0:18

All right , thank you for listening to the Greatest Non-Hits

0:20

. I'm Chris , and playing

0:22

the song for you on

0:25

Driving and Cryin' fourth

0:28

studio album , fly Me Courageous , is my co-host

0:30

, tim . Thank you for listening

0:32

. This

0:34

is an album by the band Driving

0:37

and Cryin' . This is probably our last Atlanta band

0:39

for a while , but nevertheless this is probably our last

0:41

Atlanta band for a while , but nevertheless

0:44

they're

0:47

a creation from the mid-80s

0:49

and this album was released

0:51

in 1991

0:54

. The

1:02

band's been around for a long time I think their lead singer , kevin Kinney , is touring

1:04

solo at the moment but nevertheless , a blast from the past

1:06

. This album is

1:09

probably the band's most commercially

1:11

successful release to date . 1991

1:16

, around this time early 1991

1:18

, was the start of

1:20

the Persian Gulf War and

1:22

even though the

1:25

title track had a patriotic

1:28

chord to it , I

1:31

think it started to resonate with a lot of people . So

1:33

it was an album . In 1995

1:36

, it went gold . So anyway

1:38

, we're going to listen

1:40

to the whole album in its entirety

1:43

and then rank all the songs With

1:46

the exception of the hits . I think we're just going to make

1:48

Fly Me Courageous the

1:50

one hit . I think

1:52

. Another one was listed as a single , maybe Around the Block

1:54

again . The

1:57

band had a couple of big songs prior

1:59

to this , from the album Mystery

2:01

Road , which I think was the third studio

2:03

album . It came out in 89 . And

2:06

this is when they started to gain a lot of momentum . This

2:08

is a really good A couple of

2:10

the songs Straight to Hell and

2:15

the other one , the other big one from that one

2:17

, honeysuckle Blues . That's right

2:21

, honeysuckle Blues . Anyway , two

2:23

really good songs . But on this album

2:25

I'm going to say

2:27

the title track , find

2:30

Me Courageous , is going to be the one

2:32

hit . Everything else is . We're

2:34

going to listen to all of them , rank them and

2:37

rank the top three , as we always

2:39

do , but in the middle is where all the fun

2:41

happens . We're going to listen to some sound clips

2:43

. We're going to play all the songs . We're going to yuck

2:45

it up . We're going to talk to Tim

2:47

. He's going to give us his thoughts

2:50

. This is a

2:52

band I've been following since around

2:55

this time and I

2:58

haven't listened to them in years , but they

3:02

just popped back into my memory and I just thought this would

3:04

be a great time for

3:07

us to listen to this , re-listen to it , and

3:09

it brings back memories for me . And

3:12

Tim's listened to it . I mean

3:14

, it's no talk , talk for him , but

3:17

he likes it . I think we're

3:21

going to listen to everything . Like I said , he's going

3:23

to listen to everything . Like I said

3:26

, he's going

3:31

to chime in . We're

3:40

going to listen a little bit here . I think an important

3:43

thing to know about this band is they have a lot of overlapping

3:45

with a couple of other bands that we've done podcasts

3:47

on , most notably black

3:50

crows . Jeff sullivan

3:52

, drums , percussion , played drums

3:54

on the mr crows

3:56

, whatever . This the the iteration of

3:58

black crows . Before they became the black crows

4:00

, he was the drummer for that band

4:03

. He performs drums on

4:05

this album . Buren Fowler , guitar

4:07

player . He was a guitar tech

4:10

for REM . He

4:13

later left them

4:16

to join up with Kevin Kinney , originally

4:18

from Milwaukee . I think all these guys are from the

4:20

South , with the exception of Kevin Kinney . He's

4:23

from Milwaukee , the Wisconsin

4:25

area . And

4:29

let's see Tim Nielsen bass

4:31

. They had another original

4:33

lineup , we don't have to get too deep into

4:36

that , but on this album , George

4:38

Marino .

4:41

Tim .

4:41

Superglue Ray assistant

4:43

engineering . I should make that your nickname

4:46

Superglue . That's

4:48

Tim's last name , tim Superglue . Jeff

4:52

Workman engineering production . Us

4:56

Billboard . I'm getting all this from Wikipedia . It

4:59

peaked at 90 on the US

5:01

Billboard 200 . Build

5:04

a Fire . That's right , it was a single

5:07

. Actually

5:09

, Build a Fire went higher

5:11

on the charts than Fly Me Courageous

5:13

did Okay

5:15

. I mean we can take that one off

5:18

the table . Sure , why not

5:20

? The Innocent was

5:22

number 31 on US Mainstream

5:24

Rock . Fly Be Courageous is 19 .

5:30

Let's see what else we got here .

5:34

I saw a good documentary on them a couple

5:36

years ago . I think he

5:38

busted his nose

5:40

. I think , kevin Kinney . That's how he

5:42

has his unique and distinct

5:45

voice . I

5:48

think it gives the band a little bit of character

5:50

. I

5:54

think Tim's doing Zorba the Greek . Now I'm not sure

5:56

what that is . Let him

5:58

finish up , alright

6:14

, alright , so all right , all right , so we're in when he packs . You know he's gonna . He's packing it

6:16

in , he's coming back . He's scurrying back , dropped his guitar pick . He's adjusting

6:18

his mic . He's getting all ready . He

6:20

can't wait . You know , he's just he's

6:22

getting it all together . Adjusting

6:24

the chair . Before

6:27

we go any further , we do have

6:29

a sponsor Again

6:32

. Makoko is going to be our sponsor . All natural

6:34

cocoa beans from the upper slopes of Mount

6:36

Nicaragua . No artificial sweeteners

6:38

, tim . How you doing bud ?

6:41

I'm doing well . I'm doing well .

6:43

Good .

6:44

I had a little Makokooco yeah had

6:46

a little uh berries

6:48

. Shout out to the tea drinkers here

6:50

.

6:50

Yeah , we're , uh , we're

6:53

eclipsing , we're uh instagramming

6:56

what's going on yeah , yeah

6:59

, full , full eclipse

7:01

, uh , on the day that we're doing this one

7:03

. So shout out to you . Uh , yeah

7:05

, everybody in the Totality

7:07

band .

7:08

Yeah , that little jam was for you .

7:11

We've been waiting for you All

7:14

right . That's what they were

7:16

saying about the eclipse . They're

7:18

like I'm so tired of waiting

7:20

for you to

7:22

come around the universe .

7:28

Yeah , great

7:30

album . I mean . I think it's

7:33

got a lot of hooks , it's got a . It's

7:36

kind of like a surfer Southern

7:39

jam jam going

7:41

on here .

7:42

I'd agree .

7:42

Yeah .

7:43

Southern rock yeah

7:50

, it's southern rock , yeah , there's there's like hints of like breakups

7:52

and war and all kinds

7:54

of stuff there's war well

7:57

, there's that whole . I

7:59

don't what is that . We're just

8:01

I don't know what . There's some sort of a weird

8:03

thing on this instagram

8:06

I'm sorry , follow us on instagram .

8:08

Greatest sound hits on instagram .

8:09

There you go exactly um , yeah

8:11

no , we're uh no I was

8:13

gonna say this was

8:15

written during well

8:17

, they know it was green was the

8:20

rem tour in 88

8:22

okay uh , driving and crying opened up for

8:24

them . So they were pushing Mystery Road

8:26

and they're opening up for REM

8:29

, for their green tour , orange Crush

8:31

, and

8:33

then the war was coming on

8:35

, saddam had done his thing , or

8:37

whatever , and so fast forward

8:40

to 91 and it's operation

8:42

.

8:42

Get your VCRs out , yeah .

8:44

Schwarzkopf , desert Storm , storm , that kind of thing . And

8:46

this was sort of like a find

8:48

me courageous , was like a big uh

8:51

, like a pro war anthem in

8:53

a way . Even I don't think they intended it that way , but it just

8:55

sort of mother america

8:57

is brandishing

9:00

her weapons . She keeps me safe

9:02

and warm by threats and misconceptions . So

9:04

and it was like a . It was sort

9:06

of uh , I don't know kind of playing both

9:08

sides of it maybe , or I think they

9:10

were clearly on the against side right

9:13

reality well , yeah , most

9:16

people , most people are , but I mean it was at the

9:18

time we considered it was . You know it

9:20

was a righteous thing at that point . You know

9:22

, things kind of gone south , went

9:25

down south sort of after 91

9:27

, but yeah , at the time it was , and

9:29

then kevin had a .

9:31

Kevin has a bunch of uh name

9:33

tags and hairnets himself .

9:35

Okay doesn't he ?

9:37

uh , he was working for a sewage

9:40

a sewage plant uh , well

9:43

, yeah , at the beginning of their career , like in 86

9:45

. I think he was working at a sewage plant in Milwaukee

9:47

. He

9:50

meets a guy .

9:52

Poop again .

9:57

He meets a guy named Mark French or something , or Fred French .

9:59

Fred French . That sounds like a cartoon

10:01

name ? I don't

10:03

know Kevin

10:06

. Kevin's out there , yeah

10:08

.

10:09

Well , anyway , that's what leads them to

10:12

Tim Nielsen

10:14

, the bass player , Paul Lenz .

10:17

They move to Atlanta shout

10:22

out to those MARTA riders out there , get

10:26

on that MARTA that's right .

10:29

So they were in the Atlanta

10:32

underground scene from probably like 85

10:34

86 and then 87 88 . They

10:36

, you know , hook up the REM little

10:38

five points . You know five points exactly

10:41

. Anyway , this was like sort of like the top

10:43

of the mountain for them . Yeah , a little , five

10:45

points Exactly . Anyway , this was sort of like the top of the

10:47

mountain for them . We're

10:49

going to listen to it . Any

10:52

last words before we dig in . That's

10:55

for you , tim .

10:56

Do we have any words ?

10:58

Are there any ?

10:59

I mean , I don't know what about our

11:03

pal ?

11:04

Right Now my boss . He reprimanded

11:07

me and said some very vicious things and I'm

11:09

very hurt about this , what do you ? Mean hurt . You were hurt

11:11

by his words or you had an injury . Well

11:14

, I sustained an injury , but I was initially

11:16

hurt with his words .

11:18

Words don't hurt Sticks and stones let's go .

11:20

Okay , you're

11:25

not hurt by my words right now . Okay , all right , so this is around the block

11:27

again .

11:28

Steam that cowboy hat off . Let's

11:30

go all right turn

11:33

it down a little bit .

11:38

See , they're driving right now . Sometimes

11:40

they're crying .

12:01

I always find writing in the sand

12:03

is very therapeutic .

12:06

I think so .

12:07

Yeah .

12:08

Especially when it's between your toes , it's

12:10

a hot day out .

12:12

You're grounding , you know Exactly

12:15

. Take

12:17

me around and around , around and around .

12:31

Around and around and round . They go

12:34

around again , they just go around

12:36

again . You know , I invited

12:38

Rita and Marv to a

12:40

bar with you on Sunday .

12:43

I won't be here Sunday and

12:45

someday

12:54

, 12 men in robes that you gotta defend , that's a

12:56

pretty cool lyric .

12:58

It's a good line

13:03

, a little punkish , it is punkish , it is punkish

13:06

yeah .

13:21

Yeah , oh , you think it's Barbershop

13:24

Raga , you

13:27

think it's ?

13:29

Barbershop Raga A little bit

13:32

it is .

13:33

Yeah , it's

13:35

hardcore Raga right now . Yeah , if

13:38

there is a thing they're

13:44

in the pocket , they're doing it . Yeah

13:47

.

13:51

If you don't change your face , I'm going to change my face

13:53

. If

14:03

you don't change your face , I'm going to change

14:05

my face . They go around , they go around

14:07

, they go around again . They just go

14:09

around again . You

14:19

know . I invited Rita and Marlon for a barbecue

14:21

on .

14:22

Sunday .

14:22

I'm going to make my own salad A little

14:24

macoco .

14:27

A macoco on your barbecue food ? Why

14:30

don't ?

14:30

you , let me fix you some of this little macoco drink All

14:32

natural cocoa beans from the upper slopes of Mount

14:35

.

14:35

Nicaragua no artificial sweetness

14:37

. Alright , all right , all

14:42

right

14:46

.

14:50

I can't read it . There's no words on it .

14:54

Thank you , bill , all right .

15:02

This is Chain Reaction . I'm

15:05

changing , thank you , and I've got to be fair to

15:07

myself , lisa .

15:22

Shout out to Mick Jagger .

15:31

Shout out to Mick .

15:32

Jagger Broomer

15:44

Neighborhood .

15:45

More Cowboy , please yeah

15:48

it is good use of cowbell , good

15:51

pickup .

15:56

I'm hardwired for cowbell .

16:03

You got fever , you

16:08

got a fever .

16:20

And the only prescription

16:22

is Maracata

16:25

.

16:25

Oh

16:30

, shout out to Burin . This

16:44

must be beer-ing right here . I wonder if that was Kevin

16:46

Kinney that did that part . I don't know .

16:48

So he was with REM and then he was like I'm

16:50

out .

16:51

Well , he was a guitar tech , and so he's

16:54

like I'm out being a guitar tech because I want

16:56

to be an actual guitar player in a band

16:58

and I got this gig , yeah

17:00

Right .

17:08

All right , that's a good gig . I

17:13

think

17:16

so yeah .

17:21

It's uh .

17:25

It's tolerable . You tolerating

17:28

it . I don't know . It's

17:40

got a little

17:42

bit of a . Who does it remind me of ? I'm

17:46

drawing a blank here .

17:48

Dun dun oh

17:51

.

17:51

Got no Satisfaction is it's kind of like Huey Lewis mixed

17:53

with Want a New Drug . Yeah

17:56

, want a New Drug Mixed

18:00

with like the

18:03

band Mixed with , like Mixed

18:16

with the other guy . Who's

18:21

the punk guy ?

18:41

David Bowie ? No , he's not . Uh um sex pistols . Johnny rotten

18:43

? Yeah , maybe I don't know well

18:45

this guy . I mean in as a human . They're very different people

18:47

, I assume . I mean

18:50

these guys

18:54

talk about the Trail of Tears and Native Americans . They're

18:56

pretty thoughtful . Johnny

18:59

Ryan was just like I just want to get drunk and piss everybody off . I

19:01

don't think these guys are . I've got you on the loose . I

19:04

left you grooving . I've got you on the beat . I don't think these guys are . No , no

19:09

, glenn Quagmire , I don't think they are . Is that what

19:12

? I

19:14

got ? Some driving stuff , though ? Am I driving

19:16

? Okay , I got that .

19:21

The brilliance of an angel covers

19:29

like some girl in a circle of

19:31

a driving . I guess it's a

19:33

. It's a wheel of a car

19:35

, but it's behind like a big

19:37

metal yeah

19:40

, weird clouds yeah , Weird

19:42

clouds yeah

19:46

it is

19:49

.

19:53

I got you a little intel on this album cover .

19:59

Won't you take it easy

20:01

, Push me

20:03

out of ooh

20:08

, won't you .

20:09

Oh , don't do that , please

20:11

, please , don't Right .

20:12

Push me out of . Ooh

20:14

, won't you Take

20:18

it easy on me ?

20:37

Let's see

20:39

there's an article by Garrett Shields

20:41

April 8th 2020

20:43

. Just today , oh wow , that 8th 2020 . Just

20:46

today , oh wow . That's interesting , Isn't that weird ? Fly

20:50

Me Courageous holds a profound meaning . It resonates

20:52

with listeners on a personal level Inspiration from

20:54

the concept of triumph and resilience in the face of

20:57

adversity . It's

20:59

kind of cool .

21:01

Serves a reminder in the darkest of

21:03

times , always a glimmer

21:05

of cool .

21:06

Serves a reminder in the darkest of times , always a glimmer of hope . Kenny

21:08

regarded it as a reflection of the band's collective

21:10

journey , as they were battling eternal conflicts and

21:12

attempting to navigate the ever-changing landscape

21:16

of the music industry . Its personal

21:18

struggle blended seamlessly with the introspective

21:20

theme of the song , creating a powerful anthem

21:22

that struck a chord with

21:24

countless listeners . Pretty cool , yeah

21:27

, I'd agree and

21:33

more cowbell yeah courageous

21:37

yeah it's

21:41

a it's a pro courage song , so I mean

21:44

, yeah , that's good , right that's positive

21:46

. Courage is

21:48

a good thing to have . I

21:55

mean , we are out in the wild right , I

21:57

mean this is sort of

21:59

Wild . Yeah , yeah

22:02

, I mean we could shelter

22:04

ourselves in this nice little cocoon of a

22:06

sound room

22:08

.

22:08

Yeah , what

22:12

are we on here ?

22:15

This is Look

22:17

what you've done to your brothers lately your

22:22

brother , lately I'm punching

22:25

right now . You want to punch

22:27

me right now ? Shout out to Brother

22:30

Derek .

22:34

Your streets are filled , confused

22:37

again , which one

22:39

is your enemy and which one is

22:41

your friend . They're

22:43

crouching down to your

22:46

mother lately .

22:48

Look what you've done .

22:50

Look what you've done .

22:52

Look what you've done . Fucking crazy man , you

22:54

sound insane . Did you realize that you

22:57

should be ?

22:59

to be medicated . I caught

23:01

in a trap caged in my wall

23:03

. You threw me scrap . Shout out to Step Brothers

23:05

.

23:05

To be medicated ? What Shout

23:08

out to Step ?

23:09

Brothers Out on the bridge

23:11

Dancing around

23:14

.

23:14

Look what

23:16

you've done to your

23:22

brother lately

23:25

. Look what you've done . Look

23:28

what you've done . Look

23:31

what you've done to your brother lately .

23:35

Lately , lately , fucking crazy man , you

23:37

sound insane . You realize that

23:40

, dude ?

23:40

you could be medical . Get a breath . Fuck you , Brennan .

23:43

I know you touched my drum set and I want to hear

23:45

that dirty little mouth admit it Out

23:53

of my face .

23:54

I'm going to roundhouse your ass . You swear on your

23:56

mom's life .

23:57

I'm going to roundhouse your ass .

24:01

Out of my face . I'm going to roundhouse your

24:04

ass , look what you've done to your brothers

24:06

lately .

24:07

Look what you've done . Look

24:09

what you've done . Look

24:12

what you've done to your people

24:14

lately . Swear on your mom's

24:16

life Of

24:18

all your wrongs . Look

24:21

what you've done to

24:23

your sisters , lately

24:25

Sisters now .

24:30

Jeff Sullivan Really

24:33

Probably lets everybody Play

24:36

with his drama .

24:37

I'm sure he's cool with that that

24:39

you didn't touch it , then that's because

24:42

he fucking touched my drum set , because

24:44

I know how it doesn't start before

24:46

why

24:52

are you so sweaty ?

24:56

I'm going to the car . Brothers

25:02

, don't shake hands .

25:04

Brothers , gotta hug .

25:06

Alright , okay

25:08

, there we go . So that was

25:10

look what you've done to your brother's hand

25:13

. Alright , okay

25:15

, this is the one that Tim was doing for you .

25:19

Anyhow , if you think that I'm going to sit around and wait for

25:22

you , you can .

25:24

Shout out to Sad Linda .

25:41

Wait for you .

25:49

Forget it . I like this one . It's

25:51

touching .

25:52

Yeah .

26:00

It's like a melancholy crush

26:03

song , right

26:05

.

26:20

Now my boss . He reprimanded me and said some very vicious things , and I'm very

26:22

hurt about that . What do you mean hurt ? You were hurt by his words , or you had an injury . I'm very hurt about that . What do you mean hurt ? You were hurt

26:24

by his words or

26:28

you had an injury .

26:30

I'm sorry , are you crying , am

26:32

I ?

26:33

crying no , I'm not crying

26:36

.

26:36

Aw , I

26:38

held her hand to the morning sun . Yeah , a

26:48

crush . I'm so tired of waiting for you . I've

26:50

got a crush on you . I'm

26:54

so tired of waiting for you .

27:02

Come around again .

27:04

Shout out to Tim Nielsen there on the bass . Yeah

27:08

, yeah , good

27:15

tone on the guitar here .

27:34

Shout out to the letter writers out there .

27:35

Oh yeah , keep it going , you're a dying breed .

27:37

Keep those letters coming . Keep them coming .

27:39

We'll take some shout out to

27:41

tim nielsen just because

27:43

he hasn't been Shout out to Tim Nielsen , just because

27:45

he hasn't been shouted out yet . Yeah

27:48

, he's playing bass on this .

27:51

Really Not bad . Rounds

27:53

it out . It's

27:56

tolerable .

27:57

There you go

28:15

. Frank French is the guy's name from earlier

28:17

. I think he had a

28:20

big hand in

28:22

the early iterations of

28:25

the band

28:33

.

28:36

I've got to be fair to myself , Lisa All

28:38

right

28:55

.

28:55

here's where they start getting silly . All

29:10

right , See , if they

29:18

didn't just sort of like die it out , it

29:24

would have been over for me with this song . Now they came back and redeemed themselves

29:26

with this part .

29:31

Call the fire department . This it was out of control

29:37

.

29:37

That's . That's what's fun

29:39

about this kind of music

29:42

. What's that

29:44

? Just these outros , you know

29:46

, take the song for face value

29:48

, but then yeah

29:51

, and then like really cool little trick there

29:53

yeah

29:57

, they're kind of .

29:58

It's kind of flowing the way the songs

30:00

are . It's not like a super intense driving

30:02

song followed by a crying song . Right

30:04

, it's uh , they

30:07

were driving the beginning and then now they're crying

30:09

and they're gonna start driving . It's a driving song followed by

30:11

a crying song .

30:12

Right , they were driving in the beginning and now they're crying and they're

30:14

going to start driving again . You've got to get out of the

30:16

car to cry before you can get behind the wheel again to drive

30:18

, right ?

30:19

yeah , see , they've gotten out of the car and now they're crying and

30:21

we're going to wait for them to get back in the car and drive

30:23

again , unless you had

30:26

internal windshield wipers , like

30:29

it would wipe your cheeks off and you

30:31

just hold the wheel .

30:33

You have glasses , that just Some

30:36

kind of wiping contraption

30:38

. Just cry Drive

30:40

.

30:43

Oh yeah , you lost me . You

30:46

don't have to sit in the next couple of plays , but

30:49

I think I sort of knew what you were

30:51

talking about .

30:54

Somehow I knew they'd try it , to

30:56

find it and defy it

30:58

and to buy it . Oh , let's

31:01

go dancing . Oh

31:12

, let's go dancing said

31:14

the firefighter hurricane that's cool fire

31:26

. So what so , let's dance . So what so

31:32

, let's dance . Can you hear it crashing

31:34

?

31:35

I stopped a freight train with a grain of sand

31:37

.

31:38

I split a mountain in two with a flake of

31:41

snow .

31:41

I split a mountain in two with a flake of snow

31:44

, still they won't believe me .

31:45

Split a mountain in two with a flake of snow

31:50

Very jingly jangly guitar here

31:53

.

31:53

Yeah , I like the jingle jangle .

31:56

It's very jangly .

31:59

Yeah , I

32:07

said what

32:10

do you know about revolution , when

32:13

all I was taught was patience and waiting and

32:15

making a statement , dancing- let's

32:18

go dancing , dancing

32:22

.

32:22

Let's go dancing , dancing

32:26

.

32:26

Thank you , garth . Hey , that's enough

32:28

guard . He's

32:31

all about hurricane dancing . This

32:36

is like a good new

32:38

orleans dive bar song . It

32:40

sounds new orleans-ish

32:43

. Yeah

32:52

, george Marino did some good mastering on

32:54

this , I

32:56

think so . Yeah , geoff Workman

32:58

, farewell .

33:01

My special love

33:04

.

33:07

All right . The Dumpster Fighter from

33:09

Beavis Special .

33:10

The outro .

33:13

This is the innocent .

33:18

What is he saying here ?

33:19

Nothing in common .

33:26

It was like the Declaration of Independence , and

33:28

he changed the words around . There's

33:32

all kinds of political stuff going on .

33:34

Two wings , same bird people Okay

33:37

yeah .

33:42

We still don't know what that album cover's all about . How could we have

33:44

missed that ? We still don't know what that album cover is all about

33:46

.

33:58

How could we have ?

33:59

missed

34:02

that ? Okay , they're driving now . Hey

34:20

, look at me . This is a world

34:22

where nothing is solved .

34:35

Well , innocent until

34:37

proven guilty , Don't

34:41

run .

34:41

Shout out to the

34:43

runners here . Yeah , shout out to the runners , of

34:46

course . Shout out to

34:48

the runners here . Shout out to the runners , of course . Shout out to

34:50

the Adidas wearers . Jeff

35:00

Sullivan's rocking it , I think , on

35:02

this one .

35:04

Always Boom , boom , boom , boom , boom , boom , boom , boom , boom

35:06

, boom , boom , boom . Big bass bombs coming

35:08

through .

35:09

Yeah , Nielsen's basing it now

35:11

.

35:17

Dancing .

35:20

Garth is digging this Sounds

35:41

like Pat Benatar . I'm

35:45

just a caveman , it's

35:47

just key rock and , yes , your .

35:48

Honor , I'm ready . It's just

35:50

key , rock your Honor and yes , I'm

35:52

ready , Thank you .

35:55

Thank you

35:57

, ladies and gentlemen of the jury . I'm just a caveman

36:00

. I slipped and fell on some ice

36:02

. It was later thought out

36:04

by your scientists . Your

36:09

world frightens and confuses me

36:11

. Every time I get a letter on my fax machine , I'm

36:13

wondering did little demons come in and type these

36:15

things ?

36:18

I don't know .

36:21

My primitive mind can't grasp these concepts , but there

36:23

is one thing I do know . That

36:30

is when a client such as mine slips and falls on some ice in front of the public

36:32

library , he is entitled to no less

36:34

than $2 million in

36:37

punitive damages and

36:39

$2 million in compensatory

36:41

damages .

36:42

Thank you , I

36:45

don't know .

36:47

Yeah , you're like , I don't know what to call it . There's

36:49

nothing more to be added to it .

36:51

There you go .

37:10

I love this one . This is I've

37:14

been a big star by this one . This is good

37:16

.

37:16

Yeah , okay , it's .

37:23

Yeah , because it's driving . It's

37:25

driving . The drive-ins are better than the cry-ins

37:27

Fair . This

37:32

is one of those Feel-good ones

37:34

, deeper

37:37

and deeper , oh

37:40

god .

37:41

I've

37:45

been watching you from

37:47

the mountain , oh

37:49

God . All of your evil

37:52

ways ? Oh no . But

37:55

when I lost ?

37:56

All right , okay , we're cool . We're cool here

37:58

. You brought me uptown .

38:00

But I brought you down , you

38:03

said goodbye and I said don't be

38:06

too long , cause it's together

38:08

, we'll rise again

38:10

, again , again

38:13

, kevin Kevin .

38:16

Yeah , it was Kevin Kinney , but

38:18

his stage name is like Kevin , like

38:21

the difference between his name and his

38:23

stage name is just the I in Kevin

38:25

, kevin , what am the I in Kevin

38:27

Kevin .

38:27

What am I missing , kevin

38:31

Kevin ? The I , you're missing the I

38:33

, I , I

38:35

, oh , oh .

38:50

I On the inside track . You're coming so close . It's just the one of us , the two of us . It

38:52

takes all of us To get it all together . We're right . I

38:56

was woken in the morning

38:59

sun , the heat bearing

39:01

down on me in the backseat

39:03

of my car . Have

39:05

we left the best of ages ?

39:06

lying around . Remember

39:10

that cat and the pool guy .

39:15

Greg Bob John . How are

39:17

you guys ? Oh Rebecca , good to see you . Come on

39:19

in .

39:21

This is definitely like that .

39:23

Get in the pool . Everybody come on in grab a drink

39:26

. Get those clothes off , let's get in the pool . Get in the

39:28

pool . Everybody come on in grab a drink . Get those clothes off , let's

39:30

get in the pool .

39:31

Get in the pool . Remember

39:34

that time you lost it .

39:36

Get in the goddamn pool .

39:38

All right Together

39:42

. We can get you in the pool . Have

39:45

some celery ranch dip , yeah .

39:49

See , this is all feel good , I miss the way she moved

39:51

me , I

39:54

miss the way she smelled

39:57

, I miss the

39:59

way she tasted . You

40:01

talking to me , but I've got

40:03

my thoughts to tell hey

40:05

, get in the fucking

40:07

pool .

40:09

No , man , you can't talk to Brad .

40:15

Shout out to Arlo

40:19

Pair . He was Richard

40:22

Pryor's character in Moving .

40:27

Just having a tough day . Shout out to the movers out

40:29

there .

40:33

Well , they're driving . They

40:39

were driving and crying in Moving

40:42

.

40:42

So much crying . Tearducts

40:49

are a crazy thing , aren't

40:51

they Also

41:02

? You have , like like really big eyes , yeah

41:19

.

41:22

It's , it's tough , all right , this one is Lost in

41:26

a Shuffle . This is really driving and shuffle .

41:34

This is really driving . This

41:36

will be going in my Spotify shuffle playlist

41:38

. It might get lost . It might get lost , ah

41:40

, okay , all right , but it's going to be there . It's

41:43

going to be

41:51

there .

41:52

Rock and roll , bang

41:57

Lost in the shuffle

42:00

that kind of

42:02

like yeah , lost

42:04

in the shuffle .

42:05

Oh , I'll get out

42:10

if . I need some money . I didn't see this live . They are good yeah .

42:13

It's just like they're a live band . I

42:15

think that's what they're going for . Yeah , with all

42:17

this , the live Thing

42:20

, they're still touring now .

42:22

It's not the deepest . I mean

42:24

it is deep music , but it's Superficially

42:30

deep .

42:34

Okay , yeah .

42:37

I don't know , the

42:41

style of music maybe

42:47

makes it less deep , I don't know . They've

42:52

just got so many styles that

42:57

in one song even it's

42:59

just it's

43:01

. You could almost

43:03

be like Pickle Lane sometimes

43:05

with this band . I

43:07

just don't , you could almost be like Pickle Lane sometimes

43:10

with this band . Uh-huh .

43:12

I just don't . They're not committed to all one thing .

43:15

And I'm not sold on his voice

43:18

, but Mm-hmm

43:22

.

43:35

I think it makes a lot more sense if you live in the deep south and

43:37

, like you're driving in a on a canopy road . Yeah and it's , it's , yeah

43:41

, it's almost as if you have

43:43

to be in the aesthetic of

43:45

Deep South in order to yeah

43:47

. And their fan base is almost

43:49

entirely in Georgia

43:52

and South Carolina and North Carolina

43:54

.

43:55

That's like their . I had never

43:57

heard of this band until you mentioned them , right

44:00

.

44:01

Yeah , because nobody . They're lesser

44:03

known almost everywhere else , but they

44:05

still pack them in and they're

44:07

. They have a .

44:09

They're lesser

44:11

known almost everywhere else , but they still pack them in and they

44:13

have an enthused fan base .

44:16

They come back .

44:16

They have a fan base .

44:17

They go , go to

44:20

each city , they come back .

44:22

Well , I mean , they're fans . Yeah , like REM

44:24

, they're big fans of them too . They're

44:27

well-respected within the industry .

44:29

Yeah .

44:30

They're considered contemporaries

44:33

with one another For sure . Yeah

44:37

, this is . Build a fire , this is . We

44:40

could make this one a hit too . I'm

44:42

thinking maybe we should Call

45:07

the fire department

45:11

Fire .

45:18

Farewell Fire

45:22

.

45:26

Farewell Fire , fire

45:29

.

45:35

Come on through fire . So

45:42

this is a hit . No , you can't make this a hit . This

45:45

is going to be in my top three if this is not a hit

45:47

, Okay .

45:48

Well , it was a single . It

45:50

wasn't necessarily a hit . So it's

45:52

our show . We can make it .

45:54

I don't think it was a hit . Okay , it was not a hit .

45:56

Okay , all right , it's just Fighting Courageous

45:58

, that's it . It shouldn't be a hit .

46:00

You're hearing it for the first time

46:02

. I've literally never heard this song . I

46:06

love it , though

46:08

.

46:11

Any call and response going

46:13

on .

46:22

You're my boy Blue . How

46:33

come he's only one with a ball

46:36

? So won't you let me ? I wanted to ask you some

46:38

questions about .

46:40

Won't you love Sing

46:43

along . Won't you come Sing along . Won't you come To build a fire

46:46

Start anew , something

46:49

new .

46:50

Oh , this place is cold . I let my laugh pump Start

46:55

again To the end . Won't

46:58

you come To build a fire ? Got

47:01

you here to turn around . Take your butt

47:03

into the wall , walk with a thousand

47:06

steps , take you on the far too edge . Walk

47:08

feet down the piece . Eat your past

47:10

. You'll find your meat . Turn around and head out

47:13

south . Tell you what it's all about

47:15

. Don't you come to

47:17

build a fire

47:20

, don't you ?

47:20

come to build a fire . Don't you come to build a fire . Don't you come to build a fire . Don't

47:23

you

47:26

come to build a fire ? You feel the fire ? Good bass playing .

47:28

Just saying let it out , give it some air man

47:30

Play with it .

47:32

Nice .

47:36

Nice Shout out to .

47:37

Tim Nielsen . That was a good performance

47:39

there .

47:40

Oh yeah , all right , oh gosh .

47:42

I think we're at the end . Man , is that Rush Hour ? Oh

47:44

my gosh . Oh yeah , all right . Oh gosh

47:46

, I think we're at the end

47:48

. Man Is that Rush Hour ? Oh my gosh , rush Hour here , what

47:59

is sunshine in there ?

48:01

I don't like that . I don't like that analogy

48:03

. I like that metaphor , hey

48:06

.

48:10

You know , we left this England place because it

48:12

was bogus .

48:20

Time is a flat circle , yeah

48:27

they

48:30

are literally driving right

48:32

now . Yee-haw

48:41

.

48:42

Now you're starting to

48:44

sound like Ross .

48:45

Perot with it . You

48:48

want to punch me right now ah

48:56

I should

49:01

have tried to learn this one .

49:06

That would have been

49:09

fun .

49:12

I could

49:15

have played it at half tempo . Yeah , you're more of a flow tone

49:17

, yeah

49:23

.

49:23

They're showing their mean side now , so

49:26

mean they're so .

49:32

You can see Burin's , probably just got looked

49:34

at in his face .

49:36

He's gnashing his teeth .

49:40

Garth is feeling the naughty . Garth is feeling the naughty .

49:49

Oh .

49:58

Oh , this

50:00

punches . This

50:04

punches above weight here , here , yeah , they're punching above weight . It's

50:11

almost like Motorhead . It is Motorhead-y

50:13

. Yeah , where's

50:21

the cowbell ?

50:25

Where's the cowbell ?

50:27

Where's the cowbell ?

50:27

Oh , cowbell would have been .

50:29

God

50:32

, I

50:37

could have used a little more cowbell .

50:51

Oh man 20 more seconds countdown 10 you just can't wait for

50:53

this to be over , oh gosh

50:55

of

50:59

course he's gotta .

51:00

He's gotta scream it out , all

51:02

right .

51:03

Okay , we're done , all

51:07

right I called

51:09

it in , so I called

51:11

it in End

51:14

of story , all right .

51:16

Yeah , we called it in , so we're

51:18

in .

51:19

Milwaukee , that's

51:22

good . No , good one . Fargo

51:24

fans Fargo fans , fargo

51:27

fans .

51:29

Shout out to the Fargo fans . Oh

51:31

man Shout

51:33

out to a decision that Tim's got .

51:35

Really .

51:36

For number three , oh

51:40

God .

51:40

Oh crap , oh crap . Oh

51:44

, is that the crap ? Oh , we

51:47

need you to know .

51:48

You're going to shit when he realizes

51:50

it's shit .

51:52

Okay .

51:54

I'm going to say let's Go Dancing number three .

51:56

Oh , that's a nice one .

51:58

Yeah , it's got the Americana

52:00

revolution thing going on . Yeah

52:03

, gotta

52:05

hurt me in my pocket Stop

52:07

watching dancing things on Netflix

52:09

and get outside and dance . Okay , that's

52:11

right Under the moon and stars and

52:14

shit . Get out there . What's

52:17

your three ?

52:19

My three is

52:22

going to be the Innocent . Oh

52:25

yeah , I did like that one actually . Yeah

52:27

, I mean , it was just it

52:29

rocks . I

52:33

like that guitar thing

52:36

going yeah .

52:41

That was cool . Yeah , it drove . It was a , yeah it drove

52:44

.

52:44

It was a driver . It wasn't a crier and

52:48

it committed and I liked it .

52:51

First kid was a crier , second

52:53

was a driver . All

52:56

right , mine too .

52:58

Ooh

53:00

.

53:03

Look what you've done to your brother

53:05

lately that

53:08

was a good one that's good , it's

53:12

good , it's a good song .

53:13

I like the transition changes on that . That was good . My

53:17

two is gonna be around

53:19

the block again around the block

53:21

.

53:21

Yeah , again Nice oh

53:23

.

53:23

Mr Christian , are you listening

53:27

?

53:27

Special Christian Special

53:30

.

53:31

Alright , that was my number two . What's your number one ?

53:37

Build a Fire . Alright

53:39

, let's go .

53:40

Build that fire . Yep , build a Fire

53:42

, that's a good one . Uh

53:45

, that's my number one as well nice

53:47

yeah , it's

53:49

uh , I mean what can you

53:51

say it's yeah , won't you come

53:53

sing along ? Yeah

53:56

some good southern

53:58

southern raga

54:01

.

54:02

yeah it , they could have extended

54:04

out some of these songs . It's only a 40-minute

54:06

album .

54:08

Well , yeah .

54:10

They said their piece .

54:11

Yeah , they kept it tight .

54:12

It was concise .

54:14

It works . It's got a great balance . It's

54:19

patriotic without being word

54:23

shanty , that kind of a thing , true . So

54:26

, all right , good stuff , man . Well , I'll put

54:28

a bow on this . Thanks for indulging me on

54:32

this one and any last words .

54:34

Well , we'll let Norm fade

54:37

us out , you know . Thanks for listening . Hope

54:39

this was a great night . You know , Shout

54:41

out to our day , our morning . Shout out to the Billy

54:43

.

54:43

Madison fans this has been the best night of

54:45

my life alright , goodnight

54:48

.