Episode Transcript
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Today, we're discussing jumping on a trend.
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Some trend explodes in movies and you think, I'm going to do the same thing
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and be successful. Is that the smart move?
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Hello, filmmakers. I'm Tom Alloy. Welcome to another action-packed episode of
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the Filmmaking Stuff podcast, where we share tips and tactics so you can take
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action and make your movie now. I remember I heard a great story from from famous actor friend who had a big
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show in the 1980s, a great guy.
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And he described the movie business much like surfing.
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He had been surfing his whole life. And what he said was, you go for the wave
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and it's right in front of you. And then you try again and it's right behind you.
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And then you talk to the guy on the pier and he says, man, have you just come
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yesterday? day, the waves were incredible. He says, so it's always a timing thing. And most of the time your timing is off.
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But then he says, when you hit that wave, it is the greatest feeling and you'll
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continue to chase it for the rest of your life. He told me this and I go, oh my God, that is like the most perfect summation
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of the movie business that I've ever heard. And it is really what it is. Now, if you think of trends like a wave,
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by the time you see that wave coming, if you're not prepared,
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say you're sitting on the beach with your surfboard, how are you going to get
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out there and catch that wave, right? And that is almost an analogy for trying to catch that trend.
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There have been times, there was a recent story that I conveyed about a movie
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called Hereditary that was a very...
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Elevated horror type movie and that that
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created this kind it didn't create the genre but a lot of
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people had you started to use that term elevated horror which
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was high-end not gory and kind of
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like the thinking man's horror movie so then everybody
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wanted to make those everybody was trying to make
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elevated horror right when hereditary hit and was super successful
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but then a movie called terrifier and terrifier
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2 came out and terrifier 2 did incredible business
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for an independent film and it was gory and bloody
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and completely over the top and it was funny because
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hereditary hits and i remember being at the
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next film market and getting some movies that were like hereditary that kind
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of elevated horror and by that time the buyers were like do you have any gory
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type projects so it was like that train was already over and that's the tough
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aspect of of the business is that when you see that trend hit and you go,
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oh, all right, I got to try to do this now, it's probably too late.
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When the Blair Witch Project was super successful and another being Paranormal
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Activity, there were so many imitators immediately afterwards.
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And that's a major problem is that they were imitations.
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Now, some of them were probably fantastic and some of them were somewhat successful,
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I would imagine, but most of them just fell in the kind of pit of cheap imitations.
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One thing that I thought was a really interesting trend is that when everyone
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was in quarantine during COVID, everybody had the idea to make this kind of
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COVID-y movie or make a movie on Zoom or something. First off,
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nobody wants to see a movie completely on Zoom. Now, there was a movie made starring John Cho called Searching that I think
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was an incredibly well-done film.
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And it was done throughout with messaging and Zooms and stuff like that.
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But that was the the first time that that had been done and I
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want to put a pin in that for a second I'm going to come back to
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it what I'm getting at is that people were
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making these COVID movies and now by the time they were like finished in
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post and all that COVID was starting to die down it was over and the last thing
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that people wanted to see was any reminder of that hell that we were all been
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through so COVID movies are just were certain death someone would show me a
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film and there'd be masks on with at the cast and I would be like, oh no,
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I can guarantee nobody's going to buy this. And so that was a problem.
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Coming back to searching the movie with John Cho, the key there was.
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It was the first of its kind. And what I'm getting at is it's much better to try to create something new and
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start a trend than try to catch something and try to be late to the game.
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Because most Most likely you will. It's not easy. You can't turn around a film in three weeks time.
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And I truly mean that. If somehow you could...
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Shoot something in 24 hours and then get in post. And then you're in three weeks,
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you're completely done and you're finished.
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It's still going to take several months to get it out there and get it on VOD
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and then get it through the queue and stuff like that.
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So the absolute least amount of time from creating something to getting it out
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there, the four months, I would say, and you know, four months is a long time.
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And that's, and I'm, of course I'm using that four months is like,
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if you went and you didn't sleep for those four months, try to get it out there.
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So it's really something interesting if you're the one creating the trend.
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If you're trying something new and you make a POV film or you make Run Lola
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Run where it's, you know, running the entire time and it's got something unique
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and different, and then you might be the person to set that trend.
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So that's what I would try to say is instead of trying to catch the trends and
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catch the waves, make your own ocean and then other people will be swimming in that ocean.
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Thank you for tuning into the Filmmaking Stuff podcast. I'm Tom Malloy,
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and I can't wait to see the incredible films you'll create.
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Don't forget to subscribe for more tips, tactics, and inspiring stories.
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Until next time, take action and make your movie now.
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