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The Brown Note Movie ReviewEpisodes
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The Brown Note Movie Review
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Episodes of The Brown Note Movie Review
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Much like it's unexpectedly entertaining precessor, I enjoyed it more than most critics. Though it misses the faux-Spielberg 80s magic of Afterlife, once it clicks into gear, the second half is the superior.
I've been a big fan of the American iteration of the Godzilla franchise, though after the high water mark of the previous outing, this is arguably the least essential of the lot. Still enjoyable hokum but undeniably shown up by its proximity to
Wildly imaginative and original and actually thrilling, plus a great showcase of a so far unsung actor, that crops up over and over again in hugely memorable bit parts (from Nolan's Batman to Villeneuve's Prisoners) David Dastmalchian. Writer/D
Only being available to watch on Paramount Plus streaming in Japan, I took a flight to the country and ordered one months subscription, to be able to bring you this review. Is it worth the hype? It certainly is. The writing and development of t
The California singer songwriter broadens the setting of her voice on her lovely new album, sounding less idiosyncratic than in the past, though more of that instrumentation would've been welcome.
The first album by the legendary Hartnoll brothers is bizarrely a group in flux even on their debut. Much more a collection of tracks compared to the immortal run of albums that would follow and a more dated sound. Yet it's still often fascinat
In my infrequent series on art denied classic status on release or forgotten from the conversation since. Like almost no one since Sergio Leone, director Paul Verhoeven's work was been critically derided on release, hugely successful with the p
As one of the world's most renowned PHD experts on Liam Neeson action movies, the modern era has been a truly testing time, with virtually nothing that hasn't been terrible. So with great exhalations I am thrilled to announce, by miles the best
I don't even know who this man is.
I don't even know who this man is.
The second solo album by Sonic Youth founder, Kim Gordon, is every bit as avant-garde, abrasive, scouring and brilliant as her first. Though this time around we get some of the best art-house rap beats as a sound-stage, you wish Danny Brown was
The second solo album by Sonic Youth founder, Kim Gordon, is every bit as avant-garde, abrasive, scouring and brilliant as her first. Though this time around we get some of the best art-house rap beats as a sound-stage, you wish Danny Brown was
Given Kieran Hebden (AKA Four Tet), one of the century's most esteemed electronic music artists, capped his already exemplary career, with a well earned day in the sun at Coachella last year, I've no idea who this highly dull, wallpaper backing
Given Kieran Hebden (AKA Four Tet), one of the century's most esteemed electronic music artists, capped his already exemplary career, with a well earned day in the sun at Coachella last year, I've no idea who this highly dull, wallpaper backing
Artistic titan, Zack Snyder, gives the world what it's been waiting for - a sequel to the all concurring first installment and a return to the amazingly original and well developed universe he created. We watch in awe as the packed story develo
IT-girl of the moment, Sydney Sweeney, is either incredibly smart, incredibly lucky or has a great agent, as this Gallo/Nunsploitation horror throwback is exactly the film she should be a lead actress in right now. It aligns her with two of the
The live music festival is dying for a number of reasons, including the acts that are headlining, the now failing Coachella is both an embodiment of why and far far worse.
A retrospective of Tarantino's very different third film.
Amazingly, despite being a massive Shawshank fan, I had never seen The Green Mile before.
Arguably the most faultless three album opening run since Arcade Fire, hit a speed bump with the loss of Rostam, a core member and producer, resulting in the least well received album of their career, Father of the Bride and wonders whether the
Two of the most prominent definers of modern commercial rap combine again, though this time for an album length project (already succeeded by a follow up) that is both a weak album and a crappy review as I was tormented by a wasp.
The venerable Uk indie-rock titans second comeback album, is sadly not as interesting as their first Anthems for Doomed Youth, but despite flirting perilously close with land-fill indie, has its more vital moments and it's still good to have th
Finally getting a wider release, debut director Andrew Cumming (who insanely uses a made up language on his first film) excels with a post cave-man horror, with an outstanding score and cinematography.
Director Matthew Vaughn seems to inhabit this middle ground between Guy Ritchie and Zack Snyder, for better or worse. As much of a fan of Bryce Dallas Howard and Sam Rockwell as I am (both excellent casting choices here) this post-Kingsmen spy
1. Beyoncé Is the most overrated recording artist this century, an average two bit hack put together in a laboratory and the blandest mass produced corporate product since the Big Mac2. The only reason she recorded a modern pop country album,
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