This weekend, we speak to Actor, Dancer and Writer, Mogali Masuku. Hailing from South Africa and a descendant of activists during Apartheid, Mogali has armed herself during her training and her career with an alchemic blend of legal prowess, unwavering faith and self-awareness.

Despite being a member of the Royal Shakespeare Company, she continues to develop her craft as an individual. Whether it is writing for The Othello Project or speaking openly about issues surrounding racial or gender discrimination, Mogali is the embodiment of a political actor.

In this episode of The Convergence, we dive into last week's can of worms and assess the safety of actors in training. What infrastructures currently exist to ensure the safety of those who wish to hone their craft? How do we consider existing infrastructures of accountability? Why are these questions even important?