if I just said, I'm a
1:06:11
new song, I'm a new song, you know? You'd be like, that's
1:06:13
pretty cool. It's like, hey,
1:06:14
good
1:06:16
looking. Does John
1:06:19
does Ringo
1:06:20
have any songs on their first album?
1:06:22
Please, please, me. I'm pretty
1:06:23
sure he does.
1:06:25
I'm pretty sure you're wrong.
1:06:26
Oh, wow. Damn.
1:06:28
Out. I don't think it
1:06:29
boys. Boys. Yeah. It's boys. I'm pretty
1:06:31
sure sometimes the girl just
1:06:34
needs work. It is
1:06:36
a song. It is a
1:06:38
weird song because it's a girl group song
1:06:40
-- Yeah. -- that Ringo sings about
1:06:43
wanting boys. Wow. Well, here's where I come in.
1:06:45
Yeah. There we go. As the
1:06:48
resident queen.
1:06:50
Okay. It's good, honey
1:06:54
here. It's
1:06:55
very it's very
1:06:56
passe to be
1:06:59
gay. That could be nice. It could be
1:07:01
my new phrase. Right? Yeah. Yeah. Why would
1:07:03
we all get excited about this?
1:07:05
We're talking about
1:07:08
gay things. It's all I love too. I know. Come on. You
1:07:10
can't you can't rest on those laurels
1:07:12
anymore. We need more from you. I know.
1:07:14
Lots of the Beatles
1:07:15
were gay. don't
1:07:17
even joke. John was probably John
1:07:19
was probably Absolutely. That's why it's actually confirmed
1:07:22
or, like, you know,
1:07:23
you tried
1:07:26
to full
1:07:26
You didn't I the me.
1:07:29
Full.
1:07:29
023
1:07:32
full. Alright.
1:07:34
We gotta take a call. Yeah. That's that's
1:07:36
what this show is all about. Call
1:07:39
2018201
1:07:44
Is that
1:07:44
Bongo Hill? Yeah. 2019890012
1:07:49
Don't say their number. Oh, that's
1:07:51
this number of one. God.
1:07:53
What about you were saying? Oh,
1:07:55
caller's number.
1:07:57
that's show
1:08:00
Best
1:08:00
show. Hi, Tim. This is Veronica
1:08:02
from Philadelphia. Veronica.
1:08:06
Right? you
1:08:07
suppose it would be
1:08:09
after that, Tom. You are? You have
1:08:11
a sister named Allen, who's also named Allen, and who's also
1:08:13
named Allen. Allen Allen Allen Allen Allen Allen Allen Allen Allen Allen
1:08:15
Allen Allen Allen.
1:08:16
So and
1:08:18
that and guess who
1:08:21
co wrote
1:08:21
Veronika? I I know it was
1:08:24
Bauma Cart
1:08:24
me.
1:08:26
I
1:08:26
told you to guess, though. Oh,
1:08:29
no. I'm sorry. I'll
1:08:31
I'll be better next time.
1:08:34
Okay. Well, do you have a
1:08:36
do you have a song to put on the
1:08:38
list? Or do you wanna talk about something else?
1:08:40
Do you what? So
1:08:41
I feel like we sort
1:08:42
of brushed over. Please please me because it doesn't have any Ringo
1:08:45
song. Mhmm. But I
1:08:47
would really like to
1:08:50
call out. I saw
1:08:53
her standing there
1:08:54
because it started off with
1:08:57
She
1:08:57
was just seventeen. Oh, and you
1:08:59
know what I mean?
1:09:00
And I
1:09:02
you know what? I I
1:09:06
do know what he but don't I'd not.
1:09:08
Yeah. Yeah. But, you know,
1:09:10
the guy the lads
1:09:15
They will let Well, they were, like,
1:09:16
nineteen. They will be a lead. They will
1:09:18
be a lead. When they wrote that, he was
1:09:20
probably nineteen,
1:09:22
nineteen. I'm giving him a pass on He
1:09:24
was if they made money
1:09:26
wrote it. Was he? No. I
1:09:30
don't know. Yeah. I I don't I I don't particularly
1:09:32
love that song anyways. No. It's it's
1:09:34
a but just a basic
1:09:36
blue
1:09:37
the
1:09:38
well, yeah, rock blues
1:09:40
song. But
1:09:41
it is never
1:09:43
Never.
1:09:43
Never. Never.
1:09:45
whoever the
1:09:48
Oh.
1:09:49
That's fun. That is fun. And it is the
1:09:51
song that kicks off the whole thing. Totally. It gets everyone going.
1:09:54
I think it's
1:09:57
No. Sorry. In fact, that's getting
1:09:59
on
1:09:59
number
1:10:01
one and
1:10:04
the bus I mean, hi, I
1:10:06
understand. I do
1:10:07
just wanna say
1:10:09
somebody's gonna nominate
1:10:12
Rocky Rocky And I
1:10:14
wanna stand up for that song because I think it's really, really funny. The Hardney
1:10:16
starts out with
1:10:19
that southern accent.
1:10:21
Yeah. They do a lot
1:10:24
of character work
1:10:26
in
1:10:27
their songs. Well,
1:10:29
I read this
1:10:31
little article about how if you look
1:10:33
at the white album as like a demented
1:10:35
children's album, it really makes a lot
1:10:38
of sense. Yeah. It's
1:10:39
listen to the songwriters. You know, it was
1:10:41
my favorite album as
1:10:42
a little kid. So, like, I don't
1:10:45
get that. Yeah. Yeah. Lots of duds on
1:10:47
it though, but definitely
1:10:49
travel. Oh, definitely. Biggies, are
1:10:51
we putting
1:10:51
biggies on the
1:10:53
list? Every word listen to
1:10:56
this. Every word has lots of
1:10:58
pickies. Yeah. speak
1:10:59
deeply unpleasant songs. It is. Yeah.
1:11:01
It's not fun. I mean, because it's, like, you
1:11:03
get an always Like, I get in this
1:11:06
political commentary, but it's just, like,
1:11:08
it just
1:11:10
is rating
1:11:11
and it's not one to two. Yeah.
1:11:13
I don't you're not looking to
1:11:15
hear political commentary. You wanna
1:11:17
rock out.
1:11:18
What's the political commentary? Oh,
1:11:21
about, like, comps,
1:11:22
you know Cups against these words. Yeah. I mean, you're not
1:11:24
you're not
1:11:26
pro
1:11:27
comp, or you've I'm
1:11:30
pretty staunchly procons. Okay.
1:11:32
We love our
1:11:34
blue. We love we back
1:11:37
the blue. By the way, let
1:11:39
me just say congratulations to you
1:11:42
for what I understand is you
1:11:44
go Soto Martinez, like, deep weed, winning
1:11:46
-- Yeah. -- by a lot. And this
1:11:48
is real deep LA stuff
1:11:50
here folks, and I apologize because
1:11:53
this is an international show. But he running into the game. implications. have politics
1:11:56
worldwide.
1:11:59
And You you did fundraisers
1:12:02
for him. I did fundraisers. they said that my fundraiser
1:12:04
is what ultimately cinch Who's
1:12:07
so in? Who said The
1:12:12
o o time. So Yeah.
1:12:14
Who did say LA weekly.
1:12:17
I
1:12:18
don't know. No. No. You did have say and
1:12:21
i i to say
1:12:23
Droshky. what
1:12:25
an e worked his butt off. He really, really did. And it was
1:12:27
felt like a the forever campaign because there was, like, there
1:12:29
was the first campaign that
1:12:32
turned into run
1:12:35
off
1:12:35
or something anyways. But I
1:12:38
was
1:12:38
very upset because
1:12:40
you did a benefit for
1:12:42
him,
1:12:43
but you did too. and I was not
1:12:45
Oh, I know. Not Sam. Tim. No. Well, I actually thought about this quite
1:12:47
a bit, and we didn't even discuss
1:12:50
it really. But, like, I was
1:12:53
so
1:12:53
worried about your name being kind
1:12:56
of softness.
1:12:57
No.
1:12:59
No. Just that you had already done, Hugo. I don't know if it's,
1:13:01
and I was, like, I need to do a whole
1:13:03
new, like, roster. Yeah. I
1:13:06
will not get the same,
1:13:08
like, Well, I did an eating I I did one at
1:13:10
this place called the lodge room, and I just I was asked to do I didn't
1:13:12
set it up. I just they
1:13:14
asked me to do it last minute.
1:13:16
month and I
1:13:17
What
1:13:18
does that mean? Mhmm. We're going to discuss it. Someone's dropped
1:13:19
out, and I said,
1:13:22
yeah. Okay. I'll do it.
1:13:25
I'm telling
1:13:25
you, I there couldn't have been more than twenty
1:13:27
five people there. Are you free? Yeah. And it was weird. It was sort
1:13:29
of it was a free
1:13:31
thing. It was like, And
1:13:34
I just was and I I didn't over
1:13:36
I didn't push it too hard. Yeah.
1:13:39
I should've
1:13:39
made I don't know.
1:13:40
It was just a weird thing where
1:13:42
I was, like, This is a Yeah. It's a virtual. Yeah. Didn't
1:13:45
feel good. because you're
1:13:47
Go out.
1:13:49
Yeah. It's
1:13:50
a big deal. Yeah. like a whole night. talked about this last
1:13:52
night. Yeah. Love shot going out. Should we go should
1:13:54
I go I was gonna go see the
1:13:58
great Bret McKenzie -- Yeah. -- in your part of
1:13:59
the world. Yeah. And tepotinib,
1:14:01
for sure. He's a
1:14:03
lovely person. And I wanted
1:14:05
to
1:14:06
go to the fonda, and I
1:14:08
just I had to work today,
1:14:10
and I just said, you know what? I have to lie down and not do anything. Yeah. Yeah.
1:14:13
And
1:14:15
I just deferred No.
1:14:17
I think that's preferred. Yeah. Always.
1:14:19
Almost always. Almost always. But sometimes,
1:14:20
always
1:14:20
you
1:14:23
push through. And you and you And good when
1:14:24
you're out. Yeah. And it's worth it.
1:14:26
Yeah. We're out now. You're out for
1:14:28
example. Not in We're
1:14:29
not even gonna folks, we're even gonna
1:14:31
get dinner after the
1:14:33
show. Oh,
1:14:34
late night dinner. Which I might bail on. I don't know. No.
1:14:35
What about You we should when we gonna say
1:14:37
the truth
1:14:40
about dinner? Oh,
1:14:42
okay.
1:14:42
After this break. Wait. There's There is controversy. There is something to tell you. There's no controversy, though.
1:14:44
But it is something
1:14:45
you might want to just
1:14:47
tune back in. Don't
1:14:49
untuned
1:14:51
from the show. Alright. Kill all the mics. You could click back.
1:14:54
do this. Kill all the mics and then tell
1:14:57
me. Kill
1:15:00
the mics. Andrew
1:15:00
the to kill the mike
1:15:01
Kilda
1:15:03
Mikes. Kilda
1:15:07
Mikes. Oh,
1:15:32
that was 0II was worried
1:15:34
you're going to reveal something
1:15:35
more personal than
1:15:38
that. No way. Mike's
1:15:40
are back. Okay. Here's
1:15:42
the news. You're getting
1:15:45
breaking news music? Fed
1:15:47
Oh, let's see here. No. I have the
1:15:49
news
1:15:49
maker hotline. That works. Right?
1:15:52
Yeah.
1:15:52
That's close.
1:15:54
It's the news maker hotline. As
1:15:57
we're joining you, we're
1:15:59
we're apologizing now
1:16:02
for going offline for a moment as we discussed
1:16:04
the breaking news. We wanted to
1:16:06
get things as accurate
1:16:07
as possible. And just did
1:16:09
our own little reporting on
1:16:11
this. The news is, I
1:16:12
was under the impression that dinner reservation was for
1:16:14
nine fifteen. I was just told that their dinner reservation is four
1:16:16
nine, and the restaurant
1:16:18
is how many minutes away.
1:16:20
twelve to thirteen. Ten. That's no wrong. So John
1:16:22
and Claudia will have to leave a touch early to
1:16:26
secure the table. Yeah. then
1:16:28
I will be joining them. I'm not
1:16:30
leaving here early. I'll be leaving here at 905 after
1:16:34
I say, quit advised to people in the room outside. That's
1:16:36
great. That's fine. No. That's fine. No. That's
1:16:38
fine. No. Don't use the restroom though.
1:16:40
Just come straight to
1:16:42
the restroom. Yeah. Yeah. Go right
1:16:44
to a toilet
1:16:45
It's such a nice toilet at
1:16:46
the restaurant. Mhmm. Alright. Moving on, guys. I'm III apologize, but the the doors are
1:16:48
locked. I just heard from
1:16:51
Brett Beaumont, who runs rubber
1:16:53
dog, the doors are locked until
1:16:55
-- Oh, no. -- when are we looking to us?
1:16:58
We have enough comedy in this room. We don't need
1:17:00
this. Unbelievable.
1:17:04
Everybody wants to play. You have
1:17:06
a caller
1:17:06
from Seattle. It's a paid attention.
1:17:10
See, real world.
1:17:11
See, Irene, the slap her
1:17:13
around the world. Right? Who
1:17:15
is this? I
1:17:18
am dead. I'm a big fan of Tim, John and Claudia,
1:17:20
all individually and
1:17:23
collectively. Rank them.
1:17:28
Oh, I think I know number one
1:17:30
of the the worst Beatles. Oh,
1:17:35
this is huge. the floor It's what's
1:17:38
New Mary James? I mean, it's gotta be. Right? Well,
1:17:40
this is controversy.
1:17:42
It is By
1:17:44
far, it
1:17:46
is by far
1:17:47
the worst piece of music that
1:17:49
the Beatles made. Okay. Are we including
1:17:51
it because it was only
1:17:55
released on the sort of anthology series. I don't think
1:17:57
it counts. I don't think
1:17:58
it counts. It
1:17:59
says clunky in that
1:18:02
very -- Fair enough. --
1:18:04
way. What's
1:18:04
the news? Mary Jane? Mary Jane at the
1:18:06
party? There's so much bad stuff on those anthologies.
1:18:11
Yeah. I I think we say one condition is no pathology because
1:18:13
then you're gonna get, like -- Okay. --
1:18:15
he has
1:18:17
he has a backup a backup.
1:18:19
What's the backup? I have
1:18:19
a backup because I thought that might be
1:18:21
a thing. I'm I'm gonna say revolution
1:18:24
number nine. It is cool at
1:18:26
the time. It's a fun heart thing,
1:18:28
but how often do you wanna, like,
1:18:30
sit through the whole track and listen to it? It it Is it a song, you know? I would
1:18:32
agree. It sucks. It's,
1:18:34
like,
1:18:34
if it also feels boring to,
1:18:38
like, join in
1:18:40
on any anti yoko stuff,
1:18:43
but I don't wanna listen
1:18:45
to it
1:18:46
hi ever. I This is a yoko kind
1:18:48
of This is, like, an experimental yoko
1:18:50
try with
1:18:50
the white album. It's about nine
1:18:54
minutes long. Nine? number nine. Number nine? You
1:18:55
might love it, John. Number nine. Thanks.
1:18:58
I think it's I think
1:19:00
it's
1:19:01
very cool. It's cool. It's
1:19:03
it fits nicely where it is on that
1:19:05
album. It makes sense in the
1:19:07
in the shape of in, like,
1:19:09
if you are, like, looking at that album,
1:19:11
it's part of the album. Yeah. But
1:19:12
also, I will skip it.
1:19:13
I am the arbiter
1:19:15
and judge jury executioner of this
1:19:17
list. It's not going on
1:19:19
the list. Wow. at this
1:19:21
time. Thanks. At this juncture.
1:19:23
Yeah. I understand. Alright. Thanks
1:19:27
for the call. Are
1:19:28
you enjoying the show? I'm pandering
1:19:30
for compliments. I already threw out them. Okay. Hey, guys. We'll never
1:19:34
know. We'll never know.
1:19:37
You'll never know how
1:19:39
much I really love you. You'll never know how much I really Dungdungdung.
1:19:45
Is that your one
1:19:46
on the list? No. I love that song. laying off the list. It was like a widow.
1:19:50
A widow.
1:19:53
Do you promise not to
1:19:55
tell? Oh, you guys said? Close, sir.
1:19:56
Listen, there's another
1:19:58
subject we wanna
1:19:59
talk about. is
1:20:02
not really subject to a challenge.
1:20:04
Are you good do
1:20:05
you like jokes? You're a joke writer ever?
1:20:07
Do you think like, thinking about
1:20:10
jokes? Not really. Not really. They're more characters
1:20:12
and ideas. But if we have if
1:20:14
you were sitting in the real
1:20:17
time with Bill Marr, writers room.
1:20:20
Okay? Yeah. And they said, alright.
1:20:22
We need five pitches for now
1:20:24
the news today was there are
1:20:26
now eight billion people in the world.
1:20:28
Well, I remember when they were six billion.
1:20:30
I feel like I remember when it
1:20:31
was Hey, that's
1:20:32
not one of the joke. That was real. And
1:20:34
job is sincere -- Yeah. -- to live
1:20:38
Okay. Obviously, the hilarious bill could sell that
1:20:40
bill could sell it. You know what
1:20:42
I remember? I mean, wasn't that when
1:20:44
how
1:20:44
long it goes? I think it was a
1:20:47
I was saying it's so
1:20:48
fast. I don't think I remember. three
1:20:50
billion. When I was a kid, it was like this
1:20:51
I always think about seven
1:20:52
billion being the
1:20:55
magic number. Yeah. Sorry. So eight
1:20:57
billion in the world. So So what would we say if we had to write a
1:20:59
joke there? There's eight
1:21:02
billion people in the
1:21:04
world and
1:21:06
still nobody bothers to Yes. that's that's
1:21:09
exactly the
1:21:10
number of minions
1:21:12
moving Alright.
1:21:16
Maybe a caller has
1:21:18
a good best show.
1:21:23
No. You got one. Anyone
1:21:24
there? Yeah. Thank you.
1:21:26
Yeah. Who's this?
1:21:27
Hey, Tim. Good
1:21:29
evening. Yep. This is
1:21:31
Philip from North Carolina. I'm working with
1:21:32
girl in a hat. Hey. Hey.
1:21:34
Why? Why
1:21:34
are you working with this? Because
1:21:36
it it's just I've
1:21:39
yeah. I've had for a long
1:21:41
time. Tennessee. I feel Tennessee. It's it's rapidly falling out. Oh, yeah. It's
1:21:43
true. It's true. But
1:21:46
he doesn't wanna hear
1:21:48
that. but that's why he's
1:21:50
wearing a hat. Have you been to Montree? Yes. Oh, that's where you That's where my wife's from. you real?
1:21:52
She's from BlackRock. She's
1:21:55
from BlackRock. Where you Calibrate.
1:21:59
Calibrate. Calibrate. Calibrate. Calibrate. Calibrate. Calibrate. Calibrate.
1:22:02
Calibrate. Calibrate. Calibrate. Calibrate. Calibrate. Calibrate. Calibrate.
1:22:04
Calibrate. Calibrate. Calibrate. Oh. Oh my
1:22:06
gosh. Are
1:22:07
you the guy
1:22:09
from
1:22:12
the staircase? No. His name
1:22:14
was not. Peterson. Peterson. Peterson. You did Jordan Peterson. He did do it.
1:22:17
Didn't
1:22:20
you? Mhmm. That was
1:22:21
the issue. What can I
1:22:24
do
1:22:25
what can i do for it
1:22:27
for you tonight? Well, I got two things. First,
1:22:29
I do have a song. Only a northern
1:22:32
song would be my choice
1:22:34
for one of the worst video
1:22:36
songs. think it's like Revolution
1:22:38
nine, but Yeah. Oh, no more no than some. Yeah.
1:22:43
If you don't
1:22:43
it's a it's a very self referential song about writing songs.
1:22:46
I don't Yes. And it
1:22:48
you know, there
1:22:51
are so many like these. Like these,
1:22:53
like, sort of, like, brief interludes,
1:22:55
barely even songs. III
1:22:57
agree. It goes on It
1:23:00
goes on. What do I
1:23:02
like it? Number nine. Number
1:23:04
nine. Every son's getting
1:23:06
the number nine. That'll need it now than song.
1:23:08
That'll be. What about
1:23:10
if we're gonna if
1:23:12
we're gonna stick on George for a second,
1:23:14
do you wanna do not a second
1:23:16
no, don't bother me. Do you like don't bother me? I don't
1:23:18
love
1:23:19
don't bother me. I think it's, like,
1:23:19
it possibly gets on the
1:23:22
dates.
1:23:22
It's definitely where I would
1:23:24
like at
1:23:26
it? I would I put it on
1:23:28
there at number eighteen. Yeah.
1:23:31
It's
1:23:31
low in the in the
1:23:33
bottom for me. Alright. Well, you had
1:23:35
something else there, Guy? Yeah.
1:23:38
I
1:23:38
got a question.
1:23:40
Phil, I
1:23:43
got a question. some of the stuff. We're gonna be
1:23:45
in a Beatles movie. Which of the Fab four would you play? Who
1:23:47
would be
1:23:48
your fourth? Who would
1:23:50
be your ringtone? Brilliant. Okay.
1:23:53
I think
1:23:54
that you may want to be
1:24:00
Paul?
1:24:00
John
1:24:01
Baugh. I I leave
1:24:03
it to you
1:24:04
guys to cast because
1:24:06
I just obviously coming in with
1:24:10
I
1:24:10
usually play friendly characters, so I
1:24:12
think I'd be
1:24:13
Paul. Yeah. You're very Paulie. Yeah. I
1:24:16
think I'd be goofy fee and
1:24:18
be ring though. Yeah. And then who will play George? You Jason, I guess. Sure. I'll call
1:24:20
George. Yeah. It's Sorry.
1:24:22
We'll play The genius. I'm
1:24:27
the genius. Hello? I'm I'm I
1:24:30
hope you haven't been checking
1:24:33
out. Okay. Late to the
1:24:36
group. No. You know who you'd be. It's
1:24:38
Brian Epstein. Yeah. Got it. The manager
1:24:40
He was Wait. Really? He wasn't
1:24:43
Probably done. He was a gang. Are you for Is he featured in
1:24:45
Getback? Nope. No. He was dead
1:24:47
by that. because I fight
1:24:50
with James is my children.
1:24:52
Missouri. Are people losing it
1:24:54
with this show? Are we talking over each other too? Oh, no. People are a lot of people are loving
1:24:56
it. Two people,
1:24:59
like, did
1:24:59
they want Do they not
1:25:02
like that there's a woman on? Is that No. I think they love it. But there's no woman. It's a thanks.
1:25:03
It's it
1:25:06
keeps us on our
1:25:08
best behavior. I won't
1:25:10
end the game. Yeah. Yeah. I know. Oh. Best shows never had that before. What's
1:25:13
this
1:25:14
Brian Epstein? Oh,
1:25:16
oh cute
1:25:18
He looks kind
1:25:20
of like a song time. He's
1:25:22
a fascinating character. Fascinating. I always thought that
1:25:27
Brian Epstein was a fascinating carry.
1:25:32
Who's that
1:25:34
guy? I
1:25:34
thought he was a fascinating character. Phil
1:25:36
Spectre. That
1:25:37
sounds like Phil Spectre. Yeah. There's
1:25:39
a Phil
1:25:39
Spectre documentary on showtime.
1:25:41
Is it good? I do. very good. Oh my gosh. Just me. It's all about his the
1:25:43
how murdered that woman. Yeah. He
1:25:46
was
1:25:46
not good that he did
1:25:48
that.
1:25:50
No. No. She shot the bottom of her
1:25:52
face off, and he said she did it. She
1:25:54
yeah.
1:25:55
Well, why wouldn't she? She went to this guy's
1:25:57
house. It said, in the morning, never met
1:25:59
him before, took his
1:25:59
gun and blew her brains out. Yeah. But that's what happened. That's
1:26:02
what the there's tape. What's amazing is that there's these nine there's
1:26:07
when they went to to arrest him or go to
1:26:09
the scene of the crime,
1:26:10
there's a there
1:26:12
they recorded the this encounter with
1:26:14
him -- Yeah. -- and they're playing
1:26:17
on his hip. What are you doing in
1:26:19
me? I didn't do nothing. She did in herself when you're crazy and forth. When you're
1:26:21
crazy, I wanna make those shooter, am
1:26:23
I on a home? Okay.
1:26:26
We've got
1:26:27
we have big breaking news.
1:26:29
Oh my god. VIP on the line.
1:26:32
I don't know who the hell
1:26:34
this is gonna find out. best
1:26:35
show.
1:26:36
You're on air? Yeah.
1:26:38
It's Fred.
1:26:41
fred Fred.
1:26:42
Fred. r Mason? Fred
1:26:46
from the Flint's
1:26:48
from the
1:26:50
Flintstones? Yeah. Hi, everybody.
1:26:53
I I have
1:26:55
them legally required to play
1:26:57
the
1:26:58
sounder. Famous person on the bottom.
1:27:00
Oh. we
1:27:03
go. That's a really good compliment.
1:27:05
I know. I've I've do a few
1:27:07
you know. Well, first of all, you're
1:27:09
a fan of my impressions. I love your
1:27:12
impression. Your
1:27:12
guided by my
1:27:15
voice is impression is
1:27:17
so good. So your Obama
1:27:19
is so good. You
1:27:21
know, if it put me
1:27:23
on the spot, it's not gonna happen. Dude, you're bomb. I it.
1:27:24
What?
1:27:26
And
1:27:29
you you this we're talking to Guillermo here.
1:27:31
You played Obama on the S and M
1:27:35
trial. contraversally, I should say.
1:27:38
Look, what do
1:27:40
I
1:27:41
say, Fred? They work. They work hard.
1:27:43
They work hard. They work hard.
1:27:46
Well, look. Let's get fired
1:27:48
up. Oh. They
1:27:50
got it so good. Oh, thank you. And
1:27:52
now, Fred Flynn, ladies and
1:27:55
gentlemen. Hi, everybody. I
1:27:58
don't know. So that's fine. But
1:27:59
that's good. Yeah.
1:28:01
I gotta work.
1:28:04
I gotta work
1:28:07
really good. Well, Mark, probably recorded just
1:28:09
minutes from where
1:28:09
we are right now. Well, so I I just started
1:28:11
doing David Lynch. Do
1:28:15
do i do it. Do it. Yeah.
1:28:16
That was great. Now I'm in my Fred Flintstone
1:28:18
mode.
1:28:18
I don't know if I could do it. We must
1:28:22
start, they would press me. Meditating.
1:28:25
Meditating. I've been
1:28:28
meditating now for
1:28:31
twenty years. That was good.
1:28:33
That was good. Fred, how
1:28:35
are you?
1:28:38
I'm good. This is an interesting list. Oh,
1:28:41
you've been
1:28:42
keeping track.
1:28:46
yeah
1:28:47
the Yeah. Hello? Interesting. I
1:28:48
don't like when people say interesting. That's bad
1:28:50
news. No. I because some of it, I you
1:28:53
know, I think everyone's gonna disagree with
1:28:55
some of it. But I
1:28:59
you
1:28:59
know, we all love the beetle.
1:29:01
Yeah. But
1:29:01
I start I started out by saying
1:29:04
that. I I would listen to any of
1:29:06
these songs except I don't know. Yeah. I would I love them all. You
1:29:08
know, so that's the here's
1:29:10
here's
1:29:11
there's there's a
1:29:13
song that whenever it comes on, I can't listen
1:29:15
to it as music. Like, I don't get locked in
1:29:17
the front and that love me too. All I
1:29:19
think about
1:29:20
-- Mhmm. -- I just
1:29:22
think about like, it's a documentary, and we haven't gotten
1:29:24
to, like, where they get experimental yet.
1:29:27
And I'm like,
1:29:27
oh, this is their
1:29:30
early days. Like, Ringo is
1:29:32
you know, it's just like
1:29:35
We
1:29:35
we we the Hamlin News, like, how every documentary starts.
1:29:40
Yeah.
1:29:40
It's them -- Yeah. -- it's them at the at the
1:29:42
cavern club, that same old footage that they always use. Yes.
1:29:47
That yes. I
1:29:47
never I can't hear it as an actual song.
1:29:49
I'm just like, okay. Well, this is like the
1:29:52
beginning, and we'll just there's
1:29:54
everything's in black and white. Yeah. That's
1:29:57
the harmonic. And And that yeah. I
1:29:58
agree. And it's it's kinda it's
1:29:59
kinda like a
1:30:02
Camp Fire song. It's like
1:30:04
kind of a children's song,
1:30:06
like Very straightforward. Yeah. Me too. You know. I
1:30:10
love you. Yeah. I think it's a
1:30:13
it's a good 1III and how
1:30:15
do you feel about the hate
1:30:17
the Ringo hate? I mean, It's not hate. You know?
1:30:19
It's not hate, but
1:30:20
come on. But you're but
1:30:22
Ringo's
1:30:23
your friend. Can I share
1:30:25
that -- Really? -- that will
1:30:27
Ringo Is that fair to say for him? Yeah. That that's fair.
1:30:29
I'm but I'm sure he's
1:30:30
got many people in his life like
1:30:33
that. I hope he doesn't listen to this.
1:30:35
Fred sends me what? He
1:30:36
he knows. He I know
1:30:39
all my songs stink. No.
1:30:44
There's
1:30:44
a picture Fred sent me. Just to what
1:30:46
did you what did you send that for? Just to goat me? It
1:30:48
was
1:30:49
just yeah. It
1:30:51
was all these drummers. including
1:30:53
Jim
1:30:54
Keltner, Ringo, and Transcendo, at this event. Yes.
1:30:56
It was it was Jim Keltner. It was
1:30:58
the guy from the door.
1:30:59
the photo. The
1:31:03
guy from the doors, Jim what John
1:31:06
Densmaur?
1:31:06
Yeah. Yeah.
1:31:08
I couldn't
1:31:10
go. Jim Jim
1:31:12
Kelter. ringo,
1:31:12
kidding.
1:31:15
Fred, John really does
1:31:17
not know. No does not
1:31:19
know Jim Kelsey. but
1:31:22
that's okay. But
1:31:22
we should talk about Ray Cooper for a sec because
1:31:25
that's the direction I
1:31:27
wanted to. Yeah. Sure. He's
1:31:30
all if you wasn't Any,
1:31:33
like, televised special anybody,
1:31:38
Phil Collins, Eric Clapton. Yeah. Paul McCartney
1:31:40
anybody. This guy, Ray Cooper's up
1:31:42
there with all these timbaries
1:31:46
and promos. Right? did best job
1:31:48
in the world. It's the
1:31:50
best.
1:31:51
And he's and
1:31:52
you're right. He's in
1:31:55
everything. Any live thing Yeah.
1:31:57
There he is. Elton John
1:31:59
or Cheddar. There's he's just there with the Tamberrini. He's like,
1:32:00
has just there with the tambourine device
1:32:04
Yeah. Do we have
1:32:06
a picture of Rae Cooper we could show? Maybe. Yeah. Let me find
1:32:08
one.
1:32:12
nominations
1:32:12
came out today,
1:32:15
Fred. Yeah.
1:32:17
yeah Do
1:32:18
do you know Do you know how much? Abe shows
1:32:20
up on this list. No, really. Oh, because he put out
1:32:22
-- I didn't know how much. --
1:32:23
that's crazy. Abe, Did
1:32:26
you I
1:32:27
don't know. Jason, you are defending this record. It's a good
1:32:29
record. I think it's a great record. I love
1:32:31
that.
1:32:31
I haven't. Let's do it. Yes. But
1:32:33
I love that you're defending. Alton record of the
1:32:35
year. Don't shut me down by Abba. Easy
1:32:38
is it Abba or Abba? It's Abba.
1:32:40
What do you say
1:32:42
Abba in
1:32:42
Australia? Abba, Abba. I don't think it's either of those.
1:32:44
What is it, Fred?
1:32:46
I think I think
1:32:49
it's I think it's the initial
1:32:52
ABBA. Oh, I love
1:32:54
that new song by
1:32:56
ABBA. ABBA. It takes a lot longer
1:32:58
to listen. That's the that's if
1:33:00
it's that's the the
1:33:02
rhyme meter. The rhyme scheme of all their songs, ABBBBBBBBBBA
1:33:08
Easy on
1:33:10
me by Adale. Is that a did they correct her pronunciation of that that
1:33:13
I
1:33:14
heard on the news?
1:33:16
break my soul by
1:33:18
beyond Beyonce. Good morning, gorgeous by Mary
1:33:20
good morning gorgeous by marriage
1:33:22
a blight j Blige. I mean,
1:33:24
I don't know about who knew about any of
1:33:26
this music? Do you listen to any of this music? Have did you ever any awareness of
1:33:30
any of this, Fred?
1:33:32
I
1:33:33
don't. No. The heart paint
1:33:34
part five kind of No idea that they put
1:33:36
out these records this year, I
1:33:38
never would have known. No.
1:33:42
You
1:33:42
guys told me to pick him out a few
1:33:44
years ago. I mean, I
1:33:46
I had no idea. Lizzo had a
1:33:48
song out, I guess, Oh, wait. You
1:33:50
know what? Song of the Year. Get
1:33:53
this. Hey. This I'm just
1:33:54
reading what I'm saying here. Song of the
1:33:56
Year.
1:33:57
song of the year John,
1:33:58
Fred,
1:33:59
Claudia, everybody. Song of the
1:34:01
Year, nominated. Not
1:34:03
one yet. We don't
1:34:05
know. Yeah. is a song that is
1:34:08
ABCDEFU
1:34:11
No. By Sarah
1:34:13
Davis, Gail, and David
1:34:16
songwriters. That's
1:34:16
What? Do you know
1:34:17
about this songwriters? Yeah. Apparently, I get
1:34:19
really big on TikTok. Okay.
1:34:23
And then and crossover. Could you that? Do you know I
1:34:25
think it's, like, ABCDEFUN
1:34:28
ends in your mom. Like, it's,
1:34:30
like, goes into that sort of
1:34:33
thing. The f u at the end
1:34:35
is the f u. That's cute. It sounds great. Yeah. Bonny Wright. What
1:34:36
about Bonny Wright? She's got one who
1:34:38
wants to
1:34:39
to, like, I
1:34:43
think wet leg got on
1:34:44
there, though, like, new -- Yes. -- for
1:34:47
the best new artist? Yeah. That's cool. I
1:34:49
think that's really good. And they're trying
1:34:51
to look really good. Best
1:34:53
new artist, we have Anita. Oh, just chime in if
1:34:55
you've heard of these people. I
1:34:56
listen. Who
1:34:59
am I? I'm It doesn't matter if
1:35:01
I know these people. Nope. It's not Right. Yeah. I'm I'm not seeing it from,
1:35:03
like, how dare they have to think
1:35:06
I don't know. I'm just saying
1:35:08
I'm how can I ever
1:35:10
know these? It's a reflection on us. Yes. So out of touch. So out of touch. The reflection on a Anita,
1:35:16
Omar, Apollo, Domi, you
1:35:18
okay. John might know. He's from a different generation. Yeah. I'm jynzi.
1:35:20
You're not
1:35:22
jynzi.
1:35:23
You're not jynzi. Munee
1:35:27
Long. Yep. Samara
1:35:29
Joy. Do you know
1:35:31
Samara Joy, Fred? No.
1:35:34
Lotto,
1:35:34
LATT0
1:35:35
main scale. What
1:35:36
is this new?
1:35:38
This
1:35:38
is best new artist. Toby
1:35:43
Nick
1:35:43
Nick Nick, Nick. What about Not
1:35:45
an Italian band and
1:35:47
they have, like, they
1:35:49
were really big this year. Lotto.
1:35:51
You want to
1:35:51
come and see my new group, I
1:35:54
called Elastic. It's
1:35:56
cozy. Alright. Molly
1:35:59
Tuttle. Do we know Molly Tuttle? No. That's not real. Best new artist
1:36:01
always felt like such a fake A
1:36:03
con job. Yeah. I
1:36:06
know. It feels like an MTV Movie Award.
1:36:09
You know what I
1:36:10
mean? Yeah. Like,
1:36:11
best Yes.
1:36:12
There's always the
1:36:15
best kiss. Yeah. Yeah. and
1:36:17
then wet leg, which everybody loves. No idea.
1:36:19
Yeah. John doesn't know who wet leg is. Fred and
1:36:21
I
1:36:21
were told that wet leg are great.
1:36:23
I'm going with
1:36:24
it. I
1:36:26
don't wanna be in trouble. I don't wanna get in trouble. Fred, do
1:36:29
you wanna put one more
1:36:31
song on the list
1:36:33
and then we'll let you go? did
1:36:35
we accept love to use? Think of one. I really I
1:36:37
thought this one through, and I just left
1:36:40
it because it's for yeah. I just
1:36:42
left it. I was just like, that's the
1:36:44
one that I always
1:36:45
just kind of Do
1:36:47
you support my decision of keeping revolution number nine off this list? Yeah.
1:36:52
Don't put that on the list. Thank you.
1:36:54
I've got a
1:36:54
controversial nominee. Okay. Let's keep you on for one
1:36:55
more from Claudia here. Who's a big
1:36:58
big I don't know if you
1:37:00
know you know Claudia?
1:37:02
I
1:37:02
mean, you know her question. Yeah. Okay.
1:37:04
But but no. But
1:37:05
but hello. Hi. Hi. Hi. Yeah. We've
1:37:07
got lots of mutual
1:37:10
And Claudia is a big beep. She's she's almost up
1:37:12
to our level. Let me put it to
1:37:14
that level. In terms of fandom. She knows
1:37:16
her stuff. Yeah. So what's what's your
1:37:19
what's on your list?
1:37:20
It's on television one because most
1:37:22
of mine are, like, ringo ones or, like, the little interlude plays.
1:37:24
But here's one that
1:37:26
I think is bad. The
1:37:29
word. Say the word, you'll be free. 00I
1:37:31
hate the word.
1:37:33
oh i hate the idea I
1:37:35
I agree. Yeah. Something it hikes.
1:37:38
Do so. We're gonna get bored. And then why don't you do
1:37:40
that? That that was not that was
1:37:42
not That's like your arms are
1:37:45
cross. I can't It
1:37:47
sucks. That's smoothest way. No. No.
1:37:48
They just they just misfired something. Okay. Great. Let's
1:37:51
not look back on that. And
1:37:52
discuss
1:37:55
it any further. Yes. It's
1:37:58
so fun. It's
1:37:59
sunshine. It's the
1:38:03
one of It also feels like It's been for hair.
1:38:04
Like, it feels like a
1:38:05
song from a bad song from It
1:38:08
is
1:38:09
a little ahead of the curve. of that
1:38:11
kind of flower power sixties hippies. Yes. What year?
1:38:13
What year? Sixty five. Okay. That
1:38:16
is all the
1:38:18
curve. Yeah. I have the curb.
1:38:20
Like, on a road? Yes. That's where the
1:38:22
original term comes. Too much harmony on
1:38:24
it. Too there's, like, too
1:38:26
much singing. There's, like, everyone's on it. Yeah. Yes. There there's,
1:38:28
like, it also
1:38:29
doesn't there's, like, a third or fourth verse
1:38:31
that doesn't need to be there. They could have
1:38:33
wrapped they could have been a good too many
1:38:36
times. It's so
1:38:36
fine. It's sunshine. That's not great. No.
1:38:38
Alright. It's on the list. It's number one.
1:38:40
Number one. Number one. No.
1:38:42
No. No. No. Have A33
1:38:46
Wow. Do you feel that's okay? I would probably put it lower because I actually just feel like beats
1:38:48
when
1:38:48
John breaks out and he's,
1:38:50
like, got his little bit.
1:38:55
Yeah. How about eight? Eight's good.
1:38:57
Sure. Okay. Alright. Well,
1:39:00
Fred, thanks for calling
1:39:02
in. Yeah. Thanks, Fred. Thank you, Fred.
1:39:04
Thank you. Thank you, guys. I'll
1:39:07
talk to you soon. Goodbye. I
1:39:10
noticed
1:39:10
today I was in the makeup chair.
1:39:12
I'm getting a
1:39:13
You don't look like you're wearing
1:39:15
any makeup. Oh, I was. you
1:39:17
wash your face?
1:39:17
I quickly did. I rinse. Yeah. But I'm getting the turkey. I'm getting that. Well, the more
1:39:20
you pull it.
1:39:22
You should've pull it. that's not
1:39:24
helping you. Getting the little job. What's it called a
1:39:26
a job? I think this is not a job. What I've heard, maybe,
1:39:29
even from you, that that's, like,
1:39:31
kind of, the number one
1:39:34
cosmetic surgery. That's good news. There's no one knows.
1:39:35
That like, you
1:39:36
there's You could never tell. Yeah.
1:39:38
So you think I should do that?
1:39:43
No. Oh my
1:39:43
god. I didn't know that though. I oh, wait. Okay.
1:39:45
Maybe It wasn't me, but I'm intrigued by that.
1:39:47
It makes
1:39:49
sense because it's just it does
1:39:51
the least to the rest of you, you Right. You see, now you're looking
1:39:53
at it because I'm tugging.
1:39:54
would have never thought.
1:39:56
Right.
1:39:59
Don't
1:39:59
tug. Let's take a
1:39:59
normal person. Not -- Right. -- the great I
1:40:02
mean, I could I could I I feel
1:40:04
bad because I could keep Fred
1:40:06
on all night. We gotta get the
1:40:08
the We hit
1:40:11
me. nerves. Best show.
1:40:13
the show
1:40:19
Hello?
1:40:19
Hello. Who
1:40:20
am I speaking with?
1:40:23
Hi. This is
1:40:24
Amelia in
1:40:27
Chicago. What
1:40:27
state is that? That's a
1:40:29
callback from earlier.
1:40:32
Amelia, that's my
1:40:34
daughter's that's my daughter's name.
1:40:36
And by
1:40:36
the way, is there a big
1:40:38
what? Is there let me just stop for a second. John Early.
1:40:41
the on early Talk to me
1:40:44
about
1:40:44
my daughter. I love
1:40:46
me. Oh, yes.
1:40:47
You love me.
1:40:50
I really, really love her. And
1:40:52
you if you haven't seen
1:40:54
John and Kate Berlin's peacock show, which you haven't, you
1:40:56
know what I'm sure for
1:40:58
a second. That's not. Just
1:41:04
wonderful. There's a sketch in there.
1:41:05
The beaver sketch. I think it's one of
1:41:07
the finest pieces of comedy the
1:41:10
past several years. And James
1:41:11
Charlie Rose. Yeah. I'm not talking
1:41:13
about that. Talking about that
1:41:15
sketch. No problem. My
1:41:19
my daughter was almost got apart -- Yeah.
1:41:21
-- to play one of your
1:41:23
your daughter's ears.
1:41:26
Yeah. because
1:41:26
you just loved her, and you were looking for a kid, and
1:41:28
you wanted it to be a friend. And you're not a
1:41:30
guy that has a lot of friends with kids.
1:41:32
Well, in the gay community, No.
1:41:35
It's harder. Yeah. Oh, you
1:41:37
can adopt. Come
1:41:40
back. But no. It didn't work out because
1:41:42
she was a little too young. Yeah. I
1:41:44
was gonna it was a big
1:41:46
to do. But just last night, kind of coincidentally, she asked to see that sketch.
1:41:49
No.
1:41:50
Again, nobody. Yeah.
1:41:53
saying up before. She loves
1:41:55
it. Thank god. Yeah. I said, now I'm watching football. Okay. But she
1:41:58
did
1:41:59
she loves I
1:42:03
love that you love her. Oh my god. I
1:42:05
love her. And you have no opinion on her?
1:42:07
Not really. I mean,
1:42:07
cute, but I
1:42:09
encountered her so
1:42:10
briefly. Yeah. Yeah. I don't know why you encountered her
1:42:11
more. Don't It's really
1:42:14
just probably the beaver interaction in
1:42:16
two. because
1:42:18
you made little videos for her -- Yeah.
1:42:21
-- and vice versa
1:42:23
anyways. Amelia, not
1:42:25
my daughter on the phone.
1:42:27
Unless not
1:42:27
your daughter.
1:42:28
As long
1:42:30
as
1:42:35
you're having fun. So
1:42:37
amelior Yeah. I have a contribution to the list. Okay. Good. I wanna hear.
1:42:40
And,
1:42:42
actually,
1:42:44
I would like
1:42:45
to make a bold suggestion that it might be number one,
1:42:47
but I don't know. You get the judge of that. Wild
1:42:49
honey pie.
1:42:51
Agree. It's bad.
1:42:52
i'm green it bad is
1:42:54
my contribution. Yeah. I think
1:42:56
it goes on the list, but I think it's
1:42:58
I would I would actually put honeypie on
1:43:01
the list. Oh, yeah. Honey
1:43:03
For wild honeypie. excuse me.
1:43:08
Yeah.
1:43:10
Don't make me crazy.
1:43:12
I mean, I'm lazy. This
1:43:14
is what you mean
1:43:16
characters of. Yeah.
1:43:19
You're just like, oh, Right?
1:43:20
Yeah. Like, it's a it's a
1:43:22
pastiche and all that. It's, like, on a rap album when there's a sketch. Perhaps
1:43:24
-- Yeah.
1:43:26
-- I
1:43:27
haven't heard. Yeah. But
1:43:29
I
1:43:30
think Wild Honeypot gets it passed. It gets on the list, but it's -- It's not the least. -- but it's just it's
1:43:34
so short and it's
1:43:37
just a bit of it's
1:43:39
a
1:43:39
transitional song. But these suffer like, you know,
1:43:42
fifty second long stupid
1:43:44
interludes?
1:43:48
Nope. That said
1:43:48
that. Me. Oh, you don't put
1:43:51
your voice in. You don't. agree
1:43:54
with myself. Alright. Put put we'll we'll do all we'll do the high double
1:43:59
trouble
1:43:59
Yeah. Do
1:44:02
some do some improv, John. But well, okay. Well, I have
1:44:05
a shot. Keep it. I have something to say
1:44:07
that. Keep it selling
1:44:07
Honeypie.
1:44:09
Okay. We have two
1:44:12
left. Okay.
1:44:16
You do
1:44:17
have something to say?
1:44:19
Well, I think that because of the way we
1:44:21
listen to music now through Spotify where we're just always kind of
1:44:24
choosing exactly what we
1:44:26
want. Yes. At every moment,
1:44:29
we
1:44:29
no longer appreciate the the filler. I think it's filler.
1:44:31
Yeah. You're right. It's experiential. It's
1:44:32
you put it on and there I
1:44:34
believe you've gone back and I wouldn't know.
1:44:38
you go
1:44:39
on a journey. But that's, like, how
1:44:40
I would feel more about Revolution nine and
1:44:43
Wild twenty five. Wild twenty five,
1:44:45
like skip. Yeah. Yeah.
1:44:47
Honeypot? No. Number
1:44:49
eleven?
1:44:49
Between the two. Number eleven. Okay.
1:44:51
And number twelve
1:44:53
goes wild honeypot. got all
1:44:55
biggies. Piggies. Number twelve. We're gonna have to stop
1:44:57
moving
1:44:57
things around. We go. You're good. It's only
1:44:59
eight o'clock. I'll
1:45:01
do it thirteen. We're fine. Sorry. I just know people at
1:45:03
the restaurant. I know. What's
1:45:06
the parking It's
1:45:08
a valet situation. Okay. Okay.
1:45:10
Every
1:45:10
you go, that's valet. Spago?
1:45:13
Is that no. We're
1:45:15
not gonna just Spago. Forget it.
1:45:17
I'll say that. Alright. Thank you,
1:45:19
Amiglia. Great edition. I
1:45:21
mean, please don't feel like we can stray from this list
1:45:23
if you wanna talk about
1:45:28
something else. Well, you,
1:45:29
Jason, but -- Okay. -- I love this, listen. Did you
1:45:31
wanna talk about something? We're just saying, wait, seven fifty eight right
1:45:33
now. Yeah. And we had
1:45:35
we're two minutes away from
1:45:38
Tim can't complain. Okay. But
1:45:41
what about criticized?
1:45:43
That's
1:45:43
still in the
1:45:45
world. There's no criticism.
1:45:48
Oh, no reduces them. No. That points. But we're
1:45:50
ranking
1:45:50
the twenty one. We're still doing that. I think it
1:45:51
has to be very positive. But that should be
1:45:53
an exemption for the list we're working
1:45:55
on because I should be
1:45:58
able to comment and criticize things coming on list.
1:45:59
Mike, Pat.
1:46:04
I
1:46:04
don't know. I think once
1:46:06
we're in the My house in My rule lanes.
1:46:08
Well, that's Okay. I
1:46:10
think the right work. But that
1:46:13
We're not the way. We're one minute until Tim
1:46:15
Canada. Just like I made the mistake of looking on Twitter and nine minutes ago, the best show account tweeted a picture.
1:46:18
They're so excited. Fred Armistice calling in.
1:46:20
They they
1:46:23
they tweeted a picture of of of
1:46:25
Fred from what ninety Nineteen
1:46:28
twenty two.
1:46:32
Very
1:46:32
nice. Okay. What do
1:46:33
we got? You wanna just launch
1:46:35
in? Does that work in it? We're in
1:46:37
it
1:46:37
right now. Tim can't complain. And I was having
1:46:40
so much fun.
1:46:42
No. It still works. We're still gonna do it, but there's another
1:46:44
topic on the table for Tim can't
1:46:46
complain. Oh. You can call in
1:46:49
and talk about what the best and worst
1:46:51
of Tim Heidecker's career. Oh my
1:46:53
goodness. So give us a
1:46:55
call. 2019890012
1:47:00
and that's gonna be tough. Here we
1:47:02
go. We're in it.
1:47:03
No complaints. I
1:47:06
have samples ready. I guess I'll start
1:47:08
just by saying, you know,
1:47:10
I guess I should apologize
1:47:12
for tuning out that
1:47:15
picture or Fred -- Oh. -- while while also
1:47:17
screening calls and monitoring
1:47:19
three other
1:47:21
social accounts
1:47:23
and I could go on. But,
1:47:23
you know, I'm sorry that wasn't a more recent photo
1:47:25
of Fred, Tim. That's really good, Pat.
1:47:28
That's nice of you. That's really nice. But
1:47:30
but, you know, I'm I'm hoping that that
1:47:32
there's enough comedy in the
1:47:34
room right now. It was do
1:47:36
you feel like the comedy's filled now at this point
1:47:38
after after I was humiliated earlier? Oh, dear.
1:47:42
I keep thinking they're behind me these people.
1:47:44
I know. I know. You're
1:47:45
not on office hours
1:47:47
anymore. No. That's right. No.
1:47:50
No. No. No. It's good. It's
1:47:52
good after working on the show for seven years to
1:47:54
to just,
1:47:54
you know, feel feel feel the love when
1:47:59
when,
1:47:59
you know, we we
1:47:59
really hit it off
1:48:00
on the zoomer earlier this week. And I thought,
1:48:02
you know, I'm really looking forward to this show.
1:48:05
It's gonna Well, this is the daughter
1:48:07
told my parents to listen to But
1:48:09
no, I'm glad that there's enough comedy in the room now. Would you say
1:48:11
would you say it's filled now to perfectly perfectly
1:48:17
calibrated. Yeah. Perfectly calibrated, perfectly balanced. Okay. Good. That's
1:48:19
good because, you
1:48:24
know, just
1:48:25
wanna make sure you're good. We really hit
1:48:27
it off from the start, you know, when Well, thanks. earlier. Yes. And I apologize if there any miscommunication or
1:48:29
you felt somehow offended
1:48:32
or heard by
1:48:34
my No. No. No. I thought right from the start
1:48:37
when when I surprised you
1:48:39
and you said that
1:48:40
you wanted
1:48:41
me to be addressed to
1:48:44
before I spoke at the top of the show.
1:48:46
That was that was fair. I was it was honestly it was honestly fair, and
1:48:48
I said, you know, that's
1:48:50
a faux pas on me. I
1:48:53
decided to dial it back. But because it because you
1:48:55
are the guest hope so it's
1:48:56
the to get it because you are the guess hope so it's
1:48:58
your show your show. I'm
1:49:00
just I'm a character in the
1:49:02
background. I'm I'm What was your name again?
1:49:04
My name
1:49:07
is Pat. Pat. Okay. Well,
1:49:09
thanks, Pat, for all you do. Oh, yeah. Of course. I mean, we wanna make
1:49:11
That's great. Thanks. Yeah. We
1:49:12
wanna make you kind of I'm very
1:49:14
comfortable having a terrific time. Thank you
1:49:19
Pat. No. Of course. Of course.
1:49:20
What was it? How was it?
1:49:22
No. I
1:49:22
How was it? Go
1:49:24
ahead. What's
1:49:26
that? No. Go ahead. Oh, no. How was it recording the
1:49:28
the album's fear of death?
1:49:30
No. It was great. It
1:49:32
was great. Well, no. It
1:49:33
was just a little bit of
1:49:35
a murder part. doing the vocals,
1:49:38
you know, doing all the backing vocals, everything,
1:49:41
mixing it all,
1:49:44
you know, work,
1:49:45
you mean because I felt like I
1:49:47
when I first listened to it, I felt like I was fearing death. Oh god. Oh my god. Just
1:49:49
to be
1:49:50
able to
1:49:51
get through it. Uh-huh. Well,
1:49:54
what do what can
1:49:55
you do? No. It's not for everybody.
1:49:58
Yes,
1:49:58
ma'am. Should we
1:50:00
take
1:50:03
a
1:50:04
call? Yikes. Well You're doing great, Tim. Thank
1:50:06
you. But
1:50:06
I don't say you are navigating. But does
1:50:08
Tom probably would
1:50:11
have broken at least fourth. Oh,
1:50:13
I can break. But I can see I can see it building up
1:50:15
again though. You can't You can't you can't break, but
1:50:18
you have to donate
1:50:20
fifty to a hundred to the
1:50:23
charity of your choice. I'll
1:50:25
do that every five minutes.
1:50:27
Oh. Keep a
1:50:28
list. Hello, best show. Sorry.
1:50:30
Hey,
1:50:30
Tim. Hey. How are you, Tim?
1:50:34
our the
1:50:36
the tone already.
1:50:38
Good. I'm so for, like,
1:50:40
I'm in
1:50:44
my eleventh. I'm wondering
1:50:45
if I could do a double dip.
1:50:47
Double dip it up. Double dip it up.
1:50:48
Double dip double dip
1:50:49
or a bad deal. So
1:50:51
what does that fast
1:50:54
records because I love these new revolver
1:50:56
victims. They're exquisite. I love
1:50:58
them. But I think there's two
1:51:00
of the worst beetle songs
1:51:02
on that record. agree with you.
1:51:05
Alright. You wanna you
1:51:07
wanna predict
1:51:08
the first one?
1:51:10
Well, my too on that that I'm insisting on
1:51:13
putting on would be Good Day
1:51:15
Sunshine. Mhmm. And, oh,
1:51:18
doctor Robert -- Yeah. Right?
1:51:20
Wow. So I'm
1:51:21
I'm going off that. And if you say
1:51:23
love YouTube, get
1:51:26
out
1:51:26
of my life. What are
1:51:28
you gonna say? Yellow submarine thing?
1:51:30
And your bird
1:51:31
can and your
1:51:35
bird can thing? And I
1:51:37
want to tell you. Crap. Whoa.
1:51:38
Okay. I've got terrible. That's a deep guy George song. Deep
1:51:41
guy
1:51:41
George song is not very
1:51:43
good. And then Andrew Birkey think,
1:51:47
like Incorrect. Yeah. I mean, first of all, I
1:51:49
want to say it probably here. My
1:51:51
head is filled with things
1:51:54
to say. when you're here. All
1:51:57
those roads, they seem
1:51:59
to zip
1:51:59
away. way
1:52:01
It's tremendously sophisticated,
1:52:03
smart, clever, catchy song. It's
1:52:05
definitely not
1:52:06
on the list. And
1:52:08
what was the other one?
1:52:10
I don't fucking see which No. No. No. No. No. No.
1:52:12
No. No. No. No. No.
1:52:14
No. No. No. No. No.
1:52:17
It's a great song. That's in one
1:52:19
of my top twenty -- Top twenty.
1:52:21
-- titles. I agree. I love that
1:52:23
song. I just Tell
1:52:25
me everything you do with. Yeah. Yeah. and
1:52:27
your butt dancing, but you don't
1:52:29
get me. Get him off
1:52:31
my phone. I think
1:52:33
he's got bad Okay. No.
1:52:36
He's
1:52:36
under ABBA. He's new
1:52:39
record. I love
1:52:40
ABBA, but he's not
1:52:41
he's not I
1:52:43
do too. Good. But so this
1:52:45
revolver mix everyone's talking about -- Yeah. -- I have no idea
1:52:47
about it. Okay. What the
1:52:50
hell is it? It's
1:52:51
just the remix. They they they they bring
1:52:53
it into their pro tools and they
1:52:56
even things out and they
1:52:58
bring up
1:52:58
It's not like think it is. --
1:53:00
versions
1:53:00
of songs are any different. because there's there's other
1:53:03
things where they
1:53:03
smash different songs together and you're like, what is
1:53:05
the point of this? But it's not that. It's
1:53:08
not that.
1:53:09
and it's just then it's
1:53:11
got all these, like, outtakes and,
1:53:12
you know, early versions of songs. I'm not an audio
1:53:15
file. I do hear a different You
1:53:18
do hear -- Yeah. -- you hear a
1:53:20
lot of, like, different piano parts coming through and different gets
1:53:22
better. I do think it's better. Is Paul approving?
1:53:25
It's under his supervision. he sounds
1:53:28
pretty good.
1:53:33
I actually don't mind it. Alright. Next caller.
1:53:35
I have to say as a as a true,
1:53:37
like, you know, I don't know if you the
1:53:40
Beatles good
1:53:43
day sunshine. I actually was shocked that
1:53:45
was the Beatles. Really? Because I
1:53:48
kind of
1:53:50
in my cultural imagination kind of liking it to
1:53:52
Schlock. I don't like it. So
1:53:54
I'm Yeah. Just say I
1:53:57
actually for a little. a great level. It's like
1:54:00
from the music man. Yeah. Yeah. Yeah. I
1:54:02
was careful because one of their greatest songs.
1:54:04
So the music Either
1:54:06
it was a
1:54:07
music. It was you to the always release
1:54:09
what you I'm definitely not putting that on the list. I appreciate that.
1:54:11
Good. It's love Thrable bows. Alright.
1:54:15
Like, this show can't just keep me
1:54:17
singing. Yes. Not
1:54:18
song. The way he
1:54:21
says
1:54:21
song park. Hey. Who's Colin?
1:54:23
Who's here? Who's what? Who's
1:54:25
what? Hi, mister Chan from
1:54:27
Fargo. Yay. Fargo. Season one, season I'm kidding. Come
1:54:30
on. Maybe the movie.
1:54:32
may earn a movie I
1:54:35
look forward to
1:54:36
them. Hi, Claudia. Hi, John.
1:54:38
Hi, Ben. Hi, Giulio. Hey,
1:54:42
Ari. I have a song
1:54:43
to the list.
1:54:46
Great. What
1:54:48
is it?
1:54:51
My be fun
1:54:51
of pulling the surface. is one that just
1:54:54
it just has
1:54:54
a few lyrics where it just
1:54:57
makes me cringe. Mhmm. When
1:54:59
I get home from No.
1:55:01
No. From Hardisty. Yeah. When I
1:55:02
get home tonight, I'm gonna treat her right
1:55:05
I'm gonna love it. to
1:55:07
the
1:55:07
couch and home. Good.
1:55:10
That is the exact lyrics.
1:55:12
That is it it just cringed from it.
1:55:14
And This song is not a huge
1:55:16
deal of songs that I cringed from
1:55:19
that one I When I get home?
1:55:21
No. I don't think it's on
1:55:23
the list. Sorry.
1:55:24
I get
1:55:26
I'm It has any of the protests. Who is
1:55:28
the judge jury in execution? Not you,
1:55:30
but I have a very strong
1:55:33
voice on this. My opinions are good.
1:55:35
They are
1:55:35
When I get home. Alright. It's off the list for
1:55:37
now. What can I see the list right
1:55:40
now? Yeah.
1:55:41
Can we break up the list? Oh, it's starting to fill
1:55:44
up. I
1:55:44
mean, I think I know. We
1:55:46
have We've got to
1:55:47
be careful.
1:55:50
It's a good day, sunshine,
1:55:52
getting on the list. It hasn't been added.
1:55:54
It that's going at number three for
1:55:58
me. Wow. Is that me? I mean, I know
1:55:59
how to know what's going
1:56:02
on. It's like John
1:56:04
and I have talked for a
1:56:06
long time now about -- Playing brothers. -- playing brothers. We have to
1:56:08
do it. Yeah. You gotta do it. You've gotta do it. In,
1:56:10
like, a movie And he's gonna play your
1:56:12
dad,
1:56:14
like, John Hirsch or something. John Let's go.
1:56:16
Or or Jeff
1:56:18
Daniels. Jeff Daniels
1:56:20
to play the deck. I
1:56:22
love Jeff
1:56:23
Daniels. Jeff Daniels. Nils in terms of Indemnity.
1:56:25
Remember we did? Yeah. Face time.
1:56:26
Exactly, John. Alright. We got another VIP
1:56:28
caller. Maybe
1:56:29
it's Fred calling back. I
1:56:32
don't know. haven't
1:56:33
given out
1:56:33
this Is it ringer? God, that would be bad. Hello? Who's here? I
1:56:35
was gonna have a
1:56:36
VIP
1:56:40
card. Maybe Oh, we need the VIP call to
1:56:42
turn the radio off. Yeah. Could you
1:56:46
turn the radio off? I
1:56:48
know what this is. I
1:56:50
know what this is. It's
1:56:55
You know who this is? I love it. It's Tom,
1:56:57
who and he's doing
1:57:00
a bit
1:57:02
where It's swinging
1:57:04
a mess, Tommy Boy. I get
1:57:06
it. I wouldn't say that
1:57:09
as a flight. complaints. Yikes. Is that fifty
1:57:11
bucks? That's fifty bucks.
1:57:13
Look at
1:57:16
you, Tom. You
1:57:17
come in with the chocolates and the flowers? That's a move. That's a move, my
1:57:19
friend. That is a
1:57:23
big boss move. Are
1:57:26
you sweeten me up and I
1:57:28
right?
1:57:29
towards the end his show my right
1:57:33
they hung up.
1:57:34
Hank in his own shirt.
1:57:34
Doesn't have something better to do? Wouldn't he
1:57:37
just said enjoy the night
1:57:39
off?
1:57:39
No, he can't. He's
1:57:42
gonna be sitting there, seething. Seething. You
1:57:44
know what I'm gonna do? I'm gonna
1:57:46
crank column with the old radio.
1:57:49
Turn the radio off, gag. Well,
1:57:51
it flopped. Gonna say that's
1:57:54
a complaint. Oh, yeah.
1:57:56
You know that
1:57:59
was
1:57:59
a complaint. I'm just being honest. Are
1:58:02
you gonna watch
1:58:03
office hours when he does it? I I got better stuff to do. I'm
1:58:08
gonna be cleaning up my
1:58:10
gut is Who who's on
1:58:13
the
1:58:13
line? Who's on the
1:58:15
line? Don't you love?
1:58:17
this. I could do this
1:58:19
-- Oh. -- all day. All day
1:58:21
every day. Would anyone tune in
1:58:24
SiriusXM to
1:58:24
John early stage? Hello? Get number
1:58:27
five AM. Who's on the line? What are
1:58:29
you looking on your phones for? Who's
1:58:31
that? guys in Vancouver.
1:58:33
Hey, Vancouver.
1:58:33
We have our first international call of the night. Just checking on our reservation.
1:58:35
Sorry. Alright. You're leaving
1:58:36
and you still got time. No. It's fine.
1:58:38
The restaurant texted
1:58:39
me and I was
1:58:41
dead,
1:58:43
but now it's fine. How did
1:58:45
let me back this
1:58:46
up for a second. You
1:58:49
said we have reservations
1:58:51
for nine fifteen. And I didn't
1:58:53
say it,
1:58:54
John said that. That is not true. Alright. Alright. Who's
1:58:57
on
1:58:59
the line? Vancouver. This
1:59:00
is Jonathan from Vancouver.
1:59:03
Yes, Jonathan. How are you?
1:59:03
I'm doing well.
1:59:06
Thank you. Thank
1:59:08
you for having me. I'll go
1:59:10
ahead and recommend little child. That's why I agree. Little child. Well,
1:59:13
and
1:59:14
it
1:59:14
does for me. I'm so
1:59:17
sad and lonely. They'll be taking a chance with me.
1:59:19
There's no problem. What did these early
1:59:23
songs say, like, the
1:59:24
song starts so quickly. Like, the song's like,
1:59:26
that's how it begins. And little child is
1:59:27
one of them. Hey little.
1:59:30
You said a bucked
1:59:32
out don't think it's
1:59:33
that bad. But it isn't one
1:59:34
of my worst, but I get what you're saying. Do you know what I
1:59:36
mean? Little child. said
1:59:38
anything. Little
1:59:39
child. I like it. I'm
1:59:42
not I'm saying that's not available. He hasn't said
1:59:43
anything. We're not living anywhere
1:59:45
to talk. You wanna make a
1:59:47
case for it real
1:59:49
quick there, Jonathan? I just feel like
1:59:51
there's Jonathan Cochrane. I feel like there's
1:59:53
I had
1:59:53
a few others that I had on the list,
1:59:56
but they got suggested while I was
1:59:58
on hold. I was gonna see the word originally, but I'm
1:59:59
glad I'm working on the
2:00:01
thrilled. Do you agree with that? One one
2:00:03
thing I wanted
2:00:04
to mention was
2:00:07
one of John personally favorite Beatles songs was
2:00:09
run for your life. I was gonna say run for your life. I just great. I
2:00:11
like run for your life. I'm
2:00:12
putting it on the
2:00:13
list because it's it's
2:00:16
it's a It's it's about spousal abuse. It
2:00:18
yes. He's
2:00:18
threatening to murder But he doesn't know if he can't can he
2:00:20
not
2:00:23
be about that? I
2:00:25
know John didn't like it. I know John didn't like it. I know
2:00:27
he's threatening to kill his girlfriend, and I
2:00:29
know that's not
2:00:32
ideal. But
2:00:33
the I
2:00:34
like the melody. I know he's like,
2:00:36
oh, I just throw it. I knocked it off in
2:00:38
a second. I use vocals and great on that
2:00:40
song. If it's going on the list, I
2:00:42
disagree. I'm
2:00:43
I'm gonna throw I wanna just finish
2:00:45
this list right now, bring up that list, and I'm
2:00:47
gonna show you how you finish this list.
2:00:49
That is and you're not gonna
2:00:51
be able to argue with it. And we do have
2:00:53
good day sunshine at number three. Wow. Okay. Then I'm going
2:00:55
to tell
2:00:56
you Part
2:00:58
of me. Rollover Beethoven. Sure. Absolutely.
2:01:00
Get it
2:01:01
up. Get it on the list. And
2:01:03
I'm gonna
2:01:04
tell you, dizzy, miss
2:01:06
Lizzie. Absolutely. On the list.
2:01:08
And I've
2:01:09
got a number. Those those
2:01:10
are two big ones. Those are big ones.
2:01:13
the big one
2:01:15
man. wanna
2:01:16
be
2:01:17
your man.
2:01:21
I love that
2:01:23
one. What about it's not second
2:01:24
time. It's another one I'd suggest. I
2:01:26
also agree with that. And I would also
2:01:28
put Just
2:01:31
a grievance show. It's
2:01:33
only love and that is Alright. Listen to
2:01:35
this. That part's pretty good, but
2:01:36
it starts, I
2:01:39
get high when I see
2:01:42
you go by by surprise.
2:01:44
And
2:01:44
I remember when I said that's up
2:01:46
the first time. I was like, this
2:01:49
these are bad. These drugs are
2:01:51
bad. And he sings it sarcastically. Like, he goes very bright. Yeah. Very bright.
2:01:53
He
2:01:54
knows, like,
2:01:55
this sucks. but
2:01:57
I still think it's better than a lot of it's kind of everything that Ringo does. I think it
2:01:59
it's only love on the
2:02:00
list. Who's I what's I
2:02:02
wanna be your man? Who who sings that?
2:02:07
That's RingCentral.
2:02:07
Right? Or it's RingCentral. Yeah.
2:02:09
It's another RingCentral. I
2:02:11
like that, so so
2:02:13
it's not going
2:02:15
on the list. Oh, sorry. I'm about to take
2:02:17
up
2:02:17
every spot with the ringtone. But Good,
2:02:20
do
2:02:20
you? Right now, we
2:02:21
have three spots open on
2:02:24
the list. one, two, and number seven.
2:02:26
What about the one after 9090 that should be on the list. Yeah. Which number is
2:02:28
it? One? Is
2:02:30
it two? Or is it
2:02:32
seven. I think it's too.
2:02:33
It's high. Yeah. Bake it too. Just the fact that they, like, wrote it in
2:02:35
sixty three or even
2:02:38
earlier on, like, this
2:02:40
sucks. and then they brought it back.
2:02:42
because they were out of material. Yeah.
2:02:43
It's like, no. No. So it's on the list. Let's keep it. Let's
2:02:45
let's
2:02:45
let's let's take
2:02:46
a look at the list real quick and
2:02:50
pause and move on
2:02:51
because wait. That can't be right.
2:02:53
Yeah. It's not that big. a
2:02:55
number
2:02:55
one yesterday.
2:02:57
No. Yesterday, it's such a good
2:03:00
day. Davis is doing this in real time,
2:03:02
so he'll have it updated in a second.
2:03:04
But number two was
2:03:04
one after 9093 is
2:03:06
good day Sunshine. Wow. Number ten is
2:03:09
rollover to Beethoven. Fourteen
2:03:11
is Disney
2:03:12
-- Disney.
2:03:14
-- Disney. and sixteen
2:03:15
is it's only long. I mean,
2:03:17
do we need to put,
2:03:20
you know, Kansas City, hey,
2:03:22
hey,
2:03:22
hey, on there, bro. That's
2:03:24
actually good.
2:03:25
I actually don't mind it as,
2:03:27
like, lots of their covers are bad, but they that's
2:03:29
one of the better
2:03:32
ones. Yeah.
2:03:32
Alright. Let's take a
2:03:34
call. Best show. You're on the air. We still have Jonathan in
2:03:36
Canada. Did you
2:03:38
were you done, Jonathan? What's
2:03:42
I'm done
2:03:42
with Jonathan, Jonathan. Yes, ma'am.
2:03:45
Hi, Jonathan. No offense,
2:03:46
but come on.
2:03:48
I'm sure there's a backlog
2:03:50
of calls. Right? Yeah. We
2:03:52
have
2:03:53
full
2:03:54
phones. Mhmm. Best
2:03:56
show.
2:03:57
Hi. This is Jefferson from
2:03:59
Texas.
2:03:59
Jefferson? What part of
2:04:01
Texas? my name
2:04:04
is Justin.
2:04:04
part of tackle hello my name is justin Justin.
2:04:07
Which is how far? Texas. Alright. I
2:04:09
don't know
2:04:10
where that is. Well,
2:04:12
it's it's
2:04:13
by the Oklahoma border. My name
2:04:15
is Justin, but com anointed me Jefferson
2:04:17
on the air. So I've just been going as Jefferson. Do you know the connection with
2:04:20
of Jefferson and me? Do
2:04:22
you know what that the
2:04:24
name refers to
2:04:26
-- Yeah. -- thirteen a lot. There you go. We got a super fan. How can I help you? Yeah.
2:04:28
I'm I'm a big I'm a I'm
2:04:30
a big fan of all three of you.
2:04:35
actually. I love search party. I love extraordinary ones. I
2:04:37
work bugging Studio on Twitter
2:04:39
about doctor Who. But
2:04:41
you're in
2:04:42
heaven
2:04:44
right now. I mean, it's it's pretty big. You also
2:04:46
but you did say my I have a beetle song. You said
2:04:49
it a a
2:04:52
good day sunshine. I was gonna say,
2:04:54
good morning. I know we're kind of getting excited about it, but good
2:04:55
good morning is bad. Good
2:04:57
morning is good. I
2:05:00
do so
2:05:00
great. I'm wanting
2:05:02
he's good. Yeah. I wish I could win. How's your
2:05:05
wife been?
2:05:08
That's great. Nothing to do. It's
2:05:10
up to you. It's great. Yeah. What don't you like about it, Jefferson?
2:05:12
He's not
2:05:14
a morning person. Oh,
2:05:16
I I've
2:05:19
definitely absolutely. But I Earlier that the
2:05:25
songs that feel like
2:05:26
half a song. The songs that feel like interludes. Like,
2:05:28
I that's that's the stuff that kinda
2:05:30
bugs me and the stuff that I usually
2:05:35
Kip? Yes. Alright. Well, you can go
2:05:36
off and listen to your honeydomes in
2:05:38
Kansas City, and visit, miss Lizzie,
2:05:41
and your eight
2:05:43
days a week. Does
2:05:44
eight days a week? Eight days a week, aren't good. I don't really
2:05:46
like I don't really like eight days a week that much. It's
2:05:49
I don't do this room for it on
2:05:51
the list. Come on. Alright.
2:05:52
Moving on. No. No. No.
2:05:54
We're What okay.
2:05:56
So the
2:05:57
high points of your career
2:05:59
is definitely
2:05:59
peak fees. Uh-huh. Just
2:06:02
just
2:06:02
just because I
2:06:02
I think fatigue feeds constantly, it's
2:06:08
just it was a big insight or a big
2:06:10
thing with me and my friends in college. The low point would probably be young
2:06:12
person's guide to history, but that's
2:06:14
only because you're not in it that
2:06:16
much. I don't
2:06:18
even know what that is. Yeah. What is that? Really?
2:06:20
What It was
2:06:21
like the it
2:06:24
was part
2:06:24
of the weird adult swim when
2:06:26
they were doing the those, like, kind of stand alone, slightly
2:06:28
animated things. There was a
2:06:30
there was a two or a
2:06:35
three part thing called the young person's guide to history. Okay. That's
2:06:37
ringing a bell. That's like a
2:06:39
that's like a tight data starter
2:06:41
in it. Yeah. Yeah. Yeah. Okay.
2:06:43
That's fair. That's good. I
2:06:45
had nothing to do with that. I just
2:06:47
showed and read lines. don't can't stand that. Exactly. Yeah. Alright.
2:06:52
And
2:06:52
I I remember getting really excited when you and Eric pop
2:06:54
up in it, and then it's, like, two or
2:06:57
three seconds and
2:06:59
then you're gone. Yeah. We've sabotaged
2:07:02
it probably. We probably gave them much unusable
2:07:04
footage. Alright.
2:07:08
Well, thanks. thanks so much,
2:07:10
Jefferton, and have a just enjoy your Ted
2:07:12
Cruz.
2:07:15
cruise. There's a big tech
2:07:17
cruise cruise happening this weekend. sold out. Give me
2:07:20
a face. You
2:07:23
know what's what what's, you know, word Ted
2:07:25
Cruz says a lot? What?
2:07:28
Fundamental. There's
2:07:30
a fundamental issue.
2:07:31
With Needs says it
2:07:33
all the time. Yeah. Loves
2:07:35
it. Fundamentally, we are
2:07:38
at a crossroads. What
2:07:40
What has the reaction been to the Trump
2:07:42
speech, by the way? Did he announce he's running? Yeah. He did. He is running. He did. But
2:07:44
he didn't announce that he's
2:07:47
forming the MAGA party. Nope.
2:07:49
It looks like he's going we're talking to him. Yeah. Good for him.
2:07:51
Yeah. That's You you supported
2:07:54
him in two thousand sixteen,
2:07:57
but they're not in two thousand twenty. Yeah. Yeah. You get
2:07:59
out there for him. gays for Trump. I was very
2:07:59
yeah.
2:08:00
It was very vocal
2:08:03
in two thousand sixteen. Any
2:08:06
regrets? No. No. Not one too. But you just weren't happy with his The
2:08:10
term. Yeah.
2:08:11
I was disappointed
2:08:14
towards the end there. Don't go to Monness, you know. You too. Yeah.
2:08:16
That was me. You
2:08:18
got him Monness, like the
2:08:20
one. he
2:08:22
has
2:08:22
a line to learn.
2:08:23
Yeah. Light to
2:08:26
learn. Well, it is you
2:08:29
know, I was never a fan of
2:08:31
him as a president, but I like him as a
2:08:34
person. Me too. Mittelsterturing. Yeah. But mister Mittelsterturing. The what?
2:08:36
Mittelstert protruding.
2:08:38
Remember that tweet about Barney
2:08:40
Frank? Yes. Mitchell's protruding.
2:08:43
A tweet. It's funny.
2:08:45
Did you see the
2:08:48
disrespectful. discussing it. Yeah. Did
2:08:50
you see the latest thing
2:08:52
that he did
2:08:55
about Glenn Youngkin? the
2:08:56
governor of Virginia? No. I mean,
2:08:58
you can't believe it.
2:08:59
He says this,
2:09:01
you bring it
2:09:03
up. maybe. I don't know. Sorry. I look for it. I mean, do you know what it
2:09:05
is? Yeah. On his truth social, because I guess Glenn
2:09:07
Youngkin, who's the Governor
2:09:11
of Virginia said some things about Trump after the
2:09:13
midterm saying that he was, you know,
2:09:15
a problem. He he
2:09:17
cost his votes, whatever. he says,
2:09:19
I should just We
2:09:20
should just read it. Let me see if
2:09:22
I can find it. You're
2:09:23
not gonna believe
2:09:26
it. Okay? this is
2:09:27
a good setup for this. Truth. Do you find that
2:09:29
I
2:09:29
have there right now? You
2:09:31
have it. Yeah. Is it the
2:09:33
one? Okay. Here it is. Yeah.
2:09:35
I have
2:09:35
it. Young So
2:09:37
Youngkin is spelled Y0UNKIN
2:09:39
Okay. One word. Yeah. He types it
2:09:41
as two words.
2:09:43
Youngkin in parentheses Now
2:09:46
that's an interesting take. Sounds Chinese.
2:09:51
Oh my god.
2:09:56
First of
2:09:56
all, now that's an interesting take. I think
2:09:58
he meant to say name -- Yeah. -- AutoCorrected toothache.
2:09:59
Totally. Young kid. No. That's
2:10:02
an let's just assume its
2:10:04
name. Young Kim. Now that's
2:10:06
an interesting name. Sounds Chinese. Doesn't it? And then back to the main point, in Virginia, couldn't
2:10:09
have one
2:10:12
without me. I
2:10:14
endorsed him did a very big
2:10:16
Trump rally for him telephonically -- Yeah. Yeah.
2:10:18
-- gotten negative over him or he could
2:10:21
or he couldn't have come close
2:10:23
to winning. That doesn't make any sense. I'm just reading what I'm seeing front
2:10:24
of me. But Young
2:10:27
Kim, what an ass?
2:10:28
young can
2:10:30
what an ass Can I say yes?
2:10:31
Yeah. You know, thank you.
2:10:33
Great. Not an an a use
2:10:35
an a hole. I
2:10:37
think Trump is an a hole. That and
2:10:39
that's some hard hitting. Yeah. That's not take. Don't don't,
2:10:42
like, clip that out. I don't
2:10:44
wanna deal I don't wanna
2:10:46
deal with it. Alright. How about
2:10:49
a
2:10:49
call. Mhmm.
2:10:50
You've got a best show. Do you know birds horns?
2:10:54
no berkeley
2:10:55
I love Mike. I don't
2:10:57
care if it's on, Mike, off, Mike. It's not gonna happen again. Hey,
2:10:59
guys. I have the syllabus, but the judges
2:11:02
have said that the
2:11:04
Trump thing was a complaint.
2:11:06
Oh, no. No. You would know. That was a complaint. I I would argue that telling
2:11:08
me not to
2:11:10
burp is kind of a
2:11:12
complaint.
2:11:13
Yeah. Okay? Sorry? That's a
2:11:15
complaint. Alright. Listen. I'm gonna pay the complaint
2:11:17
because the show's gonna
2:11:20
sit down. if
2:11:22
everything's so, you know, rosy. What
2:11:24
do we got? Who's on the
2:11:27
line? I yeah. I
2:11:28
just wanna know. A reincluding
2:11:31
Switzerland has apology records. No. We have just yeah.
2:11:33
Thank you, John. We
2:11:35
have decided because then you got
2:11:37
met what's new Mary Jane?
2:11:40
You got that that twelve
2:11:43
bar Mhmm. Sir don't
2:11:44
know.
2:11:49
I'm gonna
2:11:50
call you three. What's this? I dropped that one. Gary, so I was trying to Gary.
2:11:52
I was like those
2:11:54
in Cuba where they're sending
2:11:58
those sound waves on people. You know what
2:11:59
I'm talking about? You don't you read
2:12:02
the news more. That's what you should
2:12:04
do.
2:12:05
What
2:12:05
I'm gonna get you a
2:12:08
subscription to
2:12:08
the Wall Street Show. That would be
2:12:10
lovely. Best show.
2:12:10
Hey. This is Ian from New York.
2:12:13
in premier Hello,
2:12:15
Ian. How are you? I'm doing well. I think
2:12:17
the last
2:12:18
time I spoke to you, Tim,
2:12:20
we're we're talking
2:12:23
to beetle stuff. Okay. I
2:12:25
showed you my my dad's license plate
2:12:27
of the Rolls Royce. Yes. You're you have the license plate
2:12:28
of John Lennon's
2:12:31
Rolls Royce. Whoa. how
2:12:34
much that cost. You wanna
2:12:37
know how much
2:12:37
that cost? Yeah. I wanna
2:12:39
know how much that
2:12:41
cost. Oh, no. I I inherited my dad stole
2:12:43
it from the museum. Oh
2:12:47
my god. Crime.
2:12:49
crime
2:12:50
He's retired. It's okay. But Yeah.
2:12:56
Still But I I got
2:12:58
a song to contribute. Okay. Go
2:13:00
ahead. I'm gonna go
2:13:02
good
2:13:02
night. Love good night. I wouldn't put
2:13:05
it
2:13:06
on the
2:13:08
list. It's kinda
2:13:09
Less. That's so sweet. Yeah. It's very
2:13:11
sweet. Yeah. Get
2:13:15
off my phone I don't know.
2:13:17
Sleep time. Bye bye. Now it's time for you to
2:13:19
say goodbye. Go
2:13:24
to bed. That's how you're
2:13:26
on the air. Hello? Hello. Who's who's
2:13:28
wow talking to?
2:13:29
Gerard
2:13:31
had an Oh, Eric White. This is
2:13:33
the
2:13:33
Beyond. Give me that
2:13:35
really, really funny. Oh,
2:13:37
yeah. Yeah. I gotta get that. Are y'all
2:13:39
angry? really angry. Wow.
2:13:41
Yeah. We're trying to
2:13:43
build our our daughter
2:13:44
a bed, and we're just
2:13:47
getting infuriated in here.
2:13:48
Well, I have to play this
2:13:51
play with the soccer game. It's got nothing to do on. Famous the line.
2:13:56
You guys are, like, putting good
2:13:58
dogs on there and leaving
2:13:59
cocka's hopping dogs
2:14:02
and it's bullshit. Well,
2:14:05
Okay. Watch your language miss
2:14:07
our cat. You're a little bit you're a little bit viewer. I'm just
2:14:09
wait a
2:14:11
minute. Hold on.
2:14:13
hold on Tell
2:14:15
me where we're wrong. Tell me what
2:14:17
we're missing. This is a dialogue.
2:14:19
This isn't although
2:14:20
I am the
2:14:23
ultimate judge.
2:14:24
But jury execution. Yeah. You know, what would you take
2:14:26
us? the word back, and
2:14:27
we want you to take
2:14:28
-- Mhmm. -- yellow
2:14:31
submarine from us and octopus's
2:14:34
garden and Number one, number two. Silver hammer. Oh, well, nice. have those on
2:14:36
your lips. Listen. You
2:14:38
don't have to come up.
2:14:40
want
2:14:42
to have gone back. Excuse me,
2:14:44
miss Arcett. I don't
2:14:46
you don't need to
2:14:48
come in this hot. You
2:14:49
could you could come
2:14:51
in respectfully. Yeah.
2:14:52
Yeah. You know that was a complaint.
2:14:54
You think it's been growing on
2:14:56
me. Well,
2:14:59
listen, rage. You you guys stay up
2:15:01
here
2:15:01
and and stand by max matchbox
2:15:06
and honey don't. the rest of You
2:15:08
got a
2:15:09
bunch of, yes, man,
2:15:11
around you.
2:15:12
Alright.
2:15:16
Elite put max I mean, Maxwell, does anyone
2:15:18
need to hear that again? I would be children's songs. That's about it. Definitely put
2:15:21
Maxwell's on there, Eric.
2:15:23
And Eric also
2:15:24
a yellow centering -- No. -- not on
2:15:27
the list. I love you,
2:15:27
and thank you for being a voice of reason on this call because I'm getting excited. I'm
2:15:32
being attacked. like Patricia
2:15:33
Harkett. And I I I've Imagine that.
2:15:35
It's true. He's imagine number
2:15:37
one?
2:15:39
Maxwell's number one. I make
2:15:41
you happy, miss Arkinel window. Wow. Are
2:15:43
you happy now, miss Arkinel? Are you
2:15:45
happy? Oscar winner.
2:15:47
I didn't have Maybe
2:15:49
getting there. Are you are you are you are you are you sergeant on there
2:15:51
or not. She's it should be on the
2:15:54
list. Me said. Right? Are you an Oscar
2:15:56
winner? Yes.
2:16:00
Is
2:16:00
she? Yes. Two
2:16:01
times. Yes. But if Marilyn's on
2:16:03
my
2:16:03
side, I can
2:16:06
feel it. My wife.
2:16:08
Yes. You you're a fond
2:16:10
of my wife. Is
2:16:11
this true? Yeah. Who is
2:16:13
it? No. It's a
2:16:15
lovely cool, ladies. Not so much me Right? You always have a
2:16:17
you you you kinda get a
2:16:19
weird vibe. There's always
2:16:20
one. No.
2:16:24
You're good. Thank you,
2:16:26
sir. You're a keeper. Accepted this. Man. Listen. I was so excited
2:16:28
and then I was
2:16:31
like, what's happening here? So
2:16:34
the word with down sharply showing
2:16:37
throw it in the trash pile. But wait wait. I
2:16:39
just don't like the word. Is that what you're saying?
2:16:40
the word is that what you're saying
2:16:44
We do
2:16:45
like it. Mhmm.
2:16:46
We wanted that. You
2:16:48
know what? Not at all.
2:16:50
I'm I'm confident that we've ruined that song for
2:16:52
you for the rest of the time. I think
2:16:54
it's gonna come up and you're gonna go Oh, yeah. You can We're gonna stick it all that Well,
2:16:59
wait. I just wanna say
2:17:01
one more time that I loved all these songs dearly. Okay? And we just gotta do
2:17:04
the list.
2:17:06
and we just gotta do with a list
2:17:09
Yeah. We
2:17:09
do have to do that. Unfortunately, we have to
2:17:11
do that. We're working together.
2:17:13
Yeah.
2:17:14
Alright. Well, Maxwell. home all
2:17:15
too, but You too. We've got
2:17:17
a gun to bow his arms.
2:17:19
I love him, but do you do some
2:17:21
are great
2:17:21
when you're five? But they don't need to they
2:17:23
don't need to they don't need to hear him
2:17:26
anymore. Can they need to be on this? Alright. What's what are the big what are the big bring up the list.
2:17:31
What are the big issues? Or the big what
2:17:34
flat. Yeah. This Oh, I'm here. What's the most offensive besides the word? Wait.
2:17:38
I can't Okay. I can't I
2:17:39
can't I can't see the damn list.
2:17:42
You gotta read
2:17:42
it for a because we're we're we're That'll that'll make for a good show.
2:17:44
Alright.
2:17:48
No. I'll do it. Yeah. Yeah.
2:17:50
Yeah. You start screaming and hollowing like a mad woman when I get to a thing that you think is egregious.
2:17:56
Matchbox at twenty twenty Okay. Okay. Matchbox
2:17:58
at twenty twenty, honey don't at night at love
2:17:59
sixteen. It's only love
2:18:02
at sixteen. Being for
2:18:05
the benefit of mister
2:18:07
Kite at fifteen. Where
2:18:10
so so far, everybody's
2:18:12
hat? Yeah. Yeah. Disney, Miss Lizzie,
2:18:14
buy
2:18:14
it over here. Wild honey pie, piggy's,
2:18:16
the No.
2:18:17
Get it
2:18:20
off right
2:18:23
now. Really? No.
2:18:25
No. Not that one. Give
2:18:27
me a Honey Bar. You're driving
2:18:29
me crazy. Well, they have both on there. I don't
2:18:31
know.
2:18:31
Oh, you get a Bosch. You
2:18:33
love Piggies, but Patricia Kenson, I'm homeless
2:18:35
in the Piggies. Ten. Ten. Ten. Ten. Ten. Ten.
2:18:38
Ten. Okay. I I'm so happy to come on.
2:18:40
But piggies
2:18:42
belongs under that song sucks. Thank you,
2:18:44
Eric. None of them suck, but Roll
2:18:46
over Beethoven.
2:18:46
What else? What Roll over Beethoven. Terrible. You can keep
2:18:50
Only a northern song. Terrible. I need to ask
2:18:52
to keep it on there. The word. You oh,
2:18:54
forget the word. You don't you want the word again? I'll get
2:18:56
it
2:18:57
get
2:19:00
it off. Okay. Put
2:19:01
the word at seven put the word
2:19:03
at seventeen. Put the word at seventeen. Give them give them some Throw them some crumbs. No. Armidid is
2:19:06
rob armored grounded.
2:19:08
That's no problem. notice. No.
2:19:09
By the way, we don't have a a love
2:19:12
me do on there. That was for that's
2:19:14
That's Well, I is a great with it.
2:19:16
But Thank goodness. Is it actually So should that
2:19:18
be number eight? Yeah. Okay. And then we have -- Oh.
2:19:23
--
2:19:24
we have satellite truffle. No. Get
2:19:26
it off. Desagree. Don't deal it. Don't
2:19:28
have
2:19:29
to put this garden. Where's
2:19:31
Maxel's silver hammer? how
2:19:33
about -- Right. -- network memory? We're gonna do the
2:19:35
work right now. Mhmm. Matchbox
2:19:39
Silver Hammers number one. Octopus's Garden's
2:19:41
number sixteen. And you know what? Yellow
2:19:44
submarine put it on there. Yeah.
2:19:46
Seventeen. And the list is complete.
2:19:48
Now goodbye.
2:19:49
You've done a
2:19:50
dead the the
2:19:52
John
2:19:52
Demo version is beautiful.
2:19:55
I love that I know. That's why
2:19:57
it was I was resistant to put it on because that
2:19:59
hearing that just
2:19:59
that open my
2:20:02
ear. I
2:20:02
hear it. what's happening, but you can't
2:20:04
you know, you gotta go by the Alright. Let's What
2:20:06
they put on the truth really is. Yeah. We have lots
2:20:08
the true
2:20:08
of beautiful
2:20:11
normal people, not these Hollywood celebrities that wanna
2:20:13
talk to me. Can you just Do you mind
2:20:15
clearing the phone? Goodbye. Goodbye. Thank
2:20:17
you for call get rid
2:20:19
of I hope to see you
2:20:21
soon. Look at me. I got so many hollies. Yes, sir. I believe I What did
2:20:23
I do to deserve
2:20:26
this? The they're both Patricia and Eric are
2:20:29
dear, dear people. Wonderful people. And Tom's
2:20:31
friend, too. Yeah. And I love them.
2:20:33
Most people must be seething out
2:20:35
there the life we lead I know.
2:20:37
John John, you would hit it off
2:20:39
with them. Oh,
2:20:42
you're not so much me.
2:20:44
Dear to your friends. Dear.
2:20:46
Alright. Let's keep let's
2:20:49
go back to the
2:20:51
calls, the phone And it's
2:20:53
eight thirty threes. Yeah. We're doing great. We're doing
2:20:56
great.
2:20:56
doing great And
2:20:58
the list is
2:20:59
finished. Hi. It's Tuesday night, what's this
2:21:01
place? What kind of attitude does this place have
2:21:03
where they're being all stuffy about it?
2:21:05
We can always go
2:21:06
to Chipotle. Is it like a Dave? Is
2:21:08
it Dave and Buster's? No. It's it's
2:21:10
a banana banana banana. I mean,
2:21:12
you know, what we should do
2:21:14
is open up a a restaurant
2:21:16
called banana Right next to a narrow narrow narrow narrow breath.
2:21:18
Yeah. We're going we're meeting it banana
2:21:23
by any banana banana banana banana banana
2:21:25
banana banana banana banana banana bread. Pan
2:21:27
bread. Panterra
2:21:27
bread. Who's there? Panterra bread.
2:21:28
Hi, Tim.
2:21:32
It's
2:21:32
them at seven seven.
2:21:34
It's seven. Evan. Evan. I
2:21:37
said seven. Evan. Yeah.
2:21:39
It's seven. Where are
2:21:41
you calling
2:21:42
from? to Saskatchewan, Canada. Oh, yeah. How
2:21:46
the heck can
2:21:48
I follow pictures or
2:21:50
tell? No. It's even think to do that. I don't think you even try. I think you just live your life,
2:21:52
be yourself -- Yeah.
2:21:54
-- and don't even
2:21:57
think about it. Begin
2:21:59
about it. Man. I've already
2:22:00
forgot. Hi, all. I'm glad
2:22:03
that the
2:22:03
lift got completed. Did
2:22:05
she sign off on Love
2:22:08
Me Doo? She don't need to. Nobody she
2:22:10
doesn't she's just because she's won
2:22:12
an Oscar doesn't mean she gets to
2:22:14
sign off. She has to sign off. Yeah. But
2:22:16
Okay. Well, I
2:22:18
sign off. I'm rubbish, dude. Let
2:22:20
me check out. You don't
2:22:22
have to sign off either. What,
2:22:24
John? What Forget
2:22:26
where y'all stood at? do. I'm
2:22:28
fine with that. I think it makes the list.
2:22:30
Yeah. I don't think it makes the list.
2:22:33
Yeah. There's no way. Alright. The list is
2:22:35
done. The list is complete. Forget about -- What else? -- if you
2:22:37
have I would say if you have a major nominee, you could
2:22:40
say it. and
2:22:44
maybe it'll rattle the group.
2:22:46
Sure.
2:22:46
No. No. I don't have no. I genuinely wasn't listening to you.
2:22:52
for a second. For one second. And
2:22:55
then I looked over and
2:22:58
I went, what? What are
2:23:00
you saying? I'm hungry. So I I was
2:23:02
just thinking if he hasn't meet me,
2:23:05
it could rattle the group and
2:23:07
shake up
2:23:08
the list.
2:23:09
What is it? There's no list. I
2:23:10
want to call and ask about remember
2:23:14
the Julie Paymore movie
2:23:16
across the universe? Of
2:23:19
course. Yes. does your contour -- radish up
2:23:23
-- come together.
2:23:26
Make the most tragic
2:23:29
bad,
2:23:29
happy. It's
2:23:30
it's it's, like,
2:23:31
the most prominent, like, recreation
2:23:34
of something that you don't even
2:23:36
understand. Joe
2:23:38
Cockerstein come together as a
2:23:41
homeless person as a him. Alright. Bad
2:23:43
company. You got I
2:23:44
think advised
2:23:48
by my concierge
2:23:50
here. You getting rid of me.
2:23:51
Okay. That's fine.
2:23:57
Alright. Yes. I'd III
2:23:59
wasn't I'd
2:24:02
I got an some
2:24:05
advice on on instituting that, and I just don't know
2:24:07
if it was the right call. Okay. Right. Right.
2:24:10
Sorry, Tim. Good
2:24:13
job tonight. Thank
2:24:16
you, buddy. That's not nice. And
2:24:18
then usually, when we play
2:24:20
all two of them. They
2:24:22
don't say you don't say that
2:24:24
company. Oh, well, I didn't get the script on
2:24:26
me. I didn't get the script on me. Okay.
2:24:29
Well, I don't know what that feels like
2:24:31
in that. Right. there. Sounded like a complaint. Oh. I'm
2:24:33
a bad boy.
2:24:35
I don't I
2:24:38
don't
2:24:38
mind breaking some rules.
2:24:40
here and
2:24:43
there.
2:24:43
Alright. Best show
2:24:45
you're on the
2:24:47
air. Hey. This is
2:24:49
Jonathan. I was gonna talk
2:24:51
about Beatles songs, but it seems
2:24:53
like that's over. So it
2:24:55
feels like I'm Well, stuck here.
2:24:57
Tristan in the wind. Gonna add
2:25:00
it. 0PSI
2:25:01
love you. Do you I think Disney,
2:25:03
miss Lizzie, is terrible. Yeah.
2:25:06
And monolithic is awful. It's
2:25:09
yeah. III wish I
2:25:11
had more to add That's
2:25:13
okay. Well, today. What's your worst?
2:25:16
because everything you do is the best. Wow. That's
2:25:18
why you're on the best show. Thanks. What's
2:25:19
the best?
2:25:23
Shit. You put me on
2:25:25
the spot.
2:25:25
I think we're sorry.
2:25:27
Sorry.
2:25:27
Sorry. Yeah. So
2:25:34
Bruell,
2:25:36
I
2:25:37
the room
2:25:39
i love bro love Bruell. I'm
2:25:41
crazy about it. Well, I only wrote my husband
2:25:43
or everything. With
2:25:46
Eric, where I'm in John c
2:25:48
Riley. But And you did
2:25:51
the music. I did the theme song. But I have to admit,
2:25:52
I've been on
2:25:54
a
2:25:54
YouTube wormhole with
2:25:57
the with the check
2:25:59
it
2:25:59
out rule and it is truly
2:26:02
unincredibly funny. I
2:26:03
can't believe my own
2:26:05
work.
2:26:05
But it's mostly I
2:26:08
mean, it's It's -- Yeah.
2:26:10
-- a lot of John. I mean, it's, you
2:26:12
know, it's not just me. But, you know, some some things you
2:26:14
can look and be proud of. You know what you should say. That's great.
2:26:18
Now,
2:26:18
really strong. Mhmm. Can I
2:26:21
I hate to have
2:26:22
to pick just one, but it's just
2:26:25
it kills me every, excuse me,
2:26:28
time. Sounds like you're so surprised.
2:26:30
watching it over and over again.
2:26:33
Okay. Thank you for
2:26:34
the call
2:26:35
and the compliment. John
2:26:37
Early has something to say.
2:26:39
I would like you guys
2:26:41
to pick -- Mhmm.
2:26:43
-- between NME, Vulture --
2:26:46
Mhmm. -- or
2:26:47
ultimate classic rock. that's
2:26:49
I don't even know. I've never heard about
2:26:51
that. culture or enemy. The the vulture
2:26:53
list, I remember, coming out is very controversial, and that's kinda
2:26:56
stupid. Right? studio
2:26:57
-- Yeah. -- so that you're gonna do
2:27:00
NME. So let's do NME because that's the
2:27:02
Beatles. That was their paper when they were coming -- Yeah. -- melody maker, new
2:27:04
music new
2:27:06
musical express. Right? Mhmm. Okay. So we're
2:27:08
cross referencing with enemy. Is it that the list
2:27:10
of West
2:27:11
song go best? This is
2:27:13
every song ring. So
2:27:15
I'm just gonna go to the very
2:27:17
end. Great. Now can we bring up the list? You guys certainly don't need footage
2:27:19
of me reading this.
2:27:20
Okay. Wild
2:27:23
honey pie. Yeah. We we
2:27:25
made it. We did it. So this is still being updated, but I have
2:27:27
the list
2:27:27
in front of me right now. Something's
2:27:31
happening.
2:27:32
It says you're not on
2:27:34
the Internet. What is happening? Okay.
2:27:35
Okay. Wilder. You might dig it.
2:27:36
the her wildman if i dig it No
2:27:39
digger. Oh, digger. I can see how
2:27:40
that would be. You know
2:27:42
my name. Love up the number. I would love with the loans. Love Why don't we do it in the
2:27:44
road?
2:27:44
known by when with them
2:27:46
love why don't we do in the road
2:27:48
I I would put it on I
2:27:50
say it's down there. I think it
2:27:51
cooks. I think if if we were
2:27:54
doing a top thirty yeah. We'd put
2:27:56
it in the top thirty. I love the
2:27:58
mean,
2:27:58
no. No. That works, sir. Like, we have But I love
2:27:59
the I
2:28:02
love the there's a group of
2:28:04
But a vibe. It's got an absolute
2:28:06
vibe. Revolution nine. Mhmm. Those are simpletons flying flying
2:28:08
is cool. It's
2:28:11
cool.
2:28:11
It's cool. It's
2:28:14
minor.
2:28:14
Only a
2:28:16
northern song. Yep. Ask me why.
2:28:18
Wrong. I agree
2:28:19
that's I disagree.
2:28:21
No. It's cute. little child. We talked about
2:28:23
it. Bluejay Way. Didn't get
2:28:25
get the
2:28:26
I think Bluejay Way
2:28:28
is cool. Yeah. Bluejay
2:28:30
Way
2:28:30
too. It's
2:28:31
like an actual scary songs.
2:28:33
Yeah. Like, it feels scary.
2:28:35
There's a photo on the leg.
2:28:38
Yeah. Yeah. They're incorrect to put that
2:28:39
on the legs. Yeah.
2:28:41
the breathe out of the way
2:28:43
Not
2:28:43
a second time. Not a
2:28:45
second time. I think
2:28:46
that's interesting song. Yeah. I didn't get that. Her majesty. No. No. That's sweet.
2:28:50
no that's week Run
2:28:52
for
2:28:52
your life, especially since
2:28:53
Paul was horny for the queen. So for the Run your
2:28:55
life if can, girl. Don't bother me. the
2:28:58
country like it you can little do don't
2:29:00
bother me Yeah.
2:29:01
For you
2:29:02
blue. I don't love
2:29:04
for you blue. I don't
2:29:06
love it. I can
2:29:07
I get it.
2:29:09
we're
2:29:09
almost there. What goes on? What goes on in
2:29:11
your mouth? I like that some
2:29:14
Not the ring go. Some
2:29:15
sort of spam thing has happened. I know
2:29:17
you guys don't care, but No. I think it's I think it's interesting here. God.
2:29:19
No. I do. I think it's interesting because it's
2:29:22
a good segue to
2:29:24
talk about Twitter and
2:29:27
psychology. Yeah. Yeah. and Kanye. That's
2:29:30
Dave chappell monologue. Okay.
2:29:33
Thank you, girl. Is
2:29:35
that on there?
2:29:36
Thank
2:29:37
you, girl. Thank you, girl. I wouldn't
2:29:39
put it on. Wait. How many more you're not
2:29:42
there's
2:29:42
like three more. Okay. One after 909 Every
2:29:44
single One
2:29:46
after nine and nine is a number
2:29:48
two. I mean mine. Oh, through the
2:29:50
days of great time. I'll cry instead. No. That's a great song until then. I'll cry.
2:29:52
Is
2:29:56
that
2:29:56
and then finals year of blues?
2:29:59
I
2:29:59
get Oh, Okay. list. Take call. more
2:29:59
beetle talk.
2:30:05
I love it. You're just
2:30:08
you're rolling with
2:30:10
it beautifully. Yeah.
2:30:11
My best
2:30:12
show. Taking it well.
2:30:14
That's how you're on there. Yeah.
2:30:16
Go ahead.
2:30:19
Hey,
2:30:20
man. What's up?
2:30:23
Hey, who's this? This is Jerome.
2:30:25
I'm calling out of
2:30:28
Albuquerque, New Mexico.
2:30:29
Jerry.
2:30:30
Hello, Jerry. Yeah. No. Jerome. Okay. Jerome. Jerome.
2:30:31
Jerome science
2:30:36
filled. Anyways, so Yeah.
2:30:39
been following you for a while, and I love your work. I gotta ask, I've
2:30:44
noticed
2:30:44
you've lost, like, a bunch of
2:30:46
weight, so, like, What's your regimen? Like, what are you doing, dude? Like, you are looking really That's
2:30:51
that's very nice very
2:30:53
nice. Very nice. I do just
2:30:55
I
2:30:55
don't eat before
2:30:58
noon and I don't eat
2:31:00
after sick. my friends. Excellent. So
2:31:03
intermittent fasting. Intermittent
2:31:06
fasting, and then I
2:31:08
try to walk and
2:31:11
jog you know, three or four or
2:31:11
five days a week, you know, forty
2:31:14
five minutes or so.
2:31:16
We're talking to people.
2:31:18
some stuff about that
2:31:20
Do you know that not
2:31:22
eating breakfast gives you dementia?
2:31:24
Don't could you
2:31:27
tell I have dementia? I'm gonna
2:31:29
do that. You don't
2:31:31
do no part.
2:31:33
That's it,
2:31:34
manta. The manta. That's a
2:31:37
question. They called
2:31:39
me professor. Oh,
2:31:42
you're hello. Okay. That's what was that
2:31:44
true? That's what I
2:31:46
yeah. Yeah. Yeah. because
2:31:48
my mom was doing exactly
2:31:51
your diet for years lost
2:31:54
a ton of weight and she found that that
2:31:56
seemed to get dementia. So she stopped doing it.
2:31:58
And I lost some weight recently because I started eating way more food all
2:31:59
day long. Wait.
2:32:02
Wait. Wait. Wait. Are you
2:32:05
bulimic? No. because I think it's
2:32:07
if you eat really early, you
2:32:09
activating your
2:32:11
metabolism, you're burning more
2:32:14
energy. And
2:32:14
suddenly, my clothes falling off me. Hello?
2:32:16
So
2:32:19
don't I just think Well, thank you
2:32:22
for the compliment. Nobody wants to hear me being complimented.
2:32:23
I can tell you that much.
2:32:25
It's
2:32:29
bad for ratings. Yeah. Well, the I
2:32:31
I gotta say the the,
2:32:33
you know, you you guys forgot
2:32:35
a song on the list. It's twist
2:32:37
and shout dog be have to be on there. Get off my
2:32:40
phone. That's
2:32:42
all I'm
2:32:42
gonna say about that. Oh, come
2:32:45
on.
2:32:45
Alright. Go on. No worries. and a
2:32:47
call from Australia. Is it my mama or dad? I don't
2:32:49
know. It doesn't say --
2:32:51
Hello?
2:32:51
-- the body of mama
2:32:53
or dad. Sorry. Little just
2:32:55
I heard the lazy stuff.
2:32:57
Is that wisey stuff?
2:32:59
Nauer. It's somebody else.
2:33:02
Nauer.
2:33:03
Who's this? Am I am I on? Yes. Hi. This is from
2:33:04
Tasmania Australia.
2:33:06
It you'd
2:33:09
know.
2:33:10
This is just
2:33:12
Claudia. You're just how are
2:33:14
you doing this, Claudia? Sorry.
2:33:15
My voice again. No way. I'm
2:33:18
in I'm in the whole boat right
2:33:20
now. anyways, I'm honored
2:33:22
to talk to you. I
2:33:24
have so many things
2:33:26
I could talk about, but We'll
2:33:28
pick one. Mhmm.
2:33:29
Okay. I'm just
2:33:31
gonna get to it.
2:33:32
Sorry? No. No. Get to
2:33:34
it.
2:33:35
Get to it. Go.
2:33:37
Yeah. I wish
2:33:38
I would tell this
2:33:40
story on office hours, but, obviously,
2:33:43
we're not there today. when
2:33:47
I was sixteen, my friends
2:33:49
and I were, like, obsessed with the band, you
2:33:51
know, I know I've
2:33:55
older records, I've older
2:33:57
songs. And we came across
2:33:59
a little
2:33:59
YouTube channel by
2:34:03
someone named Carrie Gankle, who
2:34:05
is Rick Gankle's brother. Oh, when you're saying the band,
2:34:07
you're talking about
2:34:07
the band.
2:34:12
The band. Yeah.
2:34:13
Rick Ginkgo is so
2:34:14
And he Wait a minute.
2:34:16
Joe, we have some connection here. I
2:34:18
don't know. just watch the last
2:34:20
waltz really two days ago. Really, what brought you
2:34:22
to the last page? Oh, yes. I'm
2:34:27
giving a talk
2:34:28
on it at UC Irvine.
2:34:30
We're kidding. Like, I'm doing
2:34:31
a lecture season. Oh, but anyway Pause, Hobart, I just
2:34:33
wanna talk to John Early
2:34:35
about why you watched The
2:34:37
Last Wolfs, and did you
2:34:39
love it? I Absolutely loved
2:34:41
it. I was a girl.
2:34:43
I loved it. It's a beautiful.
2:34:45
It's a beautiful and I couldn't believe
2:34:48
how sexy be all
2:34:50
are. It's new range.
2:34:50
Yeah. It's sixty stuff. The So Rick
2:34:53
Gingko
2:34:53
especially. I was like, oh, what what what what
2:34:55
what what I'm doing? I'm not. your
2:34:57
Gaga for Danko. Yeah.
2:35:00
Alright. So you discovered
2:35:02
Rick
2:35:03
Danko's brother's band? No. He had
2:35:05
a YouTube channel, and
2:35:07
he used to make
2:35:10
all these video edits of,
2:35:12
like, the baby was Christmas, Merry
2:35:14
Christmas, and he tried to
2:35:16
do, like, the band clubs
2:35:19
and I don't know. I was just kinda, like, wish I a bit, you
2:35:22
know.
2:35:22
Now let me
2:35:24
ask
2:35:25
you a
2:35:26
question and be honest.
2:35:29
Is
2:35:29
this a story? That's all.
2:35:31
Yeah. Well Is this the
2:35:34
first act of the story? A
2:35:36
death and I
2:35:38
found
2:35:38
him on Facebook. I was
2:35:40
sixteen by the way, and my friends
2:35:42
and I were, like, messaging him. Oh, yes.
2:35:45
the angle him a and
2:35:47
we were, like, sixteen and
2:35:49
this guy he was,
2:35:51
like, probably, like, fifties or something. bit
2:35:54
dodgy, but we ended up getting
2:35:56
blocked anyways.
2:35:57
Okay. Sounds like a happy ending. Alright. Thanks
2:35:59
for
2:35:59
the call. Yeah.
2:36:02
All the
2:36:03
best. Alright. Sorry. To say
2:36:05
sorry.
2:36:05
Yeah. You didn't cut
2:36:07
off. Sorry. Sorry. Sorry.
2:36:09
Yeah. Best show
2:36:12
you're on
2:36:14
the air. Don't
2:36:16
Hi. Do that.
2:36:19
nuts. Sorry.
2:36:19
John Early is being
2:36:22
an absolute terror. I'm just
2:36:24
checking. Yes.
2:36:26
Sorry to
2:36:26
interrupt. How can I help you?
2:36:28
I know you guys said you're done with the list. I
2:36:30
gotta
2:36:31
add one. Can I add one? Maybe.
2:36:35
Tell
2:36:36
me what you see. If
2:36:38
you all listen to my
2:36:40
I
2:36:43
like it. Tell me what
2:36:45
you see. One moment while the
2:36:48
whole time. It's
2:36:52
a great song. It's lovely.
2:36:54
It's great. When you're the Beatles,
2:36:56
isn't it? Well, nice to
2:36:58
be unremarkable for 1II
2:37:00
think it's
2:37:01
a remarkable sign. I think
2:37:03
it's a beautiful sentiment. It's a very inventive melody. so good.
2:37:07
They didn't think they didn't think about it
2:37:10
the whole time, but they're they it's
2:37:12
just a very uninspired fill. Is that it?
2:37:14
You're uninspired. I think that's I'm all
2:37:16
looking it up to date. Bye bye.
2:37:19
Okay. Bye.
2:37:20
You are uninspired,
2:37:22
and that's not a
2:37:24
complaint. It's a
2:37:27
fact. You're inspired. Is
2:37:29
that a big
2:37:32
deal? Not everybody
2:37:35
can be inspired. Alright. Who did
2:37:37
that? I'm worried about We
2:37:39
got You gotta go. We
2:37:41
gotta go. We gotta go. We
2:37:44
gotta go. should
2:37:44
we go? I guess. Oh, yeah. Because he
2:37:47
is at now. It is literally He
2:37:49
has at eight fifty. Yeah. And it means that
2:37:51
you literally have to go and we're
2:37:53
not gonna do a big goodbye? Nope. You're
2:37:55
just gonna be gone. Well, good to go. I
2:37:57
don't care. Can I and I'm I love
2:37:59
the big
2:37:59
big goodbye. let us just
2:38:02
thank you though and say, what a
2:38:04
great tremendous talent you are and you
2:38:06
are, in fact, inspired. And you inspire me.
2:38:09
And so do you claudia? Oh, nice. I
2:38:11
love guys, and we'll see you in twenty minutes. See
2:38:13
you soon. I love you guys. hands on there.
2:38:15
The best shot we've Yeah.
2:38:18
So nice What if I forgot about?
2:38:20
I just like, oh, that was such a
2:38:22
great show. I'm gonna go home. I just went home and you
2:38:24
would Wait. Can
2:38:26
you text me the the
2:38:28
address of this place? Yeah. I'll
2:38:30
just say it now on here. Beverly Hills.
2:38:34
Bye y'all. Alright. What a blast.
2:38:36
Guys, the Studio. And let me bring the rest
2:38:38
of the guys back in. Yeah. Yeah. And just start
2:38:40
weeks we
2:38:44
should start maybe well, I think
2:38:46
the calls are
2:38:47
done. Oh, well, that kinda hurts my
2:38:49
feelings.
2:38:49
No. No. I think we I think
2:38:51
we did that on purpose. Oh, I
2:38:53
see. you. Well, Pat and
2:38:56
Mike and whoever else wants
2:38:57
to chime in, let's
2:39:00
review. Not the Beatles list. Forget that.
2:39:02
Mhmm. Let's just review the evening
2:39:05
because
2:39:05
I'm I don't
2:39:07
know how it went. Mike and
2:39:09
I thought it went great. Really? Yeah.
2:39:11
And I I, you
2:39:12
know, I was I was playing a
2:39:14
bit of a character earlier, but I I
2:39:16
just want you to know all coming
2:39:19
in. You know, as Tom
2:39:21
would say, we're
2:39:22
Boston beans over here.
2:39:24
We're having a
2:39:26
good I know. I know. Champions were busted. Pat, do you have something to say?
2:39:29
that you have something to say
2:39:31
Yeah. You're
2:39:34
you're my hero. you are my hero and this was an honor. So great good
2:39:36
show. Love you,
2:39:39
man. I love
2:39:41
you
2:39:41
and I don't
2:39:44
I don't No
2:39:44
more than enough to say that. What
2:39:46
what am I saying? in this situation.
2:39:49
I love you. body in a plies. I
2:39:50
love you. I absolutely adore you. Back
2:39:53
at you brother.
2:39:54
Thank you. But I was sorry, because
2:39:56
I don't see anybody. Is is is AP Mike on the other
2:39:58
side? We're hovering in the ether. Yeah.
2:39:59
I'm here. How
2:40:03
are
2:40:03
you doing, Tim? Four stars?
2:40:06
Five stars? What are we talking here? You did good. Four
2:40:08
stars. That's
2:40:11
all he gives. Yeah. He only gives four
2:40:13
stars. Four stars. Four stars. It's out of five. It wasn't their great chemistry
2:40:15
in here with with John Early in Claudia. Yeah. I
2:40:19
mean, that's it was good. Yeah. I
2:40:21
don't sometimes, it it it becomes too much fun that I don't I'm worried that it feels
2:40:23
like, you know, you're the
2:40:27
audience can't even get in because
2:40:29
it feels so ins you know, sort of inside baseball and
2:40:31
we're all laughing at each other's jokes, but we
2:40:36
had Fred Armisen call in and we
2:40:38
had Patricia
2:40:38
Harkett. I mean But she
2:40:40
called in to that show. Right? Yeah.
2:40:42
Yeah. They both call in. So they
2:40:44
recognize That's not But it's still very special. It's special
2:40:46
because they're really good for me. Yeah. What
2:40:52
else can
2:40:52
I say? Any anything else to
2:40:54
say? I mean, I'm I'm not wrapping things up until
2:40:57
it's time to wrap it up, but and
2:41:00
we
2:41:00
can go out on the song too. We
2:41:02
could always go out
2:41:02
in a song. Let me look at my list if I just because there are things I wanted to
2:41:07
get to. Yeah. But I will say -- Yes. --
2:41:09
I'm gonna say five stars. Thank you.
2:41:11
I'm gonna say it was a a joy. It
2:41:14
was an honor to be in here
2:41:16
because we've never met before. And
2:41:18
I It was wonderful just being in here with you doing the show. Well, it was I
2:41:20
mean, I I was joking
2:41:22
about this earlier. I love
2:41:24
Doug and I love Vic
2:41:26
and I love Matt, but there
2:41:29
is something about, first of
2:41:31
all, sitting down --
2:41:33
Oh, yeah. -- and
2:41:35
not packing it as tightly
2:41:37
as we packed office hours, which I'm
2:41:39
very proud of. We've been
2:41:40
having musical guests on, and there's a lot of
2:41:42
there's a lot of balls to juggle on that.
2:41:46
show. Mhmm. And I think the
2:41:48
three hour looseness
2:41:49
of this show and when it's just calls, there's
2:41:52
no Zoom I
2:41:54
don't
2:41:54
know. It's a very good vibe
2:41:56
in here, very feel
2:41:57
very comfortable, very happy, and I don't know if I'm gonna
2:41:59
be seeding
2:41:59
this seat that
2:42:03
quickly.
2:42:03
And I think I have to tell
2:42:05
you that I think Tom made a big mistake -- Yeah. -- letting me in let letting
2:42:07
the what is the move
2:42:12
the analogy, the the nursery rhyme
2:42:14
or the aesop's fable about this.
2:42:16
He's let the cat out of
2:42:19
the
2:42:19
let let the wolf.
2:42:21
into
2:42:21
the head now. And I'm gonna
2:42:23
be
2:42:23
hosting this show
2:42:26
whenever the hell I want.
2:42:28
Do
2:42:28
you think you would ever move
2:42:30
office hours to a night
2:42:33
well
2:42:34
show? Well, I'm aware of a
2:42:36
morning guy. Your morning guy. But I'm feeling
2:42:38
I got a lot I had that second cup of coffee -- Yeah. -- later in the later in the afternoon and it me through.
2:42:45
Yeah. I
2:42:45
don't have much more
2:42:47
to say except maybe,
2:42:49
you know, office
2:42:50
hours on Thursday with the
2:42:52
one and only, the great
2:42:55
one. Tom Sharbling himself hosting with
2:42:55
Doug and Vic. And I don't know if
2:42:57
they've announced I've been out
2:43:00
of loop. I don't know if they've announced
2:43:02
guest Do you know what they have? I don't think they have. I don't think I I know
2:43:06
who's going to be there, but I don't think
2:43:08
it's beneficial events. Yeah. How how do you feel
2:43:11
about the I feel pretty good. Really? Yeah. It's pretty special. It's gonna be very special show.
2:43:13
Really? Yep. Well,
2:43:14
I might have to
2:43:17
come down from the
2:43:19
palace and say hello. On let
2:43:21
me just plug my other stuff. We
2:43:23
got on cinema. A lot of people
2:43:25
love on cinema. I love it more
2:43:28
than anybody. It's
2:43:29
now we got
2:43:31
episode four coming out tomorrow
2:43:33
morning on the high network,
2:43:35
HEI
2:43:35
network dot TV
2:43:39
and people,
2:43:40
I gotta get their
2:43:42
heads
2:43:42
around. The fact that this
2:43:44
the fact that this we
2:43:46
are self
2:43:47
financing the show
2:43:50
entirely through subscribers.
2:43:52
Right? and
2:43:53
people who wasn't on YouTube. It's not
2:43:55
on YouTube. It's on this other website that
2:43:57
you could get to as easy as you can get
2:43:59
to YouTube. now
2:44:02
you gotta do is pay five
2:44:04
bucks a
2:44:04
month. Okay? And it's it's given
2:44:06
us the power to make
2:44:08
two full seasons of the show,
2:44:10
two Oscar specials, and tons of other
2:44:12
stuff. And it's working out well,
2:44:14
but I can't stress it enough join that's
2:44:16
the best stuff out there that's
2:44:19
not the best show or office
2:44:21
hours. It
2:44:22
is constant. It is it is next. It's the greatest. Okay? The greatest. And I can
2:44:25
say
2:44:26
that because
2:44:30
I know. And
2:44:32
and What else?
2:44:34
Thanksgiving is coming up,
2:44:36
and we have
2:44:37
to honor that
2:44:39
and
2:44:39
know that There's turkey shortages and
2:44:42
food prices are high, but I
2:44:44
hope you're still looking forward to
2:44:46
Thanksgiving. I think it's my second favorite
2:44:48
holiday. And of course, April
2:44:50
fool's day being my number
2:44:52
one holiday is nothing better than
2:44:54
that. Nothing better than the great April fool's day.
2:44:57
the you
2:44:58
know, I don't know I don't know
2:45:00
how to to say goodbye.
2:45:02
I don't know how to do it. I don't know how
2:45:03
to say goodbye. I
2:45:06
want to thank everybody for calling in.
2:45:08
The list will go out as public.
2:45:10
This is a this is doctrine now.
2:45:12
These are officially the twenty worst
2:45:14
Beatles songs despite what Oscar winners
2:45:16
and Fred Armisons and whoever Emmy winners. I'm sure he's
2:45:19
won an Emmy. Whatever they say,
2:45:21
whatever they say The
2:45:23
list is is dogma. It is canon.
2:45:25
And we did it with your help. So thank you
2:45:26
for calling in. Thank you for being a part of the show.
2:45:28
thanks
2:45:32
to everybody here at Forever Dog
2:45:34
for making it so easy and fun. You guys are the best. I'm gonna take my chocolates.
2:45:38
i'm gonna take my chocolates and my
2:45:40
flowers and give them to my wife
2:45:42
and say, look what
2:45:43
I got you,
2:45:45
honey. I got you. Look at
2:45:48
my sweetie. I'm home from my big job. I
2:45:50
got you some flowers and she goes, oh, that's
2:45:54
so sweet and she sees the
2:45:56
note. Uh-oh. caught
2:45:57
in another lie. Any price
2:45:59
on these
2:45:59
flowers here? I I think
2:46:02
he probably took them off.
2:46:04
took the
2:46:04
price off. Yeah. He's a
2:46:06
nice bouquet. This is seasonal.
2:46:09
Yeah. Beautiful
2:46:11
okay autumnal bouquet. Alright, everybody.
2:46:12
We'll go out with some we
2:46:14
we oh, and let me just
2:46:18
say, Jerry from Glendale
2:46:19
-- Yep. office hours,
2:46:20
fans know who that was.
2:46:22
I don't wanna spoil anything,
2:46:25
but since we were talking
2:46:27
about the boss earlier We'll
2:46:29
go out with little boss. Here's little Bobby Jean.
2:46:31
Good night, everybody.
2:46:32
night everybody
2:46:35
The best show is
2:46:36
produced in partnership with
2:46:39
the Forever Dog Podcast Network. The show is hosted by Tom Sharpling and
2:46:44
features John Worcester, Jason Gore, Pat
2:46:46
Burns, and Michael Lisk. The written Gore, Byrne, List,
2:46:48
John Worcester, and Tom
2:46:51
Sharplin. The best show
2:46:53
is executive produced by
2:46:56
Tom Sharplin, Fred Bollum,
2:46:58
Joe Celyo, and Alex Ramsay.
2:47:00
The show is engineered and mastered by Andrew
2:47:02
Gleeson, website and technical support provided by Markine Sellas,
2:47:07
and the show was recorded at
2:47:09
Forever Dog Studios in Los Angeles. Support the
2:47:11
best show on Patreon over at patreon dot com slash
2:47:16
the best show and follow us
2:47:18
on YouTube, Twitter, and Instagram over at best show for life. That's best show number four, life
2:47:25
Thanks for listening, and we'll see
2:47:27
you next week.
2:47:35
I'm Ally Weiss,
2:47:37
and on my
2:47:39
podcast tales of
2:47:42
taboo, I gather anonymous fashions
2:47:45
from my listeners
2:47:45
around the world. They've
2:47:47
existed in elusive subcultures, ventured
2:47:49
down the road less traveled,
2:47:51
made serious mistakes and achieved extraordinary victories. These stories
2:47:56
are raw, honest, even
2:47:58
downright shocking sometimes, but always deliver the most incredible life lessons. Tales
2:48:01
of taboo is a
2:48:03
unique exploration of why
2:48:05
we're so afraid to
2:48:08
be different. because quite frankly, it's
2:48:10
a lot more fun on the
2:48:12
dark side. Listen to new episodes of tales of
2:48:14
taboo every Monday wherever you get your podcasts.
2:48:16
are you get your podcast
Podchaser is the ultimate destination for podcast data, search, and discovery. Learn More