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The Cinephiliacs

Peter Labuza

The Cinephiliacs

A TV and Film podcast featuring Peter Labuza
 1 person rated this podcast
The Cinephiliacs

Peter Labuza

The Cinephiliacs

Episodes
The Cinephiliacs

Peter Labuza

The Cinephiliacs

A TV and Film podcast featuring Peter Labuza
 1 person rated this podcast
Rate Podcast

Episodes of The Cinephiliacs

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Three years of absence from the San Francisco Silent Film Festival has only left a longing in Peter's heart. And while The Cinephiliacs remains on permanent hiatus, the return of the best festival in the United States meant a necessary return t
Today's episode features Jennifer Peterson, Professor and Chair of the Department of Communication at Woodbury University and author of Education in the School of Dreams: Travelogues and Early Nonfiction Film. We discuss her article for the "Me
Today's episode features Anne Kaun, as Associate Professors at Södertörn University in the Department of Culture and Education, co-editor of Making Time for Digital Lives, and the author of Crisis and Critique: A Brief History of Media Particip
Today's episode features Christina Lane, an Associate Professor of film studies and chair of the cinema department at the University of Miami and author of Feminist Hollywood: From Born in Flames to Point Break and Magnolia. We discuss her new
Today's episode features Christopher Yogerst, an assistant professor of communication, at the University of Wisconsin, Milwaukee and the author of From the Headlines to Hollywood: The Birth and Boom of Warner Bros. We discuss his new book, Holl
Today's episode features Hayley O'Malley, a Mellon postdoctoral fellow for the Black Arts Archive Sawyer Seminar at Northwestern University, who researches black women’s art and activism. We discuss her article, "Art on Her Mind: The Making of
Today's episode features Eleni Palis, an assistant professor of English and Cinema Studies at the University of Tennessee, who researches the intersections between classical and post-classical American cinema. We discuss her article, "Race, Aut
Today's episode features Katie Bird, an Assistant Professor at the University of Texas, El Paso, who researches technology and craft histories in Hollywood film production. We discuss her video essay, "Feeling and Thought as They Take Form: Ear
Today's episode features JD Scnepf, a scholar of American Studies in Political Culture and Theory at the University of Groningen in the Netherlands. We discuss her article, "Flood from Above: Disaster Mediation and Drone Humanitarianism," publi
To suggest that Brian L. Frye has lived an eclectic life would be an understatement. A former experimental filmmaker, a collector of home movies, and a legal scholar of intellectual property among other strange, often quizzical projects at th
Desperate for bodies in motion, five quarantined cinephiles joined Peter and a number of podcast listeners on Zoom to talk about the recent non-fiction films they've been devouring on the world of athletics. Some shows favor the classic narrati
As a constant Instagram user, I find it hard not to love the numerous videos of mammals and other species in behavior whose response always comes down to "they're just like us!" But what about that history of cinema that shows us how animals
Nothing is more frustrating in our streaming era than turning on any specific app and suddenly staring hundreds of movie posters with only an algorithm trying to decide what you might like (especially if such product is actually made by the c
The podcast returns in our perilous times with a profile of the website all about what's playing in repertory and experimental cinemas across New York. And though the balconies remained closed and the popcorn machines without an ounce, there
If cinema enters what might be its 100th identity crisis since its birth, there is at least a more appropriate question to ask: where will cinema take place? As the first guest of 2020, Peter brings in Art House Convergence director Alison Koz
In some regards, cinephilia often defines itself in knowing what is good from what is bad, highlighting the rarity of intention and execution in a select few texts from the rest of the trash. But what about those supposedly bad films? Do they
As much as many will espouse the "universal language" of cinema, the experience of both making and watching films from location to location is full of fascinating difference. As someone who grew up watching films in both America and Colombia,
Being the metropolitan area newspaper's film critic has its set of burdens and responsibilities to a number of diverse audiences, but for Justin Chang, those challenges are multiplied by the the odd nature of Los Angeles as the movie capital o
As this podcast has aimed to define, those who watch cinema can often be more revealing of culture than cinema itself. In her book, Lewd Looks, Elena Gorfinkel explores the sexploitation era of the 1960s. However, she looks past the texts to co
For anyone whose lived in Los Angeles or New York, it's easy to see when a film cheats its its locales. Just watch John Wick 3 and see the eponymous character seemingly make the trip from Midtown to Chinatown in a matter of minutes—and all by f
After a year hiatus, Peter returns to the Castro Theatre alongside Victor Morton to check back in with the good folks at the San Francisco Silent Film Festival, now in their 24th iteration. It's more proof that this cinephile culture is alive
In the search for reclaiming masterpieces, creating streaming services that put every film at our fingertips, and investigating narratives that simply continue variations of the canon, what have we missed? What happens when we put our foot on
Unless you've had your head in the sand, the awareness of the women dominated Hollywood of the 1910s has moved out of academic circles and into popular discourse. Instead of asking what happened to these women, film scholar Jane Gaines has ano
In a time of Easy Riders and Raging Bulls, the opportunities for directors of New Hollywood to make ambitious, artistic, and socially conscious movies blossomed in a way the industry had never allowed—but those outside the categories of white
It's easy to claim art serves a purpose, but what exactly is that purpose? How do artists and critics reckon with the images, ideas, and worlds they've created—for better and worse? If art only builds a monument to itself, what value does that
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