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The Filmographers Podcast

The Filmographers Podcast

The Filmographers Podcast

A weekly TV and Film podcast
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The Filmographers Podcast

The Filmographers Podcast

The Filmographers Podcast

Episodes
The Filmographers Podcast

The Filmographers Podcast

The Filmographers Podcast

A weekly TV and Film podcast
Good podcast? Give it some love!
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Episodes of The Filmographers Podcast

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In only his first dozen films, Steven Soderbergh has created one of Hollywood’s most eclectic filmographies. But he still hasn’t made a sci-fi flick—until now. Join us as we discuss his 2002 remake of Andrei Tarkovsky’s 1972 Soviet SF classic,
If you’re Steven Soderbergh, coming off box-office success and an Oscar win, what do you do next? Make a low-budget, shot-on-video quickie that almost nobody will love, of course! Join us for the skinny on “Full Frontal” (2002).Social media
We all love a good "what might have been" story. Every major director has a filing cabinet stuffed with projects that slipped through their fingers, and Steven Soderbergh is no different.From beefing with Robert Redford to a legal sparring m
Just Mike and Keir, a couple of bros, discussing Steven Soderbergh’s bro-fest, “Ocean’s Eleven.” The star-studded caper just happens to be his eleventh movie, too—what a Soderbergh move to make the stars align like that! It makes us both want t
Stephen Soderbergh is having the best year of his career. “Erin Brockovich,” released in March, has been raking in the cash and is predicted to do well in awards season. But he’s about to upstage himself with ANOTHER film at the end of December
Steven Soderbergh is on an artistic and critical winning streak, and now, as the new millennium begins, he’s about to finally find box-office success again . . . and maybe win an Oscar, too. (If only he can beat that pesky Steven Soderbergh for
In 1999, as many of his peers take Hollywood by storm, Steven Soderbergh returns to his low-budget indie roots with “The Limey.” Will he maintain his career momentum or succumb to the malaise that defined most of his 1990s efforts? The answer i
“Out of Sight” (1998) was Soderbergh’s seventh theatrical feature and his first great film. Keir and Mike are excited. Are YOU excited? You’d better be. Because there are few perfect movies in this world . . . and this is one of them.Social
In 1997, Steven Soderbergh released not one but TWO films that failed to find an audience. The first was Schizopolis, which we covered in last week's episode.Gray’s Anatomy, a kind of concert film for monologuist Spalding Gray, was the second.
Generic greeting! Short informational introduction including facts such as name and release year of movie (Schizopolis, 1996) and its director (Steven Soderbergh). Labored joke and exhortation to listen!All meta kidding aside, we’ve arrived at
While many of his peers are finding their footing, Steven Soderbergh seems to be losing his grip. Some directors never get a second chance, much less a third or a fourth. With “The Underneath” (1995), is time running out?Social mediaInstagram
Soderbergh’s sophomore effort was a critical and commercial dud that made the producers’ money disappear as if by magic. Will the 30-year-old director bounce back with 1993’s “King of the Hill”? Well . . . it’s complicated.Social mediaInstagr
Steven Soderbergh decides to follow his smash-hit debut with a black-and-white movie, set in Prague, about the author who puts the A's in alienation, anxiety, and absurdity. We’ve all heard of sophomore slumps, but “Kafka” (1991) is really some
Steven Soderbergh wrote 1989's “Sex, Lies, and Videotape” in eight days and shot it in one month for $1.2 million dollars—and took Cannes by storm. It was both the beginning of a brilliant career and the dawn of a new era for independent film.
Coming March 19! In Season One of the Filmographers Podcast, hosts Michael Moreci and Keir Graff explore the career of Steven Soderbergh--one of the most celebrated, fascinating, and versatile directors in modern American cinema--one film at a
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