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ICYMI - Ryan O'Connell on Dramatizing His Own Life in "Special"

ICYMI - Ryan O'Connell on Dramatizing His Own Life in "Special"

Released Monday, 17th June 2019
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ICYMI - Ryan O'Connell on Dramatizing His Own Life in "Special"

ICYMI - Ryan O'Connell on Dramatizing His Own Life in "Special"

ICYMI - Ryan O'Connell on Dramatizing His Own Life in "Special"

ICYMI - Ryan O'Connell on Dramatizing His Own Life in "Special"

Monday, 17th June 2019
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Episode Transcript

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0:00

You're listening to Comedy Central. Please

0:04

welcome Ryan O'Connell, welcome.

0:21

Hi, are you all right? I'm

0:23

good. Thank you for having welcome to the show, and

0:26

uh, congratulations on your show. First

0:28

and foremost, thank you. Thank you. Yeah, it's it's

0:30

a it's a journey that you have been on that

0:32

I don't think anyone would have predicted, including yourself, because

0:35

you first wrote about your life, um,

0:37

and it was meant to just be you know, a paperback

0:39

and you're gonna get the story out there, and all of a sudden

0:41

it blows up and Jim Parson's sees

0:43

the story and he goes, I love this. We should make it into

0:45

a TV show. And that's what you've done. You've written

0:47

a story about your life and you've based it on a true

0:50

story, your life as a disabled person who

0:52

is also gay. And it's one of the funniest premises

0:54

ever because you come out as

0:56

gay, but then you're afraid to come out to your friends

0:58

as disabled. Rush pretty wild.

1:01

I know, usually it's flipped the other way,

1:03

right, Yeah, but I come from a very gay

1:05

family, so being gay was like m b D for

1:07

me. Like I just also like what closet

1:10

is this bit you're gonna hide in. So

1:14

to me, I grew up with a mild case of crup

1:16

of policy, and like no one understood what scrup of

1:18

policy was like because

1:20

you know, it looks different everybody. You can dress it out and you can dress

1:22

it down. So I never really related

1:25

to it. And so when I got hit

1:27

by a car when I was twenty years old, I moved to

1:29

New York to go to school, and everyone has seen my limps from

1:31

a car accident, and I thought like, oh, genius,

1:33

like life hack, I can just be an accid MCTIM now,

1:36

because because anyone can get in by a car,

1:38

I mean I hope, I hope we don't get

1:40

hit by a car like anyone could. So

1:42

everyone's like, oh my god, that's so sad.

1:45

And then with CP they're just like confusing, you

1:47

know what I mean? So I thought I did a life

1:49

hack, but it actually kind of ended up like hacking my life, do

1:51

you know what I mean? Right? But you know what, I what I really loved

1:54

about the story, and it is a true story, but what I

1:56

what I really like is that it's like you heck into

1:58

the human condition. We are

2:01

more like we're more apt, and we're

2:03

more apt to dealing with things that we understand.

2:05

So you go, you go, oh, you got hit by a car, that's why

2:07

you have Everyone's like, we'll treat your normal Ryan. And

2:09

then if you go like, oh, no, I have cerebl posy, and people

2:11

like, oh shame, Oh we can't treat your normally.

2:13

But but in the story, you show how you live in this world

2:16

where the truth comes out and then you really

2:18

start being yourself. Yeah, I was Poy in

2:20

the bubble and then the bubble pops. Um.

2:23

Yeah. No, it's it's a journey though. I mean this

2:26

character struggles with you know, internalized

2:28

able is um and you know, when you're growing

2:30

up and enable a society like you're

2:32

basically taught to hate who you are if you're

2:35

disabled, and you know, the journey

2:37

to self love is really long, like maybe four

2:39

seasons were

2:49

I don't know much growing to do

2:51

so much, growing so much, growing so

2:53

much, you know, so much

2:55

growing too. You

2:59

know what I love about you is uh. I

3:01

remember watching the show and I was like, you have

3:03

such a sneaky way about you because you're so self

3:05

aware and you're also aware of the world and how we

3:07

perceive you as a person. You're almost like an emotional

3:09

kaiser associe. That's what you are, genuinely,

3:12

because you use it against people, and you do that in the show

3:14

as well. Was that difficult making jokes

3:16

where people start out being uncomfortable and then realizing

3:18

that, no, these jokes aren't about you or

3:20

the disability, but rather about how the world struggles

3:23

to figure it out with the disability.

3:26

Yeah, I mean, I think when you make jokes that should never be on the

3:28

powerless, that it should always be a powerful um.

3:31

So it was really important to me that my disability

3:33

never be the punchline. But I think that

3:35

when you give a disabled person the

3:38

agency and license to tell their own story, the creator,

3:40

writer and starr, I think you're gonna get the best story possible,

3:42

Like duh, you know, because

3:44

I lived it. So it was

3:47

really really important to me that I create

3:49

like an accurate representation of being disabled.

3:52

Was that was that strange for you though? When when you

3:54

had to audition to play yourself? Yeah?

3:56

I didn't love that because

3:59

because because you you didn't even plan

4:01

to start in anything. I mean, you you you've been a writer

4:03

for a long time and you were doing really well and then you

4:05

had the show, but you didn't plan to start

4:07

and it's yeah, no, I'm not a

4:09

wh actor. I mean I I'm a writer, you

4:11

know what I mean? So, like it was never my

4:14

journey to act, but then I am.

4:16

When we sold the show, they just kind of assumed

4:18

that I was going to play it, and I think they assumed I was

4:20

an actor, which law, I'm not. So half

4:22

halfway through they were like, we we

4:24

should like have him screen tests to play him.

4:27

And then so I did that and I think that they

4:29

were really scared. But well

4:31

I got it, like val Like

4:34

I got it. How do you how do you audition to

4:36

be? Like? How does someone even give you notes on yourself?

4:38

You know what? I like that? Right? But you know what, I think it would

4:40

be more you? Is you? How

4:42

do you think you would act in this moment? Is

4:45

that strange for you? Being in a show about your life

4:47

playing a version of yourself? Do you like?

4:49

Where where's reality? And where's the joke? How

4:51

do you? How do you work with that? Yeah, it's a little twisted,

4:54

sister, I mean because I'm not an actor, Like I'm

4:56

not like I'm not able to detach it's not

4:58

like you know what I mean. Like, I feel like every time would do a scene,

5:00

you do this emotional scene, and if you're like a trained actor, you can

5:03

go out of the moment like anyways, here's like this funny

5:05

meme of the cat wearing a hat and like, and

5:07

then you go back into the moment and focused. I

5:09

was still like slimed. I was like hanging over

5:11

here with residue all over me, like I was still very

5:14

much in the moment, and I couldn't I couldn't

5:16

separate. So I don't know, I mean, it's just a weird emotional

5:19

month of filming. I will say some of the

5:21

moments are brought to life because

5:23

you don't seem to separate. It doesn't seem

5:25

like you you detach at any point. One

5:27

of the moments that really sticks with everyone

5:30

is, for instance, there was a gay sex

5:32

scene in the show, and it is a gay

5:34

sex scene that many people have never seen before

5:36

on TV. And I like that you chose to

5:39

do that very specifically. Why Yeah,

5:41

no one seen it, but many people have lived it.

5:45

So I'm just when that happens, I'm just confused.

5:47

I'm like, I know plenty of people who have been having anti

5:49

sex for a long time, and why has it not been,

5:52

like been shown in an accurate way.

5:54

And I really got my goat when I saw Call Me by Your Name,

5:56

which I really love, But when they panned away

5:58

to the moon, I was very unst right

6:00

in the middle of it's like the six scenes about a

6:02

stop and then all of a sudden, the camera just goes like you

6:04

you know what happens. We see him

6:06

having sex with a peach, yes, a

6:09

girl, but no actual gay

6:11

sex like Ronney, Like I don't understand,

6:13

like one of these things is not like the other, like

6:15

one who like. Um, so it was really

6:17

important to me that we really show gay

6:20

sex in its total honesty, which

6:22

you know is like it can be awkward, it can be sexy,

6:24

it can be weird. It's like it's all the things,

6:27

and um, it was really I was like the bodyguard

6:29

of the sex scene, like I didn't want anyone to touch it, like right,

6:32

I just really it was important for me that we did it right.

6:35

And um, that scene was not fun to

6:37

shoot. I mean it

6:39

was really really difficult to just be on my

6:41

back for eight hours. Um,

6:43

but I think we did it. You did it

6:45

you did it. I think you've made a show that has a lot

6:47

of hots. It's really funny, it's uncomfortable

6:49

at moments in the right way. Um, and

6:52

most importantly, it's a show that I think could

6:54

easily stick with people for full five,

6:56

maybe even six seasons. Oh six, now

6:59

now that flicks hello are

7:02

their ears ringing? Oh man? Thank you so much

7:04

for being on the show. I really appreciate. Super funny show

7:07

especial. It's currently streaming on Netflix,

7:10

Branda follow everybody The

7:12

Daily Show with covernoah Ears Edition. Watch

7:14

The Daily Show weeknights at eleven ten Central

7:17

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7:19

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7:21

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7:24

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7:26

to The Daily Show on YouTube for exclusive

7:29

content and more. This

7:34

has been a Comedy Central podcast

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