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The Parallel State: Truth, Lies & Political Fiction in Contemporary Turkey

The Parallel State: Truth, Lies & Political Fiction in Contemporary Turkey

Released Wednesday, 30th January 2019
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The Parallel State: Truth, Lies & Political Fiction in Contemporary Turkey

The Parallel State: Truth, Lies & Political Fiction in Contemporary Turkey

The Parallel State: Truth, Lies & Political Fiction in Contemporary Turkey

The Parallel State: Truth, Lies & Political Fiction in Contemporary Turkey

Wednesday, 30th January 2019
Good episode? Give it some love!
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This podcast features highlights from January's event in the forum with 3 unique story tellers: Guy Martin, Maureen Freely and Pelin Turgut.

In 2012, award-winning photographer Guy Martin moved to Istanbul. At the time, Turkey was regarded as a nation of wealth and power, with a stable democracy with secular leadership. However, this began to change with the rise of Islamic State, Presidential elections, the Kurds becoming a credible political force, the refugee crisis, and the failed coup d’etat by a section of the Turkish armed forces in 2016. In this volatile environment, fake news, before it was known as such, thrived, fuelled by change and instability. Since the abortive putsch, independent media workers have been sacked in their thousands, and scores imprisoned; Turkey is now the world’s leading jailer of journalists, according to the Committee to Protect Journalists.

Against this backdrop, Martin was drawn to explore Turkish soap operas, some of the most watched television shows in the world. The soap operas that had previously exported a simultaneously nostalgic and socially progressive vision of Turkey across the Arab world, refocused their storylines to emphasise the Turkish military and political power plots by deep state operatives, collusion by foreign powers, and terrorist attacks. Martin was introduced to a soap opera Director and given free rein to shoot on set, recording the action both during, before and after the cameras were rolling.

What began as a documentary project quickly spiralled into a deeper journey along the fault lines of truth, and the power of narratives to control reality. It is this dizzying blur of fact, urban myth, intense political fear and fiction pervading Turkish society – and Martin’s work – that we came together to discuss.

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