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You're listening to Comedy Central too,

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so bid welcome to the Daily Show. I'm

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excited to be here. I'm excited to have you here. This

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is so amazing South African and South African look

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at this, look at this. I'm

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not just the South Africa South African who

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is absolutely crushing it

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in everything that you do. Congratulations,

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congratulations on the woman King. I mean, everyone

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critics nineties something on

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Rotten Tomorrows. Everybody talks about it, raised

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about it. It's not an easy film to watch again.

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And it feels like you have the snack for

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not just acting, but portraying

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a person, a moment and a feeling

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in time that that makes

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people feel like what you do that on purpose?

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Not the acting part, but do you choose a role because you go like, I'm

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going to make people cry with this one. That's

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funny because I'm always like back

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home in South Africa, that's what I was known for, and

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so I am actively resisting

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roles that I, as

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a character would have to cry. And

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in this one, I loved the fact that Violets

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violates character, tells my character

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that you do not cry in

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this space. Absolutely loved it because then

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it means I don't have to cry. Um.

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But then you know, the movie then

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tells us that, um, what while

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I was telling my character is not necessarily true because

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it's taking away her tears means stripping

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her of her humanity ultimately,

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so um, but yeah, I choose

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projects that I feel will

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have some sort of impact. You know, we're not following

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the money, we're following purpose, We're following

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changing people's lives. I did drama

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in high school and the university because I wanted to

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use acting as a tool for social change. So

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yeah, because people take for grants and how much it chake

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culture, how including holding through the world

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what you're doing it. This

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is also a great opportunity for me and

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for you and you you seized it because you know, you

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kick ass in this movie literally

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so like you you you fight,

2:00

yes, and you I don't know how many

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martial arts did you study for that? Like you

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have to go and it was like it

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was however,

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there was a range of different things. Um,

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I got costs, I think like April ish

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pre production training was starting in July,

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so I put myself through more tie between

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yes, yeah, actually doing Actually

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you're hitting yourself with there's a there's a

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video. You check it out if it still on your social

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media. It's amazing because you show us the

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progression. So obviously in the movie it's just you

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like kicking as Papa, and

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then you played the video where you start off, and it's like beating

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yourself in the beginning. Why would you put yourself

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through that? You know you can use your stunt double right. Okay,

2:45

wait, Gina, our director does not believe

2:47

in stunt doubles. Yes, number

2:49

one, and so part of our addition for the movie

2:52

was going through a physical and fitness

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test to determine would be able

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to do my own stunts or not. Yeah,

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so let me like, you know how to fight? Now, I

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like to believe. I

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don't like you can fight. I

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don't know. I don't know. We were accident

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and cutting the movie.

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I think you can fight. I also I also

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learned from the you know, from talking to some of the people

3:15

who are involved in the movie, that you this is one

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of my favorite stories from the film. Everyone

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had to do. I think it was two hours of

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training. Two hours of training. You

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then said, no, I would like

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to do three hours, an extra hour. Yeah,

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okay, naturally, but

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then because of that, the director was

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like, that's actually a great idea. Everyone should do three

3:35

hours. It was not bad already

3:37

really read no man, guys,

3:39

no understand you know it

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was we're all new too stunts and action,

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and you know, I have great confidence

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in the amount of time that I put into my acting, into

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the research and the conversations and the rehearb

3:50

and the rehearsals, and so let's say

3:52

my acting. I was up here. I needed

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my stunts to be at least,

3:57

you know, in the vicinity. But became

4:00

that kid in class. I remember I remember in school,

4:02

and you know the kids I'm talking about. You can get in that kid

4:04

in class where sometimes a lesson would end and

4:06

then the teacher will be like, okay, everybody goes, and then the bit

4:08

that kid who goes like, sir, you didn't give us

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homework extra.

4:14

I mean, it came out great in the movie, but

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there must have been a moment where people like Tuza Juana

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come on before that.

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You want to talk about the projects that you're embarking

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on now, because it's one thing to perform in front

4:28

of the camera, you know, it's another to

4:30

to cement yourself in an industry. But you've

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really jumped, you know, from from strength

4:35

to strength. You've got an entire production

4:37

deal with Paramount Plus now where you're gonna

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be working on your own productions, which I know you're really passionate

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about. I'd love to know what you would dream of

4:44

creating you could, you know, not the specific stories,

4:46

but what are you trying to create in the world where you

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are the teller of the story versus just the person who's

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in it. I think, more than anything, you

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know, I wanna create

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the stories that are innately on

4:57

us because growing up and being in this

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industry, one you believe that

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you can be anything until you get to the

5:03

understrand they tell you know you can't. And

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so what are those stories?

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And like with the Paramount Plus deal, we're

5:10

specifically focusing on health, climate,

5:12

and equity as part of their social

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impact initiative and taking that

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to South Africa and Africa, and so

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those are stories that will

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transform people's thinking because from my understanding

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and from what I've experienced back home, is they're

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very keen on commissioning projects that

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will encourage destructive behavior

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but aren't necessarily teaching people how to

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transform and empower their lives and so

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if we can come with

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those stories that are both entertaining and

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teaching people to do better and be better, then

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I'm all the happier for it, because then otherwise

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why are we doing this? You know? Yeah,

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I really like the TechNation. It's

5:51

been beautiful to what's your journey? I've

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seen you ask and do the best

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and just kick ass. I've seen you kick

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ass in all martial's, including yourself

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and other people. Um, I truly

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believe and I don't think I'll be wrong in this. You're

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gonna kick ass and everything your production company,

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the work you're doing in South Africa, everything you do

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going forward. Thank you so much for joining me on the show. Want

6:12

to see you absolutely cos

6:14

it's farthing better everybody. What's

6:18

the Daily Show? Weeknights at eleven ten Central,

6:20

Armed Comedy Central and stream full episodes

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anytime. I'll on Paramount Plus. This

6:28

has been a Comedy Central podcast